Record Reviews

MISHA ALPERIN / JOHN SURMAN ~ FIRST IMPRESSION ECM 1664 (Barcode: 731455765021) ~ RUSSIA ~ Jazz Recorded: 1997 Released: 1999 This is the 3rd album on ECMFind albums on this label by ex-Soviet (now living in Norway) brilliant pianist / composer Misha AlperinFind albums by this artist, which finds his joining forces with British Master saxophonist / composer John SurmanFind albums by this artist, who accepts the role of a band member here, which is a measure of respect he holds for Alperin´s compositions. They are accompanied by Alperin´s life-long friend and musical partner Arkady ShilkloperFind albums by this artist, who plays French horn and flugelhorn, and three Norwegian musicians: bassist Terje GeweltFind albums by this artist, Master drummer Jon ChristensenFind albums by this artist and percussionist Hans-Kristian Kjos SorensenFind albums by this artist. Alperin´s music is contemplative and deeply moving, complex but also melodic, reminiscent of some contemporary Classical music but with a distinct Jazz connection. It is devilishly difficult to perform and the musicians present here are obviously all virtuosi. I can´t imagine any serious music connoisseur not falling in love with this music immediately and if you´re not familiar with it, now is the time!

CD 1 Slipcase Recommend To A Friend

BAN / SURMAN / MANERI ~ TRANSYLVANIAN FOLK SONGS SUNNYSIDE 1580 (Barcode: 016728158022) ~ ROMANIA ~ Jazz-World Fusion Recorded: 2018 Released: 2020 This is an album by the international trio comprising of Romanian pianist Lucian BanFind albums by this artist, British saxophonist / bass clarinetist John SurmanFind albums by this artist and American violist Mat ManeriFind albums by this artist. The trio performs nine Transylvanian Folk songs originally transcribed by the great Hungarian composer Bela BartokFind albums by this artist during his ethnomusicological studies in the early 20th Century, during which he transcribed thousands of Folk pieces. The beautiful Folk melodies are gently treated by the trio members, somewhere between their original melodic core interpretations and improvised vistas, mostly explored by Surman, who is the main soloist and who’s playing here is a tour de force of Jazz improvisation. The interplay between the three musicians is very intimate and the sound of the trio is perfectly balanced, which produces a highly aesthetical journey through an amalgam of East European / Balkan music and Jazz improvisation, which should delight all true Jazz lovers. This album received relatively little coverage on the international Jazz scene, perhaps due to the pandemics or the fact that most journalists did not know how to “swallow” this multilayered, complex but beautiful music. Perhaps the most important aspect of this music is its universality, proving again that music knows no borders, and any music created by people can be loved and accepted by all people, regardless of their Cultural backgrounds. Overall, this is a stunning piece of music, which deserves to be heard all over the world, and which despite its initial “peculiarity” can easily break all barriers, creating a true intellectual pleasure storm. Not to be missed under any circumstances!

Updated: 30/04/2022Posted: 30/04/2022

CD 1 Digipak Recommend To A Friend

GORDON BECK ~ JUBILATION!: TRIOS, QUARTETS, AND SEPTETS IN SESSION 1964-1984 TURTLE 501 (Barcode: 5013929580107) ~ UK ~ Jazz Recorded: 1964 - 1984 Released: 2018 This is an archival release collecting live recordings made by various ensembles led by the seminal British Jazz pianist / composer / bandleader Gordon BeckFind albums by this artist, one of the key figures of the revolutionary British Jazz movement of the 1960s, who died in 2011. The recordings present Beck in different settings, from solo piano to a septet, spanning two crucial decades in which Beck and the entire British Jazz scene metamorphosed from a copycat of American Jazz to a bold, adventurous and pioneering musical movement with its own values and aesthetics, leading the rest of Europe towards the same process of emancipation. On the recordings included in this release Beck is accompanied by the crème de la crème of the British Jazz heroes; bassists Jeff ClyneFind albums by this artist, Ron MathewsonFind albums by this artist and Mick HuttonFind albums by this artist, drummers Johnny ButtsFind albums by this artist, Tony OxleyFind albums by this artist and Steve ArguellesFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. Of the twenty eight pieces performed, only three are standards and the rest are original compositions by Beck. The music moves in a multidimensional space-time continuum, between traditional American Jazz and modern European Jazz, between standards and original compositions and between solo piano and ensemble playing, but always beautifully focused on Beck´s superb feel of melody and rhythm and his exquisite perception of harmony. The trio recordings, which open the first of the three CDs included in this Box Set, present a transition, which presents the quantum jumps separated from each other by two years gaps (1964-1966-1968), by which Beck and the trio move from a Bill EvansFind albums by this artist inspired swing perfection to a much more open, almost free playing, emphasized mostly by the change of the drummer from Butts to Oxley, one of the most important Jazz drummers of all time. By the mid 1970s the trio will be brought to perfection with the inclusion of Mathewson, and rechristened to MOBFind albums by this artist (Mathewson / Oxley / Beck) which can be heard on the second CD. The septet recordings, which take the rest of the first CD, are rather atypical in Beck´s career, as he preferred small ensembles, show Beck´s arranging skills, which he was able to perfect as the resident composer / arranger for the Ronnie ScottFind albums by this artist´s all-star band, which included six of the seven members of the septet (John SurmanFind albums by this artist is the missing one). The latest (chronologically) recordings present a quintet session, which is led by the mature musician Beck has become in the meantime, are presented on the third CD. Beck´s solo material is presented on the second and third CDs. Overall the Box Set is full of magnificent music, diverse stylistically, but always perfectly executed, which presents a portrait of a great Artist. Considering that all these recordings are previously unreleased, this in an absolute treasure chest and a historic document of the outmost importance. All the recordings were beautifully remastered and offer a first class listening experience. The Box Set, which was released by the reanimated TurtleFind albums on this label Records, includes an extensive booklet written by Simon SpillettFind albums by this artist, which is intelligent, informative and well researched, a true model for what all releases of this kind should offer those who buy the product. Absolutely essential to all British / European Jazz connoisseurs!

Updated: 16/02/2019Posted: 15/02/2019

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

HARRY BECKETT ~ FLARE UP JAZZPRINT 124 (Barcode: 604388600526) ~ UK ~ Jazz Recorded: 1970 Released: 2002 Trumpeter / composer Harry BeckettFind albums by this artist was one of the pillars of the British Jazz in the 1960s / 1970s. His beautiful tone and exceptional improvising qualities made his one of the busiest player on the scene. He was a member of some of the most important ensembles of the period, led by distinguished musicians like Graham CollierFind albums by this artist, Mike WestbrookFind albums by this artist, Keef HartleyFind albums by this artist, John SurmanFind albums by this artist, Ray RussellFind albums by this artist and many others, and also led his own quartet. The plans to make his debut album as a leader with his own quartet somehow never materialized, but instead he formed an octet for the occasion, which included the young “lions” of the scene: John Surman, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones, Frank RicottiFind albums by this artist on vibes, John TaylorFind albums by this artist on piano, Chris LaurenceFind albums by this artist on bass and John WebbFind albums by this artist on drums – an absolute dreamy collection of players. In addition to his compositions, the band also performs three of Graham Collier’s beautiful tunes and one Surman classic. The result is absolutely sensational, a true classic of the period and a must for every fan of British Jazz of the era. Not to be missed!

CD 1 Recommend To A Friend

PAUL BLEY ~ IN THE EVENINGS OUT THERE ECM 1488 (Barcode: 731451746925) ~ USA ~ Jazz Recorded: 1991 Released: 1993 Brilliant album by US pianist / composer Paul BleyFind albums by this artist with a superb quartet, which includes bassist Gary PeacockFind albums by this artist and two British Jazz Masters: saxophonist John SurmanFind albums by this artist and drummer Tony OxleyFind albums by this artist – a brilliant group of players that sadly didn´t record together again so far. These players are ideal partners to Bley´s deep lyricism and atmospheric approach to music. The album includes twelve relatively short pieces, composed by all four participants, and played in solo, duet, trio and quartet settings. Altogether a magnificent album, although not an easy listening experience to less refined listeners. These are the moments worth living for in music!

CD 1 Recommend To A Friend

ANOUAR BRAHEM ~ THIMAR ECM 1641 (Barcode: 731453988828) ~ TUNISIA ~ Jazz-World Fusion Recorded: 1997 Released: 1998 This is an absolutely astounding piece of music by the Tunisian oud Master Anouar BrahemFind albums by this artist, accompanied by two British Jazz legends: Saxophonist John SurmanFind albums by this artist and bassist Dave HollandFind albums by this artist. The music completely eludes all attempts of classification, although obviously most listeners will probably tend to see it as a mixture of Jazz and World music. In fact, although it is composed (by Brahem except for one peace each by Surman and Holland) it´s pretty obvious that it was created as an improvisation by these musicians. The most astounding aspect of this recording is the obvious ease and natural "feel" displayed by Surman and Holland playing this music, in spite of their overwhelming Jazz background, which perhaps prove the intimate relationship between Middle Eastern music and Jazz, both being of course highly improvised. It goes without saying that I recommend this gem to every open-minded music lover, as the experience of listening to it is highly rewarding and deeply moving!

CD 1 Slipcase Recommend To A Friend

GRAHAM COLLIER ~ HOARDED DREAMS CUNEIFORM 252 (Barcode: 045775025223) ~ UK ~ Jazz Recorded: 1983 Released: 2007 This extraordinary album contains a previously unreleased recording of Graham CollierFind albums by this artist’s Big Band performance of his suite “Hoarded Dreams”. The music was commissioned by the Arts Council of Great Britain (UK Government body that over the years faithfully supported UK Jazz scene and provided endless opportunities for UK musicians to compose and record) for the 1983 edition of the Bracknell Jazz Festival. For the occasion Collier assembled a spectacular Big Band (including 19 musicians), which he conducted. The players are a multi-national creme de la creme of European Jazz, with such distinguished names as Tomasz StankoFind albums by this artist (Poland), Juhani AaltonenFind albums by this artist (Finland), John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist (UK), Manfred SchoofFind albums by this artist (Germany), etc. This awesome personnel ensures that the performance is truly stellar, with soaring solos and endless display of virtuosity and collective interplay. The brilliant music, suiting elegantly and perfectly the purpose of providing solo space for such a broad group of instrumentalist proves again that Collier is undoubtedly one of the true Giants composers of Modern Jazz of the caliber of Charles MingusFind albums by this artist. Absolutely stunning! See also the Garahm Collier album released on Jazzis Records

CD 1 Recommend To A Friend

RICHARD GALLIANO ~ NINO ROTA DEUTSCHE GRAMMOPHON 028947646150 (Barcode: 028947646150) ~ FRANCE ~ Jazz Recorded: 2011 Released: 2011 This is an album by French accordionist / composer Richard GallianoFind albums by this artist, recorded in a quintet setting with British saxophonist John SurmanFind albums by this artist, American trumpeter Dave DouglasFind albums by this artist, Russian (resident in US) bassist Boris KozlovFind albums by this artist and American drummer Clarence PennFind albums by this artist. As the title suggests, the album is dedicated to the cinematic music by the great Italian composer Nino RotaFind albums by this artist. The album presents twenty tracks, all but one composed by Rota and one is an original composition by Galliano, dedicated to Rota. Rota’s music was one of the most distinctive soundtracks of the Italian / European and later on also Hollywood cinema. His cooperation with Italian directors like Frederico FelliniFind albums by this artist, Luchino ViscontiFind albums by this artist and Franco ZeffirelliFind albums by this artist and later Francis Ford CoppolaFind albums by this artist, made his brilliant film scores world famous and everlasting. Galliano and the quintet’s treatment of Rota’s music is wonderfully balanced between the original melody lines and their Jazz interpretations, full of superb musicianship and imagination. Sometimes hidden from the eye (ear), at other times easily recognizable, the epic melodies fly one after another like scenes from b/w movies, and those of us, who experienced these brilliant films at their first exposures, are swept on a carpet ride through a sentimental journey, full of memories and emotions. These were definitely better times… Overall, this is a sublime interpretation of the cinematic music by Nino Rota, played by great Jazz instrumentalist and arranged, adapted and orchestrated with great care and aesthetic respect by Galliano. This is a breath of fresh air in every respect, perhaps not a typical Jazz album, but certainly one that leaves the listener with a wide smile and a tear in the eye…

Updated: 30/10/2023Posted: 30/10/2023

CD 1 Recommend To A Friend

MICHAEL GIBBS ~ MICHAEL GIBBS / TANGLEWOOD 63 VOCALION 4253 (Barcode: 765387425326) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2005 Composer / arranger / bandleader / trombonist Michael GibbsFind albums by this artist was born in Rhodesia (now Zimbabwe). In his early twenties he moved to the US, where he studied both Jazz and Classical music at the Berklee College of Music, the Boston Conservatory and the Tanglewood Institute, where he studied with renowned classical composers Aaron CoplandFind albums by this artist and Lukas FossFind albums by this artist. In 1965 Gibbs settled in London and immediately was absorbed into the burgeoning local Jazz scene, first as a trombonist, and later when he stopped to play the instrument, as a composer, arranger and bandleader. Over the years he assembled an impressive body of work as a composer, which has been considered as some of the most innovative and daring forays into the fusion of Classical, Jazz and Rock. He recorded many of his compositions using large ensembles, which comprised of the best British and later also European Jazz musicians, all of which are considered masterpieces. He also composed music for cinema and created many incredible arrangements for albums in the Rock and Jazz areas. This album combines his two first albums, composed for and performed by huge ensembles including brass, string and rhythm sections and including around 30 musicians. The names of the participants resemble the “who’s who” of the British Jazz scene at the time and the main soloists are: Chris SpeddingFind albums by this artist, Ray RussellFind albums by this artist (guitar), Kenny WheelerFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist, John SurmanFind albums by this artist, Mike OsborneFind albums by this artist (sax), Gordon BeckFind albums by this artist (piano), Jack BruceFind albums by this artist, Brian OdgersFind albums by this artist (bass), Tony OxleyFind albums by this artist, John MarshallFind albums by this artist (drums) and many more. The music is quite incredible of course, very difficult to classify, as it flows between genres and musical landscapes disregarding any preconceptions. Gibbs is a master at creating an internal tension in his scores, which is often expressed by the role the brass and rhythm sections play against each other, with the brass section representing the jazzy elements and the rhythm section (especially the guitar) the rock elements. The music is often contemplative and moves slowly, similarly to many of the modern Classical music pieces, influenced obviously by the composer’s teachers and resembling sometimes even the work of Philip GlassFind albums by this artist. Definitely not easy listening, but a highly rewarding intellectual experience. For the lack of a better alternative I’ve decided to classify it under Jazz, but this music is truly beyond classification and constitutes a class of its own. Fascinating!

CD 2 Remastered Recommend To A Friend

MICHAEL GIBBS / GARY BURTON ~ FESTIVAL 69 TURTLE 503 (Barcode: 5013929580305) ~ UK ~ Jazz Recorded: 1969 Released: 2018 This is an archival release documenting a live concert by pioneering American vibraphonist / composer Gary BurtonFind albums by this artist supported by a Big Band led by British trombonist / composer / bandleader Michael GibbsFind albums by this artist. The concert, which is presented on the first two CDs of this three CDs set, was recorded in November 1969 in Belfast. The third CD presents an earlier (February 1969) recording by the Big Band at the Lancaster University. Both recording were made prior to the release of the Michael Gibbs eponymous debut album in 1970. The first CD presents five tracks performed by the Gary Burton Quartet, which included guitarist Dave PritchardFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bill GoodwinFind albums by this artist, and one track with the quartet supported by the Big Band, which included trombonists Chris PyneFind albums by this artist and Gibbs of course, trumpeters Kenny WheelerFind albums by this artist and Trevor BarberFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Ray WarleighFind albums by this artist and Tony RobertsFind albums by this artist and guitarist Chris SpeddingFind albums by this artist. The second CD presents four tracks with the quartet supported by the Big Band and one final track just by the quartet. The third CD presents the Big Band with a dreamy lineup of saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan Skidmore, trumpeters Henry LowtherFind albums by this artist and Rodney TealFind albums by this artist, trombonists Chris Pyne and Gibbs of course, tuba player Dick HartFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Phil LeeFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist – a true Who´s Who of the British Jazz scene at the time. The Big Band performs eight original compositions by Gibbs (two combined into one track). The Gibbs / Burton association goes back to their common Berklee School of Music days. Burton included many compositions by Gibbs on his albums in the 1960s, but for a variety of reasons they did not manage to record together until the "In The Public InterestFind albums with this title" album released in 1974. In fact almost all of the compositions by Gibbs appearing in this set were already previously recorded by Burton. Therefore this historic recording is another wonderful example of their lasting cooperation, and since it remained unreleased for five decades, it is even more significant. Of course Burton always was a "strange bird" on the American Jazz scene and his aesthetic affiliations were much closer to the European Jazz, which was rapidly developing by the mid-1960s. The pioneering Jazz-Rock Fusion recordings by his quartet, especially those with guitarist Larry CoryellFind albums by this artist, paved the way for the Fusion explosion by the end of the 1960. It is therefore not surprising, that Burton was able to appreciate the quality of Gibbs´ compositions in spite of their complex harmonic and rhythmic structures. The Lancaster University recording is by no mean less interesting and presents the very early stage of Gibbs´ illustrious career as a band leader, parallel to his composing duties. The glorious days of British Jazz when the concept of a functional Big Band was still feasible were sadly rather short lived and therefore any document of the era is simply invaluable. The presence of Jack Bruce on bass, shedding his superstar post-CreamFind albums by this artist image just for the love of Jazz, that he always considered as very close to his heart, was far from sensationalism. In the short period of time, when Bruce was closely involved with the core British Jazz scene, including the recording of his superb "Things We LikeFind albums with this title" album, are truly worth remembering. Overall this set is a splendid piece of the British Jazz at its creative peak, and as such is an essential part of every serious British Jazz collection. The sound, which is far from ideal, has been restored to the best ability of today´s sound technology and the set includes well researched and comprehensive booklet describing the background and circumstances of these recordings, which is very informative. This set is the fifth release by the resurrected TurtleFind albums on this label Records, a Cherry RedFind albums on this label label dedicated to reissues and archive releases of historic British Jazz recordings, which unearth lost and forgotten musical treasures British Jazz connoisseurs simply can´t live without!

Updated: 28/06/2021Posted: 30/09/2018

CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend

PER HUSBY ~ DEDICATIONS HOT CLUB 21 (Barcode: 7029660010412) ~ NORWAY ~ Big Band Jazz Recorded: 1985 Released: 1990 This is an insanely beautiful album by Norwegian pianist / composer / arranger / bandleader Per HusbyFind albums by this artist and his Orchestra / Big Band, which features the vocal talents of Norwegian singer Karin KrogFind albums by this artist and British singer Georgie FameFind albums by this artist, my favorite Jazz singers in the whole world. The Orchestra includes the absolutely best Scandinavian players and the British guests: trumpeter Martin DroverFind albums by this artist and saxophonist John SurmanFind albums by this artist. The album is dedicated to the American pianist / composer Tadd DameronFind albums by this artist. The album presents eight tracks, five of which are compositions by Dameron, two by Husby and one is a medley of a composition by Swedish Jazz composer Lars GullinFind albums by this artist and a composition by Husby dedicated to Gullin. The music was recorded at the fabulous Rainbow Studios and engineered by the legendary Jan Erik KongshaugFind albums by this artist. The album is full of brilliant arrangements and superb performances by the instrumentalists, which are nothing less than astounding, and the entire Big Band sound is just breathtaking. The vocals are the proverbial cherry on top. This has been one of my favorite albums since the date it was released but I managed to get a copy of the CD only recently after a long hunt ;) This project has a twin album called “If You Could See Me NowFind albums with this title”, recorded a year later by the Husby / Krog / Fame team, this time with an American Big Band. The comparison between the two is a true lesson in the differences between American and European Jazz, especially in the Big Band idiom. Overall, this is a classic album both for Big Band Jazz lovers and Jazz vocals lovers, which has but a few competitors. Sadly, it is rather obscure despite its sublime class and aesthetic values, but hey this is the fate of so many great albums produced outside of the mainstream American Jazz machine. Wholeheartedly recommended to all true Jazz lovers.

Updated: 29/03/2023Posted: 29/03/2023

CD 1 Recommend To A Friend

KARIN KROG ~ FOLKWAYS MEANTIME 16 (Barcode: 7051070000165) ~ NORWAY ~ Jazz-World Fusion Recorded: 1996 - 2009 Released: 2010 This is a stunning album by iconic Norwegian vocalist Karin KrogFind albums by this artist, accompanied by British saxophonist John SurmanFind albums by this artist, Swedish violinist Mads BerglundFind albums by this artist and Norwegian oboist Brynjar HoffFind albums by this artist. The album presents nineteen tracks, most of which are Norwegian folk songs arranged by Krog, except for one original composition by Surman, which appears twice. The music was recorded at two separate sessions, thirteen years apart, by Jan Erik KongshaugFind albums by this artist, most probably at the Rainbow Studio in Oslo, although the information on the artwork is exceptionally skimpy. The music on this album is completely different from all the other recordings by Krog, which are mostly Jazz oriented and on which she sings in English. Here she deals mostly with Norwegian Folk songs and sings in Norwegian. Of course the arrangements do have a strong Jazz tinge, and Surman’s playing is all one way or another connected to improvisation. Since most of the tracks are Krog / Surman duets, this album might have been one more duo album by them, but the tracks with the two other guests sets it apart. One might speculate that one of the session was that with Surman, and the other session was with Berglund and Hoff? I must ask Karin about this ;) But mystery apart, musically the album is absolutely stunning and has been one of my favorite recordings by Krog (and Surman) since the day I heard it first. The music is unpretentious, intimate and reflects the perfect balance and telepathic communication between the musicians. It is a perfect example of Jazz-World Fusion amalgamation, which could be a school example of how such things are done at their best. Overall, this is an absolute brilliant album from start to finish, deeply moving and superbly musical. The amalgam of Folk music and Jazz is presented here at its absolute best and the result is simply irresistible. An absolute must!

Updated: 13/05/2022Posted: 13/05/2022

CD 1 Recommend To A Friend

KARIN KROG ~ HUSKONSERT I AURSKOG MEANIME 06 (Barcode: 7051070000066) ~ NORWAY ~ Jazz-World Fusion Recorded: 1995 Released: 1996 This is a beautiful album by Norwegian Jazz vocalist / songwriter Karin KrogFind albums by this artist, on which she pays tribute to her great-grandfather Anders HeyerdahlFind albums by this artist, violinist / composer and Norwegian Folk music collector. The album presents twenty-two tracks, which include classical music composed by Heyerdahl and folk songs he collected, transcribed and composed. The music is performed by Krog, fiddler Matts BerglundFind albums by this artist, saxophonist John SurmanFind albums by this artist, pianist Einar Henning SmebyeFind albums by this artist and Der Norske StrykekvartettFind albums by this artist (string quartet). The album was co-produced by Karin and John Surman and recorded by our Friend Jan Erik KongshaugFind albums by this artist, at his legendary Rainbow Studio in Oslo, and offers a spectacular sound quality. Although the album is intended as a tribute, the music is excellent from start to finish, especially the Folk songs performed by Krog with Surman’s accompaniment on bass clarinet. But the classical pieces and the Folk melodies played by Berglund are also fascinating. Overall, this is a highly unusual collection of music connected to Anders Heyerdahl, which deserves to be heard and is a beautiful musical experience from start to end, being an obvious labor of love by Krog and her companions.

Updated: 02/02/2024Posted: 02/02/2024

CD 1 Recommend To A Friend

KARIN KROG ~ OSLO CALLING MEANTIME 14 (Barcode: 7051070000141) ~ NORWAY ~ Jazz Recorded: 2007 Released: 2008 This is an album by the Norwegian Jazz singer Karin KrogFind albums by this artist, recorded with a Norwegian trio comprising of pianist Vigleik StoraasFind albums by this artist, bassist Bjorn AlterhaugFind albums by this artist and drummer Tom OlstadFind albums by this artist, collectively known as The Meantimes. Several guest appear on selected tracks, including British saxophonist John SurmanFind albums by this artist and the legendary sound engineer Jan Erik KongshaugFind albums by this artist, who was also an accomplished guitarist. The album presents twelve tracks, two of which are original songs by Krog, two others are songs co-written by Storaas and Krog and the rest are standards. The album is a wonderful testimony of Krog’s love of the vocal Jazz idiom, which always reflects her incredible talent and her superb interaction with other musicians. Her treatment of Jazz standards is absolutely unique and instantly recognizable, and she has been one of my favorite Jazz vocalists since as long as I can remember. Overall, this is brilliant music, which deserves to be heard. Krog has very few competitors as a Jazz vocalist, with her idiosyncratic approach and incredible feel, and her superb recorded legacy accumulated over the years is a true treasure chest. This is an absolute must to vocal Jazz enthusiasts.

Updated: 19/08/2023Posted: 19/08/2023

CD 1 Recommend To A Friend

KARIN KROG ~ WHERE YOU AT? ENJA 9144 (Barcode: 767522914429) ~ NORWAY ~ Jazz Recorded: 2002 Released: 2003 This is an album by the Norwegian Jazz singer Karin KrogFind albums by this artist, recorded in NY with a fabulous American trio: pianist Steve KuhnFind albums by this artist, bassist David FinckFind albums by this artist and drummer Billy DrummondFind albums by this artist. The album presents eleven tracks, three of which were written by Kuhn, four were composed by John SurmanFind albums by this artist with lyrics by Krog and the remaining four are standards. Krog recorded several albums with Kuhn and they love to work together since many years, as this lovely album clearly shows. Kuhn is a highly sensitive accompanist and a virtuoso pianist, which can be heard on his numerous recordings, but his collaborations with Krog always offer a wonderful atmosphere of mutual respect and love. Krog has been one of my favorite vocalist since decades and her idiosyncratic style and approach are absolutely unique. She combines the Jazz vocal tradition with modern and sometimes even Avant-Garde approach, especially when recording with Surman. Overall, this is a fabulous classic Jazz vocal album, perfectly sung and played by fabulous musicians, with great mixture of original material and standards. Krog recorded quite a few albums during her career, and there is not even one of those, that does not make my day on a cloudy day. Love you, Karin!

Updated: 14/08/2023Posted: 14/08/2023

CD 1 Recommend To A Friend

KARIN KROG / BERGEN BIG BAND / JOHN SURMAN ~ SEAGULL GRAPPA 4212 (Barcode: 7033662042128) ~ NORWAY ~ Big Band Jazz Recorded: 2005 Released: 2005 This is a brilliant album by Norwegian vocalist / songwriter Karin KrogFind albums by this artist, accompanied by the excellent Bergen Big BandFind albums by this artist, conducted by British saxophonist / composer John SurmanFind albums by this artist, who also adds a few soli on several of the tracks. The album presents twelve tracks, two of which are written by Krog, five are co-written by Krog and Surman, and the rest are Jazz standards. The arrangements are mostly by Surman, but four of them are by another Brit (well, born in Canada) John WarrenFind albums by this artist. The album was recorded by my Friend Jan Erik KongshaugFind albums by this artist, and offers a spectacular sound quality. The album presents two separate European Jazz collaborations, the first between Surman and the Bergen Big Band, which also produced the superb “Another SkyFind albums with this title” album from 2014, also released on the GrappaFind albums on this label label, and the second between Krog and Surman, which started in 1976 and produced a long series of albums created oved many decades. Considering the fact that Krog and Surman are two of my all-time favorite musicians, and the Jazz Big Band is one of my favorite Jazz idioms, this album is for me an absolute delight from start to finish. Krog, as I have already stated many times previously, is one of the finest interpreters of Jazz standards, as well as a great songwriter of her own right, and she has been active since the mid-1960s, i.e. for almost six decades now, never singing a wrong note since, and her idiosyncratic vocals are one of European Jazz best known secrets. Surman is of course a true Jazz Master in every respect and his accumulated achievements are second to none. The Bergen Big Band is also a great representative of the European orchestral music approach, and all of their recordings are definitely worth being checked out for lovers of that particular Jazz sub-genre. Active since 1993, it is one of best European Big Bands around, featuring some of the best musicians in the country and often inviting guests from abroad. Overall, this a brilliant album, which combines Big Band Jazz and Jazz vocals, which can hardly get any better. It showcases the unique talents of Krog and Surman, here also as arranger / conductor, in short a splendid display of talent and virtuosity. Absolutely breathtaking!

Updated: 27/01/2024Posted: 27/01/2024

CD 1 Recommend To A Friend

KARIN KROG / STEVE KUHN ~ TOGETHER AGAIN GRAPPA 4247 (Barcode: 7033662042470) ~ NORWAY ~ Jazz Recorded: 2005 Released: 2006 This is a duo album by Norwegian Jazz vocalist Karin KrogFind albums by this artist and American Jazz pianist Steve KuhnFind albums by this artist. The album presents ten songs, all classic Jazz standards. The music was recorded at the legendary Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist. During her long-lasting career Krog established close working relationships in several duo settings with top Jazz musicians, most notably with British saxophonist John SurmanFind albums by this artist and Kuhn, which resulted in a series of wonderful duo recordings, of which this is a prime example. The wonderful, naked format of human voice accompanied just by acoustic piano is one of the purest and most pristine examples of making music, which although intimate and modest can become infinitely rich and deeply moving. Kuhn is of course one of the greatest accompanists out there, known for his work with Sheila JordanFind albums by this artist and other vocalists, and his playing is simply divine. Combined with the Krog’s warm voice and her idiosyncratic interpretations of the songs, the duo is able to move mountains and make even the toughest listeners to shed a proverbial tear. Kuhn’s deeply lyrical approach to melody and the wealth of his piano technique is extraordinary and every note produced by him on the piano is absolutely perfect, in tone, volume and relationship to the vocals. Overall, this is a masterful showcase of the piano / vocals Jazz idiom, perfect from the first note to the last, and deserving repeated listening sessions over time. When the world gets particularly gloomy and sad, this album might just be the last resort…

Updated: 29/08/2021Posted: 29/08/2021

CD 1 Recommend To A Friend

KARIN KROG / JOHN SURMAN ~ BLUESAND MEANTIME 09 (Barcode: 7051070000097) ~ NORWAY ~ Jazz Recorded: 1999 Released: 1999 This is wonderful duo album by Norwegian vocalist Karin KrogFind albums by this artist and British multi-instrumentalist / composer John SurmanFind albums by this artist, one of many albums they recorded together since their first meeting on stage in 1978, mostly released on the ECMFind albums on this label label and MeantimeFind albums on this label Records, like this one, which is owned by Krog. The album presents twelve original compositions, co-credited to them both with lyrics by Krog. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist. The music is a wonderful amalgam of Jazz, Blues, Electronics, Nordic moods and above else elegance and good taste, which results in a unique listening experience. Krog sings lyrics and uses electronic devices and loops and Surman as usual switches between soprano and baritone saxes, clarinets, piano and synthesizers, creating a rich tapestry of sounds and feelings. Each and every one of the compositions is a gem, combining Krog’s vocals with layers of instrumental improvisations by Surman, and although completely coherent as a whole the compositions present a diversity of musical capsules, each and every one as if originating in a different universe. Overall this is a masterly conceived and executed piece of music in the “Art of the Duo” idiom, which exemplifies the power of minimalism. In his work with Krog, Surman always displays a different personality than on his solo or ensemble works as a leader, showing the gentler, almost romantic facet of his musical charisma. For British Jazz enthusiasts, this album offers some of Surman’s best work, Norwegian Jazz fans need no introductions and the album is simply a sweet reminder of how superb music can become in hands if intelligent and highly talented musicians. Not to be missed and every bit as great as it was at the time of its release.

Updated: 29/08/2021Posted: 13/04/2021

CD 1 Recommend To A Friend

KARIN KROG / JOHN SURMAN ~ CLOUD LINE BLUE MEANTIME 11 (Barcode: 7051070000110) ~ NORWAY ~ Jazz Recorded: 1976 Released: 2004 This is a reissue of the debut album by the fabulous duo of Norwegian vocalist / composer Karin KrogFind albums by this artist and British saxophonist / composer John SurmanFind albums by this artist. The music was recorded in London in 1976, with the participation of keyboardist Janet CookeFind albums by this artist and drummer Stu MartinFind albums by this artist. Surman composed or co-composed all the music with Krog and Martin and played a plethora of analog synthesizers in addition to playing saxophones. The album presents seven tracks, all featuring lyrics by Paul RowlandsFind albums by this artist. The music waited for another three years to be mixed, eventually done by Jan Erik KongshaugFind albums by this artist in Oslo and released in 1979. The album was also released in Poland on the PoljazzFind albums on this label label. The music is absolutely stunning, completely unique and revolutionary, so much so, that listening to it today, forty-five years after it was recorded, I experienced goosebumps. Krog’s idiosyncratic vocals and vocalese and Surman’s improvisations, are completely inimitable. The most astounding quality of the music is its deeply melodic feel despite the Avant-Garde exterior, which in retrospect characterizes both Krog and Surman for the entire duration of their respective careers. I vividly remember hearing this music live at the time, as well as haring the duo several times over time, always being completely taken over by the magic they managed to create together. Some musicians are obviously destined to play together, creating a result far greater than just the sum of its parts. This album, and the further recordings by this duo, are all gems and deserve to be heard, especially since they are all absolutely timeless. It is great that Karen manages to reissue all her recordings on her MeantimeFind albums on this label label, keeping them alive, as they would have disappeared into the depth of the abyss of forgotten music, if it was up to the Major labels. This album remains to be a giant step in European Jazz and deserves an honorable place in every serious record collection!

Updated: 07/06/2021Posted: 07/06/2021

CD 1 Recommend To A Friend

KARIN KROG / JOHN SURMAN ~ INFINITE PATHS MEANTIME 23 (Barcode: 7041880102326) ~ NORWAY ~ Jazz Recorded: 2014 Released: 2015 This is the fourth album by the iconic Jazz duo comprising of Norwegian vocalist Karin KrogFind albums by this artist and British saxophonist John SurmanFind albums by this artist. John’s son Ben SurmanFind albums by this artist added some electronic effects and aural layers and made the live recording of a concert in Oslo, which was later mastered by the legendary sound engineer Jan Erik KongshaugFind albums by this artist. The album presents seven tracks, all original composition / improvisations by the duo. The music is absolutely stunning, moving between songs and improvisations and keeping a perfectly coherent musical atmosphere. The mixture of the Nordic climate and Surman’s highly ambient vistas, Krog’s idiosyncratic vocals and the electronically synthesized sounds works out perfectly, resulting in a wonderful flow of emotions, that is captivating and enchanting. Although highly improvised, the music maintains a highly melodic basis, which allows the listener to focus on the details without losing the thread and direction. In many respects this album revisits the early days of the Krog / Surman duo, which started some four decades earlier. Krog is definitely at her utmost best when improvising freely, which she does most of the time on this album. Overall, this is a brilliant example of the “Art of the Duo” idiom and one of the best albums in Krog’s long and impressive recorded legacy. Same goes for Surman of course, and his many fans will find him at his absolute top herein. European Jazz lovers should find this album absolutely essential piece of the puzzle!

Updated: 01/09/2021Posted: 01/09/2021

CD 1 Digipak Recommend To A Friend

KARIN KROG / JOHN SURMAN ~ SONGS ABOUT THIS AND THAT MEANTIME 20 (Barcode: 7041880102029) ~ NORWAY ~ Jazz Recorded: 2013 Released: 2013 This is the third album (well third under the duo moniker but they recorded together many times over the years) by the fabulous duo of Norwegian vocalist / composer Karin KrogFind albums by this artist and British saxophonist / composer John SurmanFind albums by this artist. This time they are accompanied by Norwegian musicians: guitarist Bjorn KlakeggFind albums by this artist, vibraphonist Ivar KolveFind albums by this artist, bassist Terje GeweltFind albums by this artist and drummer Tom OlstadFind albums by this artist. The album presents nine tracks, all co-composed by Krog and Surman. The music was recorded by Jan Erik KongshaugFind albums by this artist at the Rainbow Studio in Oslo with the usual stunning sound quality. The music is wonderful, as always, but this time completely mainstream oriented. Krog sings the lyrics of the songs in a pretty straightforward manner, and Surman, who plays mostly baritone sax and bass clarinet, soloes beautifully, but conventionally, as do all the members of the band. For Krog and Surman followers this might come as a surprise, as their work together was mostly characterized by exploring the boundaries of the Jazz idiom. Having said that, this is still a most refined and wonderful musical experience, which offers a superb listening experience. All the instrumental performances are highly inspired and perfectly executed, and Krog’s idiosyncratic voice lost nothing of its beauty and charm over time, and she has few contenders as far as dramatic delivery is concerned. Overall the album is a beautiful gift of music, which is always welcome from these two great Artists. Back to the roots can be truly exciting, as this album convincingly proves!

Updated: 14/06/2021Posted: 14/06/2021

CD 1 Digipak Recommend To A Friend

KARIN KROG / JACOB YOUNG ~ WHERE FLAMINGOS FLY GRAPPA 4189 (Barcode: 7033662041893) ~ NORWAY ~ Jazz Recorded: 2001 Released: 2002 This is a wonderful duo album by Norwegian vocalist / songwriter Karin KrogFind albums by this artist and guitarist / composer Jacob YoungFind albums by this artist. They are supported on three tracks by the sublime bassist Arild AndersenFind albums by this artist. The album presents twelve tracks, one of which was written by Krog, and the rest being Jazz standards. The album was produced by Karin’s Friend John SurmanFind albums by this artist and recorded by our Friend Jan Erik KongshaugFind albums by this artist, at his legendary Rainbow Studio in Oslo, and offers a spectacular sound quality. Karin and the young (at the time) Jacob, who was at the early stages of his career, met to record a few tunes together for the Norwegian Radio, after Karin realized that her great affinity for the “Art of the Duo” Jazz idiom never resulted in a recording with a guitarist earlier on. A couple of years later this recording of the entire duo project came to fruition, with spectacular results. Previously to this recording session Young released his 3rd album “GlowFind albums with this title”, which was a turning point of his career. The music is, as always, a terrific journey through Jazz standards in a unique way Krog interprets them, which is unlike anything else within the genre. Her incredible sensitivity in expressing the lyrics and play around with the melody makes her a phenomenon. Young turns out to be a highly amicable accompanist, with great sensitivity to her vocal and rhythmic idiosyncrasies, soloing sparingly. It is truly amazing to realize that there is nothing missing here and the vocals and delicate guitar sounds create a complete doze of musical delivery. Young remains perfectly within the supporting role, not trying to add even one unnecessary note or phrase, always assisting the vocals with exactly the right notes or chords. When Andersen joins the duo, his brilliant pulsations expand the sound impressively, but again not spoiling the intimacy if this session, proving again what a genius musician he is. Overall, this is another great gem in the long list of Krog’s recorded legacy, which includes some of the finest Norwegian, European and American instrumentalists, but always emphasizes her complete individuality and uniqueness. Her music has been a source of musical delight since many years back, and continues to be so to this very day. Thank you for that, my Lady!

Updated: 01/02/2024Posted: 01/02/2024

CD 1 Recommend To A Friend

JOËLLE LÉANDRE / BARRE PHILLIPS ~ A L`IMPROVISTE KADIMA COLLECTIVE 16 (Barcode: 634479752964) ~ FRANCE ~ Jazz Recorded: 2007 Released: 2008 French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. Her partner for this recording is no other than another bass virtuoso – American born (but living in France since the early 1970s) Barre PhillipsFind albums by this artist, one of the most esteemed Free Jazz and Improvised Music players, with a career stretching back to the 1960s and cooperation with such great musicians like John SurmanFind albums by this artist, Derek BaileyFind albums by this artist, Paul BleyFind albums by this artist and many others. His ECM album with Dave HollandFind albums by this artist “Music From Two BassesFind albums with this title” was the first bass duo recording (1971), which brings us to this superb duet. Excellently recorded by the French Radio, the music is a completely improvised set, full of beautiful conversations and exchanges between the players, who display almost telepathic contact. Full of deep feeling and lyricism, but always inspired by the fire and passion for the music, the duo performs some incredible music, which although demanding, is most enjoyable. It is a great example of how Improvised Music can stay being Avant-Garde in nature, but become mature and technically flawless. Highly recommended to lovers of acoustic bass and challenging musical experiences.

Updated: 12/04/2019Posted:

CD-R 1 Mini-Sleeve Recommend To A Friend

CHRIS LAURENCE ~ NEW VIEW BASHO 18 (Barcode: 832929001826) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006 Bassist Chris LaurenceFind albums by this artist has been one of the great "silent" heroes of the British Jazz scene for decades, providing his exquisitely solid, yet delicate and always sophisticated bass lines to countless Jazz albums, including many of the pivotal recordings of the late 1960s / early 1970s, which revolutionized European Jazz and emancipated it for the overwhelming stylistic and conceptual US supremacy. But his genius is also recognized and respected beyond the Jazz field, and he has an active career both as a Classical player and studio musician in the Pop / Rock world, where he contributed his talent playing behind some of the biggest names in the music business. And yet, for all these years, Laurence never recorded as a leader, something that has been finally remedied by this superb release. For this session he opted for an intimate setting of a piano-less quartet, which includes yet another "silent" hero and a veteran of the British Jazz scene – vibraphonist / percussionist Frank RicottiFind albums by this artist, who also participated in countless pivotal recordings, sometimes alongside Laurence. Sadly both Laurence and Ricotti have never really received the proper recognition for the enormous contribution they both made to the British Jazz, with books and on-line sources mentioning them mostly in-passing. Hopefully this will be remedied sometime in the near feature (and before obituaries need to be written). But back to the music; Ricotti´s vibraphone is the ideal companion to Laurence´s bass playing and sets the tone to the laid-back, delicate and slightly melancholic atmosphere that underlines this album´s overall feel. The two other members of the quartet are no strangers, as they have recorded with Laurence before, both being representatives of the second generation of British Jazz heroes: guitarist John ParricelliFind albums by this artist and drummer Martin FranceFind albums by this artist. Parricelli plays both electric and acoustic guitars and his playing on this album is actually the best I´ve heard so far, even superior to the performances on his solo recordings. His licks ornament the music, using just the precise amount of notes needed, leaving flashy excursions aside, which is exactly what is appropriate here. France does a splendid job keeping everything together rhythmically; again exactly what a great drummer needs to do first and foremost. It goes beyond saying that Laurence´s bass lines are a delight from start to finish, which is only to be expected and Ricotti´s vibraphone performance matches the (unfortunately very few) Masters of that beautiful instrument. The music chosen comes from the songbooks of great British Jazz composers, with whom Laurence recorded in the past, like Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist, John SurmanFind albums by this artist and John TaylorFind albums by this artist. Fellow US musicans – Steve SwallowFind albums by this artist and Andy LaverneFind albums by this artist - also get their share and even one Joni MitchellFind albums by this artist tune is included (Joni´s close ties with the Jazz world are obvious). If all this is not enough, there is also a cherry on top of the proverbial cake: the divine Norma WinstoneFind albums by this artist adds her sublime (as usual) vocals to a couple of the tunes, another gesture of gratitude for the sake of old times. So, please, buy this album and by doing so you will not only get some superb music, but you will pay some long-overdue tribute to this man´s talents and his life-long dedication to the music we love!

Updated: 30/05/2025Posted:

CD 1 Digipak Recommend To A Friend

PETER LEMER QUINTET ~ SON OF LOCAL COLOUR ESP 5031 (Barcode: 825481503129) ~ UK ~ Avant-Garde Jazz Recorded: 2018 Released: 2019 This is an album by British Jazz pianist / composer Peter LemerFind albums by this artist and his quintet, which features saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist – all iconic figures of the British Jazz scene. The album presents eight tracks, five by Lemer, one by Surman, one by Carla BleyFind albums by this artist and finally one by John Coltrane. The album was recorded live at the Pizza Express in London, on February 20th, 2018. But the story behind this album goes back fifty years into the past, when the almost identical lineup of the quintet (with George KhanFind albums by this artist in place of Skidmore) released the album “Local ColourFind albums with this title”, which was recorded a couple of years earlier, on the pioneering independent record label ESPFind albums on this label Disk, founded in 1963 and run by a Jewish NY lawyer and Avant-Garde Music protagonist Bernard StollmanFind albums by this artist, and which yours truly proudly stored in his collection ever since. That album was the first modern / Avant-Garde British Jazz album to be released in the US, together with several other modern European Jazz albums, including even recordings originating from behind the Iron Curtain. At that time most Americans were completely unaware of the existence of modern Jazz outside of the US. It was also the first recording, which features Surman. Five of the compositions on that album are also present on the album, approached in a completely new and different way. Despite the fact that the musicians are five decades older this time, they seem not to have lost any of the vigor and passion, and with the added experience of a lifetime the music obviously gained an unprecedented level of depth and finesse. The new album also offers a closure of sorts, as it was the last recording by Hiseman, before his tragic death just four months after this album was recorded. Overall, this is a fine Avant-Garde Jazz album, beautifully executed by these superb players, which will certainly be a cherished addition to every serious British Jazz collection, and the unusual circumstances surrounding it add to its historic value, serving as a half-Century time bridge between the early days of modern British Jazz and now. Brilliant stuff!

Updated: 24/02/2022Posted: 24/02/2022

CD 1 Digipak Recommend To A Friend

JOHN MCLAUGHLIN ~ EXTRAPOLATION POLYDOR 841598 (Barcode: 042284159821) ~ UK ~ Jazz-Rock Fusion Recorded: 1969 Released: 1990 1st solo album by John McLaughlinFind albums by this artist and what a classic! Playing with the best UK players at the time (John SurmanFind albums by this artist - sax, Brian OdgersFind albums by this artist - bass and Tony OxleyFind albums by this artist - drums) this quartet displays pure geniuos from start to finish, with fire and grace and inspiration (future fusion will spring from this). Probably one of the best jazz records of all times.

CD 1 Essential Recommend To A Friend

HARRY MILLER / ISIPINGO ~ WHICH WAY NOW CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz Released: 2006 Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.

CD 1 Recommend To A Friend

MUMPS ~ A MATTER OF TASTE MPS 602517795822 (Barcode: 602517795822) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 1977 Released: 2008 This is a reissue / remaster of the only album recorded together by four great European Jazz innovators, one German: trombonist / composer Albert MangelsdorffFind albums by this artist, two Americans: drummer / composer Stu MartinFind albums by this artist and bassist / composer Barre PhillipsFind albums by this artist, and British saxophonist / composer John SurmanFind albums by this artist, collectively known as MUMPSFind albums by this artist. The album presents six tracks, all originals co-composed by the quartet members. The album was produced by my Friend and Mentor Joachim BerendtFind albums by this artist. Martin, Phillips and Surman, known collectively as simply The TrioFind albums by this artist, recorded together often since early 1970s, and have a brilliant recorded legacy together, as a trio and with other European Jazz greats, like French saxophonist / clarinetist Michel PortalFind albums by this artist and others. This session with Mangelsdorff is probably their greatest recording together, as far as I am considered. Despite the fact that all four musicians are known as groundbreaking improvisers, the music on this album sounds way more melodic than one might expect, which does not mean that there is less improvisation, but the incredible interplay between them and the obvious comradeship obviously adds to the incredible atmosphere this album captures. The music is of course as brilliant as one might expect, with all musicians demonstrating their incredible abilities, both as solo performers and collective players. The music is composed, but offers a large degree of Freedom, with improvisation as the focal point. In many respects the album reflects the spirit of European Jazz at its peak by the late-1970s, where national borders were completely meaningless and the only thing that really mattered was the spirit of Jazz and its creativity. Berendt was always a maverick in creating connections between musicians and his role as Artistic Director of several key European Jazz festivals as well as a sought-after record producer enabled him a free hand in selecting the musicians he wanted to record, as in this case. Overall, this is brilliant example of European Jazz at the time, with the creative input of Berendt behind the music and the unparalleled sovereignty he enjoyed to take his creativity wherever he wanted. I had the incredible luck to be around there and then, including this particular recording session, and of course the experience is deeply implanted in my memory. Of course, knowing all these incredible musicians personally was also a most educational experience. The album is a must in any serious European Jazz collection. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 11/04/2025Posted: 10/04/2025

CD 1 Oversampling Remastered Essential Recommend To A Friend

MIKE OSBORNE ~ OUTBACK FMR 007 (Barcode: 649849981349) ~ UK ~ Jazz Recorded: 1970 Released: 1994 British saxophonist / composer Mike OsborneFind albums by this artist was an integral part of the modern Jazz scene in the late 1960s / 1970s, recording numerous albums as member of the most important ensembles at the time, led by Mike WestbrookFind albums by this artist, Harry BeckettFind albums by this artist, John SurmanFind albums by this artist and Chris McGregorFind albums by this artist (Brotherhood Of BreathFind albums by this artist). He was also the founding member of the momentous saxophone trio SOSFind albums by this artist with John Surman and Alan SkidmoreFind albums by this artist. A brilliant improviser, he was an absolute master of the alto saxophone with very few contenders. Stylistically Osborne tendencies were always oriented towards Free Jazz and he was one of the great pioneers of the genre in UK. Unfortunately his personal life was deeply disturbed by mental illness, which resulted in time spent on and off in mental institutions. By early 1980s the illness became so severe that he had to be institutionalized for life and never again played music. He died in 2007. Although Osborne recorded quite a few albums as a sideman, his output as leader is very limited. This was his debut session as a leader, which took a lot of persuasion to materialize, as Osborne hated to be in the limelight. Released on the legendary TurtleFind albums on this label label (the first album to be recorded for the label, which was actually started to release this album), the album was a rare collector’s item for many years and the reissue is a blessing. The music consists of just two long tracks (which used to be the LP sides), performed by a quintet with Osborne on alto saxophone, Harry Beckett on trumpet, Chris McGregor on piano, Harry MillerFind albums by this artist on bass and Louis MoholoFind albums by this artist on drums (the rhythm section of Brotherhood Of Breath). On both tracks the quintet states the theme and then ventures into extended free improvisation passages, with splendid long solos by Osborne and Beckett. The album is a classic example of European Free Jazz, capturing the atmosphere of the era, when music was created because musicians had something to say. Not easy music, but essential to all enthusiasts of the genre and a most important historical document. Visitors' Comments Christopher  Brice Odd that the CD cover itself credits "Mike Osbourne" so I had trouble looking up the recording date here (Wikipedia redirects Mike Osbourne to Mike Osborne)

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Recommend To A Friend

MIKE OSBORNE ~ SHAPES FMR 010 (Barcode: 786497263820) ~ UK ~ Jazz Recorded: 1972 Released: 1995 British saxophonist / composer Mike OsborneFind albums by this artist was one of the greatest representatives of the burgeoning scene in the late 1960s / 1970s and one of the most prominent pioneers of Free Jazz and Improvised Music. His unique alto saxophone sound, exceptional improvisational skill and power and total involvement with the music were unparalleled by any of his contemporaries. Unfortunately his career was severely disrupted by mental illness, which eventually caused his early retirement from active performing. Although Osborne did record often in the 1970s as a sideman with the most prominent ensembles at the time, his output as a leader is sadly limited. Therefore the release of this fabulous album, 23 years after it was recorded and remained forgotten, was a major event not only for his many admirers, but also for the entire British Jazz scene. Especially so when one realizes that this album is in fact the first recording of the fabulous SOSFind albums by this artist saxophone trio, supported by a rhythm section. Here they are: John SurmanFind albums by this artist, Mike Osborne and Alan SkidmoreFind albums by this artist, three British saxophone giants, with two bass players Harry MillerFind albums by this artist and Earl FreemanFind albums by this artist and Louis MoholoFind albums by this artist on drums. The music is quite overwhelming, mostly free improvised with the three saxophonists playing simultaneously and separately and the rhythm section providing a solid basis cementing the overall result into a beautiful synergy of sounds. This kind of collective improvisation, based on phenomenal and almost telepathic rapport between the musicians is extremely rare and deserves to be heard time and time again. This is an immensely important document of European Jazz and a must for British Jazz enthusiasts.

CD 1 Remastered Recommend To A Friend

TONY OXLEY ~ FEBRUARY PAPERS DISCUS 099 (Barcode: 5051078983028) ~ UK ~ Avant-Garde Jazz Recorded: 1977 Released: 2020 This is a reissue, first time on CD, of an iconic album by British Jazz drummer / composer / bandleader Tony OxleyFind albums by this artist. The album presents seven original compositions by Oxley, recorded by three lineups: a quartet with violinists Philipp WachsmannFind albums by this artist and David BourneFind albums by this artist and bassist Barry GuyFind albums by this artist (two tracks), a trio with Wachsmann and guitarist Ian BrightonFind albums by this artist (two tracks) and finally solo percussion and electronics (three tracks). Oxley held a pivotal position in British Jazz since the mid 1960s, when he became the house drummer at Ronnie Scott´s club in London, which gave him an opportunity to play with the visiting prominent American Jazz stars and top British Jazz musicians. He was highly respected and always considered as truly extraordinary player, with his own perception of the role of drums within the Jazz idiom, but more importantly the concept of Jazz itself and its transformation into Improvised Music, which was developing at the time. Hearing Oxley performing live was for me always an extraordinary experience, regardless of the circumstances. Even within a most "straightforward" mainstream environment, his drumming was always on a different conceptual plane, although he managed to "keep time" perfectly and without a hitch. Since the late 1960s Oxley started to be featured on a long series of revolutionary British Jazz albums recorded at the time, many of which remain as absolutely essential examples of modern British Jazz and serve as unsurpassed achievements of that boisterous creative period, like those recorded with Gordon BeckFind albums by this artist, Howard RileyFind albums by this artist, Alan SkidmoreFind albums by this artist, John McLaughlinFind albums by this artist, John SurmanFind albums by this artist, Michael GibbsFind albums by this artist and others. His recording career as a leader started in 1969 with the release of two albums for CBSFind albums on this label: "The Baptised TravellerFind albums with this title" (1969) and "4 Compositions For SextetFind albums with this title" (1970), which in retrospect are considered as absolute gems of British Jazz discography. Those were followed by the album "IchnosFind albums with this title" (1971) released on RCAFind albums on this label. Following the disappointment with the major labels, which showed no interest in promoting these albums, Oxley joined guitarist Derek BaileyFind albums by this artist and saxophonist Evan ParkerFind albums by this artist as co-founder of the IncusFind albums on this label label, which was one of the first independent artist owned labels in Britain. He recorded two albums for the label: the eponymous "Tony OxleyFind albums with this title" (1975) and finally this, his fifth album as a leader "February PapersFind albums with this title" (1977). The music on this album has nothing to do with Jazz in the conventional meaning of the idiom, but it is a perfectly logical continuation of the musical development that is documented on the four a.m. albums. Oxley breaks the conventional barriers and pushes the envelope towards Avant-Garde, which calls for new forms of expression not related to melody, harmony or even the usual sound expected from the instruments. Such extensive use of electronics was almost completely unheard of at the time of course and although early Improvised Music was already present on the scene, it was rarely as uncompromising and far-fetched as what Oxley decided to capture herein. Although bold spirited, the music offers a delicate, almost intimate sound and allows the listener to absorb every nuance of these performances. The solo percussion / electronics pieces are of course the most surprising ones here. Improvised music is usually about group improvisation, but Oxley is one of the first improvisers to undertake the daring effort to freely improvise on his own, proving that such form of expression is both possible and valid. Listening to this album today, with over four decades of perspective, enables me to extend my appreciation of this momentous historic effort from a new angle. Improvised Music is of course alive and kicking today and I am constantly exposed to a huge number of such recordings. I have to say that most of those contemporary efforts sound pretty pale in comparison to what Oxley managed to capture for posterity then. Despite the limited possibilities, surely compared to what is available today as far as electronic devices are concerned, his imagination and creativity remains unchallenged. Kudos to Martin ArcherFind albums by this artist, the man behind DiscusFind albums on this label Records, for bringing this piece of musical history back to circulation – much appreciated! For Avant-Garde / Improvised Music enthusiasts, this is a Holy Grail!

Updated: 02/01/2021Posted: 03/10/2020

CD 1 Mini-Sleeve Remastered Recommend To A Friend

NINA PEDERSEN ~ EYES WIDE OPEN LOSEN 184 (Barcode: 7090025831843) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2017 This is the third album by Norwegian (resident in Rome) Jazz singer / songwriter Nina PedersenFind albums by this artist, accompanied by the excellent piano trio consisting of pianist Pierpaolo PrincipatoFind albums by this artist, bassist Marco LoddoFind albums by this artist and drummer Giampaolo ScatozzaFind albums by this artist. Trumpeter Aldo BassiFind albums by this artist plays on a couple of tunes and saxophonist Paolo InnarellaFind albums by this artist plays on another two tracks. The album presents eight songs, seven of which are originals (music and lyrics in English) by Pedersen and one is by the wonderful duo of John SurmanFind albums by this artist and Karin KrogFind albums by this artist. The original songs are all beautifully woven by their author, with superb melodic themes and intelligent lyrics. They are all standard quality and the album flows smoothly from start to finish like a collection of well known tunes, which of course is a rare quality. The piano trio and guests play fabulously, supporting the vocalist amicably and adding occasional solos, all perfectly suiting the music. Bassi is especially imaginative during his parts on the two songs and I wish he would have played for the entire duration of the album. Pedersen has a wonderfully mature, dark and enticing voice, in some respects similar to that of Karin Krog herself, who wrote a short comment for the album´s liner notes, with which I agree completely. This is one of those albums, which do not try to be spectacular even for a moment, but deliver exactly what is appropriate within its scope: wonderful songs and perfect execution, full of heartfelt emotion, honesty and great taste, creating a first class aesthetic experience. Very well done!

Updated: 06/11/2017Posted: 06/11/2017

CD 1 Mini-Sleeve Recommend To A Friend

RAY RUSSELL ~ SECRET ASYLUM REEL RECORDINGS 005 (Barcode: 641444015726) ~ UK ~ Jazz Recorded: 1973 Released: 2007 Guitarist / composer Ray RussellFind albums by this artist was a dominant figure on the British Jazz scene in the late 1960s / early 1970s, making numerous seminal recordings as sideman and leader in a wide variety of styles ranging from Jazz-Rock Fusion, modern Jazz and even Avant-Garde Free Jazz. This reissue of his classic album shows him at the extreme edge of his work in the field of Free Jazz and is a wonderful example of the genre, similar to the work done earlier by John McLaughlinFind albums by this artist with John SurmanFind albums by this artist on Where Fortune SmilesFind albums with this title. Accompanied by a splendid group of musicians that includes Harry BeckettFind albums by this artist on trumpet, Gary WindoFind albums by this artist on sax, Daryl RunswickFind albums by this artist on bass and Alan RushtonFind albums by this artist on drums, Russell presents a series of his compositions, which vary from contemplative pieces to group improvisation mayhem, all performed splendidly. Beckett is more prominent on the quieter pieces and Windo leads the massive “wall of sound” sections, with his incredible virtuosity. The album achieved little attention at the time of its release, but now 35 years after it was recorded, it can be really appreciated in full and in the proper historic perspective. Definitely worth checking out!

Updated: 12/04/2019Posted:

CD 1 Digipak Remastered Recommend To A Friend

ALAN SKIDMORE ~ A SUPREME LOVE CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz Recorded: 1961 - 2019 Released: 2023 This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued. Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians. The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6. The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true. Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.

Updated: 01/10/2024Posted: 21/06/2023

CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend

ALAN SKIDMORE ~ ONCE UPON A TIME… VOCALION 8406 (Barcode: 765387840624) ~ UK ~ Jazz Recorded: 1970 Released: 2005 The title of the debut album by saxophonist / composer Alan SkidmoreFind albums by this artist is indeed appropriate for the occasion, as this is a recording of such beauty and excellence, that is happens extremely rarely. Alan, son of veteran British Jazz figure Jimmy SkidmoreFind albums by this artist, earned his own reputation by storming the modern British Jazz in the late 1960s. He participated in numerous pivotal recordings as sideman, and his debut turned out to be just it – the absolutely perfect example of what was happening at the time. If I had to select just one album, which represents the British scene at that time, this would be it. Skidmore on tenor sax leads a perfect quintet with Kenny WheelerFind albums by this artist on trumpet, John TaylorFind albums by this artist on piano, Harry MillerFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums (yes they were John SurmanFind albums by this artist’s rhythm section as well). Of the six exquisite compositions present, two are by John Surman, and the rest by Tony Oxley, John WarrenFind albums by this artist, John Taylor and Alan Skidmore, each contributing one composition. Whatever I’ll say here does not come even close to listening to this music, so do yourself a favor and grab a copy – this is something I’ve been listening to for almost 40 years and it still grabs me each and every time, so it must be really special. Essential stuff!

CD 1 Remastered Essential Recommend To A Friend

ALAN SKIDMORE ~ TCB VOCALION 8481 (Barcode: 765387848125) ~ UK ~ Jazz Recorded: 1970 Released: 2011 This is the 2nd album by British saxophonist / composer Alan SkidmoreFind albums by this artist, one the pillars of modern British Jazz, who was a prominent figure on the late 1960s / 1970s Jazz scene, contributing some of the greatest moments of that illustrious era. Skidmore´s input over the years is absolutely invaluable and fortunately he is one of the musicians from that period, who still plays today, as brilliantly as always. The album also captures Skidmore´s 2nd quintet, with trombonist Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist (the only common link with the 1st quintet), bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. On four of the seven tracks of this album the quintet is expanded into a septet with the addition of two superb saxophonists: Mike OsborneFind albums by this artist and John SurmanFind albums by this artist. Of the seven compositions Skidmore contributed only one, two are by Surman, two others are by the great John WarrenFind albums by this artist, another one is by Osborne and the last one is by Taylor. The music is typical of the time, brilliant modern Jazz, revolutionary in concept, brilliantly performed by these Master musicians. Over 40 years since this music was recorded and it still sounds absolutely stunning and honestly Jazz did not move forward significantly since then. An absolute must to all British Jazz connoisseurs and modern Jazz enthusiast!

CD 1 Remastered Recommend To A Friend

ALAN SKIDMORE / MIKE OSBORNE / JOHN SURMAN ~ S.O.S. OGUN 019 (Barcode: 5020675571921) ~ UK ~ Free Jazz / Improvised Music Recorded: 1975 Released: 2006 This is a reissue of one of the most iconic British Jazz albums in all time, the only studio album by the saxophone trio comprising of Alan SkidmoreFind albums by this artist (tenor saxophone / drums / percussion), Mike OsborneFind albums by this artist (alto saxophone) and John SurmanFind albums by this artist (baritone and soprano saxophones / bass clarinet / synthesizers). The album presents eight original compositions, co-credited to all three members of the trio. I vividly remember the first time when I listened to this album in 1975, being completely knocked out of my socks. The sheer chutzpah by these three musicians doing something so unheard of, playing music galactically remote from anything around, boldly combining the entire Jazz legacy into a completely new universe, and most importantly not giving a toss about what the critics will say (more about this later), was nearly an out-of-body experience. I knew them personally and heard them playing live quite often, but this album was truly something else. The trio came together many months before the studio album was recorded and their early work together can be found on the appropriately titled “Looking For The Next OneFind albums with this title” live album, released on CuneiformFind albums on this label Records in 2013. The time spent gigging together polished their act and level of interplay and by the time they entered the studio, they were completely a three-headed one-minded musical unit. All three players were already established and highly regarded figures on the British Jazz scene at the time, taking an active role in the revolution, which led to the creation of the new, modern British Jazz, emancipated from the American Jazz traditions and limitations. But the meeting of the trio sparked a new level of creativity and “out of the box” thinking, like Surman’s fascination with synthesizers and creating layers of background sound, which he utilizes to this very day. The complexity of simultaneous triple soloing and harmonizing is staggering and has very few parallels to this very day. The new album’s packaging features several reviews of the album, published at the time of its release, and beautifully portrays the rigidness and ridiculous conservatism the British music press suffered from at the time, which opposed the revolutionary trends bitterly. Overall, this is a timeless Masterpiece in the purest meaning of the term. The music is still absolutely fresh and stunning, losing absolutely nothing of its ingenuity, brilliance and spirituality. In retrospect it sounds even more beautiful than it did at the time of its creation, probably due to the fact that we have been exposed to so much bad music over time, that this sounds like honey in the ears. I’d go as far as saying that anybody who did not hear this album, did not hear British Jazz at its absolute best.

Updated: 18/03/2023Posted: 18/03/2023

CD 1 Mini-Sleeve Essential Recommend To A Friend

TOMASZ STANKO ~ FROM THE GREEN HILL ECM 1680 (Barcode: 731454733625) ~ POLAND ~ Jazz-World Fusion Recorded: 1998 Released: 1999 Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. This album, perhaps the most atypical one ever recorded by Stanko so far, presents his music somewhat away from the usual Jazz setting, with strong contemporary Classical and World Music influences. Not only the music, but also the choice of the musicians participating in this recording, is quite different from everything he attempted before. British saxophone Giant John SurmanFind albums by this artist, Argentinean bandoneon player Dino SaluzziFind albums by this artist, American violinist Michelle MakarskiFind albums by this artist, Swedish bassist Anders JorminFind albums by this artist and Norwegian drummer Jon ChristensenFind albums by this artist create an amazing amalgam of sounds and musical ventures, travelling along Stanko´s vision. Of the fourteen relatively short pieces on this album nine were composed by Stanko, two by his Mentor Krzysztof Komeda and three by Surman. The overall effect is like a strange and enchanted sound voyage, which moves around the globe oblivious of borders and distances. Although quite demanding and less glamorous than other Stanko albums, it is full of beauty and charm and definitely worthy of admiration, like everything Stanko ever recorded. Superb stuff! Visitors' Comments Christopher  Brice Who would have thought that an accordion (OK, bandoneon) could be a major enhancement of a Stanko album or a Surman album? But it is - and Messrs S&S are a fabulous partnership.

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ A BIOGRAPHY OF THE REV. ABSALOM DAWE ECM 1528 (Barcode: 731452374929) ~ UK ~ Jazz Recorded: 1994 Released: 1995 This is one more of the legendary solo projects by British saxophonist / composer John SurmanFind albums by this artist, created by recording multiple layers of sound produced by alto and bass clarinets, soprano and baritone saxophones and keyboards, beautifully combined together creating heavenly music, which is like no other. Jazz, Classical, Ethnic & World and some other music varieties, which can only exist in Surman´s head before they are recorded, are present here for all of us to enjoy. Surman is a wizard of melody and sound, a Pied Piper, who strolls in front of a crowd of his followers enchanted by his unearthly inventions. There is little that needs to be added here, apart from recommending this music wholeheartedly – if this does not move you, you have a heart of stone! Visitors' Comments Christopher  Brice *THE* essential Surman, IMHO!

CD 1 Recommend To A Friend

JOHN SURMAN ~ ADVENTURE PLAYGROUND ECM 1463 (Barcode: 731451198120) ~ UK ~ Jazz Recorded: 1991 Released: 1992 This is a masterful quartet recording by British saxophonist / composer John SurmanFind albums by this artist, accompanied by two American masters: pianist Paul BleyFind albums by this artist and bassist Gary PeacockFind albums by this artist and British drummer extraordinaire Tony OxleyFind albums by this artist. Surman gives a lot of credit to his partners on this album as compositions by all three of them are included herein with one composition coming from outside of the quartet, which is by Carla BleyFind albums by this artist. Surman contributes four of his original composition here. This is one of the most Jazz oriented and certainly Free Jazz oriented albums Surman recorded in the later part of his illustrious career and one of my personal all time favorites. Somehow the best of all the participants is encapsulated on this album; the virtuosity, the imagination, the interplay and the telepathic conversations are overwhelming. Oxley´s rare appearance is especially important and his completely unique approach to rhythm and percussive sounds is brilliantly documented here, particularly in view of the incredible sound quality of this recording, as usual with the ECMFind albums on this label catalogue. This is a masterpiece in every respect, and although most things done by Surman are quite outstanding, this one is particularly brilliant. Anybody with a pair of ears, which have been fairly recently cleaned, should find this irresistible. See also the "In The Evenings Out ThereFind albums with this title" album recorded by the same quartet!

CD 1 Recommend To A Friend

JOHN SURMAN ~ BREWSTER`S ROOSTER ECM 2046 (Barcode: 602527011127) ~ UK ~ Jazz Recorded: 2007 Released: 2009 Following a long series of experimental albums, which combined contemporary Classical music and Jazz in various settings, British saxophonist / composer John SurmanFind albums by this artist returns to "conventional" Jazz, at least as far as the setting is concerned – a quartet recording. Of course there is never anything conventional about his music, which is absolutely outstanding - he is simply an undeniable Genius. Surman composed most of the music, but uses here for the first time in a long while one standard and one composition by his old friend John WarrenFind albums by this artist. The other players are guitarist John AbercrombieFind albums by this artist, bassist Drew GressFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist – all US musicians. A must to people who take their music seriously!

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ CORUSCATING ECM 1702 (Barcode: 731454303323) ~ UK ~ Jazz-Classical Fusion Recorded: 1999 Released: 2000 This is a breathtakingly beautiful and divine album by British saxophonist / composer John SurmanFind albums by this artist, who again proves being one of the central figures in contemporary music worldwide. Accompanied only by the brilliant veteran British bassist Chris LaurenceFind albums by this artist and a string quartet, Surman explores this time the realms of chamber Jazz, integrating the string quartet arrangements and individual string parts into his music with amazing skill and ingenuity. The eleven new compositions presented here are brilliant from start to finish, as always, presenting yet another vista of his amazing talent and versatility. There is no point in going much further here, as anybody familiar with Surman´s prolific body of work needs no convincing; those who don´t, well it´s never too late, is it? Surman recorded another album with these same musicians seven years later ("The Spaces In BetweenFind albums with this title").

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ FLASHPOINTS AND UNDERCURRENTS CUNEIFOM 515/516 (Barcode: 045775051529) ~ UK ~ Jazz Recorded: 1969 Released: 2025 This is an archival album by British saxophonist / composer / bandleader John SurmanFind albums by this artist, recorded on April 18, 1969 as part of the German NDR radio station series of concerts called Jazz Workshop. The 62nd edition of the series featured Surman and his tentet, which included eight British musicians: Surman, saxophonists Alan SkidmoreFind albums by this artist, Ronnie ScottFind albums by this artist and Mike OsborneFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist, and two Austrian musicians: trombonist Erich KleinschusterFind albums by this artist and pianist Fritz PauerFind albums by this artist. The entire concert is included on this 2CD album and presents thirteen tracks, ten of which are original compositions by Surman and three (one each) are compositions by Pauer, Wheeler and Kleinschuster. Five of the tracks (in somewhat edited form) were previously released, also on CuneiformFind albums on this label, in 2011 as the CD/DVD album “Flashpoint: NDR Jazz Workshop – April `69Find albums with this title”. Shortly before this music was recorded, Surman recorded his 2nd album as a leader, the iconic “How Many Clouds Can You See?Find albums with this title”. The music is of course absolutely Godly, a brilliant snapshot of the explosive modern British Jazz at its absolute peak, which takes the Jazz tradition exponentially expanded into new space-time continuum. Every one of these musicians is a master of his instrument and Surman’s music is an ideal catalyst which helps the music to explode. Hearing is believing of course, but there are very few albums, which can match the genius and intensity of this music. Since the German radio sound engineers knew how to capture the sound perfectly, listening to this album is an unadulterated ecstasy. Overall, this is probably one of the best examples ever of the early European Jazz at its pivotal stage, taking everything there is to take form the American Jazz tradition between Swing and Free and moving to the next stage of evolution. A quintessential musical moment captured for posterity and serving as a beacon pointing towards the feature.

Updated: 14/06/2025Posted: 14/06/2025

CD 2 Essential Recommend To A Friend

JOHN SURMAN ~ FREE AND EQUAL ECM 1802 (Barcode: 044001706523) ~ UK ~ Jazz-Classical Fusion Recorded: 2001 Released: 2003 This is a breathtakingly beautiful album by the British saxophonist / composer John SurmanFind albums by this artist, who never stands still even for one moment, constantly re-inventing himself. Combining Jazz and contemporary Classical music, Surman composed this music to be performed by himself and veteran drummer Jack DeJohnetteFind albums by this artist and accompanied by the superb brass ensemble London BrassFind albums by this artist. The music was recorded live at Queen Elizabeth Hall, London. Not for everybody, but people who can appreciate this love every bit of this amazing music.

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE? VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2006 2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN ~ INVISIBLE THREADS ECM 2588 (Barcode: 602567113171) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is an album by iconic British Jazz saxophonist / composer John SurmanFind albums by this artist, recorded in a trio format with Brazilian pianist / composer Nelson AyresFind albums by this artist and American (resident in Norway) vibraphonist Rob WaringFind albums by this artist. The album presents twelve original compositions, all by Surman except one by Ayres. The album was recorded at the legendary Rainbow Studio in Oslo and was engineered by Jan Erik KongshaugFind albums by this artist. At the time of writing, this is the last album by Surman on the ECMFind albums on this label label, recorded almost five years ago. The music is almost a typical Surman signature, full of Nordic melancholy, British Folk references, highly lyrical and beautifully melodic. The minimalist trio format suits the music perfectly and the two companions are in complete blissful company with Surman’s long soprano and baritone saxophones and bass clarinet soli, which dominate the proceedings. The wonderfully serene atmosphere that prevails for the entire duration of the album is a soothing remedy for the dreadful noise that surrounds us in the contemporary life, and listening to this music is very much like a meditating session, which restores one’s balance. Surman is a brilliant composer and despite the fact that he recorded dozens of albums with his compositions, he manages to reinvent himself time after time, like a phoenix, fully ablaze in his Genius. Ayres, who is a brilliant pianist and a great composer / arranger, renowned for his Big Band recordings, stays very much in the background on this album, patiently and amicably accompanying Surman, who gets the spotlight, and the same can be said about Waring. The quite unusual sound of saxophone, piano and vibraphone / marimba proves to work out splendidly. Overall, this is another superb addition to Surman’s gorgeous recording legacy, which emphasizes his musical consequence and immense talents. For all his many followers, this is an absolute must have album, and needless to say we all hope for more albums to follow.

Updated: 27/03/2022Posted: 27/03/2022

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ JOHN SURMAN VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz Recorded: 1968 Released: 2005 Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.

CD 1 Remastered Recommend To A Friend

JOHN SURMAN ~ MORNING GLORY FMR 013 (Barcode: 649849982179) ~ UK ~ Jazz Recorded: 1973 Released: 1995 In complete contrast to the first stage of British saxophonist John SurmanFind albums by this artist’s career, which lasted for about four years (between 1968 and 1971) and was characterized by almost obsessive recording and touring, he decided to “hold his horses” from that point on and record a limited number of albums each year – a modus operandi he adheres to consistently to this very day. 1972 saw the release of just one Surman album, the revolutionary Westering HomeFind albums with this title - a complete solo project. Similarly, 1973 brought us just one Surman album entitled “Morning Glory”, which was also the (collective) name of the group that recorded the album. Consisting of the top players on the British scene it included Surman on soprano saxophone and bass clarinet (note the fact that he does not play here his primary instrument – the baritone saxophone) with Malcolm GriffithsFind albums by this artist on trombone, Norwegian guitarist Terje RypdalFind albums by this artist, John TaylorFind albums by this artist on acoustic and electric piano, Chris LaurenceFind albums by this artist on bass and John MarshallFind albums by this artist on drums. Musically the album is quite surprising, as it marks Surman’s first venture into the field of Jazz-Rock Fusion (under his flag that is). Although the structure of the music is still very free form and the solos tend to float into free improvisational spheres, the guitar, electric piano and the rhythmic patterns are close to Fusion (which was at the peak of its development at the time). One might call this Free-Fusion, but of course labeling this magnificent music is completely senseless. Surman’s solos are, as usual, brilliant but all the musicians contribute more that a fair share to the album’s overall mastery. Originally released on IslandFind albums on this label, the album was unavailable for many years and having it back in circulation is a marvel. Of course it is an absolute must have for every follower of the British Saxophone Colossus and fan of modern British Jazz. Highly recommended!

CD 1 Remastered Recommend To A Friend

JOHN SURMAN ~ NORDIC QUARTET ECM 1553 (Barcode: 731452712028) ~ UK ~ Jazz Recorded: 1994 Released: 1995 Breathtakingly beautiful album by British saxophone Giant John SurmanFind albums by this artist, recorded with Nordic (or rather Norwegian) friends: singer Karin KrogFind albums by this artist, guitarist Terje RypdalFind albums by this artist and pianist Vigleik StoraasFind albums by this artist. Anybody familiar with Surman´s immense talent needs no introduction to his music, but this album is rather special in many respects and therefore uniquely interesting. The Norwegian partners fill this album with typical Scandinavian chilly atmosphere and the result is simply stunning. Rypdal, as usual, adds his ambient layers, Storaas delicately fills the spaces with his touch, but the true star of this album is my old friend Karin Krog, with her amazing vocal performances. Although little known outside her country, I´ve always considered her as one of the greatest female Jazz singers out there. Surman is of course brilliant, as always, both as a player and a composer (he composed and co-composed the majority of the music herein). This music works better in the heat of the day than a full-blast air conditioning unit! An absolute must!

CD 1 Recommend To A Friend

JOHN SURMAN ~ PRIVATE CITY ECM 1366 (Barcode: 602517758568) ~ UK ~ Jazz Recorded: 1987 Released: 2008 British saxophonist / composer John SurmanFind albums by this artist is undoubtedly one of the most important Jazz musicians ever. His immense body of work, accumulated over the years, presents a true Renaissance Man; brilliantly inventive, immensely skilled and with an unlimited imagination. After taking part in the British modern Jazz revolution in the 1960s / 1070s, Surman slowly developed an international career and his recording on the legendary ECMFind albums on this label label are all absolute masterpieces. This brilliant album is one of a series of solo recordings by Surman, on which he explores the technique of musical conversations with himself, playing multiple instruments (soprano and baritone saxophones, recorders, bass clarinet and synthesizers) and using multi-track studio wizardry. The music is deeply contemplative and amazingly beautiful, from start to finish, drawing the listened into its depths and engulfing him completely. Listening to this music is not only an aesthetic experience, but also a deeply emotional one. Essential! Visitors' Comments Christopher  Brice Wonderful album - I saw him play in London when this was released - it was extraordinary to see how he composed multi-layered interactive music with what would now be regarded as primitive electronics. A lovely man who puts his huge heart and soul into making extraordinary music

CD 1 Mini-Sleeve Essential Recommend To A Friend

JOHN SURMAN ~ PROVERBS AND SONGS ECM 1639 (Barcode: 731453779921) ~ UK ~ Jazz-Classical Fusion Recorded: 1996 Released: 1997 This is a breathtakingly beautiful album by the British saxophonist / composer John SurmanFind albums by this artist, who never stands still even for one moment, constantly re-inventing himself. Combining Jazz and contemporary Classical music, Surman composed this music for the Salisbury Festival and it was recorded live at the overwhelmingly impressive Salisbury Cathedral with Surman, keyboardist John TaylorFind albums by this artist at the cathedral´s organ and the festival´s chorus. Not for everybody, but people who can appreciate this love every bit of this amazing music.

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ ROAD TO SAINT IVES ECM 1418 (Barcode: 042284384926) ~ UK ~ Jazz Recorded: 1990 Released: 1990 Breathtakingly beautiful solo album by the British saxophonist / composer John SurmanFind albums by this artist recorded completely on his own using studio overdubs of bass clarinet, soprano saxophone, baritone saxophone, keyboards and percussion tracks. Surman composed all the music, which was inspired by the wonderful county of Cornwell. Surman, conversing with himself, has more to say than most groups of musicians do – he is simply an undeniable Genius. A must to people with huge (just kidding) ears!

CD 1 Recommend To A Friend

JOHN SURMAN ~ SALTASH BELLS ECM 2266 (Barcode: 602527981086) ~ UK ~ Jazz Recorded: 2009 Released: 2012 This is another addition to the series of solo albums by British multi-instrumentalist / composer John SurmanFind albums by this artist, which he has been creating in the last 40 years since the release of his "Westering HomeFind albums with this title" album in 1972. These musical wonders create a unique universe of music, of which Surman is the sole Creator, but which is shared by many of his admirers all over the world. This album comprises of ten new original compositions by Surman, which he performs by overdubbing tracks while conversing with himself. He uses soprano, tenor and baritone saxophones, alto, bass and contrabass clarinets, harmonica and synthesizer to create an amazing range of sounds and colors. He plays the melody / theme and later the improvisations on top of a synthesized background, sometimes using loops and other devices, but cleverly avoids the usage of electronic drums, which might have been disastrous in such setting. Surman never ceases to amaze with his wondrous sense of melody and his improvisational skills. Although those solo albums have a certain feeling of "familiarity" about them, they are all quite different from each other and all are simply astounding. This album has a slightly more mellow and lyrical atmosphere and is a bit less experimental, which perhaps makes it more accessible to a wider range of listeners. Not that Surman intentionally tries to sound more accessible, just this album´s overall mood is more "inviting", which will perhaps win him new fans, coming across his music for the first time. With almost half a century of sublime music making behind him, Surman is an icon of British and European Jazz, and lucky for us all still an active and fruitful participant on the contemporary scene. His golden touch and legendary talents never fail, and this album is another absolute must have for his many fans, who will surely agree. Nor to be missed!

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ STRANGER THAN FICTION ECM 1534 (Barcode: 731452185020) ~ UK ~ Jazz Recorded: 1993 Released: 1994 This absolutely brilliant album by British saxophonist / composer John SurmanFind albums by this artist is very special as it was recorded by an all-British quartet, which consists of legendary players associated with the British Jazz revolution of the 1960s / 1970s, when they all used to play together. Surman is surrounded by true friends: pianist John TaylorFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer John MarshallFind albums by this artist, and this sympathetic personal vibes obviously influence the musicians, who play their hearts out. Of the eight compositions sic are by Surman and the other two are co-composed by the entire quartet. Although recorded some twenty years after the British Jazz was at its absolute creative peak, this album is still a great evidence of the potential and aptitude of the scene. Of course by now there are many young and extremely talented British musicians around, but these old-timers not only have no intention of leaving us, hopefully any time soon, but still can play like nobody else. Brilliant stuff!

CD 1 Recommend To A Friend

JOHN SURMAN ~ THE AMAZING ADVENTURES OF SIMON SIMON ECM 1193 (Barcode: 042282916020) ~ UK ~ Jazz Recorded: 1981 Released: 1990 This amazing album is the 2nd release by British saxophonist / composer John SurmanFind albums by this artist on the ECMFind albums on this label label. Accompanied only by drummer Jack DeJohnetteFind albums by this artist, Surman performs a nine-part suite composed by him or co-composed with DeJohnette (one track is traditional). Surman uses multi-layered studio technique to create the effect of several instruments juxtaposed, although they are all played by him, which will become his trademark in years to come. Both the music and the performances are of course stellar and Surman´s pioneering and visionary approach to Jazz and other music forms is already strongly present here. This is also one of the most important recordings on ECM, inaugurating the label´s domination on the Jazz / contemporary music scene for the next decade – the 1980s. In retrospect this album is a timeless masterpiece, which deserves a place in every serious music collection. A classic!

CD 1 Recommend To A Friend

JOHN SURMAN ~ THE DAWN SESSIONS SEQUEL 302 (Barcode: 5023224230225) ~ UK ~ Jazz Recorded: 1970 - 1975 Released: 1999 This brilliant 2CD set includes two early recordings by British saxophone colossus John SurmanFind albums by this artist, which document his early career in the pioneering European Free Jazz and Jazz-Rock movements, both released on the legendary DawnFind albums on this label label. The first CD, originally released as "Where Fortune SmilesFind albums with this title" was actually released under John McLaughlinFind albums by this artist´s name, but Surman´s input on that album equals that of McLaughlin in every respect and he was the true leader of that recording session, which also includes the great British bassist Dave HollandFind albums by this artist and two US musicians: vibraphonist Karl BergerFind albums by this artist and drummer Stu MartinFind albums by this artist. The second CD, originally released as "Live At Woodstock Town HallFind albums with this title", is a live duo recording with Surman and Martin, who were members of the legendary Surman´s trio. Both albums are absolute masterpieces and cornerstones of British Jazz at its most advanced and prestigious moment. Absolutely essential!

Updated: 26/08/2020Posted:

CD 2 Remastered Essential Recommend To A Friend

JOHN SURMAN ~ THE RAINBOW BAND SESSIONS LOSEN 105 (Barcode: 7090025831058) ~ UK ~ Jazz Recorded: 2006 - 2007 Released: 2011 This is an album which never was meant to be… Legendary Norwegian sound engineer Jan Erik KongshaugFind albums by this artist, owner of the revered Rainbow Studio in Oslo and a Jazz musician of his own eight, suggested to the British Jazz colossus John SurmanFind albums by this artist to use some spare time in his studio for a series of informal "just for fun" meetings between Surman and local Jazz musicians. These sessions, which continued for several months, were also recorded, although never intended to be released. Eventually, however, the result turned out to be simply too good to remain forgotten, and this album lets us hear this beautiful music after all. The detailed story of these sessions is described by Surman in the album´s liner notes. Surman used these sessions to revisit the early days of his career, reviving and restoring several octet arrangements originating in the late 1960s, which were only partly saved. He also contacted his life-time "soul-mate", the brilliant composer / arranger John WarrenFind albums by this artist, who sent a bunch of his music to be used as well. Finally, of the eight tracks included on the album, four are by Warren, two are by Surman, one is by the pioneering British Jazz educator and pianist Eddie HarveyFind albums by this artist, written originally for the celebrated saxophonist Mike OsborneFind albums by this artist, who was a member of Surman´s octet and the last is a Thelonious MonkFind albums by this artist classic arranged by the great British saxophonist / composer / arranger / bandleader Alan CohenFind albums by this artist. As a result this album is not only a fantastic piece of music, but also a fine tribute to the history of British Jazz. Surman plays on all tracks, baritone or soprano saxophones (solos on four tracks), as is most of the rhythm section; the rest of the musicians fluctuate between two lineups. The important lesson, however, is how excellent all these players are, although most of them are very little known outside of their own country, which tells how exceptional the Norwegian Jazz in particular and the European Jazz in general are. The music and particularly the arrangements have a wonderfully nostalgic tinge to them, and yet sound completely contemporary and up to date. Although paying tribute to the early days of the modern British Jazz scene, it also conveys a clear message that Jazz genres and conventions are only secondary in the face of universally superb music, masterfully composed, skillfully arranged and brilliantly performed, with zest, elegance and above all love of the subject matter. So even if this album was never meant to be, it definitely defeats the original intention of staying beneath the surface and turns out to be another masterpiece, as everything that Surman touches, now for over five decades. With the 70th Birthday Celebration behind him, Surman continues relentlessly to make his mark on the Jazz idiom, being one of its most impressive champions. Definitely worth getting and for the numerous Surman fans this is an absolute must!

Updated: 11/02/2016Posted: 11/02/2016

CD 1 Digipak Recommend To A Friend

JOHN SURMAN ~ THE SPACES IN BETWEEN ECM 1956 (Barcode: 602517235861) ~ UK ~ Jazz-Classical Fusion Recorded: 2006 Released: 2007 This is a breathtakingly beautiful and divine album by British saxophonist / composer John SurmanFind albums by this artist, who again proves being one of the central figures in contemporary music worldwide. Accompanied only by the brilliant veteran British bassist Chris LaurenceFind albums by this artist and a string quartet, Surman explores this time the realms of chamber Jazz, integrating the string quartet arrangements and individual string parts into his music with amazing skill and ingenuity. The eleven new compositions presented here are brilliant from start to finish, as always, presenting yet another vista of his amazing talent and versatility. There is no point in going much further here, as anybody familiar with Surman´s prolific body of work needs no convincing; those who don´t, well it´s never too late, is it?

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ WAY BACK WHEN CUNEIFORM 200 (Barcode: 045775020020) ~ UK ~ Jazz Recorded: 1969 Released: 2005 This is a first ever issue of a `lost` John SurmanFind albums by this artist album from 1969, recorded shortly before the famous The TrioFind albums by this artist (with Barre PhillipsFind albums by this artist and Stu MartinFind albums by this artist) was formed. Surman, one of the most original, inventive and creative forces of Modern Jazz, plays here with some regular friends - John TaylorFind albums by this artist (piano), Brian OdgersFind albums by this artist (bass) and John MarshallFind albums by this artist (drums) and also the legendary altoist Mike OsborneFind albums by this artist. The music is similar to the many albums recorded at that period of the explosion of Modern Jazz in UK (see John McLaughlinFind albums by this artist`s ExtrapolationFind albums with this title for example) - passionate, brilliant and extraordinary all the way. To have this available after so many years is truly wonderful. A must!

Updated: 10/04/2025Posted:

CD 1 Remastered Recommend To A Friend

JOHN SURMAN ~ WESTERING HOME FMR 016 ~ UK ~ Jazz Recorded: 1972 Released: 1995 British saxophone Colossus John SurmanFind albums by this artist was one of the busiest European Jazz musicians in the late 1960s. Between the time he recorded his eponymous debut album as a leader in 1968 and this 1972 recording Surman took part in no less than 45 recording sessions, both as a leader and sideman, recorded in UK, Germany and France. His position at the vortex of the burgeoning European modern Jazz and Improvised Music scene was a catalyst expanding the musical horizons and contributing to the scene’s rapid development by creating new musical discoveries. Surman’s musical fingerprints were all over the music, regardless if his input was just a guest solo appearance or a leading position. His legendary group called simply The TrioFind albums by this artist (with bassist Barre PhillipsFind albums by this artist and drummer Stu MartinFind albums by this artist), active between 1969 and 1971, was one of Europe’s most visionary ensembles and its recording legacy stands out as a beacon of European Jazz to this very day. Following this frantic activity Surman decided to take a radical side step and re-evaluate his output and musical approach. The result was this magnificent album, recorded completely solo by Surman by multi-tracking (overdubbing) the instruments (various saxophones, keyboards and percussion instruments) – an extremely bold and innovative approach to recording at that time (Surman will use this same approach in the future). These “conversations with himself” are all deeply personal statements; soul-searching, revealing and contemplative, all exquisitely executed. Baritone and soprano saxophone duels, long solos, shifting rhythms and moods – all the ingredients of great music are here for the listener to absorb and delight in. Surman proves again not only his brilliant technique as a player and composer, but must importantly being an innovator and pioneer of groundbreaking ideas. The album remains to this very day as a milestone of modern European Jazz and one of the great achievements of Surman’s illustrious career. The album was originally released on the HelpFind albums on this label label – a short-lived subsidiary of IslandFind albums on this label dedicated to “bizarre” stuff - and unavailable for many years. Great to have it back in circulation. Wholeheartedly recommended.

Updated: 10/04/2025Posted:

CD 1 Remastered Recommend To A Friend

JOHN SURMAN ~ WITHHOLDING PATTERN ECM 1295 (Barcode: 042282540720) ~ UK ~ Jazz Recorded: 1984 Released: 1985 This is the 3rd album on the ECMFind albums on this label label by British saxophonist / composer John SurmanFind albums by this artist, which similarly to his debut for the label, recorded five years earlier, is another solo project. Surman plays baritone and soprano saxophones, bass clarinet, recorder, piano and synthesizers, creating multi-layered conversations with himself, which are uniquely beautiful and emotionally breathtaking. Of course Surman would return to this pattern again in the future, with each of these solo albums being a complete blast. This is definitely a masterpiece of modern music and a vivid example of human ingenuity and endless talent. Visitors' Comments Christopher  Brice The first John Surman (and probably the first ECM record) that I ever heard: I picked up the LP from a library sale in a country town in England. It is no exaggeration to say that my life was transformed and I now have nearly every Surman recording released. Withholding Pattern is still almost my favourite; Biography of the Rev Absolom Dawe (not yet on Jazzis) wins by a short head. I respectfully agree with Adam´s description, and the experience was enhanced by seeing and hearing the man construct one of his multi-layered conversations solo live ons stage; they are not made by sequential recording but by setting up fading loops etc in real time.

CD 1 Recommend To A Friend

JOHN SURMAN ~ WORDS UNSPOKEN ECM 2789 (Barcode: 602458620351) ~ UK ~ Jazz Recorded: 2022 Released: 2024 This is a studio album by the iconic British Jazz saxophonist / composer / bandleader John SurmanFind albums by this artist, recorded in a quartet setting with British guitarist Rob LuftFind albums by this artist, American (resident in Norway) vibraphonist Rob WaringFind albums by this artist and Norwegian drummer Thomas StronenFind albums by this artist. The album was recorded at the legendary Rainbow Studio in Oslo, engineered by Martin AbrahamsenFind albums by this artist, who replaced Jan Erik KongshaugFind albums by this artist following his demise. The album presents ten tracks, all of which are original compositions by Surman. The album reflects Surman’s long time connection with the Norwegian Jazz scene, not only as far as playing with Norwegian Jazz musicians and recording in Norway, but also his obvious affinity to the Nordic sound, which is particularly overwhelming on this album. The music is very melodic, but the compositions and instrumentations are minimalist, very subdued and reflective, creating a lethargic atmosphere, which is of course characteristic of the Nordic Jazz sound. But of course Surman’s recordings in the last couple of decades all had already this tendency, so the consequence is not very surprising. Surman is the dominating soloist and his absolute control of performance is phenomenal, completely untouched by the flow of time. The three accompanying musicians are masters of their trade, showing remarkable restrain and obvious respect towards the leader, leaving him in the spotlight at all time. Overall, this is another tour de force by the great Master, one of the greatest European Jazz musicians of all time, who seems to be unstoppable and still in perfect condition. We are extremely lucky to be able to enjoy the fruits of his labor for such a long period of time, and of course pray for more of such bliss to be sent upon us.

Updated: 20/04/2024Posted: 20/04/2024

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN / JACK DEJOHNETTE ~ INVISIBLE NATURE ECM 1796 (Barcode: 044001637629) ~ UK ~ Jazz Recorded: 2000 Released: 2002 Twenty years after recording their previous duo project ("The Amazing Adventures Of Simon SimonFind albums with this title") for the ECMFind albums on this label label, British saxophonist / composer John SurmanFind albums by this artist and US drummer / composer Jack DeJohnetteFind albums by this artist meet again for a live recording of almost completely improvised music, captured herein. Both these musicians have already established their status as Giants of modern music, which means they need not to prove anything anymore. This music is made for the pleasure (intellectual and emotional as one) of making music together and confirming the bond of musical friendship. The nature of Improvised Music makes it a priori more difficult to identify with than composed music. The process of the on-the-fly invention and creation can be extremely egocentric and intimate. But these two musicians magically create instantaneous music, which is communicative and immediately likeable, at least to well trained listeners. This album should be considered a true musical gem of rare quality by anybody with enough aesthetic integrity to listen to it open-mindedly. Surman´s virtuosity is simply spine-tingling and clearly time seems to flow in a parallel universe as far as he´s concerned, as he remains completely untouched by it. For me listening to this music evokes deeply emotional reaction, every time, confirming yet again my opinion that Surman is surely one of the very few prophetic musicians still among us. Beyond essential!

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN / HOWARD MOODY ~ RAIN ON THE WINDOW ECM 1986 (Barcode: 602517155404) ~ UK ~ Jazz Recorded: 2006 Released: 2008 This is another wonderful and intimate project by the British saxophone Colossus John SurmanFind albums by this artist, this time in cooperation with organist Howard MoodyFind albums by this artist, whom Surman met while recording and performing his "Proverbs And SongsFind albums with this title" project. A decade after their initial meeting, Surman and Moody recorded this wonderful music at an Oslo church, playing mostly Surman´s original compositions, a few co-composed pieces and some arrangements of traditional music. The whole affair has a tranquil, serene feeling about it, which is rarely achieved today and the music is truly beautiful from start to finish. Cross-genre and impossible to pinpoint stylistically it´s simply great music. Sensitive people will love this! Visitors' Comments Christopher  Brice On first play I sense another Surman favourite developing!

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69 VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz Recorded: 1968 - 1969 Released: 2006 Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!

CD 1 Remastered Essential Recommend To A Friend

JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

JOHN TAYLOR / JOHN SURMAN ~ AMBLESIDE DAYS AH UM 013 (Barcode: 5017771100223) ~ UK ~ Jazz Recorded: 1992 Released: 1992 This is an insanely beautiful album by the duo of British Jazz Giants: pianist / composer John TaylorFind albums by this artist and saxophonist / clarinetist John SurmanFind albums by this artist. The album presents eight original compositions, all by Taylor. As if the presence of Taylor and Surman was not enough to make this album perfect, the music was recorded at the legendary Rainbow Studio in Oslo with the brilliant Jan Erik KongshaugFind albums by this artist at the helm, which results in a sublime sound quality and clarity. The music is everything one might expect from these two Masters; Taylor has been one of the greatest songweavers of British Jazz and the compositions present here are surely among his best ever. The intimate duos with Surman, who by playing the soprano and baritone saxophones and alto and bass clarinets is able to create a plethora of diverse moods and ambiences, which turn these pieces into fully developed musical vistas, which express a whole world of music despite the fact of being "just" duets. The telepathic conversations between Taylor and Surman are mind blowing and serve as a classic example of the "Art Of The Duo" idiom, which is one of the most challenging as much as rewarding Jazz environments. The album is sadly criminally obscure among the British Jazz fans and collectors. It was released on the short lived Ah UmFind albums on this label label founded by musician / producer Nick PurnellFind albums by this artist, which in the early 1990s released sixteen superb albums, all of which are treasures of the British Jazz legacy. Although quite difficult to find today, they are all worth pursuing and highly recommended. For Taylor and Surman connoisseurs this is of course an absolute must have, but all true Jazz lovers should find this an absolute masterpiece and an essential part of any serious European Jazz collection. Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 30/03/2019

CD 1 Recommend To A Friend

COLIN TOWNS ~ BOLT FROM THE BLUE PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz Recorded: 1990 - 1991 Released: 1991 The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.

CD 2 Recommend To A Friend

STAN TRACEY / EVAN PARKER ~ CREVULATIONS PSI 05.04 (Barcode: 5030243050420) ~ UK ~ Free Jazz / Improvised Music Recorded: 2004 Released: 2005 This is a live album by the duo of British Improvising Music Giants, pianist Stan TraceyFind albums by this artist and saxophonist Evan ParkerFind albums by this artist. The album presents four tracks, all extended improvisations credited by default to both musicians. The music is surprisingly well behaved and relatively serene, which is rather unusual for the Avant-Garde milieu, and as such sounds less outlandish and startling to a less experienced listener, who might come across it by chance. The music’s progression is coherent and often even somewhat melodic, and for Improvising Music connoisseurs absolutely thrilling, displaying a superb telepathic cooperation between the two musicians, in the spirit of the “Art of the Duo” idiom. As an avid follower of Tracey’s recordings, I have always admired his incredible diversity, flexibility and out of the box approach to music. It is almost incomprehensible that the same musicians can play a highly melodic, swinging, almost mainstream (but never quite mainstream) music and at the same time take part in the British Avant-Garde scene, alongside musicians like Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist or John SurmanFind albums by this artist, all with the same enthusiasm, dedication and most surprisingly perfect accomplishment. This makes Stan Tracey probably the most unique and universal British Jazz Giant, who was always able to create aesthetics rather than try to copy it. This album is a natural companion to another duo album the duo recorded a year earlier, called “Suspensions And AnticipationsFind albums with this title”. For people familiar with Evan Parker’s music, this album might be as well quite surprising, as he sounds here beautifully melodic, even romantic at times, completely devoid of his usual rather angry / almost aggressive attitude, not to mention some of his most accomplished saxophone performances ever. Overall, this is a brilliant Improvised Music album, awe-inspiring by its ingenuity and beauty, and one of the few albums in that genre, that can be listened to repeatedly over time, always discovering new layers of Artistry. Jazz lovers, who might be nervous about Improvised Music, will be well advised to give this amazing album a try.

Updated: 13/09/2024Posted: 13/09/2024

CD 1 Recommend To A Friend

VARIOUS ARTISTS ~ TURTLE RECORDS: PIONEERING BRITISH JAZZ 1970-1971 RPM 528 (Barcode: 5013929552807) ~ UK ~ Jazz Recorded: 1970 - 1971 Released: 2015 This is a phenomenal Box Set including the reissues of all three albums released by the legendary British TurtleFind albums on this label label, owned by producer Peter EdenFind albums by this artist, who besides owning the label was also responsible for producing a long list of revolutionary British Jazz albums, which are all classics today and which document the extraordinary explosion of creativity and talent that transformed British Jazz into a new idiom, emancipated from the American Jazz tradition, proudly stepping into a new dimension, which spread rapidly to the European Continent giving birth to European Jazz. Eden´s productions included albums by such pioneering Jazz musicians like Mike WestbrookFind albums by this artist, John SurmanFind albums by this artist, Alan SkidmoreFind albums by this artist, Michael GibbsFind albums by this artist, Norma WinstoneFind albums by this artist and others, as well as no less pioneering Rock / Prog musicians. Most of his productions were originally released on the DawnFind albums on this label and DeramFind albums on this label labels. The three albums included in this Box Set are: "OutbackFind albums with this title" by Mike OsborneFind albums by this artist, "FlightFind albums with this title" by Howard RileyFind albums by this artist and "Pause, And Think AgainFind albums with this title" by John Taylor.Find albums by this artist To read the reviews of these albums please click on their titles. The set also includes a fabulous book "The Turtle Records Story" by Colin HarperFind albums by this artist, which is an excellently written and researched account of Eden´s activity at the time, and which includes may interviews with musicians involved and photographs taken at the time, in short a superb piece of British Jazz history. This is a splendid example of what writing about music is all about. I can hardly imagine a more important document of the pivotal period of the British Jazz than this Box Set. The music is still shockingly expressive, losing nothing of its power and farsightedness over time, the production is exemplary and the listening experience exhilarating. Anybody interested in Jazz who does not own the original LPs should of course get this Box Set ASAP, since not knowing this music is simply criminal. Unless of course someone prefers to listen to the insanely boring American mainstream…

Updated: 26/01/2019Posted: 20/05/2016

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

WEATHER REPORT ~ LIVE IN BERLIN 1971 GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion Recorded: 1971 Released: 2023 This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist. This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period. It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak. Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!

Updated: 05/01/2024Posted: 05/01/2024

CD 2 Recommend To A Friend

MIKE WESTBROOK ~ CITADEL / ROOM 315 BGO 713 (Barcode: 5017261207135) ~ UK ~ Big Band Jazz Recorded: 1975 Released: 2006 This magnificent album marks a pivotal point in the career of pianist / composer Mike WestbrookFind albums by this artist, a transition between the first and the second phases of his monumental life’s achievement. Since it is a suite composed for and performed by a large ensemble (19 musicians in this case), it continues the pioneering work by Westbrook as a composer of large scale orchestral music and closes the cycle which started with the debut "CelebrationFind albums with this title" and continued with "ReleaseFind albums with this title", "Marching SongsFind albums with this title", "Love SongsFind albums with this title" and "MetropolisFind albums with this title". In between “Metropolis” and "Citadel / Room 315Find albums with this title" Westbrook ventured into Jazz-Rock Fusion with the group Solid Gold CadillacFind albums by this artist, returning to Jazz with the new suite, which was commissioned by the Swedish Radio Jazz Group with John SurmanFind albums by this artist as a guest soloist. It was first performed and recorded in 1974, but for various reasons the recording was not released, so Westbrook decided to record it with a British lineup, following several performances in UK a year later. As usual in his case, he managed to assemble the best Jazz players on the British Jazz scene to participate in the recording, including John Surman as the main soloist on baritone and soprano saxophone, with Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist on trumpet, Dave MacRaeFind albums by this artist on piano, Brian GoddingFind albums by this artist on guitar, Chris LaurenceFind albums by this artist on bass and Allan JacksonFind albums by this artist on drums and many others. The music is of course brilliant, as always, but surprisingly more melodic and accessible than most of his earlier works, with clear “winks” towards the work of Duke EllingtonFind albums by this artist. Superbly arranged and performed, this is an epic achievement, sadly one of the last great Jazz works of such scale, as the climate in Britain was about to change very soon and the magnificent Golden Decade was facing an inevitable comedown. Westbrook was of course to continue his extraordinary work as a composer, but his albums will be gradually released on small independent labels and sell meagerly. Well, we still have this essential recording to re-visit any time we feel a need to refill out batteries with some highly charged musical delight. Essential!

Updated: 12/03/2022Posted:

CD 1 Slipcase Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ LOVE AND UNDERSTANDING: CITADEL / ROOM 315 SWEDEN `74 MY ONLY DESIRE 003 (Barcode: 5052442016687) ~ UK ~ Big Band Jazz Recorded: 1974 Released: 2020 This is an archival album, which finally brings back to life the original live recording of the “Citadel / Room 315Find albums with this title” suite by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with the Swedish Radio Jazz GroupFind albums by this artist featuring Westbrook on electric piano and British saxophonist John SurmanFind albums by this artist as the guest soloist. A studio version of the suite was recorded a year later by an all British lineup and released on RCAFind albums on this label. The album presents eleven tracks, all composed and arranged by Westbrook. The recording quality is absolutely marvelous. The sixteen members strong Swedish Radio Jazz Group included some of the finest Swedish / European musicians active at the time, including saxophonists Arne DomnerusFind albums by this artist and Lennart AbergFind albums by this artist, trumpeter Bertil LovgrenFind albums by this artist, pianist Bengt HallbergFind albums by this artist and others. A comparison with the British recording version, which of course is well known to all Westbrook followers, shows several distinct differences, especially as far as the overall sound, which here is somewhat more “traditional” and closer to the American Big Band tradition, which is not surprising considering the years-long Swedish Jazz tradition, very closely linked to the American tradition and the fact that many prominent American Jazz musicians lived in Sweden at the time. The British version, recorded by the young generation of musicians, who revolutionized the local Jazz scene completely and managed to create a distinct new Jazz dialect, is somewhat more daring and “subversive”, in the best possible way of course. Kudos to My Only DesireFind albums on this label Records for releasing this fabulous piece of music, which was dormant for so many years. All British Jazz fans are grateful, of course! Overall, this is a wonderful piece of British Jazz history, which deserves to be heard today, as it lost absolutely nothing of its power of expression and aesthetic values, fulfilling a missing link that many Westbrook fans can now consider as resolved. An absolute must have!

Updated: 02/02/2023Posted: 12/03/2022

CD 1 Mini-Sleeve Remastered Recommend To A Friend

MIKE WESTBROOK ~ MARCHING SONGS VOL.1 & 2 RIGHTEOUS 23:12 (Barcode: 5013929981225) ~ UK ~ Jazz Recorded: 1969 Released: 2009 This magnificent piece of music by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is an iconic recording in the history of modern British Jazz. The huge band, which recorded this music, includes absolutely everybody who was anybody on the scene at the time: saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Malcolm GriffithFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist, drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist; these being only some of the 30 participants. The music is an extended suite (originally released on 2 LPs) with the main theme being an anti-war protest, as appropriate at the time when the Vietnam was in the center of everybody´s attention. The music was composed almost entirely by Westbrook, with a few sections composed by Surman. There is no point in explaining the significance of this music and its pioneering nature (which I have already done many times here), suffice to say that this is an absolute masterpiece in every respect and no decent Jazz record collection should exclude this historical milestone. Absolutely essential!

Updated: 10/03/2023Posted:

CD 2 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz Recorded: 1968 Released: 2018 This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later. This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears). The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017. The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity. Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!

Updated: 02/02/2023Posted: 09/10/2018

CD 1 Mini-Sleeve Remastered Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend

NORMA WINSTONE ~ IT`S LATER THAN YOU THINK PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz Recorded: 2004 Released: 2006 British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend