Record Reviews

GORDON BECK ~ GYROSCOPE ART OF LIFE 1003 (Barcode: 804640100324) ~ UK ~ Jazz Recorded: 1968 Released: 2002 Pianist / composer Gordon BeckFind albums by this artist, one of the true forefathers of modern British and European Jazz, has been a source of inspiration and musical joy to Jazz connoisseurs since the 1960s. His formidable technique and more importantly overwhelming musicality are completely unique and unrivaled. This, his 4th recording as a leader, deserves a special notice for many reasons. Stylistically it is somewhat atypical to Beck’s usual output, as it marks his exploration of “free form” Jazz, which was enjoying a period of unparalleled prosperity in Britain at the time this album was recorded, with momentous recordings by other British piano giants like Howard RileyFind albums by this artist, Michael GarrickFind albums by this artist, Keith TippettFind albums by this artist and others. However, in Beck’s case the “free form” remains somewhat tamed by his immense love of melody, thus creating one of the most formidable examples of early European “free form”, which even the most conservative Jazz listener can easily savor. This is Beck’s genius, but the credit must also go to his two partners: bassist Jeff ClyneFind albums by this artist and drummer Tony OxleyFind albums by this artist. The trio plays here in complete unity, with telepathic interplay and cohesiveness. Clyne is a monster player, incredibly melodic and with a sublime sense of rhythm and Oxley is a complete genius, the most intelligent and technically proficient drummer to come out of the British Isles. This is a marvelous opportunity to hear Oxley’s work at the time he was still playing “time”, although of course in his very special way of doing so, with the “time” being felt rather that actually played, since he is all over his kit doing stuff that is not recommended to be tried at home. This album was originally released on the tiny MorganFind albums on this label Records (owned by the famous Morgan Recording Studios in London) and disappeared from the shelves soon after, becoming one of the British Jazz most sought after collector’s items. The reissue on Art Of LifeFind albums on this label brings back to life a masterpiece of immense importance, which is an essential piece of the complex musical puzzle created in Britain by the end of the 1960s. I can’t imagine any serious British / European Jazz fan not having this momentous recording in their collection. Beyond essential!

CD 1 Oversampling Remastered Essential Recommend To A Friend

GORDON BECK ~ ONCE IS NEVER ENOUGH FMR 028 (Barcode: 786497264025) ~ UK ~ Jazz Recorded: 1996 Released: 1996 Pianist / composer Gordon BeckFind albums by this artist is one of the icons of the modern British Jazz and his immense contribution to the scene is invaluable. He first came to prominence as a member of the legendary saxophonist Tubby HayesFind albums by this artist quintet and soon after formed his own trio, which was one of the most important ensembles at the time, which recorded some incredibly beautiful albums. Over the years Beck proved to be extremely prolific, recording tens of albums as leader and sidemen and hundreds as a studio musician. A hopeless romantic at heart, his incredibly melodic and lyrical compositions and extraordinary fluency as a player make him one of the finest European Jazz musician. Alongside Michael GarrickFind albums by this artist he is my favorite British piano player and a source of musical joy for over 40 years now. This, one of his latest albums (recorded when Beck was 61 years old!), recorded with two superb British Jazz veterans saxophonist Stan SultzmannFind albums by this artist and bassist Chris LaurenceFind albums by this artist with a young drummer Paul ClarvisFind albums by this artist, presents him still at the top of his powers both as a composer and a player. He composed four of the seven tunes on this album with Sultzmann contributing the other three. The music is an incredible example of contemporary Jazz, melodic and beautifully structured, but at the same time full of zest, adventure and sophistication. Those listeners, who are familiar with Beck’s output, will find this a worthy addition to his superb body of work. Those who don’t know him might find this album as a gate into an incredible word of high Art of Jazz. Wholeheartedly recommended!

CD 1 Recommend To A Friend

FINGERS ~ THE COMPLETE FINGERS REMEMBER MINGUS JAZZ IN BRITAIN 55 (Barcode: 5060774190692) ~ UK ~ Jazz Recorded: 1979 - 1993 Released: 2024 This is an expanded reissue / remaster of an album by British Jazz quintet FingersFind albums by this artist, led by bassist Dave GreenFind albums by this artist, which also included saxophonists Lol CoxhillFind albums by this artist and Bruce TurnerFind albums by this artist, pianist Michael GarrickFind albums by this artist and drummer Alan JacksonFind albums by this artist. The original album was recorded in 1979 and released on the legendary SpotliteFind albums on this label label in 1983, which needless to say has been in my collection since then. It included only five tracks, some of which were edited to fit on the LP, which are here expanded to include the complete recording session on CD1 and CD2, total eleven tracks including alternate tracks. CD3 presents eight unreleased tracks, originating from BBC broadcasts or other sources, recorded between 1979 and 1993 (see details on the album’s artwork). Although the music herein, either that by Charles MingusFind albums by this artist or by other composers, is basically mainstream oriented, the unique “Fingers’ treatment” it receives here turns is into an orgy of improvisation, which more often than not ventures into the Free territory, especially when Coxhill is in the lead. The atmosphere of the session is somewhat similar to what one might hear on Mingus’ albums, so the resulting music is a tribute with a British twist, which fans of Mingus and those familiar with his music should enjoy immensely. These are some of the finest British Jazz players after all, so it’s hardly surprising that the performances are stellar. Under the steady bass grip by Green, the music manages to swing even when the melody wanders far away, only to return like a wave. Some spectacular soli, which are lost on the original abridged edition, are here to bring a wide smile upon the listener’s lips. The relaxed, almost informal atmosphere of the session, serves the music well, as the result proves. Overall, this is another brilliant release by the Jazz In BritainFind albums on this label label, which does not rest on its laurels, keeping us on edge awaiting the next showdown. Thy good people behind the labels have of course access to more great music that they can possibly handle, so it all comes down making the right choices, which so far has been impeccably done. Thanks, as always, for the music, which never fails to bring a tear in the corner of an eye.

Updated: 01/07/2024Posted: 01/07/2024

CD 3 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ A LADY IN WAITING JAZZ ACADEMY 01 ~ UK ~ Jazz Recorded: 1993 Released: 1994 British pianist / composer Michael GarrickFind albums by this artist enjoyed a most fruitful and prolific career during the Golden Decade of British Jazz between mid-1960s and mid-1970s, releasing a series of groundbreaking and exquisite albums, which firmly established his position as one of the scene’s leaders. However, by the end of 1970s Garrick and many of his illustrious colleagues suffered the fate of the changing cultural climate, with record labels no longer willing to release highly prestigious but low selling albums containing quality music. For the next two decades Garrick was to record only sporadically and although he continued to compose and sometimes perform his music, most of it remains unrecorded. In order to find an outlet for his music, Garrick established in 1993 his own record label called Jazz AcademyFind albums on this label, which was primarily dedicated to record his works. Thanks to this wise decision, we can now all enjoy the fruits of his labor. This album is the first release on Garrick’s label, and it’s hardly surprising that he decided to make his initial recording for the new label in the piano trio format, the most intimate and revealing platform for Jazz pianists. The trio, with Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums, both veteran Garrick’s cohorts performs beautifully, in perfect harmony and almost telepathic interplay, as expected. The choice of material is also very interesting. Although Garrick very rarely plays standards, having so much of his own wonderful music to chose from, this album does include six Garrick’s renditions (out of the 15 tunes included on the album) of music composed by others. In fact it is quite educational to compare these with some of the many existing versions of these tunes. Under Garrick’s fingertips these tunes really get a completely unique new life. The original material includes six movements from Garrick’s suite “The Royal Box”, which was also recorded in a Big Band version. Overall this is a perfect piano trio album, played by three equally brilliant musicians and one that can be played again and again with no fear whatsoever of getting bored by the music. Of course one would expect nothing less from this musical world-class Giant. A must!

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ A NEW SERIOUS MUSIC RHYTHM AND BLUES 076 (Barcode: 5060331752615) ~ UK ~ Jazz & Poetry Recorded: 1967 - 1969 Released: 2021 This is an archival album by seminal British pianist / composer / bandleader Michael GarrickFind albums by this artist. The album presents two BBC sessions, the first captured on July 23, 1967 which includes five original compositions by Garrick, performed with trumpeter Henry LowtherFind albums by this artist, saxophonists Jim PhilipFind albums by this artist and Art ThemenFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Humphrey LittletonFind albums by this artist. The second session, captured on October 10, 1969 includes six original compositions by Garrick, performed by trumpeter Ian CarrFind albums by this artist, saxophonist Don RendellFind albums by this artist and Themen, Goode, Tomkins and vocalist Norma WinstoneFind albums by this artist and with poetry readings by poets John SmithFind albums by this artist and Jeremy RobsonFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Garrick, which results in the album having no less than twenty-two tracks. During the period between these two sessions Garrick was living a “double life”, dividing his time between the Don Rendell / Ian Carr QuintetFind albums by this artist and his own ensembles, producing some of the most significant new British Jazz, of which he was one of the most important architects, especially so as a composer. His astonishing diversity, which includes “straightforward” (well never really straightforward) Jazz, Free Jazz, Jazz-Choral music, and the Jazz & Poetry explorations, like those portrayed by the second session included here, made him a key figure of the new British Jazz, crystalizing at the time. The music, although captured over five decades ago, is still a full blow in the face to those unfamiliar with Garrick’s multi-layered musical universe. I have been incredibly fortunate to hear Garrick perform live during that period and the long conversations we had together, after the music was over, about music (and poetry) with the baby-faced, always smiling Garrick are forever implanted in my mind. Music lovers interested in that period of Garrick’s activity should try and revisit all the fabulous recordings he made then, like “Poetry And Jazz In ConcertFind albums with this title”, “October WomanFind albums with this title”, “PromisesFind albums with this title”, “Black MarigoldsFind albums with this title”, “Jazz Praises At St Paul`sFind albums with this title”, “The Heart Is A LotusFind albums with this title”, which have been reissued by VocalionFind albums on this label or Garrick’s own Jazz AcademyFind albums on this label label. Any serious British Jazz collection is not complete with these titles missing. Overall this is a milestone album, with previously never released material, which is worth its weight in gold. Although the sound quality of the second session included herein is somewhat distorted at times, this can be easily forgotten in view of the historical importance of the music. Warmly recommended!

Updated: 08/08/2021Posted: 08/08/2021

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ BIG BAND HARRIOTT JAZZ ACADEMY 10 (Barcode: 5036098005080) ~ UK ~ Jazz Recorded: 2004 Released: 2004 Jamaican by birth, British saxophonist / composer Joe HarriottFind albums by this artist was one of the brightest stars of early European modern Jazz scene. Harriott moved to Britain in 1951 and soon became one of the most prominent saxophone players in the country. Initially a Bebop player, Harriott soon moved away from the traditional approach to Jazz and started experimenting with Free Form Jazz, being one of the pioneers of Free Jazz in Europe. Tragically and prematurely dead at the age of 44 (in 1973), Harriott’s immense contribution to British and worldwide Jazz was sadly recognized only many years after his passing. He recorded relatively few solo albums, but each of those is a true masterpiece. In the mid-1960s he was a member of British pianist / composer Michael GarrickFind albums by this artist’s superb quintet, recording several groundbreaking albums with him. He was also a great pioneer of the World-Jazz Fusion and a co-founder of the Indo-Jazz ensemble with violinist / composer John MayerFind albums by this artist. Harriott was not only a great musician, but also a very insightful, open-minded individual. He was resentful for the disregard towards European (or rather any non-US) Jazz by American critics and music lovers, which the following quote clearly demonstrates: “I would like to see Jazz grow and absorb all other idioms and not be treated as if it were an isolated Art Form… I also have a pet hate that one couldn’t think for oneself unless one emigrated to a place like the United States.” On his gravestone the following epitaph is engraved: “Parker? There’s them over here can play a few aces too…” Michael Garrick of course never forgot neither Harriott nor his exquisite music. This album is a greatest homage one musician can pay to another – revitalize his music and bring it again to the attention of those, who might have never heard it. Garrick says about this album in his liner notes: “This is not so much Joe Harriott revisited as Joe Harriott reborn, re-embodied into a broader dimension.” The album includes twelve Harriott compositions, lovingly scored and arranged by Garrick for a Jazz Big Band, which includes some of the best Jazz players in the British Isles, including veteran drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist. The last track is a special requiem composed by Garrick in Harriott’s memory. Harriott’s brilliant music indeed sounds reborn here and although transformed, it retains the free spirit originally intended by the composer. A brilliant and essential album!

CD 1 Essential Recommend To A Friend

MICHAEL GARRICK ~ BLACK MARIGOLDS VOCALION 8411 (Barcode: 765387841126) ~ UK ~ Jazz Recorded: 1966 Released: 2005 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick in three different settings, emphasizing his immense versatility as a composer and player. As usual, he wrote all the music included here. The main body of the music is played by a magnificent septet, which comprised of the best Jazz players on the British scene at the time: Garrick – piano, Ian CarrFind albums by this artist – trumpet, Joe HarriottFind albums by this artist – sax, Don RendellFind albums by this artist – sax, Tony CoeFind albums by this artist – sax, Dave GreenFind albums by this artist – bass and Trevor TomkinsFind albums by this artist – drums. Garrick’s exquisite compositions and the exemplary performances by the players are just perfect. Then come several pieces, which continue Garrick’s involvement with the Jazz & Poetry movement, which feature poet John SmithFind albums by this artist reciting his poetry accompanied by smaller ensembles (mainly trio, where Colin BarnesFind albums by this artist plays the drums). Smith wrote specific pieces of poetry to be performed with specific Jazz players, creating a unique experience in the process. Last come a few pieces where Garrick turns to two atypical for Jazz instruments - harpsichord and celeste – using them in a trio format, emphasizing again his restless pioneering fever. Overall a beautiful album, full of surprises and wonderful moments and a superb document of the era and Garrick’s musical legacy.

Updated: 01/01/2016Posted:

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ CHILDREN OF TIME JAZZ ACADEMY 12 (Barcode: 801082027820) ~ UK ~ Jazz Recorded: 2005 Released: 2005 British pianist / composer Michael GarrickFind albums by this artist continues to create superb Jazz music for over five decades, both in the framework of small and large-scale ensembles. His highly artistic approach to music, which in his case always involved serious non-musical subject matter, such as literature, philosophy or religion, has been consistent over the years. This album is no different as it presents another Jazz suite composed for a Jazz orchestra, based on philosophical / spiritual questions about the Divinity / Force of Nature, which is beyond human perception. Each of the ten parts of the suite is dedicated to one of the “spirits” in charge of the overall Universal existence. The music is, as always, dramatic but also deeply lyrical, with plenty of space for solos and some vocal parts, sung by Garrick’s close collaborator in his 1970s ensembles – the divine Norma WinstoneFind albums by this artist. The orchestra, which Garrick uses regularly for his large-scale projects, consists of some of the best players in Britain and the steady lineup turns it into an ideal vehicle for the execution of Garrick’s complex works. Listening to this grand recording soon turns into a truly spiritual experience, most probably as intended by its creator. This album proves again that Garrick is one of the greatest Jazz Masters, not only in Britain but worldwide. This is another of Garrick’s masterpieces and a must!

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ COLD MOUNTAIN VOCALION 8415 (Barcode: 765387841522) ~ UK ~ Jazz Recorded: 1972 Released: 2006 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick in the most intimate (and my favorite) Jazz format – the piano trio – with Dave GreenFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums. Garrick, as usual, wrote all the music, which is sublime from start to finish. His playing is also absolutely marvelous, full of lyricism and humorous spark, virtuosity and inspiration. The rhythm section provides solid and sympathetic support at all times, and overall this is one of my favorite piano trio recordings ever. Garrick manages to concentrate his enormous abilities as a player and composer on this album, which was recorded at a peak of his 1970s activity (the album Home Stretch BluesFind albums with this title was recorded at the same session). There is nothing more that needs to be said here except that if you don’t own this album, you have a huge gap in your musical education. Essential!

CD 1 Remastered Essential Recommend To A Friend

MICHAEL GARRICK ~ HOME STRETCH BLUES VOCALION 8426 (Barcode: 765387842628) ~ UK ~ Jazz Recorded: 1972 Released: 2006 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick with his sextet (Garrick – piano and harpsichord, Henry LowtherFind albums by this artist – trumpet, Art ThemenFind albums by this artist – clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and Norma WinstoneFind albums by this artist – vocals) with Don RendellFind albums by this artist – sax on couple of tracks. The music, written as always by Garrick, is divided (by side A and side B of the original album) into two parts: part one includes three great tracks, including a song based on a poem by Alfred TennysonFind albums by this artist and part two is a five-piece suite inspired by a poem by John SmithFind albums by this artist. As usual the music is simple superb, as are the performances by the band members. Norma’s vocalese reaches an absolute peak here and her integration into the group’s overall sound is perfect. This is just about the most perfect example of the British Jazz at the time of its full maturity and a timeless masterpiece. It is a shame this music was unavailable for so long and it makes me really happy to know it can be rediscovered by a new generation of music lovers. A must!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ JAZZ PRAISES AT ST PAUL`S JAZZ ACADEMY 11 (Barcode: 5036098005783) ~ UK ~ Jazz Recorded: 1968 Released: 2005 British pianist / composer Michael GarrickFind albums by this artist’s Jazz escapades were always anything but conventional. His participation in the Jazz & Poetry sessions held in the mid 1960s was already a sign of his unusual approach to Jazz, which Garrick considers as part of an overall cultural / artistic milieu. This album is another daring step forward in expanding the confined borders of Jazz by mixing it with liturgical music, something Garrick was to return to several times during his career. The sheer audacity of Garrick’s notion to perform Jazz inside a cathedral, playing the organ as a part of a Jazz ensemble was staggering at the time, and only thanks to the open-mindedness and liberal atmosphere prevailing in Britain at the time such project was eventually successfully executed. The music was recorded live at the St Paul’s Cathedral, featuring Garrick’s sextet (Garrick – organ, Art ThemenFind albums by this artist – saxophone, clarinet and flute, Jim PhilipFind albums by this artist – saxophone, clarinet and flute, Ian CarrFind albums by this artist – trumpet and flugelhorn, Coleridge GoodeFind albums by this artist – bass and John MarshallFind albums by this artist – drums) with a large choir. Although recorded under Spartan conditions with just one microphone (mono) suspended over the performers, the sound is remarkably clear and well balanced. With the cathedral’s natural echo the music sounds even more devotional than initially intended. Miraculously it just all works out perfectly. Released originally as a double LP on the obscure AirboneFind albums by this artist label, it has been a priceless collector’s item for decades, only to become available again on Garrick’s own record label. This is a remarkable piece of British Jazz history.

Updated: 01/01/2016Posted:

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ LIVE AT PIZZA ON THE PARK, LONDON VOCALION 9000 (Barcode: 765387900021) ~ UK ~ Jazz Recorded: 2006 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This DVD captures his exquisite performance with his new quartet (Garrick – piano, Martin HathawayFind albums by this artist – reeds, Paul MoylanFind albums by this artist – bass and Alan JacksonFind albums by this artist - drums with guest musician Mark HanslipFind albums by this artist – tenor sax). Garrick seems to be untouchable by time, as he not only looks great but also plays beautifully, as if no time passed at all since he touched the keyboard for the first time. The music includes some of his old and some new compositions, as well as a few standards (all from the Duke EllingtonFind albums by this artist stable), which get a typical Garrick treatment, with a dash of British humor. He also recites a couple of poems, as appropriate for a pioneer of the Jazz & Poetry movement and gives a chance to a young gifted player as a guest. A most enjoyable performance of great Jazz, which warms the heart and makes your feet go “tap tap tap”. The DVD also includes an insightful interview with Garrick, where he warmly (and with a lot of humor again) remembers the “good old days”, which were glorious indeed. I had a great time watching / hearing this and I’m sure anybody familiar with Garrick’s splendid and innovative contributions to music will do as well. 140 minutes.

Updated: 01/01/2016Posted:

DVD 1 Recommend To A Friend

MICHAEL GARRICK ~ MOONSCAPE TRUNK 022 (Barcode: 666017162621) ~ UK ~ Jazz Recorded: 1964 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been one of the great pioneers of modern British Jazz and his 1960s / 1970s recordings on the ArgoFind albums on this label label (now reissued on VocalionFind albums on this label) constitute some of the best examples of the wonderful period, when Jazz was at its absolute creative peak. Garrick did made an early recording in 1964 with his trio (Garrick – piano, Dave GreenFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums), which was privately issued with 99 copies pressed. Over the years this 10-inch LP became not only legendary but also one of the most expensive Jazz collector’s items reaching astronomical prices on the market with only a few originals surviving the tides of time. Therefore having this album available again on CD is a marvel, thanks to Jonny TrunkFind albums by this artist and his very special TrunkFind albums on this label Records label. As the original tapes were of course lost in time, the CD was mastered from a pristine copy of the LP with spectacular results - the sound is just beautiful. As to the music, well I’m not objective being Garrick’s fan for many years, but this is a monumental piece of music – one of the earliest examples of modern European Jazz, which steps way beyond anything in existence at the time. The compositions (all by Garrick) were inspired by poetry, as Garrick was at the time involved with the Jazz & Poetry movement, and show his incredible talent for melody and the ability to “twist” a tune in a most wonderful fashion. Marvelous stuff! I can’t imagine any Garrick or early modern British Jazz fan not wanting this one.

Updated: 01/01/2016Posted:

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ MR SMITH`S APOCALYPSE VOCALION 8433 (Barcode: 765387843328) ~ UK ~ Jazz-Classical Fusion Recorded: 1970 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick realizing a most ambitious work, which combines the elements he was always interested in: Jazz, poetry and liturgical music. It is an expansion of the idea of his earlier album PraisesFind albums with this title and presents a full cantata for Jazz sextet (Garrick – organ, Henry LowtherFind albums by this artist – trumpet, Don RendellFind albums by this artist – flute, clarinet and sax, Art ThemenFind albums by this artist – flute, clarinet and sax, Coleridge GoodeFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums), four soloists (including Norma WinstoneFind albums by this artist and the poet John SmithFind albums by this artist, who wrote the poems which serve as the libretto) and a large children’s choir. The entire ensemble was called Garrick`s FairgroundFind albums by this artist for the sake of the album. The music is majestic, as expected for the occasion, but not without humorous moments, typical of Garrick’s intelligent twists and turns. It might sound a bit odd to a typical Jazz listener, but anybody loving good music should enjoy this tremendously. This reissue adds to the original album the ultra-rare single, which was released at the time to promote the album. Overall a rare and pioneering work, ages ahead of its time and one reflecting the scope of Garrick’s talent and musical contribution. A must!

CD 1 Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ OCTOBER WOMAN VOCALION 8413 (Barcode: 765387841324) ~ UK ~ Jazz Recorded: 1964 Released: 2005 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. Garrick first came to prominence on the London Jazz scene in the early 1960s, when he took part in the series of Jazz & Poetry concerts organized by poet Jeremy RobsonFind albums by this artist (for more details please read the Poetry And Jazz In ConcertFind albums with this title album description). The quintet, which recorded this album, was established as a result of these concerts, when the Michael Garrick Trio (Garrick – piano, Coleridge GoodeFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums) were joined by two exceptional players - saxophonist Joe HarriottFind albums by this artist and trumpeter Shake KeaneFind albums by this artist – the first black musicians on the London Jazz scene. Both Harriott and Keane were virtuoso players and their contributions were instrumental in shaping the exceptionally high level of musicianship, which characterized the entire generation of Jazz players at the time. The music, all composed by Garrick, is also incredible – beautifully crafted and full of lyricism and intrinsic beauty. There are very few Jazz composers around who can write such clever and delightful tunes, often based on very simple basic ideas. This music just has a kind of natural flow, which makes everything fall into place in a most inherent way. This reissue adds to the original album an ultra-rare EP recorded by the quintet, called AnthemFind albums with this title, where the composer combines Jazz with sacred / liturgical music. Using an organ and choir to create the connection between the two musical entities, the musicians create an amazing amalgam of the two. Considering the time this recording was done, Garrick certainly proves he is prepared to challenge any convention head on and come out a champion. Overall an outstanding album of rare beauty, an absolute must to any Jazz lover on this planet.

Updated: 01/01/2016Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ PARTING IS SUCH JAZZ ACADEMY 03 ~ UK ~ Jazz Recorded: 1994 - 1995 Released: 1995 Following the establishment of his own record label Jazz AcademyFind albums on this label in 1993, British pianist / composer Michael GarrickFind albums by this artist started to record again on a regular basis and quite prolifically at that, to the delight of his many fans, myself included. This is Garrick’s second piano trio recording on his label, with (as usual) Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums. Michael’s son Chris GarrickFind albums by this artist on violin guests on one track and veteran saxophonist Don RendellFind albums by this artist (Garrick’s former “boss” in the Don Rendell – Ian CarrFind albums by this artist quintet) guests on another. The choice of material is similar to the previous trio album, with a few standards, which are given excellent new interpretations by Garrick, and a selection of Garrick’s originals, spanning his entire career – in short some old, some new and some borrowed – all exquisitely performed in a way only he can accomplish. Overall the album is more melancholic that usual, as the album’s theme is parting after all, which also means parting with those not longer with us. Three of Garrick’s compositions are in fact requiems to departed musicians, including the beautiful waltz dedicated to Bill Evans. Two more pieces from Garrick’s “The Royal Box" suite (which was recorded by his Big Band earlier) also make their appearance here. This is another masterpiece by the great Master and a must for any of his fans; something one can listen repeatedly, always discovering new aspects of the music. Brilliant stuff!

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ PETER PAN JAZZDANCE SUITE JAZZ ACADEMY 09 (Barcode: 801082016725) ~ UK ~ Jazz Recorded: 2003 Released: 2003 Following the establishment of his own record label Jazz Academy in 1993, British pianist / composer Michael GarrickFind albums by this artist started to record again on a regular basis and quite prolifically at that, to the delight of his many fans, myself included. He continued to records with small ensembles (trio, quartet, etc.), but in parallel he also started to score and record his new works for extended orchestras / Big Bands, this album being a superb example of his work in that field. Garrick’s life-long love affair with the written word (poetry, prose and even religious texts), especially British literature, has always been a prominent part of his output. From his early-days involvement with the Jazz & Poetry movement and throughout his entire career his work was always related one way or another to literature. Therefore it’s hardly surprising that Garrick should write a complete suite based on a book, in this case the classic children’s (or is it?) tale of Peter Pan. Garrick even includes here a set of poems written by him, which he and the lovely Anita WardellFind albums by this artist recite (she also sings). The suite is performed by an Jazz orchestra, which includes some twenty players, mostly Garrick “regulars” in his orchestral projects, including the rhythm section of Paul MoylanFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums (both members of current Garrick’s trio and quartet). Garrick’s writing and arrangements are an obvious tribute to the Godfather of orchestral Jazz, Duke EllingtonFind albums by this artist. The music is lyrical and somewhat melancholic and Garrick’s score uses the orchestra cleverly to play around with the various moods the music goes through. The sound is mostly laid back as Garrick seldom makes the orchestra blast in its full potential power - less in definitely more in his case. Plenty of great solos of course, as all the musicians are first class players. Overall it’s a delightful musical experience, full of surprises and hidden treasures, with lots of typical Garrick’s tasteful humor. A must!

Updated: 01/01/2016Posted:

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ POETRY AND JAZZ IN CONCERT VOCALION 8416 (Barcode: 765387841621) ~ UK ~ Jazz & Poetry Recorded: 1964 - 1966 Released: 2006 The love affair between the two Art Forms: Jazz music & Poetry, goes back to the late 1950s, when American writers / poets of the Beat Generation (Jack KerouacFind albums by this artist, Allen GinsbergFind albums by this artist and others) discovered the “intellectual proximity” between their writing and the process of creating Jazz music, as represented by the founding Fathers of Bee Bop (Charlie ParkerFind albums by this artist, Dizzy GillespieFind albums by this artist and others). However, although the poets were frequent patrons of the burgeoning NY Jazz club scene, actual poetry readings combined with Jazz performances were pretty rare and sporadic. Only when the Jazz & Poetry concept crossed over the Atlantic to Britain (and later the rest of Europe) the movement reached a full swing and enjoyed immense popularity with the poets, musicians and the audiences. The intellectual crowds in London and the rest of Britain attended Jazz & Poetry concerts in huge numbers through the early and mid-1960s, but towards the end of the decade the enthusiasm diminished. British poet Jeremy RobsonFind albums by this artist and pianist / composer Michael GarrickFind albums by this artist were largely responsible for the movement’s popularity. Garrick, a graduate in English Literature, had a great sensitivity to the literary works and managed to compose music, which suited the words perfectly. This album, released originally in 1964 as two separate LPs (Vol.1 & 2) documents a typical Jazz & Poetry concert. Recorded “live” in a studio, the applause and the audience’s reaction to the poetry faithfully reproduce the atmosphere of a performance hall. The Jazz quintet (Garrick – piano, Joe HarriottFind albums by this artist – sax, Shake KeaneFind albums by this artist – trumpet, John TaylorFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums) provides the music and four poets (Adrian MitchellFind albums by this artist, Dannie AbseFind albums by this artist, Jeremy Robson and Laurie LeeFind albums by this artist) read their poems, creating a wonderfully intellectual encounter, where the sum of the two Arts is actually better than their individual contribution. This new addition adds an ultra-rare EP of Jazz & Poetry recorded a couple of years later, featuring the Michael Garrick quintet (with Ian CarrFind albums by this artist – trumpet and Coleridge GoodeFind albums by this artist – bass replacing their respective counterparts in the earlier quintet) and Jeremy Robson, called Before Night/DayFind albums with this title. This is a timeless masterpiece and an everlasting food for sensitive souls – brilliant!

Updated: 01/01/2016Posted:

CD 2 Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ PROMISES VOCALION 8440 (Barcode: 765387844028) ~ UK ~ Jazz Recorded: 1965 Released: 2008 Following the release of “October WomanFind albums with this title”, British pianist / composer Michael GarrickFind albums by this artist and his quintet were asked to record a new album soon after. Unfortunately the original quintet member, trumpeter Shake KeaneFind albums by this artist, left UK to join the Kurt EdelhagenFind albums by this artist’s radio Big Band in Germany – one of the best Jazz Orchestras on the continent – where he was to stay for the next four years. Garrick swiftly recruited a replacement, turning to his “half boss” (in the Don RendellFind albums by this artist / Ian CarrFind albums by this artist quintet) trumpeter Ian Carr to step into Keane’s shoes with a few days notice just before the recording. Since his writing was becoming more complex and elaborate, Garrick also expanded his quintet into a sextet with the addition of saxophonist / clarinetist Tony CoeFind albums by this artist. Legendary saxophonist Joe HarriottFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Colin BarnesFind albums by this artist, the original quintet members, completed the lineup. The album includes all original music, composed by Garrick, with the exception of one arrangement of a George GershwinFind albums by this artist tune. Of the 10 tracks present, 7 are played by the sextet and 3 by a piano trio, where bassist Dave GreenFind albums by this artist replaces Goode. The music is absolutely marvelous, with Garrick’s writing reaching maturity and self-confidence. The performances are stellar, with Harriott playing perhaps more beautifully than on any other album. The entire album is complete uninterrupted musical bliss from start to finish and a remarkable example of early European Jazz of the highest quality. Even the most dedicated Garrick followers will have to admit that this is definitely one of his best achievements, a magic moment captured for posterity for us to enjoy and revere. Essential stuff!

CD 1 Remastered Essential Recommend To A Friend

MICHAEL GARRICK ~ THE HEART IS A LOTUS VOCALION 8400 (Barcode: 765387840020) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick leading a sextet (Garrick – piano and harpsichord, Ian CarrFind albums by this artist – trumpet, Art ThemenFind albums by this artist – flute, clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and the divine Norma WinstoneFind albums by this artist – vocals) and on several tracks the ensemble is expanded to a nonet with the edition of Don RendellFind albums by this artist – sax, Jim PhilipFind albums by this artist – flute, clarinet and sax and Coleridge GoodeFind albums by this artist on second bass. Norma’s vocal parts – both when singing lyrics and improvising, using her voice as an instrument – are absolutely stunning and completely innovative. Her presence brings the music to another dimension, adding colors and enhancing the overall effect tremendously. She would become a permanent member of Garrick’s group for a while and their recordings together are some of the best moments of the British Jazz of that period. As usual, Garrick wrote all the music and this time also the lyrics used here. His formal education was after all English Literature, and hence his sensitivity to language and poetry and his writing abilities are no surprise. Beautifully melodic and yet constantly challenging, this is a superb album, which sound today every bit as great as it did at the time it was recorded. A must!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ TROPPO VOCALION 8444 (Barcode: 765387844424) ~ UK ~ Jazz Recorded: 1973 Released: 2009 Pianist / composer Michael GarrickFind albums by this artist has been a pivotal figure in the British Jazz for over five decades and his recorded legacy over the years is an enormous source of inspiration and an example of intelligence, finesse and dedication. By the mid-1970s the British Jazz revolution was all but complete and the scene´s decade of glory was also nearing its end, with record sales declining. Therefore this album was to be the last recording Garrick made for the ArgoFind albums on this label label, a subsidiary of DeccaFind albums on this label. His ambition to push the music beyond the well established boundaries, with the music becoming more complex in the process, was a key factor in the company´s decision to cease the fruitful cooperation, which lasted for a decade and produced some of Britain´s best and most important Jazz masterpieces. Following the initial release of this album Garrick would almost completely stop releasing albums for over two decades, until he finally established his own independent Jazz AcademyFind albums on this label label and his output appeared there regularly since, to the delight of his many fans, myself included. The group playing on this recording consists mostly of Garrick´s long time cohorts and the British Jazz scene´s lions: Henry LowtherFind albums by this artist on trumpet and violin, Art ThemenFind albums by this artist on flute and sax, Don RendellFind albums by this artist on flute and sax, bassists Dave GreenFind albums by this artist and Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The divine vocalist Norma WinstoneFind albums by this artist was also an integral part of his band and her performances here are truly sensational. The album was recorded just a few weeks after the death of Joe HarriottFind albums by this artist, Garrick´s dear friend and music-making partner and the album includes a tribute to his genius. This has always been one of my favorite albums and surely one of British Jazz everlasting masterpieces, which remains an essential listening to this very day. Absolute must!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK / SHAKE KEANE ~ RISING STARS TRUNK 041 (Barcode: 666017241425) ~ UK ~ Jazz Recorded: 1964 Released: 2011 The tiny British TrunkFind albums by this artist Records label (owned by Jonny TrunkFind albums by this artist) is an endless source of discovery for a serious collector, specializing in unearthing ultra rare (or rarer) recordings and bringing them back to light. For specialist in British Jazz Trunk Records have some incredible offers, like the lost album by pianist / composer Michael GarrickFind albums by this artist, called "MoonscapeFind albums with this title". This album offers another Garrick gem, the impossible to find "A Case Of JazzFind albums with this title" EP, recorded at the same year and performed by the Garrick quartet with trumpeter Shake KeaneFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Bobby OrrFind albums by this artist, which is a superb example of the early Garrick as well as the early British modern Jazz. In addition, another EP, which was never released commercially, includes four tracks by Keane, two recorded with a choir and two with an Orchestra, both highlighting his incredible tone and feel, unparalleled by any other British player since. Together these eight tracks are a wonderful document of the era and an indispensable part of any serious British Jazz collection!

CD 1 Remastered Recommend To A Friend

JOE HARRIOTT ~ MOVEMENT / HIGH SPIRITS VOCALION 8486 (Barcode: 765387848620) ~ UK ~ Jazz Recorded: 1963 - 1964 Released: 2012 It´s always a great pleasure to see reissues of legendary albums, which have been unavailable for years, suddenly appear on the market out of the blue, making a dream come true for music lovers, who anxiously hoped for them to be finally available on CD, rather than mortgaging their homes in order to get an insanely expensive fifty years old vinyl. This is certainly true as far as these two albums by the British Jazz saxophonist Joe HarriottFind albums by this artist are concerned. Harriott, born in Jamaica, was one of several West Indian musicians, who arrived on the British scene, like trumpeter Shake KeaneFind albums by this artist, who became his close musical partner and plays on these two albums as well. By the early 1960s Harriott emerged as the most advanced pioneer of the new Jazz explorations, including Free Jazz, one of the first British musicians to embrace the concept of Free Form spontaneity in composition and performance. His absolutely incredible virtuosity as a player allowed him to achieve results unparalleled by any of his peers on the British scene at the time. His quintet included also pianist Pat SmytheFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Bobby OrrFind albums by this artist, some of the finest British Jazz players at the time. Four members of this quintet (excluding Smythe of course) were also members of the various ensembles led by pianist / composer Michael GarrickFind albums by this artist at the same time. "MovementFind albums with this title", the first of the two albums included here, is a natural follow up to the two albums recorded earlier by Harriott: "Free FormFind albums with this title" and "AbstractFind albums with this title", which were full fledged Free Jazz releases. It includes nine original compositions, seven by Harriott and two by Garrick, which range stylistically between modern mainstream pieces and Free Form pieces, a rather unusual approach. The Free Form pieces are perhaps the most advanced Harriott´s excursions in that direction, but their overall impact of somewhat softened by the more conventional pieces present here. Nevertheless this is a brilliant piece of modern Jazz and an absolute milestone recording of the modern British Jazz legacy of that period. "High SpiritsFind albums with this title" is quite a surprise as it is completely "conventional", with the quintet playing modern Jazz arrangements of the themes composed for the musical show of the same name, which was being staged In UK and USA at the time. Here the listener gets the opportunity to hear Harriott, Keane and Smythe playing perfect solos, showing their respective talents. The overall performance is simply perfect in every possible meaning of the word, clearly showing that by that time European musicians could play Jazz as well as their American contemporaries, if not better. Considering the fact that Harriott´s recorded legacy is relatively limited, this new edition is simply a godsend. Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers for the first time ever the stereo mixes of these two albums, never previously released, which is one more reason to grab them immediately without hesitation. Pure musical gold!

CD 2 Remastered Recommend To A Friend

JOE HARRIOTT ~ THE RAKE`S PROGRESS – AT THE BBC RHYTHM AND BLUES 084 (Barcode: 5060331752882) ~ UK ~ Jazz Recorded: 1961 - 1966 Released: 2022 This is an archival album presenting three sessions recorded by the BBC with the Jamaica born legendary British saxophonist / composer Joe HarriottFind albums by this artist and his quintets in 1961, 1964 and 1966, altogether seventeen tracks, seven of which are original compositions by Harriott (for undisclosed reasons the order of the sessions on the CD is not chronological). The 1961 quintet includes trumpeter Les CondonFind albums by this artist, pianist Pat SmytheFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Phil SeamenFind albums by this artist. The 1964 quintet includes trumpeter Shake KeaneFind albums by this artist, Smythe, Goode and drummer Bobby OrrFind albums by this artist. The 1966 quintet includes trumpeter Ian CarrFind albums by this artist, pianist Michael GarrickFind albums by this artist, Goode and drummer Alan GreenFind albums by this artist. The music faithfully represents the dramatic development of Harriott’s music in the early 1960s, moving between Bebop and Free Jazz, and eventually resulting in a completely individual form of Free Improvisation, which was distinctly different from the American Free Jazz, which was being created across the pond. The five albums Harriott recorded between 1960 and 1964: “Southern HorizonsFind albums with this title”, “Free FormFind albums with this title”, “AbstractFind albums with this title”, “MovementFind albums with this title” and “High SpiritFind albums with this title” (in particular the mid three) are absolutely fundamental classics, being one of the earliest modern British Jazz recordings, signaling the revolution which will shake and reshape the local Jazz scene in the years to come. Although the recording is in Mono, the sound quality is excellent and every note of the music is perfectly audible. The choice of material is rather conservative, probably considering the fact that the BBC broadcasts were not entirely directed to the small minority of Free Jazz listeners. Harriott’s albums were rather harshly criticized by the Jazz “establishment” at the time, as usual with forward thinking Artists, who were simply light-years ahead of the music critics at the time. Overall, every note of music recorded by Harriott is of course absolutely worth hearing, and since the material included on this album was, as far as I know, not released previously anywhere, it is worth its weight in gold. Warmly recommended to all British Jazz fans anywhere on this planet.

Updated: 29/09/2022Posted: 29/09/2022

CD 1 Recommend To A Friend

SHAKE KEANE ~ THAT`S THE NOISE VOCALION 8408 (Barcode: 765387840822) ~ UK ~ Jazz Recorded: 1967 Released: 2005 Trumpeter / composer Shake KeaneFind albums by this artist was born in St Vincent (West Indies) and emigrated to Britain in the early 1950s. His superb tone and total control of his instrument was immediately recognized and the local music scene immediately absorbed him, providing plenty of opportunities for him to play in a variety of styles. By the end of the 1950s Keane almost completely to playing Jazz and became one of the spearheading figures of the British modern / free Jazz. He was a member of the pioneering group led by saxophonist Joe HarriottFind albums by this artist, with whom he recorded some of the most pivotal early European free Jazz. He was also a member, together with Harriott, in the groups led by pianist Michael GarrickFind albums by this artist. Keane’s prime interest was actually in poetry and literature, which gave him his nickname, as short for Shakespeare. Playing with Garrick, he participated in the Jazz & Poetry scene, which of course was only appropriate for his field of interest. Keane left Britain in the late 1960s, first to Germany and later returning to his native island, where he became a government minister of culture. He continued his literary work and published works of prose and poetry. A few years before his death in 1997 he returned to his musical activities and even recorded new albums. Strangely enough, in the midst of his activity in the Avant-Garde Jazz field, Keane recorded a few solo albums, which present another side of his musical personality. These albums could be considered as belonging to the “lighter” side of Jazz, where Keane mostly played adaptations of Pop songs of the period. This album is one of these, and although at the time it was criticized as being a “sell-out”, in retrospect it is a real gem. Keane does use a set of Pop songs (BeatlesFind albums by this artist, Rolling StonesFind albums by this artist, DonovanFind albums by this artist and others) as the basis, but the clever and unusual arrangements and his phenomenal improvisational skills turn these songs inside out and the overall effect is truly spectacular. A couple of his original compositions are also included and one more by his partner Joe Harriott. He leads a splendid sextet with Bob EffordFind albums by this artist – sax, Olaf VasFind albums by this artist – flute, Pat SmytheFind albums by this artist – piano, Coleridge GoodeFind albums by this artist – bass and Bobby OrrFind albums by this artist – drums (Stan TraceyFind albums by this artist plays piano on three tracks), which plays elegantly and effortlessly. I had a real ball listening to this uplifting music. Easy Jazz? Perhaps, but who cares, when it sounds as good as this.

Updated: 12/04/2019Posted:

CD 1 Remastered Recommend To A Friend

HENRY LOWTHER ~ CHILD SONG VOCALION 8403 (Barcode: 765387840327) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Trumpeter / violinist / composer Henry LowtherFind albums by this artist was one of the busiest and most sought after musicians on the British scene in the late 1960s and 1970s. His virtuosity and versatility resulted in him being a member in many groups (often simultaneously) and in different musical environments like Rock (Manfred MannFind albums by this artist), Jazz-Rock (Keef HartleyFind albums by this artist), Blues (John MayallFind albums by this artist) and Jazz (Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist) as well as participating in hundreds of recordings as a session musician. This album is his debut recording as a leader of his own quintet, which includes some of the best young and up-coming British Jazz musicians at the time: Tony RobertsFind albums by this artist – sax, Mike McNaughtFind albums by this artist – electric piano, Daryl RunswickFind albums by this artist – bass and Mike TravisFind albums by this artist – drums. Two additional musicians: Jimmy JewellFind albums by this artist – sax and Neil SlavenFind albums by this artist – percussion also take part in the recording. The music, all composed by Lowther, is a splendid example of the European modern Jazz, which is both melodic and adventurous at the same time. The performances are all spotless and the music flows beautifully, leaving the listener wishing for more when the album is over. Overall the album stands the test of time with flying colors and I can wholeheartedly recommend it every Jazz buff, but of course especially to people partial to the British Jazz scene. Great stuff!

CD 1 Remastered Recommend To A Friend

NEW JAZZ ORCHESTRA ~ LE DEJEUNER SUR L`HERBE DUSK FIRE 110 (Barcode: 5065001032981) ~ UK ~ Jazz Recorded: 1968 Released: 2014 This is the second and also the last formal album by the seminal British Jazz Orchestra called New Jazz OrchestraFind albums by this artist or NJOFind albums by this artist for short. Directed by the legendary composer / arranger / bandleader Neil ArdleyFind albums by this artist the NJO was probably the most important singular British Jazz ensemble, which shaped the way British and European Jazz developed in the late 1960s. Despite the fact that the number of people, who are familiar with this epic recording, will hardly fill up an average British pub, it is still one of the best and more importantly revolutionary Jazz albums of all times, certainly as far as British Jazz is concerned. The fact that the album, which was released on LP in 1969 and almost immediately after disappeared from the shelves, had to wait for 45 years for its debut CD reissue confirms its anonymity and obscurity. And yet for the handful of British Jazz enthusiasts it always was the magnum opus of the British Jazz resurgence, when the music emerged for the first time as a truly new Art form, related to but fully independent from the American Jazz tradition. Why "new"? The origin of the name is not entirely clear but NJO was new indeed; it included a new generation of British Jazz musicians, which arrived on the scene mostly in the 1960s and had very little in common with the older "swing" generation, which completely dominated the British scene up to that period, and which was entirely immersed in the American tradition, strengthened by the presence of American bands in Britain during the WWII period. Several Jazz Big Bands and orchestras were active on the British scene since the 1920s and well into the 1960s, some quite excellent and even extraordinary, but those limited the artistic scope to imitating the trends originating across the big pond. The list of British composers / bandleaders includes Ted HeathFind albums by this artist, Syd LawrenceFind albums by this artist, John DankworthFind albums by this artist and numerous others. By the time this album was recorded the NJO was about five years old. In 1965 it recorded its debut album called "Western Reunion London 1965Find albums with this title", which beautifully sums up the first phase of its activity, when the orchestra performed mostly new arrangements of American standards, but the overall sound of the band was already quite unique and stunning. This album was recorded by the second incarnation of the NJO, which included Jack BruceFind albums by this artist on bass (who was already a member of CreamFind albums by this artist at the time), with the regular bassist Tony ReevesFind albums by this artist taking the position of the album´s producer. The rest of the band included: trumpeters Derek WatkinsFind albums by this artist, Harry LowtherFind albums by this artist, Harry BeckettFind albums by this artist and Ian CarrFind albums by this artist, trombonists John MumfordFind albums by this artist, Michael GibbsFind albums by this artist, Derek WadsworthFind albums by this artist and Tony RussellFind albums by this artist, tuba player George SmithFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist and Dick Heckstall-SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist and drummer Jon HisemanFind albums by this artist. The album presents eight compositions, five of which are originals composed by NJO members or other British Jazz musicians / composers of the new generation; those are Neil Ardley, Howard RileyFind albums by this artist, Mike TaylorFind albums by this artist, Michael GarrickFind albums by this artist and Michael Gibbs. Two modern American Jazz standards, one by John ColtraneFind albums by this artist and another one by Miles DavisFind albums by this artist are also present, but their arrangements are stunningly removed from the original versions known to most Jazz listeners. The remaining composition is by the French composer of Polish / Jewish origin Alexandre TansmanFind albums by this artist, whose composition receives another highly unusual treatment. The album emerges triumphantly as a masterpiece of composition, arrangement, performance and intelligent music making, all those on top of its being a first of its kind and a beacon for generations to come. Many other superb Big Band / Orchestral British Jazz recordings will follow (Michael Gibbs, Mike WestbrookFind albums by this artist and others), but as great as they were, none of them achieved the same primordial perfection, which marked the birth of British Jazz as documented herein. If anybody wanders about the album´s title (and the title of the opening track) and its humorous sleeve design, Google it up, oh ye ignoramuses, or preferably visit the Musée d´Orsay in Paris and look for the original ;) With the recent parting of Jack Bruce, whom I was honored and lucky to know in person, the reissue of this album is a small solace in his memory and in memory of a generation almost gone…

CD 1 Digipak Remastered Essential Recommend To A Friend

DON RENDELL / IAN CARR ~ CHANGE IS BGO 613 (Barcode: 5017261206138) ~ UK ~ Jazz Recorded: 1969 Released: 2004 5th and last album by the seminal Don RendellFind albums by this artist / Ian CarrFind albums by this artist Quintet, probably the most important British Jazz ensemble in the 1960s, which played a key role in establishing the “British sound” in Jazz, breaking away from the constrains of American Jazz traditionalism. The quintet comprised of brilliant instrumentalists and composers and after playing together for about five years they achieved a telepathic understanding of each other’s mannerisms and preferences, allowing them to perform in unparalleled unison and harmony. Don Rendell on saxophones and flute, Ian Carr on trumpet and flugelhorn, Michael GarrickFind albums by this artist on piano, Dave GreenFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums were together a mean and lean, unstoppable music machine, creating some of the most daring and adventurous Jazz music ever heard. However, as hinted by the album’s title, by the time this album was recorded the quintet reached the end of its life cycle. Both Garrick and Carr were extremely busy musically, composing and performing music outside the quintet’s frame, with Garrick leading his own ensemble and recording prolifically and Carr founding his own ensemble, the legendary NucleusFind albums by this artist, which was to become the definitive Jazz-Rock Fusion point of reference. Two of the compositions found on this album would soon be recorded as title tracks on albums by Garrick (Cold MountainFind albums with this title) and Nucleus (Elastic DreamFind albums with this title), clear evidence of the fact that the quintet was reaching the end of its days. Another indication of the imminent changes was the fact that the album includes, for the first time, guest musicians who augmented the quintet on several tracks. They were: Mick PyneFind albums by this artist on piano, Jeff ClyneFind albums by this artist on bass, Guy WarrenFind albums by this artist on percussion and Stan RobinsonFind albums by this artist on saxophone, musicians who would soon play with the new ensembles formed after the quintet folded. It is somewhat unfortunate that the following decade would be extremely flourishing for both Carr and Garrick, but Rendell was to slowly step back from the limelight and record only sporadically. But all that aside, the final recording by the Rendell / Carr quintet is a masterpiece of British Jazz in every respect, full of superb compositions and brilliant performances – an album that deserves a honorable position in every serious music collection. Essential!

Updated: 28/06/2021Posted:

CD 1 Slipcase Remastered Essential Recommend To A Friend

DON RENDELL / IAN CARR ~ LIVE AT THE UNION 1966 REEL RECORDINGS 016 (Barcode: 775020996229) ~ UK ~ Jazz Recorded: 1966 Released: 2010 If one had to pick up just one British ensemble, which would epitomize the British Jazz in the 1960s and its momentous development and emancipation from the early American Jazz basics into a full fledged European Jazz extravaganza, the Don RendellFind albums by this artist / Ian CarrFind albums by this artist Quintet would probably fit the bill most appropriately. The quintet´s five superb albums stand out to this day as one of the genre´s finest recordings and therefore any additional recording capturing these magnificent players in action is a rare and precious jewel, especially in view of the fact that this one is beautifully recorded and sounds just perfect. The quintet includes also the extraordinary pianist / composer Michael GarrickFind albums by this artist, who wrote most of the quintet´s music, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. On this particular recording Green plays only on the first two tracks (due to the fact that he had another gig the same evening) and is replaced for the rest of the duration by no other than Tony ReevesFind albums by this artist (New Jazz OrchestraFind albums by this artist, ColosseumFind albums by this artist, GreensladeFind albums by this artist, etc.). This is a rare and wonderful opportunity to hear Tony´s superb Jazz bass abilities. This is a beautiful gift to all British Jazz enthusiasts, especially in view of Ian´s sad departure. A must!

CD 1 Digipak Remastered Recommend To A Friend

DON RENDELL / IAN CARR ~ SHADES OF BLUE / DUSK FIRE BGO 615 (Barcode: 5017261206152) ~ UK ~ Jazz Recorded: 1965 - 1966 Released: 2004 1st and 2nd albums by one of the greatest UK jazz groups in all times, co-led by saxophonist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist. Both leaders are exceptionally gifted players and composers, but also the rhythm section includes some of the best UK players ever, especially the brilliant piano player and composer Michael GarrickFind albums by this artist. The level of compositions is extremely high and presents possibly the best amalgam of modern jazz influences with both jazz and classical traditionalism. Truly extraordinary achievement.

CD 2 Slipcase Remastered Recommend To A Friend

DON RENDELL / IAN CARR QUINTET ~ BBC JAZZ CLUB 1965/66 RHYTHM AND BLUES 064 (Barcode: 5060331752202) ~ UK ~ Jazz Recorded: 1965 - 1966 Released: 2020 This is an archival album by the seminal British Jazz quintet co-led by saxophonist / flautist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist, which also included pianist Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The album presents three BBC sessions, one from 1965 and two from 1966, all together sixteen tracks (and seven short introductions by Rendell or Humphrey LittletonFind albums by this artist). On the first session Colin PurbrookFind albums by this artist replaces Garrick and on the second session Jeff ClyneFind albums by this artist replaces Green. These sessions were recorded around the time the quintet recorded and released their first two albums: “Shades Of BlueFind albums with this title” and “Dusk FireFind albums with this title”, and the second session presents five live versions of the material present on the second album. Most of the material consists of original compositions by Rendell, Carr and Garrick, the last being the most prolific contributor to the quintet’s material. A great tune by Howard RileyFind albums by this artist, another by Pat SmytheFind albums by this artist and a couple of standards are also present. These sessions show vividly the giant step the quintet made between recording the debut album with Purbrook on piano in 1964, which was almost completely conventional and Bee Bop oriented, and the second album with Garrick on piano recorded in 1965, where the quintet turns into the amazing modern Jazz ensemble passing the equinox which marks the birth of modern British Jazz. Considering the splendid sound quality of these recordings, the fact that it is the first time they appear on record and that they also include previously never heard material by the quintet, this album is worth its weight in gold, not only to British / European Jazz enthusiasts but all modern Jazz lovers around the world. In view of the relatively limited recorded legacy by this legendary quintet, this stuff is absolutely essential!

Updated: 08/07/2021Posted: 06/07/2021

CD 1 Recommend To A Friend

DON RENDELL / IAN CARR QUINTET ~ BBC JAZZ CLUB 1965/66 II RHYTHM AND BLUES 075 (Barcode: 5060331752585) ~ UK ~ Jazz Recorded: 1965 - 1966 Released: 2021 This is the second archival album by the seminal British Jazz quintet co-led by saxophonist / flautist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist, which also included pianist Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The album presents three BBC sessions, two from 1965 and one from 1966, all together seventeen tracks. On the second session vibraphonist Mike CarrFind albums by this artist guests on two tracks. The first session is Garrick’s debut appearance as a member of the quintet. These sessions were recorded between the time the quintet recorded their first album “Shades Of BlueFind albums with this title” (recorded in October 1964) and their second album “Dusk FireFind albums with this title” (recorded in March 1966), and it is not surprising that the second and third sessions presents some early live versions of the material eventually recorded for the second album. Most of the material consists of original compositions by Rendell, Carr and no less than seven compositions and one co-composition with Carr) by Garrick, who became the most prolific contributor to the quintet’s material. These sessions show vividly the giant step the quintet made between recording the debut album with Colin PurbrookFind albums by this artist on piano, which was almost completely conventional and Bee Bop oriented, and the second album with Garrick on piano, recorded just a year and a half later, where the quintet turns into the amazing modern Jazz ensemble passing the equinox which marks the birth of modern British Jazz. Considering the splendid sound quality of these recordings, the fact that it is the first time they appear on record and that they also include previously never heard material by the quintet, this album is worth its weight in gold, not only to British / European Jazz enthusiasts but all modern Jazz lovers around the world. In view of the relatively limited recorded legacy by this legendary quintet, this stuff is absolutely essential! Side Note for Michael Garrick’s fans: Of the seven Garrick’s composition on this album, only one (“Prayer”) appeared on the “Dusk Fire” album. The other six compositions can be found on the following albums: “October WomanFind albums with this title” is the title track from his album recorded in November 1964 with his own quintet before he joined the Rendell / Carr quintet. “Ursula” is a track from his album “Black MarigoldsFind albums with this title”, which will be recorded in January / February 1966. “Trane’s Mood” originates from the iconic “Poetry And Jazz In Concert 250Find albums with this title” album and can also be found on the “Live At The Union 1966Find albums with this title” album. “The Sixth Seal” only appeared recently on the Jazz In BritainFind albums on this label label’s LP “At Short NoticeFind albums with this title”, which is in desperate need of a CD release. “She’ll Be Back” and “Secrets” seem to make the only appearance on this album, unless the names of the tunes are mistaken.

Updated: 04/08/2021Posted: 04/08/2021

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DON RENDELL / IAN CARR QUINTET ~ WARM UP JAZZ IN BRITAIN 44 (Barcode: 5060774190487) ~ UK ~ Jazz Recorded: 1965 Released: 2022 This is an archival 2CD live album by the fabled British Jazz quintet co-led by saxophonist / composer Don RendellFind albums by this artist and trumpeter / composer Ian CarrFind albums by this artist, which also included pianist / composer Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and recently departed drummer Trevor TomkinsFind albums by this artist, to whom this album is dedicated. Part of the music contained here was previously released on the HarkitFind albums on this label label in 2003, but the entire concert at the Highwayman is now presented in full and sonically restored, accompanied by a 20-pages booklet with photos and an essay by Simon SpillettFind albums by this artist. The album presents twelve tracks, four of which are original compositions by Garrick – the most prolific composer of the quintet, one by Rendell and one by the great Neil ArdleyFind albums by this artist, with the rest being Jazz standards. I have already written extensively about this magnificent quintet, so there is no need to repeat the obvious – they were the quintessential outfit at the time and champions of the process of establishing the new voice of the British Jazz after years of copying and admiring the American Jazz tradition, finally being able, together with several other contemporaries, to emancipate the music and create an autonomous, recognizable, aesthetically independent way of thinking and composing and most importantly improvising. Of course, all five members of the quintet were great performers, which means that the music kicks ass for the entire duration, but it deserves several listening sessions in order to recognize all the crucial moments of genius, where they offer innovation rather than just going through the motions. It is great to have the entire concert available, and to fill one more gap in the complex puzzle this quintet managed to create during its relatively short existence. Overall, this is another triumphant release by the Jazz In Britain label, which is a total labor of love and commitment. I look with great satisfaction at the growing stack of the label’s releases, which is the main source of archival material, producing an ongoing story of British Jazz. This album is a great addition to this growing legacy, and from what the people behind the scenes share with us, this is just a tiny portion of the material that comes their way. We can only hope the creative juices will keep flowing and the CDs coming – hats off to you people. And the album – well, it is a no brainer whatsoever – just grab a copy – satisfaction guaranteed!

Updated: 29/01/2023Posted: 28/01/2023

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TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz Recorded: 1980 - 1983 Released: 2023 This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist. Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is. The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured. The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s. Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness. Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!

Updated: 12/03/2023Posted: 12/03/2023

CD 2 Digipak Remastered Recommend To A Friend

COLIN TOWNS ~ NOWHERE & HEAVEN PROVOCATEUR 1013 (Barcode: 5029152801322) ~ UK ~ Jazz Recorded: 1996 Released: 1996 British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist presents his 2nd large scale Jazz project on this album, released on his record label ProvocateurFind albums on this label Records. Five years after his previous release, which was a great surprise and a stunning example of modern big band Jazz music, Towns takes the listener even further into the realm of orchestral Jazz, with an ambitious and complex piece of music, performed by his Mask Orchestra, which includes some of the best Jazz players in Britain, such as Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Guy BarkerFind albums by this artist (trumpet) and Clark TraceyFind albums by this artist (drums). But the greatest surprise on the album is the presence of Italian singer Maria Pia De VitoFind albums by this artist, who delivers some remarkable vocal parts, cleverly incorporated into the music, often taking the music places previously unexplored. Incorporating vocal parts into large scale orchestral Jazz is not new in the British Jazz tradition and has been previously used during the golden age of the late 1960s / 1970s by composers like Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist and others. I suppose Towns is familiar with these examples and I’m happy to see him creating an up-to-date example of this compositional device. The music is truly grand, rich and sophisticated; somewhat similar to Classical Music at times, but more dynamic and of course retaining the element of swing, which clearly keeps the music well inside the overall framework of Jazz. Perfect performances, with many splendid solo parts and the fantastic sound quality all contribute to the success of this album, which deserves a worthy place in the Pantheon of the valued British Jazz tradition. Although requiring attentive listening, patience and open-mindedness, this music is richly rewarding and holds many intellectual as well as emotional qualities, which should keep all Jazz lovers happy. Wholeheartedly recommended!

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VARIOUS ARTISTS ~ AND DID THOSE FEET… JAZZ IN BRITAIN 52 ~ UK ~ Jazz Recorded: 1971 - 1980 Released: 2023 This archival 2CD album accompanies the book by Duncan HeiningFind albums by this artist of the same title, published by the inexorable Jazz In BritainFind albums on this label label / publishing house, which continues, to the delight of all British Jazz lovers, to bring to light previously unreleased or long forgotten gems from the depths of private archives. The book, subtitled “Six British Jazz Composers”, presents biographies of six pivotal British Jazz figures and the album brings music illustrating their vast achievements. All the music was previously unreleased and all originates from BBC broadcasts. CD1 presents recordings by Michael GarrickFind albums by this artist from 1972, Michael GibbsFind albums by this artist from 1971 and Barry GuyFind albums by this artist from 1971. CD2 presents recordings by John MayerFind albums by this artist from 1972, Keith TippettFind albums by this artist from 1971 and Mike WestbrookFind albums by this artist from 1980. The collective lineup of the musicians performing herein is a magnificent compendium of the who’s who of the British Jazz scene at its most dramatic development period. All the music, except that by Westbrook, originates from the early 1970s, and Westbrook’s activity at that time was also absolutely essential, which means that the editors of this album did not have access to any of his early 1970s material, which would have fitted perfectly. The lineups include an intimate trio, two septets and three large ensembles, and stylistically it moves between delicate lyrical compositions, via orchestral works, Jazz-World Fusion experiments and Free Jazz / Avant-Garde explorations, all this happening at the same time slot, which portrays the British Jazz scene perfectly. I vividly remember the abundance of talent and feverish activity at the time, which meant that selecting an event to go to was often an impossible choice. This album also emphasizes the importance and incredible support by the BBC to the development of music (Jazz but also Rock) at the time. None of this music herein would be available to us today if not for those regular broadcasts and the sublime recording quality of those guys in white coats… Overall, this is a tremendous piece of British Jazz history, absolutely essential to all the fans, and of course a perfect companion to the book, which is also wholeheartedly recommended! British Jazz forever!

Updated: 19/12/2023Posted: 19/12/2023

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NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

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NORMA WINSTONE ~ IT`S LATER THAN YOU THINK PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz Recorded: 2004 Released: 2006 British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend