Record Reviews

MARIA PIA DE VITO ~ NEL RESPIRO PROVOCATEUR 1031 (Barcode: 5038491103127) ~ ITALY ~ Jazz Recorded: 2001 - 2002 Released: 2002 Following her brilliant album “VersoFind albums with this title”, recorded a couple of years earlier, Italian Jazz singer Maria Pia De VitoFind albums by this artist returns with her second album on the splendid ProvocateurFind albums on this label label, and her sixth consecutive album. Her two faithful companions on the previous album: British pianist John TaylorFind albums by this artist and US guitarist Ralph TownerFind albums by this artist are back with her again, but this time the instrumental ensemble is expanded to a quartet with the participation of legendary US bassist Steve SwallowFind albums by this artist and French drummer / percussionist Patrice HeralFind albums by this artist. The music, composed by De Vito, Taylor, Towner and Swallow, is beautifully minimalist and quite complex, providing an ideal vehicle for the singer’s vocal explorations. She uses lyrics and vocalese interchangeably, with a rare ability to sound perfectly right at each given moment. The written music is but a frame for hers and the musicians’ improvisations, which keep floating effortlessly. De Vito continues in her singing the modern European vocal Jazz tradition, initiated in the 1970s by singers like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist and Jeanne LeeFind albums by this artist (Vocal SummitFind albums by this artist), but of course this tradition is brought up-to-date and her personal input is dominant. The album is a beautiful collection of highly sensitive, lyrical music, which captures the listener totally and requires his total dedication. Most importantly it keeps the process of exploration, as far as vocal Jazz is concerned, alive, rather than following the “easy” path of yet another attempt at vocal Jazz standards. Listening to this album one realizes that vocal Jazz is still alive and kicking, a relief indeed, and has a lot of fascinating innovations to offer. Don’t even think twice!

Updated: 03/07/2020Posted:

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MARIA PIA DE VITO ~ PHONE EGEA 063 (Barcode: 8015948000632) ~ ITALY ~ Avant-Garde Jazz Recorded: 1998 Released: 1998 This is the third album by the sublime Italian vocalist / composer Maria Pia De VitoFind albums by this artist recorded with an excellent team of musicians, which includes the British pianist John TaylorFind albums by this artist and Italian clarinetist Gianluigi TrovesiFind albums by this artist, bassist Enzo PietropaoliFind albums by this artist and drummer Frederico SanesiFind albums by this artist. Bassist Daniele MencarelliFind albums by this artist guests on one track. The album presents nine tracks, most of which are original creations by De Vito (music and lyrics), two are her arrangements of Macedonian folk tunes, one is a composition by Taylor and a couple of songs originate from other sources. The music is absolutely stunning from start to finish, presenting a highly aesthetic and typically European approach to Artistic expression, which knows no stylistic boundaries. There are elements of early music, World Music influences and of course Jazz and Avant-Garde explorations, all of which make "perfect sense" together and create an amazing colorful amalgam of sounds and emotions. De Vito has an amazing vocal range, which she employs to the max, both when singing lyrics and vocalizing freely. Her ability to create spontaneous vocalese is amongst the finest out there, earning her an honorable membership in the exclusive circle of the Vocal Summit circle. The intimate musical relationship De Vito manages to create with Taylor is beautifully remarkable. Taylor, known as one of the finest accompanists ever, proves his rare ability of telepathic communication with singers (see his work with Norma WinstoneFind albums by this artist) and this symbiosis is the anchor of this entire album. But Trovesi is also a first rate magician and his clarinet playing here is tasteful and brilliantly harmonizing to the album´s atmosphere. Overall this is a superb album, full of great music and highly unusual vocal performances, which is a textbook of innovative vocal approaches and demonstrates thinking "out of the box". For lovers of human voice, Jazz and Avant-Garde vocal explorations and great music in general, this is an absolute must. For aspiring young vocalists, this is no less than the Biblical "pillar of fire" as far as the quest of developing a meaningful career as a vocalist. Although released over two decades ago this album is still available, so don´t even think twice about it!

Updated: 03/07/2020Posted: 03/07/2020

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MARIA PIA DE VITO / JOHN TAYLOR / RALPH TOWNER ~ VERSO PROVOCATEUR 1023 (Barcode: 5038491102328) ~ ITALY ~ Jazz Recorded: 2000 Released: 2000 Italian singer / composer / arranger Maria Pia De VitoFind albums by this artist, British pianist / composer John TaylorFind albums by this artist and American guitarist / composer Ralph TownerFind albums by this artist met by accident, but we all know that some of the best things in music (and not only in music) happen quite by accident. Born in Naples, De Vito is classically trained but spends most of her time on the Jazz scene, both locally in Italy and also all over Europe, performing and recording with some of the best Jazz musicians. This is her fifth album. Taylor and Towner need no introduction; both with extensive careers behind them and both being among the most highly esteemed contemporary Jazz personalities. Together the trio presents everything that characterizes European Jazz: sophistication, subtlety, intelligence and lyricism. The all-original music they perform was written by Taylor and Towner, with De Vito contributing lyrics to some of the tracks. She sings both lyrics and vocalese, with exceptionally clear voice and unique expressionism, which is both enchanting and captivating. The music moves constantly between solo, duo and trio parts, changing moods and tempi. As much of contemporary European Jazz, the music fluctuates somewhere between Jazz and contemporary Classical, making the attempt to label it completely redundant. It is simply great music, which is performed with exquisite taste and virtuosity. Since the album is entirely acoustic, it is of course low-key and requires attentive listening to capture all the beautiful little details. The superb recording quality helps a lot in this case and listeners addicted to the “ECMFind albums on this label sound” will love this recording unconditionally. A must to all lovers of vocal Jazz and contemporary European Jazz.

Updated: 03/07/2020Posted:

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COLIN TOWNS ~ DREAMING MAN WITH BLUE SUEDE SHOES PROVOCATEUR 1017 (Barcode: 5038491000013) ~ UK ~ Jazz-Classical Fusion Recorded: 1997 - 1998 Released: 1999 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist is a true Renaissance musician, active in many different fields of musical activity. Extremely prolific, his accumulated body of work as a composer includes a vast number of highly regarded scores for cinema and television as well as Jazz compositions, mostly for the big band format. In 1996 Towns founded his own record label, called ProvocateurFind albums on this label Records, which is his main outlet to present his Jazz-oriented work and which in time firmly established a position of one of the most prestigious and interesting European record labels. His main vehicle for recording Jazz is his ensemble called Mask OrchestraFind albums by this artist, but he also works closely with the excellent German NDR Big BandFind albums by this artist in Hamburg. In retrospect I’d say that Towns’ work provides the perfect bridge (or the missing link) between the golden age of British Jazz in the late 1960s / 1970s and today. This is reflected by many aspects of his music, such as his complete disregard of normative mainstream Jazz forms, his constant effort to innovate and cover new ground and even by the fact that his ensembles include some of the legendary players of the golden age as well as representatives of the second and third generation of British Jazz musicians. This stunning album presents Towns and his work at their full glory. It is an extended piece, similar to the symphonic suite form established in Classical Music, which can be considered as a Symphonic Jazz suite. Towns expands his Mask Orchestra into a 70-piece orchestra, which he calls Mask SymphonicFind albums by this artist, using the Jazz big band and an adding an entire symphonic orchestra. In complete contrast to several previous attempts of this nature, in this case the entire orchestra functions as a completely integrated and organic musical body rather than Jazz vs. Classical ensembles, which completely fail to complement each other. The music is simply magnificent, deeply melodic and highly intelligent, with sublime arrangements and perfect atmospheric treatment, flowing seamlessly from one theme to the next, and when the album reaches its end the listener is left lingering with a strong desire for more. Towns uses the entire palette at the disposal of a composer, both the orchestral and instrumental solo parts and in this case also vocal parts, beautifully performed by the divine Norma WinstoneFind albums by this artist and Italian singer Maria Pia De VitoFind albums by this artist. The players include such veteran lions as Henry LowtherFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Frank RicottiFind albums by this artist (percussion), but all of the performers are truly first class. In short this is an exhilarating musical experience of deep significance and lasting cultural value. Essential!

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COLIN TOWNS ~ NOWHERE & HEAVEN PROVOCATEUR 1013 (Barcode: 5029152801322) ~ UK ~ Jazz Recorded: 1996 Released: 1996 British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist presents his 2nd large scale Jazz project on this album, released on his record label ProvocateurFind albums on this label Records. Five years after his previous release, which was a great surprise and a stunning example of modern big band Jazz music, Towns takes the listener even further into the realm of orchestral Jazz, with an ambitious and complex piece of music, performed by his Mask Orchestra, which includes some of the best Jazz players in Britain, such as Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Guy BarkerFind albums by this artist (trumpet) and Clark TraceyFind albums by this artist (drums). But the greatest surprise on the album is the presence of Italian singer Maria Pia De VitoFind albums by this artist, who delivers some remarkable vocal parts, cleverly incorporated into the music, often taking the music places previously unexplored. Incorporating vocal parts into large scale orchestral Jazz is not new in the British Jazz tradition and has been previously used during the golden age of the late 1960s / 1970s by composers like Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist and others. I suppose Towns is familiar with these examples and I’m happy to see him creating an up-to-date example of this compositional device. The music is truly grand, rich and sophisticated; somewhat similar to Classical Music at times, but more dynamic and of course retaining the element of swing, which clearly keeps the music well inside the overall framework of Jazz. Perfect performances, with many splendid solo parts and the fantastic sound quality all contribute to the success of this album, which deserves a worthy place in the Pantheon of the valued British Jazz tradition. Although requiring attentive listening, patience and open-mindedness, this music is richly rewarding and holds many intellectual as well as emotional qualities, which should keep all Jazz lovers happy. Wholeheartedly recommended!

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COLIN TOWNS / MARIA PIA DE VITO ~ STILL LIFE PROVOCATEUR 1015 (Barcode: 5019148619420) ~ UK ~ Jazz Recorded: 1998 Released: 1998 British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is most commonly associated with his work for and with Jazz big bands, like his Mask OrchestraFind albums by this artist or the German NDR Big BandFind albums by this artist, but this album presents a different aspect of his work. Towns wrote ten intriguing compositions, of which nine are “songs” (i.e. include lyrics also written by him) and the entire cycle is preformed by an instrumental quintet (called not surprisingly Mask QuintetFind albums by this artist), fronted by the gorgeous Italian vocalist Maria Pia De Vito. The quintet members include, in addition to Towns who plays keyboards, some of his regular cohorts and members of his ensembles: saxophonist Julian ArgüellesFind albums by this artist, guitarist John ParricelliFind albums by this artist, bassist Dudley PhillipsFind albums by this artist and drummer Ralph SalminsFind albums by this artist. For lovers of modern vocal Jazz this album is a Godsend, as it presents a whole new outlook on the art of writing for vocals as well as vocal approach, rather than trying to use yet again some of the vocal Jazz standards, which often have been already abused to death. These are beautiful, intricate and highly intelligent compositions, using a wide palette of Jazz compositional structures, incorporating some World Music influences. De Vito performs these splendid songs with grace, deep musicality and unprecedented open-mindedness, creating a truly magnificent offering. Her crystal-clear voice, incredible range and above all sensitivity assure her position as one of the most important contemporary Jazz vocalists. Of course the instrumentalists accompanying her also contribute to this album’s success, playing impeccably and delicately not to overshadow her vocal parts. Towns’ cooperation with De Vito goes hand in hand with his work with the legendary British singer Norma WinstoneFind albums by this artist, as documented on other ProvocateurFind albums on this label Records releases. In many respects De Vito could be considered as an admirable younger “sister” of Norma’s, both of them sharing rare qualities and individual approach to Jazz vocals, which is extremely rare. The album is quite an experience and I had an absolutely marvelous time listening to it, surprised time and time again both by the music and the execution. I dare everybody to try it!

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