Record Reviews

NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75 JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion Recorded: 1975 Released: 2021 This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here. The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history. “Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music. The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version. Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music. As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.

Updated: 03/07/2021Posted: 03/07/2021

CD 2 Digipak Recommend To A Friend

NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius. The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording. Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!

CD 2 Remastered Essential Recommend To A Friend

JULIAN ARGUELLES ~ CIRCULARITY CAM JAZZ 7872 (Barcode: 8052405141149) ~ UK ~ Jazz Recorded: 2013 Released: 2014 This is an album by British saxophonist / composer Julian ArguellesFind albums by this artist, recorded in a quartet setting with pianist John TaylorFind albums by this artist, legendary bassist Dave HollandFind albums by this artist and drummer Martin FranceFind albums by this artist. The album presents eight original compositions, all by Arguelles. The performances are everything one can expect from a team of this statue – souring and brilliant all the way, with superb contributions by all four musicians. Personally this album is of special interest as one of the last recordings by Taylor before his untimely death, and his performances are truly breathtaking as expected. Also the ultra-rare appearance of Holland on a British album adds spice, especially since the music is rather conventional as far as Holland’s usual environment is concerned, which offers a rather unusual opportunity to hear him play straightforwardly (in the best meaning of the word). The compositions, as already mentioned, are not exactly my favorite music, mostly kept well within the mainstream and only the more open pieces offer a suitable environment for the musicians to show their best side, but that is all a matter of personal preferences of course. The strength of the quartet alone is a reason why this album is worth listening to and enjoy it. Personally, again, the album’s sound is rather harsh and unbalanced, which bothers me a bit, but perhaps it’s just me. In short for British Jazz enthusiasts this is something well worthy of inclusion in their collections.

Updated: 14/04/2021Posted: 14/04/2021

CD 1 Recommend To A Friend

TOM ARTHURS ~ ONE YEAR OZELLA 077 (Barcode: 4038952000775) ~ UK ~ Avant-Garde Jazz-Classical Fusion Recorded: 2016 Released: 2018 This is an album by British trumpeter / composer Tom ArthursFind albums by this artist recorded in a trio format with his long time collaborator pianist Richard FairhurstFind albums by this artist and Finnish drummer Markku OunaskariFind albums by this artist. The album presents six original compositions, all by Arthurs. The music is beautifully intimate, with melodic themes sketched lightly and later improvised upon just by being gently touched by the trio members, like a balloon floating in the air. Obviously minimalist and brilliantly transparent, the music is deeply moving and in complete contrast to its form completely overwhelming and mesmerizing. All three musicians are masters of achieving the maximum effect with a minimal number of notes and sounds. As a result the music they create consists as much of the sounds they produce as of the silence trapped within the music. The calmness and the elegance of this music are completely unique and stand above most of contemporary Jazz / Improvised Music efforts of this kind. Arthurs indicates that the inspiration to his open compositions originates in the process of cinematic work by the Russian director Anderi TarkovskyFind albums by this artist (especially the making of his masterpiece "Mirrors"), which was based on filming a huge amount of scenes and then shuffling the selected material around until the end product was finally reached. Arthurs describes his process of creating the music on this album as "Composing like Tarkovsky", which in his case manages to achieve the same astounding outcome as in the case of Tarkovsky´s movies. It is impossible to categorize this music by the existing genre categories, as it escapes classification, perhaps even pointing to a new musical direction, which is based on European modernism but incorporates all the beauty and emotion from all known genres and is an absolute mind-blowing and soul-expanding experience. "Quiet is the new loud", which was initially coined to describe the Nordic pop music, is hereby expanded to apply to all contemporary music. Perhaps subconsciously, but unmistakably, this album marks a new phase for British Jazz as well, with the Kenny WheelerFind albums by this artist / John TaylorFind albums by this artist spirit omnipresent here, but taken a step further no doubt. Overall this is a magnificent piece of music, one of the best to arrive on my desk in 2018, and wholeheartedly recommended to everybody who still looks at music as a source of joy and enlightenment.

Updated: 23/10/2018Posted: 23/10/2018

CD 1 Digipak Recommend To A Friend

TOM ARTHURS / RICHARD FAIRHURST ~ MESMER BABEL 2767 (Barcode: 5028159027674) ~ UK ~ Jazz Recorded: 2006 Released: 2007 This is the debut album by the British Jazz duo, comprising of trumpeter / composer Tom ArthursFind albums by this artist and pianist / composer Richard FairhurstFind albums by this artist. The album presents nine tracks, five of which are original compositions by Arthurs, two by Fairhurst, one is co-composed by the two and finally one is by German saxophonist / composer Lothar OhlmeierFind albums by this artist. This intimate and absolutely beautiful album is one of several recordings involving these two brilliant musicians, which are all exemplary. Both are among my favorite cotemporary British Jazz musicians and excellent composers, who manage to continue the legacy of the previous generation, which established the British Jazz sound in the 1960s and 1970s. Arthurs proudly carries on the sonic tradition of Kenny WheelerFind albums by this artist and Fairhurst that of John TaylorFind albums by this artist, and as such they simply can’t go wrong as far as my ears are concerned. The difficult and unconventional piano / trumpet duo works absolutely perfectly here, despite the complexity, both harmonic and rhythmic, of the music, which can be also heard on their second duo album “Postcards From PushkinFind albums with this title” and their trio album “One YearFind albums with this title”, which are also absolutely delightful. They have both recorded extensively with many European Jazz musicians. It took me a while to find a copy of this album, which is a great example of the “Art of the Duo”. I think it is still available, so my warm recommendation is to grab one ASAP, as you simply can’t go wrong with these two young pillars of the British Jazz scene, especially if you haven’t heard anything by them so far. Once you hear it, you will be hooked, I promise!

Updated: 28/04/2023Posted: 28/04/2023

CD 1 Digipak Recommend To A Friend

AZIMUTH ~ AZIMUTH / THE TOUCHSTONE / DEPART ECM 1546/48 (Barcode: 731452301024) ~ UK ~ Jazz Recorded: 1977 - 1979 Released: 1994 This wonderful Box Set contains the first three albums by the superb British trio AzimuthFind albums by this artist, which consists of three Jazz icons: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, recorded in the 1970s and released on the ECMFind albums on this label label, which are "AzimuthFind albums with this title" (ECM 1099) recorded in 1977, "The TouchstoneFind albums with this title" (ECM 1130) recorded in 1978 and "DepartFind albums with this title" (ECM 1163) recorded in 1979. On the last album the trio is expanded to a quartet with the participation of the US guitar virtuoso Ralph TownerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended! Side Note: These three albums were not reissued or are not available on CD individually, so this is the only way to obtain them in CD form. Visitors' Comments Christopher  Brice It´s a pleasure to be able to fill in the "back story" to the relatively recent Azimuth albums - thanks to ECM and of course to Adam!

Updated: 26/01/2019Posted:

CD 3 Box Set Recommend To A Friend

AZIMUTH ~ AZIMUTH `85 ECM 1298 (Barcode: 042282752024) ~ UK ~ Jazz Recorded: 1985 Released: 1990 This is the 4th album on the ECMFind albums on this label label by the great British Jazz trio AzimuthFind albums by this artist, which consists of three British Jazz icons since the 1960s: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended!

CD 1 Recommend To A Friend

AZIMUTH ~ HOW IT WAS THEN… NEVER AGAIN ECM 1538 (Barcode: 731452382023) ~ UK ~ Jazz Recorded: 1994 Released: 1995 This is the 5th (and so far last) album on the ECMFind albums on this label label by the great British Jazz trio AzimuthFind albums by this artist, which consists of three British Jazz icons since the 1960s: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended! Visitors' Comments Christopher  Brice Really exciting stuff: Kenny Wheeler double tracks on some pieces - the spirit flies! And John Taylor plays some bass lines on the piano strings. But these odd facts make it sound gimmicky, which it is not - I second Adam´s comment that this is "above all aesthetically fulfilling and deeply moving"

CD 1 Recommend To A Friend

PIERLUIGI BALDUCCI ~ BLUE FROM HEAVEN DODICILUNE 303 (Barcode: 8033309693033) ~ ITALY ~ Jazz Recorded: 2012 Released: 2012 This is an album by Italian electric bassist / composer Pierluigi BalducciFind albums by this artist, recorded in a quartet setting with American oboist / saxophonist Paul McCandlessFind albums by this artist, British pianist John TaylorFind albums by this artist and Italian drummer Michelle RabbiaFind albums by this artist. The album presents ten tracks, one of which is a bonus alternate take, all but two composed by Balducci and one each by Brad MehldauFind albums by this artist and Charlie HadenFind albums by this artist. The album was released by the excellent Italian DodiciluneFind albums on this label label, which is the home of many excellent albums. The music is a superb collection of mostly original compositions, brilliantly executed by the quartet of first class musicians. Balducci’s electric bass is given a lot of exposure, as appropriate for a leader / composer, and his playing is wonderfully melodic and round. McCandless is given most of the solo space, and he is the usual “Pied Piper of Hamelin”, weaving the endless oboe and soprano saxophone parts, like only he is able to. Tylor is, as always, heartbreakingly lyrical and provides sublime harmonic support and occasional brilliant solos. Rabbia keeps the proceeding rolling in a tight rhythmic frame. Together they are simply a blissful European Jazz experience. McCandless, although American, is an ideal partner here, as his approach to Music in general, and Jazz in particular, always was much more open and appreciative of European aesthetics, as well as World Music influences, making him a true Global artist. His work with Oregon and his extended recording legacy, which spans well over a hundred albums, earned him a universal respect among his musical peers. Overall, this is a wonderful album, full of beautiful lyrical music, with perfect harmonies and heartwrenching melodic themes, performed by some of the best musicians out there, and although probably completely unfamiliar to most Jazz listeners, is absolutely worth being discovered, which I wholeheartedly recommend of course.

Updated: 29/01/2025Posted: 29/01/2025

CD 1 Digipak Recommend To A Friend

HARRY BECKETT ~ FLARE UP JAZZPRINT 124 (Barcode: 604388600526) ~ UK ~ Jazz Recorded: 1970 Released: 2002 Trumpeter / composer Harry BeckettFind albums by this artist was one of the pillars of the British Jazz in the 1960s / 1970s. His beautiful tone and exceptional improvising qualities made his one of the busiest player on the scene. He was a member of some of the most important ensembles of the period, led by distinguished musicians like Graham CollierFind albums by this artist, Mike WestbrookFind albums by this artist, Keef HartleyFind albums by this artist, John SurmanFind albums by this artist, Ray RussellFind albums by this artist and many others, and also led his own quartet. The plans to make his debut album as a leader with his own quartet somehow never materialized, but instead he formed an octet for the occasion, which included the young “lions” of the scene: John Surman, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones, Frank RicottiFind albums by this artist on vibes, John TaylorFind albums by this artist on piano, Chris LaurenceFind albums by this artist on bass and John WebbFind albums by this artist on drums – an absolute dreamy collection of players. In addition to his compositions, the band also performs three of Graham Collier’s beautiful tunes and one Surman classic. The result is absolutely sensational, a true classic of the period and a must for every fan of British Jazz of the era. Not to be missed!

CD 1 Recommend To A Friend

HARRY BECKETT ~ WARM SMILES / THEMES FOR FEGA VOCALION 8430 (Barcode: 765387843021) ~ UK ~ Jazz Recorded: 1971 - 1972 Released: 2006 Trumpeter / composer Harry BeckettFind albums by this artist has been a prominent figure on the British Jazz scene for five decades. Born in Barbados, he arrived on London in the early 1950s and soon became an integral part of the burgeoning community. Beckett was one of several musicians who arrived in London from the West Indies and left a most significant mark on the local scene, like saxophonist Joe HarriottFind albums by this artist, flautist Harold McNairFind albums by this artist and trumpeter Shake KeaneFind albums by this artist. Over the years Beckett was a member of many front-line groups, participated in countless recording sessions and appeared and numerous albums, many of which are considered absolute classics today. This album presents his second and third albums as a leader, recorded a year apart and with almost identical personnel. On Warm SmilesFind albums with this title he leads a sextet with Mike OsborneFind albums by this artist – sax, Frank RicottiFind albums by this artist – vibes and percussion, John TaylorFind albums by this artist – piano, Chris LaurenceFind albums by this artist – bass and John WebbFind albums by this artist – drums. On Themes For FegaFind albums with this title the group is expanded to a septet with the addition of Alan SkidmoreFind albums by this artist – sax. Beckett composed all the music on both albums and they are a prime example of the glorious British Jazz of the period. Beckett’s virtuosity and incredibly warm and clear sound is beautifully complimented by his colleague’s contributions. Definitely a most worthwhile addition to any Jazz collection and a must for lovers of British Jazz form the 1970s.

CD 2 Remastered Recommend To A Friend

IAN CARR ~ SOUNDS & SWEET AIRS CELESTIAL HARMONIES 13064 (Barcode: 013711306422) ~ UK ~ Jazz-Classical Fusion Recorded: 1992 Released: 1993 This is a delightful and criminally little known album by British Jazz trumpeter / composer / bandleader / author Ian CarrFind albums by this artist, recorded with the great pianist / composer John TaylorFind albums by this artist, who plays the organ of the Southwark cathedral in London, where this music was recorded. The album presents twelve pieces, ten of which were composed by Carr and two co-composed by Carr and Taylor. Nine of the pieces are recorded by the duo and three are trumpet solos. The music was inspired by works of William ShakespeareFind albums by this artist, whose younger brother Edmond lies buried in the cathedral. The music was recorded, edited and produced by the lamented Jon HisemanFind albums by this artist. The music was recorded without being previously rehearsed and is therefore completely unique, is not surprisingly absolutely stunning. Carr found the ideal partner for this endeavor, as Taylor´s highly aesthetic and deeply artistic approach suits this music ideally and his organ parts are delicate and sophisticated, but kept somewhat on a second plane to accompany the leading trumpet parts. Carr´s virtuosic trumpet / flugelhorn parts are no surprise to his many followers, but he can be rarely heard playing with such lyricism and melancholy, as expressed here. Carr proved himself as a diverse composer and performer throughout his long and fruitful career, but this album is certainly quite different from most of his Jazz oriented activities. This music, although obviously improvised, is also heavily influenced by Church and Classical Music structures, which dominate its character. Overall this album, which sadly was one of his last chapters in his recorded legacy, is a superb reminder of his great talents and a fond memory of his lovely personality, which we all miss. In case anybody is interested to buy this album, it is still available, so don´t even think twice!

Updated: 26/08/2020Posted: 26/08/2020

CD 1 Recommend To A Friend

GRAHAM COLLIER ~ DOWN ANOTHER ROAD / SONGS FOR MY FATHER / MOSAICS BGO 767 (Barcode: 5017261207678) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2007 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album collects the three albums Collier recorded for the FontanaFind albums on this label / PhilipsFind albums on this label labels in 1969 / 1970, following his debut recording on DeramFind albums on this label from 1967. He composed all the music presented here (except one tune) and plays bass (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Harry BeckettFind albums by this artist (trumpet), Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Alan WakemanFind albums by this artist, Bob SydorFind albums by this artist, Tony RobertsFind albums by this artist (saxophone), Karl JenkinsFind albums by this artist (oboe), Nick EvansFind albums by this artist, Derek WadsworthFind albums by this artist (trombone), Philip LeeFind albums by this artist (guitar), John TaylorFind albums by this artist, Geoff CastleFind albums by this artist (piano) and John MarshallFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

CD 2 Slipcase Remastered Essential Recommend To A Friend

MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO. BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion Recorded: 1968 - 1972 Released: 2019 This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles. The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks. However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering. Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss. Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance. Absolutely not to be missed!

Updated: 02/09/2020Posted: 01/09/2020

CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend

JOHN DANKWORTH ~ FULL CIRCLE / LIFELINE VOCALION 8484 (Barcode: 765387848422) ~ UK ~ Jazz Recorded: 1971 - 1973 Released: 2011 This fantastic reissue brings back to life two excellent albums by the great British saxophonist / bandleader / composer John DankworthFind albums by this artist. Recorded at the heat of the Jazz-Rock Fusion explosion, both albums are superb examples how these new directions were absorbed and incorporated by Dankworth, who was always sensitive to the latest musical developments and kept changing his approach to Big Band arrangements accordingly. The Band includes the cream of the crop of the British scene at the time, with such revered players as: trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist and Tony CoeFind albums by this artist, trombonists Michael GibbsFind albums by this artist and Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist and many other excellent players. The music is all original, written by Dankworth and other band members. Beautifully remastered by the great Michael J. DuttonFind albums by this artist the music sounds fresh and alive. This is an excellent example of British Jazz at its finest hour and should not be missed by anybody who likes British / European Jazz.

Updated: 31/05/2017Posted:

CD 2 Remastered Recommend To A Friend

MARIA PIA DE VITO ~ NEL RESPIRO PROVOCATEUR 1031 (Barcode: 5038491103127) ~ ITALY ~ Jazz Recorded: 2001 - 2002 Released: 2002 Following her brilliant album “VersoFind albums with this title”, recorded a couple of years earlier, Italian Jazz singer Maria Pia De VitoFind albums by this artist returns with her second album on the splendid ProvocateurFind albums on this label label, and her sixth consecutive album. Her two faithful companions on the previous album: British pianist John TaylorFind albums by this artist and US guitarist Ralph TownerFind albums by this artist are back with her again, but this time the instrumental ensemble is expanded to a quartet with the participation of legendary US bassist Steve SwallowFind albums by this artist and French drummer / percussionist Patrice HeralFind albums by this artist. The music, composed by De Vito, Taylor, Towner and Swallow, is beautifully minimalist and quite complex, providing an ideal vehicle for the singer’s vocal explorations. She uses lyrics and vocalese interchangeably, with a rare ability to sound perfectly right at each given moment. The written music is but a frame for hers and the musicians’ improvisations, which keep floating effortlessly. De Vito continues in her singing the modern European vocal Jazz tradition, initiated in the 1970s by singers like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist and Jeanne LeeFind albums by this artist (Vocal SummitFind albums by this artist), but of course this tradition is brought up-to-date and her personal input is dominant. The album is a beautiful collection of highly sensitive, lyrical music, which captures the listener totally and requires his total dedication. Most importantly it keeps the process of exploration, as far as vocal Jazz is concerned, alive, rather than following the “easy” path of yet another attempt at vocal Jazz standards. Listening to this album one realizes that vocal Jazz is still alive and kicking, a relief indeed, and has a lot of fascinating innovations to offer. Don’t even think twice!

Updated: 03/07/2020Posted:

CD 1 HDCD Recommend To A Friend

MARIA PIA DE VITO ~ PHONE EGEA 063 (Barcode: 8015948000632) ~ ITALY ~ Avant-Garde Jazz Recorded: 1998 Released: 1998 This is the third album by the sublime Italian vocalist / composer Maria Pia De VitoFind albums by this artist recorded with an excellent team of musicians, which includes the British pianist John TaylorFind albums by this artist and Italian clarinetist Gianluigi TrovesiFind albums by this artist, bassist Enzo PietropaoliFind albums by this artist and drummer Frederico SanesiFind albums by this artist. Bassist Daniele MencarelliFind albums by this artist guests on one track. The album presents nine tracks, most of which are original creations by De Vito (music and lyrics), two are her arrangements of Macedonian folk tunes, one is a composition by Taylor and a couple of songs originate from other sources. The music is absolutely stunning from start to finish, presenting a highly aesthetic and typically European approach to Artistic expression, which knows no stylistic boundaries. There are elements of early music, World Music influences and of course Jazz and Avant-Garde explorations, all of which make "perfect sense" together and create an amazing colorful amalgam of sounds and emotions. De Vito has an amazing vocal range, which she employs to the max, both when singing lyrics and vocalizing freely. Her ability to create spontaneous vocalese is amongst the finest out there, earning her an honorable membership in the exclusive circle of the Vocal Summit circle. The intimate musical relationship De Vito manages to create with Taylor is beautifully remarkable. Taylor, known as one of the finest accompanists ever, proves his rare ability of telepathic communication with singers (see his work with Norma WinstoneFind albums by this artist) and this symbiosis is the anchor of this entire album. But Trovesi is also a first rate magician and his clarinet playing here is tasteful and brilliantly harmonizing to the album´s atmosphere. Overall this is a superb album, full of great music and highly unusual vocal performances, which is a textbook of innovative vocal approaches and demonstrates thinking "out of the box". For lovers of human voice, Jazz and Avant-Garde vocal explorations and great music in general, this is an absolute must. For aspiring young vocalists, this is no less than the Biblical "pillar of fire" as far as the quest of developing a meaningful career as a vocalist. Although released over two decades ago this album is still available, so don´t even think twice about it!

Updated: 03/07/2020Posted: 03/07/2020

CD 1 Slipcase Recommend To A Friend

MARIA PIA DE VITO / JOHN TAYLOR / RALPH TOWNER ~ VERSO PROVOCATEUR 1023 (Barcode: 5038491102328) ~ ITALY ~ Jazz Recorded: 2000 Released: 2000 Italian singer / composer / arranger Maria Pia De VitoFind albums by this artist, British pianist / composer John TaylorFind albums by this artist and American guitarist / composer Ralph TownerFind albums by this artist met by accident, but we all know that some of the best things in music (and not only in music) happen quite by accident. Born in Naples, De Vito is classically trained but spends most of her time on the Jazz scene, both locally in Italy and also all over Europe, performing and recording with some of the best Jazz musicians. This is her fifth album. Taylor and Towner need no introduction; both with extensive careers behind them and both being among the most highly esteemed contemporary Jazz personalities. Together the trio presents everything that characterizes European Jazz: sophistication, subtlety, intelligence and lyricism. The all-original music they perform was written by Taylor and Towner, with De Vito contributing lyrics to some of the tracks. She sings both lyrics and vocalese, with exceptionally clear voice and unique expressionism, which is both enchanting and captivating. The music moves constantly between solo, duo and trio parts, changing moods and tempi. As much of contemporary European Jazz, the music fluctuates somewhere between Jazz and contemporary Classical, making the attempt to label it completely redundant. It is simply great music, which is performed with exquisite taste and virtuosity. Since the album is entirely acoustic, it is of course low-key and requires attentive listening to capture all the beautiful little details. The superb recording quality helps a lot in this case and listeners addicted to the “ECMFind albums on this label sound” will love this recording unconditionally. A must to all lovers of vocal Jazz and contemporary European Jazz.

Updated: 03/07/2020Posted:

CD 1 HDCD Recommend To A Friend

MARTIN DREW / TONY LEE ~ MARTIN DREW BAND / STREETS OF DREAMS VOCALION 8462 (Barcode: 765387846220) ~ UK ~ Jazz Recorded: 1977 - 1979 Released: 2009 By the late 1970s the fantastic British Jazz scene, which thrived during the previous two decades producing some of the most revolutionary music ever and breaking many barriers of conceptual approach to Jazz, was unfortunately suffering badly. Many different factors contributed to this phenomenon: musical, social, economic and so on, but the situation "on the ground" was getting pretty desperate, with major record labels almost completely banning Jazz material from their repertoire of new releases, contrary to their traditional support of Jazz music. This new development opened a new opportunity for small independent British labels to step in and provide a platform, which would enable British Jazz musicians to record and release their music. One of such labels was the tiny, but excellent Lee LambertFind albums on this label label and this album is a long overdue reissue of two of the albums original released by that label in the late 1970s. Drummer Martin DrewFind albums by this artist presents an album recorded by his quintet / sextet with superb musicians: saxophonist Brian SmithFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Ron MathewsonFind albums by this artist and percussionist Chris FletcherFind albums by this artist. Pianist Tony LeeFind albums by this artist presents an album recorded by his quartet with bassist Tony ArcherFind albums by this artist, drummer Martin Drew and congas player Tony UterFind albums by this artist. Both albums are full of excellent musicianship and great ideas. The music includes mostly Jazz standards but there´s nothing standard about the way they are performed here. Both albums are excellent examples of how mainstream Jazz can be of high quality and completely devoid of boredom. Highly recommended!

CD 2 Remastered Recommend To A Friend

PETER ERSKINE ~ AS IT WAS ECM 2490/93 (Barcode: 602547558329) ~ USA ~ Jazz Recorded: 1992 - 1997 Released: 2016 This wonderful Box Set contains the four albums by the American drummer / composer Peter ErskineFind albums by this artist recorded by his trio which included British pianist John TaylorFind albums by this artist and Swedish bassist Palle DanielssonFind albums by this artist and released on the ECMFind albums on this label label, which are: "You Never KnowFind albums with this title" (ECM 1497) recorded 1992, "Time BeingFind albums with this title" (ECM 1532) recorded 1993, "As It IsFind albums with this title" (ECM 1594) recorded 1995 and "JuniFind albums with this title" (ECM 1657) recorded 1997. The music was mostly composed by the trio members. All these albums were recorded at the magnificent Rainbow Studio in Oslo by Jan Erik KongshaugFind albums by this artist. Erskine, one of the most versatile and open-minded American drummers, who feels at ease in many diverse musical environments, has a long history of cooperating with European musicians, which strongly influenced his approach and brought him closer to the European aesthetics, which is strongly present on these recordings. Piano trios led by the drummer are a relative rarity in Jazz history, but as these albums demonstrate they can be every bit as excellent as those led by pianists. These three Master musicians create superb music together, in the best tradition of the classic piano trio, strongly emphasizing European approach to melody and improvisation, full of elegance and lyricism. The music is all melody based and "well behaved", but can hardly be considered as mainstream, thanks to Taylor´s wonderful performances and rhythmic openness carried out by the rhythm section. The piano parts played by Taylor are a striking evidence of his genius and the fact that he is no longer with us underlines the importance of this reissue, as the individual albums are of course no longer available. But the virtuosic bass parts by Danielsson and fabulous drumming by Erskine are equally worth being heard again of course. As usual with this "Old And New Masters" series, the individual CDs are housed in plain white carton sleeves – a matter of elegance or budget? – and the booklet includes a very long background article, this time by respected critic John KelmanFind albums by this artist, which I seriously doubt many people have the stamina to read these days. Overall this is an absolute must have for all Jazz piano trio lovers and of course British Jazz enthusiasts, who cherish every keystroke by John Taylor, like yours truly. Brilliant stuff!

Updated: 11/07/2019Posted: 11/07/2019

CD 4 Mini-Sleeve Box Set Recommend To A Friend

RICHARD FAIRHURST & JOHN TAYLOR ~ DUETS BASHO 49 (Barcode: 832929004926) ~ UK ~ Jazz Recorded: 2013 Released: 2015 This wonderful and criminally little known album by British Jazz pianists Richard FairhurstFind albums by this artist and John TaylorFind albums by this artist presents a series of eleven piano duets performed by the two. The music includes two original compositions by Fairhurst, two pieces co-composed by them both, one composition by Taylor, another one by Kenny WheelerFind albums by this artist, a two-part piece by Pete SabertonFind albums by this artist and finally a trio of Bill EvansFind albums by this artist compositions. The music is splendidly recorded and offers a true feast to Jazz piano lovers. Separated by a generation age gap, Fairhurst (born 1975) and Taylor (born 1942) are able to bridge that gap without a hitch, playing in perfect harmony both technically and spiritually. Their treatment of the Evans compositions is absolutely breathtaking and manages to preserve the delicate climate and lyricism of the original compositions and yet transform them to a more European Jazz sensitivity. But the entire selection of tunes is brilliant from start to finish and a true delight to Jazz connoisseurs, who might try and guess who plays what, which for a trained ear is not that difficult. The idea of this project was born when Fairhurst was invited to take part in the Steinway Two Pianos Festival in London in 2010 and asked John to join him, and continued when John asked Richard to take part in his 70th Birthday Celebration concert in 2012, which allowed them to collect enough material suitable for a recording session, which resulted in this album. Sadly less than two years after this album was recorded John departed prematurely and the album was released posthumously. Overall this is a classic example of Jazz piano duet performance and the "Art of the Duo" idiom and a beautiful memento of John´s artistry. For the many followers of Taylor´s music this is an absolute must of course, but Fairhurst is also to be complimented on his brilliant playing, which is definitely worthy of being closely followed! A true gem!

Updated: 03/09/2020Posted: 03/09/2020

CD 1 Digipak Recommend To A Friend

FRESU / DI CASTRO / TAYLOR ~ CONTOS EGEA 039 (Barcode: 8015948000397) ~ ITALY ~ Jazz Recorded: 1993 Released: 1993 This is a beautiful album by the international Jazz trio comprising of Italian trumpeter / composer Paolo FresuFind albums by this artist and bassist / composer Furio Di CastroFind albums by this artist and British pianist / composer John TaylorFind albums by this artist. The album presents nine original compositions, four by Fresu, three by Di Castro and two by Taylor. The music is delicate and highly melodic / melancholic, totally acoustic and intimate in nature. The three musicians support each other amicably and they all solo extensively, offering truly sublime display of their musicality and brilliant technique. The trio format allows for each and every nuance and note played to be perfectly audible and the magic of the music created together lasts for the entire duration of the album, regardless if the music is played in the trio, duo or solo format at each specific moment. Fresu, one on my personal favorite European trumpeters, is a unique romantic, creating heartbreaking little touches like no other. Taylor was a Genius on unparalleled proportions and every touch of his fingers on the keyboard is a display of Artistry. Di Castro is one of the most imaginative and colorful European bassists. Together the trio perfectly symbolizes the European Jazz aesthetics and sophistication. The album was released on the Italian EGEA label, which is one of several excellent Italian labels, which offer numerous British and British-Italian Jazz recordings, like CAM Jazz and several smaller ones, all of which are worth following for listeners interested in first class European Jazz recordings. Overall, this is a beautiful album, delicate and fragile, full of super interplay between these Master musicians, and although recorded thirty years ago, is completely timeless and sounds exactly as relevant and convincing as it did at the time of its release, and as such is of course wholeheartedly recommended.

Updated: 03/02/2023Posted: 03/02/2023

CD 1 Slipcase Recommend To A Friend

JURGEN FRIEDRICH ~ SUMMERFLOOD CTI 4011220018214 (Barcode: 4011220018214) ~ GERMANY ~ Jazz Recorded: 1998 Released: 1998 This is the debut album by German Jazz pianist / composer Jurgen FriedrichFind albums by this artist, recorded with his quartet, which also includes saxophonist Claudius ValkFind albums by this artist, bassist Volker HeinzeFind albums by this artist and British drummer Darren BeckettFind albums by this artist, expanded to a quintet by the presence of the iconic British trumpeter Kenny WheelerFind albums by this artist. The album presents seven original compositions, all by the leader. Friedrich, who studied with British pianist / composer John TaylorFind albums by this artist, was introduced by Taylor to the music of Wheeler, which made a great impact on his musical outlook, and when he planned the recording of this, his debut album, he asked Wheeler to participate. If subjected to a blindfold test, the music sounds remarkably alike a British Jazz album, and with the first note uttered by Wheeler, it becomes completely recognizable and “familiar”. This does not mean, of course, that the young musicians participating in the recording are copying anything. After all the music is completely original and wonderfully weaved and the playing is highly inspired. It only exemplifies the influence that iconic musicians like Taylor and Wheeler were able pass down to the young generation of musicians, at least at the early stages of their careers. I was completely unaware of this album until a few weeks ago and of course grabbed it immediately to complete my Wheeler discography, but it turned out to be a beautiful piece of music, which is definitely worth getting familiar with, on top of the fact that Wheeler plays several outstanding and spine-chilling solos on this album. Overall, this is a remarkable debut as well as a sublime piece of Wheeler’s recording legacy, which should not be missed by his many followers. I am not familiar with later musical explorations by Friedrich, but judging by what this album has to offer, they are definitely worthy of exploring. In short, this is a true gem that lost nothing of its sparkle over time.

Updated: 12/02/2022Posted: 12/02/2022

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ POETRY AND JAZZ IN CONCERT VOCALION 8416 (Barcode: 765387841621) ~ UK ~ Jazz & Poetry Recorded: 1964 - 1966 Released: 2006 The love affair between the two Art Forms: Jazz music & Poetry, goes back to the late 1950s, when American writers / poets of the Beat Generation (Jack KerouacFind albums by this artist, Allen GinsbergFind albums by this artist and others) discovered the “intellectual proximity” between their writing and the process of creating Jazz music, as represented by the founding Fathers of Bee Bop (Charlie ParkerFind albums by this artist, Dizzy GillespieFind albums by this artist and others). However, although the poets were frequent patrons of the burgeoning NY Jazz club scene, actual poetry readings combined with Jazz performances were pretty rare and sporadic. Only when the Jazz & Poetry concept crossed over the Atlantic to Britain (and later the rest of Europe) the movement reached a full swing and enjoyed immense popularity with the poets, musicians and the audiences. The intellectual crowds in London and the rest of Britain attended Jazz & Poetry concerts in huge numbers through the early and mid-1960s, but towards the end of the decade the enthusiasm diminished. British poet Jeremy RobsonFind albums by this artist and pianist / composer Michael GarrickFind albums by this artist were largely responsible for the movement’s popularity. Garrick, a graduate in English Literature, had a great sensitivity to the literary works and managed to compose music, which suited the words perfectly. This album, released originally in 1964 as two separate LPs (Vol.1 & 2) documents a typical Jazz & Poetry concert. Recorded “live” in a studio, the applause and the audience’s reaction to the poetry faithfully reproduce the atmosphere of a performance hall. The Jazz quintet (Garrick – piano, Joe HarriottFind albums by this artist – sax, Shake KeaneFind albums by this artist – trumpet, John TaylorFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums) provides the music and four poets (Adrian MitchellFind albums by this artist, Dannie AbseFind albums by this artist, Jeremy Robson and Laurie LeeFind albums by this artist) read their poems, creating a wonderfully intellectual encounter, where the sum of the two Arts is actually better than their individual contribution. This new addition adds an ultra-rare EP of Jazz & Poetry recorded a couple of years later, featuring the Michael Garrick quintet (with Ian CarrFind albums by this artist – trumpet and Coleridge GoodeFind albums by this artist – bass replacing their respective counterparts in the earlier quintet) and Jeremy Robson, called Before Night/DayFind albums with this title. This is a timeless masterpiece and an everlasting food for sensitive souls – brilliant!

Updated: 01/01/2016Posted:

CD 2 Remastered Bonus Tracks Recommend To A Friend

MICHAEL GIBBS ~ JUST AHEAD BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz Recorded: 1972 Released: 2005 Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!

CD 2 Slipcase Remastered Recommend To A Friend

MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991 DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion Recorded: 1991 Released: 2018 This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions. Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts. Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him. This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish. The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.

Updated: 29/05/2018Posted: 22/05/2018

CD 2 Mini-Sleeve Remastered Recommend To A Friend

MICHEL GIBBS ORCHESTRA ~ BY THE WAY AH UM 016 (Barcode: 5017771102029) ~ UK ~ Jazz Recorded: 1993 Released: 1993 This is an album by British Jazz trombonist / composer / arranger / bandleader Michael GibbsFind albums by this artist and his Anglo-American Orchestra commemorating the orchestra´s 25th Anniversary. The members of the orchestra include many of the top British Jazz players, like trumpeter Kenny WheelerFind albums by this artist, saxophonist Evan ParkerFind albums by this artist, pianist John TaylorFind albums by this artist, drummer John MarshallFind albums by this artist and the young (at the time) saxophonist Julian ArguellesFind albums by this artist and guitarists Mike WalkerFind albums by this artist and John ParricelliFind albums by this artist. The Americans include saxophonist Charlie MarianoFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist. The album presents eleven original compositions, all by Gibbs, which span the entire 25 years period, some of which already appeared on earlier recordings and other that are performed here for the first time. Gibbs´ followers will find this album consistent with his earlier recordings and with his unique orchestral approach and sound colors. Gibbs treats the orchestra like a palette and paints bright sound vistas with zest and vivid imagination. As usual the pieces allow for extensive soloing, which on this album reaches many remarkable peaks. Gibbs´ affinity to Rock is also evident, as is his tendency to feature the guitar as one of the main ingredients of the orchestra with plenty of soloing, which on this album is performed by Walker, who has a profound Bluesy feel and sensitivity. Overall this is another superb album by a great Master of the orchestral Jazz idiom, who had very few parallels over the years and still dominates the scene today. This music lost nothing of its power or beauty over time and is a great document of the period, similar to the recently released album with the Gibbs Orchestra featuring John ScofieldFind albums by this artist from 1991 ("Symphony Hall, Birmingham 1991Find albums with this title"). This is one of the most obscure albums by Michael Gibbs, probably due to the fact that it was released by the short lived small independent British Ah UmFind albums on this label label, founded by musician / producer Nick PurnellFind albums by this artist, and has been available for many years. Wholeheartedly recommended and if you can dig it out somehow, don´t even think twice – grab it as it is worth its weight in gold! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 29/05/2018

CD 1 Recommend To A Friend

GUILDHALL BIG BAND / JOHN TAYLOR ~ PURE AND SIMPLE CAM JAZZ 3303 (Barcode: 8024709330321) ~ UK ~ Big Band Jazz Recorded: 2005 Released: 2007 This is a criminally little known brilliant album by the Guildhall Big BandFind albums by this artist – the home band of the renown Guildhall School of Music & Drama in London – conducted by Scott StromanFind albums by this artist, which plays Big Band arrangements of six compositions by British Jazz pianist / composer John TaylorFind albums by this artist, who was one of the teachers at the school and who played piano on these recordings. People familiar with the music of Taylor will find these Big Band arrangements as striking as everything else he ever touched, completely different from the traditional Jazz Big Band approach, and to some extent continuing the modern British Big Band / Jazz Orchestra legacy, which was developed from the late 1960s onward by orchestra leaders like Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Neil ArdleyFind albums by this artist and others. As a result these compositions sound quite refreshed and morphed cleverly into the new environment. The Big Band performs splendidly, despite the complexity of the arrangements, which is hardly surprising considering the extraordinary level of talent by the young generation of British / European young musicians. One would never suspect that this is a band comprised of students, since it sounds as professional and disciplined as a fully fledged veteran working band. Taylor plays wonderful soli on five of the pieces, which are usual displays of his High Artistry and offer the proverbial cherry on top of this superb album, which is an absolute must to all Taylor followers and British Jazz connoisseurs.

Updated: 26/09/2020Posted: 26/09/2020

CD 1 Recommend To A Friend

STEPHANE KERECKI / JOHN TAYLOR ~ PATIENCE ZIG-ZAG 110402 (Barcode: 3760009292468) ~ FRANCE ~ Jazz Recorded: 2010 Released: 2010 This is a criminally little known duo album by French bassist Stephane KereckiFind albums by this artist and British pianist John TaylorFind albums by this artist. The album presents twelve pieces, eight composed by Kerecki, three improvised by both musicians and one standard by Scott LaFaroFind albums by this artist, and offers exceptional sound quality. The music is quite complex and open, at part based on well defined melodic themes but also incorporating a much less rigorous structures, not completely Free but definitely not constrained by strict melody lines. This approach enables both musicians to stretch out and venture into extensive soloing, with the bass being featured somewhat more prominently than the piano. The intimate duo setting is of course extremely demanding, but for these two veterans it is more of an opportunity than a challenge. They manage to work out a wonderful rapport and the album joins the "Art of the Duo" pedestal with flying colors. Korecki plays some excellent arco parts and his sensitive handling of the bass is a tribute to the many great Jazz bassists in the genre´s history. Taylor seems to feel excellently in his company and the music is a reflection of this idyllic relationship. Tragically it was during a performance with Kerecki´s quartet that Taylor suffered the fatal heart attack some five years after this album was recorded; a sad final note about this musical friendship. This album remains as a beautiful document of their common legacy.

Updated: 01/10/2020Posted: 01/10/2020

CD 1 Digipak Recommend To A Friend

VOLKER KRIEGEL ~ INSIDE: MISSING LINK MPS 4029759178699 (Barcode: 4029759178699) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1972 Released: 2023 This is a reissue / remaster of the iconic double album by the German guitarist / composer / bandleader Volker KriegelFind albums by this artist, which was his third album as a leader and the second release on the MPSFind albums on this label label. Although recorded during the same session, the material was split into two parts, each on one LP (and now CD). CD1 was recorded by an octet and features a brass section. It includes three prominent British Jazz musicians: saxophonist Alan SkidmoreFind albums by this artist, pianist John TaylorFind albums by this artist and drummer John MarshallFind albums by this artist. The other players are German Jazz musicians: trombonist Albert MangelsdorffFind albums by this artist, saxophonist Heinz SauerFind albums by this artist and bassist Eberhard WeberFind albums by this artist. Dutch percussionist Cees SeeFind albums by this artist completes the lineup. The CD presents four tracks, three of which are original compositions by Kriegel and one is an arrangement of a tune by Brazilian composer Edu LoboFind albums by this artist. Three of the tracks last for over ten minutes and the music is strongly Jazz oriented, including some Free Jazz accents. CD2 was recorded by a quintet, without the brass and including Taylor, Weber, See and German drummer Peter BaumeisterFind albums by this artist. This CD presents eight tracks, six of which are original compositions by Kriegel, one is by Weber and one by Brazilian composer Caetano VelosoFind albums by this artist. The music is more Fusion oriented and the tracks are much shorter, with only one crossing the ten minutes in duration. In retrospect this is definitely one of the fines examples of European Jazz-Rock Fusion, with a stellar lineup and absolutely brilliant musicianship and compositions. Kriegel was sadly underappreciated at the time, but his complete discography, including several excellent posthumous releases, definitely points out that he was a pivotal figure in European Jazz and Fusion. Overall, this an absolute must have for every Fusion connoisseur, and one of the most important albums of the genre. Combining the best players from the leading European Fusion scenes at the time: Germany and UK, the music spark with inventiveness, virtuosity and innovation, completely absent from the current Fusion scene. This long awaited reissue fills a major gap in the European Fusion discography and the recorded legacy of Volker Kriegel. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 18/11/2023Posted: 18/11/2023

CD 2 Mini-Sleeve Remastered Recommend To A Friend

VOLKER KRIEGEL ~ LIFT! MPS 602527148595 (Barcode: 602527148595) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1973 Released: 2011 This is a reissue of the fourth album by German guitarist / composer / bandleader Volker KriegelFind albums by this artist. It was recorded with a team of top European Jazz musicians at the time, which include British saxophonist Stan SulzmannFind albums by this artist, pianist John TaylorFind albums by this artist and drummer John MarshallFind albums by this artist, Polish violinist Zbigniew SeifertFind albums by this artist, German bassist Eberhard WeberFind albums by this artist and Dutch percussionist Cees SeeFind albums by this artist. The album presents eight original compositions, five by Kriegel and three by Weber. The music is brilliant, as expected, and the album is a great opportunity to hear the atmosphere of musical camaraderie that swept Europe at the time this album was recorded, which resulted in many international projects like this one. For Polish Jazz enthusiasts this is a rare opportunity to hear Seifert on the verge of his tragically short international career before his death. It also shows the central role of MPSFind albums on this label Records in cementing the European Jazz idiom at the time, with a wide bridge between UK, Western and Eastern Europe, bringing musicians together to create and inspire each other. Of course producer / journalist and my Mentor Joachim BerendtFind albums by this artist had a huge role in creating this scene in his capacity as producer for MPS Records and director of several German Jazz festivals. Stylistically the music is a mixture of Jazz-Rock Fusion and Free Jazz, with highly expressive soloing by Sulzmann, Seifert and Kriegel and excellent support by the expanded rhythm section. Excellently recorded, as all MPS projects, this music lost nothing of its relevance over time and sounds absolutely fresh today. Kriegel’s many fans will of course find his unique guitar playing style at its full exposure here, and his role as one of the central figures of European Jazz in the 1970s is also fully confirmed here. Overall this is a definite “blast from the past”, which deserves to be heard, although it’s pretty tough to find a copy of this album today. Surely worth the effort of trying! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 20/07/2021Posted: 20/07/2021

CD 1 Oversampling Remastered Recommend To A Friend

VOLKER KRIEGEL ~ SPECTRUM MPS 4029759124139 (Barcode: 4029759124139) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1971 Released: 2017 This is a reissue of the second album (and his first release on the MPSFind albums on this label label) by legendary German guitarist / composer Volker KriegelFind albums by this artist. The album was recorded with a dreamy quintet, which also includes British pianist John TaylorFind albums by this artist, German bassist Peter TrunkFind albums by this artist, Dutch percussionist Cees SeeFind albums by this artist and German drummer Peter BaumeisterFind albums by this artist. It presents seven original compositions, all by Kriegel. It is truly tragic that so many of the greatest musicians in this world are totally unknown to the vast majority of the listeners. Kriegel is one of those undiscovered geniuses, who reached only scarcely few listeners outside of his native country. He begun to play jazz in the early 1960’s on the burgeoning (at that time) Frankfurt jazz scene led by the Mangelsdorff brothers (Albert MangelsdorffFind albums by this artist and Emil MangelsdorffFind albums by this artist). At the time this music was recorded European Jazz was already enjoying its fully developed individual voice and the burgeoning German scene was one of its epicenters. Kriegel is credited as the father of the German Jazz-Rock Fusion due to his abundant activities from the late 1960’s on, when his guitar work and incredible compositions made him a leader in that field. He was the guitarist of the Dave Pike SetFind albums by this artist, the quartet led by the US Avant-Garde vibraphone player who lived in Germany at that time and later he recorded a series of groundbreaking solo albums as well as albums with his group Mild Maniac OrchestraFind albums by this artist, all recorded for the MPS label. In 1976 Kriegel was one of the co-founders of the United Jazz + Rock EnsembleFind albums by this artist – Europe’s most important Jazz-Rock outfit for years to come. Kriegel died in 2003 at the age of 59. "SpectrumFind albums with this title" is in retrospect is a monster achievement – surely one of the best Jazz-Rock Fusion albums ever. It also offers a lot of freedom at the improvisational layer. Although incredibly advanced in his musical concepts, Kriegel´s guitar playing is always melodic and crystal clear, even if he flies all over the guitar neck with the speed of lightning. He gets excellent support from his fellow musicians, especially from the superb Taylor, whose work on the electric piano here is simply mind-blowing. Add to this his gorgeous compositions and you have in your hands an album that after you hear it you’ll wander how come you never discovered it earlier? Well, surely better late than never! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 12/04/2019Posted: 21/02/2018

CD 1 Mini-Sleeve Remastered Recommend To A Friend

VOLKER KRIEGEL ~ SPECTRUM MPS 602498086995 (Barcode: 602498086995) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1971 Released: 2003 It is truly tragic that so many of the greatest musicians in this world are totally unknown to the vast majority of the listeners. The German guitarist Volker KriegelFind albums by this artist is one of those “undiscovered” geniuses, who reached only scarcely few listeners outside of his native country. He begun to play jazz in the early 1960’s on the burgeoning (at that time) Frankfurt jazz scene led by the Mangelsdorff brothers (Albert MangelsdorffFind albums by this artist and Emil MangelsdorffFind albums by this artist). He is credited as “the father of Jazz-Rock” on the German scene from the late 1960’s on, when his guitar work and incredible compositions made him a leader in that field. He was the guitarist of the Dave Pike SetFind albums by this artist, the quartet of the US Avant-Garde vibraphone player who lived in Germany at that time and later he recorded a series of groundbreaking solo albums as well as albums with his group Mild Maniac OrchestraFind albums by this artist for the MPSFind albums on this label label. In 1976 Kriegel was one of the co-founders of the United Jazz + Rock EnsembleFind albums by this artist – Europe’s most important Jazz-Rock outfit for years to come. Kriegel died in 2003 at the age of 59. "SpectrumFind albums with this title" is Kriegel’s second solo album (and his first album on MPS), and in retrospect is a monster achievement – surely one of the best Jazz-Rock Fusion albums ever. Although incredibly advanced in his musical concepts, his guitar playing is always melodic and crystal clear, even if he flies all over the guitar neck with the speed of lightning. He gets excellent support from his fellow musicians, especially from the superb British pianist John TaylorFind albums by this artist, whose work on the electric piano here is simply mind-blowing. Add to this his gorgeous compositions (he wrote all the music) and you have in your hands an album that after you hear it you’ll wander how come you never discovered it earlier? Well, surely better late than never! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2025Posted:

CD 1 Digipak Oversampling Remastered Recommend To A Friend

CHRIS LAURENCE ~ NEW VIEW BASHO 18 (Barcode: 832929001826) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006 Bassist Chris LaurenceFind albums by this artist has been one of the great "silent" heroes of the British Jazz scene for decades, providing his exquisitely solid, yet delicate and always sophisticated bass lines to countless Jazz albums, including many of the pivotal recordings of the late 1960s / early 1970s, which revolutionized European Jazz and emancipated it for the overwhelming stylistic and conceptual US supremacy. But his genius is also recognized and respected beyond the Jazz field, and he has an active career both as a Classical player and studio musician in the Pop / Rock world, where he contributed his talent playing behind some of the biggest names in the music business. And yet, for all these years, Laurence never recorded as a leader, something that has been finally remedied by this superb release. For this session he opted for an intimate setting of a piano-less quartet, which includes yet another "silent" hero and a veteran of the British Jazz scene – vibraphonist / percussionist Frank RicottiFind albums by this artist, who also participated in countless pivotal recordings, sometimes alongside Laurence. Sadly both Laurence and Ricotti have never really received the proper recognition for the enormous contribution they both made to the British Jazz, with books and on-line sources mentioning them mostly in-passing. Hopefully this will be remedied sometime in the near feature (and before obituaries need to be written). But back to the music; Ricotti´s vibraphone is the ideal companion to Laurence´s bass playing and sets the tone to the laid-back, delicate and slightly melancholic atmosphere that underlines this album´s overall feel. The two other members of the quartet are no strangers, as they have recorded with Laurence before, both being representatives of the second generation of British Jazz heroes: guitarist John ParricelliFind albums by this artist and drummer Martin FranceFind albums by this artist. Parricelli plays both electric and acoustic guitars and his playing on this album is actually the best I´ve heard so far, even superior to the performances on his solo recordings. His licks ornament the music, using just the precise amount of notes needed, leaving flashy excursions aside, which is exactly what is appropriate here. France does a splendid job keeping everything together rhythmically; again exactly what a great drummer needs to do first and foremost. It goes beyond saying that Laurence´s bass lines are a delight from start to finish, which is only to be expected and Ricotti´s vibraphone performance matches the (unfortunately very few) Masters of that beautiful instrument. The music chosen comes from the songbooks of great British Jazz composers, with whom Laurence recorded in the past, like Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist, John SurmanFind albums by this artist and John TaylorFind albums by this artist. Fellow US musicans – Steve SwallowFind albums by this artist and Andy LaverneFind albums by this artist - also get their share and even one Joni MitchellFind albums by this artist tune is included (Joni´s close ties with the Jazz world are obvious). If all this is not enough, there is also a cherry on top of the proverbial cake: the divine Norma WinstoneFind albums by this artist adds her sublime (as usual) vocals to a couple of the tunes, another gesture of gratitude for the sake of old times. So, please, buy this album and by doing so you will not only get some superb music, but you will pay some long-overdue tribute to this man´s talents and his life-long dedication to the music we love!

Updated: 30/05/2025Posted:

CD 1 Digipak Recommend To A Friend

PRINTMAKERS ~ WESTERLY BASHO 46 (Barcode: 832929004629) ~ UK ~ Jazz Recorded: 2013 Released: 2015 This is a beautiful debut album by the British Jazz ensemble The PrintmakersFind albums by this artist, which comprises of top Jazz musicians spanning several generations: the wonderful vocalist / lyricist Norma WinstoneFind albums by this artist, pianist / composer Nikki IlesFind albums by this artist, saxophonist Mark LockheartFind albums by this artist, guitarist Mike WalkerFind albums by this artist, bassist Steve WattsFind albums by this artist and drummer James MaddrenFind albums by this artist. The album presents ten tunes, three of which were composed by Iles with lyrics by Winstone, two with music by Ralph TownerFind albums by this artist and lyrics by Winstone, one tune each composed by John TaylorFind albums by this artist and Iles, both without lyrics, a song by Steve SwallowFind albums by this artist and finally two are the ensemble´s interpretations of familiar Pop songs, one each by Paul SimonFind albums by this artist and Joni MitchellFind albums by this artist. The music was recorded live in a room of a country house and offers superb sound quality. The album is dedicated to the memory of the great Kenny WheelerFind albums by this artist. The music is everything one might expect from this formidable lineup: superb vocals and excellent playing from start to finish, elegant, somewhat restrained and always exactly with the right dose of emotional involvement and professional musicality. There is an obvious affinity and respect between the participants and a harmonious teamwork, which truly pays off. On the two tunes that do not feature lyrics, Winstone performs her fabulous vocalese parts, which are her trademark since many years. There is plenty of opportunity for great solo parts by Lockheart, Iles and Walker, and the rhythm section keeps the music flowing gently but precisely in time and in perfect harmony. Although the entire album is characterized by a relaxed, calm atmosphere, the music is rich and full of intrinsic vitality. Stylistically one might consider this to be "mainstream Jazz", but this music has absolutely nothing in common with the American version of mainstream Jazz, which of course is all for the best. It is great to see Winstone active and at full power, as if for her time is standing absolutely still. Having enjoyed her work for five decades, I can say that her music making is a safe heaven of good taste and aesthetic excellence, one of a very few of such kind. This album is relatively little known by Jazz connoisseurs, and therefore it is wholeheartedly recommended to all true music lovers and British Jazz enthusiasts to grab a copy as long as it is still in circulation.

Updated: 29/05/2018Posted: 29/05/2018

CD 1 Digipak Recommend To A Friend

NICK PURNELL ~ ONETWOTHREE AH UM 006 ~ UK ~ Big Band Jazz Recorded: 1990 Released: 1991 This is the only album by British Jazz composer / arranger Nick PurnellFind albums by this artist, recorded with a dreamy large Orchestra, which included such luminaries as trumpeter Kenny WheelerFind albums by this artist, saxophonist Julian ArguellesFind albums by this artist, trombonist Michael GibbsFind albums by this artist, keyboardist Django BatesFind albums by this artist, pianist John TaylorFind albums by this artist and American drummer Peter ErskineFind albums by this artist among others. The album presents ten tracks, all original compositions by Purnell and arranged by him. The music is absolutely dreamy large ensemble Jazz, based on superbly composed themes and perfectly arranged to utilize the superb lineup, that performs the music. Wheler, Taylor and Arguelles performs dazzling soli through the whole album, and many other musicians also get an opportunity to show their chops. Although there are many musicians taking part in this recording, the music is rather subtle and delicate, which is rather typical of the British Jazz approach to orchestral music, which emphasizes the ensemble spirit and strong harmony, without utilizing the full power and might available, in favor of style and elegance, somewhat similar to the orchestral work by Michael Gibbs and his ensembles. Overall, this is a lovely piece of orchestral British Jazz, sadly completely forgotten but absolutely worthy of being remembered. The album is probably not that easy to find, but if it crosses your field of vision, do not hesitate for even one moment, before you grab it! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 11/02/2025

CD 1 Recommend To A Friend

ENRICO RAVA ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1002 (Barcode: 8024709111326) ~ ITALY ~ Jazz Recorded: 1972 - 1994 Released: 2010 This superb Box Set collects all the albums recorded by the legendary Italian trumpeter / composer Enrico RavaFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. Rava needs no introduction to any serious Jazz connoisseur; suffice to say that from the early days of the European Jazz he was always there on the frontier lines, expanding the genre and breaking new ground tirelessly. Over the years he played with the greatest Jazz players from all over the world and served as a teacher to generations of young Italian and other European Jazz musicians. His virtuosic playing and excellent compositions are always a source of great musical joy. Rava is often compared to his Polish soul brother trumpeter / composer Tomasz StankoFind albums by this artist and their both share the incredible European sensitivity and sense of melody, which set them apart from their American counterparts. The musicians playing on these five albums include: saxophonist Pietro TonoloFind albums by this artist, pianist Franco D`AndreaFind albums by this artist, bassist Giovanni TommasoFind albums by this artist, drummer Tony OxleyFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonist Gianluigi TroveriFind albums by this artist and many others. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 03/07/2020Posted:

CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend

RUNSWICK / HYMAS ~ BIG BANDS 1974-78 ASC 175 (Barcode: 0712396065340) ~ UK ~ Big Band Jazz Recorded: 1974 - 1978 Released: 2019 This is a phenomenal and completely obscure archival album by British Jazz musicians: bassist / composer Daryl RunswickFind albums by this artist and keyboardist / composer Tony HymasFind albums by this artist. The album presents two recordings (details below), both in a Big Band format, which include the crème de la crème of the British Jazz scene active in the 1970s, including vocalist Norma WinstoneFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Don RendellFind albums by this artist and Tony CoeFind albums by this artist, trombonist Chris PyneFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummers Spike WellsFind albums by this artist and Tony CarrFind albums by this artist and many others. The sound quality of this material is truly sensational. The first project is the Tony Hymans – Daryl Runswick Big Band, captured live in 1974, performing four original compositions, one by Hymans and three by Runswick. The music is typical of the era, and similar to other Big Band projects from that time, like those by Mike WestbrookFind albums by this artist or Michael GibbsFind albums by this artist. The second project is an unreleased studio album “Señor Funk”, conceived by Denis PrestonFind albums by this artist and recorded at the legendary Lansdowne Studios in 1978. It presents six tracks, three composed by Runswick, one each by Tony Coe and John TaylorFind albums by this artist and one standard, all arranged by Runswick. Hymans was not a part of this project. As the album’s title suggests, it was supposed to be somewhat Latin Music oriented, which it indeed is, but it also remains very much British Jazz at its core. The level of composition and performance is everything one might expect from these sublime musicians, and the album is a great exposure to the previously unreleased music from this Golden era of British Jazz. Overall, this is a wonderful discovery and joy to be able to hear this great music, and for the British Jazz fans a great opportunity to hear again many of the heroes of that period. A must in every serious British Jazz collection!

Updated: 18/04/2025Posted: 18/04/2025

CD 1 Digipak Remastered Recommend To A Friend

JOHN RUOCCO ~ AM I ASKING TOO MUCH? PIROUET 3029 (Barcode: 4260041180291) ~ USA ~ Jazz Recorded: 2006 Released: 2008 This is a beautiful and criminally obscure album by American (resident in Netherlands) clarinetists / composer John RuoccoFind albums by this artist recorded in a trio setting with British pianist John TaylorFind albums by this artist and Italian (resident in France) bassist Riccardo Del FraFind albums by this artist. The album presents six original compositions, all by Ruocco and offers excellent sound quality. The music is beautifully melodic modern mainstream Jazz, masterly put together and although seemingly delicate and fragile, offers depth and sophistication, especially when the music moves into open form improvisation. The intimate trio setting and acoustic sound enables the listener to clearly hear all the nuances and intricacies crested by the players during their collective performances. The trio lineup is ideal for the music at hand; both Taylor and Del Fran are exquisite performers, known for their ability to adapt to any musical environment and create telepathic conversations with the other players. Although most of the soloing is performed by Ruocco, the album offers plenty of opportunities to hear sublime piano soloing in addition to Taylor´s playing behind the clarinet, as usual in perfect harmony and with great taste. Del Fra is beautifully melodic and mellow, exactly with accordance to what the mood dictates, but his pulsations are perfectly timed and serve as the rhythmic timeline, especially important in this drumless environment. Overall the album offers refined European Jazz aesthetics and an unpretentious, but powerful statement of "less is more", which holds the listener captive for the duration and leaves him lingering for more when the music is over. Ruocco´s recorded legacy is relatively limited and this album is definitely a gem worth investigating. Taylor´s many connoisseurs, most of which are probably not aware of this album´s existence, should find this an essential piece in their collection. Wholeheartedly recommended!

Updated: 06/10/2020Posted: 06/10/2020

CD 1 Digipak Recommend To A Friend

SCHMOLLING / ARTHURS / KUHNE ~ TICHO UNIT 4551 (Barcode: 7640114795510) ~ GERMANY ~ Jazz Recorded: 2013 Released: 2014 This is a brilliant debut album by a trio consisting of German pianist / composer Marc SchmollingFind albums by this artist (a son of Czech poetess Inka MachulkovaFind albums by this artist), female vocalist Almut KuhneFind albums by this artist and British trumpeter Tom ArthursFind albums by this artist. The eight pieces (one composition is repeated twice as the opening and closing track of the album) are based on pre-composed themes, which are then freely improvised upon by the trio members. The unique piano / trumpet / vocals lineup invokes an immediate associative comparison to the legendary British trio AzimuthFind albums by this artist (John TaylorFind albums by this artist, Kenny WheelerFind albums by this artist, Norma WinstoneFind albums by this artist), and some similarities are of course detectable, but this album is much more oriented towards the Free Jazz / Improvised Music openness, whereas Azimuth, as revolutionary and amazing as it was at the time, was overall much more melodic and structured in form. All three individual contributors are first class musicians of course: Schmolling plays delicately and lyrically, Arthurs is simply brilliant with an incredible technique and extraordinary sensitivity, emerging as one of the top British contemporary trumpeters and Kuhne is a sensational surprise, with stunning vocal abilities combining the powers of modern female Jazz vocal Divas, like Julie TippettsFind albums by this artist, Norma Winstone, Jeanne LeeFind albums by this artist, Lauren NewtonFind albums by this artist and others. She is definitely worth watching very carefully in the future. The trio works also perfectly as a unit; Arthurs and Kuhne converse fiercely, exchanging vocal and trumpet phrases like never heard before, while Schmolling keeps the music in control with his guiding chords. The overall ensemble result is simply breathtaking. This is a kind of music that combines the free spirit with the essence of European culture, often based on reserve and intrinsic discipline. Overall this is a excellent piece of music, which holds new surprises with every time it is played, full of wonderful aesthetics and urgency to discover, an example of ambitious creation that works out perfectly and in spite of its intimacy creates a whole universe of sounds and feelings. It is great to see that intelligent music is still being made in our cultural void, which of course keeps those, who are open enough to listen to it, resistant to the brainlessness out there. Wholeheartedly recommended!

Updated: 26/04/2016Posted: 26/04/2016

CD 1 Digipak Recommend To A Friend

ALAN SKIDMORE ~ A SUPREME LOVE CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz Recorded: 1961 - 2019 Released: 2023 This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued. Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians. The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6. The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true. Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.

Updated: 01/10/2024Posted: 21/06/2023

CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend

ALAN SKIDMORE ~ ONCE UPON A TIME… VOCALION 8406 (Barcode: 765387840624) ~ UK ~ Jazz Recorded: 1970 Released: 2005 The title of the debut album by saxophonist / composer Alan SkidmoreFind albums by this artist is indeed appropriate for the occasion, as this is a recording of such beauty and excellence, that is happens extremely rarely. Alan, son of veteran British Jazz figure Jimmy SkidmoreFind albums by this artist, earned his own reputation by storming the modern British Jazz in the late 1960s. He participated in numerous pivotal recordings as sideman, and his debut turned out to be just it – the absolutely perfect example of what was happening at the time. If I had to select just one album, which represents the British scene at that time, this would be it. Skidmore on tenor sax leads a perfect quintet with Kenny WheelerFind albums by this artist on trumpet, John TaylorFind albums by this artist on piano, Harry MillerFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums (yes they were John SurmanFind albums by this artist’s rhythm section as well). Of the six exquisite compositions present, two are by John Surman, and the rest by Tony Oxley, John WarrenFind albums by this artist, John Taylor and Alan Skidmore, each contributing one composition. Whatever I’ll say here does not come even close to listening to this music, so do yourself a favor and grab a copy – this is something I’ve been listening to for almost 40 years and it still grabs me each and every time, so it must be really special. Essential stuff!

CD 1 Remastered Essential Recommend To A Friend

ALAN SKIDMORE ~ TCB VOCALION 8481 (Barcode: 765387848125) ~ UK ~ Jazz Recorded: 1970 Released: 2011 This is the 2nd album by British saxophonist / composer Alan SkidmoreFind albums by this artist, one the pillars of modern British Jazz, who was a prominent figure on the late 1960s / 1970s Jazz scene, contributing some of the greatest moments of that illustrious era. Skidmore´s input over the years is absolutely invaluable and fortunately he is one of the musicians from that period, who still plays today, as brilliantly as always. The album also captures Skidmore´s 2nd quintet, with trombonist Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist (the only common link with the 1st quintet), bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. On four of the seven tracks of this album the quintet is expanded into a septet with the addition of two superb saxophonists: Mike OsborneFind albums by this artist and John SurmanFind albums by this artist. Of the seven compositions Skidmore contributed only one, two are by Surman, two others are by the great John WarrenFind albums by this artist, another one is by Osborne and the last one is by Taylor. The music is typical of the time, brilliant modern Jazz, revolutionary in concept, brilliantly performed by these Master musicians. Over 40 years since this music was recorded and it still sounds absolutely stunning and honestly Jazz did not move forward significantly since then. An absolute must to all British Jazz connoisseurs and modern Jazz enthusiast!

CD 1 Remastered Recommend To A Friend

SOFT MACHINE ~ LAND OF COCKAYNE ESOTERIC 2208 (Barcode: 5013929730847) ~ UK ~ Canterbury Scene Recorded: 1980 Released: 2010 This is the 4th Soft MachineFind albums by this artist album released on the HarvestFind albums on this label label and the last ever record released by the band, bringing an end on a magnificent career, which spanned two and a half decades and resulted in some of the most important music ever recorded. But the truth behind the album is quite different from what appears on the album´s cover – the fact is that Soft Machine did not exist for some time when this album was released and this is a solo project of the last leader of the band, composer / keyboardist Karl JenkinsFind albums by this artist. The decision to release the album under the band´s name is somewhat dubious. Nevertheless the connection to Soft Machine is pretty obvious, as this album features several of its ex-members and co-members: guitarist Allan HoldsworthFind albums by this artist, drummer John MarshallFind albums by this artist and saxophonist Ray WarleighFind albums by this artist. Jenkins added several other outstanding musicians to Soft Machine core: bassist Jack BruceFind albums by this artist, saxophonist Dick MorrisseyFind albums by this artist, guitarist Alan ParkerFind albums by this artist and pianist John TaylorFind albums by this artist. The music floats somewhere between Jazz and ambient music, with strong ties to contemporary Classical, emphasized by the string arrangements, and some World Music influences. It is a preview of the future work of Jenkins, who in the years to come established himself as one of British most distinguished contemporary composers. So is this a Soft Machine album? Who cares, the important fact remains that this is still great music, which holds water 30 years after it was recorded. Obviously hard-core Soft Machine fans might find it not to their taste, but it is here to stay as part of the band´s legacy. Deal with it.

Updated: 10/03/2023Posted:

CD 1 Oversampling Remastered Recommend To A Friend

STAN SULZMANN ~ ON LOAN WITH GRATITUDE JAZZ IN BRITAIN 48 (Barcode: 5060774190500) ~ UK ~ Jazz Recorded: 1974 - 1977 Released: 2023 This is an expanded and long overdue reissue / remaster of the debut album as a leader by British Jazz saxophonist / flautist Stan SulzmannFind albums by this artist, recorded in a quartet setting with keyboardist John TaylorFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Bassist Chris LaurenceFind albums by this artist appears on one track. The album was originally released on the MosaicFind albums on this label label, owned by Graham CollierFind albums by this artist and presented just three tracks, one of which was a three-part suite. Sadly, the studio tapes were lost and the music was transferred from a vinyl copy. This expanded 2CD edition adds no less than eight bonus tracks, recorded before the album recording and taken from tape archives, which include early versions of two of the tracks on the album, including the suite. All the music was composed by Sulzmann. The music, to which I have often returned to over the years, is absolutely sensational, as expected. Sultzmann and his cohorts were among the finest British Jazz players / composers of the period and by the mid-1970s were all at their full capacity, producing brilliant, vibrant and highly original music, probably the best British Jazz ever. The Mosaic label was one of the first independent / musician-owned British Jazz labels and offered an opportunity to release original music by other musicians, in addition to presenting the music by its owner. Sadly, several of the albums released at the time, remain still unreleased on CD to this very day, waiting for the good people of the Jazz In BritainFind albums on this label label to follow the example set by this wonderful reissue. In addition to the brilliant performances (and compositions of course) by the leader, the album also features extensive contributions by the great and sadly departed John Taylor, whose performances herein are absolutely delightful, and for his many followers this album is an essential addition to his splendid legacy. The Mathewson / Levin rhythm section is also a great reminder of their contribution to the British Jazz scene, each in his very own way, and both also sadly not with us anymore, and a tribute to their memory. Overall, this is another “straight between the eyes” class of release, overdue but not forgotten gem, which now can now be discovered by new generations or all those less fortunate British Jazz lovers, who don’t own the original vinyl release. Just keep them coming you archive magicians!

Updated: 10/09/2023Posted: 10/09/2023

CD 2 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

STAN SULZMANN / JOHN TAYLOR ~ DOUBLE EXPOSURE INVERSION 002 (Barcode: 5070000076713) ~ UK ~ Jazz Recorded: 1990 Released: 2016 This is an archival album by the fabulous British Jazz duo of saxophonist / flautist / composer Stan SulzmannFind albums by this artist and keyboardist / composer John TaylorFind albums by this artist, recorded in 1990 and released 26 years later on a small British label InversionFind albums on this label Records, owned by Brian MillerFind albums by this artist, another British Jazz legend. The album presents thirteen tracks, all composed or co-composed by Sultzmann and Taylor. The music is absolutely delightful, serene and lyrical, with strong influences by European Classical music, but also full of Jazz hints and the respective musical preferences by both participants. Much of the music was spontaneously improvised “on the spot”, but for an outsider the result sounds completely coherent and beautifully developed, as if devised and planned long ahead. The fact that this completely forgotten session finally sees the light of day is a revelation, since it shows many less familiar facets of both these marvelous musicians and the superb fellowship they were able to enjoy, producing some of the most touching British Jazz, as if by accident. Overall, this is a major discovery for the dedicated British Jazz fans, and a joy to see this little gem available, since hiding it from the public would have been a sad and regrettable event. It goes without saying that this album deserves an honorable spot in every serious British Jazz collection!

Updated: 21/12/2023Posted: 21/12/2023

CD 1 Recommend To A Friend

JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE? VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2006 2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN ~ MORNING GLORY FMR 013 (Barcode: 649849982179) ~ UK ~ Jazz Recorded: 1973 Released: 1995 In complete contrast to the first stage of British saxophonist John SurmanFind albums by this artist’s career, which lasted for about four years (between 1968 and 1971) and was characterized by almost obsessive recording and touring, he decided to “hold his horses” from that point on and record a limited number of albums each year – a modus operandi he adheres to consistently to this very day. 1972 saw the release of just one Surman album, the revolutionary Westering HomeFind albums with this title - a complete solo project. Similarly, 1973 brought us just one Surman album entitled “Morning Glory”, which was also the (collective) name of the group that recorded the album. Consisting of the top players on the British scene it included Surman on soprano saxophone and bass clarinet (note the fact that he does not play here his primary instrument – the baritone saxophone) with Malcolm GriffithsFind albums by this artist on trombone, Norwegian guitarist Terje RypdalFind albums by this artist, John TaylorFind albums by this artist on acoustic and electric piano, Chris LaurenceFind albums by this artist on bass and John MarshallFind albums by this artist on drums. Musically the album is quite surprising, as it marks Surman’s first venture into the field of Jazz-Rock Fusion (under his flag that is). Although the structure of the music is still very free form and the solos tend to float into free improvisational spheres, the guitar, electric piano and the rhythmic patterns are close to Fusion (which was at the peak of its development at the time). One might call this Free-Fusion, but of course labeling this magnificent music is completely senseless. Surman’s solos are, as usual, brilliant but all the musicians contribute more that a fair share to the album’s overall mastery. Originally released on IslandFind albums on this label, the album was unavailable for many years and having it back in circulation is a marvel. Of course it is an absolute must have for every follower of the British Saxophone Colossus and fan of modern British Jazz. Highly recommended!

CD 1 Remastered Recommend To A Friend

JOHN SURMAN ~ PROVERBS AND SONGS ECM 1639 (Barcode: 731453779921) ~ UK ~ Jazz-Classical Fusion Recorded: 1996 Released: 1997 This is a breathtakingly beautiful album by the British saxophonist / composer John SurmanFind albums by this artist, who never stands still even for one moment, constantly re-inventing himself. Combining Jazz and contemporary Classical music, Surman composed this music for the Salisbury Festival and it was recorded live at the overwhelmingly impressive Salisbury Cathedral with Surman, keyboardist John TaylorFind albums by this artist at the cathedral´s organ and the festival´s chorus. Not for everybody, but people who can appreciate this love every bit of this amazing music.

CD 1 Slipcase Recommend To A Friend

JOHN SURMAN ~ STRANGER THAN FICTION ECM 1534 (Barcode: 731452185020) ~ UK ~ Jazz Recorded: 1993 Released: 1994 This absolutely brilliant album by British saxophonist / composer John SurmanFind albums by this artist is very special as it was recorded by an all-British quartet, which consists of legendary players associated with the British Jazz revolution of the 1960s / 1970s, when they all used to play together. Surman is surrounded by true friends: pianist John TaylorFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer John MarshallFind albums by this artist, and this sympathetic personal vibes obviously influence the musicians, who play their hearts out. Of the eight compositions sic are by Surman and the other two are co-composed by the entire quartet. Although recorded some twenty years after the British Jazz was at its absolute creative peak, this album is still a great evidence of the potential and aptitude of the scene. Of course by now there are many young and extremely talented British musicians around, but these old-timers not only have no intention of leaving us, hopefully any time soon, but still can play like nobody else. Brilliant stuff!

CD 1 Recommend To A Friend

JOHN SURMAN ~ WAY BACK WHEN CUNEIFORM 200 (Barcode: 045775020020) ~ UK ~ Jazz Recorded: 1969 Released: 2005 This is a first ever issue of a `lost` John SurmanFind albums by this artist album from 1969, recorded shortly before the famous The TrioFind albums by this artist (with Barre PhillipsFind albums by this artist and Stu MartinFind albums by this artist) was formed. Surman, one of the most original, inventive and creative forces of Modern Jazz, plays here with some regular friends - John TaylorFind albums by this artist (piano), Brian OdgersFind albums by this artist (bass) and John MarshallFind albums by this artist (drums) and also the legendary altoist Mike OsborneFind albums by this artist. The music is similar to the many albums recorded at that period of the explosion of Modern Jazz in UK (see John McLaughlinFind albums by this artist`s ExtrapolationFind albums with this title for example) - passionate, brilliant and extraordinary all the way. To have this available after so many years is truly wonderful. A must!

Updated: 10/04/2025Posted:

CD 1 Remastered Recommend To A Friend

JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69 VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz Recorded: 1968 - 1969 Released: 2006 Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!

CD 1 Remastered Essential Recommend To A Friend

TAYLOR / SWALLOW / MIRABASSI ~ NEW OLD AGE EGEA 104 (Barcode: 8015948001042) ~ UK ~ Jazz Recorded: 2002 Released: 2005 This is a wonderful album by the international Jazz trio comprising of British pianist / composer John TaylorFind albums by this artist, American bass guitarist / composer Steve SwallowFind albums by this artist and Italian clarinetist / composer Gabriele MirabassiFind albums by this artist. The album presents nine original compositions, composed (three each) by the trio members. The music is a delightful collection of sublime melodies, beautifully performed in a relaxed and intimate setting by Master musicians. Despite the presence of the electric bass, the aural atmosphere is completely acoustic and the superb recording allows hearing every little nuance and every note played. There are many musical influences, which produce the final result achieved here, like Classical Chamber Music and Folkloristic melody lines, all intertwined and correlated by these gifted musicians, who obviously enjoy immensely the mutual exchanges and playful attitude. There is a clear focus on the trialogue cooperation, rather than on individual soloing, but of course the album offers plenty of sublime and heartwarming performances, as expected from these Masters. The album was released on the Italian EGEAFind albums on this label label, which is one of several excellent Italian labels, which offer numerous British and British-Italian Jazz recordings, like CAM JazzFind albums on this label and several smaller ones, all of which are worth following for listeners interested in first class European Jazz recordings. Overall, this is a beautiful album, which offers profound musical energies full of typical European Jazz aesthetics and masterful playing by highly talented musicians. Perhaps a tad demanding for the average Jazz listener, but this is obviously a highly rewarding musical experience, which of course is wholeheartedly recommended.

Updated: 31/01/2023Posted: 31/01/2023

CD 1 Slipcase Recommend To A Friend

TAYLOR / WHEELER / DEL FRA ~ OVERNIGHT SKETCH 333022 (Barcode: 3700079700180) ~ UK ~ Jazz Recorded: 2001 Released: 2002 This is a wonderful and sadly little know album by a trio comprising of the British Jazz Masters, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist and veteran Italian (resident in Paris) bassist Riccardo Del FraFind albums by this artist. The album presents eleven original compositions, five by Wheeler, four by Taylor and two by Del Fra. The music (recorded in 2001) is sublimely lyrical and melodic, intimate and delicate, but fascinating from start to finish. In many respects it represents the last phase in the extensive creative lives of Taylor (who died in 2015) and Wheeler (who died in 2014) and reflects their decades long musical cooperation. Del Fra is an ideal partner for this intimate setting, with his superb technique and European sensitivities. All but three compositions present here do not appear on any other recordings, which makes this album even more unique. Well settled in their ways and majestically mature, Taylor and Wheeler bounce around single notes and phrases, like acrobats, obviously feeling happy about the emerging music. Del Fra provides a steady, yet virtuosic plane upon which the melodic content is free to move ahead, in perfect harmony. The trio´s approach is closer to "love making" with the music than consciously making an effort to articulate the notes, which is a delightful process. Overall this is an absolute gem of an album, which deserves a proud place in any serious European / British Jazz collection and is an essential must have for Taylor and Wheeler connoisseurs. Not easy to find these days but absolutely wholeheartedly recommended!

Updated: 19/03/2019Posted: 19/03/2019

CD 1 Digipak Recommend To A Friend

JOHN TAYLOR ~ 2081 CAM JAZZ 7889 (Barcode: 8052405141699) ~ UK ~ Jazz Recorded: 2014 Released: 2015 This is the last album by British pianist / composer John TaylorFind albums by this artist, recorded just a few months before his untimely passing. The recording was done in a quartet setting with two of Taylor´s sons: vocalist Alex TaylorFind albums by this artist and drummer Leo TaylorFind albums by this artist and tuba player Oren MarshallFind albums by this artist. The album presents six songs, all composed by John Taylor with lyrics by Alex Taylor, except one which has lyrics by John. The album´s title refers to a story by Kurt VonnegutFind albums by this artist, whose writings were a great inspiration for John Taylor. The music was originally commissioned by the BBC in 2012 for an octet, but nor recorded at the time, rearranged her for the quartet setting. This music and the ambience of this album are completely different from most other recordings by Taylor and might come as a great surprise to his followers. The lineup is basically a piano trio with the bass replaced by the tuba, not unheard of but certainly quite unusual and requires getting used to. The vocal parts are limited and as a result most of the music is performed by the trio. Stylistically the music is very much in the usual John Taylor mold, full of beautiful melodies and lyricism, but the presence of the tuba and somewhat more Rock than Jazz oriented drumming contribute to create an unusual sound and ambience. Vocals are of course a part of Taylor´s legacy from the early days and his cooperation with Norma WinstoneFind albums by this artist and other vocalist attests to this wonderfully. Alex Taylor handles his parts with obvious heartfelt emotions and vocal ability. Marshall plays the "bass" part brilliantly, but also adds melodic phrases and occasionally solos splendidly. Taylors piano playing, which is as always the focus of the entire album, is of course as brilliant as always. Overall this is another brilliant addition to Taylor´s recording legacy and the participation of his sons symbolized the passing of the torch to the next generation, although definitely way too prematurely. This album is a must to all his followers and obviously a worthy addition to any British Jazz collection.

Updated: 23/10/2020Posted: 23/10/2020

CD 1 Recommend To A Friend

JOHN TAYLOR ~ ANGEL OF THE PRESENCE CAM JAZZ 7778 (Barcode: 8024709777829) ~ UK ~ Jazz Recorded: 2004 Released: 2005 This is the debut album by the last trio led by British Jazz pianist / composer John TaylorFind albums by this artist with Swedish bassist Palle DanielssonFind albums by this artist and British drummer Martin FranceFind albums by this artist. The album presents eight pieces, four composed by Taylor and two each by Kenny WheelerFind albums by this artist and Steve SwallowFind albums by this artist. The music was recorded "live in the studio" at the fabulous Bauer Studios in Ludwigsburg and offers a sublime sound quality. The trio recorded four albums between 2004 and 2006, which are all breathtakingly beautiful and constitute a pinnacle of Taylor´s recording career in the last period of his life ending with his premature death in 2015. The music is a classic example of Jazz piano trio mastery, which has but a few equals in the Century long history of Jazz music. Just a few other great trios managed to find a perfect balance between the piano and the rhythm section, like the one offered here. With each and every note perfectly audible and perfectly uttered, the music becomes a flux of emotional and intellectual stimulation of the highest possible level. Taylor´s playing was always a fountain of lyricism, and with age his touch of the keyboard become somewhat more sparing as if each note meant everything there was to say at a given moment. Of course the trio became a perfect vehicle as a result of common respect and telepathic understanding between all three members, becoming way more than just the sum of its ingredients. Danielsson and France become natural extensions of Taylor´s musical personality, and the unison proves to be unbeatable. The choice of material reflects Taylor´s lifelong friendships with Wheeler and Swallow and their common creative legacy well documented on their recordings together, which of course are highly recommended. Overall this is one of the finest Jazz piano trio recordings, not only in Taylor´s discography, but in Jazz history in general, which means it truly is an indispensable ingredient of any serious music collection. Absolutely essential!

Updated: 05/09/2020Posted: 05/09/2020

CD 1 Essential Recommend To A Friend

JOHN TAYLOR ~ DECIPHER MPS 4029759124252 (Barcode: 4029759124252) ~ UK ~ Jazz Recorded: 1973 Released: 2017 This is a reissue (first time on CD) of the second album by iconic British Jazz pianist / composer John TaylorFind albums by this artist and his only album released on the MPSFind albums on this label label. The album was recorded in a classic piano trio setting with bassist Chris LaurenceFind albums by this artist (misspelled Lawrence on the albums artwork, which happened often) and drummer Tony LevinFind albums by this artist. The album presents six original compositions, all by Taylor. The album is a continuation of Taylor´s music recorded on his debut album "Pause, And Think Again", recorded a couple of years earlier, but the intimate trio format, as opposed to the larger ensemble with brass players featured on the debut, allows him to focus primarily on presenting his skills as a composer and pianist. The music is a phenomenal display of modern British / European Jazz which combines the Jazz tradition with modernism and European tradition, which flourished tremendously at the time this music was recorded. The amalgam of melodic themes with complex improvisation reaches here an artistic apogee, present only on the absolute top recordings of the period. Laurence and Levin, who also played on the debut album, are ideal partners in this endeavor. Although both still young at the time, they were an integral part of the burgeoning British Jazz scene and their contributions to the development of the genre are immeasurable. The ability to keep time and at the same time allow for time fluctuations and rhythmic irregularity, always back to straight time like clockwork, is absolutely exceptional. In retrospect this album epitomizes the role of the piano trio in modern European Jazz and is absolutely as valid and precious today as it was at the time of its recording. It is a completely essential piece of history and a milestone statement, which should be cherished and remembered. The fact that it is available again is a major reason to celebrate by Jazz connoisseurs of all ages. It is hard to imagine any serious British Jazz collection without this gem! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted: 23/02/2018

CD 1 Mini-Sleeve Remastered Essential Recommend To A Friend

JOHN TAYLOR ~ GIULIA`S THURSDAYS CAM JAZZ 7847 (Barcode: 8052405140463) ~ UK ~ Jazz Recorded: 2006 Released: 2012 This is the final of four albums recorded by British pianist / composer John TaylorFind albums by this artist and his last trio with Swedish bassist Palle DanielssonFind albums by this artist and British drummer Martin FranceFind albums by this artist for the Italian CAM JazzFind albums on this label label. Although recorded at the wonderful Bauer Studios in Ludwigsburg in 2006, it was released only six years later, preceded by "Angel Of The PresenceFind albums with this title", "WhirlpoolFind albums with this title" and "Requiem For A DreamerFind albums with this title". The album is very unusual, since instead of Taylor playing his own compositions or compositions by his fellow Jazz musicians, this time he offers his interpretations of music composed by the wonderful Italian cinematic composer Carlo RustichelliFind albums by this artist. The albums presents nine pieces, eight being themes used in Italian films and one in a TV series, which gave the album its title, all composed by Rustichelli. The highly romantic, lyrical music suits Taylor perfectly and the trio´s treatments are superb examples of the classic Jazz piano trio Artistry. Although Taylor was equally capable of exploring more adventurous ground, his tone and delicate touches on the keyboard are completely unique and accompanied by these two first class musicians the music is able to soar high and far also within the melodic environment. Taylor´s untimely death in 2015 deprived all British / European Jazz lovers of one of its greatest talents, the only consolation being his relatively extensive recording legacy both as a leader and a sideman, of which this album is a prime example. For the many connoisseurs of Taylor´s music this album is an essential addition to their collection, but every Jazz piano trio lover, British or otherwise, should find this absolutely irresistible. A Holy Grail of the genre, if there ever was one…

Updated: 18/10/2020Posted: 18/10/2020

CD 1 Recommend To A Friend

JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

JOHN TAYLOR ~ PHASES CAM JAZZ 7816 (Barcode: 8024709781628) ~ UK ~ Jazz Recorded: 2006 Released: 2009 This is a solo piano album by the British Jazz pianist / composer John TaylorFind albums by this artist. It is the second of three solo piano albums Taylor recorded for the Italian CAM JazzFind albums on this label label, which followed the "Songs And VariationsFind albums with this title" album and preceded the "In Two MindsFind albums with this title" album. The album presents twelve pieces, eleven of which were composed by Taylor and one by Kenny Wheeler. The music was recorded at the famous Bauer Studios in Ludwigsburg, and was released only three years after it was recorded. The music is, as usual, a sublime expression of Taylor´s sublime lyricism and his ability to weave beautiful melodies, which are simply irresistible. Each of these relatively short pieces is a story in itself, full of wonderful harmony and aesthetic perfection, rarely achieved by others. The piano playing is no less impressive, full of delicate touches on the keyboard and dynamic versatility worthy of Masters. Taylor´s unique approach to the piano is idiosyncratic enough to be immediately recognizable by his admirers and naturally his solo piano recordings are the best opportunity to be exposed to his unparalleled artistry. Together with the a.m. two solo piano albums, this is some of the finest Jazz music in general and Jazz solo piano recordings in particular, and Taylor´s many connoisseurs will find it as an essential part of their music collection. His untimely passing in 2015 delivered an enormous blow to British Jazz, especially since Taylor was still very much in his prime at the time. The only solace is the relatively extensive recorded legacy he left for all of us to enjoy and cherish, of which this album is an essential part.

Updated: 12/10/2020Posted: 12/10/2020

CD 1 Recommend To A Friend

JOHN TAYLOR ~ REQUIEM FOR A DREAMER CAM JAZZ 7834 (Barcode: 8052405140111) ~ UK ~ Jazz Recorded: 2008 Released: 2011 This is an album by British pianist / composer John TaylorFind albums by this artist recorded with his last trio with Swedish bassist Palle DanielssonFind albums by this artist and British drummer Martin FranceFind albums by this artist, on this album expanded to a quartet with the addition of the British saxophonist Julian ArguellesFind albums by this artist. The album was recorded at the legendary Bauer Studios in Ludwigsburg and although recorded in 2008 was only released in 2011. The album presents a seven-part suite composed by Taylor. The music, commissioned in 2007, was debuted and then recorded a year later. It is based on Taylor´s admiration of the works by American Science-Fiction author Kurt VonnegutFind albums by this artist, with the titles of the suite´s parts referencing to various works by Vonnegut, as described by Taylor in the album´s liner notes. The music, as expected, is a marvelous showcase of Taylor´s idiosyncratic compositional abilities, which have been his trademark for the duration of his entire career. A superb symbiosis of Romanticism, unique approach to Jazz and marvelous sense of harmony were always present within his music, which he, luckily for his followers, created prolifically over the years for his own recordings but also for many other Jazz musicians, British and others. Taylor´s death in 2015 was a devastating blow not only to the British Jazz community, but to the worldwide circle of Jazz lovers, as his presence on any recording was always a seal of the highest quality achievable. The Taylor / Danielsson / France trio recorded three additional albums between 2004 and 2006: "Angel Of The PresenceFind albums with this title", "WhirlpoolFind albums with this title" and "Giulia`s ThursdaysFind albums with this title", all of which are also absolutely marvelous and worth having. Overall this is an absolute must in any serious music collection and a most enjoyable listening experience, which can be repeated time after time with no fear of disappointment. It is unbelievable that it´s been five years since John left us in the void…

Updated: 03/07/2020Posted: 03/07/2020

CD 1 Recommend To A Friend

JOHN TAYLOR ~ ROSSLYN ECM 1751 (Barcode: 601215992427) ~ UK ~ Jazz Recorded: 2002 Released: 2003 Despite the fact that British pianist / composer John TaylorFind albums by this artist appears on dozens of albums released by the German ECMFind albums on this label label, this is the only one released under his name. Recorded in a classic Jazz piano trio setting with American bassist Marc JohnsonFind albums by this artist and drummer Joey BaronFind albums by this artist. It is the trio’s only recording, captured at the fabulous Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist, offering a stunning sound quality. The album presents seven tracks, five of which are original compositions by Taylor, one is by his lifetime brother in arms Kenny WheelerFind albums by this artist and finally one is a standard. The music presents mostly the poetic, deeply lyrical side of Taylor’s personality, both as composer and performer. The compositions are mostly melody based, but offer a long stretches of open space, which allow less rigor and allows creative freedom. Taylor is ab absolute focus of the album, with the rhythm section being utterly respective and restrained, accompanying the piano delicately, but with great thoughtfulness and taste. This approach adds to the delicate atmosphere, which is almost meditative at times, emphasizing the “less is more” approach. The album celebrated Taylor’s 60th birthday and was perhaps one of his most reflective moments in his long standing career, with every note perfectly articulated and the melodies full of the unique Englishness, which always characterized Taylor’s music. In retrospect it is definitely one of his best recordings of all time, and an absolute must in any decent British Jazz collection. Overall this is an absolute classic Jazz album in every respects and an absolute ultimate Jazz piano trio recording in many respects, which should serve as an example of what Jazz is all about, and the perfect combination of melody and freedom. Absolutely essential!

Updated: 02/04/2021Posted: 02/04/2021

CD 1 Slipcase Essential Recommend To A Friend

JOHN TAYLOR ~ SONGS AND VARIATIONS CAM JAZZ 7772 (Barcode: 8024709777225) ~ UK ~ Jazz Recorded: 2004 - 2005 Released: 2005 This is a solo piano album by British Jazz pianist / composer John TaylorFind albums by this artist and his debut release on the Italian CAM JazzFind albums on this label label, which released all his recordings in the last in the last decade of his career up to his untimely passing in 2015. This is the first of three solo piano albums he recorded for the label, and was followed by "PhasesFind albums with this title" and "In Two MindsFind albums with this title". The music was recorded at two of the leading European studios: Artesuono (in 2004) and the fabulous Bauer Studios in Ludwigsburg (in 2005) and offers a sublime sound quality. The album presents eleven relatively short pieces, all composed by Taylor. Taylor was blessed not only with a magic touch as a pianist, but also with immense songweaving ability, which placed him on a separate level from most of his contemporaries on the British / European scene. His melodies were always incredibly lyrical, almost sweet, but never corny, lightly touching on the heart´s chords but leaving the deepest of impressions. As a solo piano player he managed to create a magic atmosphere of intimacy between his notes and the listener, which easily bridges over the non-trivial musical ideas, which always sounded perfectly natural in spite of their complexity. There was also always something very "British" about his music, a notion impossible to be explained by words but immediately recognizable to many British Jazz enthusiasts. These pieces sound different every time one listens to them, sometimes merry, sometimes sad, but always beautifully embracing and immediate. In over five decades of listening to his music Taylor always managed to capture my heart unconditionally, and his solo piano recordings are amongst my absolutely favorite musical experiences. Overall this is one of the finest Jazz solo piano trio recordings, not only in Taylor´s discography, but in Jazz history in general, which means it truly is an indispensable ingredient of any serious music collection. Absolutely essential!

Updated: 11/10/2020Posted: 09/09/2020

CD 1 Recommend To A Friend

JOHN TAYLOR / CREATIVE JAZZ ORCHESTRA ~ EXITS AND ENTRANCES OH NO! 1001 (Barcode: 5017771113025) ~ UK ~ Free Jazz / Improvised Music Recorded: 1997 Released: 2001 This is an album by legendary British pianist / composer John TaylorFind albums by this artist recorded with the Creative Jazz OrchestraFind albums by this artist, which for this recording was a septet comprising of saxophonists Julian ArguellesFind albums by this artist and Andy SchofieldFind albums by this artist, clarinetist Iain DixonFind albums by this artist, trombonist Liam KirkmanFind albums by this artist, tuba player Oren MarshallFind albums by this artist, guitarist David ChevallierFind albums by this artist and drummer Steve ArguellesFind albums by this artist. The album presents nine original compositions, all by Taylor. The music was commissioned by the Creative Arts Orchestra and the album was produced by the orchestra´s founder Nick PurnellFind albums by this artist, who also released this album on his own label Oh No!Find albums on this label, which turned out to be the only album released by that label. The music is a wonderful modern Jazz, based on Taylors themes but very open to improvisations by the orchestra, which often develop into conversations between duos, trios and quartets within the octet and come together to the full octet lineup only during the conclusions of the pieces. The bass parts, which are replaced by the tuba, change the entire rhythm section perception and leave the main rhythmic concept of the pieces to be driven by the drums. In many respects this album is one of the most open / improvised recordings by Taylor, who is usually associated with the typical British long melodic processions. There is till plenty of that in the music, but it is much more fragmented and loosely associated, which for lovers of Improvised Music is absolutely delightful. In retrospect this is one of the least known recordings by Taylor, which of course is criminally unjustified. At the time this music was recorded British Jazz almost entirely said farewell to Free Jazz / Improvised Music, which characterized the genre just a couple of decades earlier, and is a superb reminder of the fact, that Avant-Garde music can be not only extraordinary inventive but at the same time also insanely beautiful. Overall this is a wonderful album, which presents Taylor at his very best both as a pianist and even more so as a composer. Surrounded by some of the best British players at the time, Taylor managed to produce a monumental piece of ensemble music, which lost absolutely nothing of its power and beauty over time. For his many fans, as well as connoisseurs of British Jazz and collectors, this is a true marvel!

Updated: 12/04/2019Posted: 02/04/2019

CD 1 Recommend To A Friend

JOHN TAYLOR SEXTET ~ FRAGMENT JAZZ IN BRITAIN 32 (Barcode: 5060774190326) ~ UK ~ Jazz Recorded: 1975 Released: 2022 This is a reissue / remaster of the album recorded by the British pianist / composer John TaylorFind albums by this artist and his sextet, which also included trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The album was originally released on cassette only on the legendary JaguarFind albums on this label label, owned by pianist / composer Gordon BeckFind albums by this artist. The album presents eight original compositions, all by the leader. The music is a superb example of the iconoclastic British Jazz, which reached its peak in the mid-1970s after several years of dramatic development, which characterized the scene since the late 1960s. The British Jazz managed to crystalize its very own sound and feel, which was instantly recognizable, even though it encompassed an astonishing variety of musical styles, ranging from almost mainstream / melody based Jazz to extreme Avant Garde. Of course those individuals / ensembles, which knew how to embrace both the charm of a beautiful melody and the powerful expressiveness of complex improvisation, like the sextet present on this recording, were the most effective. The six individuals playing here were all top British Jazz Artists at the time, each with his own rich legacy already in place by the time this music was recorded. It was an “all stars” ensemble by any standard, but of course there was nothing extraordinary about it, as almost every other ensemble on the scene at the time could be also acknowledged as an “all stars” gathering, since the scene was literally exploding with talent and activity. Over the years John Taylor created an immense body of Jazz compositions and an extensive recorded legacy, which reflect his sublime ability to weave an intricate, yet romantic melody. His life-long cooperation with Wheeler, widely documented on record, was one of the most fruitful Jazz engines in retrospect, but no Taylor discography could be complete without this particular album, which for so many years remained a hidden secret shared by the British Jazz fanatics. The fact that it is now reissued is a true milestone for the excellent Jazz In BritainFind albums on this label label, which never ceases to surprise and delight those of us, who truly love this music. Overall, this is a monumental release as far as British Jazz is concerned, closing a major gap in so many record collections of dedicated fans, all of which are both happy and grateful. The great talent of Taylor, the superb performances by Wheeler and the rest of the sextet members, and most importantly the everlasting magic of the music, which is every bit as fresh as it was at the time it was recorded, all come together to create a “crown jewel” of an album, which no British Jazz fan can ignore. Thank you Gentlemen for your labor of love, which we all enjoy.

Updated: 13/07/2022Posted: 13/07/2022

CD 1 Digipak Remastered Recommend To A Friend

JOHN TAYLOR / JOHN SURMAN ~ AMBLESIDE DAYS AH UM 013 (Barcode: 5017771100223) ~ UK ~ Jazz Recorded: 1992 Released: 1992 This is an insanely beautiful album by the duo of British Jazz Giants: pianist / composer John TaylorFind albums by this artist and saxophonist / clarinetist John SurmanFind albums by this artist. The album presents eight original compositions, all by Taylor. As if the presence of Taylor and Surman was not enough to make this album perfect, the music was recorded at the legendary Rainbow Studio in Oslo with the brilliant Jan Erik KongshaugFind albums by this artist at the helm, which results in a sublime sound quality and clarity. The music is everything one might expect from these two Masters; Taylor has been one of the greatest songweavers of British Jazz and the compositions present here are surely among his best ever. The intimate duos with Surman, who by playing the soprano and baritone saxophones and alto and bass clarinets is able to create a plethora of diverse moods and ambiences, which turn these pieces into fully developed musical vistas, which express a whole world of music despite the fact of being "just" duets. The telepathic conversations between Taylor and Surman are mind blowing and serve as a classic example of the "Art Of The Duo" idiom, which is one of the most challenging as much as rewarding Jazz environments. The album is sadly criminally obscure among the British Jazz fans and collectors. It was released on the short lived Ah UmFind albums on this label label founded by musician / producer Nick PurnellFind albums by this artist, which in the early 1990s released sixteen superb albums, all of which are treasures of the British Jazz legacy. Although quite difficult to find today, they are all worth pursuing and highly recommended. For Taylor and Surman connoisseurs this is of course an absolute must have, but all true Jazz lovers should find this an absolute masterpiece and an essential part of any serious European Jazz collection. Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 30/03/2019

CD 1 Recommend To A Friend

TORTO / TAYLOR / JORMIN ~ TRIANGOLI ASTARTE 002 (Barcode: 8015948301951) ~ ITALY ~ Jazz Recorded: 2008 Released: 2009 This is a criminally little known album by the European Jazz trio, which comprises of Italian vocalist / composer / lyricist Diana TortoFind albums by this artist, British pianist / composer John TaylorFind albums by this artist and Swedish bassist / composer Anders JorminFind albums by this artist. The album presents eleven songs, two composed by Torto, who also contributed lyrics to four of the songs, three by Taylor, four by Jormin and the remaining two are b other composers. The music is insanely beautiful, which is hardly surprising considering the presence of two sublime European instrumentalists and less know but highly talented vocalist, who seems to have no limit in her upper tonal range and is able to sing lyrics and vocalese with the same ease and elegance. The music is highly melodic and mostly almost romantic, perfectly handled by the trio from one tune to the next, creating an uplifting musical continuity, which one never wants to end. Taylor’s delicate touches of the keyboard and Jormin’s beautiful and perfectly harmonious bass lines supply the perfect accompaniment to Torto’s vocal acrobatics, and together they are simply irresistible. Considering the fact that almost all of the material is original, this album offers by far more excitement and aesthetic pleasures, than a recording of well-known standards, although all the compositions are certainly as good as any standard out there, which again is not surprising considering the level of composition abilities by Taylor and Jormin. Overall, this is an instant classic, which truly deserves to be heard. Sadly, it seems to be completely obscure even to the most devoted Taylor fans out there. I wholeheartedly recommend looking for a copy, which are still floating around, as this is definitely too good to be forgotten. Great stuff!

Updated: 08/03/2023Posted: 08/03/2023

CD 1 Recommend To A Friend

COLIN TOWNS ~ BOLT FROM THE BLUE PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz Recorded: 1990 - 1991 Released: 1991 The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.

CD 2 Recommend To A Friend

ERIC VLOEIMANS ~ BITCHES AND FAIRY TALES CHALLENGE 70061 (Barcode: 608917006124) ~ NETHERLANDS ~ Jazz Recorded: 1998 Released: 2010 This is the third album as a leader by Dutch trumpeter / composer Eric VloeimansFind albums by this artist recorded with the dreamy trio comprising of British pianist John TaylorFind albums by this artist and American bassist Marc JohnsonFind albums by this artist and drummer Joey BaronFind albums by this artist, which recorded the great album "RosslynFind albums with this title" for ECMFind albums on this label a few years later. The album presents thirteen original compositions, ten composed by Vloeimans and three short interludes co-composed by him and Taylor. The music is brilliant modern European Jazz, based on open compositions, which allow the quartet to improvise intensively, at times quite freely, and to utilize polyrhythmic structures, which the rhythm section wizardly carries on. The music is diverse and highly interesting from start to finish, and in retrospect this is one of the most interesting European Jazz recordings of the 1990s. Vloeimans and Taylor manage to create a superb synergy, which also characterized the work of Taylor with Kenny WheelerFind albums by this artist, and Vloeimans´ trumpet playing bears many similarities to the idiosyncratic style of Wheeler. Interestingly the American rhythm section displays completely non-American aesthetics, which sets it apart from most rhythm sections originating in the US, and which enables the sublime musical atmosphere created on this album, ideally suited to the two Europeans on board. Of course they are not the only example of American rhythm sections free of the decades-long clichés cemented by Bebop, but they are certainly a most welcome exception. This music lost absolutely nothing of its power and originality over time and still sounds as interesting and fresh as it did at the time it was recorded. Taylor´s enthusiasts will wind his work here as brilliant as ever and since the album seems to be still available, it´s about time to grab a copy – satisfaction guaranteed!

Updated: 02/10/2020Posted: 02/10/2020

CD 1 Recommend To A Friend

ERIC VLOEIMANS ~ UMAI CHALLENGE 70087 (Barcode: 608917008722) ~ NETHERLANDS ~ Jazz Recorded: 2000 Released: 2000 This is the fourth album by Dutch trumpeter / composer Eric VloeimansFind albums by this artist recorded in a quartet setting with British pianist John TaylorFind albums by this artist, Italian bassist Furio Di CastriFind albums by this artist and American drummer Joe LaBarberaFind albums by this artist. It is his second recording with Taylor following the "Bitches And Fairy TalesFind albums with this title" album recorded a couple of years earlier. The album presents thirteen tracks, nine of which are original compositions by Vloeimans. The music is typical modern European Jazz, based on excellent compositions, which are melody driven but open enough to allow intensive interplay between the quartet members and extensive improvisations. The individual compositions present a diverse palette demanding serious listening involvement, but are aesthetically rewarding and interesting. The four musicians are highly regarded instrumentalists, which of course is plainly obvious from the very first notes. Vloeimans takes most of the soloing duties upon himself, with Taylor staying relatively in the background, with only occasional soloing, but his beautiful piano accompaniment parts are an integral part of the entire musical fabric. The rhythm section is fully involved in the interplay and both Di Castri and LaBarbera solo occasionally, showing their respective chops. At times the music bring fond memories of the music made by Taylor with his friend and long time collaborator Kenny WheelerFind albums by this artist, which of course is a feast to the listeners´ ears. Overall this is an excellent modern Jazz album, full of great music and excellent performances, which should keep any connoisseur of European Jazz happy and although recorded some twenty years ago, still sounds great today!

Updated: 02/10/2020Posted: 31/08/2020

CD 1 Recommend To A Friend

MIKE WESTBROOK ~ METROPOLIS BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz Recorded: 1971 Released: 1999 If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!

CD 1 Remastered Essential Recommend To A Friend

KENNY WHEELER ~ A LONG TIME AGO ECM 1691 (Barcode: 731454719025) ~ UK ~ Jazz Recorded: 1997 - 1998 Released: 1999 This is the 8th and so far the last ECMFind albums on this label album by the great British trumpeter / composer Kenny WheelerFind albums by this artist. Subtitled "Music for Brass Ensemble and Soloists", this outstanding album presents a set of Wheeler´s magnificent compositions, including two suites, performed by a Brass octet and three soloists – himself on trumpet, pianist John TaylorFind albums by this artist and guitarist John ParricelliFind albums by this artist. With no rhythm section, the music sounds quite different than one might have expected from a large ensemble, but in Wheeler´s hands it all works like magic, which of course is hardly surprising. Multi-layered melody lines and intricate arrangements don´t stay in the way of the listener to enjoy every note of this music, which is most warmly recommended for most people with a taste for adventure and a sense of aesthetics. Not to be missed!

CD 1 Slipcase Recommend To A Friend

KENNY WHEELER ~ DOUBLE, DOUBLE YOU ECM 1262 (Barcode: 042281567520) ~ UK ~ Jazz Recorded: 1983 Released: 1984 This is the 4th recording on the legendary ECMFind albums on this label label by the outstanding British trumpeter / composer Kenny WheelerFind albums by this artist. After recording several albums as a leader and countless others as a sideman and being an integral part of the British modern Jazz revolution in the UK in the 1960s / 1970s, Wheeler slowly expanded his international career. Accompanied by British musicians: pianist John TaylorFind albums by this artist and bassist Dave HollandFind albums by this artist and American musicians: saxophonist Michael BreckerFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist, the quintet plays just four original compositions by Wheeler, one of which is an extended suite over 23 minutes long. The performances are of course stellar and the album is a timeless classic and an essential piece of Jazz history. From the almost 30 years perspective this music gets better with time, remaining not only beautiful, but also eternally valuable. Essential!

CD 1 Essential Recommend To A Friend

KENNY WHEELER ~ KAYAK AH UM 012 (Barcode: 5017771001223) ~ UK ~ Jazz Recorded: 1992 Released: 1992 This is a criminally little known album by the celebrated British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, released on the short-lived and sadly forgotten Ah UmFind albums on this label Records, owned by Nick PurnellFind albums by this artist. Wheeler leads a splendid ensemble, which comprises of the absolute crème de la crème of the British Jazz scene at the time: saxophonists Stan SulzmannFind albums by this artist and Julian ArguellesFind albums by this artist, French horn player John RookFind albums by this artist, trombonists Dave HorlerFind albums by this artist and Dave StewartFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Chris LaurenceFind albums by this artist and American drummer Peter ErskineFind albums by this artist. Trombonist Chris PyneFind albums by this artist and pianist John HorlerFind albums by this artist are added on the four last tracks only. The album presents seven Wheeler originals, the last four of which create a suite. All the music was recorded during a one-day session, which is absolutely amazing considering the complexity of the arrangements, but of course all these musicians were absolute Masters of the trade. The music is obviously absolutely brilliant, as everything Wheeler ever created and most of it was never recorded by Wheeler again with other ensembles. He briefly describes the origin of all the compositions on the album in the liner notes, one of which is a wonderfully crafted tribute to Chick CoreaFind albums by this artist´s compositions, a rather unlikely connection, but nevertheless true. The playing is of course also magnificent from start to finish, with plenty of wonderful solos by the participants and a superb ensemble performance, typical of British Jazz at its absolute best. The music was also excellently recorded with wonderful separation and perfect sound quality, which of curse enhances the listening pleasure even more. Overall this is lost perfect gem which deserves a proud place in any serious British Jazz collection, and although quite difficult to come by these days, it is by all means worth the effort needed to hunt for it. Essential Kenny Wheeler! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 16/03/2019

CD 1 Recommend To A Friend

KENNY WHEELER ~ MUSIC FOR LARGE & SMALL ENSEMBLES ECM 1415/16 (Barcode: 042284315227) ~ UK ~ Jazz Recorded: 1990 Released: 1990 Trumpeter / composer Kenny WheelerFind albums by this artist has been one of the great pillars of the British and international Jazz scene for five consecutive decades. His role as one of the most creative protagonists of the British / European Jazz revolution in the 1960s / 1970s was invaluable, but Wheeler continued his seemingly endless streak of creativity into the 21st Century, staying relevant and up to date, with very few rivaling forces of his magnitude. This album, in retrospect, is in many respects a pinnacle of his recording career and firmly belongs to the exclusive club of the top Jazz recordings of all time. Wheeler present here some of his best and most ambitious compositions, both as a composer for a large Jazz orchestra and a small Jazz combo, like the quintet featured here. The list of names of the participating musicians – all 19 of them – reads like the who´s who of modern British Jazz with a couple of American guests (guitarist John AbercrombieFind albums by this artist and drummer Peter ErskineFind albums by this artist) added for good measure. Pianist John TaylorFind albums by this artist, his wife the divine vocalist Norma WinstoneFind albums by this artist, bassist Dave HollandFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, trombonist Paul RutherfordFind albums by this artist and saxophonist Stan SulzmannFind albums by this artist are just the more familiar of these names. The music is of course heavenly, regardless of the large or small format, both melodically, harmonically and structurally. Wheeler emerges as a Master composer and bandleader and the resulting music is a source of immense pleasure, both aesthetically and intellectually. This is a masterpiece and an essential piece of music, which is a worthy addition to any serious music library. Beyond essential! Visitors' Comments Christopher  Brice Truly (and surprisingly) "Essential"; I generally avoid large ensembles, but this is different as the individual voices of the specific participants were planned for and can be clearly heard

CD 2 Essential Recommend To A Friend

KENNY WHEELER ~ ONE OF MANY CAM JAZZ 5042 (Barcode: 016728504225) ~ UK ~ Jazz Recorded: 2006 Released: 2011 This is an intimate trio recording by the British trumpeter / composer Kenny WheelerFind albums by this artist with his lifelong musical partner British pianist John TaylorFind albums by this artist and American bassist Steve SwallowFind albums by this artist (who plays electric bass). The three veterans play nine original compositions, all by Wheeler (one of which is repeated twice in duo and trio versions). The music was exquisitely recorded at the legendary Bauer Studio in Ludwigsburg (Germany) in 2006 but released only five years later. A year earlier (2005) Wheeler recorded three albums in the same studio: a quartet date "What Now?Find albums with this title", a duo with Taylor and a string quartet "Other PeopleFind albums with this title" and another duo with Taylor "On The Way To TwoFind albums with this title", all released on the Italian CAM JazzFind albums on this label label. The music is typical "chamber" Wheeler setting, with the emphasis on his melodic ballad compositions. As always, the music is superbly executed by the telepathic Wheeler / Taylor duo, which this time gets a wonderful rhythmic and harmonic support from Swallow. His bass guitar often sounds here like a guitar and its beautiful tone adds another layer to the usual duo performances. In fact this is probably one of the most beautiful recordings by Swallow, who after all appears on hundreds of albums. Aged 76 at the time of the recording, Wheeler is in perfect control of his instrument and his playing technique, delivering clear and moving statements like only he could, without trying to dazzle. His intrinsic modesty and honesty are behind his strength and power of expression. The collected Kenny Wheeler recordings released on the CAM label document the wonderfully fruitful period of his long career, which sadly was also his last. They present a portrait of a mature Artist, who played the music he loved, accompanied by superb musicians, whom he respected and trusted. It is also a wonderful portrait of the mature European Jazz at its best, full of finesse, elegance and sophistication, a music Wheeler was a great pioneer of five decades earlier. This is an instant and timeless Jazz classic of course, a piece of music one can relay on every time it is played, regardless of how many times one has already listened to it. An absolute must!

Updated: 10/04/2020Posted: 22/09/2018

CD 1 Recommend To A Friend

KENNY WHEELER ~ OTHER PEOPLE CAM JAZZ 7801 (Barcode: 8024709780126) ~ UK ~ Jazz-Classical Fusion Recorded: 2005 Released: 2008 This is the fifth album for the Italian CAM JazzFind albums on this label label by the British trumpeter / composer Kenny WheelerFind albums by this artist and one of three albums recorded in late 2005 at the legendary Bauer Studio in Ludwigsburg. Wheeler is accompanied by his faithful musical partner, British pianist John TaylorFind albums by this artist, and although Taylor appears as a "guest" here, this is as much a duo album as the other duo album recorded at the time, entitled "On The Way To TwoFind albums with this title". The major difference is of course the presence of the Austrian Hugo Wolf String QuartetFind albums by this artist, which marks the first time Wheeler recorded with a string quartet. The album presents eight original compositions, all composed by Wheeler and including his string arrangements. Two of the compositions do not feature his trumpet and are entirely string quartet pieces. Aged 75 at the time of the recording, Wheeler proves that he is as vital and searching as a young musician and his handling of the string quartet both as a composer and an arranger is truly exceptional, showing his versatility and immense talent, which of course is nothing new to his followers. All the music, both the Jazz oriented pieces and the more Classical ones, are exquisite as are the performances, and the album, especially due to the presence of the string quartet, is an important and unique piece of Wheeler´s legacy. Taylor´s contributions on this album are by no means secondary, and his essential piano harmonies and delicate finger work are an indispensable part of the music. The exceptional musical combination of the talents of these two Giants is a wonderful example of the "Art of the Duo" idiom. Overall this is a lyrical, deeply melodic music, which ignores stylistic conventions and offers an exceptional cross-genre musical experience, which is a delight from start to finish. Wheeler delivers yet another masterpiece in the long chain of his masterful recordings and the album is an absolute must to Wheeler / British Jazz aficionados. Not to be missed!

Updated: 10/04/2020Posted: 24/07/2018

CD 1 Recommend To A Friend

KENNY WHEELER ~ THE WIDOW IN THE WINDOW ECM 1417 (Barcode: 042284319829) ~ UK ~ Jazz Recorded: 1990 Released: 1990 This is the 6th recording on the legendary ECMFind albums on this label label by the outstanding British trumpeter / composer Kenny WheelerFind albums by this artist. It was recorded at the same sessions, which produced the marvelous "Music For Large & Small EnsemblesFind albums with this title" album with the same core musicians: British pianist John TaylorFind albums by this artist and bassist Dave HollandFind albums by this artist and American guitarist John AbercrombieFind albums by this artist and drummer Peter ErskineFind albums by this artist. The quintet plays six original compositions by Wheeler, all of which are painfully beautiful and deeply moving. The performances are of course stellar and the album is a timeless classic and an essential piece of Jazz history. From the 20 years perspective this music gets better with time, remaining not only beautiful, but also eternally valuable. Essential!

CD 1 Essential Recommend To A Friend

KENNY WHEELER / JOHN TAYLOR ~ ON THE WAY TO TWO CAM JAZZ 5054 (Barcode: 016728505420) ~ UK ~ Jazz Recorded: 2005 Released: 2015 This is an exquisite duo album by two British Jazz icons: trumpeter / composer Kenny WheelerFind albums by this artist and pianist / composer John TaylorFind albums by this artist. Starting in 2004, Wheeler and Taylor recorded together on many occasions for the Italian CAM JazzFind albums on this label label, commencing with their debut duo album for the label, entitled "Where Do We Go From Here?Find albums with this title". In 2005 Wheeler recorded the album "What Now?Find albums with this title" in a quartet setting which included Taylor, and also the second duo album for the label with Taylor (recorded with a string quartet) entitled "Other PeopleFind albums with this title". But ten years later the label announced that another duo album was recorded by the two musicians that year, so far unreleased, and it was decided to release it to commemorate the first anniversary of Wheeler´s untimely passing. Taylor, who wrote a moving epitaph in memory of Wheeler for the album´s liner notes, tragically died shortly before the album was released, which made this album a tribute to them both. The album offers ten tacks, nine of which are original compositions (five by Wheeler, three by Wheeler and Taylor and one by Taylor) and one is a standard. In retrospect the collaboration between Wheeler and Taylor proved to be one of the most lasting and incredibly fruitful relationships in British / European Jazz. Although it spans many stylistic variations and settings, including the legendary AzimuthFind albums by this artist trio with Norma WinstoneFind albums by this artist, Wheeler and Taylor always complimented each other wonderfully, displaying typical European aesthetics and artistic finesse. Their collected recorded legacy is an incredible treasure chest of musical wonders and the essence of Jazz as a creative and developing idiom. The music on this album continues the trumpet / piano dialogue, which these two musicians simply brought to perfection. Beyond the melodic and harmonic beauty of the music, there is also the incredible personal rapport, the mutual respect and the obvious friendship, all exquisitely reflected in the music. Although released posthumously, this album is one more piece of the wondrous puzzle Wheeler and Taylor managed to construct in their lifetime, for all of us to enjoy and cherish. They both were magic song weavers of rare quality, and the world became sadly less livable with their passing. This is definitely a must have for all Wheeler / Taylor many connoisseurs all over the world, a missing crown jewel and a proverbial cherry on the top. Don’t even think about it twice, just grab it!

Updated: 10/04/2020Posted: 19/06/2018

CD 1 Recommend To A Friend

WINSTONE / WHEELER / FRESU / TAYLOR / DAMIANI / OXLEY ~ LIVE AT ROCCELLA JONICA SPLASC(H) 508 (Barcode: 716642050821) ~ UK ~ Jazz Recorded: 1984 Released: 2003 This is a reissue of a rather obscure live recording by a dreamy Anglo-Italian sextet comprising of British vocalist Norma WinstoneFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist and drummer Tony OxleyFind albums by this artist and Italian trumpeter Paolo FresuFind albums by this artist and bassist Paolo DamianiFind albums by this artist. Together they perform five original compositions, three by Wheeler (two of which are joined into a medley) and two by Damiani, one of which lasts for over twenty three minutes. The music is typical modern European Jazz, based on solid melodic themes but open to individual interpretations, which are expressed here by the solos performed by all the participants. The melodies are first presented by Winstone using her amazing vocalese statements and then are picked up by the rest of the sextet and subjected to open improvisation. The album is full of wonderful soloing and the double trumpet lineup is especially attractive with Wheeler and Fresu playing in tandem or jointly, creating some truly amazing statements. Taylor as always lays the harmonic background for the music and adds fiery solos on the way and the rhythm section keeps things moving ahead. Oxley´s drumming is definitely one of the most "straightforward" performances of his ever captured on record. Winstone´s neck breaking solos are the absolute highlight of this album and her full power of improvisation and amazing virtuosity are beautifully captured here. The informality of a concert setting and the extraordinary drumming by Oxley, which accompanies her vocal solos come together perfectly. Although the sound quality of the recording, even in this remastered version, is far from perfect, the music is so powerful and unique that the sound imperfections can be easily ignored. Since the sextet came together only once for this specific appearance, the album is a time capsule and a perfect historical document of European Jazz at its best in the mid-1980s. Wholeheartedly recommended!

Updated: 13/07/2018Posted: 13/07/2018

CD 1 Remastered Recommend To A Friend

NORMA WINSTONE ~ DESCANSADO: SONGS FOR FILMS ECM 2567 (Barcode: 602557869897) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is the fifth (fourth on the ECMFind albums on this label label) album by British Jazz diva vocalist / lyricist Norma WinstoneFind albums by this artist recorded in a trio format with Italian pianist Glauco VenierFind albums by this artist and German saxophonist / clarinetist Klaus GesingFind albums by this artist. Two additional musicians: Norwegian percussionist Helge Andreas NorbakkenFind albums by this artist and Italian cellist Mario BrunelloFind albums by this artist, appear as guest on the album. The album presents Winstone´s interpretations of eleven theme songs of cult, mostly European films, one of which is also repeated in a short solo piano version. Two of these songs have original English lyrics, Winstone wrote lyrics for six more of the themes and the remaining ones remain wordless vocalese pieces. Venier and Gesing wrote all the instrumental arrangements. The album is dedicated to two great British Jazz luminaries, who were inseparable from Winstone´s career over the years: pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, both sadly no longer with us. The music is an intimate, highly elegant and exquisite piece of European Culture, which has an inclusive approach to Art, in which Cinema, Music and all other Art forms are simply different aspects of the same aesthetics. On this album Winstone in sublimely minimalist, as is the instrumental accompaniment, which only amplifies the overall effect of immediacy and deep empathy with the original music. She is, as always, consistent with her established vocal techniques and expressions, which enable a wide palette of vocal possibilities that she wisely and thoughtfully employs. Of course all the musicians involved are Masters of their trade and their ability to cushion Winstone´s delicate vocal phrases with their magic touches is utterly radiant. Winstone´s albums are always a completely risk-free endeavors for me, pieces of sublime taste and perfect execution that one can "blindly" count on. It just occurred to me that I have known Norma longer that I know my wife, which seems to be forever. Since I met her in 1968 I have closely followed her achievements, often on the vanguard of the British / European Jazz, and she never ever disappointed me in any way. Such remarkable consistency and creative power is incredibly rare and I am grateful to her for five decades of musical delights. I suppose this music might not appeal to all Jazz enthusiasts. It is definitely fragile and somewhat Spartan, compelling the listener to make an intellectual and emotional effort in order to absorb it, as all great Art does. Being familiar with these cult films and their soundtracks clearly helps. It is haute culture, obviously, which in our Neanderthal world gets barely noted, but that means it is something worth living for. If you know Winstone´s work, this album will be undoubtedly one of the crown jewels, if you don´t this is perhaps a great opportunity to discover her. In any case, this is a brilliant piece of music, which is out there for everybody to love!

Updated: 27/05/2018Posted: 27/05/2018

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend

NORMA WINSTONE ~ IT`S LATER THAN YOU THINK PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz Recorded: 2004 Released: 2006 British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend

NORMA WINSTONE ~ SOMEWHERE CALLED HOME ECM 1337 (Barcode: 602517799301) ~ UK ~ Jazz Recorded: 1986 Released: 2008 The British Jazz Diva, singer Norma WinstoneFind albums by this artist, with five decades of amazing career behind her, is still an unstoppable creator of heavenly music and every new release, which features her incredible voice, is a gift from musical heaven. On this exquisite album Norma is accompanied by just two musicians, her husband pianist John TaylorFind albums by this artist and clarinetist / saxophonist Tony CoeFind albums by this artist. This intimate setting is ideal for this delicate, fragile music, which floats like a butterfly from one song to another, showing the different shades and color of its wonderfully colorful wings. The music comes from different sources; there are some standards and others are lesser-known compositions. Norma wrote the lyrics to the pieces, which are originally instrumentals, another formidable showcase of her amazing talents. Overall this album is way beyond just music; it´s a complete aesthetic / intellectual love affair, which, when properly appreciated, is a source of bliss and delight. It seems futile to describe the music using words, just grab this album, pour a glass of wine and sit back and listen…and enjoy. Life it too short to miss this!

CD 1 Mini-Sleeve Recommend To A Friend

NORMA WINSTONE & JOHN TAYLOR ~ IN CONCERT ENODOC 005 (Barcode: 5036614000049) ~ UK ~ Jazz Recorded: 1988 Released: 2018 This is a reissue of an album by the British Jazz "royal couple" vocalist Norma WinstoneFind albums by this artist and pianist John TaylorFind albums by this artist, released originally only on cassette. The album was recorded live at the Guildhall School of Music in London and presents eight tracks, three of which are standards (one is a medley of two songs), four are compositions by Steve SwallowFind albums by this artist, Egberto GismontiFind albums by this artist and Ralph TownerFind albums by this artist (two) to which Winstone wrote words or vocal parts, and one is a composition by Taylor featuring Winstone´s breathtaking vocalese extravaganza. The album offers a wonderfully natural sound quality. This intimate duo setting is perhaps the best "real time" document of the decades-long musical cooperation of the couple and an archetypical example of the vocals / piano "Art of the Duo" idiom, as well as an embodiment of the British Jazz spirit, which these two marvelous musicians have always personified. The individual performances by Winstone and Taylor are of course stellar, as expected. She is perfect both as a singer of lyrics and improviser using vocalese, and her divine sense of melody and rhythm are a class of its own. He touches the keyboards with precision and wonderful dynamics, and above all with incomparable elegance and fluidity. But it is the amalgam of the creative flow created by these two personas which is simply unstoppable, resulting in an effect way beyond the sum of the individual contributions. The telepathic communication and emotional unity of the couple is absolutely astounding, serving as a timeless example of the effectiveness of the "less is more" principle. I can hardly think of an album that deserves the "classic" status more than this one. A hidden gem that listeners had to wait for thirty years to be able to enjoy, is finally here and offers sixty minutes of pure musical delight and an essential piece of British Jazz legacy. British Jazz fans and all true music lovers around the globe should find this irresistible and one can hope this music will reach a much wider audience than at the time of its original release. Beyond essential!

Updated: 09/04/2020Posted: 09/04/2020

CD 1 Digipak Essential Recommend To A Friend