Record Reviews
58 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | HARRY BECKETT ~ FLARE UP
JAZZPRINT 124 (Barcode: 604388600526) ~ UK ~ Jazz
Recorded: 1970 Released: 2002
Trumpeter / composer Harry BeckettFind albums by this artist was one of the pillars of the British Jazz in the 1960s / 1970s. His beautiful tone and exceptional improvising qualities made his one of the busiest player on the scene. He was a member of some of the most important ensembles of the period, led by distinguished musicians like Graham CollierFind albums by this artist, Mike WestbrookFind albums by this artist, Keef HartleyFind albums by this artist, John SurmanFind albums by this artist, Ray RussellFind albums by this artist and many others, and also led his own quartet. The plans to make his debut album as a leader with his own quartet somehow never materialized, but instead he formed an octet for the occasion, which included the young “lions” of the scene: John Surman, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones, Frank RicottiFind albums by this artist on vibes, John TaylorFind albums by this artist on piano, Chris LaurenceFind albums by this artist on bass and John WebbFind albums by this artist on drums – an absolute dreamy collection of players. In addition to his compositions, the band also performs three of Graham Collier’s beautiful tunes and one Surman classic. The result is absolutely sensational, a true classic of the period and a must for every fan of British Jazz of the era. Not to be missed!
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  | BROTHERHOOD OF BREATH ~ BREMEN TO BRIDGWATER
CUNEIFORM 182/183 (Barcode: 045775018225) ~ UK ~ Jazz
Recorded: 1971 - 1975 Released: 2004
This albums collects three concerts recorded by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist. The first recording captures the ensemble in its early days (1971) whereas the other two come from four years later (1975), towards the end of the life cycle of the first edition of the band, which came to its end with the death of trumpeter Mongezi FezaFind albums by this artist just a month after the last of these concerts was recorded. The collective lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Radu MalfattiFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist, Elton DeanFind albums by this artist, Bruce GrantFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist and Keith BaileyFind albums by this artist– drums. It is interesting to compare the development of the ensemble over this relatively short time period and see how well integrated musically and spiritually the ensemble really was. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
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  | BROTHERHOOD OF BREATH ~ ECLIPSE AT DAWN
CUNEIFORM 262 (Barcode: 045775026220) ~ UK ~ Jazz
Recorded: 1971 Released: 2008
This splendid recording by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist, captures the band at the Berliner Jazztage festival and presents the initial phase in their development as one of the most original and influential bands of the era. The lineup (which kept changing slightly over time) includes: Harry BeckettFind albums by this artist and Marc CharigFind albums by this artist – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums. The combination of Jazz, Free Improvisation and African music intermixed in a unique way creates a vibrant and challenging musical experience, which had no equal at the time. McGregor’s clever compositions are ideal vehicles for the individual and collective improvisations and the energy and fire this band has to offer transcends time and space, making it accessible to every connoisseur of good music on this planet. The music remains as valid and brilliant as it was at the time of the recording and its great to have it commercially released at last. Warmly recommended!
| | | CD 1 Recommend To A Friend |
  | ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE
VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz
Recorded: 1972 - 1974 Released: 2005
Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!
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  | GRAHAM COLLIER ~ DOWN ANOTHER ROAD / SONGS FOR MY FATHER / MOSAICS
BGO 767 (Barcode: 5017261207678) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2007
Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album collects the three albums Collier recorded for the FontanaFind albums on this label / PhilipsFind albums on this label labels in 1969 / 1970, following his debut recording on DeramFind albums on this label from 1967. He composed all the music presented here (except one tune) and plays bass (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Harry BeckettFind albums by this artist (trumpet), Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Alan WakemanFind albums by this artist, Bob SydorFind albums by this artist, Tony RobertsFind albums by this artist (saxophone), Karl JenkinsFind albums by this artist (oboe), Nick EvansFind albums by this artist, Derek WadsworthFind albums by this artist (trombone), Philip LeeFind albums by this artist (guitar), John TaylorFind albums by this artist, Geoff CastleFind albums by this artist (piano) and John MarshallFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!
| | | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO.
BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion
Recorded: 1968 - 1972 Released: 2019
This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles.
The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks.
However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering.
Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss.
Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance.
Absolutely not to be missed!
| | Updated: 02/09/2020Posted: 01/09/2020 | CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | SANDY DENNY ~ LIKE AN OLD FASHIONED WALTZ
ISLAND 315 (Barcode: 602498280232) ~ UK ~ Folk-Rock
Recorded: 1973 Released: 2005
3rd album and a beautifully melancholic collection of songs with gentle arrangements. This ulbum unveils a new aspect of Sandy DennyFind albums by this artist`s amazing talent with a slightly jazzy approach to some of the tunes, probably influenced by the presense of some great jazz musicians taking part in the recording, like Alan SkidmoreFind albums by this artist and Danny ThompsonFind albums by this artist. The album stands the test of time with flying colors and remains a true gem of the British Folk-Rock movement.
| | | CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | SANDY DENNY ~ LIKE AN OLD FASHIONED WALTZ (DELUXE EDITION)
ISLAND 602537002887 (Barcode: 602537002887) ~ UK ~ Folk-Rock
Recorded: 1973 Released: 2012
This is the third solo album by the British singer / songwriter Sandy DennyFind albums by this artist, the undeniable Queen of the British Folk-Rock movement, which flourished from the late 1960s to the mid 1970s. Danny fronted the best Folk-Rock groups of the day, such as StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist and later concentrated on her splendid solo career, recording four excellent solo albums for IslandFind albums on this label Records. Her life and career was abruptly cut short by her tragic and untimely death at the age of 31.
This album is quite different from Denny´s previous work, less Folk-Rock oriented and with some gentle Jazz touches, an influence she absorbed from her father. Most of the material is original, but a few Jazz standards are also included. The overall atmosphere of the album is deeply melancholic and very introvert, nostalgic and somewhat dark, beautifully performed by her and a superb band, which includes many British Folk-Rock heroes, like guitarists Richard ThompsonFind albums by this artist and her husband Trevor LucasFind albums by this artist, keyboardist John BundrickFind albums by this artist, drummer Dave MattacksFind albums by this artist and others. Several notable British Jazz players also take part, like saxophonist Alan SkidmoreFind albums by this artist and bassist Danny ThompsonFind albums by this artist. Denny´s angelic voice and her unique vocal style are simply stellar. Several of the songs feature beautiful orchestral arrangements.
This new 2CD edition adds a plethora of bonus material, which includes outtakes, demos, alternate versions and previously unreleased live material, which is all worth its weight in gold. It’s a proper tribute to Denny´s remarkable talents and wonderful output she left us to enjoy forever. It is an absolute must to every Folk-Rock fan anywhere on this planet!
| | Updated: 26/08/2020Posted: | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | EUROPEAN JAZZ ENSEMBLE ~ 30TH ANNIVERSARY TOUR 2006
KONNEX 5225 (Barcode: 4017867031876) ~ GERMANY ~ Jazz
Recorded: 2006 Released: 2009
The European Jazz EnsembleFind albums by this artist is a "cooperative" group of top European Jazz musicians, which tours and records together for the last 30 years. Over time, an incredible parade of talent passed through the ranks of this group, each of the musicians being a leader and acknowledged instrumentalist / composer of the highest statue. The list of the players on this album, for example, is truly scary for anyone familiar with European Jazz: Alan SkidmoreFind albums by this artist, Stan SulzmannFind albums by this artist, Gerd DudekFind albums by this artist and Charlie MarianoFind albums by this artist (the only non-European by birth but very much so by spirit) on saxophone, Jiri StivinFind albums by this artist on flute, Manfred SchoofFind albums by this artist and Pino MinafraFind albums by this artist on trumpet, Joachim KuhnFind albums by this artist on piano, Ali HaurandFind albums by this artist on bass, and Daniel HumairFind albums by this artist and Tony LevinFind albums by this artist on drums. These brilliant musicians perform a set of no less brilliant compositions, with predictably brilliant arrangements – what can I say, the album is just one nasty piece of superb music, kicking badly from start to finish. Although basically the performances are by a big band, in truth the individual soloist are given plenty of opportunity to stretch out, backed up only by the rhythm section, which makes this album likeable even for people, who have a slight adversity to big band albums (God only knows why). Regardless of ones specific likes and dislikes might be, this is a kind of recording that any true Jazz fan can not ignore. The subtle musical trickery, known only by the European Jazzers, is so obvious here, that I´d recommend this album to every American big band fan, to learn what really can be achieved with such potent "instrument". Brilliant! (Oh yes, I already said so…).
| | Updated: 18/07/2020Posted: | CD 1 Digipak Recommend To A Friend |
  | GEORGIE FAME ~ BIRTHDAY BIG BAND
THREE LINE WHIP 007 (Barcode: 640999906428) ~ UK ~ Big Band Jazz
Recorded: 1998 Released: 2004
This is an album by British Jazz vocalist / keyboardist / songwriter Georgie FameFind albums by this artist, recorded live during a concert celebrating his fifty-fifth Birthday, recorded with a fabulous Big Band created especially for the occasion and conducted by composer / arranger Steve GrayFind albums by this artist. The eighteen strong Big Band includes some of the top British Jazz instrumentalists: trumpeters Guy BarkerFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Peter KingFind albums by this artist and Art ThemenFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, bassist Geoff GascoyneFind albums by this artist, drummer Ralph SalminsFind albums by this artist and others. Guest artists include guitarist Jim MullenFind albums by this artist and vocalists Madeline BellFind albums by this artist, Zoot MoneyFind albums by this artist and Ben SidranFind albums by this artist. The 2CD album presents twenty-three songs, fourteen of which were composed or co-composed by Fame.
The music presents, as appropriate for the occasion, the entire retrospective of Fame’s musical career, including his greatest hits, as well as the entire scope of his stylistic diversity, presenting Fame as a completely original songwriter and interpreter of Jazz / Rhythm And Blues songs, who had a few equals over time. His feeling for the Blues, which was present in everything he sang and played over the years, was undoubtedly his signature, but in his songwriting Fame contributed some of the most beautiful songs ever written, often with highly whimsical and humorous lyrics.
This album, due to the Big Band arrangements, is one of the most Jazz oriented recordings by Fame, but by far not the only one, as he loved to perform and record with Big Bands, something I was lucky to witness in person several times over the years. Fame is definitely one of the very few vocalists who is able to blend in perfectly with a Jazz Big Band and a Rhythm And Blues combo with the same, impeccable result.
The album is an orgy of great tunes, superb instrumental performances and brilliant vocals, which simply cannot leave any music lover cold, unless he is already cold dead. What luck this concert was recorded and eventually released on record (six years later, but of course better late than never). It has been one of my favorite Fame recordings since the day it was released and a superb summary of those first fifty-five years. God Bless!
| | Updated: 08/05/2023Posted: 15/05/2021 | CD 2 Recommend To A Friend |
  | GEORGIE FAME ~ CHARLESTONS
THREE LINE WHIP 006 ~ UK ~ Jazz
Recorded: 2002 - 2003 Released: 2003
This is a delightful album by veteran British vocalist / organist / songwriter Georgie FameFind albums by this artist, my all times favorite British Jazz singer. With a splendid career going back to the early 1960s, Fame moved gradually from Rhythm And Blues and Pop, which dominated his early career, towards Jazz, and became a superb interpreter of standards as well as fabulous writer of original material, which is completely unique and full of deep lyricism and Blues undertones. On this album Fame is surrounded by a superb group of top British Jazz musicians: trumpeter Guy BarkerFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist and Nick PaynFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, guitarist Tristan PowellFind albums by this artist, bassist Geoff GascoyneFind albums by this artist, drummer James PowellFind albums by this artist and percussionist Ralph SalminsFind albums by this artist (the two Powells are of course Fame’s sons). Fame sings and plays keyboards as usual and two fabulous vocalists: Zoot MoneyFind albums by this artist and Madeline BellFind albums by this artist help with the singing. The album presents eleven tracks (one a medley of two songs), eight of which are original songs by Fame and four are standards.
The music is absolutely delightful from start to finish, as expected, and it is truly heartwarming to see (and hear) an artist in the fifth decade of his career sounding as fresh as ever and full of productive powers, enriched over the time with experience. Combined with the typical “Englishness” and tongue in cheek attitude, this music is just pure delight.
Sadly, this is one the very last albums recorded by Fame in the new Millennium, which is a great pity. Some archival recordings of his and collections of his earlier recordings still pop up once in a while, proving that he is definitely not forgotten.
For his many fans, this album is an absolute must have of course, and although nor easy to be found these days, it is definitely worth pursuing. A Gem!
| | Updated: 08/05/2023Posted: 07/03/2021 | CD 1 Recommend To A Friend |
  | GEORGIE FAME ~ RELATIONSHIPS
THREE LINE WHIP 005 (Barcode: 5020883007342) ~ UK ~ Jazz
Recorded: 2001 Released: 2001
This is a delightful album by veteran British vocalist / organist / songwriter Georgie FameFind albums by this artist, my all times favorite British Jazz singer. With a splendid career going back to the early 1960s, Fame moved gradually from Rhythm And Blues and Pop, which dominated his early career, towards Jazz, and became a superb interpreter of standards as well as fabulous writer of original material, which is completely unique and full of deep lyricism and Blues undertones. On this album Fame is surrounded by a superb group of top British Jazz musicians: trumpeter Guy BarkerFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, guitarist Tristan PowellFind albums by this artist, bassist Geoff GascoyneFind albums by this artist, drummer James PowellFind albums by this artist and percussionist Ralph SalminsFind albums by this artist (the two Powells are of course Fame’s sons). Fame sings and plays keyboards as usual. The album presents twelve tracks (one a medley of two songs), eleven of which are original songs by Fame and two are standards.
The music is absolutely delightful from start to finish, as expected, and it is truly heartwarming to see (and hear) an artist in the fifth decade of his career sounding as fresh as ever and full of productive powers, enriched over the time with experience. Combined with the typical “Englishness” and tongue in cheek attitude, this music is just pure delight.
Sadly, this is one the very last albums recorded by Fame in the new Millennium, which is a great pity. Some archival recordings of his and collections of his earlier recordings still pop up once in a while, proving that he is definitely not forgotten.
For his many fans, this album is an absolute must have of course, and although nor easy to be found these days, it is definitely worth pursuing. A Gem!
| | Updated: 08/05/2023Posted: 05/03/2021 | CD 1 Recommend To A Friend |
  | GEORGIE FAME ~ SWAN SONGS
THREE LINE WHIP 010 (Barcode: 5052442008002) ~ UK ~ Jazz
Recorded: 2013 Released: 2015
This is a delightful album by veteran British singer / keyboardist / songwriter Georgie FameFind albums by this artist, one of my all time favorite British Jazz musicians and especially vocalists. He is supported by a wonderful team, which includes trumpeter Guy BarkerFind albums by this artist, saxophonist Alan SkidmoreFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, bassist Alec DankworthFind albums by this artist, guitarist Tristan PowellFind albums by this artist, drummer James PowellFind albums by this artist (the last two are Fame´s sons since his real name is Clive PowellFind albums by this artist after all) and percussionist Ralph SalminsFind albums by this artist. Legendary vocalist Madeline BellFind albums by this artist appears on two tracks. The album presents twelve tracks, ten of which are original songs by Fame and two are standards.
As the album´s title ominously suggests, this album was meant to be the last recording by Fame, and sadly so far, six years after it was recorded, no other new album was recorded by him, which is a great pity, especially in view of the excellent form he displays on this album. The music is the usual mixture of Blues, Rhythm And Blues and Jazz, which Fame so uniquely combined into his own idiom for decades. His highly personal delivery, always mixed with a dash (or more) of British humor, and his charismatic presence will remain forever in the memory of those who knew him and his music.
The album´s songs present a concept of a person telling his life´s story via the autographical songwriting, which works beautifully from start to finish. The album as a whole is simply a marvelous piece of artistry and if this is indeed to be Fame´s swan song, it is a most appropriate goodbye gesture.
I don´t think I need to persuade anybody familiar with Fame´s music to grab this marvelous album as long as it is available. As for me – Fame´s music was a true ingredient of the soundtrack of my life, from his very first recordings in the early 1960s and until this one – five decades of joy and musical bliss. Thank you!
| | Updated: 08/05/2023Posted: 29/09/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | GEORGIE FAME ~ THREE LINE WHIP
THREE LINE WHIP 001 (Barcode: 5017771102623) ~ UK ~ Jazz
Recorded: 1993 Released: 1993
This is the first album recorded by British Jazz vocalist / keyboardist / songwriter Georgie FameFind albums by this artist with his two sons: guitarist Tristan PowellFind albums by this artist and drummer James PowellFind albums by this artist, a family trio called Three Line WhipFind albums on this label, which also became the name of Fame’s record label. The trio is augmented by some of the top British Jazz instrumentalists: Trumpeter Guy BarkerFind albums by this artist, saxophonists Peter KingFind albums by this artist, Alan SkidmoreFind albums by this artist and Steve GregoryFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist and bassist Brian OdgersFind albums by this artist. The album presents nine songs (one repeated twice), mostly Fame originals.
The music is absolutely lovely, as always, and presents Fame as a completely original songwriter and interpreter of Jazz / Blues / Soul / Pop songs, who had a few equals over time. His feeling for the Blues, which was present in everything he sang and played over the years, was undoubtedly his signature, but in his songwriting Fame contributed some of the most beautiful songs ever written, often with highly whimsical and humorous lyrics.
Fame’s last album on his label, the fabulous “Swan SongFind albums with this title” released in 2015, hints as to the possibility of being his last recording, but I still firmly believe and hope that he might bless us with some more of his musical bliss. Please!
| | Updated: 01/05/2021Posted: 01/05/2021 | CD 1 Recommend To A Friend |
  | GEORGIE FAME ~ TONE-WHEELS `A` TURNIN`
THREE LINE WHIP 008 (Barcode: 5032396000031) ~ UK ~ Jazz
Recorded: 2008 Released: 2009
This is an album by British Jazz vocalist / keyboardist / songwriter Georgie FameFind albums by this artist, recorded with a fabulous band that includes his two sons: guitarist Tristan PowellFind albums by this artist and drummer James PowellFind albums by this artist, as well as some of the top British Jazz instrumentalists: trumpeter Guy BarkerFind albums by this artist, saxophonist Alan SkidmoreFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist and bassist Alec DankworthFind albums by this artist. Fame half-jokingly calls the band The Last Blue FlamesFind albums by this artist, a tribute to the revolving band that accompanied him throughout his career since 1962. The album presents twelve original songs, all composed or co-composed by Fame.
The music is absolutely lovely, as always, and presents Fame as a completely original songwriter and interpreter of Jazz / Rhythm And Blues songs, who had a few equals over time. His feeling for the Blues, which was present in everything he sang and played over the years, was undoubtedly his signature, but in his songwriting Fame contributed some of the most beautiful songs ever written, often with highly whimsical and humorous lyrics.
This album also features prominently Fame’s playing the Hammond organ, which was less prominent on his later albums, proving that he was one of the best organists on the British scene ever.
Despite the “Last Blue Flames” warning, Fame recorded another album on his label five years later with almost identical lineup, the fabulous “Swan SongFind albums with this title” released in 2015, hinting as to the possibility of being his last recording, but I still firmly believe and hope that he might bless us with some more of his musical bliss. Please!
| | Updated: 08/05/2023Posted: 09/05/2021 | CD 1 Recommend To A Friend |
  | GEORGIE FAME / USCHI BRUNING / ALAND SKIDMORE QUARTET ~ A DECLARATION OF LOVE
ITM 9200020 (Barcode: 4250317473738) ~ UK ~ Jazz
Recorded: 2008 Released: 2015
This is an archival release of a live concert which features the British Jazz singer / keyboardist / songwriter Georgie FameFind albums by this artist and the German Jazz singer Uschi BruningFind albums by this artist accompanied by the quartet led by the legendary British Jazz saxophonist Alan SkidmoreFind albums by this artist, which also includes pianist Steve MellingFind albums by this artist, bassist Geoff GascoyneFind albums by this artist and drummer Ian PalmerFind albums by this artist. The album presents ten tracks, of which five feature Fame, three feature Bruning, one is a Fame / Bruning duet and one is an instrumental performance by the quartet. The music is mostly Jazz standards, except the title tracks which is a Fame original and one standard which has lyrics written by Fame. Recorded at the Berlin Philharmonic, the album´s sound quality is impeccable.
Fame has been my favorite Jazz vocalist since I have heard him live in London in the late 1960s, and I have been fortunate to hear him perform many times over the years in very diverse circumstances ranging from intimate solo appearances to his concerts with Big Bands, always delivering the absolute top performances. Regardless if he sang Jazz, Blues, Rhythm And Blues or even Pop, his absolutely unique intonation and heartfelt articulation are simply magical. Now in his sixth decade as a performer, he is still a formidable Artist.
Bruning is a German Jazz icon, who started her career in the dark days of the DDR period, which paradoxically produced some of the most interesting European Jazz. Her work with the legendary saxophonist Ernst-Ludwig PetrowskyFind albums by this artist is one of the most interesting vocal recordings made at the time behind the Iron Curtain. She is still active today on the German scene and definitely worth following.
Skidmore needs no introduction of course, being one of the world top saxophonists and one of the most important Jazz musicians keeping the John ColtraneFind albums by this artist legacy alive. His enormous contribution to British / European Jazz is unprecedented.
Overall this is a wonderful vocal Jazz album, full of great singing, superb instrumental work and good taste, rarely present on contemporary recordings. Great fun from start to finish and of course warmly recommended!
| | Updated: 08/05/2023Posted: 21/07/2019 | CD 1 Slipcase Recommend To A Friend |
  | MICHAEL GIBBS ~ JUST AHEAD
BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz
Recorded: 1972 Released: 2005
Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!
| | | CD 2 Slipcase Remastered Recommend To A Friend |
  | MICHAEL GIBBS ~ MICHAEL GIBBS / TANGLEWOOD 63
VOCALION 4253 (Barcode: 765387425326) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2005
Composer / arranger / bandleader / trombonist Michael GibbsFind albums by this artist was born in Rhodesia (now Zimbabwe). In his early twenties he moved to the US, where he studied both Jazz and Classical music at the Berklee College of Music, the Boston Conservatory and the Tanglewood Institute, where he studied with renowned classical composers Aaron CoplandFind albums by this artist and Lukas FossFind albums by this artist. In 1965 Gibbs settled in London and immediately was absorbed into the burgeoning local Jazz scene, first as a trombonist, and later when he stopped to play the instrument, as a composer, arranger and bandleader. Over the years he assembled an impressive body of work as a composer, which has been considered as some of the most innovative and daring forays into the fusion of Classical, Jazz and Rock. He recorded many of his compositions using large ensembles, which comprised of the best British and later also European Jazz musicians, all of which are considered masterpieces. He also composed music for cinema and created many incredible arrangements for albums in the Rock and Jazz areas. This album combines his two first albums, composed for and performed by huge ensembles including brass, string and rhythm sections and including around 30 musicians. The names of the participants resemble the “who’s who” of the British Jazz scene at the time and the main soloists are: Chris SpeddingFind albums by this artist, Ray RussellFind albums by this artist (guitar), Kenny WheelerFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist, John SurmanFind albums by this artist, Mike OsborneFind albums by this artist (sax), Gordon BeckFind albums by this artist (piano), Jack BruceFind albums by this artist, Brian OdgersFind albums by this artist (bass), Tony OxleyFind albums by this artist, John MarshallFind albums by this artist (drums) and many more. The music is quite incredible of course, very difficult to classify, as it flows between genres and musical landscapes disregarding any preconceptions. Gibbs is a master at creating an internal tension in his scores, which is often expressed by the role the brass and rhythm sections play against each other, with the brass section representing the jazzy elements and the rhythm section (especially the guitar) the rock elements. The music is often contemplative and moves slowly, similarly to many of the modern Classical music pieces, influenced obviously by the composer’s teachers and resembling sometimes even the work of Philip GlassFind albums by this artist. Definitely not easy listening, but a highly rewarding intellectual experience. For the lack of a better alternative I’ve decided to classify it under Jazz, but this music is truly beyond classification and constitutes a class of its own. Fascinating!
| | | CD 2 Remastered Recommend To A Friend |
  | MICHAEL GIBBS ~ REVISITING TANGLEWOOD 63: THE EARLY TAPES
JAZZ IN BRITAIN 24 (Barcode: 5060774190227) ~ UK ~ Big Band Jazz
Recorded: 1970 Released: 2021
This is an archival album by British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which presents two radio broadcasts of live sessions, recorded in May and November of 1970. The lineups of the Orchestra / Big Band (thirteen or sixteen members respectively) consists of Top British Jazz musicians at the time, some of which took part in the recording of the seminal “Tanglewood 63Find albums with this title” album, which was recorded shortly after the second session. The collective personnel includes: trumpeters Henry LowtherFind albums by this artist, Nigel CarterFind albums by this artist and Harold BeckettFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Gibbs, tuba player Dick HartFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Jim PhillipFind albums by this artist and Tony RobertsFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bass guitarist Roy BabbingtonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummers John MarshallFind albums by this artist and Clive ThackerFind albums by this artist and finally vibraphonist / percussionist Frank RicottiFind albums by this artist.
The album presents seven tracks, four from the first session and three from the second. Those include all five compositions included on the “Tanglewood 63” album. In addition, it also presents “Country RoadsFind albums with this title”, written by Gary Burton and Steve Swallow, which appeared first on the Burton’s 1968 album by the same name, which included a couple of compositions by Gibbs and one co-composed piece by Gibbs and Burton, and which would have to wait for a couple of years to appear on the 1972 Gibbs “Just AheadFind albums with this title” album. The last track is “June The 15, 1967”, which appeared initially on the Burton’s 1967 “Lofty Fake AnagramsFind albums with this title” album, which also included two compositions by Gibbs, including this one, and which would have to wait for forty-two years to appear on the 2012 Gibbs “Back In The DaysFind albums with this title” album.
The music is, as everything Gibbs ever recorded, absolutely heavenly, both as far as the compositions and the performances are concerned. The formidable team of musicians, under his direction, is able to achieve peaks never earlier encountered in British Jazz orchestral music, and these archival recordings are absolutely fascinating, especially when compared to the final version of most of the music included here, recorded on the “Tanglewood 63” album.
So far, this is definitely my favorite release on the new Jazz In BritainFind albums on this label label, which does a splendid job digging out treasures from dusty vaults, especially so because this album also offers the best sound quality of all their releases so far. So as usual, hats off for the team behind the label and waiting for more of your gems. A bit more attention to details won’t hurt…
| | Updated: 29/06/2021Posted: 28/06/2021 | CD 1 Digipak Recommend To A Friend |
  | MICHAEL GIBBS ~ THE ONLY CHROME WATERFALL ORCHESTRA
AH UM 009 ~ UK ~ Big Band Jazz
Recorded: 1975 Released: 1991
This is a reissue / remaster of an album by British Jazz composer / arranger / bandleader Michael GibbsFind albums by this artist, originally released in 1975 on the BronzeFind albums on this label label. It is one of the earliest “reissues”, before the concept became widespread, undertaken simply to correct the blunder of releasing the album on a strictly Rock label, which made it to disappear almost instantly from circulation. The idea of reissuing it on the tiny, but legendary Ah UmFind albums on this label label meant to bring the overlooked gem to the Jazz audiences, where it really belonged. The move was only partially successful, since Ah Um had a very limited marketing abilities and soon disappeared from the market, taking one of the most important British Orchestral / Big Band Jazz albums into the abyss again. The album was reissued again a few years later by the proper archival BGOFind albums on this label label, where it is hopefully still available.
Gibbs recorded the album with an incredible Orchestra / Big Band, which comprised of a fourteen-piece brass section, which included the crème-de-la-crème of the British Jazz scene at the time, including Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Ray WarleighFind albums by this artist, Stan SultzmannFind albums by this artist, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, to mention just the most prominent Masters, a string section, the Belgian guitarist Philip CatherineFind albums by this artist and a bunch of Americans, which included saxophonist Charlie MarianoFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist – a true “dream come true” setting. The music presents a seven-part suite like continuum, with five parts composed by Gibbs, one co-composed by him with Moses and Swallow and finally one composed by Catherine.
The music, which was light-years ahead of its time, presents a dreamy multi-layered musical journey, full of exquisite melodies, complex harmonies, World Music influences, in short a plethora of musical worlds meshed together, with brilliant orchestral performances and breathtaking soli, mostly by Catharine, Coe and Mariano.
I have cherished this album since the day I had it on the day of its release, and tried to herald its qualities repeatedly over time, sadly due to its obscurity few people shared my enthusiasm over the years. As much as I admire everything Gibbs created over the years, and he certainly managed to produce a substantial body of work over the years, this album was always my favorite piece of his work.
Overall, this is one of the most important and significant Orchestral / Big Band recordings of British Jazz, which lost absolutely nothing of its grandeur, class and depth over time, and which manages to elate my state of being every time I listen to it. Thank you so much my Friend, for your lasting contribution to my sanity ;)
Side Note
British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.
| | Updated: 22/05/2025Posted: 22/05/2025 | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GIBBS / GARY BURTON ~ FESTIVAL 69
TURTLE 503 (Barcode: 5013929580305) ~ UK ~ Jazz
Recorded: 1969 Released: 2018
This is an archival release documenting a live concert by pioneering American vibraphonist / composer Gary BurtonFind albums by this artist supported by a Big Band led by British trombonist / composer / bandleader Michael GibbsFind albums by this artist. The concert, which is presented on the first two CDs of this three CDs set, was recorded in November 1969 in Belfast. The third CD presents an earlier (February 1969) recording by the Big Band at the Lancaster University. Both recording were made prior to the release of the Michael Gibbs eponymous debut album in 1970.
The first CD presents five tracks performed by the Gary Burton Quartet, which included guitarist Dave PritchardFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bill GoodwinFind albums by this artist, and one track with the quartet supported by the Big Band, which included trombonists Chris PyneFind albums by this artist and Gibbs of course, trumpeters Kenny WheelerFind albums by this artist and Trevor BarberFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Ray WarleighFind albums by this artist and Tony RobertsFind albums by this artist and guitarist Chris SpeddingFind albums by this artist. The second CD presents four tracks with the quartet supported by the Big Band and one final track just by the quartet.
The third CD presents the Big Band with a dreamy lineup of saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan Skidmore, trumpeters Henry LowtherFind albums by this artist and Rodney TealFind albums by this artist, trombonists Chris Pyne and Gibbs of course, tuba player Dick HartFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Phil LeeFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist – a true Who´s Who of the British Jazz scene at the time. The Big Band performs eight original compositions by Gibbs (two combined into one track).
The Gibbs / Burton association goes back to their common Berklee School of Music days. Burton included many compositions by Gibbs on his albums in the 1960s, but for a variety of reasons they did not manage to record together until the "In The Public InterestFind albums with this title" album released in 1974. In fact almost all of the compositions by Gibbs appearing in this set were already previously recorded by Burton. Therefore this historic recording is another wonderful example of their lasting cooperation, and since it remained unreleased for five decades, it is even more significant.
Of course Burton always was a "strange bird" on the American Jazz scene and his aesthetic affiliations were much closer to the European Jazz, which was rapidly developing by the mid-1960s. The pioneering Jazz-Rock Fusion recordings by his quartet, especially those with guitarist Larry CoryellFind albums by this artist, paved the way for the Fusion explosion by the end of the 1960. It is therefore not surprising, that Burton was able to appreciate the quality of Gibbs´ compositions in spite of their complex harmonic and rhythmic structures.
The Lancaster University recording is by no mean less interesting and presents the very early stage of Gibbs´ illustrious career as a band leader, parallel to his composing duties. The glorious days of British Jazz when the concept of a functional Big Band was still feasible were sadly rather short lived and therefore any document of the era is simply invaluable. The presence of Jack Bruce on bass, shedding his superstar post-CreamFind albums by this artist image just for the love of Jazz, that he always considered as very close to his heart, was far from sensationalism. In the short period of time, when Bruce was closely involved with the core British Jazz scene, including the recording of his superb "Things We LikeFind albums with this title" album, are truly worth remembering.
Overall this set is a splendid piece of the British Jazz at its creative peak, and as such is an essential part of every serious British Jazz collection. The sound, which is far from ideal, has been restored to the best ability of today´s sound technology and the set includes well researched and comprehensive booklet describing the background and circumstances of these recordings, which is very informative.
This set is the fifth release by the resurrected TurtleFind albums on this label Records, a Cherry RedFind albums on this label label dedicated to reissues and archive releases of historic British Jazz recordings, which unearth lost and forgotten musical treasures British Jazz connoisseurs simply can´t live without!
| | Updated: 28/06/2021Posted: 30/09/2018 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | GEORGE GRUNTZ ~ RENAISSANCE MAN
TCB 22162 (Barcode: 725095221627) ~ SWITZERLAND ~ Jazz
Recorded: 1961 - 2001 Released: 2002
This is a wonderful archive album by Swiss pianist / composer / bandleader George GruntzFind albums by this artist, which presents a collection of fifteen recordings spread over a period of forty years, most of which have never been released before. The include intimate formats but mostly European Big Bands and Orchestras, like his Concert Jazz BandFind albums by this artist, WDR Big BandFind albums by this artist, NDR Big BandFind albums by this artist and others. The many participants include such legendary Jazz artists as pianist Joachim KuhnFind albums by this artist, vocalist Sheila JordanFind albums by this artist, bandoneónist Dino SaluzziFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist and Ernst-Ludwig PetrowskyFind albums by this artist and many others.
The music displays the outstanding talents of Gruntz as pianist, arranger and composer, presenting beautifully diverse music, which includes mainstream Jazz, orchestral Jazz and Jazz-World Fusion pieces, always executed with finesse and absolute charm. Therefore this album is a wonderful introduction to the many talents of Gruntz for listeners not familiar with his work but also a gorgeous collection of previously unavailable recordings for those already familiar with his achievements.
Gruntz was always the epitome of European Jazz as one of its Godfathers, perfectly combining the American Jazz tradition with the European Classical and Folklore traditions. The recordings included herein are all exquisite examples of what European Jazz is all about, stylistically and conceptually. Although the collected pieces have seemingly nothing in common, they amalgamate into a perfect kaleidoscope of modern European Jazz
Personally I can get never enough of Gruntz and his music, so this album is simply one more token of memory by this great Artist, who is sadly relatively little known to most Jazz listeners around the world. In addition his recordings are not easily available as well, which makes the task of keeping his memory alive even harder.
Overall this is a brilliant collection of excellent music, which deserves a proud place in any serious music collection. Not to be missed!
| | Updated: 26/09/2016Posted: 26/09/2016 | CD 1 Recommend To A Friend |
  | KARL JENKINS ~ PENUMBRA II
JAZZ IN BRITAIN 41 (Barcode: 5060774190432) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2022
The great abundance of creativity and recording activity, which blessed the British Jazz scene during the Golden Decade (1965-1975), created, among many other cultural marvels, also the “silent hero” phenomenon, which in case of the great multi-instrumentalist / composer Karl JenkinsFind albums by this artist, is a classic embodiment of that concept. Although firmly present at the epicenter of the music-making turmoil at the time, from Graham CollierFind albums by this artist, via Neil ArdleyFind albums by this artist, NucleusFind albums by this artist, and most prominently Soft MachineFind albums by this artist, Jenkins’ name would hardly be the primary association for most people thinking about the music of that period, despite his enormous contributions – the fate of a “silent hero”. I have faithfully followed his continuous activity over the decades, which shifted primarily into the Classical Music idiom, which included grand pieces like “RequiemFind albums with this title” or intimate beauties like the latest “PianoFind albums with this title”, always with great satisfaction and pleasure.
This wonderful archival release brings us a three-part suite, composed by Jenkins and recorded live in 1971 with a dreamy ensemble, which includes the crème de la crème of the British Jazz-Rock musicians at the time: Jenkins on piano with trumpeter Ian CarrFind albums by this artist, saxophonists Brian SmithFind albums by this artist, Ray WarleighFind albums by this artist and Alan SkidmoreFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, pianist Dave MacRaeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist, drummer John MarshallFind albums by this artist and percussionist Frank RicottiFind albums by this artist, arguably the best ensemble ever put together at that time.
Although relatively short, running just under half an hour, the music is an absolute classic example of what was being created at the time, and as such somewhat similar, at least spiritually and aurally, to many other recordings of the period. The composition is based on a steady riff, which develops slowly and offers splendid opportunity to all the instrumentalists to create hair-raising solo parts. The sound quality is perfect, which makes the music to be audible in great detail.
Overall, this is a superb musical time capsule, brought to us courtesy of the people behind the Jazz In BritainFind albums on this label label, who work tirelessly to unearth the great treasures of the British Jazz, making us, the followers and enthusiasts, ecstatically happy. It is also a much deserved “thank you” note to the contributions bestowed on us by this wonderful musician.
| | Updated: 30/11/2022Posted: 30/11/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | ALEXIS KORNER’S BLUES INCORPORATED ~ BBC SESSIONS VOL.1 1962-1965
RHYTHM AND BLUES 097 (Barcode: 5060331753742) ~ UK ~ Blues-Rock
Recorded: 1962 - 1965 Released: 2024
This is an archival album, which presents recordings by Alexis KornerFind albums by this artist’s Blues IncorporatedFind albums by this artist, made in early 1960s by guitarist / pianist / vocalist / songwriter / bandleader Alexis Korner, the Godfather of British Blues. These recordings were made with a plethora of British Blues, Rock and Jazz musicians, reading like a who´s who of the British Blues / Blues-Rock / Rock And Roll / Jazz and early Jazz-Rock Fusion, comprising of dozens of names, which passed through Korner´s legendary group over time.
As bizarre as it might appear, Korner was a white Jewish boy, born in Paris, who arrived in the UK in 1940, escaping the Nazi persecution, and who in time almost singlehandedly reanimated the interest in the Blues on the local British scene, leading to a phenomenon called the British Blues Revival, which started by the mid-1950s and literally exploded by the mid-1960s, when it became the British Blues Boom. In retrospect this musical idiom proved to be one of the most fundamental cornerstones of British Rock, later spreading also to the European continent. Korner´s charismatic personality and influence were a decisive factor leading to the formation of such musical icons as Rolling StonesFind albums by this artist, FreeFind albums by this artist, John MayallFind albums by this artist´s BluesbreakersFind albums by this artist, CreamFind albums by this artist, ColosseumFind albums by this artist and countless others. Korner continued his career until his untimely death in 1984.
The material collects recordings from six different sessions, a total of twenty-four tracks. The collective personnel taking part in these recordings includes, alongside Korner, vocalists Cyril DaviesFind albums by this artist, Long John BaldryFind albums by this artist and Herbie GoinsFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Graham BondFind albums by this artist, Ray WarleighFind albums by this artist, Mick PyneFind albums by this artist, Nigel StangerFind albums by this artist, Brian SmithFind albums by this artist, Alan SkidmoreFind albums by this artist and Bernie GeorgeFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardists Dave StevensFind albums by this artist, Johnny ParkerFind albums by this artist and Brian AugerFind albums by this artist, bassists Jack BruceFind albums by this artist and Danny ThompsonFind albums by this artist, drummers Charlie WattsFind albums by this artist, Ginger BakerFind albums by this artist, Ronnie DunnFind albums by this artist and Terry CoxFind albums by this artist. It does not get any better than this, does it?
Overall, this album is full of magnificent music, presented in chronological order by date of recording, which is an absolute treasure chest and a historic document of the outmost importance. Although the sound quality of some of the tracks, especially the early ones, is a bit shaky, the importance of the music sets everything aside. This is an absolutely essential release to all British Blues connoisseurs!
| | Updated: 02/10/2024Posted: 01/10/2024 | CD 1 Recommend To A Friend |
  | VOLKER KRIEGEL ~ INSIDE: MISSING LINK
MPS 4029759178699 (Barcode: 4029759178699) ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2023
This is a reissue / remaster of the iconic double album by the German guitarist / composer / bandleader Volker KriegelFind albums by this artist, which was his third album as a leader and the second release on the MPSFind albums on this label label. Although recorded during the same session, the material was split into two parts, each on one LP (and now CD).
CD1 was recorded by an octet and features a brass section. It includes three prominent British Jazz musicians: saxophonist Alan SkidmoreFind albums by this artist, pianist John TaylorFind albums by this artist and drummer John MarshallFind albums by this artist. The other players are German Jazz musicians: trombonist Albert MangelsdorffFind albums by this artist, saxophonist Heinz SauerFind albums by this artist and bassist Eberhard WeberFind albums by this artist. Dutch percussionist Cees SeeFind albums by this artist completes the lineup. The CD presents four tracks, three of which are original compositions by Kriegel and one is an arrangement of a tune by Brazilian composer Edu LoboFind albums by this artist. Three of the tracks last for over ten minutes and the music is strongly Jazz oriented, including some Free Jazz accents.
CD2 was recorded by a quintet, without the brass and including Taylor, Weber, See and German drummer Peter BaumeisterFind albums by this artist. This CD presents eight tracks, six of which are original compositions by Kriegel, one is by Weber and one by Brazilian composer Caetano VelosoFind albums by this artist. The music is more Fusion oriented and the tracks are much shorter, with only one crossing the ten minutes in duration.
In retrospect this is definitely one of the fines examples of European Jazz-Rock Fusion, with a stellar lineup and absolutely brilliant musicianship and compositions. Kriegel was sadly underappreciated at the time, but his complete discography, including several excellent posthumous releases, definitely points out that he was a pivotal figure in European Jazz and Fusion.
Overall, this an absolute must have for every Fusion connoisseur, and one of the most important albums of the genre. Combining the best players from the leading European Fusion scenes at the time: Germany and UK, the music spark with inventiveness, virtuosity and innovation, completely absent from the current Fusion scene. This long awaited reissue fills a major gap in the European Fusion discography and the recorded legacy of Volker Kriegel.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 18/11/2023Posted: 18/11/2023 | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | PETER LEMER QUINTET ~ SON OF LOCAL COLOUR
ESP 5031 (Barcode: 825481503129) ~ UK ~ Avant-Garde Jazz
Recorded: 2018 Released: 2019
This is an album by British Jazz pianist / composer Peter LemerFind albums by this artist and his quintet, which features saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist – all iconic figures of the British Jazz scene. The album presents eight tracks, five by Lemer, one by Surman, one by Carla BleyFind albums by this artist and finally one by John Coltrane. The album was recorded live at the Pizza Express in London, on February 20th, 2018.
But the story behind this album goes back fifty years into the past, when the almost identical lineup of the quintet (with George KhanFind albums by this artist in place of Skidmore) released the album “Local ColourFind albums with this title”, which was recorded a couple of years earlier, on the pioneering independent record label ESPFind albums on this label Disk, founded in 1963 and run by a Jewish NY lawyer and Avant-Garde Music protagonist Bernard StollmanFind albums by this artist, and which yours truly proudly stored in his collection ever since.
That album was the first modern / Avant-Garde British Jazz album to be released in the US, together with several other modern European Jazz albums, including even recordings originating from behind the Iron Curtain. At that time most Americans were completely unaware of the existence of modern Jazz outside of the US. It was also the first recording, which features Surman. Five of the compositions on that album are also present on the album, approached in a completely new and different way.
Despite the fact that the musicians are five decades older this time, they seem not to have lost any of the vigor and passion, and with the added experience of a lifetime the music obviously gained an unprecedented level of depth and finesse. The new album also offers a closure of sorts, as it was the last recording by Hiseman, before his tragic death just four months after this album was recorded.
Overall, this is a fine Avant-Garde Jazz album, beautifully executed by these superb players, which will certainly be a cherished addition to every serious British Jazz collection, and the unusual circumstances surrounding it add to its historic value, serving as a half-Century time bridge between the early days of modern British Jazz and now. Brilliant stuff!
| | Updated: 24/02/2022Posted: 24/02/2022 | CD 1 Digipak Recommend To A Friend |
  | HARRY MILLER / ISIPINGO ~ WHICH WAY NOW
CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz
Released: 2006
Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.
| | | CD 1 Recommend To A Friend |
  | MIKE OSBORNE ~ OUTBACK
FMR 007 (Barcode: 649849981349) ~ UK ~ Jazz
Recorded: 1970 Released: 1994
British saxophonist / composer Mike OsborneFind albums by this artist was an integral part of the modern Jazz scene in the late 1960s / 1970s, recording numerous albums as member of the most important ensembles at the time, led by Mike WestbrookFind albums by this artist, Harry BeckettFind albums by this artist, John SurmanFind albums by this artist and Chris McGregorFind albums by this artist (Brotherhood Of BreathFind albums by this artist). He was also the founding member of the momentous saxophone trio SOSFind albums by this artist with John Surman and Alan SkidmoreFind albums by this artist. A brilliant improviser, he was an absolute master of the alto saxophone with very few contenders. Stylistically Osborne tendencies were always oriented towards Free Jazz and he was one of the great pioneers of the genre in UK. Unfortunately his personal life was deeply disturbed by mental illness, which resulted in time spent on and off in mental institutions. By early 1980s the illness became so severe that he had to be institutionalized for life and never again played music. He died in 2007.
Although Osborne recorded quite a few albums as a sideman, his output as leader is very limited. This was his debut session as a leader, which took a lot of persuasion to materialize, as Osborne hated to be in the limelight. Released on the legendary TurtleFind albums on this label label (the first album to be recorded for the label, which was actually started to release this album), the album was a rare collector’s item for many years and the reissue is a blessing. The music consists of just two long tracks (which used to be the LP sides), performed by a quintet with Osborne on alto saxophone, Harry Beckett on trumpet, Chris McGregor on piano, Harry MillerFind albums by this artist on bass and Louis MoholoFind albums by this artist on drums (the rhythm section of Brotherhood Of Breath).
On both tracks the quintet states the theme and then ventures into extended free improvisation passages, with splendid long solos by Osborne and Beckett. The album is a classic example of European Free Jazz, capturing the atmosphere of the era, when music was created because musicians had something to say. Not easy music, but essential to all enthusiasts of the genre and a most important historical document.
Visitors' Comments
Christopher Brice
Odd that the CD cover itself credits "Mike Osbourne" so I had trouble looking up the recording date here (Wikipedia redirects Mike Osbourne to Mike Osborne)
| | Updated: 20/05/2016Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | MIKE OSBORNE ~ SHAPES
FMR 010 (Barcode: 786497263820) ~ UK ~ Jazz
Recorded: 1972 Released: 1995
British saxophonist / composer Mike OsborneFind albums by this artist was one of the greatest representatives of the burgeoning scene in the late 1960s / 1970s and one of the most prominent pioneers of Free Jazz and Improvised Music. His unique alto saxophone sound, exceptional improvisational skill and power and total involvement with the music were unparalleled by any of his contemporaries. Unfortunately his career was severely disrupted by mental illness, which eventually caused his early retirement from active performing. Although Osborne did record often in the 1970s as a sideman with the most prominent ensembles at the time, his output as a leader is sadly limited. Therefore the release of this fabulous album, 23 years after it was recorded and remained forgotten, was a major event not only for his many admirers, but also for the entire British Jazz scene. Especially so when one realizes that this album is in fact the first recording of the fabulous SOSFind albums by this artist saxophone trio, supported by a rhythm section. Here they are: John SurmanFind albums by this artist, Mike Osborne and Alan SkidmoreFind albums by this artist, three British saxophone giants, with two bass players Harry MillerFind albums by this artist and Earl FreemanFind albums by this artist and Louis MoholoFind albums by this artist on drums. The music is quite overwhelming, mostly free improvised with the three saxophonists playing simultaneously and separately and the rhythm section providing a solid basis cementing the overall result into a beautiful synergy of sounds. This kind of collective improvisation, based on phenomenal and almost telepathic rapport between the musicians is extremely rare and deserves to be heard time and time again. This is an immensely important document of European Jazz and a must for British Jazz enthusiasts.
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  | TONY OXLEY ~ FEBRUARY PAPERS
DISCUS 099 (Barcode: 5051078983028) ~ UK ~ Avant-Garde Jazz
Recorded: 1977 Released: 2020
This is a reissue, first time on CD, of an iconic album by British Jazz drummer / composer / bandleader Tony OxleyFind albums by this artist. The album presents seven original compositions by Oxley, recorded by three lineups: a quartet with violinists Philipp WachsmannFind albums by this artist and David BourneFind albums by this artist and bassist Barry GuyFind albums by this artist (two tracks), a trio with Wachsmann and guitarist Ian BrightonFind albums by this artist (two tracks) and finally solo percussion and electronics (three tracks).
Oxley held a pivotal position in British Jazz since the mid 1960s, when he became the house drummer at Ronnie Scott´s club in London, which gave him an opportunity to play with the visiting prominent American Jazz stars and top British Jazz musicians. He was highly respected and always considered as truly extraordinary player, with his own perception of the role of drums within the Jazz idiom, but more importantly the concept of Jazz itself and its transformation into Improvised Music, which was developing at the time. Hearing Oxley performing live was for me always an extraordinary experience, regardless of the circumstances. Even within a most "straightforward" mainstream environment, his drumming was always on a different conceptual plane, although he managed to "keep time" perfectly and without a hitch.
Since the late 1960s Oxley started to be featured on a long series of revolutionary British Jazz albums recorded at the time, many of which remain as absolutely essential examples of modern British Jazz and serve as unsurpassed achievements of that boisterous creative period, like those recorded with Gordon BeckFind albums by this artist, Howard RileyFind albums by this artist, Alan SkidmoreFind albums by this artist, John McLaughlinFind albums by this artist, John SurmanFind albums by this artist, Michael GibbsFind albums by this artist and others.
His recording career as a leader started in 1969 with the release of two albums for CBSFind albums on this label: "The Baptised TravellerFind albums with this title" (1969) and "4 Compositions For SextetFind albums with this title" (1970), which in retrospect are considered as absolute gems of British Jazz discography. Those were followed by the album "IchnosFind albums with this title" (1971) released on RCAFind albums on this label. Following the disappointment with the major labels, which showed no interest in promoting these albums, Oxley joined guitarist Derek BaileyFind albums by this artist and saxophonist Evan ParkerFind albums by this artist as co-founder of the IncusFind albums on this label label, which was one of the first independent artist owned labels in Britain. He recorded two albums for the label: the eponymous "Tony OxleyFind albums with this title" (1975) and finally this, his fifth album as a leader "February PapersFind albums with this title" (1977).
The music on this album has nothing to do with Jazz in the conventional meaning of the idiom, but it is a perfectly logical continuation of the musical development that is documented on the four a.m. albums. Oxley breaks the conventional barriers and pushes the envelope towards Avant-Garde, which calls for new forms of expression not related to melody, harmony or even the usual sound expected from the instruments. Such extensive use of electronics was almost completely unheard of at the time of course and although early Improvised Music was already present on the scene, it was rarely as uncompromising and far-fetched as what Oxley decided to capture herein. Although bold spirited, the music offers a delicate, almost intimate sound and allows the listener to absorb every nuance of these performances.
The solo percussion / electronics pieces are of course the most surprising ones here. Improvised music is usually about group improvisation, but Oxley is one of the first improvisers to undertake the daring effort to freely improvise on his own, proving that such form of expression is both possible and valid.
Listening to this album today, with over four decades of perspective, enables me to extend my appreciation of this momentous historic effort from a new angle. Improvised Music is of course alive and kicking today and I am constantly exposed to a huge number of such recordings. I have to say that most of those contemporary efforts sound pretty pale in comparison to what Oxley managed to capture for posterity then. Despite the limited possibilities, surely compared to what is available today as far as electronic devices are concerned, his imagination and creativity remains unchallenged.
Kudos to Martin ArcherFind albums by this artist, the man behind DiscusFind albums on this label Records, for bringing this piece of musical history back to circulation – much appreciated! For Avant-Garde / Improvised Music enthusiasts, this is a Holy Grail!
| | Updated: 02/01/2021Posted: 03/10/2020 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | DARYL RUNSWICK ~ THE JAZZ YEARS
ASC 167/168 (Barcode: 607128998709) ~ UK ~ Jazz
Recorded: 1967 - 1978 Released: 2017
This is an archival 2CD album by British bassist / composer Daryl RunswickFind albums by this artist, which collects recordings by his quartets captured between 1967 and 1978. The collective lineup is impressive, to say the least, and includes saxophonists Don RendellFind albums by this artist, Jim PhilipFind albums by this artist, Stan SulzmannFind albums by this artist and Alan SkidmoreFind albums by this artist, pianists Alan BranscombeFind albums by this artist, Mike McNaughtFind albums by this artist, Tony HymasFind albums by this artist and Mick PyneFind albums by this artist and drummers Mike TravisFind albums by this artist, Spike WellsFind albums by this artist and Harold FisherFind albums by this artist. The album presents sixteen tracks, eleven of which are original compositions by Runswick, one each are by Sulzmann and Hymans and three are standards.
The music is superb all the way, a great example of modern British Jazz, which flourished in in 1970s, based on brilliant compositions by Runswick, who also plays excellent bass parts. Although these tracks were never meant to be released as commercial recordings, they offer very good sound quality and a wonderful musical experience.
Overall, it is great to see (and hear) this material, which truly deserves to be remembered and listened to, and Runswick deserves to be discovered as an excellent composer and a great musician, whose “Jazz Years” are mostly unknown to the British Jazz enthusiasts. Warmly recommended!
| | Updated: 19/06/2025Posted: 19/06/2025 | CD 2 Digipak Recommend To A Friend |
  | SKIDMORE / OXLEY / HAURAND ~ S.O.H. LIVE IN LONDON
JAZZWERKSATT 016 (Barcode: 4250079757824) ~ UK ~ Free Jazz / Improvised Music
Recorded: 1983 Released: 2007
This is an archival live recording by the wonderful trio consisting of British Jazz saxophonist Alan SkidmoreFind albums by this artist, drummer Tony OxleyFind albums by this artist and German bassist Ali HaurandFind albums by this artist, known collectively as S.O.H.Find albums by this artist The trio performs four extended pieces, all being original compositions by the trio members with one tune co-composed by the Dutch pianist Jan HuydtsFind albums by this artist.
The trio, which was active between 1978 and 1984, recorded just a couple of obscure albums released on small independent European labels and this live recoding, which saw the light of day only more than twenty years after it was recorded, is a substantial addition to its discography. Both Skidmore and Oxley are among my favorite British Jazz musicians and both made tremendous contributions to the development of British and than European Jazz, as did Haurand, not only as a musician but also as organizer and bandleader of such formidable international groups like the European Jazz QuintetFind albums by this artist which than developed into the European Jazz EnsembleFind albums by this artist, which exists to this very day.
The music is a classic example of European post-Coltrane Free Jazz, based on intensive and highly emotional performances by the trio members. Skidmore is a brilliant improviser and his lengthy solos are unstoppable, to the delight of all Free Jazz enthusiasts. Oxley, who is without a doubt the most original Jazz drummer ever, is a monster and his solo work on this album is some of the finest recorded evidence of his genius. Haurand fills in very well and supports his cohorts with his energetic pulsations. The overall sound of the trio is a modern version of the "wall of sound" effect, initiated by John ColtraneFind albums by this artist two decades earlier, but with more emphasis on sophistication rather than on raw power.
Overall this is a tremendous piece of highly charged music, which captures one of the most interesting European Jazz ensembles active in the late 1970s / early 1980s at its peak form and portrays the British / European Jazz scene at the time. An absolute must for British Jazz enthusiasts / collectors!
| | Updated: 11/01/2017Posted: 11/01/2017 | CD 1 Slipcase Remastered Recommend To A Friend |
  | ALAN SKIDMORE ~ A SUPREME LOVE
CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz
Recorded: 1961 - 2019 Released: 2023
This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued.
Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians.
The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6.
The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true.
Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.
| | Updated: 01/10/2024Posted: 21/06/2023 | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | ALAN SKIDMORE ~ ONCE UPON A TIME…
VOCALION 8406 (Barcode: 765387840624) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
The title of the debut album by saxophonist / composer Alan SkidmoreFind albums by this artist is indeed appropriate for the occasion, as this is a recording of such beauty and excellence, that is happens extremely rarely. Alan, son of veteran British Jazz figure Jimmy SkidmoreFind albums by this artist, earned his own reputation by storming the modern British Jazz in the late 1960s. He participated in numerous pivotal recordings as sideman, and his debut turned out to be just it – the absolutely perfect example of what was happening at the time. If I had to select just one album, which represents the British scene at that time, this would be it. Skidmore on tenor sax leads a perfect quintet with Kenny WheelerFind albums by this artist on trumpet, John TaylorFind albums by this artist on piano, Harry MillerFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums (yes they were John SurmanFind albums by this artist’s rhythm section as well). Of the six exquisite compositions present, two are by John Surman, and the rest by Tony Oxley, John WarrenFind albums by this artist, John Taylor and Alan Skidmore, each contributing one composition. Whatever I’ll say here does not come even close to listening to this music, so do yourself a favor and grab a copy – this is something I’ve been listening to for almost 40 years and it still grabs me each and every time, so it must be really special. Essential stuff!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | ALAN SKIDMORE ~ TCB
VOCALION 8481 (Barcode: 765387848125) ~ UK ~ Jazz
Recorded: 1970 Released: 2011
This is the 2nd album by British saxophonist / composer Alan SkidmoreFind albums by this artist, one the pillars of modern British Jazz, who was a prominent figure on the late 1960s / 1970s Jazz scene, contributing some of the greatest moments of that illustrious era. Skidmore´s input over the years is absolutely invaluable and fortunately he is one of the musicians from that period, who still plays today, as brilliantly as always. The album also captures Skidmore´s 2nd quintet, with trombonist Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist (the only common link with the 1st quintet), bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. On four of the seven tracks of this album the quintet is expanded into a septet with the addition of two superb saxophonists: Mike OsborneFind albums by this artist and John SurmanFind albums by this artist. Of the seven compositions Skidmore contributed only one, two are by Surman, two others are by the great John WarrenFind albums by this artist, another one is by Osborne and the last one is by Taylor. The music is typical of the time, brilliant modern Jazz, revolutionary in concept, brilliantly performed by these Master musicians. Over 40 years since this music was recorded and it still sounds absolutely stunning and honestly Jazz did not move forward significantly since then. An absolute must to all British Jazz connoisseurs and modern Jazz enthusiast!
| | | CD 1 Remastered Recommend To A Friend |
  | ALAN SKIDMORE ~ THE CALL
PROVOCATEUR 1018 (Barcode: 5038491000037) ~ UK ~ Jazz-World Fusion
Recorded: 1999 Released: 1999
Legendary British saxophonist / composer Alan SkidmoreFind albums by this artist is one of the pivotal players on the modern British Jazz scene. His immense contribution to the development of the scene is well documented on his numerous recordings as a leader and sidemen in the late 1960s / 1970s and his position in the Pantheon of British Jazz is fully earned. Skidmore is one of the relatively few heroes of the British Jazz revolution to continue an active and successful career through the years, which also included recording of new albums periodically, keeping him constantly in the public eye (or rather ear). This album also reveals Skidmore’s open-mindedness and respect towards cultures and music other than Jazz, constituting a splendid example of contemporary Jazz-World Fusion. During his 1994 stay in South Africa Skidmore met the local drums / percussion ensemble AmampondoFind albums by this artist and fell in love with their music. Five years later he actually fulfilled his dream to record an album with Amampondo, which was recorded in South Africa and includes also Colin TownsFind albums by this artist on keyboards. Some overdubbing was later added to the original recording in the UK, which features Steve MellingFind albums by this artist (piano), Arnie SomogyiFind albums by this artist (bass) and Gary HusbandFind albums by this artist (drums). Skidmore plays incredibly on this album. His tone and vigor completely untouched by time and his improvisational powers at their peak, resembling as always those of John ColtraneFind albums by this artist. In fact it almost jumps out of this music that Coltrane would have probably recorded a similar album if he lived, as he was often researching and absorbing the African roots of Jazz prior to his untimely death. This realization adds another dimension to this sublime music, a prophetic one in that. In all respects this is one of the best Jazz-World Fusion albums I’ve ever heard and surely one I’ve probably enjoyed the most. Skidmore’s saxophone improvisations backed up by the African percussion merge perfectly into a new amalgam, which sounds and feels completely natural and coherent. His virtuoso performances are dazzling, but never flashy or overbearing – just exactly right for each moment. Skidmore again proves to his listeners that he is a Master with unmatched quality and talent. This album deserves to be listened to by every Jazz lover on this planet and embodies an essential recording of human Culture, transcending race, backgrounds and traditions and pointing clearly to the future of music.
| | | CD 1 HDCD Essential Recommend To A Friend |
  | ALAN SKIDMORE / MIKE OSBORNE / JOHN SURMAN ~ S.O.S.
OGUN 019 (Barcode: 5020675571921) ~ UK ~ Free Jazz / Improvised Music
Recorded: 1975 Released: 2006
This is a reissue of one of the most iconic British Jazz albums in all time, the only studio album by the saxophone trio comprising of Alan SkidmoreFind albums by this artist (tenor saxophone / drums / percussion), Mike OsborneFind albums by this artist (alto saxophone) and John SurmanFind albums by this artist (baritone and soprano saxophones / bass clarinet / synthesizers). The album presents eight original compositions, co-credited to all three members of the trio.
I vividly remember the first time when I listened to this album in 1975, being completely knocked out of my socks. The sheer chutzpah by these three musicians doing something so unheard of, playing music galactically remote from anything around, boldly combining the entire Jazz legacy into a completely new universe, and most importantly not giving a toss about what the critics will say (more about this later), was nearly an out-of-body experience. I knew them personally and heard them playing live quite often, but this album was truly something else.
The trio came together many months before the studio album was recorded and their early work together can be found on the appropriately titled “Looking For The Next OneFind albums with this title” live album, released on CuneiformFind albums on this label Records in 2013. The time spent gigging together polished their act and level of interplay and by the time they entered the studio, they were completely a three-headed one-minded musical unit.
All three players were already established and highly regarded figures on the British Jazz scene at the time, taking an active role in the revolution, which led to the creation of the new, modern British Jazz, emancipated from the American Jazz traditions and limitations. But the meeting of the trio sparked a new level of creativity and “out of the box” thinking, like Surman’s fascination with synthesizers and creating layers of background sound, which he utilizes to this very day. The complexity of simultaneous triple soloing and harmonizing is staggering and has very few parallels to this very day.
The new album’s packaging features several reviews of the album, published at the time of its release, and beautifully portrays the rigidness and ridiculous conservatism the British music press suffered from at the time, which opposed the revolutionary trends bitterly.
Overall, this is a timeless Masterpiece in the purest meaning of the term. The music is still absolutely fresh and stunning, losing absolutely nothing of its ingenuity, brilliance and spirituality. In retrospect it sounds even more beautiful than it did at the time of its creation, probably due to the fact that we have been exposed to so much bad music over time, that this sounds like honey in the ears. I’d go as far as saying that anybody who did not hear this album, did not hear British Jazz at its absolute best.
| | Updated: 18/03/2023Posted: 18/03/2023 | CD 1 Mini-Sleeve Essential Recommend To A Friend |
  | ALAN SKIDMORE / UBIZO ~ 50 JOURNEYS
PROVOCATEUR 1040 (Barcode: 5038491104025) ~ UK ~ Jazz-World Fusion
Recorded: 2008 Released: 2008
3rd album by British saxophonist / composer Alan SkidmoreFind albums by this artist and his African Music ensemble UbizoFind albums by this artist, which combines European Jazz musicians with African ethnic players. The album’s title celebrates Skidmore’s 50 years as a Jazz musician, one of the most illustrious careers on the British Jazz scene. The music is a beautiful amalgam of modern Jazz and ethnic elements, which Skidmore and his group have been exploring for the last few years. This version of Ubizo includes such gifted players as Ingolf BurkhardtFind albums by this artist (trumpet), Steve MellingFind albums by this artist and Colin TownsFind albums by this artist (keyboards) and Neville MalcolmFind albums by this artist (bass), alongside the African players, who play a plethora of folklore instruments. This album is slightly more oriented towards the ethnic elements, with relatively short tracks, but the scope and the beauty of the music is breathtaking. The Jazz elements are of course still strongly manifested, especially in view of the two John ColtraneFind albums by this artist compositions included, with spectacular solos by Skidmore. Overall this is another masterpiece of Jazz-World Fusion, with great music from start to finish, proving that music does not have to be somber and gloomy to be intelligent and rewarding. I had a great fun listening to this album and I’m sure many listeners will feel the same. Wholeheartedly recommended!
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  | ALAN SKIDMORE / UBIZO ~ UBIZO
PROVOCATEUR 1036 (Barcode: 5038491103622) ~ UK ~ Jazz-World Fusion
Recorded: 2002 Released: 2003
Following the recording of the sensational “The CallFind albums with this title” album, legendary British saxophonist / composer Alan SkidmoreFind albums by this artist reunited again with the South African ensemble AmampondoFind albums by this artist and created the group UbizoFind albums by this artist, adding a few other British Jazz musicians. This album documents the group’s music, which is a direct continuation of the tremendous success achieved on the previous album. This time the group presents a slightly different balance between Jazz and Folklore, as the “Jazz section” is strengthened by the addition of trumpeter Ingolf BurkhardtFind albums by this artist (from the NDR Big BandFind albums by this artist). Other players include Colin TownsFind albums by this artist (keyboards), Steve MellingFind albums by this artist (piano) and Arnie SomogyiFind albums by this artist (bass), who played on the previous album, and Stephen KeoghFind albums by this artist on drums. The music includes compositions by Skidmore, Towns and of course by members of Amampondo, as well as arrangements of traditional South African music. The overall balance between Jazz and Folklore is absolutely perfect, creating a superb Jazz-World Fusion, as it should be. British Jazz aficionados should remember Skidmore’s participation in Chris McGregorFind albums by this artist’s Brotherhood Of BreathFind albums by this artist some 30 years earlier, which also blended South African music and Jazz. It is quite interesting to compare this recording with the BOB ones and observe the process of maturity and refining that occurred in the meantime. The raw power and wildness (in search of musical and not only freedom) is replaced here by moderation and sophistication. Yes, we are all getting older, no doubt, but this does not affect Skidmore’s playing, which is exceptional, like always. His tone and improvisational skills are a symbol of (spiritual) youth and his Coltranesque explorations remain equal to none. I only hope Skidmore will continue to record his superb music for many years to come. Delightful!
| | | CD 1 Digipak HDCD Recommend To A Friend |
  | SOFT MACHINE ~ FOURTH (REMASTERED)
SONY BMG 687291 (Barcode: 828768729120) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
4th album, which finds Soft MachineFind albums by this artist back in the quartet format with Elton DeanFind albums by this artist as the new permanent member. Following the direction set on the previous album, SM moved even further away from their original psychedelic direction into experimental Jazz-Rock, which was groundbreaking and innovative to the extreme and aeons ahead of its time. In similar fashion to the previous album, the band used a horn-section to utilize a much more powerful sound and limitless sonic possibilities, which included the creme de la creme of (then) contemporary and burgeoning young UK jazz scene, including Roy BabingtonFind albums by this artist – acoustic bass, Nick EvansFind albums by this artist – trombone, Mark CharigFind albums by this artist – cornet, Jimmy HastingsFind albums by this artist – saxes and Alan SkidmoreFind albums by this artist – saxes. This expanded ensemble recorded one of the most beautiful and most sophisticated albums of the era, which is completely timeless and inspiring to this very day. This new direction created some tension (to put it mildly) between the jazz oriented trio and the band’s original drummer Robert WyattFind albums by this artist, which led to Wyatt’s departure from the band by mid-1971 (to start Matching MoleFind albums by this artist), before the next album would be recorded. Therefore this was to be the last SM album to feature his extraordinary drumming skills. This beautiful new remaster finally (for the first time ever) gets rid of the muddy and hollow sound from which this album suffered badly, obscuring much of the music it contained. Absolutely essential!
Visitors' Comments
Christopher Brice
It´s great to hear this properly at last - I have been listening to it over and over again since I broke the seal last night!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | JOHN SURMAN ~ FLASHPOINTS AND UNDERCURRENTS
CUNEIFOM 515/516 (Barcode: 045775051529) ~ UK ~ Jazz
Recorded: 1969 Released: 2025
This is an archival album by British saxophonist / composer / bandleader John SurmanFind albums by this artist, recorded on April 18, 1969 as part of the German NDR radio station series of concerts called Jazz Workshop. The 62nd edition of the series featured Surman and his tentet, which included eight British musicians: Surman, saxophonists Alan SkidmoreFind albums by this artist, Ronnie ScottFind albums by this artist and Mike OsborneFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist, and two Austrian musicians: trombonist Erich KleinschusterFind albums by this artist and pianist Fritz PauerFind albums by this artist. The entire concert is included on this 2CD album and presents thirteen tracks, ten of which are original compositions by Surman and three (one each) are compositions by Pauer, Wheeler and Kleinschuster.
Five of the tracks (in somewhat edited form) were previously released, also on CuneiformFind albums on this label, in 2011 as the CD/DVD album “Flashpoint: NDR Jazz Workshop – April `69Find albums with this title”. Shortly before this music was recorded, Surman recorded his 2nd album as a leader, the iconic “How Many Clouds Can You See?Find albums with this title”.
The music is of course absolutely Godly, a brilliant snapshot of the explosive modern British Jazz at its absolute peak, which takes the Jazz tradition exponentially expanded into new space-time continuum. Every one of these musicians is a master of his instrument and Surman’s music is an ideal catalyst which helps the music to explode. Hearing is believing of course, but there are very few albums, which can match the genius and intensity of this music. Since the German radio sound engineers knew how to capture the sound perfectly, listening to this album is an unadulterated ecstasy.
Overall, this is probably one of the best examples ever of the early European Jazz at its pivotal stage, taking everything there is to take form the American Jazz tradition between Swing and Free and moving to the next stage of evolution. A quintessential musical moment captured for posterity and serving as a beacon pointing towards the feature.
| | Updated: 14/06/2025Posted: 14/06/2025 | CD 2 Essential Recommend To A Friend |
  | JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE?
VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2006
2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.
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  | JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69
VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz
Recorded: 1968 - 1969 Released: 2006
Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.
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  | JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN
VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!
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  | JOHN TAYLOR ~ PAUSE, AND THINK AGAIN
FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz
Recorded: 1971 Released: 1995
British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career.
This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album.
Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!
| | Updated: 20/05/2016Posted: | CD 1 Digipak Remastered Essential Recommend To A Friend |
  | COLIN TOWNS ~ ANOTHER THINK COMING
PROVOCATEUR 1028 (Barcode: 5038491102823) ~ UK ~ Jazz
Recorded: 2001 Released: 2001
British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist and his Mask OrchestraFind albums by this artist ensemble are one of the best examples of modern Jazz, which is still groundbreaking and innovative. Towns’ composition and arrangements are always not only skillful and sophisticated, but also completely innovative and even surprising (take it form an old skeptic who has heard it all before). Using the big band in ways previously unexplored is a rare talent indeed and deserves both respect and admiration. This album presents a series of Towns’ original instrumental compositions and two arrangements, one of a classical piece by Claude DebussyFind albums by this artist and the other a John LennonFind albums by this artist / Paul McCartneyFind albums by this artist tune. Partly commissioned by the NDR Big BandFind albums by this artist, with which Towns cooperates on a regular basis, here they are performed by his own band. Varying in style from early New Orleans Jazz, via Psychedelic and up to contemporary World-Jazz Fusion, the album presents an invigorating vista of modern Jazz at its best, full of great melodic content, imagination, daring and masterly performed Art. The players, including legendary veterans such as Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), playing along young British Jazz lions, do everything expected of them and beyond, delivering perfectly coherent and beautifully executed music, which fills the listener’s heart and soul with instant gratification. The enhanced CD also includes a short film with music composed by Towns and performed by the band. Any big band and modern Jazz fan should definitely check out this superb album, and frankly anything else Towns delivers, as talent of his caliber is rare and deserves all the attention it can achieve. Grab it!
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  | COLIN TOWNS ~ BOLT FROM THE BLUE
PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz
Recorded: 1990 - 1991 Released: 1991
The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.
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  | COLIN TOWNS ~ DREAMING MAN WITH BLUE SUEDE SHOES
PROVOCATEUR 1017 (Barcode: 5038491000013) ~ UK ~ Jazz-Classical Fusion
Recorded: 1997 - 1998 Released: 1999
British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist is a true Renaissance musician, active in many different fields of musical activity. Extremely prolific, his accumulated body of work as a composer includes a vast number of highly regarded scores for cinema and television as well as Jazz compositions, mostly for the big band format. In 1996 Towns founded his own record label, called ProvocateurFind albums on this label Records, which is his main outlet to present his Jazz-oriented work and which in time firmly established a position of one of the most prestigious and interesting European record labels. His main vehicle for recording Jazz is his ensemble called Mask OrchestraFind albums by this artist, but he also works closely with the excellent German NDR Big BandFind albums by this artist in Hamburg. In retrospect I’d say that Towns’ work provides the perfect bridge (or the missing link) between the golden age of British Jazz in the late 1960s / 1970s and today. This is reflected by many aspects of his music, such as his complete disregard of normative mainstream Jazz forms, his constant effort to innovate and cover new ground and even by the fact that his ensembles include some of the legendary players of the golden age as well as representatives of the second and third generation of British Jazz musicians. This stunning album presents Towns and his work at their full glory. It is an extended piece, similar to the symphonic suite form established in Classical Music, which can be considered as a Symphonic Jazz suite. Towns expands his Mask Orchestra into a 70-piece orchestra, which he calls Mask SymphonicFind albums by this artist, using the Jazz big band and an adding an entire symphonic orchestra. In complete contrast to several previous attempts of this nature, in this case the entire orchestra functions as a completely integrated and organic musical body rather than Jazz vs. Classical ensembles, which completely fail to complement each other. The music is simply magnificent, deeply melodic and highly intelligent, with sublime arrangements and perfect atmospheric treatment, flowing seamlessly from one theme to the next, and when the album reaches its end the listener is left lingering with a strong desire for more. Towns uses the entire palette at the disposal of a composer, both the orchestral and instrumental solo parts and in this case also vocal parts, beautifully performed by the divine Norma WinstoneFind albums by this artist and Italian singer Maria Pia De VitoFind albums by this artist. The players include such veteran lions as Henry LowtherFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Frank RicottiFind albums by this artist (percussion), but all of the performers are truly first class. In short this is an exhilarating musical experience of deep significance and lasting cultural value. Essential!
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  | COLIN TOWNS ~ NOWHERE & HEAVEN
PROVOCATEUR 1013 (Barcode: 5029152801322) ~ UK ~ Jazz
Recorded: 1996 Released: 1996
British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist presents his 2nd large scale Jazz project on this album, released on his record label ProvocateurFind albums on this label Records. Five years after his previous release, which was a great surprise and a stunning example of modern big band Jazz music, Towns takes the listener even further into the realm of orchestral Jazz, with an ambitious and complex piece of music, performed by his Mask Orchestra, which includes some of the best Jazz players in Britain, such as Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Guy BarkerFind albums by this artist (trumpet) and Clark TraceyFind albums by this artist (drums). But the greatest surprise on the album is the presence of Italian singer Maria Pia De VitoFind albums by this artist, who delivers some remarkable vocal parts, cleverly incorporated into the music, often taking the music places previously unexplored. Incorporating vocal parts into large scale orchestral Jazz is not new in the British Jazz tradition and has been previously used during the golden age of the late 1960s / 1970s by composers like Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist and others. I suppose Towns is familiar with these examples and I’m happy to see him creating an up-to-date example of this compositional device. The music is truly grand, rich and sophisticated; somewhat similar to Classical Music at times, but more dynamic and of course retaining the element of swing, which clearly keeps the music well inside the overall framework of Jazz. Perfect performances, with many splendid solo parts and the fantastic sound quality all contribute to the success of this album, which deserves a worthy place in the Pantheon of the valued British Jazz tradition. Although requiring attentive listening, patience and open-mindedness, this music is richly rewarding and holds many intellectual as well as emotional qualities, which should keep all Jazz lovers happy. Wholeheartedly recommended!
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  | COLIN TOWNS ~ THE ORPHEUS SUITE
PROVOCATEUR 2004 (Barcode: 5038491200420) ~ UK ~ Jazz
Recorded: 2004 Released: 2004
British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, is renown for his work in a variety of musical settings, which include cinema, TV and Jazz big band. Therefore it is no surprise that the Birmingham Royal Ballet would commission Towns to compose a suite, to be used as the accompaniment for the ballet’s performance. The composer stood up to the challenge admirably, as documented on this album. The music, inspired by the Greek mythological hero Orpheus, is performed by Towns’ Mask OrchestraFind albums by this artist, which includes an expanded percussion section allowing a more rhythmic emphasis in the music. Although intended for the ballet, the music stands perfectly on its own and is able to inspire and touch the listener even without the visual counterpart. The separate pieces of the suite differ from each other in many respects, but sustain a feeling of continuity and conceptual unity. Slightly more percussive at times than Towns’ usual compositions (as appropriate for modern dance) some of the parts are also beautifully melancholic, creating a stunningly dramatic atmosphere of the entire suite. The music is quite complex, presenting the band with challenging obstacles, but the experienced and talented musicians of this caliber conquer the difficulty with flying colors. Distinguished soloist like Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist (trumpet), along with younger but highly skilled players in the band deliver an all round excellent performance. The album includes a bonus track, which was considered, but eventually not included in the ballet performance. All in all this is another momentous achievement for Towns and his band, worthy of an honorable place in any serious Jazz music collection. On a side note, I wonder if the tragic fate of Orpheus, a poet and musician, who tried to cheat death using his artistic skills and perished himself in the process, is not a metaphor one can easily apply to artists even in our times. After all Orpheus did achieve immortality, even if only as a myth, so perhaps the role of all artists lies primarily with whatever is left as their legacy, by which they will be remembered?
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  | STAN TRACEY ~ WISDOM IN THE WINGS (FREE AN` ONE / THE SEVEN AGES OF MAN)
RESTEAMED 114 (Barcode: 5060138617148) ~ UK ~ Jazz
Recorded: 1969 Released: 2020
This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “Free An` OneFind albums with this title” and “The Seven Ages Of ManFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Peter KingFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist and presents five original compositions by the leader. The second album was recorded by a sixteen-piece Big Band, which included some of the top British Jazz musicians at the time, such as trumpeter Derek WatkinsFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist, saxophonists Peter King, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, the rhythm section from the quartet and others and presents eight original compositions by the leader, also arranged by him. Both albums were recorded in late 1969 (September 10 and October 8 respectively) and released the following year on the EMI / ColumbiaFind albums on this label label.
The quartet album is a brilliant example of Tracey’s openness towards the “new winds” that were stirring up the British Jazz scene, with strong Avant-Gardist / Free Jazz influences ventilating the scene. In complete contrast to many of his veteran contemporaries, Tracey had no problem whatsoever with these trends and flirted with them openly, as long as he was either enjoying or in control, as many of his recordings, like those with Mike OsborneFind albums by this artist or Keith TippettFind albums by this artist, clearly show. This quartet was not playing Free as such, but fiery improvisations and less strict rhythmic patterns are clearly audible, and the general carefree atmosphere testifies.
The Big Band album is a complete different pair of galoshes, with Tracey showing off his genius as composer / arranger / Big Band leader, which always way one of his undeniable fortes (not that he had any weaknesses as a musician that I am aware of). The compositions are simply brilliant, the arrangements unique and the Big Band, exploding with talent, is riding the wind, soaring like there is no tomorrow. Considering the fact that this album was recorded in one day, it is truly amazing that the Big Band performs all these complex arrangements with awe-inspiring ease and elegance.
Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!
| | Updated: 18/08/2021Posted: 14/08/2021 | CD 2 Digipak Recommend To A Friend |
  | VARIOUS ARTISTS ~ TURTLE RECORDS: PIONEERING BRITISH JAZZ 1970-1971
RPM 528 (Barcode: 5013929552807) ~ UK ~ Jazz
Recorded: 1970 - 1971 Released: 2015
This is a phenomenal Box Set including the reissues of all three albums released by the legendary British TurtleFind albums on this label label, owned by producer Peter EdenFind albums by this artist, who besides owning the label was also responsible for producing a long list of revolutionary British Jazz albums, which are all classics today and which document the extraordinary explosion of creativity and talent that transformed British Jazz into a new idiom, emancipated from the American Jazz tradition, proudly stepping into a new dimension, which spread rapidly to the European Continent giving birth to European Jazz. Eden´s productions included albums by such pioneering Jazz musicians like Mike WestbrookFind albums by this artist, John SurmanFind albums by this artist, Alan SkidmoreFind albums by this artist, Michael GibbsFind albums by this artist, Norma WinstoneFind albums by this artist and others, as well as no less pioneering Rock / Prog musicians. Most of his productions were originally released on the DawnFind albums on this label and DeramFind albums on this label labels.
The three albums included in this Box Set are: "OutbackFind albums with this title" by Mike OsborneFind albums by this artist, "FlightFind albums with this title" by Howard RileyFind albums by this artist and "Pause, And Think AgainFind albums with this title" by John Taylor.Find albums by this artist To read the reviews of these albums please click on their titles. The set also includes a fabulous book "The Turtle Records Story" by Colin HarperFind albums by this artist, which is an excellently written and researched account of Eden´s activity at the time, and which includes may interviews with musicians involved and photographs taken at the time, in short a superb piece of British Jazz history. This is a splendid example of what writing about music is all about.
I can hardly imagine a more important document of the pivotal period of the British Jazz than this Box Set. The music is still shockingly expressive, losing nothing of its power and farsightedness over time, the production is exemplary and the listening experience exhilarating. Anybody interested in Jazz who does not own the original LPs should of course get this Box Set ASAP, since not knowing this music is simply criminal. Unless of course someone prefers to listen to the insanely boring American mainstream…
| | Updated: 26/01/2019Posted: 20/05/2016 | CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1971
GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1971 Released: 2023
This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist.
This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period.
It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak.
Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!
| | Updated: 05/01/2024Posted: 05/01/2024 | CD 2 Recommend To A Friend |
  | MIKE WESTBROOK ~ MARCHING SONGS VOL.1 & 2
RIGHTEOUS 23:12 (Barcode: 5013929981225) ~ UK ~ Jazz
Recorded: 1969 Released: 2009
This magnificent piece of music by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is an iconic recording in the history of modern British Jazz. The huge band, which recorded this music, includes absolutely everybody who was anybody on the scene at the time: saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Malcolm GriffithFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist, drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist; these being only some of the 30 participants. The music is an extended suite (originally released on 2 LPs) with the main theme being an anti-war protest, as appropriate at the time when the Vietnam was in the center of everybody´s attention. The music was composed almost entirely by Westbrook, with a few sections composed by Surman. There is no point in explaining the significance of this music and its pioneering nature (which I have already done many times here), suffice to say that this is an absolute masterpiece in every respect and no decent Jazz record collection should exclude this historical milestone. Absolutely essential!
| | Updated: 10/03/2023Posted: | CD 2 Remastered Essential Recommend To A Friend |
  | MIKE WESTBROOK ~ METROPOLIS
BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz
Recorded: 1971 Released: 1999
If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!
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  | NORMA WINSTONE ~ EDGE OF TIME
DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz
Recorded: 1971 Released: 2013
By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others.
Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on.
The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity.
It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing.
This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.
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