Record Reviews
15 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | ROBIN KENYATTA ~ STOMPIN` AT THE SAVOY
WOUNDED BIRD 1658 (Barcode: 664140165823) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 Released: 2008
American saxophonist / flautist / composer Robin KenyattaFind albums by this artist first appeared on the Free Jazz scene in the mid-1960s playing as a sideman with such distinguished musicians as Bill DixonFind albums by this artist, Andrew HillFind albums by this artist and others. By the 1970s Kenyatta changed his musical direction and joined the Jazz-Rock and Funk movements, which were thriving at the time. He recorded a series of Jazz-Rock / Funk albums for the Atlantic label, of which this was the third and last. Supported by a fantastic crew of musicians, which included drummer Alphonse MouzonFind albums by this artist, bassist Ron CarterFind albums by this artist, trumpeter Lew SoloffFind albums by this artist and many others, Kenyatta continues the direction set by his previous albums, mixing styles and genres at will, manages to create a unique piece of music, which includes a rare combination of Funk, Jazz-Rock, World Music and Blues. His saxophone and flute work is featured extensively, and is the highlight of the album. This little known gem is definitely worth to be rediscovered by people who missed it at the time, as it includes loads of memorable music. Check it out!
| | | CD 1 Recommend To A Friend |
  | JOACHIM KUHN ~ HIP ELEGY
MPS 602498081860 (Barcode: 602498081860) ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2003
Joachim KuhnFind albums by this artist ranks among the most famous European jazz musicians. Brilliant pianist and composer, he has been active on the German jazz scene since the mid-1960’s, first playing with his older brother Ralf KuhnFind albums by this artist (a superb jazz clarinet player – see their excellent album on the American Impulse!Find albums on this label label, if you can find it) and later enjoyed a spectacular solo career, playing and recording with all the best jazz musicians around the world. As many of his German colleagues he played mostly free jazz in his early days and later expanded also to Jazz-Rock.
For this 1975 recording Kuhn assembled a stellar group of musicians: Japanese trumpeter Terumasa HinoFind albums by this artist, Belgian guitarist extraordinare Philip CatherineFind albums by this artist, Brazilian percussionist Nana VasconcelosFind albums by this artist and an all-American rhythm section with John LeeFind albums by this artist on bass and Alphonse MouzonFind albums by this artist on drums. Together they play a set of Kuhn’s superb compositions, executed with elegance and virtuosity rarely heard elsewhere. Kuhn’s superb piano technique, of the classical concert hall scale, sets the tone, but he also uses electronic keyboards to paint layers of atmospheric backgrounds. Everybody enjoys plenty of space to improvise and the result is a Fusion fan’s dream come-true.
On a side note: the album was produced by Joachim BerendtFind albums by this artist and the music was first played at the jubilee concerts celebrating his 5,000th radio jazz program on the Sudwestfunk network – where Berendt worked for many years.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2025Posted: | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | ALBERT MANGELSDORFF ~ THREE ORIGINALS
MPS 731451921322 (Barcode: 731451921322) ~ GERMANY ~ Free Jazz / Improvised Music
Recorded: 1975 - 1980 Released: 1993
This is a reissue / remaster of three iconic albums by the Godfather of modern German Jazz, trombonist / composer / bandleader Albert MangelsdorffFind albums by this artist. All three albums were recorded for and released by the legendary German MPSFind albums on this label label and all were produced by my Friend and Mentor Joachim BerendtFind albums by this artist. I had the pleasure to be in the studio where the first album was recorded and at the Berlin Jazz Days venue where the second album was recorded. All three albums were recorded in a trio setting: trombone / bass / drums.
The albums are:
“The Wide PointFind albums with this title”, recorded in 1975 with Swedish bassist Palle DanielssonFind albums by this artist and American drummer Elvin JonesFind albums by this artist.
“Trilogue - Live!Find albums with this title”, recorded in 1976 with American bassist Jaco PastoriusFind albums by this artist and drummer Alphonse MouzonFind albums by this artist.
“Albert Live In MontreuxFind albums with this title”, recorded in 1980 with French bassist Jean-Francois Jenny-ClarkFind albums by this artist and American drummer Ronald Shannon JacksonFind albums by this artist.
The music is absolutely stellar from start to finish and Mangelsdorff’s exceptional talent as musician, improviser and innovator is fully exposed here. Mangelsdorff proved that there are no limits to any instrument, only to human imagination. These intimate trios are a great display of Free Jazz / Improvised Music at their absolute best, not to mention the exposure of the trombone as a solo instrument.
Mangelsdorff’s contribution to the development of modern German / European Jazz was absolutely crucial at the early post WWII years, with an independent view of the Jazz Artform, quite separate from the American tradition. The privilege of meeting Albert Mangelsdorff and his brother Emil MangelsdorffFind albums by this artist and spending time with them is a worm memory, which I cherish to this day.
Overall, this is a brilliant package of three great albums on 2 CD, which holds some great performances by superb musicians, all of which, except Danielsson, are no longer with us. This music is an absolute must an any comprehensive collection of modern European Jazz and Improvised Music.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 07/04/2023 | CD 2 Remastered Recommend To A Friend |
  | PATRICK MORAZ ~ THE STORY OF I
TIME WAVE 003 (Barcode: 604388669721) ~ SWITZERLAND ~ Progressive Rock
Recorded: 1975 Released: 2006
1st album by Swiss keyboards wizard Patrick MorazFind albums by this artist and then member of YesFind albums by this artist. Following the release of RelayerFind albums with this title all Yes members embarked on solo projects, this one being definitely the most significant of them all. After completion of this project Moraz returned to Yes to play some concerts with them, soon to be replaced by none other than the returning Rick WakemanFind albums by this artist. This album presents Moraz not only as a virtuoso player, but also more importantly as a serious composer. The music, which mixes elements of jazz, classical and world music, is complex and intricate and yet extremely melodic. As customary at the time the album is a concept work based on a story line written by Moraz himself. Moraz recorded the music in Switzerland and Brazil, where he used a group of local percussionists. This gives the music a distinct ethnic and trans-cultural feel. The splendid Jeff BerlinFind albums by this artist plays some great bass lines and drummer Alphonse MouzonFind albums by this artist swings mightily. In retrospect this is definitely one of the best works created among the Yes Family members and a worthy document of the era. Warmly recommended.
Visitors' Comments
Dr. Rafael Augusto Lara Palmeros
This is the first solo albumn by Swiss keyboard player Patrick Moraz with an excellent group of musicians (John McBurnie, Vivienne McAuliffe, Ray Gomez, Jeff Berlin, Alphonse Mouzon, Andy Newmark and percussionists of Rio de Janeiro). The concept albumn is based in a love story of massive tower in the jungle (¿Amazonia?). The tower lures people from all over the world to go inside it. Inside the tower people are able to experience their wildest desires and fantasies but the only rule is that people inside the tower may not fall in love with each other. However two people inside do so and decide to escape since the tower acts also as a prision which inhabitants are slaves of their own desires- The albumn consists in a suite (fourteen relatively short tracks related to the story), the music is notable for its rich use of pitch-bend controls on the synth/organ notes and its multi-layered, heavy but rhytmically agile synth and keyboard textures. ´ Impact´,´Warmer hands´,´ The storm´, ´Risk and fall´,' Dancing now´, and my favourite ´Best years of our lives' are tracks of impressive Prog- World Music- Jazz Fusion. If you are a real Prog fan, this item is absolutely essential. 5 stars.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ALPHONSE MOUZON ~ BY ALL MEANS
MPS 4029759169703 (Barcode: 4029759169703) ~ USA ~ Jazz-Funk Fusion
Recorded: 1981 Released: 2021
This is a reissue / remaster of an album by American drummer / composer / bandleader Alphonse MouzonFind albums by this artist, recorded with some top American musicians active at the time, including keyboardist Herbie HancockFind albums by this artist, guitarists Lee RitenourFind albums by this artist and Paul Jackson Jr.Find albums by this artist, bassist Scott EdwardsFind albums by this artist and the Seawind HornsFind albums by this artist. Trumpeter Freddie HubbardFind albums by this artist guests on one tracks. The album presents five original compositions, all by Mouzon, and the album was produced by my Friend and Mentor Joachim BerendtFind albums by this artist.
Mouzon enjoyed an illustrious career during the 1970s, first as a member of McCoy TynerFind albums by this artist quartet and later as a founding member of Weather ReportFind albums by this artist, Larry CoryellFind albums by this artist’s Eleventh HouseFind albums by this artist and many other Fusion ensembles, which makes him one of the forefathers of the American Fusion. By the time this album was recorded, Mouzon move more towards Funk and Groove, and this album is a classic example of the genre. Combining Funky grooves and Jazzy brass arrangements it reflects perfectly the relaxed atmosphere fashionable at the time.
Although hardly challenging musically, the album shows that the easier side of the Jazz spectrum can be masterly conceived and executed by highly professional musicians, who are Masters of their trade.
Overall, this is a long overdue reissue of a very enjoyable album, which is a perfect companion for sunny days and an effective antidepressant, which should help some of the Jazz snobs to relax once in a while.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 02/05/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | ALPHONSE MOUZON ~ IN SEARCH OF A DREAM
MPS 4029759119661 (Barcode: 4029759119661) ~ USA ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2017
This is a reissue of the second album for the MPSFind albums on this label label by American drummer / composer / bandleader Alphonse MouzonFind albums by this artist, recorded with a dream team of Fusion musicians: American saxophonist Bob MalikFind albums by this artist and pianist Stu GoldbergFind albums by this artist, Belgian guitarist Philip CatherineFind albums by this artist, German keyboards marvel Joachim KuhnFind albums by this artist and Czech bassist Miroslav VitousFind albums by this artist. Together, but in varying lineups, they perform nine tunes, six of which were composed by Mouzon and one each by Catherine, Kuhn and Vitous.
The music is a superbly crafted Jazz-Rock Fusion, with great melodic lines and intelligent arrangements, which focus on the music rather than on senseless doodling which overtook the genre soon after this music was recorded. In fact this is probably one of the latest great Fusion albums, closing the initial decade when the idiom crystallized and achieved its greatest triumphs.
The level of the individual performances is absolutely stellar as each of these instrumentalists was a major figure in the Fusion field at the time. Yet the album is completely devoid of ego trips and competition, with respect and ensemble effort at the helm. Mouzon´s unique and unparalleled drumming is of course the power driving this music at all times, and which remains a source of inspiration for all drummers in the world to this day. Catherine´s guitar playing is also stellar and his sophistication remains unmatched. Kuhn and his keyboard wizardry is the cherry on top.
With passing of time, this album becomes ever stronger and valid, as a milestone of what Fusion was (and should be) all about. Mouzon´s contribution to Fusion is of course immeasurable and this album is just one of the pieces of the puzzle that define the genre. Obviously this is an absolute must in every decent Fusion collection and for the younger listeners who might have missed this gem this is a golden opportunity to learn something about real music. Essential listening!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 25/02/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | ALPHONSE MOUZON ~ IN SEARCH OF A DREAM
MPS 4029759097273 (Barcode: 4029759097273) ~ USA ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2014
Conceived and produced by my Friend and Mentor, the celebrated Joachim BerendtFind albums by this artist, this wonderful and sadly little known album presents a recording by a Fusion supergroup headed by the great American drummer / composer Alphonse MouzonFind albums by this artist. A group of top Fusion players from both sides of the pond, the collective personnel includes, in addition to Mouzon, two more Americans: keyboardist Stu GoldbergFind albums by this artist and saxophonist Bob MalikFind albums by this artist. The European contingent comprises of Belgian guitar virtuoso Philip CatherineFind albums by this artist, German pianist Joachim KuhnFind albums by this artist and finally Czech bass magician Miroslav VitousFind albums by this artist, who plays a funkiest electric bass ever on this album, in addition to his double bass, a very rare occurrence indeed.
Mouzon, aged 29 at the time this music was recorded (the "Happy Birthday" chant heard on the album is about that), was already a Fusion veteran, after being a founding member of Weather ReportFind albums by this artist (with Vitous) and later Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist. His technical proficiency and more importantly superb musicality earned his much respect among his peers and quite a following on the busy Fusion scene. This recording was Mouzon´s second album as a leader for the legendary German MPSFind albums on this label label, also produced by Berendt, following the no less outstanding "VirtueFind albums with this title" recorded a year earlier.
Of the nine tracks on this album, six are original compositions by Mouzon, with the remaining three being originals by Catherine, Kuhn and Vitous. They are all superb pieces of music, based on great melodies, complex rhythmic patterns and stunning solo work by all the participants, reflecting Fusion at its best before the genre sadly dwindled into obsessive repetitious doodling.
Hearing this music almost forty years after it was recorded produces a striking realization that it lost absolutely nothing of its original freshness and sounds brilliant as ever, perhaps even more so today, considering what pretends to be music these days. Listening carefully to this album reveals a plentitude of musical details and ideas that went into creating this music, which require talent and dedication. Mouzon´s drumming on this album is of course a delightful reminder of better times.
As all the albums recorded for the MPS label, the recording quality of this album is simply marvelous, with precision and ambience unachieved by almost any other recordings and as such is a true delight to all audiophile music listeners, in additions to being a great document of the era when music truly mattered.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 30/01/2016 | CD 1 Slipcase Remastered Recommend To A Friend |
  | ALPHONSE MOUZON ~ VIRTUE
PROMISING MUSIC 44110 (Barcode: 602517602410) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2009
In the early 1970s the name of US drummer Alphonse MouzonFind albums by this artist was almost synonymous with Jazz-Rock Fusion as one of its most prominent drummers, rivaled only by Billy CobhamFind albums by this artist. His stints with Weather ReportFind albums by this artist and Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist are prime examples of his extraordinary abilities and technique. But Mouzon could play modern Jazz as well as Fusion, and he played with the best, including McCoy TynerFind albums by this artist and many other "conventional" Jazz musicians. This album is a brainchild of the legendary producer Joachim BerendtFind albums by this artist, who was a great fan of Mouzon´s playing and invited him to record for the legendary MPSFind albums on this label label twice, before recording this one with him as a leader. For the album Mouzon assembled quite an unusual quartet, incorporating one of the greatest (and often underappreciated) saxophonist Gary BartzFind albums by this artist, which seemed truly inappropriate, as Bartz was more then anything a player in the John ColtraneFind albums by this artist tradition, which was hardly "in place" in a Funk / Fusion setting. The result of course proves that all fears were completely unfounded and the quartet works like a dream. Completed by keyboardist Stu GoldbergFind albums by this artist (a frequent guest on the MPS label), whose feel for Fusion and Funk was beyond reproach, and bassist Welton GiteFind albums by this artist (a legendary bass player, who was a member of SteppenwolfFind albums by this artist! and played with a plethora of Rock, Pop and Jazz acts) the quartet performs a set of compositions composed by Mouzon, playing their ass off from start to finish, producing one of the most energetic and brilliant Fusion albums with no weak moments whatsoever. Mouzon is of course brilliant, a monster rhythmic (and polyrhythmic) driving power at all times. Both Goldberg and Bartz get plenty of solo space and the overall result is a Fusion orgy of unearthly proportions. Although this album is rarely mentioned as a Fusion "classic", it definitely deserves the status, which anybody listening to it should easily recognize. We should be grateful to Promising MusicFind albums on this label for reissuing this classic treasure! As usual, the remastering, sound quality, packaging and extensive liner notes are beyond reproach. Warmly recommended!
| | Updated: 16/05/2016Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | WEATHER REPORT ~ I SING THE BODY ELECTRIC
COLUMBIA 512897 (Barcode: 5099751289722) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 - 1972 Released: 1997
2nd album by the first jazz super group Weather ReportFind albums by this artist, formed by ex-Miles DavisFind albums by this artist group members Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (sax) and the Czech bass virtuoso Miroslav VitousFind albums by this artist. Vitous was asked to join the Miles Davis group in 1970, but for various reasons this didn’t work out. Instead he approached two of the group members and proposed to form a new group, which would continue the revolutionary new direction Miles was following (later to be named Jazz-Rock Fusion) and expand it into new territory. Zawinul and Shorter, both being at a crossroads at the time after leaving the ensembles they played in, agreed and Weather Report was born. Following the release of their eponymous album in 1971 the group embarked on several European and Japanese tours. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which a legendary album called Live In TokyoFind albums with this title was recorded on January 13, 1972. The live album was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of I Sing The Body ElectricFind albums with this title, in addition to the a.m. November studio recordings on side A. As usual with WR, personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Zawinul using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles Davis In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions. On the studio sessions WR used several guest musicians, notably the superb guitarist Ralph TownerFind albums by this artist (from OregonFind albums by this artist) on the classically influenced piece called The Moors and an extended brass session and vocals on the ominous anti-war piece called Unknown Soldier (remember the Doors?). This album is a timeless masterpiece and a cornerstone of Jazz (in general) and Fusion (in particular), providing a wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music. Absolutely essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1971
GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1971 Released: 2023
This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist.
This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period.
It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak.
Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!
| | Updated: 05/01/2024Posted: 05/01/2024 | CD 2 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN TOKYO
COLUMBIA 489208 (Barcode: 5099748920829) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2001
Following the release of their eponymous album in 1971 and in spite of the hype and show-biz brouhaha created by ColumbiaFind albums on this label at the time, which presented Weather ReportFind albums by this artist as the first ever jazz super group (a term already used in reference to rock acts), the band found it difficult to secure any US venues to perform live. Europe and Japan of course couldn’t get enough of them and WR spent most of 1971 performing there in front of ecstatic audiences. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which this legendary album was recorded on January 13, 1972. The music was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of the 2nd official WR album I Sing The Body ElectricFind albums with this title, which included the a.m. November studio recordings as side A – all this probably due to the fact that Columbia was anxious to have the next WR album out ASAP and didn’t want to wait for the more studio recordings. So much for the background and now for the music. As usual with WR, the personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Joe ZawinulFind albums by this artist using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles DavisFind albums by this artist´ In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, with the intensity equal to the legendary Miles’ Fillmore concerts. The music is presented in a form of four extended medleys (the longest of which lasts for over 26 minutes), mixing expanded versions of compositions present on the debut album with those recorded during the a.m. November sessions and yet others that appear only here. The group improvisations and the telepathic interplay are fearfully intense. Miroslav VitousFind albums by this artist bravely provides the steady pulsation, which cements the basis on which his companions embark into their sonic ventures. Gravatt is all over the rhythmic patterns and Romao brilliantly fills the spaces. WR strength was always in their live performances, since their studio efforts somehow lacked much of the spontaneity, drive, inspiration and vigor present on stage. This recording, in addition to its heavenly contents, has also a tremendous historic value, as it is the only one in existence documenting the early (and to many the most interesting) stage of the band. It also provides the wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music, during the convoluted period where all boundaries seemed to be irrelevant and the unexpected was expected. There would be very few moments in the years that followed that either WR or any other band for that matter would reach the same level of creative genius or performance intensity. Absolutely essential!
| | | CD 2 Essential Recommend To A Friend |
  | WEATHER REPORT ~ THE COLUMBIA ALBUMS 1971-1975
SONY 886919934229 (Barcode: 886919934229) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1971 - 1975 Released: 2012
It is almost impossible to imagine contemporary music in general and Jazz in particular without the contribution made by Weather ReportFind albums by this artist, one of the most eminent, pioneering and revolutionary ensembles that ever existed. In the decade and a half that the band recorded and performed music together, they managed to set an example to entire generations of musicians, changing the face of music as we know it.
From day one Weather Report was different. Although it is considered an American band, in fact it included at any given time of its existence more members that were not American-born than those that were. They band´s basic concept was different from everything that was a standard at the time and put forward collective improvisation and multicultural musical approach rather than the standard theme followed by individual solos approach. Also the band kept constantly evolving, frequently changing lineups, styles and sound, totally unpredictable and free of any conventions.
Weather Report was formed by two musical friends, who knew each other for quite a while before their individual careers allowed them to join forces and make music together. Austrian-born keyboardist / composer Joe ZawinulFind albums by this artist and American saxophonist / composer Wayne ShorterFind albums by this artist had both paid their dues in top Jazz ensembles of the 1960s, most importantly both playing in the Miles DavisFind albums by this artist revolutionary ensemble of the "Bitches BrewFind albums with this title" period. Joined by the Czech-born bassist / composer Miroslav VitousFind albums by this artist, the original band was born, with American drummer Alphonse MouzonFind albums by this artist and Brazilian-born percussionist Airto MoreiraFind albums by this artist. The double drums / percussion team would be kept throughout the entire history of the band, with just one brief period when the lineup was just a quartet.
During the first five years of its existence Weather Report recorded six albums, including the live double LP, which was initially only released in Japan, all of which are included in this magnificent Box Set. The bonus tracks are taken from the two compilation albums: "Forecast: TomorrowFind albums with this title" and "Live And UnreleasedFind albums with this title", which were released in the 2000s. Vitous left the band at the end of this period, playing only on one track of the last album in this Box Set, which marked the end of the first phase of the band, which would soon enter a new phase when Jaco Pastorius joined Weather Report, a phase which is documented by the other Box Set of Weather Report albums called "The Columbia Albums 1976-1982Find albums with this title".
This Box Set is not only a holy grail of contemporary music, but also a sublime document of the music itself going through a perpetual change and transition. It is beyond recommendation, as its place on the pedestal of contemporary canon was already established long before these lines were written. Essential stuff!
| | Updated: 26/01/2019Posted: | CD 7 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | WEATHER REPORT ~ WEATHER REPORT
COLUMBIA 468212 (Barcode: 5099746821227) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 1991
1st album by Weather ReportFind albums by this artist, the greatest Fusion band ever, and a pivotal recording, which would change the face of music for generations to come. The core members of Weather Report were Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (saxophones), two prominent members of the 1960s Miles DavisFind albums by this artist ensembles, and a young Czech bass player Miroslav VitousFind albums by this artist (who played with Davis for a brief period of time only). Vitous arrived in the US in 1966 on a Berklee scholarship (like Zawinul almost a decade earlier) but soon after left the school to explore the soaring jazz scene in NY, where he played with Chick CoreaFind albums by this artist, Herbie MannFind albums by this artist, Stan GetzFind albums by this artist and many others. After meeting Zawinul and Shorter the decision was made to start a new group, which would continue the direction set by Davis on his historic In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, based on a collaborative / group improvisation (Davis was moving in the meantime into a more funk oriented period). To complete the group they drafted another ex-Davis musician, the Brazilian percussionist Airto MoreiraFind albums by this artist and a young drummer Alphonse MouzonFind albums by this artist. The debut album, recorded soon after the band was formed, reveals with full force the extraordinary rapport the members of the group established immediately, transcending their individual personalities. The music is mostly atmospheric, free form and with subtle melody lines, mostly concealed beneath the improvisations. Thus began a journey, which lasted for over 15 years, which would place Weather Report on the forefront on contemporary music and create a model followed by countless jazz and fusion musicians all over the world to this very day. Although the group would undergo multiple personnel changes and stylistic swings, their innovative, groundbreaking and often prophetic leadership would remain unchallenged. In retrospect it’s interesting to see that something, which is considered a core of American culture, was in fact created by a group in which American born musicians were in fact a minority, with Zawinul and Vitous coming from Europe and Moreira from Brazil. It can be also considered as foretelling, since future Weather Report would be one of the first bands to include World Music elements into fusion. This is monumental stuff, absolutely essential listening and a historical document of great importance.
| | | CD 1 Remastered Essential Recommend To A Friend |
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