Record Reviews

NEIL ARDLEY ~ A SYMPHONY OF AMARANTHS DUSK FIRE 107 (Barcode: 5065001032189) ~ UK ~ Jazz Recorded: 1971 Released: 2012 This is the criminally overdue reissue of the second album by British Jazz composer / arranger / bandleader Neil ArdleyFind albums by this artist, which also was the second part of his great trilogy, which started with "The Greek VariationsFind albums with this title" and was followed later by "Kaleidoscope Of RainbowsFind albums with this title". It is one of the great gems of the revolutionary British Jazz, which developed in the Golden Decade (1965-1975) and changed to face of music as we know it. Influenced by Duke EllingtonFind albums by this artist and Gil EvansFind albums by this artist, Ardley was the creator of the innovative Big Band / Orchestral sound, which was one of the magic ingredients of the new British Jazz at the time. Although based on the compositional ideas of Ellington and Evans, Ardley managed to push them way forward into an amalgam with contemporary European Classical music, early atmospheric / ambient music and other elements, creating unique orchestral soundscapes. As the musical director, resident arranger and conductor of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley had at his disposal the crème de la crème of the British Jazz players, and quite naturally he used them to record his own projects as well. The list of the protagonists behind this recording is of truly epic proportions and includes such luminaries as trumpeters Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Don RendellFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Dave GellyFind albums by this artist (who also wrote the informative liner notes for this reissue), pianists Stan TraceyFind albums by this artist and Karl JenkinsFind albums by this artist, bassist Chris LaurenceFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist. The only one of its kind Ivor CutlerFind albums by this artist recites a famous nonsense poem and the divine Norma WinstoneFind albums by this artist sings Ardley´s music accompanying three classic poems, his first adventure with vocal music. Overall the album presents a wondrous splendor of musical ideas, marvelously executed by the musicians involved, creating together one of the most beautiful examples of creativity and intelligence, which were the chief ingredients of the music created by Ardley time and again. As an album, this is one of the very few examples of musical perfection, which set the standards for all the others. It is in every respect as perfect today as it was at the time of its recording. A curious point about this album is the fact that this was the first ever recording to be funded by a grant from the Art Council, which supported a plentitude of great musical projects in the years to come. The album was produced by the legendary Denis Preston, who was in charge of recording a myriad of brilliant early British Jazz albums and without whom the this great music might have never been captured for posterity. The reissue is brilliantly remastered and sounds absolutely spectacular. This is an unconditional, absolute essential piece of music!

CD 1 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius. The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording. Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!

CD 2 Remastered Essential Recommend To A Friend

TONY CROMBIE ~ SEVEN CLASSIC ALBUMS PLUS BONUS EP REAL GONE JAZZ 430 (Barcode: 5036408156525) ~ UK ~ Jazz Recorded: 1954 - 1961 Released: 2013 This is a reissue of early recordings by the legendary drummer / composer / bandleader Tony CrombieFind albums by this artist, undoubtedly one of the greatest British Jazz drummers of the first post-WWII generation. Crombie played with the best Swing and Bebop players, including Ronnie ScottFind albums by this artist and John DankworthFind albums by this artist, served as member of the resident house band at Ronnie Scott´s Jazz Club in London and moved on when the British Jazz changed its character, playing with such modernists as Stan TraceyFind albums by this artist. He also had ties with Rock And Roll and Pop, playing among others with the great vocalist Georgie FameFind albums by this artist. He accompanied many American Jazz vocalists upon their visits in the UK. Crombie´s compositions were very popular among Jazz musicians and even Miles DavisFind albums by this artist recorded one of his tunes on his "Seven Steps To HeavenFind albums with this title" album. The seven albums included here are: "At The Royal Festival HallFind albums with this title" (with Ronnie Scott) from 1956, "Annie By The CandlelightFind albums with this title" (with vocalist Annie RossFind albums by this artist) from 1956, "Man From The InterpolFind albums with this title" (a TV Series Soundtrack) from 1959, "Sweet Wide And BlueFind albums by this artist" from 1960, "Drums! Drums! Drums!Find albums with this title" from 1960, "Whole Lotta TonyFind albums with this title" from 1961 and finally "Twelve Favorite Film ThemesFind albums with this title" from 1961. In addition an EP from 1954 featuring his orchestra is also included. Overall this is a fascinating collection of great mainstream Jazz music played by the best British musicians at the time, and which has additionally also an enormous historical value. I can’t imagine any true British Jazz fan missing this set! Side Note The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain. There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history. The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.

Updated: 01/06/2018Posted: 01/06/2016

CD 4 Remastered Recommend To A Friend

AMANCIO D`SILVA ~ KONKAN DANCE VOCALION 8420 (Barcode: 765387842024) ~ UK ~ Jazz-World Fusion Recorded: 1974 Released: 2006 Guitarist / composer Amancio D`SilvaFind albums by this artist was born in Goa, India and arrived in London in 1967, where he was immediately absorbed by the burgeoning local Jazz scene. Similarly to many other musicians, who arrived in the ex-Empire’s Capital from the colonial countries (but mostly from India), D`Silva was already “armed” with a vast musical tradition of his native county. The liberal cultural atmosphere of the London scene and the openness to other cultural influences where a major factor in creating a cultural amalgam between the Western Jazz tradition and the Eastern musical treasures. Several players practiced the new Jazz-World Fusion direction, like the John MayerFind albums by this artist / Joe HarriottFind albums by this artist ensemble with the revolutionary Indo-Jazz FusionsFind albums with this title recordings. Although D`Silva participated in a wide variety of sessions, his unique guitar voice always included a subtle Eastern undertone. However, on his solo recording projects, where his own compositions were mainly featured, this influence was much more apparent. He recorded five brilliant solo albums, of which this was the last. For some strange reason the last album was never released at the time and this is the first time this great music can be heard, which of course is a reason to celebrate, as anything recorded by this brilliant musician is an important heritage and a document of the era. The musicians participating in this recording come from the ranks of legendary British Jazz scene: Don RendellFind albums by this artist – saxophone, Stan TraceyFind albums by this artist – piano and Alan BranscombeFind albums by this artist – flute, vibes and electric piano. A sitar and two tabla players add the Indian flavor to the music, which flows beautifully like a river of sound in an enchanted garden. Absolute must!

CD 1 Remastered Recommend To A Friend

PAUL GONSALVES ~ HUMMING BIRD VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz Recorded: 1970 Released: 2005 American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.

Updated: 14/08/2021Posted:

CD 1 Remastered Recommend To A Friend

PAUL GONSALVES & TUBBY HAYES / JOHNNY SCOTT ~ JUST FRIENDS / LONDON SWINGS VOCALION 8482 (Barcode: 765387848224) ~ USA ~ Jazz Recorded: 1965 - 1966 Released: 2011 During the 1964 concerts in UK by the Duke EllingtonFind albums by this artist Band, saxophonist Paul GonsalvesFind albums by this artist was taken ill immediately prior to the band´s opening concert. He was promptly, but without any warning, replaced by the legendary local saxophone hero, Tubby HayesFind albums by this artist, who filled the void superbly. This incident led to a friendship between the two players, which led to the recording reissued herein. Gonsalves and Hayes exchange licks like there´s no tomorrow, leading a nonet consisting of excellent British musicians, some of which were the members of Hayes´ band at the time. The great pianist Stan TraceyFind albums by this artist was also drafted to the ranks. The music is simply divine, swinging like mad and the performances are truly stellar. A true meeting of the Giants! This reissue also includes an album by the Johnny ScottFind albums by this artist Orchestra, which consists of the leading Jazz players on the UK scene at the time. The superbly arranged material is a prime example of how seemingly straight-forward material can be sophisticated and interesting, when in the hands of Masters. This is a great trip down the nostalgia lane. Hayes enthusiasts will find this one essential!

CD 1 Remastered Recommend To A Friend

KENNY GRAHAM ~ MOONDOG AND SUNCAT SUITES TRUNK 036 (Barcode: 666017219325) ~ UK ~ Jazz Recorded: 1956 Released: 2010 The tiny British TrunkFind albums on this label Records label (owned by Jonny TrunkFind albums by this artist) is an endless source of discovery for a serious collector, specializing in unearthing ultra rare (or rarer) recordings and bringing them back to light. For specialist in British Jazz Trunk Records have some incredible offers, like this incredible long out of print album by saxophonist / composer Kenny GrahamFind albums by this artist, who was one of the great leaders of the British scene in the 1950s and early 1960s. This album presents two suites composed by Graham and performed by his expanded Band, which included some of the greatest players on the scene, like pianist Stan TraceyFind albums by this artist, drummer Phil SeamenFind albums by this artist and many others. The first of these suites is based on the music of the eccentric American composer MoondogFind albums by this artist, and the second is Graham´s "answer". The music is absolutely superb, eons ahead of their time and so unusual that one tends to check the recording date repeatedly in disbelief. What a surprising piece of the British Jazz history. This album is a wonderful document of the era and an indispensable part of any serious British Jazz collection!

CD 1 Remastered Recommend To A Friend

TUBBY HAYES ~ HIP! THE UNTOLD STORY OF TUBBY HAYES` 1965 RHYTHM AND BLUES 080 (Barcode: 5060331752790) ~ UK ~ Jazz Recorded: 1965 Released: 2021 This is an archival 2CD album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents three radio broadcasts, all previously unreleased, all captured in 1965, a year in which no studio recordings by Hayes were made and he did not head a regular ensemble of his own, as a result of his troubled personal life riddled by health and addiction problems. However, when it came to live performances, Hayes, as this album shows, was still the greatest saxophonist active on the British Isles at the time. CD1 presents a ten tracks broadcast by the Commonwealth Jazz OrchestraFind albums by this artist, led by Hayes and featuring some of the greatest British Jazz musicians, like trumpeters Shake KeaneFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Bobby WellinsFind albums by this artist and Ronnie RossFind albums by this artist, pianist Stan TraceyFind albums by this artist and others. Vocalist Joy MarshallFind albums by this artist appears on three tracks. The Big Band / Orchestra performs three originals by Hayes, including the fabulous “100% ProofFind albums with this title”, which will become the title track of his studio album two years later. Two more British originals are by trumpeter / composer of Jimmy DeucharFind albums by this artist, a regular Hayes’ collaborator. The rest of the material comprises of great arrangements of Jazz standards. CD2 presents two Hayes’ quartet broadcasts, with pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummers Benny GoodmanFind albums by this artist or Ronnie StephensonFind albums by this artist (who also plays on the Orchestra tracks). The last five tracks (second broadcast) offer a somewhat lower sound quality, but the quality of the music is certainly as admirable as the rest of the music on this album. The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading. Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes, who sadly left us tragically way to prematurely. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all.

Updated: 17/01/2023Posted: 17/01/2023

CD 2 Recommend To A Friend

SHAKE KEANE ~ THAT`S THE NOISE VOCALION 8408 (Barcode: 765387840822) ~ UK ~ Jazz Recorded: 1967 Released: 2005 Trumpeter / composer Shake KeaneFind albums by this artist was born in St Vincent (West Indies) and emigrated to Britain in the early 1950s. His superb tone and total control of his instrument was immediately recognized and the local music scene immediately absorbed him, providing plenty of opportunities for him to play in a variety of styles. By the end of the 1950s Keane almost completely to playing Jazz and became one of the spearheading figures of the British modern / free Jazz. He was a member of the pioneering group led by saxophonist Joe HarriottFind albums by this artist, with whom he recorded some of the most pivotal early European free Jazz. He was also a member, together with Harriott, in the groups led by pianist Michael GarrickFind albums by this artist. Keane’s prime interest was actually in poetry and literature, which gave him his nickname, as short for Shakespeare. Playing with Garrick, he participated in the Jazz & Poetry scene, which of course was only appropriate for his field of interest. Keane left Britain in the late 1960s, first to Germany and later returning to his native island, where he became a government minister of culture. He continued his literary work and published works of prose and poetry. A few years before his death in 1997 he returned to his musical activities and even recorded new albums. Strangely enough, in the midst of his activity in the Avant-Garde Jazz field, Keane recorded a few solo albums, which present another side of his musical personality. These albums could be considered as belonging to the “lighter” side of Jazz, where Keane mostly played adaptations of Pop songs of the period. This album is one of these, and although at the time it was criticized as being a “sell-out”, in retrospect it is a real gem. Keane does use a set of Pop songs (BeatlesFind albums by this artist, Rolling StonesFind albums by this artist, DonovanFind albums by this artist and others) as the basis, but the clever and unusual arrangements and his phenomenal improvisational skills turn these songs inside out and the overall effect is truly spectacular. A couple of his original compositions are also included and one more by his partner Joe Harriott. He leads a splendid sextet with Bob EffordFind albums by this artist – sax, Olaf VasFind albums by this artist – flute, Pat SmytheFind albums by this artist – piano, Coleridge GoodeFind albums by this artist – bass and Bobby OrrFind albums by this artist – drums (Stan TraceyFind albums by this artist plays piano on three tracks), which plays elegantly and effortlessly. I had a real ball listening to this uplifting music. Easy Jazz? Perhaps, but who cares, when it sounds as good as this.

Updated: 12/04/2019Posted:

CD 1 Remastered Recommend To A Friend

HARRY MILLER / ISIPINGO ~ FULL STEAM AHEAD REEL RECORDINGS 012 (Barcode: 676868177927) ~ UK ~ Jazz Recorded: 1975 - 1977 Released: 2008 Harry MillerFind albums by this artist brought over from his native South Africa a whole universe of music, which he and several of his South African musical cohorts injected into the British Jazz scene at a time of its greatest glory, not only musically but also socially, when it opened its arms and embraced any worthy influence, be it from India, Middle East, Far East or any other part of the crumbling Empire. Harry was always one of the most revered Masters of the bass and the warm tone and full body of his instrument ornamented countless recordings made by British bandleaders in the 1970s. However, Harry´s heart was always warmest to the amalgam of Free Improvised Jazz based on South African roots. His performances with the Brotherhood Of BreathFind albums by this artist and with his own roots ensemble IsipingoFind albums by this artist are clear evidence of the fact. Sadly Isipingo recorded just one album and therefore this new release, which presents a set of wonderful (mostly studio) recordings, all previously unreleased, is a true delight to every one of the many Harry´s fans around the globe. Made in cooperation with the Miller family label OgunFind albums on this label Records, run by his wife Hazel, this album is a heaven on earth in every respect – the music is delightful, the sound quality excellent and the historical value immeasurable. The lineup of the sextet changes slightly on the tracks present here, including saxophonist Mike OsborneFind albums by this artist, trumpeters Mark CharigFind albums by this artist and Mongezi FezaFind albums by this artist, trombonists Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Paul NeimanFind albums by this artist, pianists Stan TraceyFind albums by this artist, Keith TippettFind albums by this artist and Frank RobertsFind albums by this artist, Miller on bass and drummer Louis MoholoFind albums by this artist. The music, all composed by Miller, charges full steam ahead indeed, preserving absolutely all of its vitality and high spirited energy. This album deserves a well respected place in any serious British Jazz album collection and hopefully will be discovered by many new listeners, who missed this wonderful music when it was performed live, being one more testimony to the fact that Harry´s untimely death in 1983 was a tremendous loss for all music lovers.

Updated: 29/01/2019Posted:

CD 1 Digipak Recommend To A Friend

RONNIE SCOTT QUARTET ~ BBC JAZZ CLUB 1964-1966 RHYTHM AND BLUES 063 (Barcode: 5060331752219) ~ UK ~ Jazz Recorded: 1964 - 1966 Released: 2020 This is an archival album by the British Jazz quartet led by legendary saxophonist Ronnie ScottFind albums by this artist, known worldwide as the co-owner / co-founder (with Pete KingFind albums by this artist) of London’s most iconic Jazz Club, established in 1959 and located first at 39 Gerrard Street and in 1965 moved to the nearby current location (yes the club is still functional today) at 47 Frith Street. In all those years the Ronnie Scott’s Jazz Club became the de facto European Mecca not only for British Jazz, but for top Jazz Artists from all over the world. The album presents three sessions featuring the quartet: three tracks from 1964 (with an announcement by Scott) with pianist Stan TraceyFind albums by this artist, bassist Malcolm CecilFind albums by this artist and drummer Jackie DouganFind albums by this artist; three tracks from 1965 with Tracey, bassist Rick LairdFind albums by this artist and drummer Ronnie StephensonFind albums by this artist; and finally five tracks from 1966 (with announcements by Humphrey LittletonFind albums by this artist) with Tracey, bassist Freddy LoganFind albums by this artist and drummer Bill EydenFind albums by this artist with great American vocalist Mark MurphyFind albums by this artist (resident at that time in UK) on two tracks, accompanied only by the piano trio. The music is all mainstream Jazz and all the tracks are standards, but it shows Scott as an excellent player with a personal delivery and a keen eye (well ear) for the musicians he selected for the quartet, which were definitely some of the finest players around at the time. Tracey of course was also a full-fledged composer and leader of his own, and was the house pianist at Ronnie’s Jazz Club for over seven years (1960-1967), definitely not by chance. Although Scott himself was not swept by the charms of the British Jazz revolution, which created a new sound and approach to the music, and remained faithful to the American (mostly Bebop) tradition, he was very open-minded as a person and respected the young and experimenting generation. He offered the club at the old location for as long as the lease lasted, which was named the “Old Place”, to be used by young musicians to rehearse and perform and the “house musician” position was offered to such distinguished modernist as Tony OxleyFind albums by this artist. Overall this album is a nice reminder of Scott – the saxophonist and is a valuable addition to his recorded legacy, especially since this material is available here for the first time and offers quite reasonable sound quality.

Updated: 10/07/2021Posted: 10/07/2021

CD 1 Recommend To A Friend

SPLINTERS ~ INCLUSIVITY JAZZ IN BRITAIN 26 (Barcode: 5060774190258) ~ UK ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2021 This is an archival 3CD album by British Jazz supergroup SplintersFind albums by this artist, which presents two live recordings, both from 1972, the first at the legendary London 100 Club (on CD 1 and 2) and the second from the opening night at the (then) newly opened Grass Roots club (on CD 3). The music was captured on cassettes and was carefully restored to today’s standard as far as possible. The 100 Club material was previously released in part by the Reel RecordingsFind albums on this label label in 2009 as “Split The DifferenceFind albums with this title”, and is here presented in its full form and the Grass Roots material is previously unreleased. The album is released in a lavish LP sized book format, and includes beautiful photographs by Jack KirbyFind albums by this artist and extensive essay by Simon SpillettFind albums by this artist – an obvious work of love and dedication, which is the modus operandi of the Jazz In BritainFind albums on this label label. The Splinters collective is truly unique in every sense, but the most striking trait of this ensemble is the meeting of generations, united by the inner urge to express their musical ideas as expressively and unrestrictedly as humanly possible. Three of the protagonists of this session, pianist Stan TraceyFind albums by this artist (b. 1926), who appears on CD 1 and 3 only, drummer Phil SeamenFind albums by this artist (b. 1926) and saxophonist Tubby HayesFind albums by this artist (b. 1935) were already British Jazz legends at the time of this recording, with years of experience and established careers to their credit. All were immensely influential on the then growing up generation of the British New Wave of rebellious young players, who wished to emancipate the music they played from the restrictions of strict Jazz forms, patterns and rhythmical uniformity established since the genre´s conception and developed during its first half century in the USA. Tracey, Seamen and Hayes were the necessary missing link between the Jazz tradition and the gradual but revolutionary development that occurred in British Jazz from the mid-1960s on. Surprisingly, Tracey and Seamen, both older than Hayes, proved to be the more adventurous, shunning from nothing and keeping their sensitivity completely up to date. Tracey fully embraced Free Jazz and Improvised Music and Seamen was active not only in the Jazz area, but also took part in early Jazz-Rock, Rock and even early World-Jazz activities, mainly through his faithful pupil and protégé Ginger BakerFind albums by this artist. Hayes remained somewhat more "conventional", expanding his Bebop approach with some freedom, but remaining firmly within the established parameters. Perhaps the future might have proved differently, but Hayes died prematurely just a year after this music was recorded. The rest of the "crew" captured here: saxophonist Trevor WattsFind albums by this artist (b. 1939), who taped this music and was the initiator behind Splinters, trumpeter Kenny WheelerFind albums by this artist (b. 1930), bassist Jeff ClyneFind albums by this artist (b. 1937) and drummer John StevensFind albums by this artist (b. 1940), were the (not necessarily chronologically, but definitely spiritually) young Lions spearheading British Jazz into a new direction. The idea behind this session was to provide an open and most importantly completely free of any pre-conceptions environment for the musicians to express their ideas. Overall, as with much contemporary Jazz at the time, the idea of free flow and mutual respectful listening is the core of creation here. The music consists of long improvised pieces, with no strict melody lines, but full of very "melodic" playing, which makes perfect sense musically. This is group improvisation at its best, full of musical interplay and mutual inspiration respectful of each other´s "moment" and bearing at each particular instant. In many respects this is a classic "textbook" recording, which could be used as a perfect demonstration of what group improvisation really is. As someone must have said sometime: "you can´t plan lovemaking", this music, although unplanned, is a pure work of love. Beyond essential!

Updated: 07/12/2021Posted: 07/12/2021

CD 3 Digibook Remastered Essential Recommend To A Friend

SPLINTERS ~ SPLIT THE DIFFERENCE REEL RECORDINGS 013 (Barcode: 775020938328) ~ UK ~ Jazz Recorded: 1972 Released: 2009 The Canadian Reel Recordings label does it again! Following a series of splendid British Jazz archival releases, which expose many previously unheard musical creations during the Golden Age of British Jazz, this addition to its catalogue is perhaps the most sensational and revealing. Obviously the feverish activity, that characterized this unprecedented period, produced a vast amount of groundbreaking music, which unfortunately was only partially captured on tape. Therefore unearthing another piece of that wonderful puzzle is always exciting and educational. The SplintersFind albums by this artist collective is truly unique in every sense, but the most striking trait of this ensemble is the meeting of generations, united by the inner urge to express their musical ideas as expressively and unrestrictedly as humanly possible. Three of the protagonists of this session, recorded live at the legendary 100 Club, London´s primary Jazz dungeon for many years, pianist Stan TraceyFind albums by this artist (b. 1926), drummer Phil SeamenFind albums by this artist (b. 1926) and saxophonist Tubby HayesFind albums by this artist (b. 1935) were already British Jazz legends at the time of this recording, with years of experience and established careers to their credit. All were immensely influential on the then growing up generation of the British New Wave of rebellious young players, who wished to emancipate the music they played from the restrictions of strict Jazz forms, patterns and rhythmical uniformity established since the genre´s conception and developed during its first half century in the USA. Tracey, Seamen and Hayes were the necessary missing link between the Jazz tradition and the gradual but revolutionary development that occurred in British Jazz from the mid-1960s on. Surprisingly, Tracey and Seamen, both older than Hayes, proved to be the more adventurous, shunning from nothing and keeping their sensitivity completely up to date. Tracey fully embraced Free Jazz and Improvised Music and Seamen was active not only in the Jazz area, but also took part in early Jazz-Rock, Rock and even early World-Jazz activities, mainly through his faithful pupil and protégé Ginger BakerFind albums by this artist. Hayes remained somewhat more "conventional", expanding his Bebop approach with some freedom, but remaining firmly within the established parameters. Perhaps the future might have proved differently, but Hayes died prematurely just a year after this music was recorded. The rest of the "crew" captured here: saxophonist Trevor WattsFind albums by this artist (b. 1939), who taped this music and was the initiator behind Splinters, trumpeter Kenny WheelerFind albums by this artist (b. 1930), bassist Jeff ClyneFind albums by this artist (b. 1937) and drummer John StevensFind albums by this artist (b. 1940), were the (not necessarily chronologically, but definitely spiritually) young Lions spearheading British Jazz into a new direction. The idea behind this session was to provide an open and most importantly completely free of any pre-conceptions environment for the musicians to express their ideas. As with much contemporary Jazz at the time, the idea of free flow and mutual respectful listening is the core of creation here. The music consists of two long (47 and 30 minutes) improvised pieces, with no strict melody lines, but full of very "melodic" playing, which makes perfect sense musically. This is group improvisation at its best, full of musical interplay and mutual inspiration respectful of each other´s "moment" and bearing at each particular instant. In many respects this is a classic "textbook" recording, which could be used as a perfect demonstration of what group improvisation really is. As someone must have said sometime: "you can´t plan lovemaking", this music, although unplanned, is a pure work of love. Beyond essential!

Updated: 07/12/2021Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

KEITH TIPPETT & MATTHEW BOURNE ~ AEOLIAN DISCUS 120 (Barcode: 5051078989624) ~ UK ~ Free Jazz / Improvised Music Recorded: 2019 Released: 2021 This is a wonderful 2CD album, which documents the cooperation between the iconic British Jazz pianist / composer / improviser Keith TippettFind albums by this artist (born 1947) and pianist / composer Matthew BourneFind albums by this artist (born 1977), a representative of the new generation of British Jazz. Although separated by a generation gap, the two improvisers felt wonderfully comfortable playing piano duets, which they did during the last three years (2017 – 2019) of Tippett’s activity, cut short by his untimely death in 2020. The first CD presents eight studio recordings by the duo recorded in July 2019, as well as a solo piece by Tippett, which he composed. The second CD presents a live recording by the duo, also from 2019, which sadly was also the last live appearance by Tippett, which comprises of just two lengthy pieces combined into a one continuous stream of music. All the duo performances (studio and live) are credited to both players. Of course piano duets are hardly surprising as far as Tippett is concerned and his epic recordings with Stan TraceyFind albums by this artist in the 1970s and Howard RileyFind albums by this artist in the 1990s are absolutely classic examples of the “Art of the Duo” in the piano duet idiom. Although completely improvised, this music has a superb feeling of melody, even if only created subconsciously by the listener’s mind, and the gentle and serene interplays are sublime examples of “less is more”, which let the music flow naturally and coherently, both in the case of the studio recordings and perhaps even more so during the concert performance. The mutual respect and telepathic communication these two musicians share is nothing short of astounding. Our great thanks go to Martin ArcherFind albums by this artist, the owner of DiscusFind albums on this label Records, for bringing this superb music out in the open for all of us to enjoy and savor. It would have been unthinkable to let it stay in the vaults, especially in view of the fact that this is Tippett’s final statement. Overall, this is a momentous release, not only as far as British Jazz is concerned, but as a brilliant document of Improvised music, which makes perfect sense, can be listened to repeatedly and is extremely aesthetically pleasing, something that happens very rarely within this genre. Essential listening!

Updated: 10/12/2021Posted: 10/12/2021

CD 2 Mini-Sleeve Recommend To A Friend

STAN TRACEY ~ FROM STAN, WITH LOVE (WITH LOVE FROM JAZZ / WE LOVE YOU MADLY) RESTEAMED 115 (Barcode: 5060138617155) ~ UK ~ Jazz Recorded: 1967 - 1968 Released: 2021 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “With Love From JazzFind albums with this title” and “We Love You MadlyFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Bobby WellinsFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Jackie DouganFind albums by this artist (Lennie BushFind albums by this artist and Ronnie StephensonFind albums by this artist replace Green and Dougan on the last track) and presents eight original compositions by the leader. The second album was recorded by an eighteen-piece Big Band (called Big Brass), which included some of the top British Jazz musicians at the time, such as trumpeters Derek WatkinsFind albums by this artist, Kenny BakerFind albums by this artist and Ian CarrFind albums by this artist, trombonist Chris PyneFind albums by this artist, saxophonists Joe HarriottFind albums by this artist, Don RendellFind albums by this artist, and Tony CoeFind albums by this artist, clarinetist Acker BilkFind albums by this artist, Tracey on piano, Bush on bass and drummer Barry MorganFind albums by this artist. As the title suggests, the album is dedicated to American pianist / composer / bandleader Duke EllingtonFind albums by this artist and presents six compositions by him, one by Billy StrayhornFind albums by this artist and one by Tracey, all also arranged by him. The first album was recorded October12 and 31, 1967 and the second August 20 and 21, 1968 and released a year later (respectively) on the EMI / ColumbiaFind albums on this label label. The first album is a wonderful example of Tracey’s quartet work, based on his idiosyncratic compositions, often truly romantic in nature, which defined his style characterized by his singular chord vamping. This was the last recording with Wellins, who was replaced on future albums by Peter KingFind albums by this artist. Tracey and Wellins has a telepathic communication between them and played like musical twins, which of course is audible here as well. The last track is a surprising excursion into African rhythms, which finds Tracey playing the vibraphone. The Big Band album is a complete different cup of tea, with Tracey showing off his genius as arranger / Big Band leader, which always were his undeniable passions in addition to his composing and playing the piano. His love and respect to Ellington the composer is plainly apparent and his arrangements are highly unusual, almost diametrically different from the original Ellington recordings, which of course is a brilliant lesson in the differences between the American and British / European approach to using the Big Band as a musical tool. The original composition closing the album is a proverbial cherry on top of course. Personally this is one of my most loved Tracey recordings, but hey I love them all of course. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 18/08/2021

CD 2 Digipak Recommend To A Friend

STAN TRACEY ~ LAUGHIN` AND SCRATCHIN` JAZZ HOUSE 608 (Barcode: 751848670824) ~ UK ~ Jazz Recorded: 1965 Released: 1997 This is an album which presents archival / informal recordings by the Godfather of modern British Jazz, pianist / composer Stan TraceyFind albums by this artist, recorded live in a trio format at the famous Ronnie Scott´s Club in London, featuring bassist Rick LairdFind albums by this artist (later of Mahavishnu OrchestraFind albums by this artist fame) and drummers Ronnie StephensonFind albums by this artist or Bill EydenFind albums by this artist. The trio performs seven pieces, two of which are originals by Tracey and five are standards. Between 1959 and 1965 Tracey and his trio served as the house band at the Ronnie Scott´s Club (the original one at Gerrard Street) and accompanied scores of visiting musicians, mostly from the US, such as Johnny GriffinFind albums by this artist, Sonny RollinsFind albums by this artist, Ben WebsterFind albums by this artist, Stan GetzFind albums by this artist, Wes MontgomeryFind albums by this artist, Roland KirkFind albums by this artist and many, many more. Playing with these Giants obviously served as a wonderful opportunity for Tracey to polish his chops, but more importantly to develop his own style as a player and composer, which differed from the standard American Bebop approach. The selections included on this album are all pretty long in duration and as such are wonderful documents of Tracey´s idiosyncrasies as a piano player, with his quite unique approach to the instrument, similar in some ways to what Thelonious MonkFind albums by this artist was doing. Tracey plays mostly chords, vamping and boogieing all over the keyboard, only occasionally playing out the melody notes. His interpretation of the Monk tune present here is simply amazing. The rhythm section bravely keeps up with the governor, standing with him shoulder to shoulder even during the unexpected twists and turns he takes along the way. Although the sound quality of this album is far from ideal, the music is absolutely stunning and more than compensates for the technical limitations. Albums like this are precious pieces of Jazz history captured for eternity, which are still valid today and are definitely worth listening to, especially by the young generation, which missed it in real time. Great stuff!

Updated: 24/03/2016Posted: 24/03/2016

CD 1 Recommend To A Friend

STAN TRACEY ~ PLAYS DUKE ELLINGTON MOLE 10 (Barcode: 5018265001026) ~ UK ~ Jazz Recorded: 1986 Released: 1989 This is a little known album by British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist, recorded in an intimate duo setting with bassist Roy BabbingtonFind albums by this artist. The album presents nine tracks, and as the title suggests, those are compositions by iconic American Jazz pianist / composer / bandleader Duke EllingtonFind albums by this artist (or Billy StrayhornFind albums by this artist in one case). For British Jazz lovers, Tracey is not only a legendary figure, but also a symbol, which bridges the first period of the British Jazz, which was more or less an attempt to follow, and to a large degree copy, everything that happened in American Jazz, with the second period, which developed an independent, original approach to Jazz music somewhere by the mid-1960. Tracey, who was dominantly active during both periods, represents the generation, that had to adapt to the changes imposed by the radical transition, and he proved to be brilliantly adaptive / embracing, brilliantly connecting everything he learned during his early years, with the often dramatically different trends that followed, like Free Jazz and Improvised Music. In retrospective he emerges as the undisputed Godfather of the British Jazz scene, which his affluent recording legacy proves beyond any doubt. This intimate album is a beautiful illustration of Tracey’s ability to respect the tradition, which Ellington represents at the most eloquent level, with the liberties allowed by the modern approaches, respectfully and lovingly treating the original music, but firmly taking it to a new level. Tracey’s virtuosity is of course plainly evident every step of the way, and this album is especially effective, since Ellington’s music is obviously deeply familiar to every Jazz enthusiast, and Tracey’s daring and original approach is therefore even more evident herein. Needless to say, Babbington offers superb support to Tracey and adds plenty of elegant soloing, in order to earn the respect, he fully deserves. As a result, the album wonderfully fits into the “Art of the Duo” category. Overall, this is a gem of an album, which deserves to be heard by every British Jazz enthusiast, or rather every Jazz enthusiast worldwide. Tracey, whom I had the immense pleasure of hearing live in person on many occasions, remains “Sir Jazz” for me to this very day and every album of his is sprinkled by gold dust.

Updated: 25/05/2025Posted: 25/05/2025

CD 1 Recommend To A Friend

STAN TRACEY ~ THE 1959 SESSIONS RESTEAMED 116 (Barcode: 5060138617162) ~ UK ~ Jazz Recorded: 1959 Released: 2022 This is a sensational archival album by one of the Godfathers of modern British Jazz, pianist / composer / bandleader Stan TraceyFind albums by this artist. It presents eight previously unreleased tracks recorded in June 1959 at the Decca studios and intended to be released as a follow-up album to Tracey’s second album as a leader “Little KlunkFind albums with this title”, released in early 1959, but strangely forgotten. The tracks were recorded by two trios, both with Kenny NapperFind albums by this artist on bass, and with drummer Tony CrombieFind albums by this artist on the first four tracks, which are standards, and drummer Phil SeamenFind albums by this artist on the next four tracks, which are original compositions by Tracey. The recording quality of all the tracks is absolutely perfect, which of course adds to the joy. The music is as brilliant as one might expect, with Tracey and the lads having obviously great fun and playing their hearts out. Clearly the tracks with Seamen are much more exciting and modernist, with his brilliant drumming technique, way ahead of its time, dominating the proceedings, as appropriate for his legendary status. Tracey demonstrates the early exposure of his idiosyncratic approach to Jazz piano playing, with the typical attack on the keyboard and a barrage of single notes, rather than playing chords, perhaps influenced by the fact that he also played the vibraphone, which can be heard here on one track. Overall, this is another superb addition to the Stan Tracey discography, thanks to his son Clark TraceyFind albums by this artist and the ReSteamedFind albums on this label Records label, which is doing a great job keeping the memory and music alive. This is an absolute must to all Tracey followers and thanks for bringing this music to our lives!

Updated: 06/01/2023Posted: 06/01/2023

CD 1 Digipak Remastered Recommend To A Friend

STAN TRACEY ~ THE RETURN OF CAPTAIN ADVENTURE TENTOTEN 753 (Barcode: 5060052777539) ~ UK ~ Jazz Recorded: 1975 Released: 2006 This is an expanded reissue of the classic album by British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist. The album was recorded live on November 3rd, 1975 at the 100 Club in London, a Mecca of the London Jazz scene at the time, where I have spent more evenings deep into the night than I can remember, by a fabulous quartet (well all of Stan’s quartet were fabulous) with saxophonist Art ThemenFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist, and was released on LP as “Captain AdventureFind albums with this title” on the SteamFind albums on this label Records label, owned by Stan, in 1976. The LP offered just four tracks captured that night and only thirty years later this magnificent 2CD reissue appeared, offering seven previously unreleased tracks recorded that night, almost tripling the playing time of the music. This reissue was released on the TenToTenFind albums on this label Records label, owned by Stan’s son, drummer Clark TraceyFind albums by this artist. Of the eleven tracks on this album, ten are original compositions by Tracey and one is a standard. The music is absolutely stunning from start to finish, with all members of the quartet playing marvelously and due to the special atmosphere in the club explode into lengthy hair-raising solo performances. No wonder that “Captain Adventure” is considered as Tracey’s second-best album after the groundbreaking “Under Milk WoodFind albums with this title”. Themen shows his virtuosity and amazing improvisational skill, Green is unmistakably steady as a rock and superbly melodic and Spring swings like a clockwork. As a result, this is surely one of the best live British Jazz albums of all time. It is fascinating to see the progress towards Free Jazz made by Tracey and his crew. Although the music is still based on clear melodic themes, the improvisations spread towards a much less defined musical structures, especially in Themen’s soloing. Tracey’s idiosyncratic piano playing, based on series of single notes rather than chords, is present vividly and delightfully for the entire duration of the music. Overall, this is an absolute marvel of an album, a timeless gem that deserves an honorable place in every British Jazz record collection, no questions asked. Sadly, this reissue is already out of print since years, so it might be a while until a copy can be found, but the effort is absolutely worth it. Happy hunting!

Updated: 13/01/2023Posted: 13/01/2023

CD 2 Remastered Bonus Tracks Recommend To A Friend

STAN TRACEY ~ THREE CLASSIC ALBUMS PLUS AVID 1044 (Barcode: 5022810304425) ~ UK ~ Jazz Recorded: 1955 - 2003 Released: 2011 This is a marvelous collection of early recordings by the Godfather of modern British Jazz, pianist / vibraphonist / composer / bandleader Stan TraceyFind albums by this artist. It includes the first two albums Tracey recorded as a leader: "ShowcaseFind albums with this title" (from 1958) and "Little KlunkFind albums with this title" (from 1959) and the only album by the short-lived octet Jazz Inc.Find albums by this artist led by drummer / composer / bandleader Tony CrombieFind albums by this artist, which features Tracey on piano. The "Plus" comprises of four tracks by the Stan Tracey quartet featuring Tubby HayesFind albums by this artist (from 1959), a couple of tracks by the Harry KleinFind albums by this artist Quintet featuring Stan Tracey on piano (from 1955) and a trio recording by guitarist Jon WheatleyFind albums by this artist, bassist Andy CleyndertFind albums by this artist and Tracey from 2003 (not really belonging to this set but what the heck). This collection is not only highly entertaining, but also very educational, as it traces the development of Modern British Jazz, which started as a formidable adaptation of the American Jazz tradition and gradually developed into a completely new and even separate Jazz idiom. The comparison between "Showcase" and "Little Klunk" is particularly fascinating, as these two albums are light years apart from each other, although in fact they were recorded only one year between each other. The former, recorded in a trio / quartet setting features Tracey on piano and vibraphone, with guitarists Ike IsaacsFind albums by this artist or Ray DempseyFind albums by this artist, bassists Kenny NapperFind albums by this artist or Johnny HawksworthFind albums by this artist and drummers Phil SeamenFind albums by this artist or Ronnie VerrellFind albums by this artist (the piano pieces are trios and the vibraphone pieces are quartets). All the music on this album consists of standards and stylistically the music moves between Swing and Bebop, with Tracey obviously already listening closely to the American pioneers stepping beyond, especially Thelonious MonkFind albums by this artist. The latter album, however, recorded in a trio format with Napper and Seamen features all original compositions by Tracey and clearly defines his original voice, which moves away quite radically from both Swing and Bebop, but not yet as advanced as it will become in not too distant future. The work of the magnificent Phil Seamen heard here is of course priceless, considering his tragically short life. The Jazz Inc. live recording is also a typical example of the British scene at the time, with the octet playing mostly original material by its members, with just a couple of standards thrown in for good measure. Excellent soloing by all the musicians and the accomplished Big Band sound are a superb nostalgic memento. The Tracey / Hayes tracks recorded by the BBC World Service for "export to former colonies", is a rare opportunity to hear these two Giants together, which happened only very rarely. The guitar trio tracks added here seemingly simply to "fill the time" prove to be the least interesting per se, although of course perfectly well played. Overall this collection, digitally remastered and very reasonably priced, is a true gem and an essential part of every modern British Jazz record collection. A must!

Updated: 26/01/2016Posted: 26/01/2016

CD 2 Remastered Recommend To A Friend

STAN TRACEY ~ UNDER MILK WOOD IN HAMBURG RESTEAMED 117 (Barcode: 5060138617209) ~ UK ~ Jazz Recorded: 1966 Released: 2022 This is a truly sensational archive release of an album by one of Godfathers of the modern British Jazz, pianist / composer / bandleader Stan TraceyFind albums by this artist. In 1965 Tracey released the iconic “Under Milk WoodFind albums with this title” album, which presented a Jazz suite based on the play for voices of the same name, by Welsh poet Dylan ThomasFind albums by this artist. Tracey’s original album was recorded by his quartet, which included saxophonist Bobby WellinsFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jackie DouganFind albums by this artist. A few months after the release of the album, which achieved instantaneous recognition as a masterpiece, in March 1966, Tracey was invited by the German NDR network to record a radio broadcast, for which he extended his quartet into a quintet, adding the great ex-Canadian trumpeter Kenny WheelerFind albums by this artist. The broadcast was recorded, but remained unreleased on record until now. The recording sound quality is beyond perfection as is the performance by the quintet. It includes a short spoken introduction by Tracey. “Under Milk Wood” is undoubtedly one of the most groundbreaking modern European Jazz recordings, presenting the innovations of the British Jazz, which are audible only so subtly here, but already clearly distinguishing this music from the American Jazz tradition. Tracey was about to push the boundaries of British Jazz in the next decades, remaining a head figure of the local scene, highly respected by his peers. His idiosyncratic way of playing the piano made him instantly recognizable in any setting and completely unique to this very day. It is fascinating to compare the original quartet recording with this quintet version, which allows the full impact of Wheeler on the music to be hear perfectly clearly. Therefore, this version sound even more advanced and revolutionary than the original, as Wheeler adventurous spirit is exposed here in full as well as his uniquely brilliant trumpet / flugelhorn technique. Overall, this album is one of the most sensational discoveries in recorded British Jazz history and the fact that is remained hidden for almost six decades and is now available, sounding as if recorded here and now is a bloody miracle. Needless to say, it is an absolute must in any serious British Jazz record collection.

Updated: 21/12/2022Posted: 20/12/2022

CD 1 Remastered Recommend To A Friend

STAN TRACEY ~ WISDOM IN THE WINGS (FREE AN` ONE / THE SEVEN AGES OF MAN) RESTEAMED 114 (Barcode: 5060138617148) ~ UK ~ Jazz Recorded: 1969 Released: 2020 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “Free An` OneFind albums with this title” and “The Seven Ages Of ManFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Peter KingFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist and presents five original compositions by the leader. The second album was recorded by a sixteen-piece Big Band, which included some of the top British Jazz musicians at the time, such as trumpeter Derek WatkinsFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist, saxophonists Peter King, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, the rhythm section from the quartet and others and presents eight original compositions by the leader, also arranged by him. Both albums were recorded in late 1969 (September 10 and October 8 respectively) and released the following year on the EMI / ColumbiaFind albums on this label label. The quartet album is a brilliant example of Tracey’s openness towards the “new winds” that were stirring up the British Jazz scene, with strong Avant-Gardist / Free Jazz influences ventilating the scene. In complete contrast to many of his veteran contemporaries, Tracey had no problem whatsoever with these trends and flirted with them openly, as long as he was either enjoying or in control, as many of his recordings, like those with Mike OsborneFind albums by this artist or Keith TippettFind albums by this artist, clearly show. This quartet was not playing Free as such, but fiery improvisations and less strict rhythmic patterns are clearly audible, and the general carefree atmosphere testifies. The Big Band album is a complete different pair of galoshes, with Tracey showing off his genius as composer / arranger / Big Band leader, which always way one of his undeniable fortes (not that he had any weaknesses as a musician that I am aware of). The compositions are simply brilliant, the arrangements unique and the Big Band, exploding with talent, is riding the wind, soaring like there is no tomorrow. Considering the fact that this album was recorded in one day, it is truly amazing that the Big Band performs all these complex arrangements with awe-inspiring ease and elegance. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 14/08/2021

CD 2 Digipak Recommend To A Friend

STAN TRACEY / MIKE OSBORNE ~ ALONE & TOGETHER CADILLAC 014/015 (Barcode: 5020675971424) ~ UK ~ Free Jazz / Improvised Music Recorded: 1974 Released: 2015 This is an expanded 2CD reissue of the solo piano album by iconic British Jazz pianist / composer Stan TraceyFind albums by this artist, recorded live at the Wigmore Hall on June 18, 1974 and originally released as “AloneFind albums with this title” later that year on the CadillacFind albums on this label label. This reissue adds another CD of previously unreleased music recorded at the same concert, which was a duo of Tracey with saxophonist / composer Mike OsborneFind albums by this artist. Each of the CDs includes just one continuous improvised music piece, lasting 42 and 45 minutes respectively. The Osborne / Tracey duo released an album “OriginalFind albums with this title” on the Cadillac label in 1973 and another album “TandemFind albums with this title” on the OgunFind albums on this label label in 1977, and the duo recording herein expands significantly their common recorded legacy. The music is of course nothing short of stunning, a prime example of the dramatic change of the British Jazz scene during the preceding decade, from Jazz based on the American tradition, including anything between Swing and Bebop, into a full-blown unique genre, which created a new Jazz language, embracing the tradition but expanding it with European music influences and embracing new forms like Free Jazz and Improvised Music. The two CDs in this set differ significantly on many levels and yet have also a wide common ground. Both musicians travelled a long road on their musical paths, and although Osborne was a much more radical and complex musician and personality, they both obviously made many giant steps, before this music was recorded. Solo piano is by definition the most “naked” format and as such the most difficult one altogether, but Tracey managed to record several solo piano album and each of those was a triumphant achievement on many levels – Artistic, aesthetic, technical and intellectual as one. This solo recording is one of them – a brilliant piece not only of music, but an example of how Tracey’s mind worked, constructing the flow of themes and free improvisations glues together as if pre-conceived, which of course it was not so in reality. His brilliant technique is in a way secondary here, as a solo performance is always first and foremost an emotional affair and this music simply explodes with emotions. In complete contrast to the solo performance, a duo is all about combining forces, exchanging ideas, supporting each other, pulling and pushing, leading and following, which is beautifully documented here. The sublime balance between Tracey’s “sanity” and Osborne’s “insanity” is the key to understand what is going on here, and the resulting music is a fascinating example of the “Art of the Duo” idiom. As much as Osborne is pushing the music toward Free Jazz, Tracey is “holding him back” so to speak with his melodic accompaniment, only allowing himself to fully explode during the crescendos of emotions the music leads to. Overall, this is an iconic release, a sublime document of the most productive period of the British Jazz explosion, a point of reference and a milestone of everything that happened on the British Jazz scene at the time. Considering how short Osborne’s career lasted and how limited his recorded legacy is, this is album is nothing short of a Holy Grail, with the Trace’s album remastered as a cherry on top. Absolutely essential piece of British Jazz legacy and a must in any serious record collection. In memory of John JackFind albums by this artist (died 2017), the owner of the Cadillac label, for all his contributions to British Jazz, of which releasing this music is just a tiny part.

Updated: 30/01/2023Posted: 30/01/2023

CD 2 Mini-Sleeve Remastered Recommend To A Friend

STAN TRACEY / EVAN PARKER ~ CREVULATIONS PSI 05.04 (Barcode: 5030243050420) ~ UK ~ Free Jazz / Improvised Music Recorded: 2004 Released: 2005 This is a live album by the duo of British Improvising Music Giants, pianist Stan TraceyFind albums by this artist and saxophonist Evan ParkerFind albums by this artist. The album presents four tracks, all extended improvisations credited by default to both musicians. The music is surprisingly well behaved and relatively serene, which is rather unusual for the Avant-Garde milieu, and as such sounds less outlandish and startling to a less experienced listener, who might come across it by chance. The music’s progression is coherent and often even somewhat melodic, and for Improvising Music connoisseurs absolutely thrilling, displaying a superb telepathic cooperation between the two musicians, in the spirit of the “Art of the Duo” idiom. As an avid follower of Tracey’s recordings, I have always admired his incredible diversity, flexibility and out of the box approach to music. It is almost incomprehensible that the same musicians can play a highly melodic, swinging, almost mainstream (but never quite mainstream) music and at the same time take part in the British Avant-Garde scene, alongside musicians like Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist or John SurmanFind albums by this artist, all with the same enthusiasm, dedication and most surprisingly perfect accomplishment. This makes Stan Tracey probably the most unique and universal British Jazz Giant, who was always able to create aesthetics rather than try to copy it. This album is a natural companion to another duo album the duo recorded a year earlier, called “Suspensions And AnticipationsFind albums with this title”. For people familiar with Evan Parker’s music, this album might be as well quite surprising, as he sounds here beautifully melodic, even romantic at times, completely devoid of his usual rather angry / almost aggressive attitude, not to mention some of his most accomplished saxophone performances ever. Overall, this is a brilliant Improvised Music album, awe-inspiring by its ingenuity and beauty, and one of the few albums in that genre, that can be listened to repeatedly over time, always discovering new layers of Artistry. Jazz lovers, who might be nervous about Improvised Music, will be well advised to give this amazing album a try.

Updated: 13/09/2024Posted: 13/09/2024

CD 1 Recommend To A Friend

BOBBY WELLINS ~ CULLODEN MOOR SUITE SPARTACUS 020 (Barcode: 880992140911) ~ UK ~ Big Band Jazz Recorded: 2013 Released: 2014 This is last album by the legendary British Jazz saxophonist / composer / bandleader Bobby WellinsFind albums by this artist, recorded in 2013 with the Scottish National Jazz OrchestraFind albums by this artist. The five-piece suite was originally composed in 1961 and is here performed in an orchestrated (by Florian RossFind albums by this artist) version with a large Big Band / Orchestra Directed by Tommy SmithFind albums by this artist, with Wellins as a chief soloist. Wellins died three years after this recording, which was sadly his swan song. Although primarily known as the saxophonist on the early iconic albums by Stan TraceyFind albums by this artist, Wellins had an impressive solo career over the years and the mellow / sweet tone of his tenor saxophone is one of the most recognizable voices of the formative days of the modern British Jazz. He continued to perform and record over the years and his legacy is worth being remembered and heard. He died in 2016. Overall, this is an important document of the great talent and the unique sound of Wellins, supported here by excellent Big Band / Orchestra and playing still in great form. For British Jazz fans, this is a worthy addition to every serious collection, commemorating his contribution to the scene and its recorded legacy. Sadly, this album is often overlooked and deserves another chance by any standard!

Updated: 17/09/2023Posted: 17/09/2023

CD 1 Digipak Recommend To A Friend

BOBBY WELLINS ~ DON`T WORRY `BOUT ME CADILLAC 005 (Barcode: 5020675970724) ~ UK ~ Jazz Recorded: 1996 Released: 1997 This is a live album by the legendary British Jazz saxophonist / composer / bandleader Bobby WellinsFind albums by this artist, recorded in a classic quartet setting with pianist Graham HarveyFind albums by this artist, bassist Alec DankworthFind albums by this artist and drummer Martin DrewFind albums by this artist. The album presents eight tracks, seven of which are standards and one is an original composition by Wellins. It was recorded at the mythological Vortex club in London and released on the legendary CadillacFind albums on this label label, founded by John JackFind albums by this artist. Although primarily known as the saxophonist on the early iconic albums by Stan TraceyFind albums by this artist, Wellins had an impressive solo career over the years and the mellow / sweet tone of his tenor saxophone is one of the most recognizable voices of the formative days of the modern British Jazz. He continued to perform and record over the years and his legacy is worth being remembered and heard. He died in 2016. Overall, this is an important document of the great talent and the unique sound of Wellins, supported here by excellent musicians and playing in top form. For British Jazz fans, this is a worthy addition to every serious collection, commemorating his contribution to the scene and its recorded legacy.

Updated: 10/08/2023Posted: 10/08/2023

CD 1 Mini-Sleeve Recommend To A Friend

BOBBY WELLINS SEXTET ~ HOMAGE TO CALEDONIA JAZZ IN BRITAIN 67 (Barcode: 5060774190739) ~ UK ~ Jazz Recorded: 1979 Released: 2024 This is an archival live album by British Jazz saxophonist / composer / bandleader Bobby WellinsFind albums by this artist, recorded with his sextet, which also includes pianist Pete JacobsenFind albums by this artist, bassist Adrian KendonFind albums by this artist, drummer Spike WellsFind albums by this artist, saxophonist Lol CoxhillFind albums by this artist and percussionist Bryan SpringFind albums by this artist. The album presents nine tracks, the first four recorded by a quartet and the rest by a sextet. Four tracks are parts of the “Culloden Moor Suite”. All the music was composed by Wellins, except the solo piano track composed by Jacobsen and one track, which is a medley of two standards. This album is a companion release to the “What Was HappeningFind albums with this title” album, recorded by the same quartet, which was also released by the Jazz In BritainFind albums on this label label. The “Culloden Moor SuiteFind albums with this title”, originally composed in 1961, was finally recorded in its full splendor with the Scottish National Jazz OrchestraFind albums by this artist, directed by Tommy SmithFind albums by this artist, only in 2013, which was the last recording before Wellins’ death in 2016. The sextet version appearing here is the only full version recorded in a “small ensemble” version. Wellins, primarily recognized for his work with Stan TraceyFind albums by this artist, was a superb saxophonist and composer and his work as a leader was always a source of joy. His recording legacy as a leader is relatively limited and covers mostly his later period, therefore this album recorded in 1979 is a valuable addition. Also worth mentioning is the fact that the sextet includes Lol Coxhill, associated primarily with the “wilder” side of the British Jazz scene, not to say Avant-Garde, who fits the bill perfectly, despite the basically mainstream orientation of Wellins’ music. The lengthy piano solo track is an absolute gem and a great surprise! Overall, this is another splendid addition to the Jazz In Britain catalogue, which brings to life a piece of the history of the genre, which surely deserves to be remembered and heard. As usual kudos to the people behind the label for carrying on the great work, for we are humbly grateful.

Updated: 12/11/2024Posted: 12/11/2024

CD 1 Mini-Sleeve Recommend To A Friend