Record Reviews

GINGER BAKER ~ FALLING OFF THE ROOF WOUNDED BIRD 2900 (Barcode: 664140290020) ~ UK ~ Jazz Recorded: 1996 Released: 2006 2nd album by the Ginger BakerFind albums by this artist trio, which includes two jazz giants: Bill FrisellFind albums by this artist on guitar and Charlie HadenFind albums by this artist on bass. Baker is of course mostly known as a rock superstar for his role in the legendary CreamFind albums by this artist (also a drums / bass / guitar trio), but since the 1990s he returned to active duty as a jazz drummer, with a variety of projects in the jazz realm, this trio being one of them. Of course Baker always was a jazz drummer, long before he played for rock audiences. His work with the Graham Bond OrganizationFind albums by this artist in the early / mid 1960s is just one of the manifestations of his jazz background, but it even goes far back to the 1950s UK trad bands. Baker was always one of the most original drummers and generations of drummers studied his every beat. He is heavily influenced by African rhythms and he played and studied African percussion for many years. All this adds up to make him a most atypical jazz drummer, immediately distinguishable from any of his peers. The sound and the music are quite different from most guitar trios, to some extent due to Baker’s unusual approach to drums, but also due to the choice of the material. Only two standards (by Thelonious MonkFind albums by this artist and Charlie ParkerFind albums by this artist) are present, all the rest of the music was penned by the trio members. The level is of course none less than exceptional, only to be expected from such distinguished players. This is a very interesting and different jazz album, worthy of investigation.

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GORDON BECK ~ REFLECTIONS ART OF LIFE 1005 (Barcode: 804640100522) ~ UK ~ Jazz Recorded: 1997 Released: 2003 Pianist / composer Gordon BeckFind albums by this artist is a living legend. Considered as one of the true forefathers of modern British and European Jazz, has been a source of inspiration and musical joy to Jazz connoisseurs since the 1960s. Fortunately for us, Jazz lovers, Beck continues his remarkable career, producing exquisite musical marvels, now in his 7th decade. He seems to be untouchable by time and his playing is as vigorous and energetic, as it was 40 years ago. This marvelous solo piano concert brilliantly recorded by the BBC, portraits Beck, as he truly is – a romantic, gentle and highly intelligent musician with thousands of volts running through his magic fingers. The album is a tribute to the genius of Bill EvansFind albums by this artist, including one of his compositions and standards Evans often played. But it is way beyond just a tribute; it is a re-examination of the entire Jazz piano tradition, and even a reflection on Beck’s entire lifetime as a pianist. Although very much an innovator and ceaseless explorer, Beck never ignored the 100 years of piano playing by other Jazz piano giants. Therefore in addition to traces of Evans, there are subtle hints of such divers musicians as Thelonious MonkFind albums by this artist, Oscar PetersonFind albums by this artist, Keith JarrettFind albums by this artist and countless other piano players creating an amalgam, which in Beck’s hands become a unique new creation. Listening to the uplifting music could be one of the most enjoyable hours ever spent while listening to music and I wish every Jazz enthusiast would come across it. The album also includes a bonus track, which has Beck performing a composition by his life-long musical partner, guitarist Allan HoldsworthFind albums by this artist, who collaborated with Beck on many recordings. This album is an absolute must have for Jazz piano lovers of all ages, a work of rare sensibility and artistic perfection. Wholeheartedly recommended!

CD 1 Digipak Remastered Recommend To A Friend

CHICK COREA ~ PLAYS CONCORD 888072171442 (Barcode: 888072171442) ~ USA ~ Jazz Recorded: 2018 Released: 2020 This is a 2CD album of solo piano performances by iconic American Jazz pianist / composer Chick CoreaFind albums by this artist. The recording dates and places are not specified, which is highly unusual, but the album was released first on Chick’s label in 2018, and this is the second edition released in 2020, just a few months before his death. The recording quality is absolutely sublime all the way through. Corea plays some of his original compositions as well as his interpretations of works by Classical Music composers like Wolfgang Amadeus MozartFind albums by this artist, Domenico ScarlattiFind albums by this artist and Frederic ChopinFind albums by this artist or other Jazz composers like Bill EvansFind albums by this artist, Thelonious MonkFind albums by this artist, George GershwinFind albums by this artist, Antonio Carlos JobimFind albums by this artist and Paco De LuciaFind albums by this artist. A couple of piano duets (played on one piano) are also included, one with Israeli pianist Yaron HermanFind albums by this artist and another with French pianist Charles HeisserFind albums by this artist. Corea also adds his spoken word commentary about the music he is about to perform. Although the music does not add anything new to listeners familiar with Corea’s music, it is a great document of his Artistry, versatility and his excellent contact with his audience, which always was one of his virtues. Overall this is a wonderful addition to the extensive recording legacy left to us by Corea, which sparkles and shines, and as always brings infinite joy to the listeners. He was a unique musician and a beautiful human being, and I have been lucky to enjoy both of these qualities at first hand.

Updated: 18/02/2022Posted: 18/02/2022

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CHICK COREA ~ PORTRAITS STRETCH 888072356030 (Barcode: 888072356030) ~ USA ~ Jazz Recorded: 2011 - 2012 Released: 2014 As incredible as it might sound, pianist / composer Chick CoreaFind albums by this artist has been an integral and continuous element of the soundtrack of my life for the last five decades. I travelled with him hand in hand through every album he released over the years, moving from modern Jazz, to Free and Improvised Music, to piano solo miniatures, to Fusion, back to modern mainstream, to piano-vibraphone duets, to piano duets, to electric groups and acoustic trios, to Classical explorations and on and on. What a journey... As usual every new album by Chick is an adventure. It´s been a while since he released a solo piano album and this 2CD set full of outstanding solo performances is a true delight in every sense. All the music was recorded live during his solo piano performances in Europe, Canada and US (and even Africa). On the first CD Chick performs several lengthy interpretations of pieces by Thelonious MonkFind albums by this artist, Bud PowellFind albums by this artist and Bill EvansFind albums by this artist, one standard and one pop song by Stevie WonderFind albums by this artist. The last track on the first CD is his composition dedicated to Paco De LuciaFind albums by this artist. On the second CD he performs twenty five miniatures, first by Classical composers Alexander ScriabinFind albums by this artist and Bela BartokFind albums by this artist and then two sets of his own compositions grouped under the common titles: "Children´s Songs" and "Portraits". Both CDs include Chick´s spoken interludes explaining his intentions and motivations behind the music he performs. It seems pretty superfluous to try and explain anything about the music herein. Obviously it presents a wide scope of cultural backgrounds from Classical European music to modernism and than Jazz and its various facets and finally the personal universe of Chick Corea, which is able to contain all that infinite richness and expand upon it. Chick´s way of playing is very personal and quite recognizable to his followers and connoisseurs, so there are no great surprises in that area, except that for a man in his seventies Chick is infinitely more alive, creative and inventive than today´s young zombie generation stuck inside their smart phones. Technically the music is superbly recorded, with excellent detail and warm ambience, which makes listening to this album a delightful experience. Chick is still one of the leaders of the Jazz pack and life seems to treat him and his music well, for which we all should be grateful. Listening for two hours to this music is a trip to sanity so put your feet up and enjoy as long as you can.

Updated: 26/08/2020Posted:

CD 2 Mini-Sleeve Recommend To A Friend

CHICK COREA ~ TRIO MUSIC ECM 1232/33 (Barcode: 601215945423) ~ USA ~ Jazz Recorded: 1981 Released: 1990 The members of this great Jazz trio, comprising of pianist / composer Chick CoreaFind albums by this artist, bassist Miroslav VitousFind albums by this artist and drummer Roy HaynesFind albums by this artist, met briefly in the late 1960s, when they recorded Corea´s 2nd album as a leader called "Now He Sings, Now He SobsFind albums with this title", which was one of the great recordings of that period. On this album they continue their musical journey together, now certainly more mature and with a lot of experience behind them. This album, originally released as a double LP, presents the trio in two quite different settings. The music, which was originally present on LP 1, is a set of trio and duo improvisation, whereas the music on LP 2 is a series of compositions by the great Thelonious MonkFind albums by this artist, uniquely transformed by the trio. With musicians of this caliber one should expect nothing less that perfection, and this is exactly what this album is all about: perfection. The trio simply floats in perfect harmony, from one tune to the next, as if this incredible music was the easiest thing to do, which of course it surely isn´t. Just grab it and immerse yourself in these sounds, blissfully forgetting everything else. Brilliant stuff!

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ILONA DAMIECKA / FRANCESCA BERTAZZO HART ~ MONK`S MIDNIGHT HEVHETIA 0128 (Barcode: 8588005257831) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the third album by Polish pianist / vocalist Ilona DamieckaFind albums by this artist and her second recording with the Italian guitarist / vocalist Francesca Bertazzo HartFind albums by this artist. The international quartet is completed by Polish bassist Pawel UrowskiFind albums by this artist and American drummer Eric AllenFind albums by this artist. The album, as the title suggests, presents ten Thelonious MonkFind albums by this artist compositions, nine of which feature lyrics mostly written by Jon HendricksFind albums by this artist. Monk´s music is for me a temple of Jazz spirituality and incredible intellectual depth and albums like this one, which turn his music into "entertainment for the masses" really make me very angry. They might popularize the great composer´s music, but they also trivialize it, by leaving the thin melodic layer on the surface, rather than trying to explore it in depth. After all there are already so many albums similar to this one, why would anyone attempt to make another one. As if the ad meritum problems of this album were not enough, it also suffers from the usual predicaments involving nonnative English speaking vocalist singing in English, which here are painfully obvious, although not equally shared by the two vocalist Ladies. The instrumental parts are fine, nothing spectacular of course just straightforward Bebop played by European (well almost) musicians, which sounds exactly as expected. There is no iota of innovation, ambition or effort to create something meaningful here. The vocalese parts sadly are a pale shadow of what Jazz vocalist have been doing for many decades already. Oh yes! The CD is gold plated!

Updated: 12/09/2016Posted: 12/09/2016

CD 1 Digipak Gold Recommend To A Friend

KIT DOWNES TRIO ~ QUIET TIGER BASHO 34 (Barcode: 832929003424) ~ UK ~ Jazz Recorded: 2011 Released: 2011 This is the 2nd album by British Jazz pianist / composer Kit DownesFind albums by this artist, recorded with his trio, which also includes bassist Calum GourlayFind albums by this artist and drummer James MaddrenFind albums by this artist. Saxophonist James AllsoppFind albums by this artist and cellist Adrien DennefeldFind albums by this artist guest on all but three of the tracks, but their contributions are relatively minimal. The album present eleven tracks, all of which are original compositions by the leader. Since his appearance on the British Jazz scene just a decade and a half ago, Downes managed to create quite a stir and draw a lot of attention, as well as managed to build up a sizeable recording legacy, making him probably the most noticeable “new arrival”. I have had the pleasure of listening to him play on several occasions and I must admit he does stand out from the crowd. His compositions are unusual, often quirky and unpredictable, both rhythmically and harmonically, and his broad range of musical activities is altogether very impressive. This album is quite an early recording by Downes, but already here all those odd, surprising elements are vividly present, which makes the music truly fascinating. The definition of Jazz as “the Art of the unexpected” fits to Downes’ music perhaps more than to most other contemporary Jazz musicians around. I have often thought that Downes reminds me of Thelonious MonkFind albums by this artist, and his quirkiness, which made him stand out among most Bebop players at the time. Some of the tracks on this album, are a living proof of that “Monk theory”, taken some seventy years forward. Listeners, who know their Monk will understand what I am saying. In short, this is seemingly a classic Jazz piano trio album, but it is nothing like a classic Jazz piano trio album that most people ever heard, I guarantee you! Overall, this is a brilliant piece of contemporary Jazz, completely unique and fascinating, which should be heard by every Jazz lover on this planet, although many might probably not like it too much, at least at first. Downes is a musician worth keeping an eye (ear) on, for example please note his album with the British Diva Norma WinstoneFind albums by this artist “Outpost Of DreamsFind albums with this title”. Enough said!

Updated: 04/02/2025Posted: 04/02/2025

CD 1 Digipak Recommend To A Friend

GILLE / MUCHA / ARUTYUNYAN ~ LIGHTS & SHADOWS FOR TUNE 0130 (Barcode: 5906395808328) ~ GERMANY ~ Jazz Recorded: 2016 Released: 2017 This is the debut album by the European Jazz trio consisting of German saxophonist Sebastian GilleFind albums by this artist, Polish bassist Max MuchaFind albums by this artist and Latvian drummer Ivars ArutyunyanFind albums by this artist. It presents eight tunes, seven of which are original compositions by the trio members, composed individually and collectively, and one is a Thelonious MonkFind albums by this artist standard. The album was recorded at the excellent RecPublica Studios and offers a beautiful, crystal clear sound quality. The music is a wonderful example of contemporary Modern European Jazz, floating elegantly between melody-based themes and free form improvisations, always unpredictable and exciting. The intimate saxophone trio format is an ideal environment for these three immensely talented players to expose their individual potentials and create a fully functional unit, which sounds as one organic music making body. All the original compositions are absolutely first class and the trio´s interpretation of the Monk standard should make most American Jazz players eat their hats. Gille is an exceptional and completely unique saxophone player, who is able to produce almost unearthly tones, which sound sometimes like violin or flute, and considering he is playing the tenor, this is absolutely amazing. His manner of slowing the tempo almost to a standstill is also extremely effective and creates enormous amounts of tension in the music, in spite of the fact that it is almost minimalistic. Mucha plays superb bass parts and is able to singlehandedly supply both the harmonic layer, upon which the saxophone parts are based, as well as the rhythmic pulsations, which are precise like a chronometer and at the same time dance around the time measures like an ice skater. Although he is rarely seeking a position in the Polish Jazz limelight, his consistently excellent work in the last few years definitely earned him an honorary position among the young lions of the European bass players. Arutyunyan stands shoulder to shoulder with his two partners playing the drums well beyond just keeping the time, which he actually does very rarely. His incredible dynamics and sensibility, not very often found amongst drummers, makes him an equal partner within this tight unit. He is certainly someone to keep an eye on in the future. Overall this is an astonishingly beautiful, intelligent and surprising debut album, which is an example what great Jazz means today, something that others should listen to in order to learn from it and of course a source of immense pleasure for Jazz lovers. An absolute must to every true Jazz connoisseur!

Updated: 22/01/2018Posted: 22/01/2018

CD 1 Recommend To A Friend

ULRICH GUMPERT ~ `N TANGO FUR GITTI EDEL CONTENT 4029759080626 (Barcode: 4029759080626) ~ GERMANY ~ Jazz Recorded: 1982 Released: 2012 This is a reissue (first time on CD) of the solo piano album by the East German Jazz pianist / composer Ulrich GumpertFind albums by this artist. It presents five original compositions, all by Gumpert. Gumpert, who was active on the East German Jazz scene in such diverse environments as Jazz-Rock Fusion and Free Jazz / Improvised Music, shows on this album his more lyrical side, playing his compositions with are based on clear melodic themes and than expanded into lengthy free form improvisations. The music moves between modern Jazz and contemporary Classical forms, full of highly sensitive and emotional gestures. Experienced listeners will find here traces of influences and quotes of phrases by such diverse piano Masters / composers as Thelonious MonkFind albums by this artist, Erik SatieFind albums by this artist and the German born Austrian / Jewish composer Hanns EislerFind albums by this artist (whose fascinating life story is a must read). Gumpert incorporates all these influences subtly, but lovingly, creating his own unique amalgam. Although complex and intellectually demanding this music is also accessible due to its lyrical and melodic nature. Therefore modern piano music connoisseurs, regardless of their genre of choice, should find this music fascinating and highly rewarding. In retrospect the music lost nothing of its power and charm and is still a superb listening experience. Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems. Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!

Updated: 11/05/2016Posted: 20/03/2016

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JAROMIR HONZAK ~ EARTH LIFE CUBE / METIER 20-09 (Barcode: 8591562000093) ~ CZECH REPUBLIC ~ Jazz Recorded: 1998 Released: 2000 This is the second album as a leader by Czech bassist / composer Jaromir HonzakFind albums by this artist, recorded with two Polish Jazz musicians: saxophonist Piotr BaronFind albums by this artist and pianist Kuba StankiewiczFind albums by this artist, Czech guitarist David DoruzkaFind albums by this artist and Spanish drummer Jorge RossyFind albums by this artist. Three guests are featured on selected tracks. The album presents eight pieces, seven of which are original compositions by Honzak and one is a Thelonious MonkFind albums by this artist standard. The album´s liner notes were written by my Friend and Mentor Lubomir DoruzkaFind albums by this artist. During his studies at the Berklee College of Music in Boston Honzak met fellow students Stankiewicz and Rossy and invited them to take part in this recording. Stankiewicz brought over Baron and Honzak invited David Doruzka (only eighteen years old at the time of the recording), a promising young musician and future Berklee student, an association that would flourish for years to come. Already at this early stage of his career, Honzak proves his strength as a composer and each of the original compositions presented here are exceptionally well written and coherent, already showing the European musical aesthetics and avoiding the dominance of the Bebop tradition. The beautiful harp / bass duo closing piece and the delicate piano trio and vocalese piece are superb examples of the forthcoming inspirations, which will dominate Honzak´s compositional palette. However the Berklee schooling and American Jazz tradition can be more clearly heard in the way the music is performed on the straightforward quartet numbers, but even those are spiced by Baron´s fiery almost-free soloing and superb piano touches by Stankiewicz. Overall this is a wonderful early recording by Honzak, which is definitely worth of being discovered, even some twenty-two years after it was recorded. The music proves to be timeless and the heartfelt execution still manages to excite. Like great wine, this music ages well over time…

Updated: 29/12/2023Posted: 26/10/2020

CD 1 Recommend To A Friend

HORNTET ~ HORNTET FOR TUNE 0163 (Barcode: 5906395808793) ~ POLAND ~ Jazz Recorded: 2023 Released: 2023 This is the debut studio album by Polish Jazz quintet HorntetFind albums by this artist, led by pianist / composer Bartlomiej LesniakFind albums by this artist, with saxophonists Robert WypasekFind albums by this artist and Szymon ZiolkowskiFind albums by this artist, bassist Mikolaj SikoraFind albums by this artist and drummer Piotr PrzewozniakFind albums by this artist. The album presents seven tracks, six of which are original compositions by the quintet members: four by Lesniak and one each by Ziolkowski and Przewozniak, and finally one standard by Thelonious MonkFind albums by this artist. The music is all modern Mainstream Jazz, with extensive improvisations and complex arrangements, which result in the tracks being all around ten minutes and beyond in duration. This allows for all the band members to express their individual abilities and experiment with tempi and often extend the basic melody lines far beyond the origins. As a result, there is a lot happening here, which often seems a bit over the board. These young musicians are bursting with talent and probably feel the need to prove themselves on the extremely crowded Polish Jazz scene, which might by the reason why the result seems so dense and ready to explode. The quintet is at their best playing slow, lyrical material, which is only a small part of the music herein. The album was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, which usually is a guarantee of sound quality, but this time the sound is a bit muffled / unusual, emphasizing the piano over the other instruments. But of course this is just a very personal inkling. Overall, this is an impressive album, considering the age and lack of experience of the musicians, which is just a first step in their career. They simply need time to get their stuff together in time. It obviously indicates the potential and talent of the young Polish Jazz scene, which has so much to offer.

Updated: 11/12/2023Posted: 11/12/2023

CD 1 Digipak Recommend To A Friend

HORNTET ~ LIVE AT RADIO KATOWICE PRK 0144 ~ POLAND ~ Jazz Recorded: 2022 Released: 2022 This is the debut album by young Polish Jazz quintet called HorntetFind albums by this artist, which comprises of saxophonist Robert WypasekFind albums by this artist and Szymon ZiolkowskiFind albums by this artist, pianist Bartlomiej LesniakFind albums by this artist, bassist Mikolaj SikoraFind albums by this artist and drummer Piotr PrzewozniakFind albums by this artist. The album presents three original compositions, two by Lesniak and one by Przewozniak, and one standard by Thelonious MonkFind albums by this artist. The music is all within modern Mainstream Jazz, well played by these talented young musicians, emphasizing the two saxophones frontline, who often play unisono or with slight variations between the two horns, which creates a nice effect but is not enough to keep the listen interested for long. The piano is a tad too busy, when soloing, but the rhythm section does a good job to keep the music together. The original compositions are a bit simplistic and not entirely coherent, but considering the fact that these young musicians are just starting their career, the result is impressive and promising. Overall, this is a first glimpse of a quintet of young Polish Jazz musicians, who show a lot of potential and, as usual, exemplify the incredible amount of talent on the Polish Jazz scene. A bit more experience and maturity and these musicians will be “burning” the stage. Hope to hear more in the not so distant future.

Updated: 06/10/2022Posted: 06/10/2022

CD 1 Mini-Sleeve Recommend To A Friend

MAREK KADZIELA ADHD ~ IN BLOOM FOR TUNE 0079 (Barcode: 5902768701807) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by an international Jazz quartet ADHDFind albums by this artist, led by Polish Guitarist Marek KadzielaFind albums by this artist with German bass clarinetist Rudi MahallFind albums by this artist and a Danish rhythm section: bassist Andreas LangFind albums by this artist and drummer Kasper Tom ChristiansenFind albums by this artist – the latter three being all members of the excellent FUSKFind albums by this artist quartet. Two distinguished Polish Jazz musicians participate as guests: saxophonist Maciej ObaraFind albums by this artist and trumpeter Piotr DamasiewiczFind albums by this artist. The album presents ten original compositions (one appears in two versions), all by Kadziela and one standard by Thelonious MonkFind albums by this artist. Although free spirited and unconventional, the music is perfectly well rounded and aesthetically pleasing, flirting with Free Jazz and Improvising Music but also presenting melodic motifs and straight forward progressions. Across the board this music is quite accessible even to listeners who are embedded within modern mainstream Jazz. Kadziela´s guitar playing on this album is quite different from his earlier recordings, and most of the time it is pretty straight forward, almost acoustic, and avoids the usage of electronics and heavy sound effects. He manages to completely keep away from the dreaded Fusionist banalities that most modern guitar players suffer from, which is truly praiseworthy. Therefore it is perhaps the first time the listener can truly appreciate his ability to play melody and complex improvisations, which sound perfectly clear and vivid. The solo guitar piece on this album is definitely one of its absolute highlights. The contributions by the other members of the quartet, as well as those by the guests, are all excellent as well. I have already written much about the FUSK quartet and these are some of my favorite European musicians, so their performances here are hardly surprising. The Lang / Christiansen rhythm section in one of the top of its kind at the moment and Mahall´s legendary status is already well established. Kadziela couldn´t have found better partners for his musical explorations anywhere else to be honest. The two Polish guests are also masters of their trade and the tracks that feature their contributions add generously to the diversity of this album. I admit to having digestion problems with some of Kadziela´s earlier recordings, but I completely love this one, and I am very happy to say so. This music makes perfect sense to me, worms up my brain cells and keeps me smiling. For me it definitely is the best piece of music I have heard, that he produced. But of course the future is ahead of us…

CD 1 Recommend To A Friend

STEVE LACY ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1033 (Barcode: 8052405141385) ~ USA ~ Avant-Garde Jazz Recorded: 1976 - 1993 Released: 2014 This superb Box Set collects recordings by the American saxophonist / composer Steve LacyFind albums by this artist on the Black SaintFind albums on this label and Soul NoteFind albums on this label labels. It is the second such collection, this time dedicated to quartet, quintet, sextet and octet recordings, following the previous Box Set with solo, duo and trio recordings. It includes nine albums (one a 2CD set): "TricklesFind albums with this title" with trombonist Roswell RuddFind albums by this artist, bassist Kent CarterFind albums by this artist and drummer Beaver HarrisFind albums by this artist, "RevenueFind albums with this title" with saxophonist Steve PottsFind albums by this artist, French bassist Jean-Jacques AvenelFind albums by this artist and drummer John BetschFind albums by this artist, "TroubleFind albums with this title" with Potts, Swiss vocalist / violinist Irene AebiFind albums by this artist, Carter and drummer Oliver JohnsonFind albums by this artist, "RegenerationFind albums with this title" with Rudd, Dutch pianist Misha MingelbergFind albums by this artist, Carter and Dutch drummer Han BenninkFind albums by this artist, "Change Of SeasonFind albums with this title" (*) with trombonist George LewisFind albums by this artist, Mangelberg, Dutch bassist Arjen GorterFind albums by this artist and Bennink, "Dutch MastersFind albums with this title" (*) with Lewis, Mangelberg, Dutch cellist Ernst ReysegerFind albums by this artist and Bennink, "The CondorFind albums with this title" with Potts, Aebi, pianist Bobby FewFind albums by this artist, Avenel and Johnson, "The CryFind albums with this title" (2CD) with Aebi, saxophonist Tina WraseFind albums by this artist, harpsichord player Petia KaufmanFind albums by this artist, accordionist Cathrin PfeiferFind albums by this artist, Avenel and percussionist Daniel GioiaFind albums by this artist and finally "VespersFind albums with this title" with Potts, Aebi, saxophonist Ricky FordFind albums by this artist, French horn player Tom VarnerFind albums by this artist, Few, Avenel and Betsch. Most of the music is by Lacy, except the albums dedicated to the music of other great composers like Thelonious MonkFind albums by this artist and Herbie NicholsFind albums by this artist. Lacy is considered as one of the most influential and prominent American Jazz personalities and a great master of the soprano saxophone. He started his career as a Dixieland player but quickly moved into Bebop and later on Avant-Garde idioms. He was also one of the first American Jazz musicians who discovered European Jazz and understood its importance. He visited Europe in the 1960s and moved to live in Paris in 1970, where he spent his entire life, returning to the US only a couple of years before his death. He left a most impressive recorded legacy of well over a hundred albums. The music is absolutely timeless, and offers a perfect glance at Lacy´s diversity as a composer and player. It is also a unique document of European Jazz, as most of his albums involved European musicians playing side by side with their Americans partners. For serious Jazz connoisseurs this Box Set is a pure delight and an absolute must! The albums marked with (*) were also included in other Box Sets of this series. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 15/05/2020Posted: 15/05/2020

CD 10 Mini-Sleeve Box Set Remastered Recommend To A Friend

MAJA LAURA SEPTET ~ MONK, MY DEAR MAJA LAURA 2 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2024 Released: 2024 This is the second album by Polish Jazz keyboardist / composer Maja LauraFind albums by this artist (a.k.a. Maja Laura JaryczewskaFind albums by this artist), recorded in an octet setting (why septet?) with drummer Teo OlterFind albums by this artist, bassist Kamila DrabekFind albums by this artist, guitarist Krzysztof HadrychFind albums by this artist, trumpeter Lukasz KorybalskiFind albums by this artist, saxophonists Jakub KlemensiewiczFind albums by this artist and Krzysztof KusmierekFind albums by this artist and flautist Dominik StrycharskiFind albums by this artist. The album presents eight tracks, seven of which compositions by Thelonious MonkFind albums by this artist and one is a standard, which Monk often performed, all arranged by the leader. The music is almost completely highly improvised, to such extent that for a listener unaware of the context, i.e. Monk’s compositions, that specific association is very difficult to be recognized, except for the brief moments where direct musical quotes are present. This is probably why the leader takes a credit for the music, side by side with Monk. Such approach raises the question as to the limits of Freedom, even Artistic Freedom, although “limits of Freedom” might sound like an oxymoron. In this specific case if this album was presented as: “inspired by Monk”, or anything in similar zone, it would have been much more acceptable, but presenting it as Monk’s music is, at least for me, a bit of a hyperbole, to say the least. Monk was the greatest Jazz revolutionary within Bebop, but he knew the limits of Freedom perfectly well, I suppose more subconsciously than with premeditation, but he never overstepped the boundaries. I believe Maja Laura, when she claims that she loves Monk “madly” (sic), but so do I, and therefore I think that love has its limits too. Having said all that, this is definitely a bold musical statement, and it has its magic moments, if not as a concept, surely as a result of some of the performances, as the album does involve some of the best Polish Jazz musicians after all. Even if it has some flows, it is better that such attempts are made, than avoided. After all, “love will forgive you everything”, as the famous Polish song claims, which is also sometimes true in life. Overall, this is a very interesting, bold and unusual album, which despite its flaws offers an attempt to deliver an homage to one of the most important Jazz geniuses ever, which is commendable, as is the leader’s courage and individuality. Improvised Music enthusiasts should enjoy this album, traditional Jazz lovers might be shocked to the core, all for the best.

Updated: 10/04/2025Posted: 10/04/2025

CD 1 Digipak Recommend To A Friend

CHARLES LLOYD ~ MIRROR ECM 2176 (Barcode: 602527404998) ~ USA ~ Jazz Recorded: 2009 Released: 2010 The series of albums recorded for the ECMFind albums on this label label since 1990 by US saxophonist / composer Charles LloydFind albums by this artist, of which this is the 14th, is a wonderful portrait of an Artist, showing his consistent excellence and dedication on one hand and his constant development and search of new forms of artistic / aesthetic expression on the other. His music, deeply rooted on the American Jazz tradition, was always open to new influences over the years, like World Music or Rock, as well as the readiness to work with new generations of musicians, always selecting the very best, sensitive and sympathetic collaborators. This album was recorded by the same quartet, which recorded the previous album, but this is a studio recording and the previous was a live recording. It comprises of pianist Jason MoranFind albums by this artist, bassist Reuben RogersFind albums by this artist and drummer Eric HarlandFind albums by this artist. The music includes a mixture of Lloyd originals, his arrangement of traditional songs and a few standards, including two superbly executed Thelonious MonkFind albums by this artist compositions. In complete disregard of his age, Lloyd sounds strong and confident, with his beautiful tone intact. The young players with his keep a respectful distance from the Master when supporting him and fully expose their abilities when given solo spots. One simply can´t go wrong with a Charles Lloyd album, and this one is no exception. So let´s savor the moment for as long as his creative stream continues. Great stuff!

CD 1 Slipcase Recommend To A Friend

ROBERTO MAGRIS ~ LOVELY DAY(S) JMOOD 025 (Barcode: 736649929814) ~ ITALY ~ Jazz Recorded: 2024 Released: 2025 This is a solo piano album by Italian Jazz pianist / composer / bandleader Roberto MagrisFind albums by this artist. The album presents nine tracks, one of which is an original composition by Magris and the rest present a wide range of composers, covering a widespread stylistic range between Leonard BernsteinFind albums by this artist and Andrew HillFind albums by this artist, with some Thelonious MonkFind albums by this artist and Steve KuhnFind albums by this artist in between. Seven of the tracks are studio recordings and two were recorded live. I have had the pleasure to producing a live album with Roberto in the early days of his career, which was released on my label JazzisFind albums on this label Records in 1990, and of course I have been closely following his path since then. He managed to build up an impressive career over the years, which includes dozens of albums as a leader, but strangely he never attempted a solo piano album before, which makes this album really special. Of course solo piano albums are the most “naked” form of a Jazz musician’s exposure, and this album demonstrates this phenomenon perfectly. Rather than performing his own compositions, which is always very tempting, Magris presents a selection of compositions by composers, who influenced him over the years, and which becomes in a sense a tribute to the great musicians, who inspired him. Stylistically the music covers the entire range of Jazz, including the fundamental Blues moves and the entire mainstream Jazz universe, and even touching marginally on the Avant-Garde. Although challenging, the music finds Magris completely relaxed, but fully engulfed in the music, adding his very personal touch. The fact, that the music is so diverse and performed somewhat playfully, makes listening to the music a wonderful experience, which is both entertaining and aesthetically satisfying, and as such making it accessible to a wide range of listeners from the entire Jazz spectrum. Overall, this is a beautiful solo piano Jazz album, which is as entertaining as it is educational, paying a tribute to some of Jazz most revered composers and including some rarely performed Jazz treasures. Thank you, my Friend, for the gift of music!

Updated: 12/10/2025Posted: 12/10/2025

CD 1 Digipak Recommend To A Friend

WYNTON MARSALIS ~ THINK OF ONE WOUNDED BIRD 8641 (Barcode: 664140864122) ~ USA ~ Jazz Recorded: 1983 Released: 2007 Whereas the eponymous debut album by American trumpeter / composer / arranger / bandleader Wynton MarsalisFind albums by this artist was somewhat a mixed affair, comprising of two different recording sessions with two different rhythm sections, this, his second album, is a well tempered affair. Finally heading his own permanent quintet, with brother Branford MarsalisFind albums by this artist on saxophones, the wonderful pianist Kenny KirklandFind albums by this artist, bassist Phil BowlerFind albums by this artist (or Ray DrummondFind albums by this artist on half of the tracks) and drummer Jeff WattsFind albums by this artist, Marsalis in truly in his element, firmly holding the reins of a leader. With Miles DavisFind albums by this artist influence still looming in the background, Wynton´s trumpet playing shows first signs of his lyrical side with less emphasis on the technical brilliance and more relaxed flow. He contributes three original compositions and the rest of the material includes a Kirkland and Drummond (one each) originals and standards by Thelonious MonkFind albums by this artist and Duke EllingtonFind albums by this artist. Wynton and Branford play well together, although a tension between the brothers was about to develop soon after, as a result of Branford´s tendencies towards more free-form improvisations while Wynton demanded a more conservative approach. Overall this is an incredibly solid album with no weak moments, flowing seamlessly from one tune to another, with brilliant soloing and tight but inventive rhythm section work. The 1980s were after all the age of the great return, when the two decades of experimentation first with Free form and improvised music and later with Jazz-Rock Fusion was pretty much over, leaving the Jazz musicians to re-invent modern Jazz using solid and well established ground while pushing the boundaries of virtuosity to the limit or perhaps beyond the limit – no other musician at the time was better at it than Wynton Marsalis and his crew. A classic!

CD 1 Recommend To A Friend

WYNTON MARSALIS ~ WYNTON MARSALIS WOUNDED BIRD 7574 (Barcode: 664140757424) ~ USA ~ Jazz Recorded: 1981 Released: 2007 American trumpeter / composer / arranger / bandleader Wynton MarsalisFind albums by this artist is probably the most identifiable Jazz personality worldwide in the last three decades – Mr. Jazz himself! With Miles DavisFind albums by this artist and lately also Freddie HubbardFind albums by this artist no longer with us, Marsalis is also the greatest trumpet player still standing. Sometimes it seems that the responsibility that comes with these honorable positions appear to be just too much for Marsalis to handle, as he has been in the epicenter of a huge controversy concerning his personality, his public statements and even his musical achievements. It was all Guns (of appraisal) and Roses (of admiration) at first – everything just clicked for Marsalis: a prestigious recording contract with ColumbiaFind albums on this label Records, a massive PR campaign for his albums, Grammy nominations and awards and every other conceivable musical award in US and abroad (including the first ever Pulitzer Prize for music) and finally the appointment as Artistic Director of the "Jazz at Lincoln Center", a cushy and extremely well paid job, all these and more turned out to be just too much for his enemies (and he has many of those) to swallow. To say the truth, Marsalis has a mouth, which does not fall much behind his mouth´s extension, the trumpet. The man just loves to voice his opinions, and some of these are quite provocative and extremely controversial, all this on top his always highly stylish wardrobe and often snobbish behavior. All the above make Marsalis an easy target for hatred and criticism, mostly by bigots, short-sighted critics and most of all envious competitors. To tell the truth, I don´t dive a damn. For me, Marsalis was always, from day one, an example of a total musician. He not only has a tremendous gift, but he both feels and understands music, a rare combination with only a handful of musicians around the globe truly possess. His ability to perform and compose Jazz and Classical music only emphasizes his musical versatility and profound effort to study, learn and apply the acquired throughout his entire life. His love of early Jazz, from the Blues, the New Orleans Masters, Louis ArmstrongFind albums by this artist and up to Beboppers like Thelonious MonkFind albums by this artist, and in parallel his disrespect towards Fusion and Free Jazz are fine by me. Not everybody has to love every kind of music and even not all kinds of Jazz… as long as they do whatever they do in such magnificent fashion as he does with his music, time after time. So here comes this album, his debut solo recording. As already mentioned, Marsalis is a perpetual student, and this was just his first step, so obviously he was relaying heavily on what he knew then, which for a trumpet player means one thing: Miles Davis. In many respects this album is a direct bridge between the classic Davis recording with the second quintet, almost two decades earlier. Although his quintet does not perform any of Miles Davis compositions or even tunes from the Master´s regular repertoire, the sound and stylistic approach is quite obvious. Emphasized by the fact that about a half of the album´s tracks feature that very same quintet´s rhythm section – Herbie HancockFind albums by this artist on piano, Ron CarterFind albums by this artist on bass and Tony WilliamsFind albums by this artist on drums, and Wynton´s brother Branford MarsalisFind albums by this artist sounds remarkably like Wayne ShorterFind albums by this artist on his saxophones, the associations just keep flowing. Is it imitation? Hell no! Not even in the slightest, although Marsalis would be called a Davis imitator from now no, even when he completely changed his modus operandi on the trumpet as he went along. Again, who gives a damn? This is a magnificent album, full of superb performances and uplifting music, masterly played from start to finish. Period! And when one remembers that Marsalis was just 20 years old when this album was recorded… give me a break… this is a revelation. But Marsalis was a fast learner and his subsequent recordings will surpass this album, as good as it is, by far. Maturity has this effect on people; they just get better with what they do in time, provided of course that they are as talented as Wynton Marsalis. Side Note: The fact that Columbia dropped from its catalogue almost the entire recorded output by Wynton Marsalis is a sad and tragic testimony of our times. Columbia made a lot of money from his albums for decades, but considering the state of the music industry, there are no sentiments left. This reissue is released on the Wounded BirdFind albums on this label label; kudos to the label owner for keeping great music alive!

Updated: 01/06/2018Posted:

CD 1 Essential Recommend To A Friend

THELONIOUS MONK ~ COMPLETE COLUMBIA STUDIO ALBUMS COLLECTION SONY 886979576827 (Barcode: 886979576827) ~ USA ~ Jazz Recorded: 1962 - 1968 Released: 2012 Although most often associated with the Bebop genre, American pianist / composer Thelonious MonkFind albums by this artist was in fact one of the very few Jazz icons, that managed to create a completely personal style, unlike any another before or after. His playing and his compositions were absolutely outrageous, unconventional and plainly weird. Strange chord changes, aggressive attack, long out of nowhere glissandos and those unexpected pauses in the most unexpected places created a musical experience, which logically made no sense whatsoever but in practice sounded most wonderfully. As many other human geniuses, he is therefore often suspected of being an alien stranded on our pitiful planet. Monk started to record in the mid-1940s as part of the Bebop explosion and over the years worked with Blue NoteFind albums on this label, PrestigeFind albums on this label and RiversideFind albums on this label labels, but his last, longest and most stable and productive period was spent with ColumbiaFind albums on this label records in the 1960s, when these albums were originally recorded. These are the quartet recordings, made with his quartet, which lasted for eleven years and was his preferential vehicle. It included the saxophonist Charlie RouseFind albums by this artist, who was the quartet´s member for that entire duration, bassist John OreFind albums by this artist and later Butch WarrenFind albums by this artist and Larry GalesFind albums by this artist and drummer Frankie DunlopFind albums by this artist and later Ben RileyFind albums by this artist. The music on these albums is a mixture of Monk originals (the majority of the material), some of which were previously recorded on other labels, and his treatment of standards, which of course are often quite remote from the origin. The playing is absolutely stunning, not only by Monk but also by Rouse, who surely deserves the title of the most underrated saxophonist in Jazz history. The quartet format was best serving Monk´s idiosyncratic style and manner, but he also recorded in other formats, like piano solo. Some of his remarkable live performances were also released on Columbia and hopefully all that material will be released in the future as part of the Box Set series. These six albums, remastered and expanded with numerous bonus tracks and accompanied by informative liner notes constitute some of the most important Jazz music ever recorded, which gets better with time and penetrates deeper every time it is listened to. There is no way and serious Jazz buff can afford not having this in his collection; that would be simply sacrilegious. And next time you open your door to a small green humanoid with a couple of antennas on his head, just play him some Monk; he´ll surely dig it!

Updated: 26/01/2019Posted:

CD 6 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend

THELONIOUS MONK ~ LES LIAISONS DANGEREUSES 1960 SAM 5051083118477 (Barcode: 5051083118477) ~ USA ~ Jazz Recorded: 1959 Released: 2017 This is an extraordinary archival album by the iconic American pianist / composer / bandleader Thelonious MonkFind albums by this artist, recorded in NY with his regular quartet, which included saxophonist Charlie RouseFind albums by this artist, bassist Sam JonesFind albums by this artist and drummer Art TaylorFind albums by this artist, expanded to a quintet with the addition of the French saxophonist Barney WilenFind albums by this artist. The music was recorded to serve as a soundtrack to the film by the French film director Roger VadimFind albums by this artist, entitled “Les Liaisons Dangereuses”. In complete contrast to the attitude American Jazz modernists, like Monk, suffered from at home, being constantly abused and subject to racial discrimination and ridiculous disapproval by narrow-minded music “critics”, in Europe and especially so in France, they enjoyed no less than a godly status, being absolutely revered by the local intellectual aristocracy and the general public alike. The revolutionary, brilliant French cinema of the late 1950s had an established liaison with Jazz, including the Miles Davis soundtrack for the 1957 film “Ascenseur pour l`échafaudFind albums with this title” by the director Louis MalleFind albums by this artist. There are numerous other examples of Jazz soundtracks in French cinema, but also in UK and even behind the Iron Curtain, especially so in Poland. This 2CD album offers ten tracks on CD1, all which were used within the film’s soundtracks, and six tracks on CD2, which were recorded during the same session, but were not included in the film. The sound quality is excellent, as is the music of course. All of which (except for one tune) was composed by Monk. The album is accompanied by a superb sixty-pages booklet with extensive background articles and wonderful photographs, a true labor of love. Although the album offers compositions, which were recorded many times by various Monk’s groups, they are all unique, since obviously Monk’s Genius was demonstrated, among other qualities, also by his ability to introduce subtle nuances each and every time he played one of his tunes. Overall, this is a major discovery and a true celebration of one of the greatest Jazz figures, which deserves to be hear by every Jazz fan. Of course Monk has many devoted fans, who should find this release absolute essential. Not to be missed!

Updated: 17/05/2023Posted: 17/05/2023

CD 2 Mini-Sleeve Slipcase Remastered Recommend To A Friend

THELONIOUS MONK ~ MONK ALONE – THE COMPLETE COLUMBIA SOLO STUDIO RECORDINGS 1962-1968 COLUMBIA 65495 (Barcode: 5099706549529) ~ USA ~ Jazz Recorded: 1962 - 1968 Released: 1998 Although usually considered as one of the forefathers of Bebop and modern Jazz in general, American pianist / composer Thelonious MonkFind albums by this artist was in fact living in his own universe, often appearing as completely alien and separate to the one we all live in. Spiritually Monk was closer to other American musical "outsiders" like Fran ZappaFind albums by this artist, than to his Jazz contemporaries. He did operate in the general realm of Jazz, or even Bebop, but his complete disregard of "correctness", be it in following the "appropriate" chord changes or rhythmic patterns, sets him aside from most of the other protagonists. Monk played what he wanted to play, whatever sounded "right" to him, breaking all the rules, creating new chords and new rhythms. Often his music was so difficult to follow by other musicians, that some of his best work was delivered in the piano solo format. There were no restrictions when he sat at the piano alone, no other musicians to listen to and nobody to please, but himself. And it was pure genius! During the six years stint with Columbia Records between 1962 and 1968 Monk recorded a series of exceptional and revolutionary albums for the label, but only one of these was a solo piano album called "Solo Monk". However, he did record solo piano pieces during the sessions for the other albums, which are all collected here, together with the "Solo Monk" album, to present the genius at work, completely "naked" and at his best. This wonderful album also adds 14 previously unreleased Monk recordings, a true treasure chest for true Monk lovers. Monk´s treatment of his own compositions, as well as some Jazz standards he plays here, is an overwhelming richness of musical ideas, often excruciatingly difficult to follow at their full depth, but deeply rewarding to the dedicated followers of his work. Essential musical experience!

Updated: 01/06/2018Posted:

CD 2 Remastered Bonus Tracks Essential Recommend To A Friend

THELONIOUS MONK ~ THE COMPLETE BLUE NOTE RECORDINGS BLUE NOTE 724383036325 (Barcode: 724383036325) ~ USA ~ Jazz Recorded: 1947 - 1958 Released: 1994 This superb Box Set contains all the music recorded by the legendary American pianist / composer Thelonious MonkFind albums by this artist for the no less legendary Blue NoteFind albums on this label label. It includes his first sessions as a leader, recorded between 1947 and 1952, a later guest appearance with Sonny RollinsFind albums by this artist (1957) and a live recording with John ColtraneFind albums by this artist (1958). This music was released originally on 78 rpm records, 10-inch LPs, 12-inch (normal) LPs and finally on CDs. This box includes the complete remastered material presented in chronological order and adds many previously unreleased bonuses and an excellent booklet with background information. This music, although recorded at the formative years of Bebop, is distinctly "different" from the Bebop "mainline" and often quite "out there", as Monk´s idiosyncratic compositions and unique playing technique made him stand out already at the very early stages of his career. Fellow musicians would often put Monk and his music in a separate niche, most of them admiring his mind-boggling and often outlandish ideas. Monk´s complete disregard of conventions and visionary approach to music is one of Jazz greatest mysteries. Today, over six decades after this music was recorded, no other musician was able to come even close to Monk´s weird note sequences and harmonies, pauses and rhythmic hiccups, long arpeggios and single notes, in short complete individuality, as rare as bird´s milk. Some even speculate as to his alien origin in lack of a better explanation of his unparalleled genius. The music comprises mostly of Monk´s original compositions, many of which were destined to become Jazz standards and some standards, which often sound quite unusual after receiving the famous Monk treatment. Monk is accompanied by some of the most iconic Jazz figures, like drummer Art BlakeyFind albums by this artist, vibraphonist Milt JacksonFind albums by this artist, trumpeter Kenny DorhamFind albums by this artist bassist Paul ChambersFind albums by this artist and many others. This box is not only full of great music but also an excellent document of Jazz history. Piano Jazz connoisseurs should definitely include this in their "must have" list, but most avid Jazz lovers will find it fascinating and even essential. Although Monk´s later output is better known, this period is by no means less significant and in many respects, especially as far as revolutionizing Jazz composition, is perhaps even more momentous. Buy or die!

Updated: 26/01/2019Posted:

CD 4 Box Set Remastered Bonus Tracks Recommend To A Friend

THELONIOUS MONK ~ THE COMPLETE COLUMBIA LIVE ALBUMS COLLECTION SONY 886979958029 (Barcode: 886979958029) ~ USA ~ Jazz Recorded: 1963 - 1969 Released: 2015 This phenomenal Box Set includes all the live albums recorded by the iconic Jazz Master, pianist / composer Thelonious MonkFind albums by this artist, and released on ColumbiaFind albums on this label Records. It comprises of five 2CD sets, with each of the sets presenting complete / expanded versions of albums, which originally included only parts of the recorded concerts and often were spread over more than one album. This set finally sorts out all the confusion about these recordings and puts things in their correct order and placement, and therefore is a truly momentous documentation of Monk´s work. Most of this amazing music was recorded within just two years, namely in 1963 and 1964, with just a few additional tracks recorded live at various locations between 1965 and 1969, which were originally part of the soundtrack of the documentary movie "Thelonious Monk: Straight No Chaser". Most of the music was recorded in a quartet setting with saxophonist Charlie RouseFind albums by this artist, bassist Butch WarrenFind albums by this artist and drummer Frankie DunlopFind albums by this artist (1963) or bassist Larry GalesFind albums by this artist and drummer Ben RileyFind albums by this artist (1964), with just one set recorded by a Big Band (well actually a tentet) with the 1963 quartet plus trumpeters Thad JonesFind albums by this artist and Nick TravisFind albums by this artist and saxophonists Eddie BertFind albums by this artist, Steve LacyFind albums by this artist, Phil WoodsFind albums by this artist and Gene AllenFind albums by this artist – a dreamy lineup by any respect. Considering the fact that this music was recorded basically within a very concise period of time, the basic material, i.e. the compositions used, is quite repetitive and some compositions are repeated several times (for example "Epistrophy" is performed thirteen times), which might have been a drawback but in fact turns out to be a blessing which allows us plainly to witness the Monk genius, with each and every version of the tune being different from every other version. The meaning of improvisation and the limitless power of the human mind are reflected within these sounds and captured for posterity. Overall this Box Set contains so much absolutely brilliant music that it weight could be measured in pure gold. There are no dull moments herein whatsoever and every note tells the story of Jazz and the prodigious talent of the Monk phenomenon, which knows no equals. It is a Bible of music, which should be studied by all those who call themselves Jazz musicians, and revered by Jazz fans of all ages. Hopefully this Box Set will expose this brilliant music to new generations of listeners the world over. Obviously this Box Set should become an essential part of every serious music collection, as it is eternal and timeless and will stay so as long as music matters.

Updated: 26/01/2019Posted: 07/02/2016

CD 10 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend

THELONIOUS MONK ~ THE COMPLETE RIVERSIDE RECORDINGS RIVERSIDE 888072360020 (Barcode: 888072360020) ~ USA ~ Jazz Recorded: 1955 - 1961 Released: 2014 This magnificent Box Set compiles all the recordings by American Jazz pianist / composer / Prophet Thelonious MonkFind albums by this artist made between 1955 and 1961 for the independent American RiversideFind albums on this label Records label, co-owned and led by the legendary record producer Orrin KeepnewsFind albums by this artist, who sadly died in March 2015. The fifteen CDs included in this Box Set contain some of the most important Jazz music ever recorded, by one of the greatest and most idiosyncratic figures on the American music scene. The music is arranged chronologically and includes thirty recording sessions with music ranging from solo piano performances to ensemble pieces, starring the crème de la crème of American Jazz musicians of the 1950s, including John ColtraneFind albums by this artist, Coleman HawkinsFind albums by this artist, Sonny RollinsFind albums by this artist and many others. Although usually associated with Bebop as one of its founding figures, Monk never really played Bebop as such and the association is mostly coincidental, since he started his career when Bebop erupted. In fact Monk always played only Monk, and that was it. His absolutely unique sense of rhythm (or rather the lack of it as we know it) and his weirdly twisted melody lines were his trademark and usually just a few notes are enough to identify him as a player. Riverside was Monk´s second label after his stint with Blue Note and before moving to Columbia, and it proved to be the most creative as far as his composing career is concerned. Except for a few standards played on the early Riverside sessions, most of the music in this Box Set comprises of Monk´s originals, which are all absolutely marvelous. The importance of Monk´s contribution to Jazz is of course his complete disregard of the "norm" and the consistent approach of following his own path. His music always sounded like nothing else around him and the musicians playing with him had to forget almost everything they knew about melody, harmony and rhythm and simply follow his lead. It´s hardly surprising that he was considered "difficult" and "noncooperative" by many people around him, which was intensified by his erratic personal behavior, but of course this is a problem with many extraordinary people. Sadly in Monk´s case his mental state deteriorated relatively early and he disappeared from the active musical life by early 1970s (he died in 1982), following his last appearances during the worldwide tour with the Giants Of Jazz, which I was lucky to hear live at the time. Therefore these sessions are even more invaluable, as they represent a large portion of his relatively short overall recording career. Every note played on these CDs is absolutely priceless and I can´t imagine any serious Jazz record collection not including this music in one form or another. This Box Set is the most comprehensive and the cheapest option to have it in your possession.

Updated: 26/01/2019Posted: 29/12/2015

CD 15 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

WES MONTGOMERY ~ THE NDR HAMBURG STUDIO RECORDINGS JAZZLINE 77078 (Barcode: 4049774770784) ~ USA ~ Jazz Recorded: 1965 Released: 2021 This is an archival album by the seminal American guitarist / composer Wes MontgomeryFind albums by this artist, recorded live on April 30, 1965, during his European tour, which also included an appearance at the Ronnie ScottFind albums by this artist’s club in London just prior to this recording. Montgomery is supported by a dreamy octet, which includes British saxophonists Scott and Ronnie RossFind albums by this artist, and drummer Ronnie StephensonFind albums by this artist (the 3 Ronnies), Austrian saxophonist Hans KollerFind albums by this artist, American (resident in Europe from 1963) saxophonist Johnny GriffinFind albums by this artist, French pianist Martial SolalFind albums by this artist and bassist Michel GaudryFind albums by this artist. The album presents ten tracks, four of which are Montgomery’s originals, two are by Ross, one each by Solal and Griffin, one is by Thelonious MonkFind albums by this artist and one is a standard. The recording offers a brilliant sound quality. The bonus BD offers a half an hour glimpse at the octet’s rehearsal a couple of days before the concert. Montgomery was at the top of his career at the time and his death, which came just three years after this recording was made, was a complete shock and a tragic premature end of his life and career. The guitarist feels absolutely delighted supported by these European musicians, who offered already at that time a much more refined, delicate and ambitious approach to the Bebop atmosphere, and presented a highly sophisticated individual abilities as soloists. The music is performed at a relaxed atmosphere, which emphasizes the obvious camaraderie between the musicians, and is in interesting document of the European scene at the time, as well as a tribute to Montgomery’s brilliant and innovative approach to the guitar. Overall, for the many fans of Montgomery, this is an absolute must, not only as a document of his performances, but especially due to the unusual setting in which these recordings were made. One has to be grateful to those Germans, who keep all that historical material in perfect form, as usual.

Updated: 09/02/2024Posted: 09/02/2024

CD+BD 2 Digipak Remastered Recommend To A Friend

BARTLOMIEJ OLES / TOMASZ DABROWSKI ~ CHAPTERS FENOMMEDIA 012 (Barcode: 5907604327128) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 Trumpet / drums duo recordings are a very special chapter in Jazz history and they include some fascinating interplays recorded over time by American Jazz musicians, such as the legendary Don CherryFind albums by this artist / Ed BlackwellFind albums by this artist or Max RoachFind albums by this artist / Dizzy GillespieFind albums by this artist recordings. Some American / European trumpet / drums duos are also worth mentioning, such as the Leo SmithFind albums by this artist / Gunter SommerFind albums by this artist, Dave DouglasFind albums by this artist / Han BenninkFind albums by this artist or Bill DixonFind albums by this artist / Tony OxleyFind albums by this artist, documented on their respective recordings. On the contemporary Polish Jazz scene this relatively rare pairing of instruments seems to be quite favorable, with such excellent examples like Wojciech JachnaFind albums by this artist / Jacek BuhlFind albums by this artist, Artur MajewskiFind albums by this artist / Kuba SucharFind albums by this artist and others. Trumpeter / composer Tomasz DabrowskiFind albums by this artist already has one trumpet / drums album under his arm, recorded with the American drummer Tyshawn SoreyFind albums by this artist and now he joins the brilliant drummer / composer Bartlomiej OlesFind albums by this artist in a new trumpet / drums duo, captured on this album. Bartlomiej Oles is of course known to all Polish Jazz connoisseurs as half of the Oles Brothers rhythm section, which in time achieved a legendary status as one of the best modern Jazz rhythm sections around, but this album focuses on his work as composer. Of the ten pieces presented on this album, Oles composed eight, and co-composed one with Dabrowski, with the remaining piece, which closes the set, being a Thelonious MonkFind albums by this artist composition. In comparison to the trumpet / drums albums listed in the opening paragraph, this recording is definitely the most lyrical and deeply melodic of them all. Oles demonstrated his lyricism and love of melody over the years in the numerous compositions he contributed to the vast Oles Brothers recorded legacy. Additionally, his treatment of the drums as a melodic instrument has always been his particular trademark, as he almost never simply sets a rhythm but rather plays the drums in par with his musical partners in various ensembles. The intimacy of just two instruments is an ideal opportunity to place these compositional and performance qualities at the center of the listener´s attention. Dabrowski, whose meteoric rise to fame is fully justified, seems to be an ideal partner aiding Oles to achieve his goals. His virtuosic attack, combined with the intrinsic lyricism, turn his trumpet into a seemingly unlimited tool able to express an enormously diverse set of emotions, from whisper to shout, anger to joy, despair to mellow melancholy. Playing side by side with Oles, who is of course more experienced and mature, pushed Dabrowski really hard to reach and than cross his limits, which resulted in the best performance of his life so far. Oles managed to catalyze and crystallize Dabrowski´s unique style and mannerism, molding them into a perfect musical entity. There is so much music on this album that a true comprehension and appreciation of it requires several listening sessions even for the most experienced music lovers. Peeling off the layers of aesthetic and emotional essence captured herein by these two Masters is a delightful and rewarding experience. There is no doubt that this is a monumental achievement in every sense and a model of lofty, almost spiritual communication between an Artist and his audience. Personally I have a deep satisfaction from the fact that I have always considered these two musicians as representatives of what is best about Polish Culture in general and Polish Jazz in particular: honesty, consistency and a proper usage of a God given talent. Thank you both for such a wonderful gift!

Updated: 02/01/2017Posted:

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PROFESJONALIZM ~ CHOPIN CHOPIN CHOPIN LADO ABC C/11 (Barcode: 5907709922334) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 Profesjonalizm is the name of the new sextet created and led by Polish Jazz pianist / composer Marcin MaseckiFind albums by this artist, one of the greatest talents on the local scene in the recent years and the enfant terrible / eccentric artiste spearheading the Jazz anti-establishment, a role that fits him like a glove. During my recent visit in Poland I was lucky to be invited to the concert the band performed in a dinky Warsaw restaurant called Mozaika, which remarkably managed to sustain the atmosphere (and look, not to mention the service) of the 1970s Socrealizm, completely oblivious to the changes around. The concert celebrated the release of this album, so the music was simply a live version of what is included here, in its entirety. I must say that I was completely unaware of what was about to happen musically and therefore the experience was a total culture shock, even though I am a difficult man to surprise in view of the heavy burden of my age upon me. Masecki and his cohorts: trumpeter Kamil SzuszkiewiczFind albums by this artist, saxophonists Michal GorczynskiFind albums by this artist and Tomasz DudaFind albums by this artist, bassist Piotr DomagalskiFind albums by this artist and drummer Jerzy RogiewiczFind albums by this artist played a stunning set of outlandish music (all composed by Masecki), which is so original, unique and devilishly clever that one´s mind is completely boggled. How the hell did they manage to do it at all (live!) is beyond comprehension, but nevertheless they did it with a spectacular result. Listen to the studio version herein and imagine this being played live to get the scope of the task ahead. As to the music itself, I´m not even trying to start describing it, as it is well beyond the scope of words (as most great music is). Suffice to say that it is a suite of sorts, in seven parts, which tells the story of Jazz from its earliest days (Ragtime) to now, flowing like a soundtrack to an imaginary movie, constantly (and unexpectedly) changing rhythms and scales, themes and patterns, but remarkably and completely coherently keeping a brilliant sense of unity. The rhythm section is absolutely dazzling, managing the impossible task of gluing this passionate and untamed music together. Masecki´s piano work is a chapter in itself, which is worth studying separately, but it serves the role of the thematic / melodic beacon pointing the way ahead for of this music. During a short chat before the concert I asked Masecki about his musical influences; he mentioned some usual suspects but emphasized Thelonious MonkFind albums by this artist and Conlon NancarrowFind albums by this artist, two superb examples of total non-conformism, suiting Masecki´s image perfectly. The problem with non-conformism is often that eccentric artists become often self-centered and completely uncommunicative, which luckily enough does not apply to Masecki. In spite of all the lunacy herein, this is (amazingly) quite an easy album to listen to, against all odds. When I asked Masecki as to the nature of his music, he replied: "We are playing entertaining music" – well, he was after all right, in his own crazy way. Now if anybody is wandering about the album´s title, I must assure you that the album has absolutely nothing to do with the great Polish National composer Frederic ChopinFind albums by this artist. This is one more of Masecki´s clever stunts, expressing his disgust and ridicule of the Polish Jazz scene´s exploitation of Chopin´s music in the recent years. Using this tongue in cheek / sarcastic reference Masecki protests against the "One can´t go wrong by playing Chopin" attitude, where in fact one can go wrong and as the plentitude of available recorded evidence proves one does in most cases. So what do we have here: a work of a mad genius, a wizard, a prophet? Who am I to judge? Suffice to say I love this music, every note of it and most of all the chutzpah and complete disregard of convention – exactly the qualities I admire in Artists. Bless you, Marcin Masecki!

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ANDY SUMMERS ~ GREEN CHIMNEYS REPERTOIRE / RARE 1002 (Barcode: 4009910000229) ~ UK ~ Jazz-Rock Fusion Recorded: 1988 Released: 2007 It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. PoliceFind albums by this artist guitarist Andy SummersFind albums by this artist, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is a tribute to the music of the great American pianist / composer Thelonious MonkFind albums by this artist, showcases Summers as a splendid Jazz guitarist, with beautiful technique and exquisite taste. Of course Summers manages to achieve a completely unique sound and voicing on his instrument, which retain a certain affiliation with his Rock roots, but overall the album is an absolute knockout. With drummer Peter ErskineFind albums by this artist, organist Joey DeFrancescoFind albums by this artist, bassist Dave CarpenterFind albums by this artist, StingFind albums by this artist doing vocals on one track and many other superb musicians, this album is a true delight. Life is full of surprises!

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JOHN SURMAN ~ THE RAINBOW BAND SESSIONS LOSEN 105 (Barcode: 7090025831058) ~ UK ~ Jazz Recorded: 2006 - 2007 Released: 2011 This is an album which never was meant to be… Legendary Norwegian sound engineer Jan Erik KongshaugFind albums by this artist, owner of the revered Rainbow Studio in Oslo and a Jazz musician of his own eight, suggested to the British Jazz colossus John SurmanFind albums by this artist to use some spare time in his studio for a series of informal "just for fun" meetings between Surman and local Jazz musicians. These sessions, which continued for several months, were also recorded, although never intended to be released. Eventually, however, the result turned out to be simply too good to remain forgotten, and this album lets us hear this beautiful music after all. The detailed story of these sessions is described by Surman in the album´s liner notes. Surman used these sessions to revisit the early days of his career, reviving and restoring several octet arrangements originating in the late 1960s, which were only partly saved. He also contacted his life-time "soul-mate", the brilliant composer / arranger John WarrenFind albums by this artist, who sent a bunch of his music to be used as well. Finally, of the eight tracks included on the album, four are by Warren, two are by Surman, one is by the pioneering British Jazz educator and pianist Eddie HarveyFind albums by this artist, written originally for the celebrated saxophonist Mike OsborneFind albums by this artist, who was a member of Surman´s octet and the last is a Thelonious MonkFind albums by this artist classic arranged by the great British saxophonist / composer / arranger / bandleader Alan CohenFind albums by this artist. As a result this album is not only a fantastic piece of music, but also a fine tribute to the history of British Jazz. Surman plays on all tracks, baritone or soprano saxophones (solos on four tracks), as is most of the rhythm section; the rest of the musicians fluctuate between two lineups. The important lesson, however, is how excellent all these players are, although most of them are very little known outside of their own country, which tells how exceptional the Norwegian Jazz in particular and the European Jazz in general are. The music and particularly the arrangements have a wonderfully nostalgic tinge to them, and yet sound completely contemporary and up to date. Although paying tribute to the early days of the modern British Jazz scene, it also conveys a clear message that Jazz genres and conventions are only secondary in the face of universally superb music, masterfully composed, skillfully arranged and brilliantly performed, with zest, elegance and above all love of the subject matter. So even if this album was never meant to be, it definitely defeats the original intention of staying beneath the surface and turns out to be another masterpiece, as everything that Surman touches, now for over five decades. With the 70th Birthday Celebration behind him, Surman continues relentlessly to make his mark on the Jazz idiom, being one of its most impressive champions. Definitely worth getting and for the numerous Surman fans this is an absolute must!

Updated: 11/02/2016Posted: 11/02/2016

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MIKE TAYLOR ~ MANDALA JAZZ IN BRITAIN 23 (Barcode: 5060774190173) ~ UK ~ Jazz Recorded: 1965 Released: 2021 This is an archival album by British Jazz pianist / composer Mike TaylorFind albums by this artist, one of the mythical figures of the British Jazz scene, due to his tragic death at a ridiculous young age and an extremely limited recorded legacy. Taylor recorded only two albums (“PendulumFind albums with this title” 1966 and “TrioFind albums with this title” 1967) before he died at the age of 30 in 1969. The album presents a live recording of five tracks, captured nine months before this lineup recorded Taylor’s debut album “Pendulum”. He is accompanied by saxophonist Dave TomlinFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist. Of the five tracks one is a standard and four are original composition by Taylor, two of which appear on the tribute album “Mike Taylor RememberedFind albums with this title” by Neil ArdleyFind albums by this artist. Although the music on this album is by far not as revolutionary or groundbreaking as on “Pendulum”, it is a time capsule of a work in progress, which eventually brought the quartet together into the perfection demonstrated on the debut album and which would make Taylor to crystalize his musical ideas to break the barriers of “swing” and John ColtraneFind albums by this artist’s influence, to achieve the Freedom the debut albums so potently demonstrates. The sound quality of the recording is far from ideal, but certainly good enough to enjoy the music and hear some details. Hiseman is way up in the mix while Reeves is almost inaudible, and the piano is also far behind the saxophone, which takes most of the soloing space. The deconstruction of Thelonious MonkFind albums by this artist’s tune is definitely not as radical as on the debut, but comparing the two versions again shows a path Taylor and his quartet were taking. Overall this is splendid document of the era and the formative years of independent British Jazz, which is not following the American influence any more than absolutely necessary. Tomlin bravely takes upon himself the front-line responsibilities, with Taylor pushing the music from behind, and obviously exploring new ground. The rhythm section is absolutely perfect for the job, with Reeves’ musicality and Hiseman’s technical brilliance laying out a firm basis for the two soloists. However, the album also shows clearly how difficult it was to boldly step into the Free / open playing at this time, and the music is at all times strongly bonded to “swinging” at all cost, despite the relative freedom Taylor demonstrates while playing his odd chord sequences behind the swinging foreground. Overall this is a first class discovery, which blissfully appears on record five and a half decades later, which should make every true British Jazz fan happy. Kudos to Jazz In Britain for digging this one out and bringing it up to the surface!

Updated: 06/06/2021Posted: 06/06/2021

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STAN TRACEY ~ LAUGHIN` AND SCRATCHIN` JAZZ HOUSE 608 (Barcode: 751848670824) ~ UK ~ Jazz Recorded: 1965 Released: 1997 This is an album which presents archival / informal recordings by the Godfather of modern British Jazz, pianist / composer Stan TraceyFind albums by this artist, recorded live in a trio format at the famous Ronnie Scott´s Club in London, featuring bassist Rick LairdFind albums by this artist (later of Mahavishnu OrchestraFind albums by this artist fame) and drummers Ronnie StephensonFind albums by this artist or Bill EydenFind albums by this artist. The trio performs seven pieces, two of which are originals by Tracey and five are standards. Between 1959 and 1965 Tracey and his trio served as the house band at the Ronnie Scott´s Club (the original one at Gerrard Street) and accompanied scores of visiting musicians, mostly from the US, such as Johnny GriffinFind albums by this artist, Sonny RollinsFind albums by this artist, Ben WebsterFind albums by this artist, Stan GetzFind albums by this artist, Wes MontgomeryFind albums by this artist, Roland KirkFind albums by this artist and many, many more. Playing with these Giants obviously served as a wonderful opportunity for Tracey to polish his chops, but more importantly to develop his own style as a player and composer, which differed from the standard American Bebop approach. The selections included on this album are all pretty long in duration and as such are wonderful documents of Tracey´s idiosyncrasies as a piano player, with his quite unique approach to the instrument, similar in some ways to what Thelonious MonkFind albums by this artist was doing. Tracey plays mostly chords, vamping and boogieing all over the keyboard, only occasionally playing out the melody notes. His interpretation of the Monk tune present here is simply amazing. The rhythm section bravely keeps up with the governor, standing with him shoulder to shoulder even during the unexpected twists and turns he takes along the way. Although the sound quality of this album is far from ideal, the music is absolutely stunning and more than compensates for the technical limitations. Albums like this are precious pieces of Jazz history captured for eternity, which are still valid today and are definitely worth listening to, especially by the young generation, which missed it in real time. Great stuff!

Updated: 24/03/2016Posted: 24/03/2016

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STAN TRACEY ~ THREE CLASSIC ALBUMS PLUS AVID 1044 (Barcode: 5022810304425) ~ UK ~ Jazz Recorded: 1955 - 2003 Released: 2011 This is a marvelous collection of early recordings by the Godfather of modern British Jazz, pianist / vibraphonist / composer / bandleader Stan TraceyFind albums by this artist. It includes the first two albums Tracey recorded as a leader: "ShowcaseFind albums with this title" (from 1958) and "Little KlunkFind albums with this title" (from 1959) and the only album by the short-lived octet Jazz Inc.Find albums by this artist led by drummer / composer / bandleader Tony CrombieFind albums by this artist, which features Tracey on piano. The "Plus" comprises of four tracks by the Stan Tracey quartet featuring Tubby HayesFind albums by this artist (from 1959), a couple of tracks by the Harry KleinFind albums by this artist Quintet featuring Stan Tracey on piano (from 1955) and a trio recording by guitarist Jon WheatleyFind albums by this artist, bassist Andy CleyndertFind albums by this artist and Tracey from 2003 (not really belonging to this set but what the heck). This collection is not only highly entertaining, but also very educational, as it traces the development of Modern British Jazz, which started as a formidable adaptation of the American Jazz tradition and gradually developed into a completely new and even separate Jazz idiom. The comparison between "Showcase" and "Little Klunk" is particularly fascinating, as these two albums are light years apart from each other, although in fact they were recorded only one year between each other. The former, recorded in a trio / quartet setting features Tracey on piano and vibraphone, with guitarists Ike IsaacsFind albums by this artist or Ray DempseyFind albums by this artist, bassists Kenny NapperFind albums by this artist or Johnny HawksworthFind albums by this artist and drummers Phil SeamenFind albums by this artist or Ronnie VerrellFind albums by this artist (the piano pieces are trios and the vibraphone pieces are quartets). All the music on this album consists of standards and stylistically the music moves between Swing and Bebop, with Tracey obviously already listening closely to the American pioneers stepping beyond, especially Thelonious MonkFind albums by this artist. The latter album, however, recorded in a trio format with Napper and Seamen features all original compositions by Tracey and clearly defines his original voice, which moves away quite radically from both Swing and Bebop, but not yet as advanced as it will become in not too distant future. The work of the magnificent Phil Seamen heard here is of course priceless, considering his tragically short life. The Jazz Inc. live recording is also a typical example of the British scene at the time, with the octet playing mostly original material by its members, with just a couple of standards thrown in for good measure. Excellent soloing by all the musicians and the accomplished Big Band sound are a superb nostalgic memento. The Tracey / Hayes tracks recorded by the BBC World Service for "export to former colonies", is a rare opportunity to hear these two Giants together, which happened only very rarely. The guitar trio tracks added here seemingly simply to "fill the time" prove to be the least interesting per se, although of course perfectly well played. Overall this collection, digitally remastered and very reasonably priced, is a true gem and an essential part of every modern British Jazz record collection. A must!

Updated: 26/01/2016Posted: 26/01/2016

CD 2 Remastered Recommend To A Friend

VARIOUS ARTISTS ~ JAZZ ON VOGUE SONY 887254437727 (Barcode: 887254437727) ~ USA ~ Jazz Recorded: 1947 - 1957 Released: 2013 This incredible Box Set collects 35 early Jazz albums released on the legendary French Jazz labels: Disques VogueFind albums on this label founded in 1947 and its subsidiary SwingFind albums on this label, which was originally established in Paris in 1937 by Charles DelaunayFind albums by this artist and passed to Vogue in 1948. The music was recorded during the first post WWII decade (1947-1957) and features both American Jazz artists, who visited France or lived in France at the time as well as European Jazz artists. Paris was at the time the European Jazz center, which corresponded splendidly with its status as the European intellectual center, which produced dramatic and groundbreaking developments in European Philosophy, Plastic Arts, Cinema, Literature and of course music. Most of these albums were originally released on 10-inch LPs, which had a time limit under half an hour, and therefore they are arranged here to span over 20 CDs, each well over an hour long. The music was beautifully remastered and sounds remarkably fresh and vibrant. The list of the performers reads like a who´s who of American Jazz at the time: Dizzy GillespieFind albums by this artist, Roy EldridgeFind albums by this artist, Sidney BechetFind albums by this artist, Mary Lou WilliamsFind albums by this artist, Lee KonitzFind albums by this artist, Lionel HamptonFind albums by this artist, Clifford BrownFind albums by this artist, Jimmy RaneyFind albums by this artist, Oscar PettifordFind albums by this artist, Gerry MulliganFind albums by this artist, Thelonious MonkFind albums by this artist, Roy HaynesFind albums by this artist, Lalo SchifrinFind albums by this artist and many others. The Europeans (French and Belgian in this case) are represented by Django ReinhardtFind albums by this artist, Martial SolalFind albums by this artist, Bobby JasparFind albums by this artist, Henri RenaudFind albums by this artist, Rene ThomasFind albums by this artist, Andre HodeirFind albums by this artist, Barney WilenFind albums by this artist and many others. Stylistically the music spans quite a wide range of Jazz sub-genres, from New Orleans via Swing, Bee Bop, Cool and Early European Modern Jazz. Of course all of it is absolutely classic stuff as far as Jazz history is concerned and is essentially timeless. The most astonishing discovery, in retrospect, is the fact that the European musicians at that early stage already hold their ground opposite the Americans, showing early signs of a much more open-minded approach and a will to step beyond the American dominated Jazz conventions of the time. Many of these albums were never before released on CD; some of them are ultra-rare collectors´ items since decades. For example the three early Martial Solal releases (collected on CD number 6) are absolutely stunning examples of modern European piano trio recordings, which is decades ahead of its time, as are several other albums in this set. This is an essential collection for any serious Jazz connoisseur, which covers a huge void in many record collections. This box is worth its price (which is very reasonable) in gold and should serve as an example of how reissue projects should be produced. An absolute must!

Updated: 26/01/2019Posted:

CD 20 Mini-Sleeve Box Set Remastered Recommend To A Friend

EMIL VIKLICKY ~ `ROUND MIDNIGHT ARTA 10020 ~ CZECH REPUBLIC ~ Jazz Recorded: 1991 Released: 1991 This delightful album presents a meeting between two generations of Czech Jazz musicians - the veterans: leader / pianist / composer Emil ViklickyFind albums by this artist and drummer Josef VejvodaFind albums by this artist and the upcoming younger players: trumpeter Juraj BartosFind albums by this artist and bassist Robert BalzarFind albums by this artist. Despite the age / experience differences, the quartet functions splendidly as a unit and the music it produces is absolutely enchanting from start to finish. Viklicky and Vejvoda share common background as cohorts of the Karel VelebnyFind albums by this artist stable, playing in the past in his legendary SHQFind albums by this artist ensemble. Velebny, who served in the role of the legendary Godfather of post-WWII Czechoslovak Jazz, was almost singlehandedly responsible for creating the Jazz scene and educating the first generation of players. By the time this album was recorded, Viklicky already established his position as a pillar of the Czech Jazz scene, winning international acclaim both as a player and a composer. His unique lyricism and unusually delicate touch make him one of the top world players, a fact which becomes evident immediately upon listening to any music he creates. In this relatively unusual quartet setting (sax-less quartet) he shares the solo duties with the young trumpeter, who is up to the challenge on every front. Both his tone and articulation are heartwarming and beautiful, eschewing any kitschy excursion, which so often plague trumpet players. The rhythm section is also perfect for the job, with elegant bass lines and just the right emphasis from the drums, when needed. These four players are simply in a perfect unison all the way through. The material includes three standards, two of which are beautiful readings of Thelonious MonkFind albums by this artist compositions, and seven originals, three of which are by Viklicky. Overall this is a perfect Jazz album, well within the tradition and yet interesting and challenging enough to keep the listener enchanted at all times. Brilliant stuff!

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MAL WALDRON ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE VOLUME 2 CAM JAZZ 1043 (Barcode: 8052405142528) ~ USA ~ Jazz Recorded: 1985 - 2000 Released: 2016 This superb Box Set collects recordings by the American pianist / composer Mal WaldronFind albums by this artist on the Black SaintFind albums on this label and Soul NoteFind albums on this label labels. It is the second such collection, this time dedicated to solo, duo, trio and quartet recordings, following the previous Box Set with quintet recordings. It includes eleven albums: "UpdateFind albums with this title" is a piano solo, "Sempre AmoreFind albums with this title" (*) and "CommuniqueFind albums with this title" (*) are duets with saxophonist Steve LacyFind albums by this artist, "DedicationFind albums with this title" and "Remembering MalFind albums with this title" are duets with bassist David FriesenFind albums by this artist, "Riding A ZephyrFind albums with this title" is a duet with vocalist Judi SilvanoFind albums by this artist, "Up And DownFind albums with this title" with saxophonist Chico FreemanFind albums by this artist, German bassist Ricky KnauerFind albums by this artist and Italian vocalist Tiziana GhiglioniFind albums by this artist (on two tracks only), "Sometimes I`m BlueFind albums with this title" with vocalist Kim ParkerFind albums by this artist, Swiss bassist Isla EckingerFind albums by this artist and drummer Ed ThigpenFind albums by this artist, "Our Colline`s A TreasureFind albums with this title" with bassist Leonard JonesFind albums by this artist and drummer Sangoma EverettFind albums by this artist, "I`ll Be AroundFind albums with this title" with Ghiglioni and Italian trumpeter Enrico RavaFind albums by this artist and finally "Six Monk`s Compositions (1987)Find albums with this title" (*) with saxophonist Anthony BraxtonFind albums by this artist, bassist Bluell NeidlingerFind albums by this artist and drummer Bill OsborneFind albums by this artist. Most of the music is by Waldron, except for the album dedicated to the music of the great composer Thelonious MonkFind albums by this artist, and of course some standards. Waldron is considered as one of the most influential and prominent American Jazz personalities and a great master of the piano. He started his career as a Bebop player but moved later also into the Avant-Garde idiom. He was also one of the first American Jazz musicians who discovered European Jazz and understood its importance. He moved to Europe in the mid-1960s, where he spent the rest of his life. He left a most impressive recorded legacy of well over a hundred albums. The music is absolutely timeless, and offers a perfect glance at Waldron´s diversity as a composer and player. It is also a unique document of European Jazz, as most of his albums involved European musicians playing side by side with their Americans partners. For serious Jazz connoisseurs this Box Set is a pure delight and an absolute must! The albums marked with (*) were also included in other Box Sets of this series. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 20/05/2020Posted: 20/05/2020

CD 11 Mini-Sleeve Box Set Remastered Recommend To A Friend

MANFRED PAUL WEINBERGER / STEPHAN BRAUN ~ CONFIDENCE ATS 0979 (Barcode: 9005216009794) ~ AUSTRIA ~ Jazz Recorded: 2021 Released: 2022 This is an album by the duo comprising of Austrian trumpeter / composer Manfred Paul WeinbergerFind albums by this artist and German cellist / composer Stephan BraunFind albums by this artist. The album presents twelve tracks, ten of which are original compositions (seven by Weinberger and three by Braun) and two are Jazz standards (one by Thelonious MonkFind albums by this artist and another by Kenny WheelerFind albums by this artist). The music is a classic “Art of the Duo” setting, which manages to overcome the obvious limitations and despite the minimalist format creates rich and diverse musical vistas. The fact that Braun applies many different techniques to his 5-string cello, making it sound like several different instruments, as well as his use of some electronics and percussion, add up to a much more versatile effect that expected. As a result, the music flows and changes continuously, keeping the listener on his toes. Weinberger is an excellent trumpeter and this minimalist setting does not limit him at all, enabling him to utilize his wonderfully lyrical tone and brilliant technique. Overall, this is a very pleasant and highly interesting album, which takes the listener to visit and experience a wide range of moods and tonalities, and despite the unusual instrumentation is able to sound familiar and absorbing. For Jazz listeners, who like the duo setting, this is especially a worthwhile new experience, but all Jazz listeners should find here something to their liking. Warmly recommended!

Updated: 23/02/2022Posted: 23/02/2022

CD 1 Mini-Sleeve Recommend To A Friend

MIKE WESTBROOK ~ STARCROSS BRIDGE HATOLOGY 754 (Barcode: 752156075424) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is a solo piano album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist. This album was recorded at the same venue in Paris, where Westbrook recorded his previous solo piano album "ParisFind albums with this title" eighteen months earlier, this time without any people in the audience. It presents fourteen pieces, grouped into three chapters and a postscript; some composed by Westbrook or co-composed by him and his wife Kate WestbrookFind albums by this artist, others coming from such diverse sources as The Beatles or familiar Jazz standards. The music was edited and mixed by the lamented Jon HisemanFind albums by this artist and offers a wonderfully detailed sound quality. Westbrook solo piano recordings, starting with the album "PianoFind albums with this title" recorded over four decades ago and now expanded by "Paris" and this album, are a wonderful opportunity to get acquainted with the most intimate side of Westbrook the pianist. His work with small and especially so with large ensembles are first and foremost a showcase of his compositional achievements and his role as a pianist is often overshadowed by the intensity of these works and perhaps also a tendency to put other instrumentalists (or vocalists) in the limelight. The solo piano recordings are therefore the most exposed instances of Westbrook´s piano playing and as such most revealing. The choice of material obviously reflects Westbrook´s admiration of Duke EllingtonFind albums by this artist and Thelonious MonkFind albums by this artist and of course his love for his wife and musical partner Kate Westbrook. In many respects, at least to me, this album is a reflection of his life and his musical path, seen in retrospect and expressed with extraordinary finesse and emotion. Age does this to you, grabbing you by the throat and forcing you to look back at your life and take an account of it. I can hardly imagine a more beautiful way to do this than what Westbrook manages to do here. The way Westbrook touches the keyboard is also quite extraordinary. The use of silence and pause makes all the difference and he is an absolute Master of timing, which results in the music being as much a consequence of the notes he plays as of the silent moments separating them. The "slow motion" effect he uses here so brilliantly achieves the same effect as watching a movement in slow motion – it allows a much higher resolution of the separate notes and their mutual relationships, which would not be possible when the notes follow each other in rapid progression. There is no doubt that Westbrook, despite his advanced age, is till very much a leading force of the British / European Jazz scene and his prolific and blissfully diverse recordings being released at a steady paste are constantly a source of musical Artistry of the highest caliber, for which we are all thankful. God Bless!

Updated: 03/11/2018Posted: 03/11/2018

CD 1 Mini-Sleeve Oversampling Recommend To A Friend

ZAWINUL SYNDICATE ~ BLACK WATER / LOST TRIBES BGO 1417 (Barcode: 5017261214171) ~ AUSTRIA ~ Jazz-Rock-World Fusion Recorded: 1989 - 1992 Released: 2020 This is a reissue of the second and third albums released on the ColumbiaFind albums on this label label by The Zawinul SyndicateFind albums by this artist, the ensemble led by Austrian keyboardist / composer Joe ZawinulFind albums by this artist, following the cessation of the legendary Weather ReportFind albums by this artist. The ensemble continued the musical path of the late period Weather Report, mixing Jazz-Rock Fusion with World Music and Pop elements. Veteran Zawinul was supported by much younger American musicians and the lineup of the ensemble changed over time several times. "Black WaterFind albums with this title", released in 1989, features guitarist Scott HendersonFind albums by this artist, bassist Gerald VeasleyFind albums by this artist, drummer Cornell RochesterFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist, with occasional vocal parts by Lynne Fiddmont-LinseyFind albums by this artist and other vocalists. The album presents nine tracks, seven of which are original compositions by Zawinul and two are arrangements by compositions by Thelonious MonkFind albums by this artist. "Lost TribesFind albums with this title", released in 1992, features new members: guitarist Randy BernsenFind albums by this artist, drummer Mike BakerFind albums by this artist and percussionist Bobby Thomas, Jr.Find albums by this artist, with Veasley on bass but also playing keyboards alongside the leader. The album presents ten original compositions, nine by Zawinul and one by Veasley. Following the third album Zawinul and his ensemble was dropped by Columbia and recorded a few additional albums on small independent labels until his death at the age of 75 in 2007. These two albums perfectly reflect Zawinul´s genius as a composer and performer and his everlasting search for new forms of expression and his exploration of worldwide influences. In retrospect this music sounds significantly better than how it appeared at the time of its release, dismissed by critics and fans as way to commercial. But in truth it sounds today quite visionary, especially in comparison to what people call music today. The ensemble was a first rate live act, which I was lucky to catch several times, and managed to restore similar energies as live shows by Weather Report. Considering that the original copies of these two albums are quite difficult to find, this remastered reissue is a true Godsend. Wholeheartedly recommended!

Updated: 11/09/2020Posted: 11/09/2020

CD 1 Slipcase Remastered Recommend To A Friend

ZYKLUS ~ VIRTUAL REALTIES AMP 017 ~ UK ~ Jazz-Ambient Fusion Recorded: 1989 - 1991 Released: 1991 This is the only album by British Ambient Jazz quartet ZyklusFind albums by this artist, formed by keyboardist / electronic music composer John L. WaltersFind albums by this artist and keyboardist / composer Neil ArdleyFind albums by this artist, which also included trumpeter Ian CarrFind albums by this artist and guitarist / drummer Warren GrevesonFind albums by this artist. The album presents eight tracks, seven of which are original compositions by the quartet members and one is a re-composition of Thelonious MonkFind albums by this artist’s “Round Midnight”, which is among the most touching renditions of the tune I have ever heard. This album is one of the most obscure and forgotten British Jazz gems, and is the last recording by Ardley, before he made a career change to become a prolific writer. The music is a pioneering amalgam of Jazz and electronic music, which at the time of its recording was pretty unprecedented. The music includes an arrangement of a fragment of Ardley’s “Kaleidoscope Of RainbowsFind albums with this title” and its general ambience is quite similar to his famous works. Although Carr did nor compose any music on this album, his brilliant trumpet parts are definitely one of the highlights and his incredible talent to use dynamic in favor of the required effect to suit the music is clearly evident herein. Since he plays the only acoustic instrument, he is in charge of the electro-acoustic balance, which this music is all about. Carr’s enthusiasts might find his playing on this album as some of his most beautiful work ever. Overall this highly original and unusual album is a gem worth to be discovered, which offers innovative approach to create Ambient Jazz without crossing over to synthesized kitsch, and which kept its aesthetic and Artistic values completely untouched by time. Probably not easy to find a copy but definitely worth every effort, this album is a must in every comprehensive British Jazz collection.

Updated: 01/08/2021Posted: 01/08/2021

CD 1 Recommend To A Friend