Record Reviews

AN ON BAST / MACIEJ FORTUNA ~ ELECTROACOUSTIC TRANSFORMATION OF FILM MUSIC BY KRZYSZTOF PENDERECKI FM 013 (Barcode: 888174357317) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is the third album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes thirteen tracks, which were composed and conceived by the duo, all inspired by music composed by the Polish Classical composer Maestro Krzysztof PendereckiFind albums by this artist, which was either composed as soundtrack music for cinematographic productions or used in such capacity. The album also includes a DVD, which presents six short videos by visual artist Pawel WypychFind albums by this artist, based on six tracks present on the CD, which visualize the music using black & white animations and collages. Penderecki´s involvement with film music is relatively less acknowledged in comparison to his large scale symphonic works, but it has always been some of the most impressive and dramatic of its kind and accompanied some of the best films by some of the most important directors, like David LynchFind albums by this artist, Stanley KubrickFind albums by this artist, Martin ScorseseFind albums by this artist, Andrzej WajdaFind albums by this artist and others. This is by far the most complex and advanced project realized to date by the duo, which shows another perspective as well as another depth of their music. The personal and artistic courage to undertake a project like this one is to be admired and encouraged. After generations of Polish Jazz repeatedly dealing with the music of Frederic ChopinFind albums by this artist, often ad nauseam, the young and bold Polish Jazz lions discover contemporary Polish Classical music as the source of their inspiration. In 2012 the pianist Piotr OrzechowskiFind albums by this artist released a sensational album with his interpretation of music by Maestro Penderecki ("Experiment: PendereckiFind albums with this title") and now this album does it again, no less boldly one may add. Other Jazz albums, for example with music by Wojciech KilarFind albums by this artist, were also released lately. This is definitely a refreshing trend. The music included herein is truly overwhelming. Listeners with little or no experience with electronic music or the usage of electronic effects might find it initially strange and a bit difficult, but a couple of listening sessions should break the ice. An On Bast uses an array of different sound effects to create a rich and diverse background upon which Fortuna adds his incredible trumpet passages. These two elements: the electronic and the acoustic, work perfectly together to create a deeply atmospheric musical creation, floating in the infinite sonoric space. Album after album and step after step Fortuna builds up a body of work that is most impressive and simply can not be ignored. His immense talent and versatility, as demonstrated herein in the collaboration with contemporary musical vocabulary, is awe-inspiring. The level of intellectual and emotional dialogue between these two young artists is a ray of hope in this dark age where most things seem to be simply fading out. Thank you!

CD+DVD 2 Mini-Sleeve Recommend To A Friend

ATOM STRING QUARTET ~ PENDERECKI FILHARMONIA SZCZECIN 008 (Barcode: 602508182679) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2019 Released: 2019 Despite the fact that the Atom String QuartetFind albums by this artist is one of the most household names on the Polish music scene in the last decade since their inception in 2010, this is surprisingly only the 6th album released under the quartet´s moniker. However, the still relatively young members of the quartet: violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist, already amassed a most impressive recording legacy of over thirty albums, covering a broad stylistic range, in which they participated either individually or collectively, and which is a most impressive achievement for just one decade by any standard. The essence of the Atoms (as the quartet is fondly referred to by the locals) is perhaps mostly characterized by the dichotomy (imaginary of not) between their Classical roots and other musical idioms, Jazz in particular, in which they were involved with so far. This album is not their first encounter with contemporary Polish Classical Music of course and followers of the Atoms are already familiar with their treatments of works by Witold LutoslawskiFind albums by this artist, but at the same time also with their interpretations of music by Polish Jazz Giants such as Krzysztof KomedaFind albums by this artist or Zbigniew SeifertFind albums by this artist, not ignoring the original compositions by the quartet members, which often dance on the thin wire stretched over the chasm dividing "serious" music from the rest of the world. Polish Jazz and the musicians involved with the genre display an obvious obsession with Polish Classical Music, by far more evident and noticeable than any other local European Jazz scene. One might speculate if this is a result of the inferiority complex, which many Jazz musicians suffer from, cultivated by the music education establishment ruled by Classical Music fanatics, or by the love of Polish musical tradition (your guess is as good as mine), but the fact is that the amount of Polish Jazz albums dealing with music of Frederic ChopinFind albums by this artist (just as an example) is staggering if not to say ridiculous. Maestro Krzysztof PendereckiFind albums by this artist is of course quite a different pair of galoshes; his brilliant music is always challenging and intricate, and the fact that some of the Polish Jazz musicians are willing to tackle this difficult subject is a proof not only of their phenomenal technical / virtuosic skills but more importantly their intellectual faculties. The first serious and a most passionate treatment of Penderecki´s work was undertaken in the recordings by Polish Jazz pianist Piotr OrzechowskiFind albums by this artist (a.k.a. PianohooliganFind albums by this artist), such as "Experiment: PendereckiFind albums with this title" or "24 Preludes & ImprovisationsFind albums with this title", and this album is a most welcome follow up on the same ambitious path. The music selected for this album concentrates mostly on early works (from 1950s and 1960s but also more recent compositions), chamber and solo pieces for wind instruments and the lovely music composed for the 1965 Polish movie "The Saragossa Manuscript" (which I remember seeing in the cinema accompanied by the leading actor Zbigniew CybulskiFind albums by this artist, who smuggled me in – I was under aged then). All the string arrangements were done by the quartet members of course. The decision to concentrate on the early works, which obviously are less Avant-Garde oriented than the Maestro´s later compositions, and also less grandiose, is one of factors contributing to success of the project. Obviously the huge scale orchestral works would have been almost impossible to transcribe onto the string quartet format, or perhaps the Atoms plan further explorations of Penderecki´s music, which will cover later works. The future will tell. One might ponder if this music has any relationship to Jazz? Well, on the face of it, there is very little, if anything, that might strike a Jazz fan as "familiar". The arrangements are kept well within the Classical Music idiom, staying authentic and close to the source, with no obvious improvisation element, which is considered crucial for Jazz. But when examined more closely the music is definitely Jazzy in spirit even if less so in body, which means that this music crosses the genre boundaries in the listener´s head rather than within the recorded notes. Confused? Great! Overall, this is definitely a beautiful piece of Art, divinely conceived and executed by Masters of the trade. Sublime music and musicianship of the highest class and above all uncompromising and challenging and yet accessible to any open minded music lover. Of course one expects nothing less from the Atoms these days, which is the price to be paid for Fame and Glory. As somebody who stood behind these wonderful musicians from day one and every step of the way, it is enormously satisfying to see them being able to grow continuously and stay forever restless. God speed!

Updated: 27/06/2024Posted: 21/09/2019

CD 1 Digipak Recommend To A Friend

BALDYCH / HERDZIN / PIERONCZYK / SZTABA ~ GREAT ENCOUNTERS ANAKLASIS 075 (Barcode: 5907795210841) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 - 2021 Released: 2021 This is an album produced to celebrate the 75th Anniversary of the PWM Edition (Polish music publishing house), which also owns the prestigious AnaklasisFind albums on this label record label. The album collects five musical pieces, which represent the cross-genre projects released by the label as part of its “Revisions” series. Those are mostly Jazz-Classical Fusion or Pop-Classical Fusion explorations, which were inspired by Polish Classical Music composers: Frederic ChopinFind albums by this artist, Stanislaw MoniuszkoFind albums by this artist, Ignacy Jan PaderewskiFind albums by this artist, Karol SzymanowskiFind albums by this artist and Henryk WieniawskiFind albums by this artist. Three Polish Jazz instrumentalists / composers: violinist Adam BaldychFind albums by this artist, pianist Krzysztof HerdzinFind albums by this artist and saxophonist Adam PieronczykFind albums by this artist, as well as pianist / composer / arranger / conductor Adam SztabaFind albums by this artist, mostly associated with Polish TV and entertainment industry, were selected to create the music for this album. Herdzin is the author of two of these pieces and the others authored one piece each. The music is performed by Baldych, Herdzin, Pieronczyk and additional musicians: vocalist Igor HerbutFind albums by this artist, Moldovan cimbalom (hammered dulcimer) player Marcel ComendantFind albums by this artist, pianist Krzysztof DysFind albums by this artist and the AUKSO Chamber OrchestraFind albums by this artist conducted by Marek MosFind albums by this artist. The music offers quite a diverse stylistic amalgam, dominated by the two pieces by Herdzin, which comprise almost half of the album’s duration, ranging from romantic easy listening Classical music to Jazz Avant-Garde and Avant-Pop. The level of the performances is absolutely superb and the music offers intelligent and highly aesthetic listening experience. Overall, this is another highly successful album in this wonderful series, and certainly something worthy of pursuing by the Jazz-Classical Fusion enthusiasts. Since these pieces do not appear on any of the albums released in this series, it is absolutely worth getting as well. Wholeheartedly recommended!

Updated: 31/03/2023Posted: 31/03/2023

CD 1 Digipak Recommend To A Friend

ADAM BALDYCH & HELGE LIEN TRIO ~ BROTHERS ACT 9817 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2017 This is the second album by Polish Jazz violinist / composer Adam BaldychFind albums by this artist recorded with the Norwegian piano trio led by pianist Helge LienFind albums by this artist, with bassist Frode BergFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. They are joined by Norwegian saxophonist Tore BrunborgFind albums by this artist. The album presents nine pieces, eight of which are original compositions by Baldych and one is a classic standard by Leonard CohenFind albums by this artist. The music presents another step in the coherent development in Baldych´s musical path, which has been taking shape in the last few years, leading him away from "conventional" Jazz idiom into contemporary Neo-Romantic Classical Music. Although the element of improvisation is still very prominent, the melodic themes, mostly deeply lyrical and introvert, touch deeply with the characteristic elements of Polish Classical Music and Polish Folklore, somewhat parallel, or rather in continuation of the great Polish Classical tradition going back to Frederic ChopinFind albums by this artist. Perhaps the reference to Chopin might sound a bit over the top here, but people familiar with Chopin´s music will note how Baldych is skillfully able to pluck the soul´s strings that move the Polish People. The Norwegian musicians playing with Baldych are his soul brothers, providing the ideal companionship needed for this delicate journey. The intrinsic melancholy of the Scandinavian (and especially so Norwegian) music goes ideally hand in hand with the direction Baldych intends to put forward. Of course the fact that they are brilliant and highly intelligent musicians also adds to final result. Together they are able to make this by and large minimalist and introvert music sound complete and highly expressive. Overall this is a mature and focused statement by a great composer and a superb performer, which clearly affirms his status as one of the leading European musicians today. The music requires attentive listening, but for open-minded and music-living listeners it offers layer over layer of wonderful musical journeys into the world of contemporary Classical Music, Folkloristic motifs and Jazzy improvisations, all wrapped up in an elegant, highly aesthetic and moving "package". Well done Maestro!

Updated: 22/07/2017Posted: 22/07/2017

CD 1 Digipak Recommend To A Friend

KRZYSZTOF BARANOWSKI ~ LIVE AT RADIO KATOWICE PRK 0140 ~ POLAND ~ Jazz Recorded: 2020 Released: 2020 This is the debut album by Polish Jazz guitarist / bassist Krzysztof BaranowskiFind albums by this artist recorded live in a classic piano trio format with pianist Mateusz KaszubaFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents eight pieces, six of which are original compositions by Baranowski and two are standards. Although Baranowski´s primary instrument is the guitar, the trio won a prize at one of the Polish Jazz festivals and led to recording of this album, which finds him playing the bass on his debut recording, rather than guitar. The music is all well within modern mainstream Jazz boundaries, based on solid and highly lyrical melodies, typical of Polish Jazz. Baranowski certainly has a lot to offer as a composer and his compositions are well rounded and beautifully crafted. A few shades and touches of Frederic ChopinFind albums by this artist´s toolbox made me smile. The performance is less spectacular, but certainly up to the excellent standard expected from the young Polish Jazz musicians, I have not heard Kaszuba on any recordings nor have I listened to him live, so my knowledge about him is very limited, but he certainly is an able player, obviously in the early days of his career, showing promising potential and already a remarkable skill. Dobosz on the other hand is already a highly experienced performer, with a bunch of recordings under his arm, which is immediately evident. Baranowski, although a novice as far as recording is concerned, shows an excellent feel and skill in his role as a bassist, which of course immediately raises the interest in his guitar playing. Overall this is an impressive debut album, which again stresses the fact that young Polish Jazz players pop up on the scene like mushrooms after the rain, with a continuous stream of talent and creativity, which of course is a wonderful blessing.

Updated: 07/09/2020Posted: 07/09/2020

CD 1 Mini-Sleeve Recommend To A Friend

KAJETAN BOROWSKI ~ TOTEM INETIVE 001 (Barcode: 190394260682) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the debut album by Polish pianist / composer Kajetan BorowskiFind albums by this artist, recorded in a classic piano trio setting with bassist Jakub DworakFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist; all three are representatives of the upcoming new generation of Polish Jazz musicians. The album presents eleven original compositions, all by Borowski, and one standard. The music is firmly positioned within modern melodic mainstream, with elegantly weaved tunes and spirited execution. Borowski displays the typical Polish sensitivities in his ballads, with tendency towards melancholy and lyricism, but on the up tempo numbers, he uses a much more energetic approach, with polyrhythmic Latin predisposition, somewhat similar to Chick CoreaFind albums by this artist´s Latin / Spanish period. Sometimes I wonder if the only music young Polish pianists listen to is Frederic ChopinFind albums by this artist and Chick Corea. Technically all three players are beyond reproach; Borowski uses powerful chords and delicate glissandos with the same skill and sensitivity, Dworak plays clear and supportive bass lines, including occasional beautiful solo parts and Maslowski drives the music steadily forward, without being overly intrusive, with just occasional overzealousness on the cymbals. Their performance as a trio is very good, with obvious affinity and respect towards each other. This is a kind of album, which does not attempt to step beyond presenting a solid piece of mainstream Jazz of the best caliber and as such does not include any surprises or explorations beyond the obvious. But within the entire scope of the Jazz idiom such albums are also needed and appreciated, and when they offer music of such quality, as this one, all is well. Overall this is an excellent debut effort, definitely worthy of praise and encouragement, and obviously promising great things in the future. Therefore it is highly recommended to all Polish Jazz followers and particularly to piano trio lovers. The album was recorded at the RecPublica Studios and offers a superb sound quality.

Updated: 18/06/2016Posted: 18/06/2016

CD 1 Digipak Recommend To A Friend

CHICK COREA ~ PLAYS CONCORD 888072171442 (Barcode: 888072171442) ~ USA ~ Jazz Recorded: 2018 Released: 2020 This is a 2CD album of solo piano performances by iconic American Jazz pianist / composer Chick CoreaFind albums by this artist. The recording dates and places are not specified, which is highly unusual, but the album was released first on Chick’s label in 2018, and this is the second edition released in 2020, just a few months before his death. The recording quality is absolutely sublime all the way through. Corea plays some of his original compositions as well as his interpretations of works by Classical Music composers like Wolfgang Amadeus MozartFind albums by this artist, Domenico ScarlattiFind albums by this artist and Frederic ChopinFind albums by this artist or other Jazz composers like Bill EvansFind albums by this artist, Thelonious MonkFind albums by this artist, George GershwinFind albums by this artist, Antonio Carlos JobimFind albums by this artist and Paco De LuciaFind albums by this artist. A couple of piano duets (played on one piano) are also included, one with Israeli pianist Yaron HermanFind albums by this artist and another with French pianist Charles HeisserFind albums by this artist. Corea also adds his spoken word commentary about the music he is about to perform. Although the music does not add anything new to listeners familiar with Corea’s music, it is a great document of his Artistry, versatility and his excellent contact with his audience, which always was one of his virtues. Overall this is a wonderful addition to the extensive recording legacy left to us by Corea, which sparkles and shines, and as always brings infinite joy to the listeners. He was a unique musician and a beautiful human being, and I have been lucky to enjoy both of these qualities at first hand.

Updated: 18/02/2022Posted: 18/02/2022

CD 2 Digipak Recommend To A Friend

ARTUR DUTKIEWICZ ~ MAZURKI PIANOART 5907760035035 (Barcode: 5907760035035) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2011 Released: 2012 This is the firth album by the veteran Polish Jazz pianist / composer Artur DutkiewiczFind albums by this artist. Recorded on solo piano, the album includes nineteen relatively short pieces, all composed by Dutkiewicz, and beautifully recorded in a church located in a Warsaw suburb. Contrary to what one might expect, judging by the album´s title, this is not one more Polish Jazz album, which contains Jazz interpretations of music by Frederic ChopinFind albums by this artist, a subject that has been completely exhausted in the last two decades, producing a plethora of such albums of very unstable quality. Chopin of course perfected the musical form of the mazurka (Polish folk dance) and composed 69 mazurkas for piano solo, which are today an integral part of the Polish / European Classical music heritage. Dutkiewicz decided to approach the subject completely differently by composing a series of pieces, which have been largely influenced by Chopin´s work, but are also quite different. In a manner similar to Chopin, Dutkiewicz incorporates other Polish folk motifs, like the oberek and the kujawiak, and on top adds the Jazz and Blues touches, which of course have nothing to do with the original inspiration. The resulting amalgam is truly charming and wonderful, providing the listener with a continuous listening pleasure. Composing this music and performing it with such flair and elegance place Dutkiewicz again amongst the top Polish Jazz pianists. One can only hope for more such displays of his many talents in the future. This album is a must for solo piano buffs and Jazz-Classical Fusion connoisseurs, providing repeated discoveries with each listening session. Warmly recommended!

Updated: 08/05/2017Posted:

CD 1 Digipak Recommend To A Friend

PIOTR FIGIEL ~ PIOTR GAD 102 (Barcode: 5903068120411) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1971 Released: 2019 This is a reissue of the debut album by Polish Jazz keyboardist / composer Piotr FigielFind albums by this artist, which was largely overlooked at the time of its release and later became a highly sought-after collector´s item. The album was recorded by Figiel playing the Hammond organ and with an excellent team of musicians that included guitarist Dariusz KozakiewiczFind albums by this artist, bassist Marian SiejkaFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. Legendary Polish Jazz figures: trumpeter Tomasz StankoFind albums by this artist and saxophonist / flautist Janusz MuniakFind albums by this artist guest each on one track, and no less prominent vocal group BemibekFind albums by this artist guests on two tracks. The rest of the team (mostly brass players) remains anonymous, as the exact details about the session disappeared into the void. The original album presents nine tracks, seven of which were composed by Figiel, one is an arrangement of a Classical composition by Frederic ChopinFind albums by this artist and finally one is by Wojciech PietowskiFind albums by this artist, who was the sound engineer recording the album and a prominent composer. This reissue adds two alternate takes as bonus tracks. The music is absolutely brilliant, from start to finish, incorporating early Progressive Rock and Fusion explorations, soaked in the sublime sound of the Hammond organ – somewhere between Procol HarumFind albums by this artist and Jimmy SmithFind albums by this artist. Figiel´s original composition are grandiose, wonderfully melodic and full of sublime lyricism, and his treatment of the Chopin piece puts most of the countless attempts by Polish Jazz musicians to something similar completely to shame. This is undoubtedly one of the greatest Polish Jazz / Fusion hidden gems and GADFind albums on this label Records deserves the gratitude of all Polish Jazz fans for bringing it back to life. It is had to believe that music recorded five decades ago can be so up to date and fresh, completely timeless and aesthetically perfect. Hearing is believing in this case… Of all the wonderful reissues on GAD Records this is definitely one of my all time favorites!

Updated: 09/03/2020Posted: 09/03/2020

CD 1 Remastered Bonus Tracks Recommend To A Friend

CEZARIUSZ GADZINA ~ WHITE IN BLUE TAK 25004 (Barcode: 5905669373074) ~ POLAND ~ Jazz Recorded: 2023 Released: 2025 This is an album by Polish (resident in Belgium) saxophonist / composer Cezariusz GadzinaFind albums by this artist, recorded in a quartet setting with three younger Japanese Jazz musicians: pianist Sota SetaFind albums by this artist, bassist Yuta OminoFind albums by this artist and drummer Ryo NoritakeFind albums by this artist. The album presents eight tracks, four of which are original compositions by Gadzina, three are interpretations of compositions by Frederic ChopinFind albums by this artist and one is by Krzysztof KomedaFind albums by this artist. The album offers excellent sound quality, as expected from a Japanese recording. The music is strictly within the mainstream Jazz milieu, excellently performed by Gadzina and the Japanese rhythm section, which is highly proficient and as all representatives of the young Jazz generation the world over, well-schooled and obviously talented. The piano parts are a pleasant surprise with their innovative approach. The original compositions are all solid and perfectly suit the album’s atmosphere. Gadzina’s saxophone parts, which are naturally the focus of the music, are, as always beyond reproach. The three Chopin pieces offer a Jazz-Classical interlude within the album, and although Chopin’s music has been often abused and mistreated by Jazz musicians, the three interpretations herein are a nice example of a sensitive approach, which treats the melodic themes with respect, not trying to re-invent them. Same goes for the Komeda piece, which is a Polish Jazz anthem. Overall, this is a classic mainstream Jazz album, with something for everyone, as far as Jazz listeners are concerned, which offers first-rate music, high-class performances and superb sound quality, making it a most pleasant listening experience.

Updated: 21/09/2025Posted: 21/09/2025

CD 1 Digipak Recommend To A Friend

KRZYSZTOF HERDZIN ~ JAZZ Z MACV WARSZAWSKA OPERA KAMERALNA 001 (Barcode: 5904316586829) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 Released: 2021 This is an album by Polish pianist / composer / arranger / conductor Krzysztof HerdzinFind albums by this artist, recorded with the Musicae Antiquae Collegium VarsovienseFind albums by this artist (MACVFind albums by this artist), an early music orchestra playing original period instruments. The album presents two works: Wolfgang Amadeus MozartFind albums by this artist’s Piano Concerto No. 17 and Herdzin’s piece called “Chopiniana con delizia”, based of Frederic ChopinFind albums by this artist’s themes. Both works are in three parts. For his entire career Herdzin floats between Classical Music and Jazz, trying to excel in both, a process which often borders on musical schizophrenia and works perfectly (well almost) only in extremely rare cases. There is no doubt about Herdzin’s talents and abilities, and he did manage to produce a fine body of recorded legacy over the time, but somehow I have always found his efforts a tad problematic, unfocused and in extreme cases pointless. Sadly, this album belongs to that last category. On the Mozart concerto Herdzin fiddles a little with the original composition, but that’s about it. There are many classical pianists in Poland who can play this concerto much more elegantly, passionately and imaginatively, and Herdzin’s minimal “improvisations” are somehow out of place. The original piece, based on Chopin’s themes, immediately brings on the problem of abusing Chopin’s Genius ad absurdum within the “Jazz” idiom, which somehow never seems to stop. It is somewhat closer to the cross-genre concept, but only slightly, and contributes absolutely nothing to both genres, trivializing them on the way and crossing into the kitsch region. Overall, this is a sad example of an attempted cross-genre Classical-Jazz Fusion, that went astray. Herdzin is perhaps a classic case of “to talented for his own good” musician, which is a great pity. But of course he will surprise us all with his display of pure Genius in the future (hopefully).

Updated: 31/12/2023Posted: 19/02/2023

CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ CHOPIN LES BRILLANTES NOT ON LABEL (Barcode: 9788393067404) ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is the fifth album dedicated to Jazz interpretations of the music composed by the great Polish composer Frederic ChopinFind albums by this artist recorded by Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist and his trio with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. This double album is a fact a new recording of the same material that is featured on the trio´s first two albums recorded fifteen years earlier, re-captured from a retrospective view and enriched by years of common experiences and joy of playing this music together. When Jagodzinski first recorded Chopin´s music twenty years ago he was pioneering a trend, which in time swept the Polish Jazz scene like a tsunami, with literally hundreds of albums with Chopin´s music reinterpreted in the Jazz milieu. These attempts to follow a trend and jump on a bandwagon, which varied in quality form important and innovative to completely redundant and often preposterous, eventually had an adverse effect on the Polish Jazz fans, who had just about enough of Jazzy Chopin being showed down their throats. Even if the original recording of Chopin´s music by Jagodzinski and his trio were not perfect and lacked the practice, they were bold, innovative and fresh. Sadly the repeated attempt, although richer and with better arrangements, lacks the original qualities and therefore is in some respect not such a great idea. Of course Jagodzinski and his cohorts are superb musicians and do a wonderful job playing on this album, but sticking to the original recordings is by and large preferable and sounds like a good idea. On the other hand since the original PoloniaFind albums on this label releases are not easily available, perhaps this album can fill the gap. Overall there is plenty of great music herein, as well as excellent playing by these legendary veterans and in case you don´t own the original recordings this one is definitely worth checking out.

CD 2 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ KONCERT FORTEPIANOWY G-MOLL NOT ON LABEL (Barcode: 9788393067442) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2013 Released: 2013 Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist is one of the veterans of the local scene and a prominent figure among his peers. He was one of the first musicians to record Jazz versions of the music by the great Polish composer Frederic ChopinFind albums by this artist, and his trio recording of Chopin´s works from the early 1990s remains a classic of this variety and started a trend, which continues to this very day and produced dozens of similar projects over time, some of which are completely redundant. This album takes Jagodzinski to a whole new level of the Jazz-Classical Fusion trend, with a piano concerto he composed for a Jazz piano trio and orchestra, presented here. The piano trio consists of Jagodzinski and two other Polish Jazz veterans: bassist Adam CegielskiFind albums by this artist and legendary drummer Czeslaw BartkowskiFind albums by this artist. The orchestral parts are performed by the National Philharmonic Orchestra directed by Wojciech ZielinskiFind albums by this artist. The three-part concerto consists of melodic / romantic atmospheric music, which is heard mostly in the background, supporting the piano trio. The themes are all quite well-rounded and easy on the ear, easily accessible to the average listener and not really challenging his intellect. The trio performance is very good, as expected from such distinguished musicians, but also lacks a certain degree of excitement, which is expected in Jazz. The entire project seems to be making an effort of not stepping on anybody´s toes. Overall this is a very "slick" piece of music, which undoubtfully will find many eager listeners, who like romantic, lyrical orchestral music. Enthusiasts of more ambitious Jazz projects might find this disappointing. The album lasts only for about 36 minutes, which really puts it in the EP category, regardless of the elegant digibook packaging.

CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ REQUIEM POLSKIE RADIO KATOWICE 142 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 Released: 2022 The great Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist has been a pillar of the local Jazz scene since the early 1990s, with an impressive recording legacy, which includes some of Polish Jazz classic albums, both as a leader and sideman / accompanist. His musical style is firmly based in the Jazz mainstream, but he also flirts passionately with the Jazz-Classical Fusion idiom. His groundbreaking 1993 album “ChopinFind albums with this title” established the Polish Jazz tradition of interpreting the music of the Polish National composer Frederic ChopinFind albums by this artist, which is still quite popular thirty years later, sadly largely abused and misunderstood by now. The music on this album perfectly depicts the marriage between Jazz and Classical / Sacred music. It incorporates the classic Jazz piano trio, which is Jagodzinski’s modus operandi in the last three decades, with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, with a mixed choir Camerata SilesiaFind albums by this artist, directed by Anna SzostakFind albums by this artist and three renowned Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Agnieszka WilczynskaFind albums by this artist and Wojciech MyrczekFind albums by this artist. The six-part Requiem is loosely based on the traditional Requiem structure and form, but obviously includes strong Jazz elements, as expressed by the trio improvisations and the vocalese parts by the three vocalists, with the choir providing the traditional sacred oriented parts. It is extremely difficult to balance the Classical and Jazz elements within one musical piece, which often leads straight into the kitsch pit. But in this case Jagodzinski and the wonderful performers manage to create a coherent, elegant and harmonious unification, which makes perfect sense musically and aesthetically, with a truly moving effect. As a result, the music is universally appealing to a wide range of music lovers, from both idioms. Overall, this is a beautiful example of cross-genre exploration, which as a result of the talent and experience of its creator and his team emerges as a sublime piece of music, which preserves both traditions and finds a peaceful coexistence, where the result is bigger than just the sum of its parts. Jagodzinski does not disappoint, and his “magic touch” is felt in every note, every nuance and every melodic theme on this album. As usual, I simply raise my hat to you Maestro, and wait for the next time I can hear you performing live, which is always a transcending experience.

Updated: 02/12/2022Posted: 02/12/2022

CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ W HOLDZIE WOLNOSCI POLSKIE RADIO 1986 (Barcode: 5907812249861) ~ POLAND ~ Jazz Recorded: 2015 Released: 2015 This is a live recording of a concert performed by veteran Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist, which was organized to commemorate the fifteenth Anniversary of the IPN (Institute of National Remembrance). For the concert Jagodzinski collected thirteen pieces of Polish music, which constitute a soundtrack of the Polish struggle for Freedom, both National and Political. They range from music composed by the Polish National composer Frederic ChopinFind albums by this artist to popular Folk and Pop songs, mostly those related in many ways to the Polish underground struggle during WW II, including the heroic Warsaw Ghetto uprising and the no less heroic Warsaw Uprising, the anti-Communist struggle following the immediate post-WW II years and up to the Solidarity movement, which finally led to the creation of the Free Polish Republic with the fall of the Soviet Empire. These are all undoubtedly patriotic songs, one way or another, and in time when patriotism is often not considered as "politically correct", it is encouraging to see musicians taking a clear stand, without being ashamed or intimidated by it. Polish Jazz history has always been intertwined with political messages, as was Polish Literature, Poetry, Film and all other Arts. Being able to state one´s political or patriotic view is after all an integral ingredient of the very Freedom, Poles have been fighting for so long. Jagodzinski "called to arms" some of the top Polish Jazz musicians on this album: vocalists Anna StankiewiczFind albums by this artist and Agnieszka WilczynskaFind albums by this artist, guitarist Janusz StrobelFind albums by this artist, trumpeter Robert MajewskiFind albums by this artist, bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. They all perform brilliantly, which is hardly surprising considering their experience and talent, creating a sensitive, intelligent and moving piece of meaningful music with carries a clear message without being vulgar or offensive. Jagodzinski´s arrangements are all elegant and tasteful, suiting the atmosphere ideally. Of course this album has a layer which speaks only to people, who understand the Polish language and have some knowledge of Polish history. Nevertheless it has also universal values, which should be able to cross language barriers. This album made very little impact on the Polish Jazz scene at the time of its release, which is a great pity. The fragmented and often plainly divided Polish Society should really grow up put aside its political differences, when it comes to appreciation of Art or human relationships. The precious Freedom is after all so fragile and easily lost..

Updated: 11/10/2016Posted: 11/10/2016

CD 1 Digipak Recommend To A Friend

MAREK JAKUBOWSKI ~ COLORS ALLEGRO 037 (Barcode: 5901157049377) ~ POLAND ~ Jazz Recorded: 2017 Released: 2019 This is the third album as a leader by Polish Jazz drummer / composer Marek JakubowskiFind albums by this artist. The first two albums, recorded in a classic piano trio format, were recorded in 2013 (i.e. six years ago) and this debut album in a quartet setting was recorded in 2017 (i.e. two years ago), which means that Jakubowski is certainly taking his time to create new music for his releases, not like many other musicians who somehow feel obligated to release albums in an almost obsessive paste. The quartet includes saxophonist Marek KonarskiFind albums by this artist, pianist Jacek SzwajFind albums by this artist and bassist Damian KostkaFind albums by this artist, all members of the young and upcoming generation of the Polish Jazz scene. The album presents ten original compositions, all by Jakubowski. The music is all well within the modern mainstream Post-bop mold, but the compositions are all very well weaved and complex enough to serve as excellent vehicles for the quartet members to show their chops. The ballads display the characteristic Polish melancholy, which of course is expected. As usual with Jakubowski´s albums, the focus is certainly on the compositions rather than on the performances, which of course does not mean that those are inferior in any way. In many ways Jakubowski is almost a class of his own as far as Jazz compositions on the Polish scene are concerned, and deserved a much wider recognition than he enjoys today. Both Konarski and Szwaj offer excellent soloing, showing deep empathy with the compositions and Kostka stands shoulder to shoulder with the leader to keep the music well on track rhythmically, also soloing superbly on the way. This is European mainstream Jazz at its finest hour and a delightful listening experience to all fans of this idiom. It is good to see (hear) Jakubowski back on the track, hoping he will not keep us waiting so long next time, as he is certainly is one of the most talented Polish Jazz composers with a deep love and respect to all that is characteristically Polish in music, going back to Frederic ChopinFind albums by this artist´s legacy. A true beauty warmly recommended!

Updated: 15/11/2019Posted: 15/11/2019

CD 1 Digipak Recommend To A Friend

SLAWOMIR JASKULKE ~ FILL THE HARMONY PHILHARMONICS BCD 04 (Barcode: 5906881885031) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2004 Released: 2004 This is the third album by Polish Jazz pianist / composer Slawomir JaskulkeFind albums by this artist, which presents a five parts suite for piano trio and chamber orchestra of the Jazz-Classical Fusion variety. The additional trio members are bassist Slawomir KurkiewiczFind albums by this artist, one of Polish Jazz most renowned bassists (Simple Acoustic TrioFind albums by this artist, Tomasz StankoFind albums by this artist), and drummer Krzysztof DziedzicFind albums by this artist. The orchestral parts are performed by the Hanseatica Chamber OrchestraFind albums by this artist. Vocalist Mika UrbaniakFind albums by this artist is featured on one track. The music was composed by Jaskulke, who was twenty four years old at the time. This ambitious project, undertaken by such a young musician, is quite extraordinary by any standard. Although Jazz and Classical music have been previously combined with various degree of success, this attempt is certainly quite different from all the others, employing musical devices, themes and arrangements often contrasting and seemingly clashing with other, like the vocal Rap part in the midst of a fragment performed by the strings. The Jazz trio interludes move in and out of the orchestral accompaniment, as do the solo piano parts. The overall structure does not seem to follow any of the pre-ordained Classical musical configurations, and Jaskulke appears to be using the orchestra as a tool rather than a point of reference. Although free-structured, the music maintains a melodic backbone, which re-appears both in the orchestral and the trio parts. The listener might find this music quite difficult to absorb, certainly during the initial listening phases, since things seldom continue for a period of time long enough to begin to sound "familiar". There is a sense or urgency and unrest, which is reminiscent of music composed for suspense movies. But listeners willing to listen patiently and repeatedly will eventually embrace the entire piece, finding its intrinsic logic. The Classical parts are obviously influenced by contemporary composers and a well trained might hear traces of George GershwinFind albums by this artist, The French Modernists and of course the Polish avant-gardists (Krzysztof PendereckiFind albums by this artist & Co.). Polish composer / pianist Frederic ChopinFind albums by this artist presides as well, if not bodily then surely spiritually. Stylistically this hodge-podge might need some polishing and sorting out, but give the guy a break; after all he is only twenty four… Regardless if one enjoys this music or not, it surely deserves to be appreciated for its aesthetic merits, its audacity and its innovation. Perhaps it is a bit over the top, but people who don´t dare don´t get there. Personally I quite like it and wholeheartedly recommend it to music aficionados, who are after the less obvious yet more rewarding game.

CD 1 Digipak Recommend To A Friend

EYRAN KATSENELENBOGEN ~ 88 FINGERS EYRAN 9008 (Barcode: 663330900824) ~ ISRAEL ~ Jazz Recorded: 2006 - 2007 Released: 2009 Every new album by Israeli (resident in US) pianist Eyran KatsenelenbogenFind albums by this artist feels to me like a birthday of a new grandchild… after all Eyran started his illustrious career by recording two albums on my Jazzis label, before he achieved his international fame and recognition. Today critics compare Eyran´s work to such outstanding Jazz pianists like Art TatumFind albums by this artist and Oscar PetersonFind albums by this artist, but the seeds of his genius were evident already then, when he was taking his first steps towards greatness. Eyran was always an exceptional musician. Both his technical proficiency but even more so his incredible feel for the Jazz improvisation turn him into a unique phenomenon among thousands of good piano players around the world. Talent can not be measured of course and the appreciation of art is a completely subjective experience. But when a talent, such as the one Eyran is blessed with, is developing consistently (this is Eyran´s 10th album), one can take for granted the fact that every new recording he produces will reveal new layers of his great gift. This new album does that again, with Eyran choosing as the base for his solo piano improvisations themes by Classical composers, like Modest MussorgskyFind albums by this artist and Frederic ChopinFind albums by this artist, expanding his usual choice of Jazz standards and Israeli contemporary music. It is of course impossible to convey in words the beauty of the music and the feelings it inspires, listening to it is the only way to plunge into its magic. I could ramble on about the music, but honestly, just get a copy, put it on, close your eyes and let the music take you wherever it might take you. Eyran is a master of soul exploration; therefore no soul can stay indifferent under his spell.

CD 1 Recommend To A Friend

KLEMENSIEWICZ - KISIEL ~ CASSUBIA MJUSE 001 (Barcode: 5903919630106) ~ POLAND ~ Jazz Recorded: 2018 Released: 2021 This is the debut album by Polish Jazz duo comprising of saxophonist Jakub KlemensiewiczFind albums by this artist and pianist Dominik KisielFind albums by this artist. The album presents just three extensive pieces (all well over ten minutes in duration), which are influenced by the Folklore from the Kashubian region and based on music composed by Marian SelinFind albums by this artist, a local poet / composer, arranged by the duo members. Baritone saxophonist Dariusz HerbaszFind albums by this artist guests on one track. The music was recorded live at the Sfinks 700 club in Sopot and offers a wonderful sound ambience, with the music reverberating in the club’s space. This album is one of several Polish Jazz albums dealing with the Kashubian Folklore, recorded in the last decade. The music is very melodic, floating on waves of thematic repetitions, which change very gradually, somewhat like serial or minimalist music, but less constrained sonically. Kisiel provides a rich, carpet like platform, upon which Klemensiewicz scatters his melodic splashes, together creating a floating, spacey, almost ambient vistas. Although such approach would have perfectly suited electronic music, the fact that it is performed on acoustic instruments, adds a magic touch, creating a unique sonic structure. The borderline between Jazz and other music genres are constantly crossed in this music, obviously touching upon Classical Romanticism (well, these guys are Polish so Frederic ChopinFind albums by this artist is under their skin), but also other domains. The Folkloristic influence is rather less obvious, being hidden deeply beneath the surface, but this perhaps adds to the universal appeal of this music, which should be fascinating to every open-minded listener. The performances by these young musicians are truly inspiring, and their ability to function as a team is phenomenal. There is an obvious empathy and respect between them, which allows the musical synergy they are able to create on the fly. Despite the fact that this music is mostly melody based, it is by far not trying to be “nice and easy” by any means and demands attentive listening, which of course is quite expected in case of a serious attempt to inspire the audience. Overall, this is a unique and beautiful piece of music, which should make many listeners from a wide range of musical idioms very happy. Well done indeed!

Updated: 19/06/2021Posted: 19/06/2021

CD 1 Digipak Recommend To A Friend

MIECZYSLAW KOSZ ~ DEBUT – JAZZ JAMBOREE `67/`68 POLSKIE RADIO 2464 (Barcode: 5905610874117) ~ POLAND ~ Jazz Recorded: 1967 - 1968 Released: 2024 This is an archival live album by Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, recorded a year apart during his appearances at Poland’s most prestigious Jazz event at the time, the annual Jazz Jamboree Festival. The album presents eight tracks, four each from the 1967 and 1968 concerts, both recorded in a classic piano trio format with bassist Janusz KozlowskiFind albums by this artist and drummer Sergiusz PerkowskiFind albums by this artist. In the first set only one of the tracks is an original composition by Kosz, but in the second set three of the tracks are his compositions. The rest are Jazz standards or an interpretation of a Classical piece by Frederic ChopinFind albums by this artist. The carefully restored sound quality is pristine and considering the fact that these recordings were done almost sixty years ago, behind the Iron Curtain, the sound is absolutely astounding. The life story of Kosz, a blind Genius, who died tragically at the age of twenty-nine, less than six years after the first set on this album was recorded, is probably one of the most fascinating Polish Jazz tales, but the saddest fact is that his recorded legacy to this day is truly miniscule. Therefore, the importance of this album goes far beyond the fact that the music is not surprisingly brilliant, but because it opens a window into the hidden treasures of the Polish Radio vaults, sadly badly neglected for decades, which now opens an opportunity to uncover and release a vast amount of previously unheard music, all thanks to the diligence of the editor Adam DomagalaFind albums by this artist, who promises more music by Kosz and other Polish Jazz treasures to be revealed in the future. The album is accompanied by a modest, but interesting booklet, which sadly is entirely in Polish, leaving the many Polish Jazz enthusiasts abroad in the dark. Hopefully this can be rectified on the future releases with Polish Jazz music, which has a substantial following outside of the country’s borders. Overall, this is a beautiful piece of Polish Jazz history, miraculously saved from oblivion and neglect, for all to enjoy. It fills a gap in the story of one of the most fascinating figures of Polish Jazz and a world-class Artists, which deserves to be told in full, and nothing tells the story better than the music itself. But of course lovers of classic piano trio Jazz anywhere on this planet should find this album delightful. Wholeheartedly recommended!

Updated: 21/12/2024Posted: 21/12/2024

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

LESZEK KULAKOWSKI ~ CHOPIN IMPRESSIONS SOLITON 768 (Barcode: 5901571097688) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017 This is an album by veteran Polish Jazz pianist / composer / bandleader / educator Leszek KulakowskiFind albums by this artist, recorded in a quintet setting with Polish rhythm section: bassist Piotr KulakowskiFind albums by this artist (Leszek´s son) and drummer Tomasz SowinskiFind albums by this artist and with Swedish saxophonist Mikael GodeeFind albums by this artist and percussionist Ebba WesterbergFind albums by this artist. Together they perform eight compositions by the Polish Classical composer Frederic ChopinFind albums by this artist, arranged for a Jazz quintet by Kulakowski and Godee, each contributing four arrangements. Over the years Chopin inspired Polish Jazz musicians very often and the number of Jazz albums based on Chopin´s music is truly abundant. Kulakowski visited Chopin´s music several times throughout his recording career, but obviously his fascination with the essence of Polish music, which Chopin represents more than any other Polish composer, refuses to let go. This album presents a more gentle and reflective approach to Chopin´s music than Kulakowski´s earlier recordings. The intrinsic melancholy dominates the proceedings and the minimalistic and delicate touches of the keyboard are the most essential and enjoyable moments this music offers. The saxophone parts are mostly straightforward leaving the centre stage as far as improvisation is concerned to the piano. The soprano saxophone sounds a bit like flute at times. The rhythm section does a beautiful job filling the blanks and keeping the pulse of the music clear and steady. The percussion parts are mostly decorative and are typically heard on the up-tempo pieces. Overall this is a fine album, which should make the many connoisseurs of Jazzed up version of Chopin´s music very happy, especially since it includes some of the most well known pieces composed by Chopin. It is made with obvious love of the subject matter and profound dedication and is a true joy to listen to.

Updated: 16/01/2018Posted: 16/01/2018

CD 1 Digipak Recommend To A Friend

LESZEK KULAKOWSKI ~ PIANO CONCERTO / SKETCHES FOR JAZZ TRIO & SYMPHONY ORCHESTRA DUX 0387 (Barcode: 5902547003870) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2011 Released: 2012 Polish pianist / composer Leszek KulakowskiFind albums by this artist is undoubtedly one of his country´s most idiosyncratic musical personalities, spearheading and representing the continuous love affair between Jazz and Classical music in his country. Considering the fact that most Polish Jazz musicians are graduates of musical academic institutions, some of them with Classical as well as Jazz studies behind them, it is hardly surprising that the amalgamation of these two genres happens quite often on the Polish scene. Some Polish Jazz musicians play their interpretations of Classical compositions, most often those by the Polish pianist / composer Frederic ChopinFind albums by this artist; others utilize Classical music methods, devices and techniques in their Jazz compositions; and yet others compose large scale compositions, often involving entire symphonic orchestras, like the music by Kulakowski included herein. This album includes two separate works by Kulakowski, both involving piano and a symphony orchestra: his "Piano Concerto" and the "Sketches For Jazz Trio & Symphony Orchestra". The piano concerto is performed by his brother Bogdan KulakowskiFind albums by this artist as the soloist and the sketches are performed by a piano trio, this time with the composer in the piano chair, with bassist Piotr KulakowskiFind albums by this artist and drummer Jacek PelcFind albums by this artist. Both works are performed with the Baltic Philharmonic Symphony OrchestraFind albums by this artist in Gdansk conducted by Szymon BywalecFind albums by this artist. The music was recorded live at the Baltic Philharmonic in Gdansk during the Komeda Jazz Festival. Although this is by far not the first attempt of its kind to merge Jazz and Classical music, the music on this album is quite surprising, principally as far as the attempt to create a bona fide Classical composition, especially in the case of the piano concerto, rather than a more "entertaining" mixture of the genres, which could be much more accessible to the average listener. There have been very few attempts to compose a piano concerto, soaked with Jazz undertones and yet so typically Classical in approach and structure. The obvious example of George GershwinFind albums by this artist´s "Piano Concerto in F" (and his other works) comes to mind immediately, not suggesting any direct links between these works, but as a point of reference. The composer seems certainly to be able to create a fully organic, although stylistically retrograde, piece of Classical music, which is moving and aesthetically fulfilling. The Jazz citations, chords and references will be of course more obvious to listeners with a Jazz background rather than to those with a strict Classical one, but both should be able to immensely enjoy the music. The sketches are definitely more "entertaining", with easily recognizable melody lines and fine lyrical atmosphere, lush string accompaniment and nice orchestral "outbursts" always in the right places. This is an elegant and intelligent piece of music, and although less original than the piano concerto, it has its own merits, especially the wonderful balance and integration between the trio and the orchestra, which is usually the weakest link of this type of musical encounters. The performances are quite excellent, both those by the soloists and by the orchestra. The live recording is somewhat mushy and lacking definition, but mostly well balanced, but that is a matter for fineschmeckers to deliberate upon; most listeners should be utterly satisfied with the sonic quality, on top of their admiration of the musical contents. This album is an excellent testimony as to the versatility, quality and artistic ability of the Polish Jazz scene, which has truly very little competition elsewhere. Of course it is another superb addition to the musical legacy of Leszek Kulakowski, who is surely about to take all his admirers by surprise again sometime in the near future. Kudos Maestro!

CD 1 Recommend To A Friend

LENA LEDOFF ~ KOMEDA CHOPIN KOMEDA MTJ 10956 (Barcode: 5906409109564) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 This is a stunning album by pianist Lena LedoffFind albums by this artist, who was born in Russia and lives in Poland since the mid 1990s. She combines the music by two Polish iconic composers, Frederic ChopinFind albums by this artist and Krzysztof KomedaFind albums by this artist, creating an amalgam by playing their compositions intertwined into unique medleys on solo piano. Born 121 years apart (Chopin 1810, Komeda 1931), the former a virtuoso pianist and composer of Classical music and the latter a virtuoso pianist and composer of Jazz music, these two geniuses might have nothing in common to a naked eye. And yet they share so much, even the fact that both of them died tragically at a ridiculous young age before they reached 40. But of course what unites them is their passion for music and their common roots in the heritage of Polish music, its melancholy, lyricism and intrinsic sadness. Chopin´s music has been performed by many Polish Jazz musicians since many years. One might even say that it has been abused to a certain extent, as some of these Jazz interpretations were completely senseless and in the worst cases simply ridiculous. Ledoff´s idea to combine the music of these two composers rather than transform Chopin´s music into something Komeda might have written is exactly the right thing to. Her intellectual and artistic integrity remains intact, as her treatment of both composers is deeply respectful and her courage to look for the common ground between them is simply inspiring. For people, who are familiar with the music by both composers these mixed medleys are simply orgasmic. Ledoff keeps switching between the respective composition, playing a few phrases form Chopin and moving to Komeda´s enchanted melodies and so back and forth. The listener is unable to predict (at least initially) what her next move will be and therefore this emotional seesaw between expectations and familiarity is absolutely brilliant. This is definitely one of the most ambitious, ingenious and satisfying recordings of the last few years. Original, daring and brilliantly executed, the music is simply overwhelming from start to finish. Ledoff deserves out thanks for enabling us to discover with her the infinite connections between Chopin and Komeda. I, for one, am eternally grateful. This album is an absolute must for every connoisseur of Classical-Jazz Fusion, those who love Chopin and dare to hear him in a new setting and those who love Komeda and are intrigued to discover, where he comes from – in short all lovers of Polish music at its best. A wonderful gem, a Godsend!

CD 1 Digipak Essential Recommend To A Friend

INGA LEWANDOWSKA ~ CHOPIN SONGS OP. 74 SOLITON 1313 (Barcode: 5903684233137) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2022 Released: 2022 This is an album by Polish Jazz vocalist Inga LewandowskaFind albums by this artist, recorded with local Jazz musicians: trumpeter Jan ChojnackiFind albums by this artist, pianist Przemyslaw RaminiakFind albums by this artist, bassist Grzegorz PiaseckiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine of the seventeen songs composed by the Polish National composer Frederic ChopinFind albums by this artist, collected together as Op. 74, with lyrics by various Polish poets. The music was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, as offers a splendid sound quality. This album is in fact a “remake” of an album Lewandowska recorded some twenty years earlier with pianist Kuba Stankiewicz, entitled “Chopin Songbook Op. 74”, which offers a 2CD bi-lingual version of this material, but this recording offers a completely new arrangements and instrumentation, in addition to twenty years of experience, and as such is a valid attempt. Of course my opinion about serious molestation of Chopin’s music by Polish Jazz musicians are still sound and valid, but again, since this is something that was done already, at least it can’t add any harm. As perilous as this material might become, all in all I quite like this album. Lewandowska has an idiosynchratic voice, which takes a while to get used to, but her vocalese and the vocal gymnastics she performs here are quite impressive, which keeps the listen in suspense. Her articulation and theatrical pronunciations are great fun and she obviously knows what she wants. For example, on the last track of this album she sings accompanied only by the bass, and still manages to hold the melody and improvise, like a pro. The instrumental work is as perfect as one might wish for, with Chojnacki ornamenting the proceedings with his trumpet solos and Raminiak’s accompaniment being right on at all times, with several great solos added as well. The rhythm section adds a supportive pulse and as already mentioned the bass also plays splendidly along with the vocals. Overall, this is a very pleasant and splendidly executed album, which should keep all Vocal Jazz fans happy, not to mention the many Chopin a la Jazz fans out there, who never seem to get enough. Although the lyrics are in Polish, this is of secondary importance here. Have fun and enjoy!

Updated: 03/02/2023Posted: 03/02/2023

CD 1 Digipak Recommend To A Friend

ANETA MAJEROVA ~ MIECZYSLAW WEINBERG: CHILDREN`S NOTEBOOKS ANIMAL MUSIC 096 (Barcode: 8594155997299) ~ SLOVAKIA ~ Classical Recorded: 2021 Released: 2021 This is a solo piano album by Slovak pianist Aneta MajerovaFind albums by this artist, who performs three cycles of short piano pieces, called “Children’s Notebooks”, by Polish / Jewish composer Mieczyslaw WeinbergFind albums by this artist (well he was never really Mieczyslaw, but Moses or Mojsze). Weinberg, who was born in Poland in 1919, graduated from the Warsaw Conservatory in 1939 and escaped the Nazi invasion fleeing to Russia soon after, while his entire family perished in concentration camps. When WWII was over, Weinberg decided to stay in Russia, and continued his illustrious career as a composer there. He was a close friend of Dmitri ShostakovichFind albums by this artist and the two were in daily contact. Weinberg died in 1996 and left a sublime legacy of modern Classical Music, which is still waiting to be discovered by the world. His life story could be a subject of an epic movie, and his music in a bottomless treasure chest of marvels. The three cycles included on this album are his relatively early works (opus 16, 19 and 23 from 1944-45), but are astonishingly mature and diverse, expressing his early influences, including some of Frederic ChopinFind albums by this artist’s lyricism and Polish Folklore nuances, but already showing his modernist compositional approach. Majerova recorded already Weinberg’s Piano Quintet on her earlier release for Animal MusicFind albums on this label, but recordings of his music are criminally few and far between. Overall, this is a wonderful opportunity to get acquainted with the music of one of the greatest 20th Century Classical Music composers, hopefully opening a window for future explorations of his music. The music is brilliantly performed and recorded and every true music lover should be absolutely delighted by listening to it. Wholeheartedly recommended!

Updated: 21/12/2024Posted: 17/10/2022

CD 1 Mini-Sleeve Recommend To A Friend

ADAM MAKOWICZ ~ WINTER FLOWERS GOWI 02 ~ POLAND ~ Jazz Recorded: 1977 Released: 1993 This is a reissue of a solo piano album by the brilliant Polish Jazz pianist / composer Adam MakowiczFind albums by this artist, which was originally recorded in Czechoslovakia and released on the SupraphonFind albums on this label label. It was the third solo piano album by Makowicz (see "Live EmbersFind albums with this title" and "Piano Vistas UnlimitedFind albums with this title" recorded earlier), recorded shortly before he left for the US, where he recorded his first American album, also solo piano, and entitled simply "AdamFind albums with this title". Both these albums were released more or less in parallel. This album presents ten original compositions by Makowicz. Several tunes on this album were also recorded for the US album, some under different names, which included in addition to Makowicz originals also five standards. Makowicz was one of the very few Polish Jazz musicians that managed to establish a solid career in the US and lived there for many years, before moving to Canada. His technical brilliance and extensive Classical Music background allowed him to establish a concert pianist career. He was banned in Poland after moving to the US and the ban was lifted only after the fall of the Socialist regime, but this Czechoslovak album was available during that dark period. Makowicz is known for his love and interpretation of the music of Frederic ChopinFind albums by this artist and his original music bears Chopin´s influence almost in every aspect: melodically, harmonically and lyrically. One might speculate that if Chopin would have lived in our times, his music might have sounded very similar to that of Makowicz. In the US Makowicz was often compared to Art TatumFind albums by this artist and Oscar PetersonFind albums by this artist, but honestly these comparisons are quite inappropriate, as Tatum and Peterson might have been symbols of piano playing technique but did not possess the European idiosyncrasies that only European born musicians are blessed with. In retrospect this album lost nothing of its charm and elegance and personally is still my favorite Makowicz album, perhaps because it is entirely based on his original music. A classic Jazz piano album and a must for all fans of Polish Jazz of course!

CD 1 Recommend To A Friend

MARCIN MASECKI ~ MAZURKI FOR TUNE 0051 (Barcode: 5902768701555) ~ POLAND ~ Jazz-World Fusion Recorded: 2014 Released: 2015 This is a solo piano album by Polish Jazz pianist / composer Marcin MaseckiFind albums by this artist, dedicated, as the title suggests, to the Polish folk dance, the mazurka, which is often used in Polish Classical Music, especially by the Polish National composer Frederic ChopinFind albums by this artist. The album presents ten original compositions, all by Masecki, which are more or less associated with the mazurka. A radio edit of the opening track is added as a bonus track. Masecki, the enfant terrible of Polish Jazz, is one of the most unconventional musical personalities on the local scene. A recognized brilliant Classical pianist, he completely disregards all conventions and does only what he considers is worth pursuing, recording a series of bold, unconventional and often plainly insulting albums, slaughtering holy cows like there is no tomorrow. Obviously his music is often at the epicenter of heated discussions between his fans and supporters and his critics. On this album Masecki continues his interest in Polish musical folklore, having previously recorded an album dedicated to another Polish folk dance, the polonaise. It is also worth to mention that other Polish Jazz pianists, like Piotr OrzechowskiFind albums by this artist, also recorded solo piano albums dedicated to Polish folk dances, like the oberek in Orzechowski´s case. Although I usually like Masecki´s music very much, I find this project less convincing. The ten pieces present here, clearly linked to the mazurka, sound quite mechanical and unnatural to me, simply not connecting the dots. Obviously Masecki had a clear idea behind what he wanted to achieve here, but I fail to see what it might be. There are numerous transformations and variations on the basic mazurka form, but they sound to me as if a computer program was generating these variations given some basic parameters. This is definitely an intellectual exercise, but I fail to find any emotional involvement or the reasoning behind it. Of course it is quite possible that it is only my personal shortcoming being unable to enjoy this music, but so far this is the weakest Masecki´s project as far as I am concerned. Of course he´ll surely surprise us all shortly with another of his brilliant ideas.

CD 1 Recommend To A Friend

JERZY MILIAN ~ BAZAAR (POLISH JAZZ VOL.17) GAD 017 (Barcode: 5901549197204) ~ POLAND ~ Jazz Recorded: 1967 - 1969 Released: 2014 This is a newly remastered reissue of the debut album by Polish Jazz vibraphonist / composer Jerzy MilianFind albums by this artist, which was originally released in 1969 as part of the legendary Polish Jazz Series by the state owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label label. The album was recorded in a trio format, with Milian playing vibraphone and marimba, bassist Jacek BednarekFind albums by this artist (who also plays the oriental gidjak on one tune) and drummer Grzegorz GierlowskiFind albums by this artist. Two members of the legendary Polish vocal quartet NOVIFind albums by this artist: Ewa WanatFind albums by this artist (who adds vocals on five tracks) and Janusz MychFind albums by this artist (who adds flute on one track) also participate in the recording. The original album presents eight original compositions, seven of which are composed by Milian and one is co-composed by him and Krzysztof KomedaFind albums by this artist. This expanded edition adds four tracks, recorded couple of years earlier for the Polish Radio, two of which are his original compositions, one is his arrangement of a Kurt WeilFind albums by this artist song and another is his arrangement of a Frederic ChopinFind albums by this artist nocturne. Milian, who started his career on the Polish Jazz scene about fifteen years before this album was recorded, first came into prominence as a member of several ensembles led by Krzysztof Komeda. It was Komeda who persuaded Milian to drop the piano as his main instrument and switch to the vibraphone, thus enabling him to become a member of his ensembles. Later on Milian developed a prolific international career as a vibraphonist and as a composer, being one of the best known Polish Jazz musicians outside of Poland. Many of his achievements are documented by the ongoing archival "Jerzy Milian Tapes" series released by GADFind albums on this label Records, which also released this reissue. In retrospect this is definitely one of the most idiosyncratic albums in the Polish Jazz Series, presenting one of the first occurrences of the Polish / European Chamber Jazz, which was an amalgam of modern Classical and Cool Jazz elements with many different less audible influences, like early World Music, Free Jazz, Ambient (before it was even called that) and others. The vocal parts by Wanat are completely spine-chilling, typical of her brilliant and unique style, which was the crucial ingredients of the NOVI magnetism. It is definitely a must to all Polish Jazz enthusiasts, wherever they might be on this globe (and beyond). This album was already reissued a decade earlier, without the bonus tracks, but the entire run of CD reissues (incomplete by the way) of the original Polish Jazz Series LPs disappeared immediately after being released. The fact that these recordings are unavailable is shameful, and a sad testimony to the fact that State owned Cultural treasures are simply being disgracefully completely wasted!

CD 1 Remastered Bonus Tracks Recommend To A Friend

JERZY MILIAN ~ FOUR HATS GAD 294 (Barcode: 5903068125348) ~ POLAND ~ Jazz Recorded: 1965 - 1966 Released: 2024 This is the 12th installment of the archival series released by GADFind albums on this label Records, which presents the work of Polish Jazz vibraphonist / composer / bandleader Jerzy MilianFind albums by this artist. This chapter is dedicated to Milian´s early trio and quartet recordings. The first four tracks present the quartet with pianist Wojciech KarolakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist, recorded in 1965 in Brussels at the BRT Studios. One composition is by Milian, one by Karolak, one is credited to all four musicians and finally one is an arrangement by Karolak of Frederic ChopinFind albums by this artist’s composition. The next four tracks present the trio with bassist Janusz MarianskiFind albums by this artist and drummer Grzegorz GierlowskiFind albums by this artist, recorded in 1966 in Poznan at the local Polish Radio studio. Saxophonist Jan Ptaszyn WroblewskiFind albums by this artist plays on two tracks. Three of the compositions are by Milian and one is by Wroblewski. The music is a classic mainstream Jazz, strongly influenced by the Cool stylistics, but also very much Milian’s own, full of his idiosyncrasies and Third Stream tendencies. Milian’s vibraphone playing is concise and precise, but filled of his intrinsic flare and unique sense of humor. The compositions are all excellent, as always, and reflect the incredibly high level of Jazz behind the Iron Curtain, which is on all levels as good as anything done in the “West” at the time. Despite the fact that the recordings originate from Milian’s private archive, the sound quality is absolutely perfect, which makes listening to this music a true pleasure. As usual one has to admire the dedication and consistency of the GAD Records label for bringing these treasures back to life. Overall, this is an incredible piece of Polish / European Jazz history, which absolutely deserves to be heard and studied. With Milian´s passing it is even more important to document his work and bring it to the public. For Polish Jazz enthusiasts this album is an absolute must!

Updated: 31/05/2024Posted: 31/05/2024

CD 1 Remastered Recommend To A Friend

LESZEK MOZDZER ~ IMPRESSIONS ON CHOPIN MAGIC 602527489612 (Barcode: 602527489612) ~ POLAND ~ Jazz-Classical Fusion Recorded: 1999 Released: 2010 This album by Polish Jazz superstar pianist / composer Leszek MozdzerFind albums by this artist presents him exploring the music of the great Polish composer Frederic ChopinFind albums by this artist by playing his very personal interpretations of fourteen of Chopin´s pieces. Of the fifteen tracks on this album thirteen are performed on solo piano and two are duets between Mozdzer and Iranian (living in Paris) percussionist Madjid KhaladjFind albums by this artist. The album was recorded in Paris and initially released on the prestigious French NaïveFind albums on this label label, with a later Polish edition. This is not the first album by Mozdzer, which is dedicated to Chopin´s music. In fact one of his first albums "Chopin ImpressionsFind albums with this title" from 1994 already explored the similar avenue. Like many other Polish Jazz players (mostly pianists), who rode the Chopin "wave" since the early 1990s and continue to do so to this day, Mozdzer jumped on the wagon, using it as another step in his way to the top of the local scene. Playing some Chopin is considered bon ton and obviously tickles the patriotic feelings in listeners, fans, critics and state bureaucrats. The artistic merits of such explorations are an entirely different issue. Mozdzer is undoubtedly a virtuoso piano player, capable of playing virtually anything. He is also a very charismatic performer and his good looks make him the ladies´ Adonis. The question is, if beneath all those external characteristics one can find a great Jazz musician or is Mozdzer just a more sophisticated version of Richard Clayderman? It´s not for me to provide a decisive answer to this dilemma, but judging from this album, there is surely very little Jazz involved here. Mozdzer freely interprets Chopin´s compositions, playing around with tempi, adding almost Baroque ornaments and endless arpeggios. Stylistically he dresses up the Chopin pieces in disguises parallel to the various Jazz sub-genres, from Ragtime to Swing, or ventures into atmospheric New Age doodling. Of course there are some great moments herein, even glimpses of brilliance, but they are lost in the overall impression. Of course I respect the "de gustibus non est disputandum" approach, but personally I find this music sort of intellectually offending. Much ado about nothing more or less summarizes it perfectly. I´m sure many people love this music totally, which is fine with me, but where I come from one does not tackle profound, almost sacred music, unless one has something truly intense to say.

CD 1 Digipak Recommend To A Friend

WLODZIMIERZ NAHORNY ~ BALLAD BOOK CONFITEOR 011 (Barcode: 9788393161058) ~ POLAND ~ Jazz Recorded: 2017 - 2018 Released: 2018 This is a wonderful piano trio album by veteran Polish Jazz pianist / composer Wlodzimierz NahornyFind albums by this artist with bassist Mariusz BogdanowiczFind albums by this artist and drummer Piotr BiskupskiFind albums by this artist. The album presents eleven original compositions, all by Nahorny. Nahorny is one of the original great Masters of Polish Jazz and one of the last few Mohicans, who are still fully active and continue to perform and compose new music. He is not only a great Artist, but also a wonderful human being, warm and friendly, as I have had the pleasure to experience personally since many years. Nahorny and his two companions have been playing uninterruptedly together for almost three decades and are probably one of the oldest Polish Jazz ensembles which exist without any personal changes since its inception. As a result the trio functions as a three-headed body in perfect unity, harmony and coordination, rarely achieved elsewhere. The music composed by Nahorny is in many respects the epitome of Polish Jazz, as it embodies the typical Polish lyricism and melancholy, which characterizes the distinctive sound and feel of the Slavic elements of Polish Jazz. He has been called the Frederic ChopinFind albums by this artist of Polish Jazz, which is perhaps a bit inappropriate in the strict musical terms, but conveys the spirit of things. The music on this album was influenced by a somewhat nostalgic trip to his hometown of Kwidzyn and reminiscences of his childhood memories, which are both inspiring and emotional. The music is certainly very personal and introvert, but Nahorny´s exquisite melodies and superb touch of the keyboards turns everything into immediate feeling of warmth and kindness. Overall this is a beautiful piece of Artistry in every respect, wonderfully, composed, perfectly executed, excellently recorded and elegantly packaged in a digibook format with many photographs and a very personal short essay by Nahorny. This is obviously an absolute must have for the many Nahorny´s fans and admirers, but all Polish Jazz connoisseurs the world over should definitely grab a copy ASAP, as Jazz rarely come in better doses than this. Thank you my Friend and may God bless us all with many more years of your health and creativity.

Updated: 21/12/2018Posted: 21/12/2018

CD 1 Digibook Recommend To A Friend

WLODZIMIERZ NAHORNY ~ CHOPIN GENIUS LOCI CONFITEOR 005 (Barcode: 9788393161003) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2010 Released: 2010 The veteran Polish Jazz pianist / saxophonist / composer Wlodzimierz NahornyFind albums by this artist, one of the Godfathers of the post-WWII Polish Jazz scene, manages continuously to display a phenomenal vitality and unprecedented imagination, often much superior to those of his colleagues, often decades younger than himself. This album is a wonderful proof of exactly these qualities. Recorded in a sextet setting, with vocalist / violinist Dorota MiskiewiczFind albums by this artist, violinist Henryk GembalskiFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, bassist Mariusz BogdanowiczFind albums by this artist and drummer Piotr BiskupskiFind albums by this artist, Nahorny presents a set of Jazz transcriptions of eight pieces by the Polish composer Frederic ChopinFind albums by this artist, three pieces by a lesser known 20th Century Polish composer Roman MaciejewskiFind albums by this artist and one piece by Karol SzymanowskiFind albums by this artist. In addition one original composition by Nahorny is also included. Polish Jazz suffers terribly from overexploitation of Chopin´s music, which varies in quality from brilliant (rarely) to completely banal (most of the time). Therefore another attempt to interpret Chopin in the Jazz context is always a perilous undertaking. Nahorny´s bold and far fetching approach results in transcriptions, which although quote the original music, move very far away from the source during their execution, being in fact completely new and whole pieces of music, which Nahorny even names anew, giving the source as a reference only. Although such liberties might appear sometimes as to audacious, in Nahorny´s case they are fully justified and simply brilliant. The eleven transcriptions, spread over two CDs, are all fascinating musically and serve as wonderful vehicles for the musicians to display their respective talents. Miskiewicz sings some great vocalese, at times even almost free form, using lyrics on just one piece. Gembalski plays some scorching violin passages and Staroniewicz, as always, charms with his beautiful saxophone tone. The rhythm section keeps the music together with flair and elegance, pushing it ahead with just the right amount of energy. And last but not least Nahorny´s piano serves as glue between the Classical and the Swinging elements, bridging and bonding everything together. Although seemingly positioned well within the mainstream Jazz boundaries (except for the Classical references of course), this music displays quite a lot of freedom and unexpected ventures into less programmatic areas, sometimes almost touching upon Free / Avant Garde idioms, which of course is nothing new as far as Nahorny´s music is concerned. This album is a living proof that the Jazz-Classical Fusion can avoid pastiche, cliché and kitsch, and simply bite!

Updated: 17/12/2018Posted:

CD 2 Digipak Recommend To A Friend

WLODZIMIERZ NAHORNY ~ DOLCE FAR NIENTE …I NIC WIECEJ CONFITEOR 003 ~ POLAND ~ Jazz Recorded: 2000 Released: 2002 This is a wonderful album by veteran Polish Jazz pianist / saxophonist / composer Wlodzimierz NahornyFind albums by this artist, recorded in a classic piano trio format with bassist Mariusz BogdanowiczFind albums by this artist and drummer Piotr BiskupskiFind albums by this artist. The album features twelve relatively short pieces, ten of which are original Nahorny´s compositions, one is a folk song and the last is an arrangement of works by Polish Classical composers Frederic ChopinFind albums by this artist and Karol KurpinskiFind albums by this artist. In addition to his Jazz activities Nahorny is also acknowledged for writing many popular songs, which became in time Polish evergreens. This album presents many of these songs in an instrumental version with Jazzy arrangements, performed affectionately and passionately by the composer and his cohorts. Nahorny´s music is always full of typical Polish lyricism and melancholy, which come to light even in the seemingly happier, up tempo numbers. He loves the waltz and Polish folkloristic dances, all of those elements which are the cornerstones of what is considered Polish music, and he openly and lovingly embraces them in his compositions. The way Nahorny plays the piano is completely unique; a mixture or Classical, Jazz and Blues strokes combined into one stylistic approach, which is specifically his and his only. Although distinctly melodic and seemingly simple, his piano often wanders away from the main melodic line into less charted territory, which more experienced listener will find fascinating and those less experienced won´t mind or even notice. The rhythm section sounds like an extension of the leader, following his every move elegantly and attentively. A few modest but excellent bass and drums solos are part of the proceedings, but the main role of the rhythm section remains, as appropriate, to accompany the leader, which it does with flair and zest. This is timeless music, which remains classic regardless of what the contemporary trends may bring. Superb sonic quality ensures a complete listening pleasure and what remains is to relax and enjoy every moment of this delightful delivery.

CD 1 Digipak Recommend To A Friend

NOVI ~ CHOPIN MUZA 1295 (Barcode: 5907783422959) ~ POLAND ~ Jazz-Classical Fusion Recorded: 1971 Released: 2010 This is a reissue of the third album by Polish Jazz vocal quartet NOVIFind albums by this artist, led by vocalist / composer Bernard KawkaFind albums by this artist and including vocalist Ewa WanatFind albums by this artist, Janusz MychFind albums by this artist and Waldemar ParzynskiFind albums by this artist. The album, originally entitled "NOVI Sing ChopinFind albums with this title", presents eleven compositions by the Polish National composer Frederic ChopinFind albums by this artist, arranged for the vocal quartet singing a cappella. Obviously following in the footsteps of The Swingle SingersFind albums by this artist, who recorded arrangements of music by Johann Sebastian BachFind albums by this artist and other Classical composers, NOVI undertook this difficult and very ambitious project to sing Chopin´s music in a similar Swing fashion and against all odds succeeded beyond all expectations. This recording immediately achieved a status of a cult album, and although not really a Jazz album per se, was warmly embraced by the Jazz community as part of its milieu. In many aspects the album symbolizes the Polish Culture, as it embodies the idea of Polish Music, which became a part of Polish Cultural Heritage, transforming in time and staying contemporary regardless the changing frame of reference, in this case the Jazz idiom. The vocal performances on this album are absolutely brilliant and remain unmatched by any other vocal group since attempting to tackle Chopin´s compositions, not only on the Polish scene, but globally. This reissue is well remastered from the original studio tapes and presents a wonderful sonic quality, especially in view of the challenging task of recording human voices. It does not correct, unfortunately, the lack of information that has been associated with this album since day one as to the arrangement credits and the name of the bass player who accompanies the vocal quartet (i.e. the album is not strictly an a cappella recording as the vocals are accompanied by a bass player on eight tracks). This is a timeless classic of course and an absolute must have for any Polish music fan, Jazz or otherwise! Side Note: After some intensive investigations I do have now all the missing discographical information, which is mentioned above. The bass player that accompanies NOVI is Pawel JarzebskiFind albums by this artist. As to the vocal arrangements, eight are by Parzynski, two by Mych and one by Kawka. Of course I am not disclosing my sources ;)

Updated: 12/01/2017Posted: 07/01/2017

CD 1 Remastered Recommend To A Friend

NOVI ~ POLISH RADIO JAZZ ARCHIVES VOL.24 POLSKIE RADIO 1670 (Barcode: 5907812246709) ~ POLAND ~ Jazz Recorded: 1968 - 1971 Released: 2016 This is the twenty-fourth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The thirteen tracks collected here were recorded during three separate occasions by the sensational Polish Jazz vocal quartet NOVIFind albums by this artist Singers: a Polish Radio Studio session from 1968 (four tracks), a live performance at the 1969 Jazz Jamboree Festival (five tracks) and finally a live performance at the 1971 Jazz Jamboree Festival (four tracks). NOVI, formed in 1964 by Bernard KawkaFind albums by this artist, included also Ewa WanatFind albums by this artist, Janusz MychFind albums by this artist and Waldemar ParzynskiFind albums by this artist. During the studio session they were accompanied by an orchestra of unknown lineup, during the 1969 concert they were accompanied by a trio comprising of organist Krzysztof SadowskiFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and finally during the 1971 concert they were accompanied by a Big Band which included trumpeters Stanislaw MizeradzkiFind albums by this artist and Bogdan SkawinaFind albums by this artist, trombonist Stanislaw CieslakFind albums by this artist, saxophonists Tomasz SzukalskiFind albums by this artist, Janusz MuniakFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist, guitarist Marek BlizinskiFind albums by this artist, pianist Jan JarczykFind albums by this artist, bassist Tadeusz GogoszFind albums by this artist and drummer Kazimierz JonkiszFind albums by this artist. The material is mostly original with five compositions by Kawka, two by Parzynski and one by Mych. Three tracks are standards, one was composed by Namyslowski and one is an arrangement of a Classical piece by Frederic ChopinFind albums by this artist, which the quartet performs a cappella. Inspired by such vocal groups like the French Les Double SixFind albums by this artist and The Swingle SingersFind albums by this artist, also originally formed in France, NOVI took the vocal group artistry a notch further, presenting a wide and ambitious repertoire ranging from arrangements of Classical Music via complex Jazz compositions, mostly original, featuring advanced vocal shenanigans and finally arrangements of Pop material. They used lyrics in some of their material but were absolutely at their best when singing wordless vocalese, which they brought to perfection. This particular album had the potential of being one of the most interesting releases in this series, since live material by NOVI is almost completely absent from their recorded legacy, but sadly it suffers from some problems, which make it much less attractive that it should have been. Firstly the tracks recorded during the three separate sessions have been sequenced here quite randomly, rather than being presented grouped together by session. Secondly the recording quality is sadly very problematic on most of these tracks and even the careful restoring and remastering was not able to make them sound better. Of course the human voice is the most difficult recording challenge and considering the limitations present at the time the quality should be judged leniently, but in this case the sound quality seriously hinders the listening experience. Thirdly, as usual for this series, there is no background information about the artists, historic background, etc. which recordings of such importance truly deserve. Nevertheless all things considered, this is still a very important document of the Polish Jazz legacy and considering the importance of this material this album immediately becomes another must have for all Polish Jazz fans and collectors of Polish Jazz recordings.

Updated: 17/07/2016Posted: 17/07/2016

CD 1 Digipak Remastered Recommend To A Friend

ZBIGNIEW PREISNER / DOMINIK WANIA ~ TWILIGHT UNIVERSAL MUSIC POLSKA 602577477812 (Barcode: 602577477812) ~ POLAND ~ Special Products Recorded: 2018 Released: 2019 This is a sensational album which presents the music by celebrated Polish composer Zbigniew PreisnerFind albums by this artist, known as one of the most important cinematic contemporary music Masters, performed by virtuoso Polish pianist Dominik WaniaFind albums by this artist, who in the last decade conquered the Polish Jazz piano scene without much competition. The nine solo piano pieces composed by Preisner and interpreted by Wania present on this album are a magical window into the souls of both of these great Artists. Last year, during the 2018 Haifa Film Festival, which celebrated the music of Preisner, I had the wonderful opportunity to spend many hours in his company, which provided ample opportunity to discuss music, philosophy, and life in general, while exchanging anecdotes and enjoying food together. Preisner the person turned out to be every bit as fascinating as his music. Preisner´s music is always characterized by several basic qualities, which are intrinsically embedded into the fabric of the sonic visions he creates. They are melody, simplicity and melancholy. Anybody familiar with Preisner´s music is obviously aware of the fact that his music offers some of the most beautiful melodies to appear in cinematic music, which have an universal appeal capturing millions of music (and obviously cinema) lovers the world over. But his music also eschews complexity and unnecessary ornamentation, leaving the ground first and foremost to the melody. He is absolutely right when he states that no amount of sophistication and extrovert decoration is able to do anything, when the melody is lacking, and when the melody is great, not much more is needed. As to the melancholy, or even more precisely the typical "Polish Melancholy", which his music almost epitomizes, it is simply something that comes completely naturally to him, as it in fact happened to all great Polish composes since Frederic ChopinFind albums by this artist. Dominik Wania is undoubtedly a great virtuoso, but his virtuosity is only one of his many qualities, which distinguish him from most of the other excellent piano players on the Polish scene. The most important of his qualities is his ability to find his very own adaptation of any kind of music he sets forward to perform. His Jazz recordings over the years prove his incredible stylistic diversity and sensitivity, finding him often in diametrically different musical surroundings, but there is not even one case which finds him unable to deal with the music at hand and that in the most spectacular way imaginable. This album offers best of the two worlds: the wonderful compositions by Preisner with the incredible interpretation of these compositions by Wania. The pieces are all beautifully melodic and simple and melancholic, true pearls of Preisner´s creative powers. Wania´s fingertips take these melodies into his own world, adding his very own, often very subtle but always very evocative interpretation, which floats like another layer over the basic melody. The overall result is delicate, often minimalist, reflective and heartfelt, with the music achieving a state of a mantra lingering in the air. I recall when Preisner told me about this project when we met and I assured him that he could have not found a more suitable piano Master than Wania to uplift his compositions to another emotional / spiritual level, this of course before I heard the music. After hearing the music it became obvious that his (and mine) instincts were just right on and the result turned out to be simply outstanding. I don’t like to use "big" words in vain, but this album puts two Geniuses together, and thanks to Higher Powers the combined qualities simply came together like a dream. I can hardly imagine any true music connoisseur staying impartial to this music, which I have played often since I first received it, finding it always striking directly at my heart in days of low and high. I hope many more people can enjoy the same level of musical bliss!

Updated: 01/07/2019Posted: 01/07/2019

CD 1 Digipak Recommend To A Friend

PROFESJONALIZM ~ CHOPIN CHOPIN CHOPIN LADO ABC C/11 (Barcode: 5907709922334) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 Profesjonalizm is the name of the new sextet created and led by Polish Jazz pianist / composer Marcin MaseckiFind albums by this artist, one of the greatest talents on the local scene in the recent years and the enfant terrible / eccentric artiste spearheading the Jazz anti-establishment, a role that fits him like a glove. During my recent visit in Poland I was lucky to be invited to the concert the band performed in a dinky Warsaw restaurant called Mozaika, which remarkably managed to sustain the atmosphere (and look, not to mention the service) of the 1970s Socrealizm, completely oblivious to the changes around. The concert celebrated the release of this album, so the music was simply a live version of what is included here, in its entirety. I must say that I was completely unaware of what was about to happen musically and therefore the experience was a total culture shock, even though I am a difficult man to surprise in view of the heavy burden of my age upon me. Masecki and his cohorts: trumpeter Kamil SzuszkiewiczFind albums by this artist, saxophonists Michal GorczynskiFind albums by this artist and Tomasz DudaFind albums by this artist, bassist Piotr DomagalskiFind albums by this artist and drummer Jerzy RogiewiczFind albums by this artist played a stunning set of outlandish music (all composed by Masecki), which is so original, unique and devilishly clever that one´s mind is completely boggled. How the hell did they manage to do it at all (live!) is beyond comprehension, but nevertheless they did it with a spectacular result. Listen to the studio version herein and imagine this being played live to get the scope of the task ahead. As to the music itself, I´m not even trying to start describing it, as it is well beyond the scope of words (as most great music is). Suffice to say that it is a suite of sorts, in seven parts, which tells the story of Jazz from its earliest days (Ragtime) to now, flowing like a soundtrack to an imaginary movie, constantly (and unexpectedly) changing rhythms and scales, themes and patterns, but remarkably and completely coherently keeping a brilliant sense of unity. The rhythm section is absolutely dazzling, managing the impossible task of gluing this passionate and untamed music together. Masecki´s piano work is a chapter in itself, which is worth studying separately, but it serves the role of the thematic / melodic beacon pointing the way ahead for of this music. During a short chat before the concert I asked Masecki about his musical influences; he mentioned some usual suspects but emphasized Thelonious MonkFind albums by this artist and Conlon NancarrowFind albums by this artist, two superb examples of total non-conformism, suiting Masecki´s image perfectly. The problem with non-conformism is often that eccentric artists become often self-centered and completely uncommunicative, which luckily enough does not apply to Masecki. In spite of all the lunacy herein, this is (amazingly) quite an easy album to listen to, against all odds. When I asked Masecki as to the nature of his music, he replied: "We are playing entertaining music" – well, he was after all right, in his own crazy way. Now if anybody is wandering about the album´s title, I must assure you that the album has absolutely nothing to do with the great Polish National composer Frederic ChopinFind albums by this artist. This is one more of Masecki´s clever stunts, expressing his disgust and ridicule of the Polish Jazz scene´s exploitation of Chopin´s music in the recent years. Using this tongue in cheek / sarcastic reference Masecki protests against the "One can´t go wrong by playing Chopin" attitude, where in fact one can go wrong and as the plentitude of available recorded evidence proves one does in most cases. So what do we have here: a work of a mad genius, a wizard, a prophet? Who am I to judge? Suffice to say I love this music, every note of it and most of all the chutzpah and complete disregard of convention – exactly the qualities I admire in Artists. Bless you, Marcin Masecki!

CD 1 Digipak Recommend To A Friend

RGG ~ SZYMANOWSKI FONOGRAFIKA (Barcode: 5903292104843) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is the sixth album by the exquisite Polish Jazz piano trio RGGFind albums by this artist, and their first release following the changeover of their piano player, with Lukasz OjdanaFind albums by this artist replacing the founding member Przemyslaw RaminiakFind albums by this artist. For a piano trio the replacement of the pianist is equivalent more or less to a heart transplant in a human body, which is of course a tremendous upheaval. The fact that such transition not only is possible, but is eventually successful is nothing short of a miracle. Bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist should be congratulated for going through this experience unspoiled and unshaken in their team spirit. The fact that the trio chose to retain its name (rather than changing it to OGG for example) is a most welcome sign of respect towards their departed colleague and the will to continue the splendid tradition they created so far, a fine and very rare example of camaraderie winning over ego. But the drama surrounding this album does not end with the personnel change; for the first time the trio decided to pay homage to a Classical composer, in this case the Polish early-20th Century pianist / composer Karol SzymanowskiFind albums by this artist. Szymanowski, a brilliant early-modernist / impressionist, who combined Polish Folklore and modernist compositional tools, is a rather neglected figure on the Polish scene, which is a great shame. Therefore the fact that RGG decided to make him the center of their new recording fits perfectly their non-conformist approach towards music. Of the thirteen tracks on this album, nine are interpretations of compositions by Szymanowski, three are composed by the bassist and the remaining one is a group composition. The original compositions are of course "in spiritu" inspired by the great composer. Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like Szymanowski in this case. What remains unchanged is the trio´s basic approach to music, full of freedom, beautiful silence between the notes, total dedication and amazing intellectual command, which takes the music to lofty peaks. Ideally, the listener of this music should be familiar, at least to some extent, with the original music by Szymanowski, but being realistic, this will be the case only in reference to very few listeners. But this music is so powerful and stunning, that it completely stands on its own as well. RGG managed again to create a sonic universe of its own, which keeps the tradition of the original music at its core alive a Century later, transforming it to contemporary set if aesthetic values and parameters. Perhaps this recording will inspire new listeners to discover Szymanowski, after listening to this gorgeous music: a double winner after all. It makes no sense to compare Ojdana with Raminiak and additionally it means absolutely nothing as far as the music is concerned; the only thing that matters is the fact that he became an organic part of the trio, fitting ideally with his two partners and cooperating with them symbiotically and creatively. And most importantly the level of talent of virtuosity displayed by RGG was not lessened by an iota, which firmly places them at the very top of Jazz piano trios not only in their native Poland, but worldwide, easily! I´ve already written extensively about the talents of Messrs. Garbowski & Gradziuk, suffice to say they are without a doubt closer to Euterpe then most others I happened to have the pleasure to listen to. The trio maintains the tradition of recording their albums at the now legendary Studio Tokarnia, under the auspices of the resident sound wizard Jan SmoczynskiFind albums by this artist. The result is nothing short of spectacular, which stands its ground to any ECMFind albums on this label recording, again with ease. Therefore for all intents and purposes this album is equivalent to a Keith JarrettFind albums by this artist trio album on ECM; it simply does not get any better than this.

CD 1 Digipak Recommend To A Friend

RAFAL ROKICKI ~ CHOPIN REVISITED ELLYAH 808114 (Barcode: 888174875125) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 This is the second album by Polish Jazz pianist / composer Rafal RokickiFind albums by this artist, recorded in a classic piano trio format with bassist Michal KapczukFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. As the title suggests, the album presents seven compositions by Frederic ChopinFind albums by this artist, transformed into the Jazz setting. Since Polish Jazz musicians "discovered" the music of Chopin as a source of inspiration, more or less a couple of decades ago, hundreds of Jazz albums with Chopin´s music were recorded and released in Poland over time. Such multitude usually has some adverse effects, reaching a stage when some people seeing a new album in that specific niche react with a: "Please, not another Chopin Jazz album…" Not that God forbid we have anything against Chopin or even Chopin Jazz, but what else can be said and done after everybody who is anybody already tried to present their point of view on the subject. Therefore this album lands on a most perilous ground, where it will be, willingly or unwillingly, compared to all its predecessors placing it face to face with the best out there. Rokicki and his cohorts should have thought about that and perhaps they did and said: "what the heck, we´ll try anyway…" Be as it may, unfortunately vis-a-vis the best Chopin Jazz out there, this album simply does not compare well. Not that there is anything badly wrong with it, it is simply not up to par with the others. The biggest problem with this album is the liberty with which Rokicki approaches Chopin´s music as an arranger. His particular approach is to move away from the original, mostly simplifying, or even worse trivializing the phenomenal original music. The result sounds somewhat like a New Age doodling, which is meant not to bother anybody – more or less the complete opposite of what Chopin´s music is all about. Now this music is pretty and very well played. The rhythm section, with veteran and highly professional players, does its job perfectly, but again mostly unobtrusively. Yes the album has its moments, and is rather well recorded, so not everything is lost. I suppose enthusiasts of the easy Jazz will love this stuff to bits, but I´m not sure is Chopin himself is so excited about this revisit?

CD 1 Digipak Recommend To A Friend

WLADYSLAW SENDECKI ~ PIANO PROVOCATEUR 1039 (Barcode: 5038491103929) ~ POLAND ~ Jazz Recorded: 2007 Released: 2007 Polish pianist / composer Wladyslaw SendeckiFind albums by this artist is one of the finest representatives of European Jazz. As a child prodigy he started his classical studies at the age of 11 and performances at the age of 15. Once he discovered Jazz, his passion for music concentrated in this field and he became involved with the Polish Jazz scene, playing piano in famous Polish groups like Extra BallFind albums by this artist and Sun ShipFind albums by this artist, both of which pioneered the Polish Jazz-Rock Fusion movement. In 1981 Sendecki left Poland (as did many gifted musicians at the time) first to Sweden and later settled in Switzerland. In 1990 he moved to Germany (Hamburg) and took the resident piano chair with the excellent NDR Big BandFind albums by this artist. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Bronislaw SuchanekFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. This beautiful piano solo album was recorded 20 years after his last recording as a leader and is a most welcome return and a great opportunity for new listeners to get exposed to his great talent. He composed most of the music, including the three parts suite dedicated to painter Marc Chagall and the Art of painting. Three pieces by other composers are also included, reflecting his love of music by other talented composers. The album is an absolutely stunning piece of music, performed with virtuosity and deep musical sensitivity. Sendecki keeps his brilliant technique “in check”, not letting it overshadow his delicate and impressive improvisational exploits. For well-trained listeners, the Polish musical tradition, especially the piano legacy of Frederic ChopinFind albums by this artist, is quite evident (Chopin’s romanticism and soul-searching qualities influence all Polish piano players to this very day). The music flows beautifully from one piece to another and for me it was all over much too soon, which means it will be played again many a time. The sound quality of the album is (not surprisingly) excellent, as all the other recordings on the ProvocateurFind albums on this label label. Piano lovers, Jazz lovers or just plain music enthusiasts should find plenty of content here and even if the Artist’s name is completely unfamiliar to them, it is absolutely worth investigating. I for one am proud to have such a superb musician for a friend. Hopefully we won’t have to wait for 20 years to enjoy another album of his.

CD 1 Recommend To A Friend

ANNA SERAFINSKA ~ CHOPIN TRIO ART HORSE 001 (Barcode: 5908254159701) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017 This is the sixth album by Polish vocalist Anna SerafinskaFind albums by this artist, this time recorded in a trio setting with pianist Rafal StepienFind albums by this artist and drummer Cezary KonradFind albums by this artist. As the title suggests, the album presents eight interpretations of pieces composed by the Polish composer Frederic ChopinFind albums by this artist, two of which have been complimented with lyrics. Serafinska´s previous albums have all been only marginally Jazz oriented, dominated by Pop, Soul and Groove, which makes this her most ambitious endeavor to date. Additionally, considering the fact that Chopin´s music has been the subject matter of a multitude Polish Jazz (and non-Jazz) albums over the years, including such lofty vocal interpretations like those done by the NOVI ensemble, attempting to tackle this subject seems a priori highly risky. I am happy to say that the album turned out to be a nice surprise in contrast to the initial reservations. Serafinska uses the full range of her voice here for the first time on record, reaching operatic ranges and performing spiraling vocalese parts which are able to break glass. Her vocal improvisations are Jazzier than at any time before and the intimate, minimalistic trio format works out splendidly. The music is non-trivial and sometimes even quite complex and the entire project has a much more aesthetic ambiance than ever before. Spiced with a subtle dose of good humor, it is simply great. The vocals / piano / drums trio is highly unusual and takes time to get fully used to, but it is very effective musically, with Stepien laying down the melodic / harmonic background and Konrad performing a myriad of percussive pyrotechnics, both of them supporting the vocalese / vocals amicably. The resulting sound is innovative and intriguing, which in general is pretty rare these days. Of course as a result of this ambitious and sophisticated approach the music becomes less acceptable and requires more attentive listening than Serafinska´s earlier efforts. Overall this is a very surprising and unexpected outing, better that anything Serafinska recorded earlier on and disclosing her abilities in new areas. By selecting the right partners and choosing the new format she redefined her artistic environment very successfully. Both Chopin and Jazz lovers should find this album intriguing and challenging, but at the same time highly entertaining. Well done indeed!

Updated: 24/10/2017Posted: 24/10/2017

CD 1 Digipak Recommend To A Friend

KUBA STANKIEWICZ ~ KILAR V 001 (Barcode: 5903111377007) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is finally the full album (preceded by a teaser EP), which presents one of the best Polish Jazz pianists Kuba StankiewiczFind albums by this artist playing his interpretations of music written by the great Polish contemporary Classical and Cinematic music composer Wojciech KilarFind albums by this artist. The music is performed on solo piano, the most "naked" of all formats but also the most unlimited one. Kilar, who is unfortunately less know outside of Poland than his contemporaries like Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist or Witold LutoslawskiFind albums by this artist, is by no means less important and neither is his wonderful musical legacy. His work as a composer of film scores is truly legendary and his music accompanies over 100 films by all major Polish directors, like Roman PolanskiFind albums by this artist and Andrzej WajdaFind albums by this artist, and also those beyond Poland, both in Europe and the US (for example Francis Ford CoppolaFind albums by this artist). Although a modernist, Kilar´s music is full of romanticism and lyricism, and his sublime sense of melody is second to none. This album includes twelve compositions by Kilar, ten of which are from film scores and the remaining two from TV serials. Stankiewicz treats Kilar´s music with a lot of respect and obvious love. The relaxed and delicate interpretations are full of charming moments, where the improvisations move out and return to the melodic theme. Stankiewicz has a wonderful touch on the piano, which sounds full-bodied and expressive even at a low volume. The overall effect is simply delightful. I especially admire the pianist´s humility and modesty which are the predominant features of his approach to the music. He firmly leaves the focus on the amazing compositions, taking only very limited liberties with the original notes and making his personal input subtly concealed, exposed only to the sensitive listener. Contrary to many other Jazz pianists, who often like to dominate their interpretations of other composers´ music with their own statements, Stankiewicz simply serves as a vessel bringing Kilar´s music to a new audience. Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist and Krzysztof KomedaFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like the sensational "Experiment: PendereckiFind albums with this title" released recently by pianist Piotr OrzechowskiFind albums by this artist or the new album by the superb RGGFind albums by this artist trio performing the music of Karol SzymanowskiFind albums by this artist. This music is very different, but also very interesting and no less challenging intellectually. An absolute must to all piano, solo piano and Jazz-Classical Fusion listeners everywhere. This is a heartwarming piece of music, which is a balsam to the ears, weary from the noise that surrounds us all. This album was released on a new Polish Jazz record label, called VFind albums on this label Records, steered by the producer Adam DomagalaFind albums by this artist. I look forward impatiently to hear the future releases by this label and in the meantime wish the best of luck with this admirable project to both maestro Stankiewicz and his producer.

CD 1 Slipcase Recommend To A Friend

KUBA STANKIEWICZ ~ STANKIEWICZ PLAYS KILAR (EP) V ~ POLAND ~ Jazz-Classical Fusion Recorded: 2013 Released: 2013 This EP is a brief glimpse at a work in progress, which hopefully will be completed very soon, which presents one of the best Polish Jazz pianists Kuba StankiewiczFind albums by this artist playing his interpretations of music written by the great Polish contemporary Classical and Cinematic music composer Wojciech KilarFind albums by this artist. The music is performed on solo piano, the most "naked" of all formats but also the most unlimited one. Kilar, who is unfortunately less know outside of Poland than his contemporaries like Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist or Witold LutoslawskiFind albums by this artist, is by no means less important and neither is his wonderful musical legacy. His work as a composer of film scores is truly legendary and his music accompanies over 100 films by all major Polish directors, like Roman PolanskiFind albums by this artist and Andrzej WajdaFind albums by this artist, and also those beyond Poland, both in Europe and the US (for example Francis Ford CoppolaFind albums by this artist). Although a modernist, Kilar´s music is full of romanticism and lyricism, and his sublime sense of melody is second to none. Stankiewicz treats Kilar´s music with a lot of respect and obvious love. The relaxed and delicate interpretations are full of charming moments, where the improvisations move out and return to the melodic theme. Stankiewicz has a wonderful touch on the piano, which sounds full-bodied and expressive even at a low volume. The overall effect is simply delightful. Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like the sensational "Experiment: PendereckiFind albums with this title" released recently by pianist Piotr OrzechowskiFind albums by this artist. This music is very different, but also very interesting and no less challenging intellectually. I look forward impatiently to hear the complete album soon and with Stankiewicz a priori the best of luck with this admirable project.

CD 1 Mini-Sleeve Recommend To A Friend

TOMASZ STANKO ~ CHOPIN`S LETTERS. IMPROVISATIONS NIFC 074 (Barcode: 5906395034710) ~ POLAND ~ Jazz Recorded: 2014 Released: 2022 This is a live album by iconic Polish Jazz trumpeter / composer / bandleader Tomasz StankoFind albums by this artist, recorded in a quartet setting with pianist Marcin WasilewskiFind albums by this artist, Norwegian bassist Arild AndersenFind albums by this artist and Finnish drummer Olavi LouhivuoriFind albums by this artist. Fragments of Frederic ChopinFind albums by this artist’s letters are recited by Andrzej ChyraFind albums by this artist. The album presents fifteen tracks, nine of which are performed by the quartet, of those eight are original compositions by Stanko and one is by Krzysztof KomedaFind albums by this artist. Three of the quartet tracks include recitation and six tracks are recitations only. The album is packed in a lavish digibook format with bi-lingual texts, which include the texts of the letters and background information about the musicians. The album presents a special concert, organized by The Fryderyk Chopin Institute, recorded in 2014, which was part of the music festival called “Chopin and his Europe”. The album was released only in 2022, four years after Stanko’s death in 2018. In many respects the recording follows the Jazz & Poetry concept, but in this case the spoken word is Prose, which is obviously less effective, especially since the music was not specifically written to accompany these texts, but rather offers a random (?) selection of Stanko’s compositions recorded during his long career. The performances are, as expected, nothing short of spectacular, with Wasilewski’s beautiful romanticism, Anderson’s brilliant bass parts, Louhivuori’s energetic and tasteful rhythmic accents and of course Stanko’s Godly trumpet artistry. The sound quality of the live recording is a bit iffy at times, but acceptable. Chopin’s fate as the Polish “National” composer has been brutally abused over time by the Polish Jazz community, with hundreds, if not thousands of interpretations of his music, often completely tasteless and unnecessary. Although this album is completely innocent of these vices, it still rises a question as to the relevance of the project as a whole, at least in my mind. Overall, this is a beautiful Jazz album, which Stanko’s many fans worldwide can fully enjoy, if they program their player to skip over the spoken word tracks. Polish speakers can of course enjoy also Chopin’s witty and emotional letters, in addition to the excellent Jazz music, and I leave them to contemplate the connection between the two at their own leisure.

Updated: 02/08/2024Posted: 02/08/2024

CD 1 Digibook Recommend To A Friend

STRZELCZYK / ERENC / RODOWICZ ~ CHOPIN ON STRINGS NOT ON LABEL ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017 This is the debut album by the Polish trio comprising of violinist Maciej StrzelczykFind albums by this artist, guitarist Romuald ErencFind albums by this artist and bassist Piotr RodowiczFind albums by this artist, who as the title suggests present twelve Jazzy arrangements of musical pieces originally composed by the Polish composer Frederic ChopinFind albums by this artist. The music of Chopin has been a source of inspiration for endless Polish Jazz recordings, up to the point where it seemed the subject is simply exhausted. In the last decade however, there have been considerably fewer attempts to tackle Chopin´s music, and this project is a nice breath of fresh air. Since most Chopin projects are obviously piano based, the idea to transcribe the music for string instruments is original and changes the entire point of view of contemporary interpretation of his music. The arrangements take a lot of liberties with the original music, especially in the rhythmic sense, which might be frowned upon by some purist, but the concept of freedom in interpreting music is a principle that should not be questioned. As a result, the listeners are exposed to familiar Chopin pieces, played in Bossa Nova rhythmic disguise, and other such unusual scenery, but the music is treated with respect and obvious love, as appropriate for the Polish National composer. The music is very carefully executed by the three gifted instrumentalists, and the album is altogether a pleasant listening experience, which bridges Classical and Jazz Music in a new and original way. Although definitely on the lighter side of the Jazz spectrum, it certainly has its audience and is a lot of fun to listen to. The music is excellently recorded and the resulting sound quality is another asset of this album. Lovers of Chopin´s music and accessible Jazz should have a field day with this.

Updated: 24/09/2017Posted: 24/09/2017

CD 1 Digipak Recommend To A Friend

ARTUR TUZNIK ~ ARTUR TUZNIK TRIO MULTIKULTI MPJ 019 (Barcode: 5907796319857) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is a debut album as a leader by young Polish (resident in Copenhagen) pianist / composer Artur TuznikFind albums by this artist, recorded in a classic piano trio format which also includes two Danish musicians: bassist Nils Bo DavidsenFind albums by this artist and drummer Jakob HoyerFind albums by this artist. The album presents nine tracks, all of which are original composition by Tuznik. The album was recorded at the excellent RecPublica Studios and offers excellent sound quality. The music presents a remarkably mature set of compositions, which although based on melodic themes, are beautifully open and unrestrained. It is pretty amazing to find such young musicians playing in such challenging musical environment and of course this album immediately sets an example to a whole generation of young pianists, which clearly points towards what can be achieved and what should be played, even at the very early stages of a Jazz career. For Polish music connoisseurs and aficionados the challenge here is to discover the hidden clues of the influence of Frederic ChopinFind albums by this artist on this music. Tuznik is an outstanding piano player, a fact that becomes clear after just a few notes. His self-confidence and imagination take over the music and lead it securely towards an open-minded expressionism, full of lyricism and emotion regardless of the free form and uneven rhythmic patterns. Of course every piano trio is only as good as its members and Tuznik definitely found ideal partners herein, who are willing to share his openness and exploration based modus operandi, improvising together without giving up their individuality. This trio is definitely way beyond the concept of a piano and a rhythm section – it is a fully organic ensemble which creates music symbiotically. I suppose such music making is only possible in Europe, where the minds of the young Jazz musicians have not been mercilessly blunted by overexposure to American mainstream, which completely smothers individuality and progress. Such wonderful creativity and forward-thinking as present on this album is an antidote to everything the American Jazz tradition is trying desperately to cling to. This is definitely one of the most impressive Polish Jazz recordings of 2016 and a stunning debut effort in every respect. One can only wish that more young musicians will follow the path set by this album, which will make true music lovers exceedingly happy. It is a rare combination of talent, vision and the courage to stand behind ones choices and decisions, which again points out the maturity of the musicians involved. Polish Jazz is not only alive and kicking, but slowly starts to spread all over Europe and get incorporated into the new fabric of young European Jazz, which bridges Warsaw, Berlin, Copenhagen, Oslo and other European cities where young European music students are brewing the Jazz we will enjoy in the years to come. Hats off!

Updated: 10/10/2016Posted: 10/10/2016

CD 1 Mini-Sleeve Recommend To A Friend

VARIOUS ARTISTS ~ STANISLAW MONIUSZKO: Z DOMOWEGO SPIEWNIKA REQUIEM / LYDIAN 2020/13 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 Released: 2020 This is one of many albums recorded by Polish Jazz artists as part of the birthday bicentenary celebrations of the Polish Classical composer Stanislaw MoniuszkoFind albums by this artist (1819-1872). This album presents Jazzed up arrangements of eight songs taken from his "Home Songs" collections, performed by mezzo-soprano operatic singer Aleksandra OpalaFind albums by this artist, pianist Piotr MatusikFind albums by this artist, saxophonist Marcin ZupanskiFind albums by this artist and accordionist Wojciech GolecFind albums by this artist. The approach is quite original, and offers a direct contrast between the Classic songs performed by Opala and the improvised / Jazzy parts by the three instrumentalists, which harmonize beautifully, even when they "clash" stylistically when the instrumental parts are almost Free Jazz oriented. As a result this is definitely one of the most interesting Moniuszko related Polish Jazz projects the "Moniuszko year" produced. As magnificent and interesting as the Polish Jazz scene is, easily topping the European scene in the last two decades or so, it suffers from local "obsession" when dealing with its National Musical heritage. A huge part of Polish Jazz recordings is related either to Krzysztof KomedaFind albums by this artist (the Godfather of Polish Jazz) or Frederic ChopinFind albums by this artist (the National composer), and lately Moniuszko – all totally out of proportion and in complete contrast to the need to respectfully leave the past behind and look ahead. Of course such projects find support more easily from the Ministry of Culture and other financial support bodies, but such opportunism should be kept at bay as much as possible. Having said all that, this project is definitely "forgiven" for riding on the Moniuszko wave, due to its originality and overall splendid music it offers and for being quite different from most Jazz-Classical Fusion offerings the world over. Personally I enjoyed this music immensely, as weird as it sound at first – well done Lady and Gentlemen!

Updated: 15/07/2021Posted: 04/01/2021

CD 1 Digipak Recommend To A Friend

MARCIN WADOLOWSKI ~ CHAMBER AVENUE DUX 1539 (Barcode: 5902547015392) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 Released: 2020 This is the sixth album by Polish guitarist / composer Marcin WadolowskiFind albums by this artist, which continues his new path of bringing together Jazz and Chamber Classical Music influences. He is accompanied by his faithful cohort and extraordinary bassist Piotr LemanczykFind albums by this artist, oboist Marta RozanskaFind albums by this artist and the NeoquartetFind albums by this artist string quartet. The album presents nine pieces, five of which are original compositions by Wadolowski and four are Classical pieces, two each by Frederic ChopinFind albums by this artist and Jacques BerthierFind albums by this artist, all arranged by Wadolowski. Same as its predecessor, the duo album with Lemanczyk "Preludes For Guitar And Double BassFind albums with this title", this album was beautifully recorded by Piotr LukaszewskiFind albums by this artist and considering the fact that this is a live recording, the result is simply phenomenal. During the decade that passed since the recording of his debut album, Wadolowski took his followers on a wonderful and highly unusual ride, which crossed such distinct genres as Rock, Blues, Fusion and Jazz, finally arriving at the footsteps of Classical Music. This process of searching reflects just one of Wadolowski´s many qualities, all plainly visible / audible on this album: fabulous guitarist, wonderful composer and a person of refined music aesthetics. The original compositions are all superb examples of Wadolowski´s skill to create gems encapsulating melody, harmony and song weaving talent. His arrangements of the music composed by others follow suit, making the entire album sound brilliantly coherent and enjoyable, without compromising an iota of quality. The performances are, as expected, also perfect, and fondly reminiscent of the a.m. duo album. Lemanczyk, one of the absolutely top Polish bassists, is a virtuoso in every cell of his body and every touch of his fingers on the strings generates pure magic. Wadolowski also plays wonderfully, with great sensitivity, feeling and emotion, and his improvisations, which still show a shadow of the Blues from time to time, are absolutely heartwarming. Overall this is a brilliant album, full of excellent music and sublime performances, which should deeply move every true music connoisseur on this globe, regardless of their genre affiliations. Great taste and professionalism like this are rare and should be cherished. Hats off!

Updated: 31/07/2020Posted: 31/07/2020

CD 1 Digipak Recommend To A Friend

MICHAL WIERBA / DOPPELGANGER PROJECT ~ ORANGE SKY CELESTIS 005 ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by young Polish Jazz pianist / composer Michal WierbaFind albums by this artist, known to local fans as the co-leader of a quintet with trumpeter Piotr SchmidtFind albums by this artist. This is a much more intimate project, basically a piano trio plus percussion and a female vocalist on three tracks. The participating musicians apart from Wierba are: bassist Jakub DworakFind albums by this artist, drummer Arek SkolikFind albums by this artist, percussionist Lukasz KurzydloFind albums by this artist and vocalist Patrycja ZarychtaFind albums by this artist. The album consists of ten tracks, five of which are Wierba originals, three are standards and one each is by Kurzydlo and Zarychta. Although Wierba is an excellent player by all standards, this album does him a terrible disservice. The music sounds like something played during a yuppie birthday party, always simplistic and pleasant, conformist and sugary sweet. Even the divine Jimmy RowlesFind albums by this artist´ composition "The Peacocks", played on solo piano like a Frederic ChopinFind albums by this artist nocturne, sounds completely ridiculous. The vocalist sings in English (again!) and I don´t need to repeat what I think about that. Even the album´s liner notes credit the wrong tracks to their composers, at least in the case of the a.m. Rowles composition and the tracks timings are wrong like on the last track. In short anything that could go wrong here simply did go wrong. This record should have never been recorded, nor released. I´m not adding another word…

CD 1 Recommend To A Friend

AGNIESZKA WILCZYNSKA / ANDRZEJ JAGODZINSKI ~ WILCZE JAGODY NOT ON LABEL (Barcode: 5907222840030) ~ POLAND ~ Jazz & Poetry Recorded: 2019 Released: 2019 This is a beautiful Jazz & Poetry album by the Polish duo comprising of vocalist Agnieszka WilczynskaFind albums by this artist and veteran pianist / composer Andrzej JagodzinskiFind albums by this artist. The album presents eleven original songs composed by Jagodzinski and featuring lyrics by contemporary Polish poets / lyricists: Andrzej PoniedzielskiFind albums by this artist, Stanislaw TymFind albums by this artist, Wieslawa SujkowskaFind albums by this artist and Jan WolekFind albums by this artist. Wilczynska contributed the lyrics to one of the songs. Jagodzinski in addition to playing the piano add also some accordion parts. The music is an archetypal example of what the essence of Polish Jazz represents, in its profound lyricism, melancholy and harmonies deeply rooted in Polish Folklore, which are unmistakably idiosyncratic. Jagodzinski´s compositions, which are influenced and inspired by his insightful love and understanding of the music of Frederic ChopinFind albums by this artist, are heartbreakingly melodic and deeply wistful, and when combined with the intelligent and thoughtful lyrics they simply become irresistible. For listeners interested in exploring his exceptional status and his contribution to the Polish Jazz idiom, I recommend the wonderful "Muzyka PolskaFind albums with this title" album, which is a classic. But clearly the amalgam of this superb music and the marvelous vocal performances by Wilczynska is what makes this album even more special. She is undoubtedly an ideal Jazz & Poetry singer, with a perfect diction that allows each and every syllable to be heard precisely, a sublime theatrical expressionism which allows sensitive delivery of the underlying emotions and last but not least has a wonderful voice and feel of the music, which is clearly evident when she sings the lyrics or improvises using vocalese. Wilczynska cleverly avoids any unnecessary theatrical extravagance, delivering the lyrics with charming minimalism, clearly achieving the "less is more" effect, which ideally suits the concept of this album. I wish all the young Polish Jazz vocalists simply listened to this album, which is a classic example of how things should be done in that field. During my last visit in Poland, just a few weeks ago and before the corona virus took control of our lives, I had an opportunity to hear Wilczynska, Jagodzinski and other Polish Jazz musicians deliver an unforgettable performance in a small club in the outskirts of Warsaw. The venue was absolutely packed with fans, which wouldn´t let the musicians off the stage after two solid hours of brilliant music. I hope all of you, my Friends, are well and I do hope to see you all again soon. May the Jazz Force be with you!

Updated: 22/03/2020Posted: 22/03/2020

CD 1 Digipak Recommend To A Friend

MICHAL WROBLEWSKI ~ CITY ALBUM ELLITE 5903111529024 (Barcode: 5903111529024) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 This is the third album by the young and very gifted Polish Jazz pianist / composer Michal WroblewskiFind albums by this artist, which sees him returning to the piano trio format with bassist Michal JarosFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents eight original compositions, all but one by Wroblewski, with the exception being a piece based on the music by Frederic ChopinFind albums by this artist and arranged by Wroblewski. The music was recorded (same as his debut album) at the now legendary Studio Tokarnia, with Jan SmoczynskiFind albums by this artist doing his usual sound magic with spectacular results. The music, as stated by Wroblewski, was influenced by playing a concert tour in 2013 with American superstar trumpeter Terence BlanchardFind albums by this artist, but the experience influenced also the trio´s approach to music, which became much more focused and intense. As a result this album is remarkably stronger and vital than the two earlier efforts, even though those two were already first class achievements, and places Wroblewski just a notch higher on his way to fame and fortune. His compositions, as usual, combine the right amount of melodic substance with lyrical contents and harmonic beauty, very much like many Jazz standards do. Listening to this album is a true delight from start to finish, with time passing by in a breeze. Of course a piano trio is only as strong as all three musicians involved and Wroblewski is extremely lucky to find two partners who fulfill him completely, match his sensibilities, his virtuosity and his elegance. This piano trio is a classic example of what a piano trio should sound like in the mainstream Jazz milieu. Yes, this music does not make any groundbreaking discoveries as far as Jazz is concerned, but we need to keep the legacy alive and this trio is just perfect in that capacity. It is difficult to predict how Wroblewski´s career will develop from this point on, but he certainly already made his mark both as a pianist and a composer. I am certainly keeping my eye, or rather ear, on his moves, as he managed to impress me for the third time in a row. Jazz fans who love the piano trio format will have a field day with this one. Well done indeed!

CD 1 Digipak Recommend To A Friend