Record Reviews

KRZYSZTOF HERDZIN ~ COMPOSER`S CONCERT LIVE DUX 0970 (Barcode: 5902547009704) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2012 Released: 2013 Polish pianist / composer / arranger / conductor Krzysztof HerdzinFind albums by this artist, who is in his early forties at the time these words are being written, managed to create an entire universe of music in the relatively short span of his life so far; a universe so diverse and overwhelmingly rich in forms, idioms and palette that one begins to wonder if the Artist will ever reach his limits and become finally content and contained. Herdzin has been tightrope walking for some time now between Jazz and Classical Music, obviously deeply involved in both genres. Sometimes his works try to amalgamate the genres, creating a Jazz-Classical Fusion, but he also composes "strictly" Classical Music, which is presented on this live recording. Here Herdzin conducts the Polish Radio Symphony OrchestraFind albums by this artist, which performs seven of his compositions. Five of these compositions are orchestral works, with two involving only strings and the other three the entire orchestra, another one involves an improvising saxophonist – in this case the brilliant Piotr BaronFind albums by this artist – and the last one is a piano concertino in three parts, on which the composer also plays the piano. Contrary to what one might expect, Herdzin as a Classical Music composer does not follow the Polish "modernist school", which includes such distinguished composers as Krzysztof PendereckiFind albums by this artist, Witold LutoslawskiFind albums by this artist, Henryk GoreckiFind albums by this artist and Wojciech KilarFind albums by this artist, to mention just the most renowned names. His inspiration is obviously much closer to the French modernists / impressionists like Claude DebussyFind albums by this artist and Maurice RavelFind albums by this artist and the more Avant-Garde "Les Six" group, but of course many other distinguished composers he admires. His works are always full of romanticism and lyricism and are beautifully melodic, which makes them sound "easy" / "pleasant", even if they are in fact quite complex in their structure, harmony and form. The music presented here follows Herdzin´s tendency for creating melodic, romantic and mostly joyful music, which can be enjoyed by a wide spectrum of listeners, which can encompass his Jazz listeners as easily as fans of Classical Music. His Jazz persona is evident in the piece involving the saxophone improvisation, which is stunningly performed and definitely is one of the album´s highlights. The piano concertino also includes quite a few Jazzy hints and undercurrents. Herdzin does not present any groundbreaking discoveries herein, but his music is a very solid statement and pays tribute to his many talents. Overall this is a lovely and aesthetically pleasing piece of music, excellently performed and very well recorded, as much as being a great listening experience. Wholeheartedly recommended!

Updated: 12/04/2019Posted:

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EWA LIEBCHEN ~ GOODNIGHT MR. GORECKI BOLT 1705 (Barcode: 5902547017051) ~ POLAND ~ Classical Recorded: 2020 Released: 2020 This is an album by Polish flautist Ewa LiebchenFind albums by this artist accompanied by pianist Emilia Karolina SitarzFind albums by this artist, soprano singer Barbara Kinga MajewskaFind albums by this artist and percussionist Hubert ZemlerFind albums by this artist. As the title suggests, most of the music was composed by the great Polish Classical Composer Henryk GoreckiFind albums by this artist, including three of his pieces focusing on flute, and one piece composed by Zemler. The opening track (“Valentine Piece” from 1996) is a solo flute miniature originally composed as a gift to famous American flautist Carol VincencFind albums by this artist, who commissioned Gorecki’s most famous flute piece (“Concerto-Cantata” from 1992). The second track (“For You, Anne-Lill” from 1986) is a duet for flute and piano composed with the Norwegian flautist Anne-Lill ReeFind albums by this artist in mind, whom Gorecki met a couple of years earlier. This composition started Gorecki’s love affair with the flute, which blossomed in the 1990s. The next three tracks (“Good Night” from 1990) is a tripartite mourning meditation for flute, piano, soprano voice and percussion composed in memory of the British Arts Administrator Michael VynerFind albums by this artist. The last track (“Good Luck” from 2020) was composed by the prolific contemporary Polish percussionist / composer Hubert Zemler, featuring the same instrumentation as “Good Night” and based on its atmosphere and musical direction. Although originally intended as an improvised piece, to be performed at the concert promoting this album, which of course was eventually cancelled due to the pandemic, it was decided to write the music down for the studio recording. The music is of course absolutely marvelous from start to finish, with the delicate flute in the centerpiece of the minimalist atmosphere, with the notes floating delicately like autumn leaves. Deeply melancholic, often heartwrenching and always deeply moving, the music is totally fascinating and its sparingness only amplifies the overall effect. Zemler’s composition fits the rest of the material just perfectly and I can only congratulate Ewa on her decision to include it on this album. The performances are all superb, featuring the virtuosic flute parts by Liebchen impeccably supported by the rest of the team. In such intense playing and almost naked environment every little nuance matters of course and the splendid sound quality lets the listeners hear absolutely everything in perfectly audible form and shape. The album’s cover art features the work of the great Witold PopielFind albums by this artist, which as usual suits perfectly the spirit of this entire project. Overall this is a wonderful album, full of beautiful and deeply moving music, superbly performed by first class musicians, emphasizing the best in contemporary Polish / European music aesthetics and dedication to Art. The unusual concept and the mind-expanding subject matter makes it a true feast to the ears as much as to the mind and soul. Thank you, My Lady, for undertaking this challenging task and providing us with another glance at your amazing abilities as an Artist!

Updated: 30/01/2021Posted: 30/01/2021

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LOWBOW ~ MURMURS EASTRINGS 0002 (Barcode: 194171751134) ~ POLAND ~ Avant-Garde Classical Recorded: 2019 Released: 2019 This is a stunning debut album by Polish duo LowBowFind albums by this artist comprising of bassist / composer Maciej SadowskiFind albums by this artist and cellist / composer Malgorzata ZnarowskaFind albums by this artist. American multi-instrumentalist / composer Kevin Scott DavisFind albums by this artist (a.k.a. GlowwormFind albums by this artist) accompanies the duo on four tracks and four other musicians participate on the final track. The album presents nine original compositions, all by Sadowski, except two which are co-composed by him and Znarowska. The music is an absolutely marvelous collection of strongly melodic tunes, which elegantly escape genre classification, and flow between Medieval Church Music, contemporary Classical Music, Ambient vistas and whatever else comes to the listener´s mind while experiencing these deeply moving sounds. The stern minimalism, which seemingly rules a priori due to the duo´s instrumental range, proves to be a complete false assumption, as the duo manages often to sound like a full orchestra in spite of the intrinsic limitations, partly due to multi-tracking but mostly due to the power of the music itself. The ambient synthesized sounds on the tracks with Davis´ participation are completely organic with the rest of the material, which leaves only the last track played by a sextet to round things up with a slightly different accent but completely consistent with the rest of the album. But beyond the unique low key sound, the melodic lyricism and ocean deep melancholy of this music are its most striking characteristics. It easily stands shoulder to shoulder with some of the most profound contemporary Polish Classical Music by such lofty names as Witold LutoslawskiFind albums by this artist, Wojciech KilarFind albums by this artist, Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist and others. I know this statement will raise a brow or two, but honestly anybody listening to this music should be able to immediately recognize the distinctive "Polishness" it radiates, and although the formalism of the orchestration may still lack the sophistication of the Masters, it has all it takes to make it profoundly beautiful and lasting. Albums like this make the life of a music reviewer worth living. It is not very often that music of such striking quality lands on my desk in spite of the fact that I get thousands of albums every year. It takes just a few seconds to hear that this is something completely different as far as quality and beauty are concerned and a repeated listening only strengthens this feeling. People who know me are aware of the fact that I am rarely left speechless, but in this case I am truly short of words to say anything more… just listen!

Updated: 23/11/2019Posted: 23/11/2019

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MOTION TRIO ~ POLONIUM ACORDEONUS 009 (Barcode: 5907437034361) ~ POLAND ~ Classical Recorded: 2013 Released: 2013 The Polish accordion trio, called Motion TrioFind albums by this artist, is one of the most intriguing musical ensembles active today, mostly acknowledged in the contemporary Classical sphere, but known also to cross over to other music areas, including Jazz. Founded in 1996 by Janusz WojtarowiczFind albums by this artist, who is the trio´s leader and primary composer of the original music they perform, the trio also includes Pawel BaranekFind albums by this artist and Marcin GalazynFind albums by this artist. Over time the Motion Trio turned out to be a most prolific recording act and this is their eleventh album since 2002. This album plays tribute to the four great Polish contemporary Classical composers, who achieved international fame and recognition, often more so abroad than at home: Witold LutoslawskiFind albums by this artist, Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist and Wojciech KilarFind albums by this artist. In addition they also play one composition by Wojtarowicz co-composed with accordionist Jacek HolubowskiFind albums by this artist, a member and primary composer of Acoustic AcrobatsFind albums by this artist, another excellent Polish ensemble. Also included, as a special track, is a composition by Marta PlaszynskaFind albums by this artist, a famous Polish composer living in the USA, dedicated to the trio. Polish Jazz pianist Leszek MozdzerFind albums by this artist guests on the Gorecki piece. The accordion is sadly a most mistreated and misunderstood instrument in contemporary music, usually associated with folklore, street music and other "low culture" phenomena by Classical music snobs. Very few music lovers understand the incredible wealth of the instrument, its limitless possibilities and the beauty of its profound sound. Therefore the fantastic exposure that the accordion is given by the Motion Trio is a most welcome occurrence of great musical importance. This, in addition to the sheer virtuosity and inventiveness of the trio members, is a guarantee of first-class musical experience, which this album offers. Although the unusual instrumentation may seem a bit strange in relation to the four compositions by the four Master composers, open-minded listeners will be very quickly completely absorbed in the new sonorities and re-discover these pieces in a new light, with undeniable delight. Of course playing such ambitious music speaks highly of the trio´s cerebral approach on one hand and emotional abilities on the other as far as keeping their minds open to a wide scope of music rather than thread on the easy path to success. During my recent meeting with Maestro Penderecki we discussed this album briefly and he wholeheartedly approved this specific interpretation of his composition, certifying his opinion in writing by autographing my copy of the album ;) As long as works of Art like this album are being produced, our Culture is still alive and kicking, but for how long, unfortunately no one can predict.

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MACIEJ OBARA ~ THREE CROWNS ECM 2662 (Barcode: 602508069703) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the fifth album by the Polish Jazz saxophonist / composer Maciej ObaraFind albums by this artist and his international quartet, which also features Polish pianist Dominik WaniaFind albums by this artist and Norwegian rhythm section: bassist Ole Morten VaganFind albums by this artist and drummer Gard NilssenFind albums by this artist. It is the second studio recording by the quartet and also the second album by the quartet released on the German ECMFind albums on this label label. The album presents eight tracks, six of which are original compositions by Obara and two are his interpretations of pieces by Polish Classical composer Henryk GoreckiFind albums by this artist. My review of this album´s predecessor "UnlovedFind albums with this title", the ECM debut, turned out to be extremely controversial, and I found myself in a decisive minority speaking rather critically about that album. The review ended with the following quote: "I can only hope that everything will turn for the better in the future…" Well the future is here, but sadly things not only are not better, but this album turns out even weaker than its predecessor. The original compositions are boring and heartless, the playing anemic and I had to make an effort to listen to it in its entirety… And then there is Wania. His piano parts are the only islands of sanity in this entire endeavor. Playing sparingly and as usually simply fabulously, he manages to keep the music together at times. Sadly even his enormous musical gift is not able to save the album, but at least his parts prevent the listener from jumping out of the proverbial window. The rhythm section is completely enslaved by this music, unable to transform it into something move meaningful. As a result the rare piano solo and trio parts are the only breath of fresh air in this music. It’s sad to see a musician so desperately lost…

Updated: 26/08/2020Posted: 26/08/2020

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OLES BROTHERS / CHRISTOPHER DELL ~ GORECKI AHEAD AUDIO CAVE 2018/005 (Barcode: 5905669566544) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2018 This is an album by twin brothers: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, collectively known as Oles BrothersFind albums by this artist, who are synonymous with the Polish Jazz since the break of the 21st Century, recorded with German vibraphone virtuoso Christopher DellFind albums by this artist, with whom they cooperate since many years. As the title suggests, this album is dedicated to the trio´s interpretations of music by the great Polish contemporary Classical Music composer Henryk GoreckiFind albums by this artist. The album presents eleven of Gorecki´s pieces, performed by the trio, and is appropriately entitled "Gorecki AheadFind albums with this title", following the trio´s previous album "Komeda AheadFind albums with this title" dedicated to the music of Krzysztof KomedaFind albums by this artist. The first public performance of some of the pieces present on this album happened just a day before this music was recorded, during the trio´s concert in the Nozyk Synagogue in Warsaw, which was the opening concert of the 4th Singer Jazz Festival, of which I am the Artistic Director. Towards the end of that concert, which presented the material recorded on "Komeda Ahead", I was suddenly notified that I need to go and open another concert in another venue, which would make it impossible for me to properly close the trio´s concert. In an instantaneous decision I asked the trio to just go on and play until my return, which they graciously, albeit with some surprise, agreed to, and of course since the Gorecki project was to be recorded the next day, they indeed continued the concert playing the music one can now hear on this album. I was then taken by the Chief of Security of the Festival rushing across Warsaw ignoring red lights and travelling against the traffic direction, opened the other concert and safely returned to hear some closing moments of a Gorecki piece and then had the pleasure to formally close the concert with the entire audience participating in a standing ovation, which lasted for many minutes. Of course this album is anything but another typical Jazz-Classical Fusion project. Oles Brothers and Dell are way beyond the usual triviality and shallowness that often characterizes such projects and their attitude towards the music of other composers, both in the case of Komeda and now Gorecki, is to completely absorb and naturally transform their music into a new dimension, which becomes as much theirs as it originally was the composer´s. Even in a case when the listener is familiar with the original music, the trio´s interpretations take him into a completely new universe, where the original music is completely altered harmonically and rhythmically. This album is another masterpiece, which expands the Oles Brothers´ and Christopher Dell´s long list of achievements, which covers the entire rich tapestry of contemporary Jazz, completely ignoring genre borders. The music is demanding and requires attentive listening, but at the same time it is immensely rewarding and aesthetically fulfilling, something that Culture should always strive to do. I feel happy to be able to call these musicians my friends and following their careers has been always an absolutely delightful and educational experience. This album is an absolute must to every sophisticated Jazz, but not only, connoisseur, who looks for deeply emotional and intellectual experience every time music is in the air! Superb stuff!

Updated: 24/04/2018Posted: 24/04/2018

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RGG ~ MEMENTO (POLISH JAZZ VOL.81) WARBER MUSIC POLAND 190295475932 (Barcode: 190295475932) ~ POLAND ~ Jazz Recorded: 2018 Released: 2019 This is the eleventh album by Polish Jazz classic piano trio RGGFind albums by this artist, which consists of pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents twelve relatively short pieces, with Ojdana and Garbowski each contributing four original compositions, one is a standard by Ornette ColemanFind albums by this artist, two are compositions by contemporary Polish Classical Music composer Henryk GoreckiFind albums by this artist and one is by Polish Liturgical Music composer Jacek GaluszkaFind albums by this artist. The album was recorded at the famed Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the expected wonderful sound quality. As someone who followed RGG since their inception, listened and reviewed their every album to date, heard them performing numerous times and even enjoyed their company in person, I am probably the least objective person to write about them again, and yet I feel that this somewhat intimate acquaintance with their music gives me a kind of insight that a casual listener might lack. RGG is not only one of the best European piano trios, which by itself is a momentous achievement, but it also is the most dynamic and ever developing musical unit, which is honestly a pretty rare phenomenon. Piano trios in particular have a tendency to keep a certain level of stability, even the best of them, once they reach a certain level of proficiency, which is definitely something RGG eschew. Each and every one of the eleven albums the trio was involved in presents a separate, often radically different musical universe, which is truly amazing. What is the secret behind this behavioral pattern? Well, in my opinion it is the fact that RGG consists of three diametrically different personalities that are miraculously able to combine their individualisms into a new amalgam that changes constantly like a chameleonic microcosm, captured on each of their albums. Ojdana the romantic warrior, Garbowski the intellectual philosopher and lover of harmony and Avant-Garde as one and Gradziuk the rebellious free spirit with Zen ability to focus have together everything needed to produce an infinite number of intricate meshes, which are "deadly" effective. "Memento" is perhaps the most introvert album by RGG ever. It is deeply melodic and lyrical spanning a large rainbow of influences and reflections and full of poetic and emotional, even spiritual moods. Clearly reflecting Jazz and Classical Music influences, the music is always very subtly and carefully balanced and aesthetically coherent. In fact it is also perhaps the most accessible album the trio ever recorded, although the full appreciation of the depth and richness of the music requires a trained and sensitive ear. RGG are the epitome of Polish / European Jazz at its best and their music is the soundtrack of European Culture, which seeks to unite the known and explore the unknown aspects of human tradition, spirituality and ingenuity. This album stands alone perfectly as a symbol of modern Jazz, but it is also a piece of a puzzle, which stands for something much more substantial. Therefore if this is someone´s first glimpse of the RGG miraculous universe, it will hopefully prompt to explore their older recordings and keep the eyes (ears) open for future ones, and this is barely the beginning of a beautiful journey. The fact that this album was released as part of the "Polish Jazz" series (see below) is not a distinction for RGG, but rather a distinction for the series. Side Note The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general. The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz. Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned. After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued. In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series. As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.

Updated: 25/04/2019Posted: 25/04/2019

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SLOW IS THE NEW FAST ~ SLOW AMP 027 (Barcode: 662578831204) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2018 This is the debut album by young Norwegian Jazz quintet Slow Is The New FastFind albums by this artist, which comprises of trumpeter Lyder Ovreas RoedFind albums by this artist, violinist Hans Palsen KjorstadFind albums by this artist, pianist Bjorn-Even Bjarkli VerbekeFind albums by this artist, bassist Joel RingFind albums by this artist (from Sweden) and drummer Tore LjokelsoyFind albums by this artist. The album presents nine original compositions, eight by Roed and one by Verbeke. The music is melodic, but open enough to allow complex improvising structures. It amalgamates many influences, like most of young European Jazz today, starting with the Jazz tradition but embracing Folklore and contemporary Classical trends. One of the compositions is dedicated to the famous Polish Classical composer Henryk GoreckiFind albums by this artist, which defines in a way the frame of mind this music was created in. The music is mostly low key and melancholic, but at all times absorbing and fascinating. The individual performances are all excellent, again as usual with the young European Jazz musicians. The use of violin, which is still quite rare today, influences the quintet general sound and atmosphere and is definitely a very interesting choice. But all three soloists deliver both interesting solo statements and first class collective playing. The rhythm section supports the music amicably, with the bass playing a more dominant role than the drums, which are mostly delicate and just right for this kind of music. Overall the album has a very ECMFind albums on this label-like sound and atmosphere (and I mean ECM in the seventies, when it was really creative and daring). This album is definitely a very impressive debut, full of inspiration and talent, which shows enormous potential for the future, as well as the strength of the young Norwegian Jazz scene, which keeps producing consistently great music in the last decade. I am already looking forward to the next album by this quintet.

Updated: 03/10/2018Posted: 03/10/2018

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KUBA STANKIEWICZ ~ KILAR V 001 (Barcode: 5903111377007) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is finally the full album (preceded by a teaser EP), which presents one of the best Polish Jazz pianists Kuba StankiewiczFind albums by this artist playing his interpretations of music written by the great Polish contemporary Classical and Cinematic music composer Wojciech KilarFind albums by this artist. The music is performed on solo piano, the most "naked" of all formats but also the most unlimited one. Kilar, who is unfortunately less know outside of Poland than his contemporaries like Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist or Witold LutoslawskiFind albums by this artist, is by no means less important and neither is his wonderful musical legacy. His work as a composer of film scores is truly legendary and his music accompanies over 100 films by all major Polish directors, like Roman PolanskiFind albums by this artist and Andrzej WajdaFind albums by this artist, and also those beyond Poland, both in Europe and the US (for example Francis Ford CoppolaFind albums by this artist). Although a modernist, Kilar´s music is full of romanticism and lyricism, and his sublime sense of melody is second to none. This album includes twelve compositions by Kilar, ten of which are from film scores and the remaining two from TV serials. Stankiewicz treats Kilar´s music with a lot of respect and obvious love. The relaxed and delicate interpretations are full of charming moments, where the improvisations move out and return to the melodic theme. Stankiewicz has a wonderful touch on the piano, which sounds full-bodied and expressive even at a low volume. The overall effect is simply delightful. I especially admire the pianist´s humility and modesty which are the predominant features of his approach to the music. He firmly leaves the focus on the amazing compositions, taking only very limited liberties with the original notes and making his personal input subtly concealed, exposed only to the sensitive listener. Contrary to many other Jazz pianists, who often like to dominate their interpretations of other composers´ music with their own statements, Stankiewicz simply serves as a vessel bringing Kilar´s music to a new audience. Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist and Krzysztof KomedaFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like the sensational "Experiment: PendereckiFind albums with this title" released recently by pianist Piotr OrzechowskiFind albums by this artist or the new album by the superb RGGFind albums by this artist trio performing the music of Karol SzymanowskiFind albums by this artist. This music is very different, but also very interesting and no less challenging intellectually. An absolute must to all piano, solo piano and Jazz-Classical Fusion listeners everywhere. This is a heartwarming piece of music, which is a balsam to the ears, weary from the noise that surrounds us all. This album was released on a new Polish Jazz record label, called VFind albums on this label Records, steered by the producer Adam DomagalaFind albums by this artist. I look forward impatiently to hear the future releases by this label and in the meantime wish the best of luck with this admirable project to both maestro Stankiewicz and his producer.

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KUBA STANKIEWICZ ~ STANKIEWICZ PLAYS KILAR (EP) V ~ POLAND ~ Jazz-Classical Fusion Recorded: 2013 Released: 2013 This EP is a brief glimpse at a work in progress, which hopefully will be completed very soon, which presents one of the best Polish Jazz pianists Kuba StankiewiczFind albums by this artist playing his interpretations of music written by the great Polish contemporary Classical and Cinematic music composer Wojciech KilarFind albums by this artist. The music is performed on solo piano, the most "naked" of all formats but also the most unlimited one. Kilar, who is unfortunately less know outside of Poland than his contemporaries like Krzysztof PendereckiFind albums by this artist, Henryk GoreckiFind albums by this artist or Witold LutoslawskiFind albums by this artist, is by no means less important and neither is his wonderful musical legacy. His work as a composer of film scores is truly legendary and his music accompanies over 100 films by all major Polish directors, like Roman PolanskiFind albums by this artist and Andrzej WajdaFind albums by this artist, and also those beyond Poland, both in Europe and the US (for example Francis Ford CoppolaFind albums by this artist). Although a modernist, Kilar´s music is full of romanticism and lyricism, and his sublime sense of melody is second to none. Stankiewicz treats Kilar´s music with a lot of respect and obvious love. The relaxed and delicate interpretations are full of charming moments, where the improvisations move out and return to the melodic theme. Stankiewicz has a wonderful touch on the piano, which sounds full-bodied and expressive even at a low volume. The overall effect is simply delightful. Following decades of Polish Jazz musicians obsessively interpreting the music of Frederic ChopinFind albums by this artist, it´s truly refreshing to hear some musicians turning the attention to other great Polish composers, like the sensational "Experiment: PendereckiFind albums with this title" released recently by pianist Piotr OrzechowskiFind albums by this artist. This music is very different, but also very interesting and no less challenging intellectually. I look forward impatiently to hear the complete album soon and with Stankiewicz a priori the best of luck with this admirable project.

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KEITH TIPPETT ~ THE MONK WATCHES THE EAGLE DISCUS 102 (Barcode: 5051078984025) ~ UK ~ Avant-Garde Jazz-Classical Fusion Recorded: 2004 Released: 2020 This is a sensational archive album by British Jazz pianist / composer Keith TippettFind albums by this artist, which presents a live recording of his composition for large choir, solo voice and a two saxophone quartets, with lyrics by Julie TippettsFind albums by this artist. The work was commissioned for the 2004 edition of the Norwich and Norfolk Festival and was premiered that year at the Norwich Cathedral where it was also recorded for broadcast by the BBC. Tippett conducted the performance, which included Julie Tippetts on solo vocals, the BBC SingersFind albums by this artist choir, an improvising saxophone quartet comprising of Paul DunmallFind albums by this artist, Kevin FigesFind albums by this artist, Ben WaghornFind albums by this artist and Chris BiscoeFind albums by this artist, and also the Apollo Saxophone QuartetFind albums by this artist. The music is every bit as innovative, far-reaching and groundbreaking as the rest of Tippett´s musical legacy and this posthumous release expands even further the scope of his musical vision, which encompassed enormous variety of works between solo piano music to extremely large ensembles like CentipedeFind albums by this artist or smaller ensembles like ArkFind albums by this artist, and stylistically spanning various Avant-Garde sub-genres between Improvised Music, via Free Jazz to contemporary Classical Music, rubbing shoulders with Progressive Jazz and Art Pop. Most of the body of this work is performed by the choir, which often sounds like an instrument rather than a choir, resembling choral works of 20th Century Classical composers like Henryk GoreckiFind albums by this artist, György LigetiFind albums by this artist and Krzysztof PendereckiFind albums by this artist to mention just the most audacious ones. When accompanied by the saxophone quartets, one supporting the music harmoniously and the other spicing the proceeding with intensive improvisations, the music offers several climaxes, which mark the transitions between the consecutive sections of the entire composition. It is not surprising to see Julie Tippetts taking a major part in this project, like she did in so many of his endeavors over the years. Her vocal performances are the focal point of this music and her improvised soloing should remind everybody of her incredible abilities from the first moment she arrived on the music scene as a Pop star and throughout her transformation as a highly idiosyncratic Avant-Gardist. The presence of Dunmall and Biscoe, two of the British Jazz most significant veteran saxophonists, adds additional quality to the rich tapestry of sounds and aural stimuli. Overall this album is an absolutely essential piece of the puzzle, which Tippett managed to create during his lifetime, and perhaps even one of the most inspired of his works. As usual Martin ArcherFind albums by this artist and his DiscusFind albums on this label label manage to bring an essential piece of the British Culture back to life, saving it from the imprisonment in the darkness of the BBC vaults (God bless them for recording the music), with a lot of help from Julie. This album is an absolutely essential piece of music in any serious music collection!

Updated: 13/11/2020Posted: 13/11/2020

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