Record Reviews

NEIL ARDLEY ~ A SYMPHONY OF AMARANTHS DUSK FIRE 107 (Barcode: 5065001032189) ~ UK ~ Jazz Recorded: 1971 Released: 2012 This is the criminally overdue reissue of the second album by British Jazz composer / arranger / bandleader Neil ArdleyFind albums by this artist, which also was the second part of his great trilogy, which started with "The Greek VariationsFind albums with this title" and was followed later by "Kaleidoscope Of RainbowsFind albums with this title". It is one of the great gems of the revolutionary British Jazz, which developed in the Golden Decade (1965-1975) and changed to face of music as we know it. Influenced by Duke EllingtonFind albums by this artist and Gil EvansFind albums by this artist, Ardley was the creator of the innovative Big Band / Orchestral sound, which was one of the magic ingredients of the new British Jazz at the time. Although based on the compositional ideas of Ellington and Evans, Ardley managed to push them way forward into an amalgam with contemporary European Classical music, early atmospheric / ambient music and other elements, creating unique orchestral soundscapes. As the musical director, resident arranger and conductor of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley had at his disposal the crème de la crème of the British Jazz players, and quite naturally he used them to record his own projects as well. The list of the protagonists behind this recording is of truly epic proportions and includes such luminaries as trumpeters Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Don RendellFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Dave GellyFind albums by this artist (who also wrote the informative liner notes for this reissue), pianists Stan TraceyFind albums by this artist and Karl JenkinsFind albums by this artist, bassist Chris LaurenceFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist. The only one of its kind Ivor CutlerFind albums by this artist recites a famous nonsense poem and the divine Norma WinstoneFind albums by this artist sings Ardley´s music accompanying three classic poems, his first adventure with vocal music. Overall the album presents a wondrous splendor of musical ideas, marvelously executed by the musicians involved, creating together one of the most beautiful examples of creativity and intelligence, which were the chief ingredients of the music created by Ardley time and again. As an album, this is one of the very few examples of musical perfection, which set the standards for all the others. It is in every respect as perfect today as it was at the time of its recording. A curious point about this album is the fact that this was the first ever recording to be funded by a grant from the Art Council, which supported a plentitude of great musical projects in the years to come. The album was produced by the legendary Denis Preston, who was in charge of recording a myriad of brilliant early British Jazz albums and without whom the this great music might have never been captured for posterity. The reissue is brilliantly remastered and sounds absolutely spectacular. This is an unconditional, absolute essential piece of music!

CD 1 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

NEIL ARDLEY ~ HARMONY OF THE SPHERES ESOTERIC 2096 (Barcode: 5013929719620) ~ UK ~ Jazz-Rock Fusion Recorded: 1978 Released: 2008 Composer / arranger / bandleader Neil ArdleyFind albums by this artist was one of the brightest stars on the firmament of the magnificent British Jazz, which flourished in the 1960s and 1970s. His compositions were often performed by his peers and his magnificent recordings as a leader were musical milestones, cherished and admired to this very day. Sadly, his recorded legacy is rather limited and parts of it remain unreleased on CD, which is a true crime. Therefore any reissue of his music is a true feast and celebration. This album represent´s Ardley´s late period as active musician, shortly before he left the music scene almost for good, dedicating the later part of his life to writing books. It is also a clear symbol of Ardley´s transition as a composer, moving gradually from traditional Jazz forms to quite revolutionary contemporary Classical / Electronic / Ambient music, which although still contained strong Jazz elements (mainly improvised sections), was nevertheless a completely new compositional entity. As most of his ambitious compositions, the music is presented in a form of an extended suite, which makes a coherent whole and being divided into separate sections to emphasize the internal flow of the music. Ardley recruited a group of eleven musicians to record the album and as usual turned to his life-long friend and collaborator, trumpeter Ian CarrFind albums by this artist to become the main protagonist. The list of the participants reads like a dream come true of the British Jazz scene and includes reed players Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, drummer Trevor TomkinsFind albums by this artist, keyboardist Geoff CastleFind albums by this artist and vocalists Pepi LemerFind albums by this artist and Norma WinstoneFind albums by this artist. Lesser known but no less talented contributors include bassist Bill KristianFind albums by this artist and drummer Richard BurgessFind albums by this artist. Guitarist John MartynFind albums by this artist is the surprising guest, who closes the list of participating musicians, and although primarily associated with Folk, delivers some heartbreaking guitar solos on this album. People familiar with these names will of course recognize the fact that most of these musicians were associated at one time or another with Ian Carr as members of his NucleusFind albums by this artist ensemble. In retrospect this album remains a major milestone of British music and a firm reminder of Ardley´s genius. Ardley, who died in 2004 (aged 66) will forever be a landmark figure and hopefully the younger generation will discover his magnificent music thank to reissues, like this one. An absolute must!

CD 1 Remastered Recommend To A Friend

NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz Recorded: 1973 Released: 2007 The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums. Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture. Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved. Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!

CD 1 Remastered Essential Recommend To A Friend

NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius. The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording. Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!

CD 2 Remastered Essential Recommend To A Friend

AZIMUTH ~ AZIMUTH / THE TOUCHSTONE / DEPART ECM 1546/48 (Barcode: 731452301024) ~ UK ~ Jazz Recorded: 1977 - 1979 Released: 1994 This wonderful Box Set contains the first three albums by the superb British trio AzimuthFind albums by this artist, which consists of three Jazz icons: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, recorded in the 1970s and released on the ECMFind albums on this label label, which are "AzimuthFind albums with this title" (ECM 1099) recorded in 1977, "The TouchstoneFind albums with this title" (ECM 1130) recorded in 1978 and "DepartFind albums with this title" (ECM 1163) recorded in 1979. On the last album the trio is expanded to a quartet with the participation of the US guitar virtuoso Ralph TownerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended! Side Note: These three albums were not reissued or are not available on CD individually, so this is the only way to obtain them in CD form. Visitors' Comments Christopher  Brice It´s a pleasure to be able to fill in the "back story" to the relatively recent Azimuth albums - thanks to ECM and of course to Adam!

Updated: 26/01/2019Posted:

CD 3 Box Set Recommend To A Friend

AZIMUTH ~ AZIMUTH `85 ECM 1298 (Barcode: 042282752024) ~ UK ~ Jazz Recorded: 1985 Released: 1990 This is the 4th album on the ECMFind albums on this label label by the great British Jazz trio AzimuthFind albums by this artist, which consists of three British Jazz icons since the 1960s: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended!

CD 1 Recommend To A Friend

AZIMUTH ~ HOW IT WAS THEN… NEVER AGAIN ECM 1538 (Barcode: 731452382023) ~ UK ~ Jazz Recorded: 1994 Released: 1995 This is the 5th (and so far last) album on the ECMFind albums on this label label by the great British Jazz trio AzimuthFind albums by this artist, which consists of three British Jazz icons since the 1960s: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended! Visitors' Comments Christopher  Brice Really exciting stuff: Kenny Wheeler double tracks on some pieces - the spirit flies! And John Taylor plays some bass lines on the piano strings. But these odd facts make it sound gimmicky, which it is not - I second Adam´s comment that this is "above all aesthetically fulfilling and deeply moving"

CD 1 Recommend To A Friend

IAIN BALLAMY ~ PEPPER ST. INTERLUDES FERAL 102 (Barcode: 766013010220) ~ UK ~ Jazz Recorded: 2000 Released: 2000 This is another criminally little known album, this time by British Jazz saxophonist / composer Iain BallamyFind albums by this artist, recorded with Norwegian button accordionist Stian CarstensenFind albums by this artist and British vocalist Diva Norma WinstoneFind albums by this artist, cellist Matthew SharpFind albums by this artist and drummer Martin FranceFind albums by this artist (on one track only). The album presents fourteen pieces, two of which (one of them repeated three times) are original compositions by Ballamy, one is by Carstensen, one is by the Jewish British composer Michael CarrFind albums by this artist (repeated twice) and the rest are mostly unique arrangements of Jazz standards. The entire concept of the album is to present intimate duets of saxophone with accordion or with cello, and on two tracks featuring Winstone singing the lyrics of songs and adding vocalese on two others. The atmosphere is utterly enchanting and misty like the London fog. Ballamy´s playing is full of lyricism and heartbreaking melancholy, and the album is a great tribute to the Jazz standards, which are an endless source of great and moving tunes. Although focusing on the saxophone, the album offers some extraordinary accordion playing and of course the vocals by Winstone are always a joyful occasion to hear her Artistry and alone a worth having this album in your collection. Overall this is a very unusual album, full of deeply reflective music, which might take some time to get in love with, but that is bound to happen sooner or later. It definitely deserves to be discovered, if a copy can be found, which probably won´t be easy. Wholeheartedly recommended!

Updated: 15/01/2021Posted: 14/01/2021

CD 1 Digipak Recommend To A Friend

MARKUS BURGER / JAN VON KLEWITZ ~ ACCIDENTAL TOURISTS CHALLENGE 73403 (Barcode: 608917340327) ~ GERMANY ~ Jazz Recorded: 1993 Released: 2015 This is an album by German pianist / composer Markus BurgerFind albums by this artist and saxophonist / composer Jan von KlewitzFind albums by this artist, which is a lovely tribute to the legendary British trumpeter / composer Kenny WheelerFind albums by this artist, who also takes part in this project, as does British vocalist Norma WinstoneFind albums by this artist, German trombonist Stefan LottermannFind albums by this artist, bassist Martin GjakonovskiFind albums by this artist and drummer Felix AstorFind albums by this artist. The album was recorded live and remained unreleased for twenty two years, to be finally released following the lamented passing of Wheeler. The album presents eight original compositions, four each by Burger and von Klewitz, arranged as series of five movements and three codas. The music is quintessential modern European Jazz, which floats between Free Form and more organized / melodic moments, all beautifully performed by the German / British septet. Despite the rather busy setting the music is full of breathing space and offers some spectacular collective improvisations, which are wonderfully ornamented by Winstone´s stunning vocal parts. The album also presents some relaxed, melodic passages, with Winstone singing lyrics, (which she most probably wrote although the album´s liner notes don´t mention this explicitly). The entire eight part suite flows naturally and coherently and offers a fertile ground for the superb soloing by all participants, as well as collective contributions. Wheeler performs several stellar solos, which are pure mastership. Overall this is a highly exciting musical journey and a superb document of the talents of the two composers as much as the spectacular abilities of Wheeler and Winstone. Considering the fact that this music was being hidden in the vault for so long, it is a great pleasure to be able to listen to it, better late than never. The album suffers from imperfect sound quality at times, but this recording was never actually meant to be released commercially, and of course in view of the importance of this document, the sound quality issue becomes secondary. For the many Wheeler / Winstone enthusiasts, this is a must have of course, so spread the word and grab it as long as it is available. Highly recommended!

Updated: 29/01/2019Posted: 27/06/2018

CD 1 Slipcase Recommend To A Friend

ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz Recorded: 1972 - 1974 Released: 2005 Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!

CD 2 Remastered Recommend To A Friend

MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO. BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion Recorded: 1968 - 1972 Released: 2019 This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles. The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks. However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering. Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss. Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance. Absolutely not to be missed!

Updated: 02/09/2020Posted: 01/09/2020

CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend

MARIA PIA DE VITO ~ PHONE EGEA 063 (Barcode: 8015948000632) ~ ITALY ~ Avant-Garde Jazz Recorded: 1998 Released: 1998 This is the third album by the sublime Italian vocalist / composer Maria Pia De VitoFind albums by this artist recorded with an excellent team of musicians, which includes the British pianist John TaylorFind albums by this artist and Italian clarinetist Gianluigi TrovesiFind albums by this artist, bassist Enzo PietropaoliFind albums by this artist and drummer Frederico SanesiFind albums by this artist. Bassist Daniele MencarelliFind albums by this artist guests on one track. The album presents nine tracks, most of which are original creations by De Vito (music and lyrics), two are her arrangements of Macedonian folk tunes, one is a composition by Taylor and a couple of songs originate from other sources. The music is absolutely stunning from start to finish, presenting a highly aesthetic and typically European approach to Artistic expression, which knows no stylistic boundaries. There are elements of early music, World Music influences and of course Jazz and Avant-Garde explorations, all of which make "perfect sense" together and create an amazing colorful amalgam of sounds and emotions. De Vito has an amazing vocal range, which she employs to the max, both when singing lyrics and vocalizing freely. Her ability to create spontaneous vocalese is amongst the finest out there, earning her an honorable membership in the exclusive circle of the Vocal Summit circle. The intimate musical relationship De Vito manages to create with Taylor is beautifully remarkable. Taylor, known as one of the finest accompanists ever, proves his rare ability of telepathic communication with singers (see his work with Norma WinstoneFind albums by this artist) and this symbiosis is the anchor of this entire album. But Trovesi is also a first rate magician and his clarinet playing here is tasteful and brilliantly harmonizing to the album´s atmosphere. Overall this is a superb album, full of great music and highly unusual vocal performances, which is a textbook of innovative vocal approaches and demonstrates thinking "out of the box". For lovers of human voice, Jazz and Avant-Garde vocal explorations and great music in general, this is an absolute must. For aspiring young vocalists, this is no less than the Biblical "pillar of fire" as far as the quest of developing a meaningful career as a vocalist. Although released over two decades ago this album is still available, so don´t even think twice about it!

Updated: 03/07/2020Posted: 03/07/2020

CD 1 Slipcase Recommend To A Friend

KIT DOWNES TRIO ~ QUIET TIGER BASHO 34 (Barcode: 832929003424) ~ UK ~ Jazz Recorded: 2011 Released: 2011 This is the 2nd album by British Jazz pianist / composer Kit DownesFind albums by this artist, recorded with his trio, which also includes bassist Calum GourlayFind albums by this artist and drummer James MaddrenFind albums by this artist. Saxophonist James AllsoppFind albums by this artist and cellist Adrien DennefeldFind albums by this artist guest on all but three of the tracks, but their contributions are relatively minimal. The album present eleven tracks, all of which are original compositions by the leader. Since his appearance on the British Jazz scene just a decade and a half ago, Downes managed to create quite a stir and draw a lot of attention, as well as managed to build up a sizeable recording legacy, making him probably the most noticeable “new arrival”. I have had the pleasure of listening to him play on several occasions and I must admit he does stand out from the crowd. His compositions are unusual, often quirky and unpredictable, both rhythmically and harmonically, and his broad range of musical activities is altogether very impressive. This album is quite an early recording by Downes, but already here all those odd, surprising elements are vividly present, which makes the music truly fascinating. The definition of Jazz as “the Art of the unexpected” fits to Downes’ music perhaps more than to most other contemporary Jazz musicians around. I have often thought that Downes reminds me of Thelonious MonkFind albums by this artist, and his quirkiness, which made him stand out among most Bebop players at the time. Some of the tracks on this album, are a living proof of that “Monk theory”, taken some seventy years forward. Listeners, who know their Monk will understand what I am saying. In short, this is seemingly a classic Jazz piano trio album, but it is nothing like a classic Jazz piano trio album that most people ever heard, I guarantee you! Overall, this is a brilliant piece of contemporary Jazz, completely unique and fascinating, which should be heard by every Jazz lover on this planet, although many might probably not like it too much, at least at first. Downes is a musician worth keeping an eye (ear) on, for example please note his album with the British Diva Norma WinstoneFind albums by this artist “Outpost Of DreamsFind albums with this title”. Enough said!

Updated: 04/02/2025Posted: 04/02/2025

CD 1 Digipak Recommend To A Friend

FAIRPLAY & NORMA WINSTONE ~ FAR TO GO GRAPPA 4056 (Barcode: 7033662040568) ~ NORWAY ~ Jazz Recorded: 1992 Released: 1993 This is a wonderful and little known album by Norwegian quartet FairplayFind albums by this artist, which consists of saxophonist / bass clarinetist Tor YttredalFind albums by this artist, keyboardist Vigleik StoraasFind albums by this artist, bassist Torbjorn HillersoyFind albums by this artist and drummer Trond KopperudFind albums by this artist. British vocalist / lyricist Norma WinstoneFind albums by this artist joins the quartet performing vocal parts and contributing lyrics to four of the songs on the album, which offers ten original compositions, all composed by the quartet members. The album was recorded at the legendary Rainbow Studio in Oslo with Jan Erik KongshaugFind albums by this artist in charge of the recording magic, with spectacular results as usual. The music is an absolutely stunning example of Nordic Jazz, with a slight touch of Fusion, due to the utilization of electric bass and keyboards. The music is strongly melody based, with the omnipresent Nordic melancholy and introspection, but ventures into open, more freely improvised explorations on the instrumental tracks. Winstone fits wonderfully to this musical environment both as a vocalist and a lyricist, and the cooperation is perfectly organic and as a result also extremely effective. Her vocal and improvised vocalese are absolutely top notch. The instrumental pieces provide an opportunity to the quartet members to explore more adventurous direction, but overall the entire album is beautifully coherent and definitely offers a clearly defined musical aesthetics. It is interesting to hear this music in retrospect, especially in view of the later career of the members of the group, including ECMFind albums on this label recordings. Overall this is a lost treasure and an absolute gem for all Winstone fans, British and Scandinavian Jazz enthusiasts and all people with ears in their heads. Not easy to find but worth the effort – absolutely stunning stuff!

Updated: 18/06/2018Posted: 18/06/2018

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ A NEW SERIOUS MUSIC RHYTHM AND BLUES 076 (Barcode: 5060331752615) ~ UK ~ Jazz & Poetry Recorded: 1967 - 1969 Released: 2021 This is an archival album by seminal British pianist / composer / bandleader Michael GarrickFind albums by this artist. The album presents two BBC sessions, the first captured on July 23, 1967 which includes five original compositions by Garrick, performed with trumpeter Henry LowtherFind albums by this artist, saxophonists Jim PhilipFind albums by this artist and Art ThemenFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Humphrey LittletonFind albums by this artist. The second session, captured on October 10, 1969 includes six original compositions by Garrick, performed by trumpeter Ian CarrFind albums by this artist, saxophonist Don RendellFind albums by this artist and Themen, Goode, Tomkins and vocalist Norma WinstoneFind albums by this artist and with poetry readings by poets John SmithFind albums by this artist and Jeremy RobsonFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Garrick, which results in the album having no less than twenty-two tracks. During the period between these two sessions Garrick was living a “double life”, dividing his time between the Don Rendell / Ian Carr QuintetFind albums by this artist and his own ensembles, producing some of the most significant new British Jazz, of which he was one of the most important architects, especially so as a composer. His astonishing diversity, which includes “straightforward” (well never really straightforward) Jazz, Free Jazz, Jazz-Choral music, and the Jazz & Poetry explorations, like those portrayed by the second session included here, made him a key figure of the new British Jazz, crystalizing at the time. The music, although captured over five decades ago, is still a full blow in the face to those unfamiliar with Garrick’s multi-layered musical universe. I have been incredibly fortunate to hear Garrick perform live during that period and the long conversations we had together, after the music was over, about music (and poetry) with the baby-faced, always smiling Garrick are forever implanted in my mind. Music lovers interested in that period of Garrick’s activity should try and revisit all the fabulous recordings he made then, like “Poetry And Jazz In ConcertFind albums with this title”, “October WomanFind albums with this title”, “PromisesFind albums with this title”, “Black MarigoldsFind albums with this title”, “Jazz Praises At St Paul`sFind albums with this title”, “The Heart Is A LotusFind albums with this title”, which have been reissued by VocalionFind albums on this label or Garrick’s own Jazz AcademyFind albums on this label label. Any serious British Jazz collection is not complete with these titles missing. Overall this is a milestone album, with previously never released material, which is worth its weight in gold. Although the sound quality of the second session included herein is somewhat distorted at times, this can be easily forgotten in view of the historical importance of the music. Warmly recommended!

Updated: 08/08/2021Posted: 08/08/2021

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ CHILDREN OF TIME JAZZ ACADEMY 12 (Barcode: 801082027820) ~ UK ~ Jazz Recorded: 2005 Released: 2005 British pianist / composer Michael GarrickFind albums by this artist continues to create superb Jazz music for over five decades, both in the framework of small and large-scale ensembles. His highly artistic approach to music, which in his case always involved serious non-musical subject matter, such as literature, philosophy or religion, has been consistent over the years. This album is no different as it presents another Jazz suite composed for a Jazz orchestra, based on philosophical / spiritual questions about the Divinity / Force of Nature, which is beyond human perception. Each of the ten parts of the suite is dedicated to one of the “spirits” in charge of the overall Universal existence. The music is, as always, dramatic but also deeply lyrical, with plenty of space for solos and some vocal parts, sung by Garrick’s close collaborator in his 1970s ensembles – the divine Norma WinstoneFind albums by this artist. The orchestra, which Garrick uses regularly for his large-scale projects, consists of some of the best players in Britain and the steady lineup turns it into an ideal vehicle for the execution of Garrick’s complex works. Listening to this grand recording soon turns into a truly spiritual experience, most probably as intended by its creator. This album proves again that Garrick is one of the greatest Jazz Masters, not only in Britain but worldwide. This is another of Garrick’s masterpieces and a must!

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ HOME STRETCH BLUES VOCALION 8426 (Barcode: 765387842628) ~ UK ~ Jazz Recorded: 1972 Released: 2006 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick with his sextet (Garrick – piano and harpsichord, Henry LowtherFind albums by this artist – trumpet, Art ThemenFind albums by this artist – clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and Norma WinstoneFind albums by this artist – vocals) with Don RendellFind albums by this artist – sax on couple of tracks. The music, written as always by Garrick, is divided (by side A and side B of the original album) into two parts: part one includes three great tracks, including a song based on a poem by Alfred TennysonFind albums by this artist and part two is a five-piece suite inspired by a poem by John SmithFind albums by this artist. As usual the music is simple superb, as are the performances by the band members. Norma’s vocalese reaches an absolute peak here and her integration into the group’s overall sound is perfect. This is just about the most perfect example of the British Jazz at the time of its full maturity and a timeless masterpiece. It is a shame this music was unavailable for so long and it makes me really happy to know it can be rediscovered by a new generation of music lovers. A must!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ MR SMITH`S APOCALYPSE VOCALION 8433 (Barcode: 765387843328) ~ UK ~ Jazz-Classical Fusion Recorded: 1970 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick realizing a most ambitious work, which combines the elements he was always interested in: Jazz, poetry and liturgical music. It is an expansion of the idea of his earlier album PraisesFind albums with this title and presents a full cantata for Jazz sextet (Garrick – organ, Henry LowtherFind albums by this artist – trumpet, Don RendellFind albums by this artist – flute, clarinet and sax, Art ThemenFind albums by this artist – flute, clarinet and sax, Coleridge GoodeFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums), four soloists (including Norma WinstoneFind albums by this artist and the poet John SmithFind albums by this artist, who wrote the poems which serve as the libretto) and a large children’s choir. The entire ensemble was called Garrick`s FairgroundFind albums by this artist for the sake of the album. The music is majestic, as expected for the occasion, but not without humorous moments, typical of Garrick’s intelligent twists and turns. It might sound a bit odd to a typical Jazz listener, but anybody loving good music should enjoy this tremendously. This reissue adds to the original album the ultra-rare single, which was released at the time to promote the album. Overall a rare and pioneering work, ages ahead of its time and one reflecting the scope of Garrick’s talent and musical contribution. A must!

CD 1 Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ THE HEART IS A LOTUS VOCALION 8400 (Barcode: 765387840020) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick leading a sextet (Garrick – piano and harpsichord, Ian CarrFind albums by this artist – trumpet, Art ThemenFind albums by this artist – flute, clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and the divine Norma WinstoneFind albums by this artist – vocals) and on several tracks the ensemble is expanded to a nonet with the edition of Don RendellFind albums by this artist – sax, Jim PhilipFind albums by this artist – flute, clarinet and sax and Coleridge GoodeFind albums by this artist on second bass. Norma’s vocal parts – both when singing lyrics and improvising, using her voice as an instrument – are absolutely stunning and completely innovative. Her presence brings the music to another dimension, adding colors and enhancing the overall effect tremendously. She would become a permanent member of Garrick’s group for a while and their recordings together are some of the best moments of the British Jazz of that period. As usual, Garrick wrote all the music and this time also the lyrics used here. His formal education was after all English Literature, and hence his sensitivity to language and poetry and his writing abilities are no surprise. Beautifully melodic and yet constantly challenging, this is a superb album, which sound today every bit as great as it did at the time it was recorded. A must!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ TROPPO VOCALION 8444 (Barcode: 765387844424) ~ UK ~ Jazz Recorded: 1973 Released: 2009 Pianist / composer Michael GarrickFind albums by this artist has been a pivotal figure in the British Jazz for over five decades and his recorded legacy over the years is an enormous source of inspiration and an example of intelligence, finesse and dedication. By the mid-1970s the British Jazz revolution was all but complete and the scene´s decade of glory was also nearing its end, with record sales declining. Therefore this album was to be the last recording Garrick made for the ArgoFind albums on this label label, a subsidiary of DeccaFind albums on this label. His ambition to push the music beyond the well established boundaries, with the music becoming more complex in the process, was a key factor in the company´s decision to cease the fruitful cooperation, which lasted for a decade and produced some of Britain´s best and most important Jazz masterpieces. Following the initial release of this album Garrick would almost completely stop releasing albums for over two decades, until he finally established his own independent Jazz AcademyFind albums on this label label and his output appeared there regularly since, to the delight of his many fans, myself included. The group playing on this recording consists mostly of Garrick´s long time cohorts and the British Jazz scene´s lions: Henry LowtherFind albums by this artist on trumpet and violin, Art ThemenFind albums by this artist on flute and sax, Don RendellFind albums by this artist on flute and sax, bassists Dave GreenFind albums by this artist and Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The divine vocalist Norma WinstoneFind albums by this artist was also an integral part of his band and her performances here are truly sensational. The album was recorded just a few weeks after the death of Joe HarriottFind albums by this artist, Garrick´s dear friend and music-making partner and the album includes a tribute to his genius. This has always been one of my favorite albums and surely one of British Jazz everlasting masterpieces, which remains an essential listening to this very day. Absolute must!

CD 1 Remastered Recommend To A Friend

MICHAEL GIBBS / NDR BIG BAND / NORMA WINSTONE ~ HERE`S A SONG FOR YOU FUZZY MOON 005 (Barcode: 5065001308031) ~ UK ~ Jazz This is an absolutely stunning album by British Jazz composer / arranger / bandleader Michael GibbsFind albums by this artist, recorded with the German NDR Big BandFind albums by this artist and featuring the vocals of the British Jazz Diva Norma WinstoneFind albums by this artist. The album presents twelve songs; some of which originate from Pop / Rock repertoire and other are Jazz standards. Only one song is an original by Gibbs, which goes back in time to his eponymous debut album. Both Gibbs and Winstone have been cooperating with the NDR Big Band, which is hardly surprising as the NDR Big Band is the best of its kind in Europe (if not in the world) since many years and one of the last remaining active large ensembles of this kind, which manages not only to survive but also to produce numerous recordings of the highest quality. Winstone recorded the wonderful "It`s Later Than You ThinkFind albums with this title" (2004) album with them and Gibbs the albums "NonsequenceFind albums with this title" (2001), "Back In The DaysFind albums with this title" (1995-2003), "Plays The Bill Frisell Set ListFind albums with this title" (2013) and "In My ViewFind albums with this title" (2013-2015). This album presents three separate layers, which amalgamate to produce a masterpiece of modern Jazz. First there is he stunning interpretation of the songs by Winstone, who is able to take them apart and transform them into unique vocal pieces that only she could sing the way she does. Then there are the brilliant arrangements by Gibbs, which often take the original songs very far away from the source, changing almost everything there is to change (harmony and rhythm most obviously) but still make them recognizable. Last, but by far not least, is the exquisite playing by the Big Band as a whole and the outstanding soloists, who stuff the entire musical cake with many sweet raisins. Of course each of these layers compliments the other two, creating something that is way more powerful than just a sum of the ingredients. Overall this album is in many respects the most accessible musical gift to a wide range of Jazz connoisseurs that Gibbs and Winstone ever created, either separately or jointly. It is a pity that the CD was only released in a limited edition version. Michael Gibbs graciously sent me a copy of this beauty from his vaults, after I´ve been hunting for it for years. So here we are with me smiling as the music is playing and my record collection being one step nearer the infinitely distant completeness. God bless, Mike!

Updated: 22/06/2018Posted: 22/06/2018

CD 1 Mini-Sleeve Recommend To A Friend

JOE HARRIOTT / AMANCIO D`SILVA ~ HUM DONO VOCALION 8505 (Barcode: 765387850524) ~ UK ~ Jazz-World Fusion Recorded: 1969 Released: 2015 This is a long overdue reissue of the only album recorded by the quartet co-led by two of modern British Jazz pioneers: saxophonist Joe HarriottFind albums by this artist and guitarist Amancio D`SilvaFind albums by this artist, which also included bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist. Vocalist Norma WinstoneFind albums by this artist and trumpeter Ian CarrFind albums by this artist appear as guest. The album consists of six tracks, five of which are original compositions by D`Silva and one is a standard. The original album was produced by the celebrated producer Denis PrestonFind albums by this artist and was recorded at the legendary Lansdowne Studios. This reissue was remastered by Michael J. DuttonFind albums by this artist and the sound quality and clarity are simply stunning. The liner notes include a reprint of the original liner notes printed on the album´s sleeve and a retrospective essay by Stephano D`SilvaFind albums by this artist, Amancio´s son. Of the many British Jazz albums released by the end of the 1960s, this one is surely one of the most significant and prophetic in so many ways. The exploding British Jazz scene went through a rapid revolutionary movement towards independence from the American Jazz legacy, spearheading the birth of European Jazz, which would become the next evolutionary step for the Jazz Art Form. There are many reasons why Britain proved to be the most fertile ground for this quantum leap, but one of the most significant of these reasons was certainly the fact that Britain (and London in particular) became a natural harbor for immigrants arriving from all corners of the former Empire, making it the first, as we now call it, multiculti environments, amalgamating cultural influences originating from many different locations around the globe. Music, of course, would be one of the most profoundly influenced element of the British culture, to be touched by the influx of those sounds and rhythms and by the end of the 1960s World Music was alive and kicking in Britain, long before the actual term was coined. Joe Harriott, born in Jamaica and Amancio D`Silva, born in India, were just two of many prominent British Jazz musicians, who were integrated into the local scene upon their arrival in Britain and naturally put in their own cultural heritage into the amalgam, which eventually emerged as modern British Jazz. This album is a splendid example of early Jazz-World Fusion, but certainly not the first of its kind. Harriott recorded a series of brilliant and revolutionary albums with another Indian immigrant, John Mayer, in the years preceding this recording. D`Silva recorded his debut album a few months earlier, which displayed similar World-Music influences. There were many other examples telling a similar story of integration and mutual inspiration. Harriott, who is primarily hailed as one of Free Jazz pioneers / inventors displays the gentler side of his musical personality on this album. His solos are of course much more developed and free-spirited than those performed by conventional Jazz players, but he stays well within the melodic and harmonic boundaries outlined by D`Silva´s compositions. The brief standard, which features Harriott in a duet with Spring, is the only reference to Harriott´s free style abilities. D`Silva showcases his highly individual style as a guitarist, which is clearly influenced by a plethora of Indian music characteristics. His compositions, which are all exceptionally beautiful, exemplify a perfect marriage between European lyricism and harmony and Indian spirituality and rhythmic trance. This will be also heard on his later recordings, all of which are classics in their own right. Green, one of British Jazz most prolific and respected bassists, contributes his strong and steady pulsations, which keep the music well anchored and balanced. Spring, a brilliant and original player, performs some true drum magic on this album, which is both intelligent and inspired, especially in view of the rhythmic challenges and odd tempi he needs to deal with. Winstone, the absolute Diva of British Jazz, adds some lovely wordless vocals, which complete the compositions with a veil of mystery and sensuality. She participates on three of the tracks and her contribution is simply invaluable. The great Carr, who plays on just a couple of tracks, adds his superb solos, which are like gleaming jewels; something that happens every time he blows his flugelhorn. All in all this is a most welcome reissue of a monumental milestone in the British Jazz history, which should be a part of every serious record collection owned by people who truly love Jazz. Hopefully VocalionFind albums on this label will release all the other albums recorded by D`Silva at that crucial period, which are all criminally forgotten and unavailable on the market. Oliver & Michael, please!

CD 1 Remastered Recommend To A Friend

PABLO HELD ~ BUOYANCY HOPALIT 004 (Barcode: 4064832992199) ~ GERMANY ~ Jazz Recorded: 2021 Released: 2022 This is the 16th album by German pianist / composer Pablo HeldFind albums by this artist, recorded with his quartet, which includes British trumpeter Percy PursgloveFind albums by this artist and organist Kit DownesFind albums by this artist, and German drummer Leif BegerFind albums by this artist. Legendary British vocalist Norma WinstoneFind albums by this artist guests on one track, to which she also wrote the lyrics. The album presents eight tracks, five of which are original compositions by Held, one is by Berger and two are from other sources. The liner notes were written by the great British composer Michael GibbsFind albums by this artist, which makes this album even more connected to British Jazz that it is already. Held is a popular artist on the German / European scene and a prolific recording artists with eighteen albums as a leader to his credit at the time of writing, most recorded with his trio. His music is very melodic, but by far not simplistic, and he is an accomplished pianist and composer. This album presents an unusual lineup of piano and organ, trumpet and drums, which enables him to present deeply melodic vistas, which allow extensive improvisations by all the members of the quartet. The resulting sound is intriguing and highly unusual, as usual when Downes is aboard, and should be very interesting to many listeners not familiar with his playing. Overall, this is a very introvert, slow and somewhat demanding album, which offers many surprising moments and a highly unusual atmosphere, which all add to create a fascinating sonic voyage. The only pity is that Winstone is not present on more tracks, as her presence is always invaluable. This album is a great introduction to Held’s music, which hopefully more listeners will discover.

Updated: 09/08/2024Posted: 09/08/2024

CD 1 Mini-Sleeve Recommend To A Friend

HERSCH / WINSTONE / WHEELER / CLARVIS ~ 4 IN PERSPECTIVE VILLAGE LIFE 00909 (Barcode: 5037013009091) ~ UK ~ Jazz Recorded: 1999 Released: 2000 This is a beautiful and criminally little know album recorded by the quartet comprising of American pianist / composer Fred HerschFind albums by this artist and three British Jazz musicians: vocalist Diva Norma WinstoneFind albums by this artist, trumpeter Giant Kenny WheelerFind albums by this artist and highly respected drummer Paul ClarvisFind albums by this artist. It documents a live performance by the quartet recorded at St Barnabas Church in Oxford. The album presents nine tracks, four of which are original compositions by Hersch (one featuring lyrics by Winstone), one is an improvised piece credited to all four participants, one is a Wheeler composition with lyrics by Winstone and three are standards. The music is of course brilliant from start to finish. Hersch, despite his American ancestry (nobody´s perfect), was always spiritually way closer to European music than most American musicians, and as a result his music can be considered a part of the European Jazz tradition. Of course he played with Winstone and Wheeler many times before this occasion, and the mutual amity is obvious. The music ranges from straightforward classics to improvised pieces, which for me are the highlight of the proceedings. The personal performances are all superb, as expected. Winstone uses her theatrical lyrics delivery masterfully and her vocalese parts are priceless as always. Wheeler ornaments the proceeding with excellent trumpet parts. Hersch plays wonderfully and his piano parts are full of the romantic notions he is renowned for, displaying his obvious virtuosity. Clarvis, who has the toughest job here, uses his percussion instruments with grace and intelligence managing not to spoil the acoustic ambience and still be clearly heard. Overall this is a brilliant piece of music and a must in any serious British Jazz collection, especially for the many Winstone and Wheeler connoisseurs. Not easy to get hold of but definitely worth the effort. Wholeheartedly recommended!

Updated: 06/04/2019Posted: 06/04/2019

CD 1 Recommend To A Friend

LA VOCE ~ MUSIC FOR VOICES, TRUMPET AND BASS JARO 4208 (Barcode: 4006180420825) ~ GERMANY ~ Jazz-World Fusion Recorded: 1997 Released: 1997 This is the only album by the ensemble La VoceFind albums by this artist, which consists of German trumpeter Ulrich BeckerhoffFind albums by this artist and bassist Hartmut KrachtFind albums by this artist and a vocal trio: British Norma WinstoneFind albums by this artist, Brazilian Rosani ReisFind albums by this artist and Italian Giacomo di BenedettoFind albums by this artist. The album presents twelve pieces, mostly composed or co-composed by Beckerhoff with other ensemble members, with one traditional melody and two Brazilian standards. The music is an eclectic collection of Jazz-World Fusion pieces beautifully arranged for the ensemble, which balances between the vocal parts and trumpet solos, with the bass being the only rhythmic thread. The atmosphere is delicate and somewhat mysteriously lyrical, and although influenced by many World Music elements, is basically very European in its sophisticated ambience and openness. The vocalists perform an entire spectrum of vocal artistry, from superb vocal harmonies to individual vocalese outings and even a satirical version of Rap, and the album is a wonderful collection of vocal treasures, which connoisseurs of eclectic vocal Jazz performances should be delighted with. Beckerhoff´s trumpet playing is somewhat similar to Kenny WheelerFind albums by this artist´s artistry and therefore the pieces that feature duets between him and Norma Winstone have a familiar resonance to them. Kracht does a truly remarkable job keeping the entire performance in check rhythmically and his round and fully-bodied bass pulsations are a true fundament upon which the music rests. Overall this is a beautiful, unique and sadly little know project, which still sounds fresh and meaningful over twenty years after it was recorded, and will surely withstand the tides of time successfully in the future. Wholeheartedly recommended and if you can get it, grab a copy!

Updated: 10/12/2018Posted: 10/12/2018

CD 1 Recommend To A Friend

CHRIS LAURENCE ~ NEW VIEW BASHO 18 (Barcode: 832929001826) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006 Bassist Chris LaurenceFind albums by this artist has been one of the great "silent" heroes of the British Jazz scene for decades, providing his exquisitely solid, yet delicate and always sophisticated bass lines to countless Jazz albums, including many of the pivotal recordings of the late 1960s / early 1970s, which revolutionized European Jazz and emancipated it for the overwhelming stylistic and conceptual US supremacy. But his genius is also recognized and respected beyond the Jazz field, and he has an active career both as a Classical player and studio musician in the Pop / Rock world, where he contributed his talent playing behind some of the biggest names in the music business. And yet, for all these years, Laurence never recorded as a leader, something that has been finally remedied by this superb release. For this session he opted for an intimate setting of a piano-less quartet, which includes yet another "silent" hero and a veteran of the British Jazz scene – vibraphonist / percussionist Frank RicottiFind albums by this artist, who also participated in countless pivotal recordings, sometimes alongside Laurence. Sadly both Laurence and Ricotti have never really received the proper recognition for the enormous contribution they both made to the British Jazz, with books and on-line sources mentioning them mostly in-passing. Hopefully this will be remedied sometime in the near feature (and before obituaries need to be written). But back to the music; Ricotti´s vibraphone is the ideal companion to Laurence´s bass playing and sets the tone to the laid-back, delicate and slightly melancholic atmosphere that underlines this album´s overall feel. The two other members of the quartet are no strangers, as they have recorded with Laurence before, both being representatives of the second generation of British Jazz heroes: guitarist John ParricelliFind albums by this artist and drummer Martin FranceFind albums by this artist. Parricelli plays both electric and acoustic guitars and his playing on this album is actually the best I´ve heard so far, even superior to the performances on his solo recordings. His licks ornament the music, using just the precise amount of notes needed, leaving flashy excursions aside, which is exactly what is appropriate here. France does a splendid job keeping everything together rhythmically; again exactly what a great drummer needs to do first and foremost. It goes beyond saying that Laurence´s bass lines are a delight from start to finish, which is only to be expected and Ricotti´s vibraphone performance matches the (unfortunately very few) Masters of that beautiful instrument. The music chosen comes from the songbooks of great British Jazz composers, with whom Laurence recorded in the past, like Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist, John SurmanFind albums by this artist and John TaylorFind albums by this artist. Fellow US musicans – Steve SwallowFind albums by this artist and Andy LaverneFind albums by this artist - also get their share and even one Joni MitchellFind albums by this artist tune is included (Joni´s close ties with the Jazz world are obvious). If all this is not enough, there is also a cherry on top of the proverbial cake: the divine Norma WinstoneFind albums by this artist adds her sublime (as usual) vocals to a couple of the tunes, another gesture of gratitude for the sake of old times. So, please, buy this album and by doing so you will not only get some superb music, but you will pay some long-overdue tribute to this man´s talents and his life-long dedication to the music we love!

Updated: 30/05/2025Posted:

CD 1 Digipak Recommend To A Friend

PHIL MINTON / VERYAN WESTON ~ SONGS FROM A PRISON DIARY LEO 196 (Barcode: 5024792019625) ~ UK ~ Avant-Garde Jazz-Classical Fusion Recorded: 1991 Released: 1993 This is a criminally little known album by two distinguished British Jazz heroes, vocalist / composer Phil MintonFind albums by this artist and pianist / composer Veryan WestonFind albums by this artist. It presents a brilliant Avant-Garde Jazz cantata for solo voice, choir, piano and percussion, co-composed by Minton and Weston, with lyrics based on poems written in 1943 by Vietnamese leader and statesman Ho Chi MinhFind albums by this artist while he was imprisoned by the Chinese. The music was recorded live at the Church of Saint Paul in Strasbourg with Minton performing the solo vocal parts, Weston playing the piano and Gary HammondFind albums by this artist playing the percussion. The twenty four piece choir called Voices From SomewhereFind albums by this artist, conducted by Mike RaffertyFind albums by this artist, includes British and French singers, among them such renowned Jazz vocalists like Norma WinstoneFind albums by this artist and Maggie NicolsFind albums by this artist. The cantata is divided into eighteen tracks, eight of which are solo / duo / trio unaccompanied vocal improvisations. The music is a wondrous amalgam of Avant-Garde vocal music, Jazz improvisation, choral Church music, Jazz & Poetry and a myriad other idioms, fused together into a powerful statement, that keeps the listener on his toes from start to finish. As much as it is innovative and extraordinary in its approach, at the same time it is deeply rooted in European sacral music, which comes up to the surface from time to time. For people interested in vocal improvised music, this album is a true revelation of course and the solo vocal improvisations are absolutely stunning. But there is also the wonderful singing by Minton, which might be familiar to some listeners from his work with Mike WestbrookFind albums by this artist, the majestic choir parts and the instrumental parts by Weston and Hammond, all performed with obvious devotion and talent. It took me a while to get hold of a copy of this album and a web search amounted to very little artistic assessment of this masterpiece (except for a raving review by Thom JurekFind albums by this artist), which prompted me to write about this album, simply to expose some more people to its importance and beauty. With so much appalling "music" around us these days, taking a glance at forgotten gems is at least a partial solace. For people who are open to musical adventures, this is definitely a way to go. Do yourself a favor a grab a copy, put it in a player and enjoy an interstellar ride into the unknown. This music sounds at times somewhat like the fabulous music by György LigetiFind albums by this artist, which is used in the "2001: A Space Odyssey" soundtrack, so it is definitely appropriate such a journey ;)

Updated: 18/04/2019Posted: 18/04/2019

CD 1 Recommend To A Friend

NEW JAZZ ORCHESTRA / NEIL ARDLEY GROUP ~ BBC SESSIONS 1968-1970 RHYTHM AND BLUES 101 (Barcode: 5060331753834) ~ UK ~ Big Band Jazz Recorded: 1968 - 1970 Released: 2024 This is an archival album, which presents recordings by two Orchestral Jazz ensembles, both led by the brilliant pianist / composer / arranger / bandleader Neil ArdleyFind albums by this artist. The album presents fourteen tracks, six by the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), recorded in 1968 and eight by the Neil Ardley GroupFind albums by this artist, recorded in 1970. Five of the NJO tracks appear in a studio version on their 2nd studio album “Le Dejeuner Sur L`herbeFind albums with this title”. The first seven of the Neil Ardley Group tracks, which were composed by pianist / composer Mike TaylorFind albums by this artist and are a song cycle / Jazz & Poetry suite, were sadly never recorded in the studio and released on an album. Taylor tragically died just a few months before this music was recorded. The lineup of these two ensembles reads like a Who’s Who of the British Jazz at the end of the 1960s, some still very young at the time, but already experienced musicians, who were going to shape the British Jazz scene in the decades to come. The NJO lineup includes Ardley as the leader / conductor, trumpeters Derek WatkinsFind albums by this artist, Henry LowtherFind albums by this artist and Ian CarrFind albums by this artist, saxophonists Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Barbara ThompsonFind albums by this artist, trombonists Chris PyneFind albums by this artist, Robin GardnerFind albums by this artist and Michael GibbsFind albums by this artist, tuba player George SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist. The Neil Ardley Group lineup includes Ardley on piano, vocalist Norma WinstoneFind albums by this artist, Carr, Gelly, Thompson, Ricotti, bassist Chris LaurenceFind albums by this artist and drummer Mike TravisFind albums by this artist. I rest my case… The music, as expected, is absolutely sensational and reflects the vibrancy and ingenuity of the British Jazz scene at this pivotal period, when the modern British Jazz idiom was molded for decades to come. The specific idiosyncrasies and “Britishness” of the new epoch is simply encapsulated in every note played here. It is also a superb display of the individual talents of these magnificent musicians, those who are still with us and sadly those who departed, like Thompson and Hiseman, who met as members of the NJO and created one of the British Jazz “power couples” or Ardley and Carr, whose giant talents are deeply missed. Overall, this is an absolute must have album for every British Jazz collector, especially in view of the fact that some of the music captured herein is not available anywhere else. For the cognoscenti, the album offers endless hints and interconnections, like a sensational version of the song “Jumping Off The Sun”, which became an anthem for the legendary ColosseumFind albums by this artist, which was founded by Hiseman and Heckstall-Smith, and included Reeves and Thompson, and so on…

Updated: 22/09/2024Posted: 21/09/2024

CD 1 Recommend To A Friend

THIERRY PEALA ~ INNER TRACES NAIVE 3298492261024 (Barcode: 3298492261024) ~ FRANCE ~ Jazz Recorded: 2000 Released: 2000 This is the debut album by French Jazz vocalist Thierry PealaFind albums by this artist. Subtitled “A Kenny Wheeler Songbook”, it presents twelve compositions by British trumpeter / composer Kenny WheelerFind albums by this artist, with lyrics by various lyricist, including British Diva Norma WinstoneFind albums by this artist, who also sings duets with Peala on four tracks. Other musicians include French pianist Bruno AngeliniFind albums by this artist, Italian bassist Riccardo Del FraFind albums by this artist, drummers British Steve ArguellesFind albums by this artist and French Christophe MarguetFind albums by this artist, and finally the Maestro Wheeler himself on trumpet. The music is absolutely delightful from start to finish, which is hardly surprising, and showcases a lesser known facet of Wheeler’s work as a composer of songs, rather than instrumental music. The album is completely unknown to most Wheeler followers and does not appear in Wheeler’s discographies (and Norma Winstone’s discographies as well), which I am familiar with. I stumbled upon it quite accidentally and thanks God I did, as it is an outright marvel. Of course the Wheeler’s compositions are all wonderful, but the vocal interpretations by Peala are also brilliant, as is the instrumental work by all participants. Wheeler plays on ten tracks, as usual stunningly, including some overdubbed duets with himself. Del Fra’s superb bass playing is second to none and Angelini proves to be a highly sensitive accompanist. In short, this is a breathtaking album in every respect, and the fact that I was not aware of it is a travesty, now finally amended. And yes, there is the French accent (all the lyrics are in English), which normally could be an issue, bus somehow in this case this is a charming effect to the whole affair. Overall, this is a sublime album of modern vocal Jazz, beautifully sung and played by the Master musicians, and an important, albeit almost completely hidden, part of Wheeler’s recorded legacy. Of course it is a must for every Wheeler’s records collector, which probably is not that easy to find by now. A truly delightful, heart melting piece of music!

Updated: 14/08/2024Posted: 14/08/2024

CD 1 Recommend To A Friend

PRINTMAKERS ~ WESTERLY BASHO 46 (Barcode: 832929004629) ~ UK ~ Jazz Recorded: 2013 Released: 2015 This is a beautiful debut album by the British Jazz ensemble The PrintmakersFind albums by this artist, which comprises of top Jazz musicians spanning several generations: the wonderful vocalist / lyricist Norma WinstoneFind albums by this artist, pianist / composer Nikki IlesFind albums by this artist, saxophonist Mark LockheartFind albums by this artist, guitarist Mike WalkerFind albums by this artist, bassist Steve WattsFind albums by this artist and drummer James MaddrenFind albums by this artist. The album presents ten tunes, three of which were composed by Iles with lyrics by Winstone, two with music by Ralph TownerFind albums by this artist and lyrics by Winstone, one tune each composed by John TaylorFind albums by this artist and Iles, both without lyrics, a song by Steve SwallowFind albums by this artist and finally two are the ensemble´s interpretations of familiar Pop songs, one each by Paul SimonFind albums by this artist and Joni MitchellFind albums by this artist. The music was recorded live in a room of a country house and offers superb sound quality. The album is dedicated to the memory of the great Kenny WheelerFind albums by this artist. The music is everything one might expect from this formidable lineup: superb vocals and excellent playing from start to finish, elegant, somewhat restrained and always exactly with the right dose of emotional involvement and professional musicality. There is an obvious affinity and respect between the participants and a harmonious teamwork, which truly pays off. On the two tunes that do not feature lyrics, Winstone performs her fabulous vocalese parts, which are her trademark since many years. There is plenty of opportunity for great solo parts by Lockheart, Iles and Walker, and the rhythm section keeps the music flowing gently but precisely in time and in perfect harmony. Although the entire album is characterized by a relaxed, calm atmosphere, the music is rich and full of intrinsic vitality. Stylistically one might consider this to be "mainstream Jazz", but this music has absolutely nothing in common with the American version of mainstream Jazz, which of course is all for the best. It is great to see Winstone active and at full power, as if for her time is standing absolutely still. Having enjoyed her work for five decades, I can say that her music making is a safe heaven of good taste and aesthetic excellence, one of a very few of such kind. This album is relatively little known by Jazz connoisseurs, and therefore it is wholeheartedly recommended to all true music lovers and British Jazz enthusiasts to grab a copy as long as it is still in circulation.

Updated: 29/05/2018Posted: 29/05/2018

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RUNSWICK / HYMAS ~ BIG BANDS 1974-78 ASC 175 (Barcode: 0712396065340) ~ UK ~ Big Band Jazz Recorded: 1974 - 1978 Released: 2019 This is a phenomenal and completely obscure archival album by British Jazz musicians: bassist / composer Daryl RunswickFind albums by this artist and keyboardist / composer Tony HymasFind albums by this artist. The album presents two recordings (details below), both in a Big Band format, which include the crème de la crème of the British Jazz scene active in the 1970s, including vocalist Norma WinstoneFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Don RendellFind albums by this artist and Tony CoeFind albums by this artist, trombonist Chris PyneFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummers Spike WellsFind albums by this artist and Tony CarrFind albums by this artist and many others. The sound quality of this material is truly sensational. The first project is the Tony Hymans – Daryl Runswick Big Band, captured live in 1974, performing four original compositions, one by Hymans and three by Runswick. The music is typical of the era, and similar to other Big Band projects from that time, like those by Mike WestbrookFind albums by this artist or Michael GibbsFind albums by this artist. The second project is an unreleased studio album “Señor Funk”, conceived by Denis PrestonFind albums by this artist and recorded at the legendary Lansdowne Studios in 1978. It presents six tracks, three composed by Runswick, one each by Tony Coe and John TaylorFind albums by this artist and one standard, all arranged by Runswick. Hymans was not a part of this project. As the album’s title suggests, it was supposed to be somewhat Latin Music oriented, which it indeed is, but it also remains very much British Jazz at its core. The level of composition and performance is everything one might expect from these sublime musicians, and the album is a great exposure to the previously unreleased music from this Golden era of British Jazz. Overall, this is a wonderful discovery and joy to be able to hear this great music, and for the British Jazz fans a great opportunity to hear again many of the heroes of that period. A must in every serious British Jazz collection!

Updated: 18/04/2025Posted: 18/04/2025

CD 1 Digipak Remastered Recommend To A Friend

SCHMOLLING / ARTHURS / KUHNE ~ TICHO UNIT 4551 (Barcode: 7640114795510) ~ GERMANY ~ Jazz Recorded: 2013 Released: 2014 This is a brilliant debut album by a trio consisting of German pianist / composer Marc SchmollingFind albums by this artist (a son of Czech poetess Inka MachulkovaFind albums by this artist), female vocalist Almut KuhneFind albums by this artist and British trumpeter Tom ArthursFind albums by this artist. The eight pieces (one composition is repeated twice as the opening and closing track of the album) are based on pre-composed themes, which are then freely improvised upon by the trio members. The unique piano / trumpet / vocals lineup invokes an immediate associative comparison to the legendary British trio AzimuthFind albums by this artist (John TaylorFind albums by this artist, Kenny WheelerFind albums by this artist, Norma WinstoneFind albums by this artist), and some similarities are of course detectable, but this album is much more oriented towards the Free Jazz / Improvised Music openness, whereas Azimuth, as revolutionary and amazing as it was at the time, was overall much more melodic and structured in form. All three individual contributors are first class musicians of course: Schmolling plays delicately and lyrically, Arthurs is simply brilliant with an incredible technique and extraordinary sensitivity, emerging as one of the top British contemporary trumpeters and Kuhne is a sensational surprise, with stunning vocal abilities combining the powers of modern female Jazz vocal Divas, like Julie TippettsFind albums by this artist, Norma Winstone, Jeanne LeeFind albums by this artist, Lauren NewtonFind albums by this artist and others. She is definitely worth watching very carefully in the future. The trio works also perfectly as a unit; Arthurs and Kuhne converse fiercely, exchanging vocal and trumpet phrases like never heard before, while Schmolling keeps the music in control with his guiding chords. The overall ensemble result is simply breathtaking. This is a kind of music that combines the free spirit with the essence of European culture, often based on reserve and intrinsic discipline. Overall this is a excellent piece of music, which holds new surprises with every time it is played, full of wonderful aesthetics and urgency to discover, an example of ambitious creation that works out perfectly and in spite of its intimacy creates a whole universe of sounds and feelings. It is great to see that intelligent music is still being made in our cultural void, which of course keeps those, who are open enough to listen to it, resistant to the brainlessness out there. Wholeheartedly recommended!

Updated: 26/04/2016Posted: 26/04/2016

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SCOTTISH NATIONAL JAZZ ORCHESTRA ~ SWEET SISTER SUITE SPARTACUS 026 (Barcode: 880992150637) ~ UK ~ Big Band Jazz Recorded: 2017 Released: 2018 This is a criminally little known British Jazz gem, an eight-parts suite composed and arranged by the brilliant Kenny WheelerFind albums by this artist, commissioned in 1996 by the Scottish National Jazz OrchestraFind albums by this artist (SNJOFind albums by this artist) directed by saxophonist / composer Tommy SmithFind albums by this artist. The suite was recorded only in 2017, three years after Wheeler’s departure, by the seventeen members of the SNJO and two guest soloists: trumpeter Laura JurdFind albums by this artist and Greek vocalist Irini ArabatziFind albums by this artist. The music is absolutely stunning, as expected, a classic Wheeler piece of Art and a brilliant example of his extended orchestral works. Performed splendidly by the SNJO members and the two guests, the music flows flawlessly between the suite parts, always perfectly balanced and elegant. This album adds yet another splendid piece of Wheeler’s composed works to the long list of his orchestral Jazz masterpieces. The wonderful touch of adding vocalese to the Big Band arrangements, which in many cases were executed by the divine Norma WinstoneFind albums by this artist, are superbly done here by the young Arabatzi, who is definitely worth keeping an eye (well, ear) on. The trumpet soli by Jurd are also excellent, and bear a certain nostalgic similarity to Wheeler’s tone. She is also definitely worth following. Overall, this album is a must to all British Jazz lovers, Kenny Wheeler fans and orchestral Jazz enthusiasts, offering some of the absolutely stunning modern British Jazz out there. The fact that this music was recorded over twenty years after Wheeler submitted it to the SNJO, is a sad reminder of twisted fate of British Jazz, but “better late than never” is perfectly right in this case, as it would have been criminal for this music to disappear unrecorded. Grab a copy while they last!

Updated: 11/02/2023Posted: 11/02/2023

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JOHN TAYLOR ~ 2081 CAM JAZZ 7889 (Barcode: 8052405141699) ~ UK ~ Jazz Recorded: 2014 Released: 2015 This is the last album by British pianist / composer John TaylorFind albums by this artist, recorded just a few months before his untimely passing. The recording was done in a quartet setting with two of Taylor´s sons: vocalist Alex TaylorFind albums by this artist and drummer Leo TaylorFind albums by this artist and tuba player Oren MarshallFind albums by this artist. The album presents six songs, all composed by John Taylor with lyrics by Alex Taylor, except one which has lyrics by John. The album´s title refers to a story by Kurt VonnegutFind albums by this artist, whose writings were a great inspiration for John Taylor. The music was originally commissioned by the BBC in 2012 for an octet, but nor recorded at the time, rearranged her for the quartet setting. This music and the ambience of this album are completely different from most other recordings by Taylor and might come as a great surprise to his followers. The lineup is basically a piano trio with the bass replaced by the tuba, not unheard of but certainly quite unusual and requires getting used to. The vocal parts are limited and as a result most of the music is performed by the trio. Stylistically the music is very much in the usual John Taylor mold, full of beautiful melodies and lyricism, but the presence of the tuba and somewhat more Rock than Jazz oriented drumming contribute to create an unusual sound and ambience. Vocals are of course a part of Taylor´s legacy from the early days and his cooperation with Norma WinstoneFind albums by this artist and other vocalist attests to this wonderfully. Alex Taylor handles his parts with obvious heartfelt emotions and vocal ability. Marshall plays the "bass" part brilliantly, but also adds melodic phrases and occasionally solos splendidly. Taylors piano playing, which is as always the focus of the entire album, is of course as brilliant as always. Overall this is another brilliant addition to Taylor´s recording legacy and the participation of his sons symbolized the passing of the torch to the next generation, although definitely way too prematurely. This album is a must to all his followers and obviously a worthy addition to any British Jazz collection.

Updated: 23/10/2020Posted: 23/10/2020

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JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

BARBARA THOMPSON ~ FIRST LIGHT JAZZ IN BRITAIN 54 (Barcode: 5060774190524) ~ UK ~ Jazz Recorded: 1971 - 1972 Released: 2023 This is an album collecting three archival live recordings / radio broadcasts by the late British Jazz saxophonist / composer / bandleader Barbara ThompsonFind albums by this artist, which present her in various settings with the crème de la crème of the British Jazz musicians active in the early 1970s. As a result, it is a companion album to the tremendous 14CD Box Set “Live At The BBCFind albums with this title” by Barbara Thompson, released in 2020 by RepertoireFind albums on this label Records, offering material uncovered after the Box Set was released. This album, released by the Jazz In BritainFind albums on this label label, is a completely non-commercial release, with all profits from the album going to the Cure Parkinson’s Trust, a moving gesture by all the people involved, including Barbara’s and Jon HisemanFind albums by this artist’s daughter Ana GraceyFind albums by this artist and Jazz In Britain founder John ThurlowFind albums by this artist. We all still mourn Barbara’s and Jon’s untimely departures of course. The first two tracks present the Group EFind albums by this artist, which comprised of (in addition to Barbara) vocalist Pepi LemerFind albums by this artist, pianist Peter LemerFind albums by this artist, bassist Johnny DyaniFind albums by this artist and drummer Laurie AllanFind albums by this artist. The music is Avant-Garde Jazz, with superb vocal parts by Lemer, who sadly is often forgotten, but was one of the most interesting Jazz vocalist of the period. The next three tracks present a suite for a Big Band, called “The Awakening”, co-composed by Barbara and Jon. The band features a dreamy lineup of eleven instrumentalists and a vocalist – no other than my beloved Norma WinstoneFind albums by this artist – which reads like a Who’s Who of the modern British Jazz and is conducted by Neil ArdleyFind albums by this artist. The players are: trumpeters Ian HamerFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Don RendellFind albums by this artist and Barbara Thompson, cellist Charles TunnellFind albums by this artist, pianist Howard RileyFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jon Hiseman. The music is absolutely brilliant and very typical of the Big Band recordings recorded at the time by Neil Ardley, Mike WestbrookFind albums by this artist and others. The vocal parts by Winstone are, not surprisingly, my favorite jewels, but the entire suite is simply divine and the fact it was discovered and now released is no less than sensational. The last five tracks are by Barbara’s group JubiabaFind albums by this artist, which comprised of (in addition to Barbara) trumpeters George ChisholmFind albums by this artist and Ian CarrFind albums by this artist, Wadsworth, Le Sage, Peter Lemer, bassist Roy BabbingtonFind albums by this artist, drummer Martin DrewFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. It presents the early version of the band, which was essentially dedicated to combining Jazz with World Music influences, mostly Latin. As far as I am aware, this is the earliest recordings by Jubiaba captured on tape. Overall, this is an absolute jewel from start to finish and an absolute must to all British Jazz enthusiasts, and in retrospect one of the most surprising and important releases by the Jazz In Britain label so far. The Big Band piece alone is a beacon symbolizing the birth of the modern British Jazz, with everything it stands for: ingenuity, originality, groundbreaking musical thinking and enormous talent. Hats off to everybody involved!

Updated: 26/07/2023Posted: 26/07/2023

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COLIN TOWNS ~ DREAMING MAN WITH BLUE SUEDE SHOES PROVOCATEUR 1017 (Barcode: 5038491000013) ~ UK ~ Jazz-Classical Fusion Recorded: 1997 - 1998 Released: 1999 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist is a true Renaissance musician, active in many different fields of musical activity. Extremely prolific, his accumulated body of work as a composer includes a vast number of highly regarded scores for cinema and television as well as Jazz compositions, mostly for the big band format. In 1996 Towns founded his own record label, called ProvocateurFind albums on this label Records, which is his main outlet to present his Jazz-oriented work and which in time firmly established a position of one of the most prestigious and interesting European record labels. His main vehicle for recording Jazz is his ensemble called Mask OrchestraFind albums by this artist, but he also works closely with the excellent German NDR Big BandFind albums by this artist in Hamburg. In retrospect I’d say that Towns’ work provides the perfect bridge (or the missing link) between the golden age of British Jazz in the late 1960s / 1970s and today. This is reflected by many aspects of his music, such as his complete disregard of normative mainstream Jazz forms, his constant effort to innovate and cover new ground and even by the fact that his ensembles include some of the legendary players of the golden age as well as representatives of the second and third generation of British Jazz musicians. This stunning album presents Towns and his work at their full glory. It is an extended piece, similar to the symphonic suite form established in Classical Music, which can be considered as a Symphonic Jazz suite. Towns expands his Mask Orchestra into a 70-piece orchestra, which he calls Mask SymphonicFind albums by this artist, using the Jazz big band and an adding an entire symphonic orchestra. In complete contrast to several previous attempts of this nature, in this case the entire orchestra functions as a completely integrated and organic musical body rather than Jazz vs. Classical ensembles, which completely fail to complement each other. The music is simply magnificent, deeply melodic and highly intelligent, with sublime arrangements and perfect atmospheric treatment, flowing seamlessly from one theme to the next, and when the album reaches its end the listener is left lingering with a strong desire for more. Towns uses the entire palette at the disposal of a composer, both the orchestral and instrumental solo parts and in this case also vocal parts, beautifully performed by the divine Norma WinstoneFind albums by this artist and Italian singer Maria Pia De VitoFind albums by this artist. The players include such veteran lions as Henry LowtherFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Frank RicottiFind albums by this artist (percussion), but all of the performers are truly first class. In short this is an exhilarating musical experience of deep significance and lasting cultural value. Essential!

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COLIN TOWNS / MARIA PIA DE VITO ~ STILL LIFE PROVOCATEUR 1015 (Barcode: 5019148619420) ~ UK ~ Jazz Recorded: 1998 Released: 1998 British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is most commonly associated with his work for and with Jazz big bands, like his Mask OrchestraFind albums by this artist or the German NDR Big BandFind albums by this artist, but this album presents a different aspect of his work. Towns wrote ten intriguing compositions, of which nine are “songs” (i.e. include lyrics also written by him) and the entire cycle is preformed by an instrumental quintet (called not surprisingly Mask QuintetFind albums by this artist), fronted by the gorgeous Italian vocalist Maria Pia De Vito. The quintet members include, in addition to Towns who plays keyboards, some of his regular cohorts and members of his ensembles: saxophonist Julian ArgüellesFind albums by this artist, guitarist John ParricelliFind albums by this artist, bassist Dudley PhillipsFind albums by this artist and drummer Ralph SalminsFind albums by this artist. For lovers of modern vocal Jazz this album is a Godsend, as it presents a whole new outlook on the art of writing for vocals as well as vocal approach, rather than trying to use yet again some of the vocal Jazz standards, which often have been already abused to death. These are beautiful, intricate and highly intelligent compositions, using a wide palette of Jazz compositional structures, incorporating some World Music influences. De Vito performs these splendid songs with grace, deep musicality and unprecedented open-mindedness, creating a truly magnificent offering. Her crystal-clear voice, incredible range and above all sensitivity assure her position as one of the most important contemporary Jazz vocalists. Of course the instrumentalists accompanying her also contribute to this album’s success, playing impeccably and delicately not to overshadow her vocal parts. Towns’ cooperation with De Vito goes hand in hand with his work with the legendary British singer Norma WinstoneFind albums by this artist, as documented on other ProvocateurFind albums on this label Records releases. In many respects De Vito could be considered as an admirable younger “sister” of Norma’s, both of them sharing rare qualities and individual approach to Jazz vocals, which is extremely rare. The album is quite an experience and I had an absolutely marvelous time listening to it, surprised time and time again both by the music and the execution. I dare everybody to try it!

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UNIVERSITY OF TORONTO JAZZ ORCHESTRA ~ SWEET RUBY SUITE NOT ON LABEL ~ CANADA ~ Jazz Recorded: 2016 Released: 2016 This is a lovely album recorded by the University Of Toronto Jazz OrchestraFind albums by this artist directed by Gordon FooteFind albums by this artist and featuring two guest stars: the British vocalist Norma WinstoneFind albums by this artist and American saxophonist Dave LiebmanFind albums by this artist. The album is a tribute to trumpeter / composer Kenny WheelerFind albums by this artist, who although associated with British / European Jazz, was born in Canada and left for Britain in 1952 when he was just 22 years old. The album presents four compositions, all by Wheeler and with lyrics by Winstone, including the title piece, which lasts almost half an hour and which Wheeler first recorded with the Canadian Maritime Jazz OrchestraFind albums by this artist in 2002. Wheeler´s music is of course irresistible and when combined with a fine orchestra, Winstone´s vocal performances and Liebman´s saxophone pyrotechnics, the album is a most pleasant listening experience. The orchestra, although consisting of students of the Faculty of Music of the University, performs splendidly, including the soloing by some of the orchestra members. It is perhaps less polished and biting than other orchestras involving experienced Jazz veterans, especially so in Europe, but all thing considers there is nothing wrong with the way they perform the music and overall they stand up to the challenge with shining colors. Winstone, as usual, delivers heartfelt and musically thrilling vocal parts, which are always a true honey on the ears. She is probably the most reliable Jazz vocalist ever and in the span of the last five decades I have never heard her sing anything less than perfect. Liebman, as expected, also delivers what he does best; wonderfully structured and devilishly complex soprano saxophone solos, which beautifully ornament and enrich the proceedings. The album was released in a very modest packaging and it seems that it is not commercially available, which is a great pity as it truly deserves to be heard by as many Jazz connoisseurs as possible. If you can find it – grab it ASAP before it will become nowhere to be found. Wholeheartedly recommended!

Updated: 23/06/2018Posted: 23/06/2018

CD 1 Mini-Sleeve Recommend To A Friend

ERIC VAN DER WESTEN / QUADRANT ~ IT IS WHAT IT IS EWM 75077 (Barcode: 608917507720) ~ NETHERLANDS ~ Jazz Recorded: 1995 Released: 2000 This is a wonderful and little known album by Dutch bassist / composer Eric van der WestenFind albums by this artist and his ensemble QuadrantFind albums by this artist, which also includes Belgian saxophonist Erwin VannFind albums by this artist, Dutch pianist Jeroen van VlietFind albums by this artist and Belgian drummer Dre PallemaertsFind albums by this artist, and features the British Jazz vocalist / lyricist Norma WinstoneFind albums by this artist. The album presents eight original compositions, four by van der Westen, three by Vann and one by van Vliet, five of which feature lyrics by Winstone. The music is typical modern European Jazz, full of lyricism and delicate romanticism, beautiful melody lines and enough freedom to allow the musicians to express their individuality. There is a whole tapestry of compositional / harmonic tools and vistas throughout the album, which keeps the listener on his toes at all times. It certainly requires several listening sessions to penetrate the external layers and enjoy the intimacy this music offers. Winstone masterly and beautifully alternates between singing lyrics and delivering wordless vocalese parts, both being nothing short of phenomenal. Within the ensemble she is treated as another "instrument" and assumes equal responsibility for the result. Her sensitive and sublimely delicate duets with the bassist are a true honey on the ears. Winstone´s role as a lyricist is criminally underappreciated and a comprehensive look at her career clearly shows that her work as a lyricist deserves as much praise as her singing. The quartet plays splendidly, which is only to be expected from musicians of this class. The leader is a sensitive accompanist but is also is able to point the way in the more dynamic parts, the saxophonist delivers heartfelt and fiery solos and the rhythm section is right on both in the fragile quiet moments and in full blast crescendos. Overall this is a brilliant European Jazz album, which deserves to be heard by all true connoisseurs, in order to appreciate another hidden treasure of Winstone´s tremendous legacy, as much as a splendid quartet and excellent original music. Although the music was recorded over two decades ago, it lost absolutely nothing of its freshness and originality. Wholeheartedly recommended and worth seeking out as it is still available.

Updated: 17/06/2018Posted: 17/06/2018

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ERWIN VANN ~ WORLDS J.A.S. (Barcode: 5425001210039) ~ BELGIUM ~ Jazz-World Fusion Recorded: 1995 - 1998 Released: 1998 This is an album by Belgian Jazz saxophonist / composer Erwin VannFind albums by this artist recorded with a superb international team which includes British vocalist Norma WinstoneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, Belgian keyboardist Michel HerrFind albums by this artist and drummer Dre PallemaertsFind albums by this artist, American guitarist Pete McCannFind albums by this artist and bassist Lindsey HornerFind albums by this artist, a couple of percussionists, a string quartet and a choir. The album presents eight original compositions, all by Vann, four of which feature lyrics written by Winstone. The music is beautifully melodic modern European Jazz, with obvious British Jazz tinge (well, Wheeler & Winstone) and World-Music influence, superbly arranged using the entire wealth of the instruments, string quartet and choir, but allowing the sublime vocal parts by Winstone to be clearly heard and undisturbed by the intense instrumental and vocal backing. Her vocals are, as always mesmerizing and deeply moving, which of course hardly surprising. The instrumental work is stunning and Wheeler gets extensive soloing parts, where his trumpet magic to be distinctly heard, and which turns this album into an absolute gem, sadly little known to his many followers. Vann also plays superbly and his melancholic / lyrical solo parts are all excellently fitted to the context. The rhythm section supports the soloists with grace and precision, without being obtrusive and the percussionists ornament the proceedings with an exotic feel, again subtly and delicately in order to allow the listener focus on the soli. The album offers over an hour of diverse and intense musical experience, which requires attentive listening but is not overbearing at any time and flows smoothly from one tune to another. Most of the compositions are slow and contemplative, with a reflective mood, which takes the listener on a dreamy musical journey of exploration. Overall this is wonder album, full of superb compositions and extraordinary performances, which is criminally little known to European Jazz connoisseurs and deserves to be re-discovered a quarter of a Century after it was created. For Wheeler and Winstone fans this is an absolute must have of course. Wholeheartedly recommended!

Updated: 07/08/2020Posted: 07/08/2020

CD 1 Digipak Recommend To A Friend

VARIOUS ARTISTS ~ TURTLE RECORDS: PIONEERING BRITISH JAZZ 1970-1971 RPM 528 (Barcode: 5013929552807) ~ UK ~ Jazz Recorded: 1970 - 1971 Released: 2015 This is a phenomenal Box Set including the reissues of all three albums released by the legendary British TurtleFind albums on this label label, owned by producer Peter EdenFind albums by this artist, who besides owning the label was also responsible for producing a long list of revolutionary British Jazz albums, which are all classics today and which document the extraordinary explosion of creativity and talent that transformed British Jazz into a new idiom, emancipated from the American Jazz tradition, proudly stepping into a new dimension, which spread rapidly to the European Continent giving birth to European Jazz. Eden´s productions included albums by such pioneering Jazz musicians like Mike WestbrookFind albums by this artist, John SurmanFind albums by this artist, Alan SkidmoreFind albums by this artist, Michael GibbsFind albums by this artist, Norma WinstoneFind albums by this artist and others, as well as no less pioneering Rock / Prog musicians. Most of his productions were originally released on the DawnFind albums on this label and DeramFind albums on this label labels. The three albums included in this Box Set are: "OutbackFind albums with this title" by Mike OsborneFind albums by this artist, "FlightFind albums with this title" by Howard RileyFind albums by this artist and "Pause, And Think AgainFind albums with this title" by John Taylor.Find albums by this artist To read the reviews of these albums please click on their titles. The set also includes a fabulous book "The Turtle Records Story" by Colin HarperFind albums by this artist, which is an excellently written and researched account of Eden´s activity at the time, and which includes may interviews with musicians involved and photographs taken at the time, in short a superb piece of British Jazz history. This is a splendid example of what writing about music is all about. I can hardly imagine a more important document of the pivotal period of the British Jazz than this Box Set. The music is still shockingly expressive, losing nothing of its power and farsightedness over time, the production is exemplary and the listening experience exhilarating. Anybody interested in Jazz who does not own the original LPs should of course get this Box Set ASAP, since not knowing this music is simply criminal. Unless of course someone prefers to listen to the insanely boring American mainstream…

Updated: 26/01/2019Posted: 20/05/2016

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

DICK WALTER / JAZZCRAFT ENSEMBLE ~ SECRET MOVES ASC 029 (Barcode: 5029716002929) ~ UK ~ Jazz Recorded: 1998 Released: 1999 This is a wonderful and criminally little known album by the British composer / arranger Dick WalterFind albums by this artist recorded with the Jazzcraft EnsembleFind albums by this artist, a gathering of eleven top British Jazz musicians and five guest stars, which collectively read like the who´s who of British Jazz at the closure of the previous Millennium. The ensemble, conducted by Walter, included trumpeter Derek WatkinsFind albums by this artist, flugelhornist Henry LowtherFind albums by this artist, French horn player Richard BissillFind albums by this artist, valve trombonist Pete BeachillFind albums by this artist, tuba player Oren MarshallFind albums by this artist, saxophonists Phil ToddFind albums by this artist, Steve BuckleyFind albums by this artist and Iain DixonFind albums by this artist, pianist Nikki IlesFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Paul ClarvisFind albums by this artist. The guests were: vocalist Norma WinstoneFind albums by this artist, flautist Stan SultzmannFind albums by this artist, baritone saxophonist Alan BarnesFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist and finally guitarist John ParricelliFind albums by this artist. The album presents fifteen relatively short pieces, five of which are original compositions by Walter and the rest are carefully selected Jazz standards and one BeatlesFind albums by this artist song, all exquisitely arranged by Walter. Each and every one of these pieces is an absolute gem, perfectly rounded and complete like a mini-suite, representing all the best in British / European Jazz: delicate aesthetics, superb taste, intelligence and deep understanding of music. This album is one of the most perfect examples of large ensemble Jazz ever recorded and should be a schoolbook example of Jazz arrangement. The music is also beautifully performed by these Master musicians, who contribute perfect ensemble playing as well as beautiful soli, all relatively concise due to the album´s timing limitations, but nevertheless perfectly rounded and expressive. Altogether these seventy two minutes of music round up almost everything there is to say in a mainstream Jazz ensemble format. I have no idea how this nugget managed to slip under my radar for so many years; better late than never is the only solace. The music brings so many memories and associations about British Jazz and its history, that listening to it for the first time was a deeply emotional experience for me. Repeated listening sessions revealed the depth of the arrangements and the incredible craft involved in making it. It is a true masterpiece in every respect. I can hardly imagine a proper British Jazz collection being complete without this album being part of it, and therefore grab a copy as long as it is still available. You can thank me later on, after you have listened to it ;)

Updated: 24/01/2023Posted: 15/04/2019

CD 1 Essential Recommend To A Friend

MIKE WESTBROOK ~ LOVE SONGS VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.

CD 1 Remastered Bonus Tracks Recommend To A Friend

MIKE WESTBROOK ~ METROPOLIS BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz Recorded: 1971 Released: 1999 If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!

CD 1 Remastered Essential Recommend To A Friend

KENNY WHEELER ~ MUSIC FOR LARGE & SMALL ENSEMBLES ECM 1415/16 (Barcode: 042284315227) ~ UK ~ Jazz Recorded: 1990 Released: 1990 Trumpeter / composer Kenny WheelerFind albums by this artist has been one of the great pillars of the British and international Jazz scene for five consecutive decades. His role as one of the most creative protagonists of the British / European Jazz revolution in the 1960s / 1970s was invaluable, but Wheeler continued his seemingly endless streak of creativity into the 21st Century, staying relevant and up to date, with very few rivaling forces of his magnitude. This album, in retrospect, is in many respects a pinnacle of his recording career and firmly belongs to the exclusive club of the top Jazz recordings of all time. Wheeler present here some of his best and most ambitious compositions, both as a composer for a large Jazz orchestra and a small Jazz combo, like the quintet featured here. The list of names of the participating musicians – all 19 of them – reads like the who´s who of modern British Jazz with a couple of American guests (guitarist John AbercrombieFind albums by this artist and drummer Peter ErskineFind albums by this artist) added for good measure. Pianist John TaylorFind albums by this artist, his wife the divine vocalist Norma WinstoneFind albums by this artist, bassist Dave HollandFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, trombonist Paul RutherfordFind albums by this artist and saxophonist Stan SulzmannFind albums by this artist are just the more familiar of these names. The music is of course heavenly, regardless of the large or small format, both melodically, harmonically and structurally. Wheeler emerges as a Master composer and bandleader and the resulting music is a source of immense pleasure, both aesthetically and intellectually. This is a masterpiece and an essential piece of music, which is a worthy addition to any serious music library. Beyond essential! Visitors' Comments Christopher  Brice Truly (and surprisingly) "Essential"; I generally avoid large ensembles, but this is different as the individual voices of the specific participants were planned for and can be clearly heard

CD 2 Essential Recommend To A Friend

KENNY WHEELER / JOHN TAYLOR ~ ON THE WAY TO TWO CAM JAZZ 5054 (Barcode: 016728505420) ~ UK ~ Jazz Recorded: 2005 Released: 2015 This is an exquisite duo album by two British Jazz icons: trumpeter / composer Kenny WheelerFind albums by this artist and pianist / composer John TaylorFind albums by this artist. Starting in 2004, Wheeler and Taylor recorded together on many occasions for the Italian CAM JazzFind albums on this label label, commencing with their debut duo album for the label, entitled "Where Do We Go From Here?Find albums with this title". In 2005 Wheeler recorded the album "What Now?Find albums with this title" in a quartet setting which included Taylor, and also the second duo album for the label with Taylor (recorded with a string quartet) entitled "Other PeopleFind albums with this title". But ten years later the label announced that another duo album was recorded by the two musicians that year, so far unreleased, and it was decided to release it to commemorate the first anniversary of Wheeler´s untimely passing. Taylor, who wrote a moving epitaph in memory of Wheeler for the album´s liner notes, tragically died shortly before the album was released, which made this album a tribute to them both. The album offers ten tacks, nine of which are original compositions (five by Wheeler, three by Wheeler and Taylor and one by Taylor) and one is a standard. In retrospect the collaboration between Wheeler and Taylor proved to be one of the most lasting and incredibly fruitful relationships in British / European Jazz. Although it spans many stylistic variations and settings, including the legendary AzimuthFind albums by this artist trio with Norma WinstoneFind albums by this artist, Wheeler and Taylor always complimented each other wonderfully, displaying typical European aesthetics and artistic finesse. Their collected recorded legacy is an incredible treasure chest of musical wonders and the essence of Jazz as a creative and developing idiom. The music on this album continues the trumpet / piano dialogue, which these two musicians simply brought to perfection. Beyond the melodic and harmonic beauty of the music, there is also the incredible personal rapport, the mutual respect and the obvious friendship, all exquisitely reflected in the music. Although released posthumously, this album is one more piece of the wondrous puzzle Wheeler and Taylor managed to construct in their lifetime, for all of us to enjoy and cherish. They both were magic song weavers of rare quality, and the world became sadly less livable with their passing. This is definitely a must have for all Wheeler / Taylor many connoisseurs all over the world, a missing crown jewel and a proverbial cherry on the top. Don’t even think about it twice, just grab it!

Updated: 10/04/2020Posted: 19/06/2018

CD 1 Recommend To A Friend

WINSTONE / WHEELER / FRESU / TAYLOR / DAMIANI / OXLEY ~ LIVE AT ROCCELLA JONICA SPLASC(H) 508 (Barcode: 716642050821) ~ UK ~ Jazz Recorded: 1984 Released: 2003 This is a reissue of a rather obscure live recording by a dreamy Anglo-Italian sextet comprising of British vocalist Norma WinstoneFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist and drummer Tony OxleyFind albums by this artist and Italian trumpeter Paolo FresuFind albums by this artist and bassist Paolo DamianiFind albums by this artist. Together they perform five original compositions, three by Wheeler (two of which are joined into a medley) and two by Damiani, one of which lasts for over twenty three minutes. The music is typical modern European Jazz, based on solid melodic themes but open to individual interpretations, which are expressed here by the solos performed by all the participants. The melodies are first presented by Winstone using her amazing vocalese statements and then are picked up by the rest of the sextet and subjected to open improvisation. The album is full of wonderful soloing and the double trumpet lineup is especially attractive with Wheeler and Fresu playing in tandem or jointly, creating some truly amazing statements. Taylor as always lays the harmonic background for the music and adds fiery solos on the way and the rhythm section keeps things moving ahead. Oxley´s drumming is definitely one of the most "straightforward" performances of his ever captured on record. Winstone´s neck breaking solos are the absolute highlight of this album and her full power of improvisation and amazing virtuosity are beautifully captured here. The informality of a concert setting and the extraordinary drumming by Oxley, which accompanies her vocal solos come together perfectly. Although the sound quality of the recording, even in this remastered version, is far from perfect, the music is so powerful and unique that the sound imperfections can be easily ignored. Since the sextet came together only once for this specific appearance, the album is a time capsule and a perfect historical document of European Jazz at its best in the mid-1980s. Wholeheartedly recommended!

Updated: 13/07/2018Posted: 13/07/2018

CD 1 Remastered Recommend To A Friend

NORMA WINSTONE ~ CHAMBER MUSIC EMARCY 602498659601 (Barcode: 602498659601) ~ UK ~ Jazz Recorded: 2002 Released: 2003 This is the debut album by the trio comprising of the divine British vocalist / lyricist Norma WinstoneFind albums by this artist, Italian pianist / composer Glauco VenierFind albums by this artist and German saxophonist / clarinetist / composer Klaus GesingFind albums by this artist. The trio keeps recording to this day and released four more albums, all on the ECMFind albums on this label label (last album released in 2018). The album presents eleven pieces, eight of which were composed by the trio members and three originate from other sources. Winstone wrote the lyrics to four of the pieces. The album was recorded at the superb Italian Artesuono Studios and offers a remarkable sound quality and clarity. Winstone seems to have found the ideal partners with these two excellent musicians and as a result a lasting and fruitful relationship was developed between them, producing over time a long series of exquisite albums. She is using all her vocal arsenal with the same effectiveness, both when singing words or wordless vocalese. Venier is a wonderful piano player creating layers of harmony beneath her vocals and Gesing develops a dialogue with her vocals with his soprano saxophone parts or atmospheric layers with his baritone clarinet parts. The chamber character suits the music superbly and the delicate, but highly expressive result is breathtaking. In many respects this music is an epitome of European Jazz, which ideally combines improvisation with Classical Music elements creating a new way of expression and a new Jazz aesthetics, taking the idiom to another plane. Perhaps the fact that all three members of the trio come from diverse European Cultural backgrounds is the key factor in creating this unique amalgam, but whatever the reasons might be, something innovative and inspired is born here, and continues to grow with the consecutive albums. For followers of British Jazz this album is also an important turning point, symbolizing the integration of British Jazz with the rest of the European scene, which up to the turn of the Millennium was still somewhat sectarian. Winstone has a rich history of cooperating with musicians from other countries even before this album was recorded, but the full synergy was achieved herein. In retrospect this is still a groundbreaking recording which lost absolutely nothing of its originality and intrinsic beauty over time. Wholeheartedly recommended, but very difficult to get hold of a copy these days, still definitely worth pursuing!

Updated: 20/11/2018Posted: 20/11/2018

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE ~ DANCE WITHOUT ANSWER ECM 2333 (Barcode: 602537430475) ~ UK ~ Jazz Recorded: 2012 Released: 2013 This is the fourth (third on the ECMFind albums on this label label) album by British Jazz diva vocalist / lyricist Norma WinstoneFind albums by this artist recorded in a trio format with Italian pianist Glauco VenierFind albums by this artist and German saxophonist / clarinetist Klaus GesingFind albums by this artist. The album presents Winstone´s interpretations of thirteen songs; three of these songs are original compositions by Gesing with lyrics by Winstone, two others are compositions by Tomas MendezFind albums by this artist and Ralph TownerFind albums by this artist again with lyrics by Winstone, two are original compositions by Venier and the rest are Pop songs, including one song from MadonnaFind albums by this artist´s repertoire, which all get the special Winstone treatment. As usual with these trio albums, the music is an expression of intimacy and subtlety, full of wonderful dialogues and trialogues between Winstone and her cohorts, always deeply respectful and sympathetic; an obvious labor of love and mutual understanding. The music is stripped to the bare essence, both harmonically and melodically, leaving just Winstone vocal acrobatics and instrumental ornamentation. It is obviously a "less is more" statement, and in this case the more is an understatement. Winstone is not only a great vocalist, but also a Master of delivery and weaver of theatrical tension and aesthetic magnificence. Although seemingly simplistic, her vocal delivery is in fact deeply complex, which thanks to her total control of her vocal abilities appears to be simple to the listener. Contrary to the minimalist approach, the music this trio creates is complete in every way. Just the voice and two instruments are able to create a coherent and perfectly woven tapestry of sound, which says everything it is meant to say. It is especially evident in the interpretations of the Pop songs, which many listeners might be familiar with in their original versions, and which sound here more convincing and striking even when stripped from the heavy arrangements and instrumental background, which often hides the essence rather that reveals it. This album is another milestone in Winstone´s long and accomplished career, finding her in full command of her vocal and aesthetic capabilities. An obvious must have to the many Winstone faithful fans; this album is also an excellent window of opportunity to notice her exquisite Art, for those who have not discovered her yet. As usual, thank you Milady for being there, singing and most of all being yourself!

Updated: 28/05/2018Posted: 28/05/2018

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE ~ DESCANSADO: SONGS FOR FILMS ECM 2567 (Barcode: 602557869897) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is the fifth (fourth on the ECMFind albums on this label label) album by British Jazz diva vocalist / lyricist Norma WinstoneFind albums by this artist recorded in a trio format with Italian pianist Glauco VenierFind albums by this artist and German saxophonist / clarinetist Klaus GesingFind albums by this artist. Two additional musicians: Norwegian percussionist Helge Andreas NorbakkenFind albums by this artist and Italian cellist Mario BrunelloFind albums by this artist, appear as guest on the album. The album presents Winstone´s interpretations of eleven theme songs of cult, mostly European films, one of which is also repeated in a short solo piano version. Two of these songs have original English lyrics, Winstone wrote lyrics for six more of the themes and the remaining ones remain wordless vocalese pieces. Venier and Gesing wrote all the instrumental arrangements. The album is dedicated to two great British Jazz luminaries, who were inseparable from Winstone´s career over the years: pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, both sadly no longer with us. The music is an intimate, highly elegant and exquisite piece of European Culture, which has an inclusive approach to Art, in which Cinema, Music and all other Art forms are simply different aspects of the same aesthetics. On this album Winstone in sublimely minimalist, as is the instrumental accompaniment, which only amplifies the overall effect of immediacy and deep empathy with the original music. She is, as always, consistent with her established vocal techniques and expressions, which enable a wide palette of vocal possibilities that she wisely and thoughtfully employs. Of course all the musicians involved are Masters of their trade and their ability to cushion Winstone´s delicate vocal phrases with their magic touches is utterly radiant. Winstone´s albums are always a completely risk-free endeavors for me, pieces of sublime taste and perfect execution that one can "blindly" count on. It just occurred to me that I have known Norma longer that I know my wife, which seems to be forever. Since I met her in 1968 I have closely followed her achievements, often on the vanguard of the British / European Jazz, and she never ever disappointed me in any way. Such remarkable consistency and creative power is incredibly rare and I am grateful to her for five decades of musical delights. I suppose this music might not appeal to all Jazz enthusiasts. It is definitely fragile and somewhat Spartan, compelling the listener to make an intellectual and emotional effort in order to absorb it, as all great Art does. Being familiar with these cult films and their soundtracks clearly helps. It is haute culture, obviously, which in our Neanderthal world gets barely noted, but that means it is something worth living for. If you know Winstone´s work, this album will be undoubtedly one of the crown jewels, if you don´t this is perhaps a great opportunity to discover her. In any case, this is a brilliant piece of music, which is out there for everybody to love!

Updated: 27/05/2018Posted: 27/05/2018

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE ~ DISTANCES ECM 2028 (Barcode: 602517549234) ~ UK ~ Jazz Recorded: 2007 Released: 2008 The British Jazz Diva, singer Norma WinstoneFind albums by this artist, with five decades of amazing career behind her, is still an unstoppable creator of heavenly music and every new release, which features her incredible voice, is a gift from musical heaven. On this exquisite album Norma is accompanied by just two musicians, the German clarinetist (bass) and saxophonist (soprano) Klaus GesingFind albums by this artist and Italian pianist Glauco VenierFind albums by this artist. This intimate setting is ideal for this delicate, fragile music, which floats like a butterfly from one song to another, showing the different shades and color of its wonderfully colorful wings. The music comes from different sources: some of it is composed by Gesing or Venier, some is traditional and a couple of standards are also present. Norma wrote the lyrics to all of these songs, another formidable showcase of her amazing talents. Overall this album is way beyond just music; it´s a complete aesthetic / intellectual love affair, which, when properly appreciated, is a source of bliss and delight. It seems futile to describe the music using words, just grab this album, pour a glass of wine and sit back and listen…and enjoy. Life it too short to miss this! Visitors' Comments Christopher  Brice I bought the later album first (Stories Yet to Tell), fell in love at first listen, and immediately ordered this one; I could not say which is better: buy both! (The John Surman influence seems to be very strong, as on SYTT.)

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend

NORMA WINSTONE ~ IT`S LATER THAN YOU THINK PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz Recorded: 2004 Released: 2006 British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend

NORMA WINSTONE ~ SOMEWHERE CALLED HOME ECM 1337 (Barcode: 602517799301) ~ UK ~ Jazz Recorded: 1986 Released: 2008 The British Jazz Diva, singer Norma WinstoneFind albums by this artist, with five decades of amazing career behind her, is still an unstoppable creator of heavenly music and every new release, which features her incredible voice, is a gift from musical heaven. On this exquisite album Norma is accompanied by just two musicians, her husband pianist John TaylorFind albums by this artist and clarinetist / saxophonist Tony CoeFind albums by this artist. This intimate setting is ideal for this delicate, fragile music, which floats like a butterfly from one song to another, showing the different shades and color of its wonderfully colorful wings. The music comes from different sources; there are some standards and others are lesser-known compositions. Norma wrote the lyrics to the pieces, which are originally instrumentals, another formidable showcase of her amazing talents. Overall this album is way beyond just music; it´s a complete aesthetic / intellectual love affair, which, when properly appreciated, is a source of bliss and delight. It seems futile to describe the music using words, just grab this album, pour a glass of wine and sit back and listen…and enjoy. Life it too short to miss this!

CD 1 Mini-Sleeve Recommend To A Friend

NORMA WINSTONE ~ STORIES YET TO TELL ECM 2158 (Barcode: 602527374260) ~ UK ~ Jazz Recorded: 2009 Released: 2010 The British Jazz Diva, singer Norma WinstoneFind albums by this artist, with five decades of amazing career behind her, is still an unstoppable creator of heavenly music and every new release, which features her incredible voice, is a gift from musical heaven. On this exquisite album Norma is accompanied by just two musicians, the German clarinetist (bass) and saxophonist (soprano) Klaus GesingFind albums by this artist and Italian pianist Glauco VenierFind albums by this artist. This intimate setting is ideal for this delicate, fragile music, which floats like a butterfly from one song to another, showing the different shades and color of its wonderfully colorful wings. The music comes from different sources: some of it is composed by Gesing or Venier, some is traditional and a couple of standards are also present. Norma wrote the lyrics to all of these songs, another formidable showcase of her amazing talents. Overall this album is way beyond just music; it´s a complete aesthetic / intellectual love affair, which, when properly appreciated, is a source of bliss and delight. It seems futile to describe the music using words, just grab this album, pour a glass of wine and sit back and listen…and enjoy. Life it too short to miss this! Visitors' Comments Christopher  Brice I respectfully agree with Adam´s comments, but want to add that the sax is strongly reminiscent of Surman in lyrical mode; and that I immediately ordered the other album by this trio - now spinning sublimely in my CD player for the first time

CD 1 Slipcase Recommend To A Friend

NORMA WINSTONE / WILL BARTLETT ~ THE SOUNDLESS DARK JELLYMOULDJAZZ 034 (Barcode: 5029385864279) ~ UK ~ Jazz & Poetry Recorded: 2022 Released: 2022 This is a duo album by British vocalist Norma WinstoneFind albums by this artist and pianist Will BartlettFind albums by this artist, dedicated to the poetry of British poet / novelist Philip LarkinFind albums by this artist. The album presents ten tracks, nine of which were composed by Bartlett and one by Peter ErskineFind albums by this artist. All the lyrics are by Larkin. Saxophonist Tony KofiFind albums by this artist and narrator Robin InceFind albums by this artist guest each on three tracks. Every recording by Norma Winstone is of course heaven on earth as far as I am concerned, and since this is also a Jazz & Poetry project, I am double biased. But in truth, considering Norma’s status on the British Jazz scene and her recorded legacy, this is hardly surprising. She is, after all, the First Lady of the genre and has absolutely no equals as far as intelligent and aesthetic approach to vocals is concerned. She does not have to prove anything anymore, which allows her to engage in projects that are close to her heart, and since she has an impeccable taste and unequalled talent, she just can’t go wrong, as this album proves once again. This intimate project requires, as usual, attentive listening, as the music, although quite melodic, is far from being simple, and the poetry is often challenging as well. Despite the controversy surrounding Larkin’s persona and his ideology, on this album he emerges a lost romantic, more than anything else. The music is all perfect for the selected texts and Norma’s delivery is nothing short of Divine, again not surprisingly. Overall, it is absolutely enthralling to hear Norma in superb form, as if the passing time existed in another dimension. This album is a sublime addition to her outstanding recorded legacy and an essential listening. Thank you, my Dear, for being who you are and for proving that life is worth living!

Updated: 17/11/2023Posted: 17/11/2023

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NORMA WINSTONE / KIT DOWNES ~ OUTPOST OF DREAMS ECM 2811 (Barcode: 602465191387) ~ UK ~ Jazz Recorded: 2023 Released: 2024 This is an album by British Jazz duo comprising of vocalist Norma WinstoneFind albums by this artist and pianist Kit DownesFind albums by this artist. The album presents ten tracks, four of which were composed by Downes, another four were composed by various composers and two are traditional tunes. Winstone wrote the lyrics to nine of the tracks. The music was recorded at the Artesuono Studio in Udine, Italy and engineered by Stefano AmerioFind albums by this artist, and offers a sensational sound quality. British vocal Jazz Diva Norma Winstone (born 1941) is in absolute top form and her many followers are able to enjoy another masterly album featuring her unique sensitivities and talents. This intimate duo setting is the best opportunity to hear her vocal delivery, which despite her age is still stunningly clear and convincing, as it has always been. This carefully selected set of compositions, which she enhances by adding her poetic lyrics, are immediately recognizable and characteristic of her work, which is magically expressive at all times. The album does require attentive listening and concentration, in order to enjoy the complex details, but the effort is fully rewarded. Kit Downes (born 1986) is less than half Winstone’s age, and yet he proves to be an ideal companion in this musical enterprise. His idiosyncratic compositions and approach to the piano reflect ideally the aesthetic values in the singer’s stylistics, and their work proves to be way beyond just the sum of the ingredients, where they fit and complement each other perfectly. I have been an admirer of Norma’s qualities since I first heard her in the late 1960s, when she was at the focus of the burgeoning new British Jazz explosion, recording one sublime album after another. Her collected recording legacy is an absolute treasure trove of British / European Jazz, and this album is another jewel in the collection. Overall, this is another brilliant addition to the magnificent life-long career of this great Artist, which none of her many admirers will dare to miss in their collections. It is minimalist and demanding, but exquisitely beautiful and aesthetically gratifying.

Updated: 26/08/2024Posted: 26/08/2024

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NORMA WINSTONE / MONA LARSEN ~ FREEDOM JAZZ DANCE 3361*BLACK 1016 (Barcode: 4988041007980) ~ UK ~ Jazz Recorded: 1994 Released: 1995 This is a criminally little known album by the vocal duo of British Jazz Diva Norma WinstoneFind albums by this artist and Danish Jazz vocalist Mona LarsenFind albums by this artist. They are accompanied by American (resident in Paris when this album was recorded) pianist Jeff GardnerFind albums by this artist, French (of Algerian origin) bassist Michel BenitaFind albums by this artist and British (also resident in Paris) drummer Steve ArguellesFind albums by this artist. The album, recorded in Paris, presents eight tracks, all Jazz standards, one with lyrics written by Winstone. The album’s focus is on the sublime vocal performances by the duo, which uses the entire available vocal toolbox, which includes singing lyrics, scatting, vocalizing, and more, which the two vocalists perform together in perfect harmony and sync. The accompaniment is very subdued and delicate, as appropriate for the occasion, but perfectly executed. Benita is absolutely brilliant as a collaborator to the vocal parts and is often left alone with the singers, but the piano trio is also head more prominently on some of the tracks. As far as the vocals are concerned, this album is a beautiful example of what modern Jazz vocals are all about and a classic schoolbook example of how they should be treated. The range of the various vocal techniques and collaborative vocal exchanges are simply phenomenal. It took me ages to find a copy of this album, released only in Japan on an obscure Japanese label, but persistence and patience paid up big time, as this is definitely one of the best vocal Jazz album ever, and I have heard a few of those over the years. Simply brilliant and absolutely essential listening!

Updated: 20/06/2021Posted: 20/06/2021

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NORMA WINSTONE & JOHN TAYLOR ~ IN CONCERT ENODOC 005 (Barcode: 5036614000049) ~ UK ~ Jazz Recorded: 1988 Released: 2018 This is a reissue of an album by the British Jazz "royal couple" vocalist Norma WinstoneFind albums by this artist and pianist John TaylorFind albums by this artist, released originally only on cassette. The album was recorded live at the Guildhall School of Music in London and presents eight tracks, three of which are standards (one is a medley of two songs), four are compositions by Steve SwallowFind albums by this artist, Egberto GismontiFind albums by this artist and Ralph TownerFind albums by this artist (two) to which Winstone wrote words or vocal parts, and one is a composition by Taylor featuring Winstone´s breathtaking vocalese extravaganza. The album offers a wonderfully natural sound quality. This intimate duo setting is perhaps the best "real time" document of the decades-long musical cooperation of the couple and an archetypical example of the vocals / piano "Art of the Duo" idiom, as well as an embodiment of the British Jazz spirit, which these two marvelous musicians have always personified. The individual performances by Winstone and Taylor are of course stellar, as expected. She is perfect both as a singer of lyrics and improviser using vocalese, and her divine sense of melody and rhythm are a class of its own. He touches the keyboards with precision and wonderful dynamics, and above all with incomparable elegance and fluidity. But it is the amalgam of the creative flow created by these two personas which is simply unstoppable, resulting in an effect way beyond the sum of the individual contributions. The telepathic communication and emotional unity of the couple is absolutely astounding, serving as a timeless example of the effectiveness of the "less is more" principle. I can hardly think of an album that deserves the "classic" status more than this one. A hidden gem that listeners had to wait for thirty years to be able to enjoy, is finally here and offers sixty minutes of pure musical delight and an essential piece of British Jazz legacy. British Jazz fans and all true music lovers around the globe should find this irresistible and one can hope this music will reach a much wider audience than at the time of its original release. Beyond essential!

Updated: 09/04/2020Posted: 09/04/2020

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