Record Reviews

COLOSSEUM ~ LIVE05 REPERTOIRE 1382 (Barcode: 4009910138229) ~ UK ~ Jazz-Rock Fusion Recorded: 2005 Released: 2024 This is a reissue of a 2CD live album by the seminal British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded in 2005. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, went through several personnel changes before disbanding in 1971, after recording several iconic albums. They reunited in 1994 and continued performing and recording albums with a lineup, which included the two founding members and keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist Chris FarloweFind albums by this artist. Following the death of Heckstall-Smith in 2004, Hiseman’s wife saxophonist / flautist Barbara ThompsonFind albums by this artist joined the band, and this new lineup recorded this live album. This album was initially released privately on Temple MusicFind albums on this label in 2007 and then on RuffFind albums on this label Records in Germany in 2010, both editions now long gone from the market. This RepertoireFind albums on this label Records reissue, newly packaged and with a booklet designed by Ana GraceyFind albums by this artist (Barbara’s and Jon’s daughter), celebrates Hiseman’s 80th Birthday Anniversary. The music is a wonderful example of the band’s live act, which includes music spanning their entire career. Although some of that music appears on other live albums, due to the highly improvised nature of the band’s performances, each and every version of these tunes is completely unique. It also reflects the phenomenal agility of Barbara, who joined the group only a few months earlier (although she did play some gigs with the band before formally joining), and blended perfectly into the act, obviously adding her personal fabric to the tunes. Each and every live album by Colosseum depicts the incredible talents of all the band members, with the spotlight on their abilities as improvisers, since the band’s material was always heavily influenced by Jazz and the live performances were ideal platforms to “go wild” and play lengthy instrumental solos and vocal extravaganzas. Overall, this is as brilliant as every other Colosseum album, studio and live alike, and if anybody missed the original release of this album, this is an opportunity to repent and correct mistake. Absolutely not to be missed!

Updated: 26/08/2024Posted: 26/08/2024

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COLOSSEUM ~ TIME ON OUR SIDE RUF 1209 (Barcode: 710347120926) ~ UK ~ Jazz-Rock Fusion Recorded: 2010 - 2013 Released: 2014 This is the final album by seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist. The group was founded by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist and for many years included also keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist Chris FarloweFind albums by this artist. Following the recording of their last album together “Tomorrow`s BluesFind albums with this title” Heckstall-Smith died in 2004 and saxophonist / flautist Barbara ThompsonFind albums by this artist, Hiseman’s wife, joined the group for its final stretch, which ended with the death of Hiseman in 2018. The last lineup with Thompson recorded this final album over a period of three years, and it also features vocalist Ana GraceyFind albums by this artist (daughter of Thompson and Hiseman) on one track, which she also wrote. The album presents nine studio tracks, all originals by the members of the band except the a.m. track by Gracey, several featuring lyrics by the legendary Pete BrownFind albums by this artist. The CD edition includes one live bonus track, written by Jack BruceFind albums by this artist and Pete Brown. The music is everything one might expect from a Colosseum album; a great amalgam of Jazz / Rock / Blues, which always represented their musical aspirations. Decades of experience are evident in the brilliant instrumental performances, which are as strong as ever, as are the vocals by Farlowe, Clempson and Clarke. The music might be a bit more relaxed and less experimental than on the early alums, but is still excellent in all respects. Thompson’s saxophone parts are quite different from those by Heckstall-Smith, which somewhat changed the overall sound of the group, but did not make a radical impact, which would change the general concept. This is definitely a playful work by these veterans, which still sounds great and offers a proper last fanfare to one of the best groups of all time. Colosseum fans won’t miss this album of course, but it should appeal to all Classic Rock fans around the globe, as nobody makes music like this anymore. Wholeheartedly recommended!

Updated: 06/06/2021Posted: 06/06/2021

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COLOSSEUM ~ XI REPERTOIRE 1498 (Barcode: 4009910149829) ~ UK ~ Jazz-Rock Fusion Recorded: 2024 Released: 2025 As the title suggests, this is the 11th studio album by legendary British Jazz-Rock Fusion group ColosseumFind albums by this artist, although the numbering is very confusing considering the numerous various releases, duplications, archival albums and so no, but who cares, since they are still most probably the best band of its kind. The current lineup includes three veteran members: vocalist Chris FarloweFind albums by this artist, guitarist Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist, and three more recent members: keyboardist Nick SteedFind albums by this artist, saxophonist Kim NishikawaraFind albums by this artist and drummer Malcolm MortimoreFind albums by this artist. Ana GraceyFind albums by this artist sings background vocals on one track and Ray DeToneFind albums by this artist plays rhythm guitar on another track. The album presents nine tracks, mostly written by the band members, with one track by Van MorrisonFind albums by this artist and another being a Jack BruceFind albums by this artist / Pete BrownFind albums by this artist song. The music sounds like the good old Colosseum, keeping faithful to the same sound, instrumentation and stylistic approach since the time of their formation in 1968, which is an amazing achievement considering we are talking about well over half a Century. One may criticize the fact that the group did not “evolve” over time, but let’s be honest, they were simply perfect from day one and as the saying goes: “don’t fix what does not need fixing”. The perfectly balanced amalgam of Blues, Rock and Jazz worked ideally from the first album and still is better than anything else on the scene operating in the same musical sphere. All the compositions are exactly perfect for what one expects from Colosseum, the instrumental work is sensational, especially the guitar playing by Clempson, who is an unmatched Blues-Rock guitarist, and the vocals are brilliant (Farlowe was eighty-three years young when he recorded these tracks!). Overall, although this album does not surprise or innovate, it is absolutely perfect in what it is supposed to be – great music faithful to the tradition of Colosseum and still better that any other musical outfit playing similar material. No brainer whatsoever – it’s a must for all people who know what great Jazz/Blues/Rock cocktail is supposed to sound like. Hats off fellas - hope to catch you live again soon!

Updated: 22/08/2025Posted: 22/08/2025

CD 1 Digipak Recommend To A Friend

BARBARA THOMPSON ~ FIRST LIGHT JAZZ IN BRITAIN 54 (Barcode: 5060774190524) ~ UK ~ Jazz Recorded: 1971 - 1972 Released: 2023 This is an album collecting three archival live recordings / radio broadcasts by the late British Jazz saxophonist / composer / bandleader Barbara ThompsonFind albums by this artist, which present her in various settings with the crème de la crème of the British Jazz musicians active in the early 1970s. As a result, it is a companion album to the tremendous 14CD Box Set “Live At The BBCFind albums with this title” by Barbara Thompson, released in 2020 by RepertoireFind albums on this label Records, offering material uncovered after the Box Set was released. This album, released by the Jazz In BritainFind albums on this label label, is a completely non-commercial release, with all profits from the album going to the Cure Parkinson’s Trust, a moving gesture by all the people involved, including Barbara’s and Jon HisemanFind albums by this artist’s daughter Ana GraceyFind albums by this artist and Jazz In Britain founder John ThurlowFind albums by this artist. We all still mourn Barbara’s and Jon’s untimely departures of course. The first two tracks present the Group EFind albums by this artist, which comprised of (in addition to Barbara) vocalist Pepi LemerFind albums by this artist, pianist Peter LemerFind albums by this artist, bassist Johnny DyaniFind albums by this artist and drummer Laurie AllanFind albums by this artist. The music is Avant-Garde Jazz, with superb vocal parts by Lemer, who sadly is often forgotten, but was one of the most interesting Jazz vocalist of the period. The next three tracks present a suite for a Big Band, called “The Awakening”, co-composed by Barbara and Jon. The band features a dreamy lineup of eleven instrumentalists and a vocalist – no other than my beloved Norma WinstoneFind albums by this artist – which reads like a Who’s Who of the modern British Jazz and is conducted by Neil ArdleyFind albums by this artist. The players are: trumpeters Ian HamerFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Don RendellFind albums by this artist and Barbara Thompson, cellist Charles TunnellFind albums by this artist, pianist Howard RileyFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jon Hiseman. The music is absolutely brilliant and very typical of the Big Band recordings recorded at the time by Neil Ardley, Mike WestbrookFind albums by this artist and others. The vocal parts by Winstone are, not surprisingly, my favorite jewels, but the entire suite is simply divine and the fact it was discovered and now released is no less than sensational. The last five tracks are by Barbara’s group JubiabaFind albums by this artist, which comprised of (in addition to Barbara) trumpeters George ChisholmFind albums by this artist and Ian CarrFind albums by this artist, Wadsworth, Le Sage, Peter Lemer, bassist Roy BabbingtonFind albums by this artist, drummer Martin DrewFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. It presents the early version of the band, which was essentially dedicated to combining Jazz with World Music influences, mostly Latin. As far as I am aware, this is the earliest recordings by Jubiaba captured on tape. Overall, this is an absolute jewel from start to finish and an absolute must to all British Jazz enthusiasts, and in retrospect one of the most surprising and important releases by the Jazz In Britain label so far. The Big Band piece alone is a beacon symbolizing the birth of the modern British Jazz, with everything it stands for: ingenuity, originality, groundbreaking musical thinking and enormous talent. Hats off to everybody involved!

Updated: 26/07/2023Posted: 26/07/2023

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BARBARA THOMPSON`S PARAPHERNALIA ~ LIVE AT LEVERKUSEN 1994 REPERTOIRE 1479 (Barcode: 4009910147924) ~ UK ~ Jazz-Rock Fusion Recorded: 1974 Released: 2025 Let’s start with placing everything in a historical perspective… By the time the concert, which this album presents, was recorded, Barbara ThompsonFind albums by this artist’s ParaphernaliaFind albums by this artist was one of the leading instrumental ensembles on the European Jazz / Fusion scene, with an extensive recorded legacy to their credit. Following the release of their first three albums (two studio recordings and one live outing) on the MCAFind albums on this label label, Paraphernalia joined the roster of the small German independent label veraBraFind albums on this label Records, owned and run by Cologne based Vera BrandesFind albums by this artist, one of the most dynamic female Jazz activists on the European scene at the time, manager, concert organizer and record producer, who founded CMPFind albums on this label (1977), veraBra (1980) and IntuitionFind albums on this label (1984) labels, which released hundreds of albums, including some of the finest European Jazz / Fusion recordings of the era. The cooperation with Brandes opened many concert opportunities for Paraphernalia, which resulted in their popularity in Europe, and especially so in Germany, to exceed the success on their British home turf. It is not surprising therefore, that the German NDR Broadcasting corporation was happy to invite them to take part in their highly popular “Rockpalast” series of live TV broadcasts, which is the source of the material on this album. In 1993 Paraphernalia released their fourth album on veraBra, entitled “Everlasting FlameFind albums with this title”. Recorded, mixed and produced by Jon HisemanFind albums by this artist at his Temple Music studio in Spring / Summer of 1993, it featured the quintet lineup of the ensemble, with Barbara Thompson on saxophones and flutes, keyboardist Peter LemerFind albums by this artist, guitarist Malcolm MacFarlaneFind albums by this artist, bassist Paul WestwoodFind albums by this artist and Jon Hiseman on drums and percussion, the same lineup, which is featured on this live recording. The set list includes four compositions, which originate from the new album, which they were promoting at the time, one composition from their previous album “BreathlessFind albums with this title” (1991), another one from their live album “A Cry From The Heart – Live In LondonFind albums with this title” (1988) and finally one track, which will become the title track of their future album “Shifting SandsFind albums with this title” (1998), their debut on Intuition Records. Paraphernalia was such a superb musical vehicle not only due to the fact that it combined the talents of some of the finest British Jazz / Fusion musicians, and was led by an extraordinary instrumentalist and composer. Yes, all these elements were the necessary ingredients to create excellent music, but the true explosive amalgamation was also the result of the personal and musical relationship between Barbara and Jon, one of the most extraordinary musical couples of all time. It was a true match made in heaven, when they met as members of the New Jazz OrchestraFind albums by this artist (NJOFind albums by this artist), directed by Neil ArdleyFind albums by this artist. Stricken not only by her beauty, but more profoundly by her extraordinary talent as a musician, Jon proposed and they were married in 1967, a marriage that lasted for half a Century until his tragically early and unexpected death in 2018. During their entire lifetime together they cooperated in many musical projects, complimenting each other. When Hiseman founded the iconic ColosseumFind albums by this artist with the late Dick Heckstall-SmithFind albums by this artist, Barbara, although not a formal group member, played on all early Colosseum albums as a guest musician. When the German pianist / composer Wolfgang DaunerFind albums by this artist founded the revolutionary Pan-European United Jazz + Rock EnsembleFind albums by this artist, both Jon and Barbara joined and were members of the ensemble for years. When Barbara founded the Paraphernalia ensemble, although unable to join at the very early days, Jon joined soon after and became the pillar of the band. When Dick Heckstall-Smith retired from the re-united Colosseum, Barbara stepped bravely in, despite her serious health problem, to replace him. And then of course, they both had their separate projects as well, which they mutually respected. This intertwined musical / personal life-path is a true symbol of Barbara and Jon as a couple, which resulted always in a whole much greater than the sum of its parts. Keyboardist Peter Lemer, who had a long personal relationship with the couple, remembers: “Onstage, Jon was unwavering in his commitment to quality. He deployed the best technology for sound and stage setup, ensuring that both the band and the audience had the best possible experience. His care extended especially to Barbara, creating an environment where she could perform with freedom and power. As Barbara faced the challenges of Parkinson’s disease, Jon’s support became even more essential. He threw himself into understanding the condition, building relationships with specialists, and even speaking at Parkinson’s symposiums, so knowledgeable that he was often mistaken for a consultant. This journey is poignantly captured in the film ‘Playing Against Time’. Through it all, their love for each other and their shared passion for music shone through. Jon’s protectiveness and Barbara’s resilience formed the foundation of their personal and professional lives. It was a privilege to be part of their journey, to share their laughter, their dedication, and their extraordinary ability to bring people together through music." Guitarist Malcolm MacFarlane remembers: “By 1994, the year of this featured concert, I’d been in the band for 6 years. If I’m remembering correctly, this is the tour that extended to over 110 dates! As an improvising musician this was a real gift to be given the chance to develop your skills so intensely and ‘for real’ in a sustained way. I left the band the following year. Barbara and Jon were very keen for me to stay but all good things as they say… The news of Jon’s passing was such a shock, I honestly thought that he’d outlive us all as his energy levels and drive were truly inspiring. Barbara’s diagnosis and spirited fight against her condition was also inspirational. These two formed such a huge part of my growth from being a recently graduated music student into adulthood and being ‘grown up’, that after a 7-year working relationship I’m not only deeply indebted to them but I genuinely loved them both too." So here we are, with Barbara, Jon and the rest of Paraphernalia playing their hearts out in front of an enthusiastic audience, captured for eternity on this album. It is another piece of the wonderful puzzle that Barbara and Jon left for us to cherish and admire, which will help us to remember them and their tantalizing musical heritage. Thanks to Ana GraceyFind albums by this artist for keeping the flame alight and RepertoireFind albums on this label Records for the continuous effort to make this legacy available to all fans, old and new, to delight in! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 20/08/2025Posted: 19/08/2025

CD+DVD 2 Slipcase Remastered Recommend To A Friend

BARBARA THOMPSON`S PARAPHERNALIA ~ LIVE IN CONCERT (80TH BIRTHDAY EDITION) REPERTOIRE 1473 (Barcode: 4009910147320) ~ UK ~ Jazz-Rock Fusion Recorded: 1980 Released: 2024 This is a reissue / remaster of a live album by British Jazz saxophonist / flautist / bandleader Barbara ThompsonFind albums by this artist and her band ParaphernaliaFind albums by this artist, which included keyboardist Colin DudmanFind albums by this artist, bassist Dill KatzFind albums by this artist and drummer (and Barbara’s husband) Jon HisemanFind albums by this artist. The album presents eight tracks, six of which are original compositions by Thompson, one is by Dudman and one is by British keyboardist / composer Peter LemerFind albums by this artist. The album was originally released as a double LP and this is the first time it is released on CD. To commemorate Barbara’s 80th Birthday, this edition was expanded to include a bonus CD, called “The Flute Collection”, which presents a collection of ten tracks, which feature Barbara’s flute performances, recorded with various ensembles in the 1970s, 1980s and 1990s. The album was beautifully and lovingly put together, including the extensive booklet, by Ana GraceyFind albums by this artist, Barbara’s and Jon’s daughter, and includes numerous photographs, press clippings and other memorabilia, to commemorate Barbara’s passing in 2022, which was deeply mourned by her family and friends. Paraphernalia was Barbara’s vehicle to present her wide range of compositions, which amalgamated many diverse influences, from Classical Music, World Music and of course Jazz in all its splendor of sub-genres. She was a remarkable instrumentalist, with a superb feel and outstanding improvisational abilities. She was an integral part of the British Jazz scene since the 1960s and her numerous recordings as a leader and sidewoman are a beacon of excellency and talent. She is also a great heroine as far as her personal fight with the Parkinson’s disease, which sadly overshadowed her life during the last period of her life. Overall, this is a great opportunity to re-visit this live album, which reflects the spirit of one of the best British bands active at the time, and enjoy the superb performances by Barbara, Colin, Dill and John, which of course I had the immense pleasure to listen to in person many a time. I am sure many Paraphernalia fans will enjoy listening to this album again and now with the bonus album as a cherry on top, this is truly irresistible. Thanks to Ana and everybody else involved in this project for making this music available again!

Updated: 29/07/2024Posted: 29/07/2024

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