Record Reviews
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  | JOACHIM KUHN ~ I`M NOT DREAMING / DYNAMICS ART OF GROOVE 80232 (Barcode: 885513802323) ~ GERMANY ~ Jazz Recorded: 1983 - 1990 Released: 2014
This is a reissue of two albums by German pianist / composer Joachim KuhnFind albums by this artist, which were originally released on the German CMPFind albums on this label label, owned and operated by recording legend / producer Walter QuintusFind albums by this artist. After a spell of activity in the Jazz-Rock Fusion idiom in the 1970s, Kuhn returned to experimentation in the Avant-Garde Jazz and contemporary Classical music in the 1980s, and these two albums reflect his work in that decade.
"I`m Not DreamingFind albums with this title", recorded in 1983, marks the beginning of the association between Kuhn and Quintus and his CMP label. It was recorded by a quintet, which features two Germans: cellist Ottomar BorwitzkyFind albums by this artist (a Classical musician) and multi-instrumentalist Herbert ForschFind albums by this artist, and two Americans: the legendary trombonist George LewisFind albums by this artist and percussionist Mark NauseefFind albums by this artist (resident in Germany). Together they form a formidable ensemble, which performs seven original compositions by Kuhn.
The music is floating somewhere between Free Jazz and contemporary Chamber Classical music, which is based on composed themes but is then expanded by extensive improvised passages. Over thirty years later this music is still as challenging and fresh as it was at the time of the recording, and remains a significant piece of the modern European Jazz history.
"DynamicsFind albums with this title", recorded in 1990, is a solo piano album, which presents seven pieces, five of which were composed by Kuhn and two are interpretations of music composed by Eric DolphyFind albums by this artist and Dave LiebmanFind albums by this artist.
Again, rather than playing completely improvised music, Kuhn prefers to have a compositional framework to guide him, as he creates his improvisations. Kuhn is of course one of the most important European Jazz pianist and his solo piano albums are always examples of sublime musicality, impeccable aesthetics and of course brilliant technique. This is demanding, serious music, which demands concentration and dedication in order to be fully appreciated and understood, but eventually it is as much rewarding.
This reissue brings back to life some of the great European Jazz, that sank into the background in time, but which certainly deserves to be cherished and remembered. Therefore the Art Of GrooveFind albums on this label label deserves to be shown gratitude for their work in this area.
| Updated: 12/04/2019Posted: 02/05/2016 | CD 2 Digipak Remastered Recommend To A Friend |
  | JEREMY STEIG & EDDIE GOMEZ ~ MUSIC FOR FLUTE & DOUBLE BASS / RAIN FOREST ART OF GROOVE 80242 (Barcode: 885513802422) ~ USA ~ Jazz-Rock-World Fusion Recorded: 1978 - 1980 Released: 2015
This is a reissue of two excellent albums recorded by the two American Jazz Masters, flautist / composer Jeremy SteigFind albums by this artist and bassist / composer Eddie GomezFind albums by this artist. "Music For Flute & Double BassFind albums with this title", recorded in 1978, is a duo album which finds Steig and Gomez exchanging licks in an intimate setting, while "Rain ForestFind albums with this title", recorded in 1980, finds them in the company of several musicians: Austrian guitarist Karl RatzerFind albums by this artist, keyboardist Mike NockFind albums by this artist, drummers Steve GaddFind albums by this artist and Jack DeJohnetteFind albums by this artist and percussionists Nana VasconcelosFind albums by this artist and Ray BarrettoFind albums by this artist. Both albums are remastered and each features one bonus track recorded by the duo live during the 1978 Berlin Jazz Days. Both albums were originally released on the German CMPFind albums on this label label and present all original material composed by Steig and Gomez.
Steig and Gomez go together way back to the 1960s, when they were members of the proto Fusion band Jeremy & The SatyrsFind albums by this artist, and their paths crossed regularly over the years. They have developed over time a rare affinity and understanding between themselves, which comes into beautiful fruition on these albums.
The duo album is a superb opportunity to witness the incredible virtuosity these two players are capable of delivering, as well as enjoy their telepathic dialogues. The studio environment enables them to multi track and overlay several instruments in parallel, producing a richer and more impressive sonic result, without disturbing the intimacy and delicacy of that session.
The group album presents several different lineups from the list of participants above, and is an orgy of brilliant performances, polyrhythmic complexity and joy of life. Many excellent solos chase one another and everybody gets an opportunity to show their chops, as appropriate for the occasion. It is much more Fusion oriented than the intimate duo album.
Musically these albums amalgamate many different influences, obviously based on the Jazz tradition but incorporating many World Music characteristics, some Fusion tendencies and even contemporary Classical music vistas. Sadly these two albums never enjoyed the popularity they truly deserved and therefore this is a great opportunity to get hold of them again for a very fair price. After all this music should definitely be part of every serious music collection.
| Updated: 28/06/2016Posted: 28/06/2016 | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | ROLF KUHN TRIO ~ AS TIME GOES BY BLUE FLAME 40292 (Barcode: 4002587402921) ~ GERMANY ~ Jazz Recorded: 1989 Released: 1991
This is an album by legendary German Jazz clarinetist / composer / bandleader Rolf KuhnFind albums by this artist, recorded in the intimate trio setting with his younger brother, pianist Joachim KuhnFind albums by this artist and bassist Detlev BeierFind albums by this artist. The album presents seven tracks, two of which are original compositions by Rolf Kuhn, another two by Joachim Kuhn, one is co-composed by them and two are standards. The album was brilliantly recorded by Walter QuintusFind albums by this artist, at the legendary CMPFind albums on this label studio.
The music is an ideal amalgam of composed and improvised music, based on composed themes and then expanded by lengthy improvisations by all three musicians. It offers a relatively rare opportunity to hear the clarinet in the modern / Free Jazz environment, as well as get exposed to the brilliant work by Beier, who is definitely one of the finest German bass virtuosos, which is plainly evident herein.
All three musicians have plenty of opportunity to expose their masterly skills and the telepathic rapport between them is absolutely stunning. Rolf’s sweet tone and heart-melting melodicism are perfectly matched by his improvisational skills and the intrinsic freedom, which are unmatched. I feel lucky to have been able to experience so many hours of his brilliant performances in person over the years and listening to this album vividly brings back memories of his presence, which I often miss.
Joachim is, of course, as brilliant as always and his arpeggios and uncontainable fluidity fill the space behind his brother’s melodic statements, while Beier supplies, mind you all by himself, all the rhythmic support needed and more.
Overall, this is one of the most beloved albums by Ralf Kuhn in my collection (and I have all of them of course). Brilliantly melodic, and Free spirited at the same time, this is Jazz as its most naked, striking form, which is completely timeless and everlasting. Miss you, my Friend!
| Updated: 02/08/2024Posted: 02/08/2024 | CD 1 Recommend To A Friend |
  | MARK NAUSEEF ~ PERSONAL NOTE CHICKADISC 003 (Barcode: 5901549197792) ~ USA ~ Jazz-Rock-World Fusion Recorded: 1981 Released: 2017
This is a reissue of the debut album by the American drummer Mark NauseefFind albums by this artist, originally released on the legendary German CMPFind albums on this label label. It features an incredible team of musicians, which includes the German pianist Joachim KuhnFind albums by this artist, Indian percussionist Trilok GurtuFind albums by this artist, German keyboardist George KochbeckFind albums by this artist and guest stars: Dutch guitarist Jan AkkermanFind albums by this artist, German bassist Detlev BeierFind albums by this artist and British vocalist / bassist Phil LynottFind albums by this artist of Thin LizzyFind albums by this artist fame. The album presents six original compositions, most of which were composed or co-composed by Kuhn, except one percussion duet which is credited to Nauseef and Gurtu.
The music presents a wide variety of styles, from Rock, via Jazz-Rock Fusion, Jazz-World Fusion and up to Improvised Music, which is completely unpredictable but always fascinating. There are definitely composed parts, but most of the music is improvised, using a plethora of instruments, both acoustic and electronic, producing a sound which was way ahead of its time.
In retrospect this music sounds as innovative today as it was at the time of its recording, completely free of any stylistic constrains and instrumental conceptions. The strong rhythmic layer of drums / percussion adds a feeling of vitality and urgency and the piano / saxophone parts by Kuhn are absolutely stunning, catching him at his very best.
Overall this is a blast from the past, which is most welcome to be back in circulation after a very long period of absence. For true Fusion connoisseurs this album is a Holy Grail which should be a part of any serious music collection.
As usual the remastered music and excellent liner notes make this reissue a must have. The ChickadiscFind albums on this label label is a subsidiary of the excellent Polish GADFind albums on this label Records, which by now is a trademark of quality.
| Updated: 06/02/2018Posted: 06/02/2018 | CD 1 Remastered Recommend To A Friend |
  | JACK BRUCE ~ MONKJACK CMP 1010 (Barcode: 044351101023) ~ UK ~ Progressive Rock Recorded: 1995 Released: 1995
This is a wonderful and very personal album by the great Jack BruceFind albums by this artist, who abandons his bass playing and sticks only with piano and vocals on this one. Accompanied by Bernie Worrell on the legendary Hammond B3 organ, Bruce delivers a series of his composition (except for one Blues standard) to words by his life-long poet / companion Pete BrownFind albums by this artist as well as a couple of other lyricist. There is a wonderful intimacy here a superb recording quality (thanks to CMPFind albums on this label Records sound engineer / owner Walter QuintusFind albums by this artist), which makes this album a truly special affair. I can´t imagine any Bruce fan missing this one in their collection.
| | CD 1 Recommend To A Friend |
  | ROLF KUHN ~ INSIDE OUT INTUITION 750447327627 (Barcode: 750447327627) ~ GERMANY ~ Jazz Recorded: 1999 Released: 1999
This is an exquisite album by German clarinetist / composer Rolf KuhnFind albums by this artist, one of my all time favorite musicians, recorded in several different lineups and including American guest stars: saxophonists Michael BreckerFind albums by this artist and Lee KonitzFind albums by this artist and also Rolf´s younger brother pianist Joachim KuhnFind albums by this artist. The rest of the musicians are members of the younger generation of the German Jazz scene. Together they perform nine tunes, four of which are originals by Rolf Kuhn, three are by Joachim Kuhn, one is by Konitz and the remaining one is a Duke EllingtonFind albums by this artist standard. The album was recorded by the legendary sound engineer / producer Walter QuintusFind albums by this artist, owner of CMPFind albums on this label Records, and the sound quality is simply breathtaking.
Kuhn´s clarinet sound, which has been his trademark for decades, is absolutely unique, combining the traditional Jazz approach originating in the early Jazz days and European modernism. Kuhn, who often joins forces with his pianist brother, produced a substantial and consistently excellent body of recorded work over time, which in retrospect is an integral part of the European Jazz and one of its finest facets.
This album is full of beautiful melodies, mostly reflecting the European lyricism and melancholy, superbly executed by all the participants, with many splendid solos and outstanding ensemble playing. The younger musicians seem to have no problem whatsoever to stand shoulder to shoulder with the veterans. Considering the fact that Kuhn was seventy years old when this music was recorded, he manages miraculously to keep his head and soul eternally young!
This album is a classic example of the elegance, sophistication, panache and stylish flair, which characterize European Jazz at its best, and which manage to present relatively mainstream Jazz in a fresh and challenging way. I can´t imagine any true Jazz fan not enjoying this fantastic music, and therefore recommend it wholeheartedly. For clarinet lovers this album is simply beyond essential!
| Updated: 05/02/2016Posted: 05/02/2016 | CD 1 Recommend To A Friend |
  | BARBARA THOMPSON`S PARAPHERNALIA ~ LIVE AT LEVERKUSEN 1994 REPERTOIRE 1479 (Barcode: 4009910147924) ~ UK ~ Jazz-Rock Fusion Recorded: 1974 Released: 2025
Let’s start with placing everything in a historical perspective…
By the time the concert, which this album presents, was recorded, Barbara ThompsonFind albums by this artist’s ParaphernaliaFind albums by this artist was one of the leading instrumental ensembles on the European Jazz / Fusion scene, with an extensive recorded legacy to their credit. Following the release of their first three albums (two studio recordings and one live outing) on the MCAFind albums on this label label, Paraphernalia joined the roster of the small German independent label veraBraFind albums on this label Records, owned and run by Cologne based Vera BrandesFind albums by this artist, one of the most dynamic female Jazz activists on the European scene at the time, manager, concert organizer and record producer, who founded CMPFind albums on this label (1977), veraBra (1980) and IntuitionFind albums on this label (1984) labels, which released hundreds of albums, including some of the finest European Jazz / Fusion recordings of the era. The cooperation with Brandes opened many concert opportunities for Paraphernalia, which resulted in their popularity in Europe, and especially so in Germany, to exceed the success on their British home turf. It is not surprising therefore, that the German NDR Broadcasting corporation was happy to invite them to take part in their highly popular “Rockpalast” series of live TV broadcasts, which is the source of the material on this album.
In 1993 Paraphernalia released their fourth album on veraBra, entitled “Everlasting FlameFind albums with this title”. Recorded, mixed and produced by Jon HisemanFind albums by this artist at his Temple Music studio in Spring / Summer of 1993, it featured the quintet lineup of the ensemble, with Barbara Thompson on saxophones and flutes, keyboardist Peter LemerFind albums by this artist, guitarist Malcolm MacFarlaneFind albums by this artist, bassist Paul WestwoodFind albums by this artist and Jon Hiseman on drums and percussion, the same lineup, which is featured on this live recording. The set list includes four compositions, which originate from the new album, which they were promoting at the time, one composition from their previous album “BreathlessFind albums with this title” (1991), another one from their live album “A Cry From The Heart – Live In LondonFind albums with this title” (1988) and finally one track, which will become the title track of their future album “Shifting SandsFind albums with this title” (1998), their debut on Intuition Records.
Paraphernalia was such a superb musical vehicle not only due to the fact that it combined the talents of some of the finest British Jazz / Fusion musicians, and was led by an extraordinary instrumentalist and composer. Yes, all these elements were the necessary ingredients to create excellent music, but the true explosive amalgamation was also the result of the personal and musical relationship between Barbara and Jon, one of the most extraordinary musical couples of all time.
It was a true match made in heaven, when they met as members of the New Jazz OrchestraFind albums by this artist (NJOFind albums by this artist), directed by Neil ArdleyFind albums by this artist. Stricken not only by her beauty, but more profoundly by her extraordinary talent as a musician, Jon proposed and they were married in 1967, a marriage that lasted for half a Century until his tragically early and unexpected death in 2018. During their entire lifetime together they cooperated in many musical projects, complimenting each other. When Hiseman founded the iconic ColosseumFind albums by this artist with the late Dick Heckstall-SmithFind albums by this artist, Barbara, although not a formal group member, played on all early Colosseum albums as a guest musician. When the German pianist / composer Wolfgang DaunerFind albums by this artist founded the revolutionary Pan-European United Jazz + Rock EnsembleFind albums by this artist, both Jon and Barbara joined and were members of the ensemble for years. When Barbara founded the Paraphernalia ensemble, although unable to join at the very early days, Jon joined soon after and became the pillar of the band. When Dick Heckstall-Smith retired from the re-united Colosseum, Barbara stepped bravely in, despite her serious health problem, to replace him. And then of course, they both had their separate projects as well, which they mutually respected. This intertwined musical / personal life-path is a true symbol of Barbara and Jon as a couple, which resulted always in a whole much greater than the sum of its parts.
Keyboardist Peter Lemer, who had a long personal relationship with the couple, remembers: “Onstage, Jon was unwavering in his commitment to quality. He deployed the best technology for sound and stage setup, ensuring that both the band and the audience had the best possible experience. His care extended especially to Barbara, creating an environment where she could perform with freedom and power. As Barbara faced the challenges of Parkinson’s disease, Jon’s support became even more essential. He threw himself into understanding the condition, building relationships with specialists, and even speaking at Parkinson’s symposiums, so knowledgeable that he was often mistaken for a consultant. This journey is poignantly captured in the film ‘Playing Against Time’. Through it all, their love for each other and their shared passion for music shone through. Jon’s protectiveness and Barbara’s resilience formed the foundation of their personal and professional lives. It was a privilege to be part of their journey, to share their laughter, their dedication, and their extraordinary ability to bring people together through music."
Guitarist Malcolm MacFarlane remembers: “By 1994, the year of this featured concert, I’d been in the band for 6 years. If I’m remembering correctly, this is the tour that extended to over 110 dates! As an improvising musician this was a real gift to be given the chance to develop your skills so intensely and ‘for real’ in a sustained way. I left the band the following year. Barbara and Jon were very keen for me to stay but all good things as they say… The news of Jon’s passing was such a shock, I honestly thought that he’d outlive us all as his energy levels and drive were truly inspiring. Barbara’s diagnosis and spirited fight against her condition was also inspirational. These two formed such a huge part of my growth from being a recently graduated music student into adulthood and being ‘grown up’, that after a 7-year working relationship I’m not only deeply indebted to them but I genuinely loved them both too."
So here we are, with Barbara, Jon and the rest of Paraphernalia playing their hearts out in front of an enthusiastic audience, captured for eternity on this album. It is another piece of the wonderful puzzle that Barbara and Jon left for us to cherish and admire, which will help us to remember them and their tantalizing musical heritage. Thanks to Ana GraceyFind albums by this artist for keeping the flame alight and RepertoireFind albums on this label Records for the continuous effort to make this legacy available to all fans, old and new, to delight in! Side Note The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| Updated: 20/08/2025Posted: 19/08/2025 | CD+DVD 2 Slipcase Remastered Recommend To A Friend |
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