Record Reviews

MUHAL RICHARD ABRAMS ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1021 (Barcode: 8052405140647) ~ USA ~ Jazz Recorded: 1979 - 1994 Released: 2012 This superb Box Set collects all the albums recorded by the legendary American keyboardist / composer / conductor Muhal Richard AbramsFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. The set includes eight albums he recorded as a leader, heading a range of ensembles between a septet and a full scale orchestra, which was his preferred "weapon of choice" Abrams is best known as the founder of the original AACM in Chicago in 1965 and then the New York chapter of AACM after he moved there permanently in 1975. He was a prolific recording artist, with an impressive list of albums to his credit. The albums included here present his output between late 1970s and early 1990s, all of which is his original music. He plays piano, synthesizer and conducts the ensembles. These recordings are all excellent examples of his work, which is a completely unique combination of Free Jazz, Improvised Music and Contemporary Classical music techniques. Abrams often uses the human voice as an improvising instrument, as well as the electric guitar, which is quite unusual in such settings. His music is deeply influenced by the Blues as well as the compositional approach of Duke EllingtonFind albums by this artist, who was his model. In retrospect his work could be seen as a continuation of Ellington´s legacy into the realm of Avant-Garde Jazz. The list of the players present on these recordings reads like the Who´s Who of the American Avant-Garde scene and includes trumpeter Jack WalrathFind albums by this artist, saxophonists John PurcellFind albums by this artist, Marty EhrlichFind albums by this artist, Charles DavisFind albums by this artist and Eugene GheeFind albums by this artist, cellist Abdul WadudFind albums by this artist, guitarists David FiuczynskiFind albums by this artist and Jean-Paul BourellyFind albums by this artist, vocalists Janette MoodyFind albums by this artist and Jay ClaytonFind albums by this artist and drummers Andrew CyrilleFind albums by this artist and Warren SmithFind albums by this artist and dozens of others. The music is absolutely brilliant and fascinating and connoisseurs of Free Jazz will find it obviously essential, but other less refined listeners might find it quite accessible, with just a minimal effort of attentive listening. This is definitely an important document of the American Free Jazz movement, which deserves to be preserved for posterity and which should serve as a source if inspiration to the young generation of contemporary Free Jazz artists. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 12/04/2020Posted:

CD 8 Mini-Sleeve Box Set Remastered Recommend To A Friend

MUHAL RICHARD ABRAMS ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE VOLUME 2 CAM JAZZ 1041 (Barcode: 8052405142504) ~ USA ~ Free Jazz / Improvised Music Recorded: 1975 - 1995 Released: 2016 This superb Box Set collects recordings by the legendary American keyboardist / composer / conductor Muhal Richard AbramsFind albums by this artist released on the Black SaintFind albums on this label and Soul NoteFind albums on this label labels. It includes nine albums, four of which are duets: "SightsongFind albums with this title" with bassist Malachi FavorsFind albums by this artist, "Lifelong AmbitionsFind albums with this title" with violinist Leroy JenkinsFind albums by this artist, "DuetFind albums with this title" with pianist Amina Claudine MyersFind albums by this artist and finally "Duets And SolosFind albums with this title" with saxophonist Roscoe MitchellFind albums by this artist. The album "Shadowgraph, 5 (Sextet)Find albums with this title", released under the name of trombonist / composer George LewisFind albums by this artist and presenting music composed by him, features Abrams playing piano on two tracks. The remaining four albums: "1-OQA+19Find albums with this title", "Colors In Thirty-ThirdFind albums with this title", "Family TalkFind albums with this title" and "Song For AllFind albums with this title" present various ensembles led by Abrams, which include the crème de la crème of American improvisers of the period, including saxophonists Anthony BraxtonFind albums by this artist, Henry ThreadgillFind albums by this artist and John PurcellFind albums by this artist, trumpeters Jack WalrathFind albums by this artist and Eddie AllenFind albums by this artist, bassists Dave HollandFind albums by this artist (well he was a Brit) and Brad JonesFind albums by this artist, drummers Steve McCallFind albums by this artist and Andrew CyrilleFind albums by this artist and numerous others. All the music on these last four albums was composed by Abrams and the music on the duo recording is, as expected, partly his and partly by his duet partners. Abrams is best known as the founder of the original AACM in Chicago in 1965 and then the New York chapter of AACM after he moved there permanently in 1975. He was a prolific recording artist, with an impressive list of albums to his credit. He plays piano, synthesizer and conducts the ensembles. These recordings are all excellent examples of his work, which is a completely unique combination of Free Jazz, Improvised Music and Contemporary Classical music techniques. His music is deeply influenced by the Blues as well as the compositional approach of Duke EllingtonFind albums by this artist, who was his model. In retrospect his work could be seen as a continuation of Ellington´s legacy into the realm of Avant-Garde Jazz. The music is absolutely brilliant and fascinating and connoisseurs of Free Jazz / Improvised Music / Avant-Garde will find it obviously essential, but other less refined listeners might find it quite accessible, with just a minimal effort of attentive listening. This is definitely an important document of the American Free Jazz movement, which deserves to be preserved for posterity and which should serve as a source if inspiration to the young generation of contemporary Free Jazz artists. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 16/04/2020Posted: 16/04/2020

CD 9 Mini-Sleeve Box Set Remastered Recommend To A Friend

NEIL ARDLEY ~ A SYMPHONY OF AMARANTHS DUSK FIRE 107 (Barcode: 5065001032189) ~ UK ~ Jazz Recorded: 1971 Released: 2012 This is the criminally overdue reissue of the second album by British Jazz composer / arranger / bandleader Neil ArdleyFind albums by this artist, which also was the second part of his great trilogy, which started with "The Greek VariationsFind albums with this title" and was followed later by "Kaleidoscope Of RainbowsFind albums with this title". It is one of the great gems of the revolutionary British Jazz, which developed in the Golden Decade (1965-1975) and changed to face of music as we know it. Influenced by Duke EllingtonFind albums by this artist and Gil EvansFind albums by this artist, Ardley was the creator of the innovative Big Band / Orchestral sound, which was one of the magic ingredients of the new British Jazz at the time. Although based on the compositional ideas of Ellington and Evans, Ardley managed to push them way forward into an amalgam with contemporary European Classical music, early atmospheric / ambient music and other elements, creating unique orchestral soundscapes. As the musical director, resident arranger and conductor of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley had at his disposal the crème de la crème of the British Jazz players, and quite naturally he used them to record his own projects as well. The list of the protagonists behind this recording is of truly epic proportions and includes such luminaries as trumpeters Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Don RendellFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Dave GellyFind albums by this artist (who also wrote the informative liner notes for this reissue), pianists Stan TraceyFind albums by this artist and Karl JenkinsFind albums by this artist, bassist Chris LaurenceFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist. The only one of its kind Ivor CutlerFind albums by this artist recites a famous nonsense poem and the divine Norma WinstoneFind albums by this artist sings Ardley´s music accompanying three classic poems, his first adventure with vocal music. Overall the album presents a wondrous splendor of musical ideas, marvelously executed by the musicians involved, creating together one of the most beautiful examples of creativity and intelligence, which were the chief ingredients of the music created by Ardley time and again. As an album, this is one of the very few examples of musical perfection, which set the standards for all the others. It is in every respect as perfect today as it was at the time of its recording. A curious point about this album is the fact that this was the first ever recording to be funded by a grant from the Art Council, which supported a plentitude of great musical projects in the years to come. The album was produced by the legendary Denis Preston, who was in charge of recording a myriad of brilliant early British Jazz albums and without whom the this great music might have never been captured for posterity. The reissue is brilliantly remastered and sounds absolutely spectacular. This is an unconditional, absolute essential piece of music!

CD 1 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

CARLA BLEY ~ APPEARING NIGHTLY WATT 33 (Barcode: 602517255166) ~ USA ~ Jazz Recorded: 2006 Released: 2008 The Superwoman of American Jazz, pianist / composer / arranger / bandleader Carla BleyFind albums by this artist is undoubtedly the most significant female figure dominating the scene since the late 1950s (yes it does seem incredible). Her numerous compositions constitute an unparalleled songbook, which has been used not only by herself and her various ensembles and bands, but by almost every Jazz musician the world over. Her work is extremely versatile and covers the many different Jazz subgenres as well as Progressive Rock and others. One has to admit that very few other composers have such an ability to write a seemingly simple tune, which turns into a great and timeless melody like she does, and many love her just for that. This superb albums includes some of her recent compositions, which in their approach, styling and general feel play tribute to the great Big Bands of the early 20th Century, particularly the greatest of them all, the Duke EllingtonFind albums by this artist Orchestra. Like Ellington before her, Bley sees in Jazz the contemporary Classical music and she treats it with the same seriousness and zeal. The music is beautifully arranged and breathtakingly performed by a superb collection of musicians, like British saxophonists Andy SheppardFind albums by this artist and Julian ArgüellesFind albums by this artist, Austrian saxophonist Wolfgang PushingFind albums by this artist, American trumpeter Lew SoloffFind albums by this artist, the omnipresent (as far as Bley is concerned) bassist Steve SwallowFind albums by this artist and many other wonderful musicians. The music was recorded live at the legendary Parisian "New Morning" club, and is one of the best live Big Band recordings I´ve ever heard. Overall this is an unbelievable experience, a blessed hour of music of the highest quality, performed gracefully and elegantly and composed by a Genius. What more could one want? An absolute must to anybody with ears, which still work…

CD 1 Recommend To A Friend

ANTHONY BRAXTON (+ DUKE ELLINGTON) ~ CONCEPT OF FREEDOM HATOLOGY 614 (Barcode: 752156061427) ~ USA ~ Jazz Recorded: 2003 Released: 2005 This album presents the compositions by two of America´s most iconic Jazz composers: Anthony BraxtonFind albums by this artist and Duke EllingtonFind albums by this artist. Although seemingly totally separated and different, the works of these two composers are reflections of their respective eras. Ellington symbolizes the sophistication of the Jazz Art Form at its peak; at least as far as Jazz composition is concerned, and marks the turning point of Jazz, when its musical qualities finally reached the level of complexity and sophistication of the Classical Music heritage. Braxton symbolizes the next giant step in the development of Jazz, when it finally freed itself from any preconceptions and limitations, concentrating on its intrinsic quality, i.e. improvisation. Side by side, these compositions can certainly compliment each other, especially when performed by an excellent quartet of European musicians, two of which have recorded Braxton´s music before under his supervision: Swiss trombonist Roland DahindenFind albums by this artist and pianist Hildegard KleebFind albums by this artist with Greek violinist Dimitris PolisoidisFind albums by this artist and Austrian electronic musician Robert HöldrichFind albums by this artist. The performances are virtuosic and the music, although difficult and demanding, offers besides the obvious challenges also many hidden treasures associated with contemporary Improvised Music. For serious listeners only!

CD 1 Mini-Sleeve Oversampling Recommend To A Friend

BURTON / METHENY / SWALLOW / SANCHEZ ~ QUARTET LIVE CONCORD 888072313033 (Barcode: 888072313033) ~ USA ~ Jazz Recorded: 2007 Released: 2009 In the 1960s the celebrated American vibraphonist / composer Gary BurtonFind albums by this artist led a quartet, which also included guitarist Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Roy HaynesFind albums by this artist (and later Bob MosesFind albums by this artist). That quartet recorded a series of brilliant albums, which in retrospect clearly show how pioneering and revolutionary that music was at the time, giving birth to Jazz-Rock Fusion years ahead of anybody else in the US. The young and up-coming guitarist Pat MethenyFind albums by this artist joined that same quartet just a few years later (mid-1970s), adding his unique input to the quartet´s sublime legacy. This live recording at the legendary Yoshi´s Jazz club in Oakland captures a reunion of the original (1970s) quartet with the exception of the Mexican drummer Antonio SanchezFind albums by this artist, who is of course a member of the much younger generation of Jazz players, but his remarkable qualities suited the occasion perfectly. They perform a series of mostly original compositions by the three veteran group members, which have all been performed at the time by the original quartet. A few compositions originating from outside the quartet, but performed at the time, as also included, those being by Chick CoreaFind albums by this artist, Carla BleyFind albums by this artist, Keith JarrettFind albums by this artist and Duke EllingtonFind albums by this artist. This quartet treats these compositions quite differently in comparison to the original performances, bringing the arrangements up to date both sonically and stylistically, which awards them a second life. The overall level of performance is of course stellar, which is not surprising considering the aggregation of talent present. It is really great to hear Metheny play Jazz again, which he scarcely does with his own group. Both Burton and Swallow seem to be completely untouched by time and sound in top form. It is truly uplifting to see Jazz veterans being able to create music, which is fresh and valid today, as it was decades ago. Great stuff!

CD 1 Recommend To A Friend

ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz Recorded: 1972 - 1974 Released: 2005 Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!

CD 2 Remastered Recommend To A Friend

JOHN COLTRANE ~ THE COMPLETE 1961 VILLAGE VANGUARD RECORDINGS IMPULSE! 232 (Barcode: 011105023221) ~ USA ~ Jazz Recorded: 1961 Released: 1997 When this music was recorded in November of 1961 I was only 10 years old and yet it changed my life forever. Living in (Socialist) Poland, my access to contemporary (at the time) jazz originating in the US was pretty limited and the only beacon of light was the daily Willis ConoverFind albums by this artist’s radio jazz program on Voice Of America, beamed from across the Iron Curtain. Millions of Eastern European listeners would risk freedom (listening to VOA was a criminal act then) to gain freedom, myself included. These broadcasts changed the life of countless people and particularly in Poland would eventually be a dominant factor in the process of forming a burgeoning and extremely fruitful local jazz scene. Many hours of my early childhood were spent with myself standing on a conductor’s podium (e sledge), in front of an imaginary orchestra playing inside the enormous radio (a pre WW II antique). Since classical music was less censored and sponsored by the Establishment, it was there for us to enjoy most of it of very high quality. I remember listening for hours at end to the annual Chopin competition, which was Poland’s most prestigious music event, getting to know his music inside out before I even knew anything about him. My Mother encouraged my “conducting” aspirations warmly, supplementing them with occasional background information. But the discovery of jazz and its strange convoluting patterns and unfamiliar rhythms was a revelation. I just couldn’t get enough of it and every new artist or piece of music was an instant bliss. By the time I was about to hear John ColtraneFind albums by this artist for the first time I was already familiar with the music of Duke EllingtonFind albums by this artist, Count BasieFind albums by this artist, Charlie ParkerFind albums by this artist and Dizzie GillespieFind albums by this artist (thanks to Mr. Conover). Conover, in contrast to many of his peers (who were stuck in be-bop or some earlier jazz sub-genre for the rest of their lives), was remarkably open-minded and understood the genius of Coltrane and his visionary contribution to the development of the Jazz Art form. He therefore featured every new Coltrane album as soon as it was released. So here I was, 10 years old, some time in early 1962, listening to the Village Vanguard sessions – an experience equivalent to a 10,000 Volts electricity shock. My life would definitely be never the same again. I hope these personal reminiscences don’t put you off too much, but I just couldn’t resist the temptation. Taking the time-travel express to now here are my comments about this music from a “45 years later” point of view. In 1961 Coltrane left AtlanticFind albums on this label (his second label, PrestigeFind albums on this label being the first) and signed a contract with Impulse!Find albums on this label, the new and ambitious jazz label run by producer Bob ThieleFind albums by this artist, where he would stay for the rest of his life. Coltrane was already following a path (mostly subconsciously) which would lead him to the edge of the known jazz explorations and beyond. His monumental Atlantic albums like Giant Steps and My Favorite Things were just a glimpse of things to come. Coltrane felt that Thiele would allow him to speed up the process of reaching the quest of musical enlightenment by allowing him total artistic freedom and supporting him all the way and he was of course right. The extensive volume of music recorded for Impulse! in the span of almost 7 years right up to his death would become the most important musical legacy of the 20th Century, so innovative and groundbreaking that it is still a mystery to many contemporary listeners and musicologists today. Coltrane’s first recording for Impulse! (in the spring of 1961) would be the Africa / Brass sessions, an ambitious project involving a large ensemble of the most gifted players on the scene (Freddie HubbardFind albums by this artist, Booker LittleFind albums by this artist, Eric DolphyFind albums by this artist and many others) – see The Complete Africa / Brass SessionsFind albums with this title album, another essential Coltrane release. These sessions introduce several new elements in Coltrane’s music, like Far-Eastern motifs, African rhythms and other ethnic influences. In November of 1961 Thiele decided to record Coltrane live, using the 4 nights booking at the NY club The Village Vanguard (where many jazz albums were recorded live) for this purpose. The booking was for a John Coltrane Quintet and it was only natural that the Quintet would include Eric Dolphy, whom Coltrane knew, respected and played with earlier. The legendary Quartet (with McCoy TynerFind albums by this artist, Jimmy GarrisonFind albums by this artist and Elvin JonesFind albums by this artist) was not entirely crystallized at the time, so Coltrane and Thiele decided to expand the line-up (on some takes) to include an oud player (Ahmed Abdul-MalikFind albums by this artist) and alternative bassist (Reggie WorkmanFind albums by this artist) and drummer (Roy HaynesFind albums by this artist). Since this music was recorded for a future release Thiele (as any produce would do) recorded several takes of each tune, some with an alternating line-up. This 4CDs Box Set includes all the music that was recorded during these four days (mind you not all the music that was played, as some of it was not recorded hence the “complete” being not entirely true) in the exact order it was recorded. This music was to be released later on two albums (Live At The Village Vanguard and The Other Village Vanguard Tapes) as well as parts of other albums (Impressions) and collections. Collected here together for the first time, this is a monumental piece of jazz history and an unforgettable musical experience. Coltrane’s circular breathing technique and his “wall of sound” approach are clearly evident here for the first time in their full glory. The comparison of the different versions of the same tunes are both fundamental and clairvoyant examples of the “one time experience” that every jazz performance essentially is. The power, the vision, the super-human strength of will of the Master and Prophet (please excuse the almost religious references) that Coltrane was, are here for us, his disciples, to discover, study, revere and bequest to future generations. This Box Set is something one has in one’s record collection for life. It is not only timeless, but also constantly evolving in parallel to one’s private (musical) evolution. Listening to it time after time (especially after a long period of abstention) will be revealing and constantly surprising. It is a superb example of great Art, which keeps alive for eternity, adopting itself to the changing cultural surroundings, and therefore being truly eternal. I can’t imagine anybody, who calls himself a music lover, not owning this music, as naive as this might sound, since I believe there is something in it for everybody. Beyond essential!

Updated: 26/01/2019Posted:

CD 4 Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend

CONCEPT ART ORCHESTRA ~ VANOCE DOSPELYCH ANIMAL MUSIC 075 (Barcode: 8594155991617) ~ CZECH REPUBLIC ~ Xmas Jazz Recorded: 2018 Released: 2018 This is the fourth album by the Czech Big Band called Concept Art OrchestraFind albums by this artist, founded in 2010 and led by trumpeter / composer Stepanka BalcarovaFind albums by this artist. As the title suggests (Eng. "Xmas For The Grownups"), this is a Xmas Jazz project, but it is completely original and different from most such endeavors. The album presents nine pieces, three of which are traditional Xmas Carrols, one is a 17th Century Classical composition and five are original compositions, all composed or arranged by members of a group of six Czech composers, called collectively The Prague SixFind albums by this artist: Balcarova, saxophonist Lubos SoukupFind albums by this artist, pianist Vit KristanFind albums by this artist, keyboardist Martin BrunnerFind albums by this artist, trombonist Jan JiruchaFind albums by this artist and pianist Tomas SykoraFind albums by this artist, four of which also play on the album. The Big Band, conducted by Balcarova, includes eighteen players with the obvious saxophone, trumpet, trombone and rhythm sections. Three vocalists perform the lyrics (in Czech) to the five original pieces; written by Czech poets (Jan SkacelFind albums by this artist and Frana SramekFind albums by this artist) and other lyricists or in one case by Soukup, which also place this project in the proximity of the Jazz & Poetry idiom. The music is by far more Jazz oriented than other Xmas Jazz projects, with the full splendor of the Big Band dominating the proceedings. The compositions and the intricate arrangements create a multi-layered aural experience, in which the lyrics are just one aspect of the whole. The arrangements of the traditional Carrols and the Classical piece take them almost completely away from their original / usual environs, and are brilliant displays of the artistry of transposing music between genres, in this case sounding like Duke EllingtonFind albums by this artist´s standards rather than European folkloristic themes. And yet the Big Band manages to keep the Xmas Spirit of the music intact due to a highly creative sensibility. The three Carrols are placed in tandem, creating a sort of mini suite, standing somewhat apart from the original compositions, but still being an organic part of the entire project. Throughout the album the Big Band members get plenty of opportunity to solo and the performances as a whole are absolutely superb from start to finish. The Orchestra sounds collectively as one organic body and such level of mutual respect and cooperation is awe inspiring. The vocals are also splendidly executed, with obvious respect to both the text and the music. Even for non Czech speaking listeners these vocals are perfectly communicative, at least on the emotional level. Overall this is a superb piece of music, not only for Big Band buffs, but also all other connoisseurs of orchestral music, which always amazes with its sheer power of expression. For me it is definitely the most well rounded creation by the CAO and as such it is of course highly recommended. My sincere thanks to Stepanka Balcarova for sharing this music with me and I wish her many fruitful musical achievements in the future. Well done Milady and all the people who make Czech Jazz such a wonderful experience!

Updated: 06/11/2020Posted: 05/11/2020

CD 1 Mini-Sleeve Recommend To A Friend

EDWARD CZERNY ORCHESTRA ~ POLISH RADIO JAZZ ARCHIVES VOL.16 POLSKIE RADIO 1666 (Barcode: 5907812246662) ~ POLAND ~ Jazz Recorded: 1956 - 1966 Released: 2014 This is the sixteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album is a first in a series presenting music recorded by the Polish Radio Big Bands and presents the orchestra led by composer / arranger / bandleader Edward CzernyFind albums by this artist, one of the most active musical figures in Poland´s post-WWII history. Czerny, who was born in Zabrze, one of the Silesian industrial towns, received classical musical education in Berlin before the war. He managed to avoid being grafted into the German army due to a disability and spent the war in his hometown. Immediately after the war he became active forming and leading orchestras, first in Silesia and later on in Warsaw, where he moved in 1955. Among his various activities he was the conductor and artistic director of the Polish Radio Orchestra / Big Band for many years and recorded thousands of compositions for the radio, some of them his own. He retired from conducting by the mid 1970s and spent the rest of his life composing. He moved to Germany in 1981, where he died in 2003. Although Czerny was not a Jazz personality as such, he had a beautiful sense of Swing and a deep sympathy towards Jazz compositions, which he demonstrated in his wonderful arrangements of Jazz standards for his orchestra. Above all he was a superb orchestrator, which is evident in all his work. This album presents nineteen recordings made between 1956 and 1966 including mostly arrangements of Jazz / Swing standards by legendary composers like Glenn MillerFind albums by this artist, Stan KentonFind albums by this artist, Quincy JonesFind albums by this artist, Duke EllingtonFind albums by this artist and others. There are also four original compositions by Czerny. Interestingly two compositions by the Czech composer Karel KrautgartnerFind albums by this artist, who was another great bandleader / conductor active behind the Iron Curtain, are also included. Fans of vintage Jazz sound and swinging, danceable tunes should have a field day with this material, but it´s worth remembering that Czerny and his music influenced an entire generation of musicians, who were about to become the first Polish post-WWII wave of modern Jazz musicians, creating one of the most fascinating European Jazz scenes. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 01/08/2019Posted:

CD 1 Digipak Remastered Recommend To A Friend

JOHN DANKWORTH ~ 5 STEPS TO DANKWORTH / JOURNEY INTO JAZZ VOCALION 5303 (Barcode: 765387530327) ~ UK ~ Jazz Recorded: 1956 - 1957 Released: 2008 Saxophonist / composer / bandleader John DankworthFind albums by this artist is one of the Godfathers of modern British Jazz. His activities on the local and international scenes since the early 1950s were instrumental in establishing a whole new generation of Jazz players, which eventually led to the flourishing and revolutionary British Jazz of the 1960s. After his first group - the John Dankworth SevenFind albums by this artist – disbanded, Dankworth established the John Dankworth OrchestraFind albums by this artist, the first British modern Big Band, which consisted of the best Jazz players in Britain at the time. Dankworth´s superb compositions and magnificent arrangements, aided by the virtuosity of his band members, were among the finest in the world and easily compared to the American Big Bands of Duke EllingtonFind albums by this artist, Count BasieFind albums by this artist and others, often surpassing their output with the sophistication and finesse of its works. This great reissue presents Dankworth´s first two recordings with his Orchestra, the debut "Journey Into JazzFind albums with this title", which includes the suite "Itinerary of an Orchestra" – Dankworth´s presentation of a Jazz Orchestra similar in concept to Benjamin BrittenFind albums by this artist´s "Young Person´s Guide to the Orchestra". As most of Dankworth´s compositions the arrangements were made by the excellent "in house" arranger David LindupFind albums by this artist. "5 Steps Into DankworthFind albums with this title", subtitled "Presenting the Music of Johnny Dankworth", concentrates on his talents as a composer and emphasized the magnificent full power of the Big Band. Together these two albums are a true treasure of great music, which lost nothing of its power and ingenuity over the years and sound completely relevant today. Brilliant stuff!

CD 1 Remastered Recommend To A Friend

DR. JOHN ~ DUKE ELEGANT BLUE NOTE 724352322022 (Barcode: 724352322022) ~ USA ~ Jazz-Pop Fusion Recorded: 1999 Released: 2000 This is the 22nd studio album by iconic American singer / keyboardist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded in a quartet setting with guitarist Bobby BroomFind albums by this artist, bassist David BarardFind albums by this artist and drummer Herman Ernest IIIFind albums by this artist. Dr. John plays the Hammond B3 organ and piano. Saxophonist Ronnie CuberFind albums by this artist and percussionist Cyro BaptistaFind albums by this artist guest on selected tracks. The album presents twelve songs, which as the title suggests, were all written by Duke EllingtonFind albums by this artist and are all known as Jazz standards, but get here a completely unique treatment. It is his first album released on the Blue NoteFind albums on this label label. The beautiful idiosyncratic voice, keyboards playing and general attitude of Dr. John work absolutely perfectly transforming these Jazz standards into the Funky, Blues soaked, Boogie songs, and are a proof of his enormous talent. Listening to this album is one great thrill from start to finish, and the organ parts are simply delicious. Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it about how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!

Updated: 24/10/2023Posted: 19/08/2023

CD 1 Recommend To A Friend

SLAWEK DUDAR ~ BALLADS & SWING (BEAUTIFUL SONGS OF DUKE ELLINGTON) NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2024 Released: 2024 This is an album by Polish (currently resident in Germany) Jazz saxophonist / composer Slawek DudarFind albums by this artist, recorded in a trio format with a German rhythm section: bassist Johannes GollerFind albums by this artist and drummer Ali BroumandFind albums by this artist. The album presents eight tracks, six of which are compositions by Duke EllingtonFind albums by this artist (as the title suggests) and two are standards. The music is of course as mainstream Jazz oriented as only imaginable, and besides the saxophone trio format, offers no other points of interest as such. Dudar, as his earlier recordings prove, is an accomplished saxophone player, and here he performs all the tunes every Jazz lover knows by heart, so there is little margin of error possible. The intimate format and exaggerated slow tempo make listening to the music a bit of an effort, but enables every little detail and nuance of the music to be perfectly audible, which I assume was intentional. Overall, although the material is absolutely classic, the album is extremely minimalistic, and considering the fact that these tunes were covered by generation after generation of Jazz Masters, presents a sort of a question mark as to its purpose / intention. Having said that, mainstream Jazz lovers might enjoy this somewhat “naked” versions of beloved standards.

Updated: 03/06/2025Posted: 03/06/2025

CD 1 Digipak Recommend To A Friend

DUKE ELLINGTON ~ THE COMPLETE COLUMBIA STUDIO ALBUMS COLLECTION 1951-1958 SONY 886979388826 (Barcode: 886979388826) ~ USA ~ Jazz Recorded: 1951 - 1958 Released: 2012 American pianist / composer / bandleader Duke EllingtonFind albums by this artist is universally acclaimed as one of the most pivotal figures not only in Jazz but in the 20th Century Culture in general. Ellington was the most important Jazz composer, with over a thousand compositions to his credit. His incredibly fruitful imagination and a prophetic vision, in addition to his compositional skills, easily equivalent to those of contemporary Classical composers, made him a unique phenomenon among his peers, unparalleled and masterful. But he was also a superb pianist and a brilliant arranger as well as phenomenal bandleader. The Duke Ellington OrchestraFind albums by this artist was a symbol of Jazz for over five decades, starting in the 1920s during the Harlem Renaissance and until his death in 1974. The orchestras (Big Bands) led by Ellington were famous for their incredible precision and virtuosic skills and always comprised of the absolute crème de la crème of the American Jazz scene. The list of the band members reads like a who´s who of the 20th Century American Jazz. For Ellington the composer the existence of such a highly skilled orchestra was the only vehicle capable of performing his beautifully crafted but also often quite complex and devilishly clever music. This incredible Box Set includes all his recordings for the ColumbiaFind albums on this label label, recorded in the 1950s and covering this decade of his lifetime, which is often considered as the most artistically fertile in his entire career. It also covers the period of the great change in the Ellington´s orchestra, which was relatively stable in the preceding decade and a half and was about to be rejuvenated both personally and stylistically. With the departure of players like drummer Sonny GreerFind albums by this artist, saxophonist Johnny HodgesFind albums by this artist or trombonist Lawrence BrownFind albums by this artist, Ellington infused the orchestra with "fresh blood" in the form of drummer Louis BellsonFind albums by this artist (and later Sam WoodyardFind albums by this artist), saxophonist Paul GonsalvesFind albums by this artist, clarinetist Jimmy HamiltonFind albums by this artist, trumpeter Clark TerryFind albums by this artist and others, which resulted in a much more invigorated and up-to-date overall sound and vigor. The music herein includes some of Ellington´s most powerful and aesthetically fulfilling work, both short pieces and extended suites. It shows Ellington´s respect of the sources of Jazz, including Blues and Gospel on one hand, and his open-mindedness towards modern Classical music, all of which are the ingredients of his masterly compositions. Some of the music includes vocals, performed by Mahalia JacksonFind albums by this artist and others. There is no doubt than this is some of the best and most important music 20th Century bequeathed to future generations. One can only hope those future generations will keep this eternal flame alive with their continuous love and admiration. Remastered and expanded with a plethora of bonus tracks, this Box Set should become an absolutely essential cornerstone of any serious music collection, Jazz or otherwise. This is Culture encapsulated, intense and immortal, a beacon of light in the darkness of ignorance, which is slowly engulfing us all.

Updated: 26/01/2019Posted:

CD 9 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend

DUKE ELLINGTON / BENNY GOODMAN ~ POLISH RADIO JAZZ ARCHIVES VOL.17 POLSKIE RADIO 1667 (Barcode: 5907812246679) ~ USA ~ Jazz Recorded: 1934 - 1949 Released: 2014 This is the seventeenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album presents music recorded by the Duke EllingtonFind albums by this artist Orchestra and several different ensembles and orchestra led by Benny GoodmanFind albums by this artist, recorded in the 1930s and 1940s and released on various labels (HMVFind albums on this label, ColumbiaFind albums on this label, CapitolFind albums on this label and RCAFind albums on this label) on 78 RPM shellac discs, which are part of the Polish Radio archives. The music was remastered from these original discs by Anna RutkowskaFind albums by this artist. I must admit that I find this release quite surprising and consider its place in this series as purely accidental, as none of these recordings present music recorded in Poland by the Polish Radio nor does it feature any Polish Jazz musicians, and as such defies the purpose of the so far excellent effort to make this series special. The fact that these shellacs are part of the Polish Radio archive is definitely not a good enough reason for being included in this series. And additionally of course all this material is already available in the US and in Europe, after being remastered by the labels which released this music originally, in my higher quality, often in lavish Box Sets with extensive historical notes, etc. In short this effort is nothing short of bizarre and a sad waste of resources, especially in view of the fact that many other superb recordings in the Polish Radio vaults are still waiting to be released. One can only hope that future releases of this series will return to the already established pattern, which served its purpose splendidly.

Updated: 26/01/2019Posted:

CD 1 Digipak Remastered Recommend To A Friend

MICHAEL GARRICK ~ LIVE AT PIZZA ON THE PARK, LONDON VOCALION 9000 (Barcode: 765387900021) ~ UK ~ Jazz Recorded: 2006 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This DVD captures his exquisite performance with his new quartet (Garrick – piano, Martin HathawayFind albums by this artist – reeds, Paul MoylanFind albums by this artist – bass and Alan JacksonFind albums by this artist - drums with guest musician Mark HanslipFind albums by this artist – tenor sax). Garrick seems to be untouchable by time, as he not only looks great but also plays beautifully, as if no time passed at all since he touched the keyboard for the first time. The music includes some of his old and some new compositions, as well as a few standards (all from the Duke EllingtonFind albums by this artist stable), which get a typical Garrick treatment, with a dash of British humor. He also recites a couple of poems, as appropriate for a pioneer of the Jazz & Poetry movement and gives a chance to a young gifted player as a guest. A most enjoyable performance of great Jazz, which warms the heart and makes your feet go “tap tap tap”. The DVD also includes an insightful interview with Garrick, where he warmly (and with a lot of humor again) remembers the “good old days”, which were glorious indeed. I had a great time watching / hearing this and I’m sure anybody familiar with Garrick’s splendid and innovative contributions to music will do as well. 140 minutes.

Updated: 01/01/2016Posted:

DVD 1 Recommend To A Friend

MICHAEL GARRICK ~ PETER PAN JAZZDANCE SUITE JAZZ ACADEMY 09 (Barcode: 801082016725) ~ UK ~ Jazz Recorded: 2003 Released: 2003 Following the establishment of his own record label Jazz Academy in 1993, British pianist / composer Michael GarrickFind albums by this artist started to record again on a regular basis and quite prolifically at that, to the delight of his many fans, myself included. He continued to records with small ensembles (trio, quartet, etc.), but in parallel he also started to score and record his new works for extended orchestras / Big Bands, this album being a superb example of his work in that field. Garrick’s life-long love affair with the written word (poetry, prose and even religious texts), especially British literature, has always been a prominent part of his output. From his early-days involvement with the Jazz & Poetry movement and throughout his entire career his work was always related one way or another to literature. Therefore it’s hardly surprising that Garrick should write a complete suite based on a book, in this case the classic children’s (or is it?) tale of Peter Pan. Garrick even includes here a set of poems written by him, which he and the lovely Anita WardellFind albums by this artist recite (she also sings). The suite is performed by an Jazz orchestra, which includes some twenty players, mostly Garrick “regulars” in his orchestral projects, including the rhythm section of Paul MoylanFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums (both members of current Garrick’s trio and quartet). Garrick’s writing and arrangements are an obvious tribute to the Godfather of orchestral Jazz, Duke EllingtonFind albums by this artist. The music is lyrical and somewhat melancholic and Garrick’s score uses the orchestra cleverly to play around with the various moods the music goes through. The sound is mostly laid back as Garrick seldom makes the orchestra blast in its full potential power - less in definitely more in his case. Plenty of great solos of course, as all the musicians are first class players. Overall it’s a delightful musical experience, full of surprises and hidden treasures, with lots of typical Garrick’s tasteful humor. A must!

Updated: 01/01/2016Posted:

CD 1 Recommend To A Friend

PAUL GONSALVES ~ HUMMING BIRD VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz Recorded: 1970 Released: 2005 American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.

Updated: 14/08/2021Posted:

CD 1 Remastered Recommend To A Friend

PAUL GONSALVES & TUBBY HAYES / JOHNNY SCOTT ~ JUST FRIENDS / LONDON SWINGS VOCALION 8482 (Barcode: 765387848224) ~ USA ~ Jazz Recorded: 1965 - 1966 Released: 2011 During the 1964 concerts in UK by the Duke EllingtonFind albums by this artist Band, saxophonist Paul GonsalvesFind albums by this artist was taken ill immediately prior to the band´s opening concert. He was promptly, but without any warning, replaced by the legendary local saxophone hero, Tubby HayesFind albums by this artist, who filled the void superbly. This incident led to a friendship between the two players, which led to the recording reissued herein. Gonsalves and Hayes exchange licks like there´s no tomorrow, leading a nonet consisting of excellent British musicians, some of which were the members of Hayes´ band at the time. The great pianist Stan TraceyFind albums by this artist was also drafted to the ranks. The music is simply divine, swinging like mad and the performances are truly stellar. A true meeting of the Giants! This reissue also includes an album by the Johnny ScottFind albums by this artist Orchestra, which consists of the leading Jazz players on the UK scene at the time. The superbly arranged material is a prime example of how seemingly straight-forward material can be sophisticated and interesting, when in the hands of Masters. This is a great trip down the nostalgia lane. Hayes enthusiasts will find this one essential!

CD 1 Remastered Recommend To A Friend

GARY GUTHMAN ~ SALUTE TO SWING! SOLITON 802 (Barcode: 5901571098029) ~ USA ~ Smooth Jazz Recorded: 1999 - 2004 Released: 2018 This is a compiled reissue of two albums by the American (resident in Warsaw) trumpeter / composer / arranger Gary GuthmanFind albums by this artist. The albums, recorded and initially released in Canada, are: "Sing, Sing, SingFind albums with this title" from 2005 and "Love TalkFind albums with this title" from 1999. Guthman leads professional Big Bands and is responsible for most of the arrangements, as well as for writing three original pieces on "Love Talk". The rest of the music comprises of well known Swing standards. As the title suggests, the music is a loving tribute to the Swing period in America, which lasted for over two decades between 1930s and early 1950s. The music was mostly played by a plethora of Big Bands and Jazz Orchestras, led by such celebrated composers / bandleaders as Benny GoodmanFind albums by this artist, Duke EllingtonFind albums by this artist, Harry JamesFind albums by this artist, Glenn MillerFind albums by this artist, Count BasieFind albums by this artist, Woody HermanFind albums by this artist, Tommy DorseyFind albums by this artist and numerous others. Although considered as one of the Jazz genres and certainly playing an important role in the development of the idiom, Swing was also a form of popular music and at its peak "the" popular music in the US and to some extent worldwide. Based on solid melodies, many of which became Jazz standards, Swing definitely also included and encouraged improvisation, although limited to relatively short and strictly melodic, but often masterly constructed and incredibly cleverly executed solos. Guthman is not only a great trumpet player, but first and foremost an incredibly sensitive musician in the broadest meaning of the word. He writes absolutely brilliant music, which sounds instantly as good as any Jazz standard from the "fake book", but he is also able to compose contemporary Classical music or entire musicals. He has a pair of great ears, which makes him a skillful arranger able to make the most of any setting, from a quartet to a Big Band or an Orchestra. And he is also a great person, a perfect Gentlemen and a Friend! The two albums presented here are very dissimilar, which makes this compilation even more attractive that it originally appears to be. "Sing, Sing, Sing" is a straightforward tribute to Swing, featuring all the big Swing "hits" that many people are familiar with, without even knowing what Swing means. As such it is a perfect trip down the memory lane for elderly people like yours truly, who still remember their parents dancing while these melodies were being played on the bandstand or on the radio. Guthman delivers several scorching trumpet solos and the music swings like there is no tomorrow. "Love Talk" is a completely different story. It is an exquisite showcase of Jazz arrangement, kept within the general Swing aura, but superbly orchestrated, with the full power of an Orchestra, featuring lush string layers, which is on the whole a piece of elegant, masterly woven musical delight. Guthman´s trumpet playing on this album is much softer, lyrical and Jazz oriented. Overall this album presents the charm and splendor of Swing for everybody. Less experienced listeners will enjoy the evergreens on the first album, which is basically quite danceable, while connoisseurs will delight in the seductive enticement and sophistication of the second album in this set, which is much more suitable for the intimacy a bedroom than the swish of a dancing floor. Since nobody makes music like this anymore, I am not surprised by the fact that this album was so warmly embraced by the listeners. It is after all a piece of musical history, which is still fondly remembered. Way to go, my Friend!

Updated: 01/08/2019Posted: 09/06/2018

CD 2 Digipak Recommend To A Friend

AL JARREAU & NDR BIG BAND ~ ELLINGTON ACT 9060 (Barcode: 614427906021) ~ USA ~ Big Band Jazz Recorded: 2016 Released: 2024 This is an archival live album by American Jazz vocalist Al JarreauFind albums by this artist, recorded with the mighty German NDR Big BandFind albums by this artist during his last European tour, just three months prior to his death. The album presents ten tracks, which are all, as to title suggests, compositions by Duke EllingtonFind albums by this artist or Billy StrayhornFind albums by this artist, brilliantly arranged by the conductor / arranger Jorg Achim KellerFind albums by this artist. The sound quality is not perfect, but the quality of the music compensates everything. Jarreau was not only one of the best and most unique American Jazz vocalist ever, but he was also a superb entertainer, with an exquisite sense of humor, which this album documents perfectly. His contact with the audience, which I was lucky to witness in person several times, was always intimate and full of love for music. His premature death was a truly great loss. The NDR Big Band is, as expected, fabulous all the way through, as appropriate for the best Big Band on earth IMHO. They are great partners for vocalists, as documented on may albums recorded over the years, and this album is no exception. Overall, this is a wonderful vocal Jazz album and a Big Band album combined, especially welcome in view of the fact that Jarreau’s recorded legacy is rather modest, comprising less than twenty studio albums, most recorded in the 1970s and 1980s. Definitely worth being discovered, not only by the Jarreau fans!

Updated: 21/01/2025Posted: 21/01/2025

CD 1 Digipak Recommend To A Friend

ROLF KUHN ~ INSIDE OUT INTUITION 750447327627 (Barcode: 750447327627) ~ GERMANY ~ Jazz Recorded: 1999 Released: 1999 This is an exquisite album by German clarinetist / composer Rolf KuhnFind albums by this artist, one of my all time favorite musicians, recorded in several different lineups and including American guest stars: saxophonists Michael BreckerFind albums by this artist and Lee KonitzFind albums by this artist and also Rolf´s younger brother pianist Joachim KuhnFind albums by this artist. The rest of the musicians are members of the younger generation of the German Jazz scene. Together they perform nine tunes, four of which are originals by Rolf Kuhn, three are by Joachim Kuhn, one is by Konitz and the remaining one is a Duke EllingtonFind albums by this artist standard. The album was recorded by the legendary sound engineer / producer Walter QuintusFind albums by this artist, owner of CMPFind albums on this label Records, and the sound quality is simply breathtaking. Kuhn´s clarinet sound, which has been his trademark for decades, is absolutely unique, combining the traditional Jazz approach originating in the early Jazz days and European modernism. Kuhn, who often joins forces with his pianist brother, produced a substantial and consistently excellent body of recorded work over time, which in retrospect is an integral part of the European Jazz and one of its finest facets. This album is full of beautiful melodies, mostly reflecting the European lyricism and melancholy, superbly executed by all the participants, with many splendid solos and outstanding ensemble playing. The younger musicians seem to have no problem whatsoever to stand shoulder to shoulder with the veterans. Considering the fact that Kuhn was seventy years old when this music was recorded, he manages miraculously to keep his head and soul eternally young! This album is a classic example of the elegance, sophistication, panache and stylish flair, which characterize European Jazz at its best, and which manage to present relatively mainstream Jazz in a fresh and challenging way. I can´t imagine any true Jazz fan not enjoying this fantastic music, and therefore recommend it wholeheartedly. For clarinet lovers this album is simply beyond essential!

Updated: 05/02/2016Posted: 05/02/2016

CD 1 Recommend To A Friend

ARIEL LANYI ~ ORIGAMI: PIANO SOLO KADIMA COLLECTIVE 12 (Barcode: 634479580017) ~ ISRAEL ~ Jazz Recorded: 2007 Released: 2007 2nd album by Israeli Jazz prodigy Ariel LanyiFind albums by this artist, 9 years old at the time this music was recorded. This time completely alone at the piano, without any guidance from his older peers, Ariel displays his exceptional talent even more forcefully then on his debut album. Out of the 10 tracks on this album, 7 are his own compositions / improvisations and just 3 are standards (by Duke EllingtonFind albums by this artist, John ColtraneFind albums by this artist and John LennonFind albums by this artist / Paul McCartneyFind albums by this artist). I really don’t know what to say here, except that this is scary stuff, when a 9 years old person displays the maturity and skills worthy of a fully grown up and accomplished musician. There are no gimmicks here, none whatsoever. Just the kid, his piano and the unbelievable music he makes. There is no way on earth (or above) that anybody listening to this music blindfolded could have guessed the age of the performer. I’m not a sappy sentimentalist, who looks for divine sources for inspiration, but there must be some kind of divine intervention here at work. The stuff Ariel can do at his current age are often never achieved by people ten times older then him who played piano their entire life. I know you don’t believe me – no problem – just listen.

CD-R 1 Recommend To A Friend

WYNTON MARSALIS ~ BLUE INTERLUDE WOUNDED BIRD 8729 (Barcode: 664140872929) ~ USA ~ Jazz Recorded: 1992 Released: 2007 This album finds trumpeter / composer Wynton MarsalisFind albums by this artist leading a septet, his ultimate vehicle of choice after fronting smaller combos in the first decade of his career. The septet comprised of musicians, who played in his earlier groups with the addition of trombonist Wycliffe GordonFind albums by this artist, and included saxophonists Wes AndersonFind albums by this artist and Todd WilliamsFind albums by this artist, pianist Marcus RobertsFind albums by this artist, bassist Reginald VealFind albums by this artist and drummer Herlin RileyFind albums by this artist. The fact that Marsalis´ ensembles expanded from quartet to septet was consistent with other changes in his musical path where a bigger ensemble became necessary as a tool to enable performing an ever increasingly complex and broad scope of his compositions and sophisticated arrangements. But this album also marks another dramatic change with Marsalis abandoning the idea of writing separate "songs" or "tunes" and moving into creating expanded suites in which the separate parts would be combined into a thematic whole. "Blue InterludeFind albums with this title" was the first of such extended works, comprised of many melodies, moods and rhythmic patterns, glued together by an underlying central musical concept and idea. The music is absolutely stunning and the romantic theme of the work, as it is about love after all, shows the gentle and often humorous side of Marsalis. Stylistically the music is based on the entire heritage of "classic" jazz, from its New Orleans roots and up to the almost symphonic complexity of Duke EllingtonFind albums by this artist´s Jazz suites. Marsalis´ handling of the trumpet is breathtaking, but all his cohorts are first class musicians and their individual contributions are excellent throughout. This is a small masterpiece in every aspect and an immensely pleasant listening experience from start to finish. No serious Jazz collection can be complete without this gem being included!

CD 1 Recommend To A Friend

WYNTON MARSALIS ~ LEVEE LOW MOAN: SOUL GESTURES IN SOUTHERN BLUE VOL. 3 WOUNDED BIRD 7975 (Barcode: 664140797529) ~ USA ~ Jazz Recorded: 1991 Released: 2008 This is the third part of the album trilogy, entitled "Soul Gestures In Southern BlueFind albums with this title", which finds trumpeter / composer Wynton MarsalisFind albums by this artist leading a sextet comprised of his regular band members: saxophonists Wes AndersonFind albums by this artist and Todd WilliamsFind albums by this artist, pianist Marcus RobertsFind albums by this artist, bassist Reginald VealFind albums by this artist and drummer Herlin RileyFind albums by this artist. Williams contributes one composition with the rest of the music being written by Marsalis. As expected, the music is a further exploration of the influence of the Blues on Jazz, and for me is the strongest of the three volumes perhaps due to the wonderfully crafted arrangements. Marsalis´ compositions, now clearly showing his love and respect for Duke EllingtonFind albums by this artist, are beautifully balanced and serve as ideal vehicles for the quintet to express their individual skills both as soloists and ensemble players. His beautiful tone and obvious virtuosity can be heard here in depth and enjoyed to the fullest. Although some critics have described this album as "forgettable" and "disappointing" (to quote the less offensive epitaphs) it is quite brilliant from start to finish and a highly enjoyable music experience for any true Jazz enthusiast. Some people just don´t get it, which is fine by me, as long as their limitations don´t influence others too often. This album is definitely worth exploring, as are its two companions in the trilogy and in my opinion this one is a must, so forget the critics and just listen!

CD 1 Recommend To A Friend

WYNTON MARSALIS ~ THINK OF ONE WOUNDED BIRD 8641 (Barcode: 664140864122) ~ USA ~ Jazz Recorded: 1983 Released: 2007 Whereas the eponymous debut album by American trumpeter / composer / arranger / bandleader Wynton MarsalisFind albums by this artist was somewhat a mixed affair, comprising of two different recording sessions with two different rhythm sections, this, his second album, is a well tempered affair. Finally heading his own permanent quintet, with brother Branford MarsalisFind albums by this artist on saxophones, the wonderful pianist Kenny KirklandFind albums by this artist, bassist Phil BowlerFind albums by this artist (or Ray DrummondFind albums by this artist on half of the tracks) and drummer Jeff WattsFind albums by this artist, Marsalis in truly in his element, firmly holding the reins of a leader. With Miles DavisFind albums by this artist influence still looming in the background, Wynton´s trumpet playing shows first signs of his lyrical side with less emphasis on the technical brilliance and more relaxed flow. He contributes three original compositions and the rest of the material includes a Kirkland and Drummond (one each) originals and standards by Thelonious MonkFind albums by this artist and Duke EllingtonFind albums by this artist. Wynton and Branford play well together, although a tension between the brothers was about to develop soon after, as a result of Branford´s tendencies towards more free-form improvisations while Wynton demanded a more conservative approach. Overall this is an incredibly solid album with no weak moments, flowing seamlessly from one tune to another, with brilliant soloing and tight but inventive rhythm section work. The 1980s were after all the age of the great return, when the two decades of experimentation first with Free form and improvised music and later with Jazz-Rock Fusion was pretty much over, leaving the Jazz musicians to re-invent modern Jazz using solid and well established ground while pushing the boundaries of virtuosity to the limit or perhaps beyond the limit – no other musician at the time was better at it than Wynton Marsalis and his crew. A classic!

CD 1 Recommend To A Friend

WYNTON MARSALIS ~ TUNE IN TOMORROW… (SOUNDTRACK) WOUNDED BIRD 7044 (Barcode: 664140704428) ~ USA ~ Jazz Recorded: 1990 Released: 2008 Writing a score for a Hollywood movie was another bold step for trumpeter / composer Wynton MarsalisFind albums by this artist, a part of the process of expanding his milieu and establishing his career as a total musician / composer and now also arranger for a larger ensemble. The music, which is a set of 16 relative short pieces, constitutes a suite, which is coherent and makes sense as a piece of music meant to be listened to separately from the movie, something a very few soundtracks ever achieve. Stylistically it is mostly Blues based, paying a tribute to Duke EllingtonFind albums by this artist orchestrations and compositional approach. The arrangements are clever and sophisticated enough to make the entire content flow without a moment of tediousness. The album also marks the first appearance of the new Marsalis Septet, which includes Marsalis, trombonist Wycliffe GordonFind albums by this artist, saxophonists Wes AndersonFind albums by this artist and Todd WilliamsFind albums by this artist, pianist Marcus RobertsFind albums by this artist, bassist Reginald VealFind albums by this artist and drummer Herlin RileyFind albums by this artist. The expanded list of the participants in the recording 16 musicians, including two vocalists: Johnny AdamsFind albums by this artist and Shirley HornFind albums by this artist. The overall atmosphere of the album takes the listener deep into the 1930s, when Jazz was the popular music of the time, played in clubs and dancehalls. Mind you, this is not some kind of "retro" effort, but a conscious and deliberate artistic choice. If Marsalis meant to bring back the glory of that music back and expose it to contemporary listeners, he did extremely well. This is a most enjoyable album, which should bring on a smile of satisfaction, a job well done and a memorable experience. Recommended!

CD 1 Recommend To A Friend

DOM MINASI ~ GOIN` OUT AGAIN CDM 1002 (Barcode: 765431100223) ~ USA ~ Jazz Recorded: 2002 Released: 2003 2nd album released on his own label by US guitarist / composer Dom MinasiFind albums by this artist and his trio with bassist Ken FilianoFind albums by this artist and drummer Jackson KrallFind albums by this artist. The album continues the direction of the wonderful tribute to Duke EllingtonFind albums by this artist, as presented on their debut release, but adds in addition to the unique treatment of standards also original compositions by Minasi. This album was recorded in the studio, as opposed to the debut, and therefore is somewhat more laid-back, but none of the brilliance and virtuosity of the musicians is lost in the process. Minasi’s completely unequaled technique is evident every step of the way, with frantic runs over the scales and sublime chords. Filiano’s bass playing is also equally enthralling, and since he serves as the backbone of the trio with his impeccable timing and superb bow work, he is an ideal partner allowing Minasi the freedom to explore his improvisations. Krall is also an ideal drummer for this kind of music, being able to supply the rhythmic ornamentation without trying to impose the pulse. The level of interplay and telepathic communication between all the three musicians is awe-inspiring. Avant-Garde Jazz is never an easygoing listening experience, but Minasi’s work should be accessible to most serious Jazz enthusiasts, providing they are open-minded enough to absorb innovation and unbounded creativity. It might take more that one listening session to truly appreciate this exceptional music, but the end result is guaranteed. Give it a try and you will never regret it later. Not to be missed!

Updated: 12/04/2019Posted:

CD 1 Digipak Recommend To A Friend

DOM MINASI ~ TAKIN` THE DUKE OUT CDM 1001 (Barcode: 765432100123) ~ USA ~ Jazz Recorded: 2001 Released: 2001 US guitarist / composer Dom MinasiFind albums by this artist is surely one of the most original and innovative Jazz artists active today and hearing his music is a true revelation. A veteran of the NY Jazz scene, Minasi was influenced by the Jazz Giants like John ColtraneFind albums by this artist, Miles DavisFind albums by this artist and Eric DolphyFind albums by this artist, all of which he heard performing live at NY clubs during his adolescence. Very early on Minasi realized that Free Jazz and Improvised Music were something he wanted to do and he’d stay faithful to that decision throughout his entire career. That does not mean he didn’t study the entire tradition of the Jazz genre (with an emphasis on guitarists of course) and even played “straight ahead” Jazz, which he still enjoys to do from time to time, but his true passion is the more challenging highly improvised and boundless facet of Jazz making. Minasi debut recordings as a leader were released in the mid-1970s by the legendary Blue NoteFind albums on this label label, which unfortunately by that time was already taken over by the Majors and attempted to produce mass-market music. Completely disappointed and frustrated by the treatment received from the Music Industry, Minasi decided to abstain completely from recording music, dedicating his time to live performances, teaching, writing and educating. Almost a quarter of a century later he finally made his return as a recording artists and soon after established his own recording label – CDMFind albums on this label Records – which is now his base of operations. This album is the first release on that label and a triumphant return of Minasi to public exposure, spotlighting his amazing talent as a player and improviser. Recorded live at the legendary NY Knitting Factory it features Minasi and his regular trio with the extraordinary bassist Ken FilianoFind albums by this artist and drummer Jackson KrallFind albums by this artist. As the title suggests, the material consists entirely of Minasi’s far-reaching interpretations of classic Jazz standards written by Duke EllingtonFind albums by this artist and Billy StrayhornFind albums by this artist. Hearing this music is a true revelation. Minasi does things with his guitar, which are simply unimaginable, displaying a technique and virtuosity of staggering proportions, as well as amazing improvisational ability. He can be gentle and lyrical one moment and ferocious the next, all in perfect sense and impeccable taste. Guitar lovers can hear the entire history of Jazz guitar playing in his lines, from Wes MontgomeryFind albums by this artist, Barney KesselFind albums by this artist, Larry CoryellFind albums by this artist, John McLaughlinFind albums by this artist and up to Derek BaileyFind albums by this artist. His supersonic speed is breathtaking and overwhelming, but never flashy and always in total control. Filiano is also amazing, both plucking and bowing his heart away, and Krall displays a rare sensitivity and attention, all of which turns them both into ideal partners for the ride. This is an amazing album, which ought to be heard not only by every guitar player on this planet, but also by every true Jazz lover. Considering the fact the American Jazz is now mostly a vast wasteland of meaningless mainstream doodling, a rare oasis like Minasi is especially refreshing. A gem!

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CHARLES MINGUS ~ MINGUS AT CARNEGIE HALL (DELUXE EDITION) ATLANTIC 603497844326 (Barcode: 603497844326) ~ USA ~ Jazz Recorded: 1974 Released: 2021 This is an expanded reissue / remaster of a live album by legendary American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded on January 19, 1974 at the NY Carnegie Hall. The music was recorded by a sextet, which included trumpeter Jon FaddisFind albums by this artist, saxophonists George AdamsFind albums by this artist and Hamiet BluiettFind albums by this artist, pianist Don PullenFind albums by this artist and drummer Dannie RichmondFind albums by this artist. The sextet was expanded to a nonet on two tracks, with the addition of three saxophonists: John HandyFind albums by this artist, Rahsaan Roland KirkFind albums by this artist and Charles McPhersonFind albums by this artist. This 2CD edition presents seven tracks, adding five tracks (and over seventy minutes) of unreleased material. Four of the tracks last over twenty minutes and one just under twenty minutes. Three of the tracks are original compositions by Mingus, one is by Pullen, one is by Duke EllingtonFind albums by this artist, one is a standard and finally one is a short spoken word introduction. The restored sound is absolutely pristine. The music is, in many respects, a closing chapter of American Jazz, which summarizes the great Bebop period and the entry into Free Jazz, offering a gallery of instrumental Masters, who lament the grand times with obvious nostalgic glace over the shoulder, realizing the fact that the ride is over. The great leader / guru, one of the last standing figures of American Jazz, was playing one of the last live concerts in his career and would be dead in a few years and there was nobody in sight to carry the torch. But the music is of course grand, from start to finish, with incredible soloing and great group improvisations, kept carefully in check by the boss. They were, after all, the crème de la crème of the scene at the time and clearly could outplay anybody out there. Mingus’ compositions are ideal vehicles for the orgy of sound and camaraderie that prevails, and despite the fact that they are not innovating anything, they clearly learned the lesson of the decade preceding this recording, laying any doubts about Bebop being over to rest. Overall, this is a monster album, which deserves an honorable place in every decent Jazz records collection, not only because of the incredible amount of great music it offers, but more importantly because of the message it so vividly sends to the Jazz world: Bebop was great, we took everything there was to take from it, now please let it rest in peace!

Updated: 28/01/2024Posted: 28/01/2024

CD 2 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

CHARLES MINGUS ~ THE COMPLETE COLUMBIA & RCA ALBUMS COLLECTION SONY 886979795921 (Barcode: 886979795921) ~ USA ~ Jazz Recorded: 1957 - 1989 Released: 2012 American bassist / composer / bandleader Charles MingusFind albums by this artist is undoubtedly one of the most iconic personalities in the entire history of the Jazz art form. Often considered as one of the top Jazz composers, comparable only to Duke EllingtonFind albums by this artist, his legacy has indeed enriched our Culture by some most remarkable achievements. His flamboyant and outspoken personality, his strong and uncompromising social and political views and his extrovert behavior created a mythical status, which he enjoyed already during his lifetime and which certainly remains as part of his legacy. His first and foremost interest was always the Jazz composition and he left a superb legacy of fascinating music, parts of which have become anthems of 20th century Culture. His favorite environments were always big ensembles (nonet / tentet) or a full Big Band, ideal for his compositions and arrangements, which were usually complex, multilayered and called for musicians with virtuosi abilities. Although Mingus never fully committed to Free Jazz, when Jazz marched in that direction in the 1960s, he was already a great innovator a decade earlier when he incorporated Classical music tools and World Music influences into his compositions and utilized collective improvisation, which was a standard in his ensembles. The Mingus discography is quite convoluted and although most of his recordings were released over the years on the AtlanticFind albums on this label label, he recorded also for several other labels, including RCAFind albums on this label (once) and ColumbiaFind albums on this label (twice). Strangely those non-Atlantic recordings are in retrospect considered some of his most important and certainly most widely know output. This divine Box Set includes remastered and expanded versions of his only album released on RCA in 1962 (but recorded half a decade earlier in 1957) called "Tijuana MoodsFind albums with this title", the two 1959 masterpieces "Mingus Ah UmFind albums with this title" and "Mingus DynastyFind albums with this title" with a bonus CD of alternate tracks from these two albums, the 1971 masterpiece "Let My Children Hear MusicFind albums with this title" and the 1972 live album "Charles Mingus And Friends In ConcertFind albums with this title". It also includes the 1989 tribute album called "Mingus EpitaphFind albums with this title", commemorating the 10th anniversary of his death and performed by the absolute crème de la crème of American Jazz scene at the time. Remastered and expanded with bonus tracks, which often double the original album´s content, this is definitely one of the greatest Box Sets ever produced and an absolute must have relic for any music connoisseur on this planet. There are not enough lofty words left to explain any further, just better git it in your soul!

Updated: 26/01/2019Posted:

CD 10 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend

MMO ENSEMBLE ~ ANY DAY NOW ORA FONOGRAM 134 (Barcode: 7090015631347) ~ NORWAY ~ Jazz & Poetry Recorded: 2018 Released: 2018 This is the second album by the Norwegian saxophonist / composer Martin Myhre OlsenFind albums by this artist and his MMO EnsembleFind albums by this artist, which is a platform he uses to realize his ambitious large scale projects. On this album the ensemble is expanded to a 12tet and includes besides Olsen also saxophonist Andre RolighetenFind albums by this artist, trombonist Oyvind BraekkeFind albums by this artist, trumpeter Erik Kimestad PedersenFind albums by this artist, vocalist Siril Malmedal HaugeFind albums by this artist, guitarist Karl BjoraFind albums by this artist, pianist Ayumi TanakaFind albums by this artist, violinists Hakon AaseFind albums by this artist and Adrian Loseth WaadeFind albums by this artist, cellist Kaja Fjellberg PettersenFind albums by this artist, bassist Christian Meaas SvendsenFind albums by this artist and drummer Simon Olderskog AlbertsenFind albums by this artist. The album presents a live recording of an eleven-part suite composed by Olsen, which is a Jazz & Poetry endeavor. The album´s title and the titles of the individual tracks derive from a poem by James BaldwinFind albums by this artist and poetry by Emily DickinsonFind albums by this artist and E. E. CummingsFind albums by this artist is used within the suite. The music is mostly composed, based on strongly melodic motifs, but allows space for improvised passages. The large scale ensemble is capable of producing a rich orchestral sound but also fragments of intimate small scale moments and even individual solo statements. The fact that this highly complex music was recorded live as truly astounding. Both the ensemble performances and the individual statements by all the musicians involved are extraordinary. The ensemble spirit, which in a large ensemble like this one is often quite problematic, works here like a charm and the resulting music flows coherently and flawlessly from one piece to the next. But of course it is the musical concept and the compositional ability of Olsen that stands in the center of attention. Olsen talks about bringing the "Duke EllingtonFind albums by this artist Spirit" of Jazz composition into the 21st Century, and indeed his compositions are certainly inspired and influenced by Ellington´s works, but the transition into contemporary idioms is entirely his own creation. One might wish to fantasize how the Ellington Orchestra would sound today and listening to this album is of course one way to accomplish this fantasy. This album certainly continues the Ellington tradition of an orchestra based on virtuosi instrumentalists playing complex and intricate arrangements and featuring vocals. But of course one must not take these direct comparisons too far. Overall this is a stunning piece of music, which offers a vast amount of ideas and emotions, which are simply impossible to comprehend by listening to the album just once. With each listening session a true music lover will discover new layers and experience new thrills. It certainly looks like Olson is cementing his position on the large orchestral Jazz scene and if this is his early period, the sky is the limit. This album is a wonderful example of what European Jazz is able to accomplish using its own language. Although this music is not really representative of the Nordic Jazz idiom, the musical atmosphere of freedom, acceptance and open-mindedness among the young local musicians in Norway is pushing the music in the country to explore uncharted territory and make constant progress. This is definitely an exquisite album, which deserves to be heard and studied by all true music connoisseurs around the world. Absolutely and wholeheartedly recommended, and hats off to these young Jazz lions!

Updated: 23/10/2020Posted: 11/10/2018

CD 1 Mini-Sleeve Recommend To A Friend

MODERN BLUES QUARTET ~ ELLINGTONIAN SUITE REQUIEM / LYDIAN 2024/37 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2023 Released: 2024 This is the third album by Polish Jazz ensemble called Modern Blues QuartetFind albums by this artist, led by flautist / composer Ryszard BorowskiFind albums by this artist, which features a changeable lineup around the leader, this time featuring violinist Mateusz SmoczynskiFind albums by this artist, guitarist Rafal SarneckiFind albums by this artist and bassist Michal JarosFind albums by this artist. The album presents nine tracks, all credited as compositions by the leader, but as the title suggests, the music was heavily “inspired” by the music of Duke EllingtonFind albums by this artist, including the track titles, which are all puns of titles of well-known pieces by Ellington. The almost completely acoustic sound of the quartet offers a nice, relaxed and almost playful atmosphere, offering a mixture of the hinted Ellingtonian themes with semi-classical arrangements and elegant improvised soli by the four musicians, all of which are true Masters of their trade. This is definitely an “out of the box” approach to the music of the great composer, but the result certainly does not offend or belittle the seriousness of the origin. Borowski has strong ties to Classical music, which are more than evident in all his recordings, but he certainly knows the Jazz idiom well enough to tie the two together skillfully and intelligently, despite the possible criticism of taking the liberties too far. Nevertheless, the music, although somewhat stiff at times, is beautifully performed and both Smoczynski and Sarnecki (both among my favorite Polish Jazz musicians) show their respective virtuosic abilities at all times, with the solid and rhythmic support by Jaros. Overall, this is a very nice, highly entertaining and perhaps even educational exercise in the Jazz aesthetic, probably intentionally meant not be taken too seriously to start with, with a wink of humorous homage to the great Ellingtonian tradition. I had a great time listening to this album, but admittedly the music did not leave a lasting impression.

Updated: 18/05/2024Posted: 18/05/2024

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NEW JAZZ ORCHESTRA ~ CAMDEN `70 DUSK FIRE 105 (Barcode: 5065001032042) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 Released: 2008 The New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) led by composer / arranger Neil ArdleyFind albums by this artist was Britain’s most prestigious and adventurous big band in the 1960s. Under Ardley’s visionary leadership the band developed the foundations for the modern European Jazz big band sound. Although incorporating the classic American big band tradition of Duke EllingtonFind albums by this artist and the more modern approach of Gil EvansFind albums by this artist, Ardley managed to steer his band into uncharted territory, using his unique approach to instrumentation and bold arrangements. At the time this album was recorded live at London’s Camden Jazz Festival in May of 1970, Ardley was already moving rapidly towards the exploding Jazz-Rock Fusion genre, creating one of the first, and magnificent at that, examples of Jazz-Rock Fusion big band. Compared to American bands at the time, like Blood, Sweat & TearsFind albums by this artist or ChicagoFind albums by this artist, Ardley’s approach is definitely much more refined and orchestral and uses a wider arsenal of the Jazz vocabulary, being therefore much more sophisticated. Having at his disposal some of the best British Jazz musicians (and then also Jazz-Rock Fusion musicians) he was able to turn the NJO into a “mean” and powerful Jazz-Rock Fusion ensemble, which truly fuses Jazz and Rock to the max. This of course brings us the players and more specifically to the fact that this version of NJO incorporates in its midst the entire lineup of one of the greatest British Jazz-Rock groups, ColosseumFind albums by this artist. Dick Heckstall-SmithFind albums by this artist (saxophone), Clem ClempsonFind albums by this artist (guitar), Dave GreensladeFind albums by this artist (keyboards), Tony ReevesFind albums by this artist (bass) and Jon HisemanFind albums by this artist (drums) all play here, and even a couple of tracks the band recorded on their albums are present, in a big band arrangement of course. With the members of Colosseum as a core of the band and with other notable players like Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Dave GellyFind albums by this artist and Barbara ThompsonFind albums by this artist (saxophone) and even an ultra-rare appearance of Michael GibbsFind albums by this artist on trombone, this is truly a superb group, able to face any challenge Ardley’s arrangements may present them with. BTW the presence of the Colosseum members is not incidental, as both Reeves and Hiseman were NJO’s founding members and Heckstall-Smith appeared on the NJO’s second album entitled “Le Dejeuner Sur L`HerbeFind albums with this title”. Seven of the tracks present on that album are also included here, which turns this recording into an updated live version of that timeless classic. The original recording tape of this concert had quite a few technical problems, but was painstakingly and beautifully restored to life with an exceptional sound quality considering the circumstances under which it was recorded. One should be truly grateful to the producer of this immensely important historical material for making it available to us, the fans of NJO, Colosseum and British Jazz in general. This is indispensable legacy of the period and a must to any follower of British Jazz music.

CD 1 Remastered Recommend To A Friend

JACO PASTORIUS ~ WORD OF MOUTH ATLANTIC 248246 (Barcode: 093624824626) ~ USA ~ Jazz Recorded: 1980 Released: 2000 2nd album. Jaco PastoriusFind albums by this artist was one of the most tragic stars on the jazz firmament – a musical genius, whose life was wasted by a combination of mental illness and drug abuse. I am talking about a man who single-handedly re-defined the statue and the technique of the bass in jazz, a brilliant performer and immensely gifted composer and arranger. Tragically Pastorius recorded only three albums as a leader in the decade and a half he was active (all other albums are live recordings, which were never meant to be released). Following his eponymous self titled debut from 1976, he devised this album as a showcase of modern Big Band with the bass as a lead instrument. The recording involved over 70 musicians (a list of which reads like the Encyclopedia Britannica of Jazz) and was done in several studios around the world. The result is an absolutely brilliant album, which sounds as fresh today as it was when I heard it for the first time 25 years ago. Most of the material in penned by Pastorius, with the exceptions being a BeatlesFind albums by this artist tune (Blackbird – one of their best) and a classical theme by Bach. There is plenty of superb solos by the participating musicians, including Pastorius himself, but the aim of the recording is not to highlight individual players but to present the Big Band as an extended instrument in the hands of the composer / arranger (very much as other famous jazz orchestras have been earlier – Duke EllingtonFind albums by this artist for example). Absolutely essential!

CD 1 Digipak Remastered Essential Recommend To A Friend

DJANGO REINHARDT ~ DJANGO REINHARDT ON VOGUE - COMPLETE EDITION (1934-1951) SONY 887254446927 (Barcode: 887254446927) ~ BELGIUM ~ Jazz Recorded: 1934 - 1951 Released: 2012 This superb Box Set contains all the music recorded by the legendary Belgian-born Romani (Gypsy) guitarist / composer Django ReinhardtFind albums by this artist for the French VogueFind albums on this label label. Reinhardt lived near Paris since his early childhood and most of his musical activities were carried out in France and with French musicians. These recordings cover his entire career since the period he first discovered Jazz in the early 1930s and until his untimely death at the age of 43 in 1953. Reinhardt is considered to be the Godfather of modern guitar, in Jazz as well as in Rock. His playing influenced countless guitarists all over the years and is still considered exemplary today. He is also considered as a pioneer, who made the guitar a central instrument in Jazz. His close ties with the Gypsy folklore and his ability to incorporate it into his playing gave birth to the Gypsy Jazz subgenre, which enjoys tremendous popularity to this very day. But perhaps most importantly he was the first original European Jazz musician of fame and influence, who preceded the birth of European Jazz by three decades. Most of the music in this Box Set was recorded by the Quintette du Hot Club de FranceFind albums by this artist, which Reinhardt co-founded with French violinist and life-time collaborator Stephane GrappelliFind albums by this artist. This revolutionary and pioneering all-strings Jazz quintet demonstrated a completely new approach to Jazz improvisation and thanks to Reinhardt´s and Grappelli´s virtuosity achieved a worldwide following and admiration. Immediately after WW II Reinhardt visited the USA and managed to record with the Duke EllingtonFind albums by this artist Orchestra and other American bands; these recordings are also included herein. The contents of this Box Set in undoubtedly some of the most iconic Jazz music ever recorded, which still universally reverberates in contemporary music regardless of genre. Reinhardt´s legend lives on, inspiring young musicians to pick up the instrument and create new sounds, which is exactly what Django would have wanted. Essential stuff for mental health!

Updated: 26/01/2019Posted:

CD 8 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

HEIKKI SARMANTO ~ NEW HOPE JAZZ MASS JAZZAGGRESSION 736 ~ FINLAND ~ Jazz Recorded: 1978 Released: 2022 The wonderful world of reissues, which brings back to life, and sometimes even exposes for the first time, music recorded decades earlier has been my fascination for many years now, which often involves also writing liner notes for reissued albums. But among the thousands of reissued albums that have arrived on my desk, only very few discharge such a surge of emotions and memories as this one. “New Hope Jazz MassFind albums with this title” has been, since the day it was originally released in 1978, one of the absolute top Jazz recordings on my list, which I kept revisiting regularly, as well as using in my lectures and writings, as a prime example of the ingenuity of European Jazz, which managed to expand the idiom into a cross-genre amalgam of myriad of influences, joining the American Jazz tradition with the Millennium-long European music tradition. The concept of composing a Jazz Mass, which would be performed at a church, was of course a pretty revolutionary idea at the time, one that has been rarely returned to over the decades since. “Sacred Jazz” enjoyed some popularity in the 1950s and 1960s, especially in the works of Duke EllingtonFind albums by this artist and later John ColtraneFind albums by this artist, although the latter was more influenced by non-Christian religious traditions. The “New Hope Jazz Mass”, dedicated to Ellington and Coltrane, was premiered at the St. Peters Lutheran Church in NY on May 18, 1978 and had its Finnish premiere at the Temppeliaukio Church (known as Church of the Rock, a sensational architectural wonder) on September 7, 1978, which was recorded and originally released as a double LP on the FinlandiaFind albums on this label label that year. But the following day, September 8, 1978, there was another performance of the Mass, which was also recorded, and this album brings that recording to light for the first time. The music was performed by the Heikki SarmantoFind albums by this artist sextet, which included vocalist Maija HapuojaFind albums by this artist, saxophonists Paroni PaakkunainenFind albums by this artist and Pekka PoyryFind albums by this artist, bassist Pekka SarmantoFind albums by this artist, drummer Esko RosnellFind albums by this artist and Heikki Sarmanto on piano. In addition, a vocal quartet, the Gregg Smith Vocal QuartetFind albums by this artist, and a large choir, the Long Island Symphonic Choral AssociationFind albums by this artist, performed the choir vocal parts. The Mass consists of twelve compositions, all by Heikki Sarmanto, with lyrics taken from liturgy and some written by Aina Swan CutlerFind albums by this artist. The music was recorded live, and the remastered sound quality is absolutely flawless. The music, as already mentioned above, was absolutely revolutionary at the time, not only in its scope and complexity, but primarily in its bold expressionism, immaculate blend of American Gospel and Jazz traditions with European music structures, Finnish Folkloristic touches and European Jazz approach. Crowned by brilliant performances by all the performers, which clearly shows that “white man can jump”, despite the prejudice. Hapuoja’s wordless vocalese is some of the finest of its kind, and her angelic voice suits this music perfectly. The two saxophonist are brilliant improvisers. The rhythm section is absolutely impeccable and highly inspired, with Pekka Sarmanto’s (Heikki’s brother) bass pulsations providing the natural heartbeat to the music and Rosnell’s drumming keeping the time like a magic chronometer. Maestro Heikki Sarmanto’s piano playing is in charge of the harmonic unity, and the choir wraps everything with the Gospel elation. Perfection incarnate! Overall, this is an absolute classic European Jazz album, in every sense, and an iconic Finish Jazz recording, which deserves to be a part of every serious Jazz collection. For those blissfully ignorant as of its existence, now after reading my words you have absolutely no excuse but to get a copy. Thanks to the JazzaggressionFind albums on this label label for releasing this Holy Grail of an album and last but not least thank you my old, old Friend Heikki for your Friendship and all that wonderful, Genius music you contributed to the world over the years!

Updated: 25/11/2022Posted: 25/11/2022

CD 1 Digipak Recommend To A Friend

SMITH, TOMMY ~ THE SOUND OF LOVE LINN 084 ~ UK ~ Jazz Tommy SmithFind albums by this artist is undoubtedly one of the best young European jazz players today and already an established international figure. On this CD he plays homage to the great ballads of Duke EllingtonFind albums by this artist and Billy StrayhornFind albums by this artist. A superb record, full of soulfull interpretations and inteligent improvisations. With Kenny BaronFind albums by this artist on piano, Peter WashingtonFind albums by this artist on bass and Billy DrummondFind albums by this artist on drums. Delicious!

Updated: 14/08/2023Posted:

CD 1 Recommend To A Friend

BOBO STENSON ~ WAR ORPHANS ECM 1604 (Barcode: 731453972322) ~ SWEDEN ~ Jazz Recorded: 1997 Released: 1998 This is a beautiful album by Swedish pianist / composer Bobo StensonFind albums by this artist, one of the most important modern European Jazz musicians with an extensive recording legacy, which includes many absolute classic Jazz albums. Recorded with his trio with bassist Anders JorminFind albums by this artist and drummer Jon ChristensenFind albums by this artist, the music includes one original composition by Stenson, three by Jormin, two by Ornette ColemanFind albums by this artist, one by Duke EllingtonFind albums by this artist and one by Cuban musician Silvio RodriguezFind albums by this artist. This musical diversity reflects well Stenson´s ability to feel comfortable in any musical setting, always elegantly and with true virtuosity. The performances are stellar indeed and overall this is a perfect piano trio album, which is my favorite format. The album is an absolute must to all piano / piano trio lovers and serious Jazz connoisseurs.

CD 1 Slipcase Recommend To A Friend

COLIN TOWNS ~ LEND ME YOUR EARS PROVOCATEUR 1038 (Barcode: 5038491103820) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, cooperates often with Europe’s premiere Jazz orchestra, the German NDR Big BandFind albums by this artist from Hamburg. This album presents a series of original compositions by Towns, written especially for the NDR Big Band and performed by it. Having at his disposal such esteemed and well trained group of musicians, Towns is able to stretch his compositional and arranging skill to the limit, creating some of the most magnificent big band music ever recorded. The music covers a vast musical panorama, from exotic World Music influences, via chamber pieces and even electronics. Brilliantly performed (and superbly recorded), this is a beautiful example of music, which is fresh, intelligent and innovative, dazzling with its intricacy and moving with its melodic lyricism. The compositions include a six-part Jazz suite dedicated to and featuring the talents of Polish pianist Wladyslaw SendeckiFind albums by this artist, who is the NDR Big Band’s resident pianist. There is ample space for some superb solos by the band’s members, including saxophonist Christof LauerFind albums by this artist, one of Europe’s most distinguished players today. I can hardly imagine a more perfect big band recording, which is an instant classic and a superb example of the Jazz Art Form, something that should inspire and educate other Jazz composers and arrangers and set an example for others to study. It is, after all, a collection of the entire Jazz vocabulary harmonically, stylistically and historically. Well-trained listeners should have no trouble hearing shades of New Orleans marching bands, Duke EllingtonFind albums by this artist’s masterly compositions and Gil EvansFind albums by this artist’ pioneering orchestrations, mind you subtle shadows as in smiling Angels watching over Towns, never imitations or plagiarism so often heard in other big band efforts. If it was up to me I’d have made this album a compulsory learning tool for every Jazz student, but alas this is beyond my powers. I still can, however, recommend this beauty to every connoisseur of truly great music - Jazz included. As I already said – a true classic!

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STAN TRACEY ~ FROM STAN, WITH LOVE (WITH LOVE FROM JAZZ / WE LOVE YOU MADLY) RESTEAMED 115 (Barcode: 5060138617155) ~ UK ~ Jazz Recorded: 1967 - 1968 Released: 2021 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “With Love From JazzFind albums with this title” and “We Love You MadlyFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Bobby WellinsFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Jackie DouganFind albums by this artist (Lennie BushFind albums by this artist and Ronnie StephensonFind albums by this artist replace Green and Dougan on the last track) and presents eight original compositions by the leader. The second album was recorded by an eighteen-piece Big Band (called Big Brass), which included some of the top British Jazz musicians at the time, such as trumpeters Derek WatkinsFind albums by this artist, Kenny BakerFind albums by this artist and Ian CarrFind albums by this artist, trombonist Chris PyneFind albums by this artist, saxophonists Joe HarriottFind albums by this artist, Don RendellFind albums by this artist, and Tony CoeFind albums by this artist, clarinetist Acker BilkFind albums by this artist, Tracey on piano, Bush on bass and drummer Barry MorganFind albums by this artist. As the title suggests, the album is dedicated to American pianist / composer / bandleader Duke EllingtonFind albums by this artist and presents six compositions by him, one by Billy StrayhornFind albums by this artist and one by Tracey, all also arranged by him. The first album was recorded October12 and 31, 1967 and the second August 20 and 21, 1968 and released a year later (respectively) on the EMI / ColumbiaFind albums on this label label. The first album is a wonderful example of Tracey’s quartet work, based on his idiosyncratic compositions, often truly romantic in nature, which defined his style characterized by his singular chord vamping. This was the last recording with Wellins, who was replaced on future albums by Peter KingFind albums by this artist. Tracey and Wellins has a telepathic communication between them and played like musical twins, which of course is audible here as well. The last track is a surprising excursion into African rhythms, which finds Tracey playing the vibraphone. The Big Band album is a complete different cup of tea, with Tracey showing off his genius as arranger / Big Band leader, which always were his undeniable passions in addition to his composing and playing the piano. His love and respect to Ellington the composer is plainly apparent and his arrangements are highly unusual, almost diametrically different from the original Ellington recordings, which of course is a brilliant lesson in the differences between the American and British / European approach to using the Big Band as a musical tool. The original composition closing the album is a proverbial cherry on top of course. Personally this is one of my most loved Tracey recordings, but hey I love them all of course. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 18/08/2021

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STAN TRACEY ~ PLAYS DUKE ELLINGTON MOLE 10 (Barcode: 5018265001026) ~ UK ~ Jazz Recorded: 1986 Released: 1989 This is a little known album by British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist, recorded in an intimate duo setting with bassist Roy BabbingtonFind albums by this artist. The album presents nine tracks, and as the title suggests, those are compositions by iconic American Jazz pianist / composer / bandleader Duke EllingtonFind albums by this artist (or Billy StrayhornFind albums by this artist in one case). For British Jazz lovers, Tracey is not only a legendary figure, but also a symbol, which bridges the first period of the British Jazz, which was more or less an attempt to follow, and to a large degree copy, everything that happened in American Jazz, with the second period, which developed an independent, original approach to Jazz music somewhere by the mid-1960. Tracey, who was dominantly active during both periods, represents the generation, that had to adapt to the changes imposed by the radical transition, and he proved to be brilliantly adaptive / embracing, brilliantly connecting everything he learned during his early years, with the often dramatically different trends that followed, like Free Jazz and Improvised Music. In retrospective he emerges as the undisputed Godfather of the British Jazz scene, which his affluent recording legacy proves beyond any doubt. This intimate album is a beautiful illustration of Tracey’s ability to respect the tradition, which Ellington represents at the most eloquent level, with the liberties allowed by the modern approaches, respectfully and lovingly treating the original music, but firmly taking it to a new level. Tracey’s virtuosity is of course plainly evident every step of the way, and this album is especially effective, since Ellington’s music is obviously deeply familiar to every Jazz enthusiast, and Tracey’s daring and original approach is therefore even more evident herein. Needless to say, Babbington offers superb support to Tracey and adds plenty of elegant soloing, in order to earn the respect, he fully deserves. As a result, the album wonderfully fits into the “Art of the Duo” category. Overall, this is a gem of an album, which deserves to be heard by every British Jazz enthusiast, or rather every Jazz enthusiast worldwide. Tracey, whom I had the immense pleasure of hearing live in person on many occasions, remains “Sir Jazz” for me to this very day and every album of his is sprinkled by gold dust.

Updated: 25/05/2025Posted: 25/05/2025

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UMO JAZZ ORCHESTRA ~ ELLINGTON TRIBUTE WARNER CLASSICS 825646188321 (Barcode: 825646188321) ~ FINLAND ~ Jazz Recorded: 1997 Released: 2004 This is a wonderful album by the Finnish UMO Jazz OrchestraFind albums by this artist, founded in 1975 by the great Finnish Jazz pioneers Heikki SarmantoFind albums by this artist and Esko LinnavalliFind albums by this artist. Over time UMO became one of the absolute top European Jazz Big Bands / Orchestras, recording a long succession of brilliant albums with famous guest stars. Although primarily dedicated to supporting and promoting Finnish Jazz, the orchestra is also involved in other projects, like this tribute to the great American pianist / composer Duke EllingtonFind albums by this artist. The album presents ten pieces composed by Ellington and two composed by Billy StrayhornFind albums by this artist, arranged especially for the UMO, featuring many of the orchestra members as soloists. The orchestra captured on this album is conducted by pianist Kirmo LintenenFind albums by this artist and includes, among others, such famous Finnish Jazz figures like saxophonist Pentti LahtiFind albums by this artist and bassist Pekka SarmantoFind albums by this artist. The music includes some of the most popular tunes associated with Ellington and his Orchestra, which are (hopefully) well known to every Jazz fan all over the globe. UMO performs these tunes perfectly, which is of course obvious, but the fascinating aspect of this music is the comparison between how it sounds here in comparison to its original sound as recorded by Ellington and his Orchestra decades earlier. In a nutshell it is a intriguing case study presenting the difference between American and European Jazz idioms. Whereas the original performances are classic examples of Swing, perfectly orchestrated and executed, the music here is all about sophisticated arrangements, unusual orchestration and elegant tricks of the trade played with tempi, dynamics and articulation, true to the original and yet cleverly different. It goes without saying that this album, although little known, is a must to all Big Band and Ellington fans, and deserves to be listened to very closely by music scholars and educators, especially those who claim that Jazz must stay untouched.

Updated: 01/07/2016Posted: 01/07/2016

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UNITED JAZZ + ROCK ENSEMBLE ~ NA ENDLICH! MOOD 6382 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1992 Released: 1992 This is the 8th album (4th live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The fourth lineup of the group, which recorded this album, included also British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist (back again), American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and American (resident in Germany) bassist Dave KingFind albums by this artist (who replaced Eberhard WeberFind albums by this artist). The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents eight tracks (one spoken intro), six of which are original compositions by the ensemble members: two by Dauner and one each by Mariano, Kriegel, Mangelsdorff and Thompson, and for the first time a Jazz standard by Duke EllingtonFind albums by this artist, arranged by Thompson. The album reflects the constant musical development of the ensemble and seemingly endless collection of musical ideas. The music becomes ever more complex and ambitious, often of orchestral scale, but never loses an iota of the Rock and Funk elements, combining everything into a unique amalgam, which always kept them apart from any competition or comparison. With three trumpeters on board the Big Band sound is always potent and the brass arrangements are more complex than ever. All members of the group get an opportunity to solo, but the main idea is to present an “ensemble” sound, rather than a collection of individuals. The fact that the ensemble sounds as good live as in the studio testifies as to the remarkable level of musicianship and the joy of playing together. Listeners familiar with the recordings by the individual members of the ensemble will often find the recordings by the ensemble quite different and innovative, as the mutual influence between the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous recordings over time. Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums. The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.

Updated: 06/01/2025Posted: 03/01/2025

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MIKE WESTBROOK ~ CITADEL / ROOM 315 BGO 713 (Barcode: 5017261207135) ~ UK ~ Big Band Jazz Recorded: 1975 Released: 2006 This magnificent album marks a pivotal point in the career of pianist / composer Mike WestbrookFind albums by this artist, a transition between the first and the second phases of his monumental life’s achievement. Since it is a suite composed for and performed by a large ensemble (19 musicians in this case), it continues the pioneering work by Westbrook as a composer of large scale orchestral music and closes the cycle which started with the debut "CelebrationFind albums with this title" and continued with "ReleaseFind albums with this title", "Marching SongsFind albums with this title", "Love SongsFind albums with this title" and "MetropolisFind albums with this title". In between “Metropolis” and "Citadel / Room 315Find albums with this title" Westbrook ventured into Jazz-Rock Fusion with the group Solid Gold CadillacFind albums by this artist, returning to Jazz with the new suite, which was commissioned by the Swedish Radio Jazz Group with John SurmanFind albums by this artist as a guest soloist. It was first performed and recorded in 1974, but for various reasons the recording was not released, so Westbrook decided to record it with a British lineup, following several performances in UK a year later. As usual in his case, he managed to assemble the best Jazz players on the British Jazz scene to participate in the recording, including John Surman as the main soloist on baritone and soprano saxophone, with Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist on trumpet, Dave MacRaeFind albums by this artist on piano, Brian GoddingFind albums by this artist on guitar, Chris LaurenceFind albums by this artist on bass and Allan JacksonFind albums by this artist on drums and many others. The music is of course brilliant, as always, but surprisingly more melodic and accessible than most of his earlier works, with clear “winks” towards the work of Duke EllingtonFind albums by this artist. Superbly arranged and performed, this is an epic achievement, sadly one of the last great Jazz works of such scale, as the climate in Britain was about to change very soon and the magnificent Golden Decade was facing an inevitable comedown. Westbrook was of course to continue his extraordinary work as a composer, but his albums will be gradually released on small independent labels and sell meagerly. Well, we still have this essential recording to re-visit any time we feel a need to refill out batteries with some highly charged musical delight. Essential!

Updated: 12/03/2022Posted:

CD 1 Slipcase Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ METROPOLIS BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz Recorded: 1971 Released: 1999 If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!

CD 1 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ ON DUKE`S BIRTHDAY HATOLOGY 635 (Barcode: 752156063520) ~ UK ~ Jazz Recorded: 1984 Released: 2007 This is a long overdue reissue of the superb album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his orchestra, paying tribute to the genius of Duke EllingtonFind albums by this artist, the great American Jazz composer. In contrast to most tribute albums, Westbrook does not present his interpretations or new arrangements of Ellington´s music, but composes completely new music himself, which relates to the many complex aspects of "Ellintonia" such as harmony and melody, in spirit rather than literally to his music. As usual in Westbrook´s case, the music is outstanding, as are the performances by his orchestra members, which includes his wife and musical companion Kate WestbrookFind albums by this artist on flutes and voice, trumpeter Phil MintonFind albums by this artist, saxophonist Chris BiscoeFind albums by this artist, guitarist Brian GoddingFind albums by this artist, drummer Tony MarshFind albums by this artist, and others. Westbrook´s followers know exactly what to expect from him as he never fails to amaze and surprise, other might perhaps finally discover him, as he is one of those well kept secrets, which once discovered stay with you for life. Grab it!

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

MIKE WESTBROOK ~ STARCROSS BRIDGE HATOLOGY 754 (Barcode: 752156075424) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is a solo piano album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist. This album was recorded at the same venue in Paris, where Westbrook recorded his previous solo piano album "ParisFind albums with this title" eighteen months earlier, this time without any people in the audience. It presents fourteen pieces, grouped into three chapters and a postscript; some composed by Westbrook or co-composed by him and his wife Kate WestbrookFind albums by this artist, others coming from such diverse sources as The Beatles or familiar Jazz standards. The music was edited and mixed by the lamented Jon HisemanFind albums by this artist and offers a wonderfully detailed sound quality. Westbrook solo piano recordings, starting with the album "PianoFind albums with this title" recorded over four decades ago and now expanded by "Paris" and this album, are a wonderful opportunity to get acquainted with the most intimate side of Westbrook the pianist. His work with small and especially so with large ensembles are first and foremost a showcase of his compositional achievements and his role as a pianist is often overshadowed by the intensity of these works and perhaps also a tendency to put other instrumentalists (or vocalists) in the limelight. The solo piano recordings are therefore the most exposed instances of Westbrook´s piano playing and as such most revealing. The choice of material obviously reflects Westbrook´s admiration of Duke EllingtonFind albums by this artist and Thelonious MonkFind albums by this artist and of course his love for his wife and musical partner Kate Westbrook. In many respects, at least to me, this album is a reflection of his life and his musical path, seen in retrospect and expressed with extraordinary finesse and emotion. Age does this to you, grabbing you by the throat and forcing you to look back at your life and take an account of it. I can hardly imagine a more beautiful way to do this than what Westbrook manages to do here. The way Westbrook touches the keyboard is also quite extraordinary. The use of silence and pause makes all the difference and he is an absolute Master of timing, which results in the music being as much a consequence of the notes he plays as of the silent moments separating them. The "slow motion" effect he uses here so brilliantly achieves the same effect as watching a movement in slow motion – it allows a much higher resolution of the separate notes and their mutual relationships, which would not be possible when the notes follow each other in rapid progression. There is no doubt that Westbrook, despite his advanced age, is till very much a leading force of the British / European Jazz scene and his prolific and blissfully diverse recordings being released at a steady paste are constantly a source of musical Artistry of the highest caliber, for which we are all thankful. God Bless!

Updated: 03/11/2018Posted: 03/11/2018

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