Record Reviews

MUHAL RICHARD ABRAMS ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1021 (Barcode: 8052405140647) ~ USA ~ Jazz Recorded: 1979 - 1994 Released: 2012 This superb Box Set collects all the albums recorded by the legendary American keyboardist / composer / conductor Muhal Richard AbramsFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. The set includes eight albums he recorded as a leader, heading a range of ensembles between a septet and a full scale orchestra, which was his preferred "weapon of choice" Abrams is best known as the founder of the original AACM in Chicago in 1965 and then the New York chapter of AACM after he moved there permanently in 1975. He was a prolific recording artist, with an impressive list of albums to his credit. The albums included here present his output between late 1970s and early 1990s, all of which is his original music. He plays piano, synthesizer and conducts the ensembles. These recordings are all excellent examples of his work, which is a completely unique combination of Free Jazz, Improvised Music and Contemporary Classical music techniques. Abrams often uses the human voice as an improvising instrument, as well as the electric guitar, which is quite unusual in such settings. His music is deeply influenced by the Blues as well as the compositional approach of Duke EllingtonFind albums by this artist, who was his model. In retrospect his work could be seen as a continuation of Ellington´s legacy into the realm of Avant-Garde Jazz. The list of the players present on these recordings reads like the Who´s Who of the American Avant-Garde scene and includes trumpeter Jack WalrathFind albums by this artist, saxophonists John PurcellFind albums by this artist, Marty EhrlichFind albums by this artist, Charles DavisFind albums by this artist and Eugene GheeFind albums by this artist, cellist Abdul WadudFind albums by this artist, guitarists David FiuczynskiFind albums by this artist and Jean-Paul BourellyFind albums by this artist, vocalists Janette MoodyFind albums by this artist and Jay ClaytonFind albums by this artist and drummers Andrew CyrilleFind albums by this artist and Warren SmithFind albums by this artist and dozens of others. The music is absolutely brilliant and fascinating and connoisseurs of Free Jazz will find it obviously essential, but other less refined listeners might find it quite accessible, with just a minimal effort of attentive listening. This is definitely an important document of the American Free Jazz movement, which deserves to be preserved for posterity and which should serve as a source if inspiration to the young generation of contemporary Free Jazz artists. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 12/04/2020Posted:

CD 8 Mini-Sleeve Box Set Remastered Recommend To A Friend

MUHAL RICHARD ABRAMS ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE VOLUME 2 CAM JAZZ 1041 (Barcode: 8052405142504) ~ USA ~ Free Jazz / Improvised Music Recorded: 1975 - 1995 Released: 2016 This superb Box Set collects recordings by the legendary American keyboardist / composer / conductor Muhal Richard AbramsFind albums by this artist released on the Black SaintFind albums on this label and Soul NoteFind albums on this label labels. It includes nine albums, four of which are duets: "SightsongFind albums with this title" with bassist Malachi FavorsFind albums by this artist, "Lifelong AmbitionsFind albums with this title" with violinist Leroy JenkinsFind albums by this artist, "DuetFind albums with this title" with pianist Amina Claudine MyersFind albums by this artist and finally "Duets And SolosFind albums with this title" with saxophonist Roscoe MitchellFind albums by this artist. The album "Shadowgraph, 5 (Sextet)Find albums with this title", released under the name of trombonist / composer George LewisFind albums by this artist and presenting music composed by him, features Abrams playing piano on two tracks. The remaining four albums: "1-OQA+19Find albums with this title", "Colors In Thirty-ThirdFind albums with this title", "Family TalkFind albums with this title" and "Song For AllFind albums with this title" present various ensembles led by Abrams, which include the crème de la crème of American improvisers of the period, including saxophonists Anthony BraxtonFind albums by this artist, Henry ThreadgillFind albums by this artist and John PurcellFind albums by this artist, trumpeters Jack WalrathFind albums by this artist and Eddie AllenFind albums by this artist, bassists Dave HollandFind albums by this artist (well he was a Brit) and Brad JonesFind albums by this artist, drummers Steve McCallFind albums by this artist and Andrew CyrilleFind albums by this artist and numerous others. All the music on these last four albums was composed by Abrams and the music on the duo recording is, as expected, partly his and partly by his duet partners. Abrams is best known as the founder of the original AACM in Chicago in 1965 and then the New York chapter of AACM after he moved there permanently in 1975. He was a prolific recording artist, with an impressive list of albums to his credit. He plays piano, synthesizer and conducts the ensembles. These recordings are all excellent examples of his work, which is a completely unique combination of Free Jazz, Improvised Music and Contemporary Classical music techniques. His music is deeply influenced by the Blues as well as the compositional approach of Duke EllingtonFind albums by this artist, who was his model. In retrospect his work could be seen as a continuation of Ellington´s legacy into the realm of Avant-Garde Jazz. The music is absolutely brilliant and fascinating and connoisseurs of Free Jazz / Improvised Music / Avant-Garde will find it obviously essential, but other less refined listeners might find it quite accessible, with just a minimal effort of attentive listening. This is definitely an important document of the American Free Jazz movement, which deserves to be preserved for posterity and which should serve as a source if inspiration to the young generation of contemporary Free Jazz artists. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 16/04/2020Posted: 16/04/2020

CD 9 Mini-Sleeve Box Set Remastered Recommend To A Friend

GEORGE GRUNTZ / CONCERT JAZZ BAND ~ TIGER BY THE TAIL TCB 26702 (Barcode: 725095267021) ~ SWITZERLAND ~ Big Band Jazz Recorded: 2005 Released: 2006 This is a fabulous album by the Swiss pianist / composer / bandleader George GruntzFind albums by this artist and his Concert Jazz BandFind albums by this artist, which for many years was the best European Jazz Big Band / Orchestra. Gruntz was one of the great Godfathers of European Jazz and his many activities and contributions over the years advanced the Jazz idiom immensely. The album was recorded in the US, and presents a mixed American / European lineup, with some of the finest Jazz musicians on the planet. The album presents eight compositions, four of which were composed by Gruntz and another four by members of the Big Band. Gruntz wrote the arrangements and orchestrations of all the pieces. Among the musicians playing on this album one can find trombonist Dave BargeronFind albums by this artist, drummer Danny GottliebFind albums by this artist, trumpeters Marvin StammFind albums by this artist, Jack WalrathFind albums by this artist and Franco AmbrosettiFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Dave LiebmanFind albums by this artist, Israeli bass guitarist Arie VolinezFind albums by this artist, a. m. o. The music, although kept within the mainstream Big Band setting, in incredibly innovative and original, clearly pointing out the many differences between American and European Big Band approach. The arrangements and orchestrations are complex and convoluted, constantly changing the dynamics and tempi, with less emphasis on the individual solos and more dedicated to the overall orchestral sound and interplay. Although Gruntz is sadly no longer with us, his wonderful music lasts and his extensive recorded legacy is a treasure chest of musical gems. Not to be missed! Overall, this is a monumental piece of Big Band music, at its finest and most sophisticated form, which should be truly enjoyed by all connoisseurs of that Jazz sub-genre. For young musicians, especially those studying composition and arrangement, this is an open book of how things should be done.

Updated: 05/03/2025Posted: 05/03/2025

CD 1 Oversampling Recommend To A Friend

CHARLES MINGUS ~ LIVE AT MONTREUX 1975 EAGLE 826992041322 (Barcode: 826992041322) ~ USA ~ Jazz Recorded: 1975 Released: 2018 This is an archival 2CD album by American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded live at the Montreux Jazz Festival. It presents a quintet recording on CD1, with pianist Don PullenFind albums by this artist, drummer Dannie RichmondFind albums by this artist, saxophonist / flautist / vocalist George AdamsFind albums by this artist and trumpeter Jack WalrathFind albums by this artist. On CD2 the lineup is expanded to a septet with the addition of baritone saxophonist Gerry MulliganFind albums by this artist and trumpeter Benny BaileyFind albums by this artist. The album presents five tracks, four of which last for over ten minutes and one lasts for over half an hour. It is one of the last live recordings by Mingus, before his health issues prevented him from performing. He died less than four years later in 1979 at the ridiculous young age of fifty-six. The music, mostly composed by Mingus with the exception of one classic standard, reflects his typical modus operandi, with the band playing shifting themes with constantly changing tempi, full of brilliant improvisations, led brilliantly by the leader and his inimitable bass pulsations. The meeting with Mulligan is especially moving and shows the deep personal respect between these two American Jazz Giants, who are able to find a common language despite their contrasting stylistic attitudes. Overall, this is an important document of one of the greatest and most original American Jazz figures, and despite the fact that many live recordings from this period appeared on the market in the meantime, each of them is absolutely unique and special and all are worth a respectful place in a serious Jazz records collection. Mingus was definitely one of a kind, which nobody can deny.

Updated: 12/09/2024Posted: 12/09/2024

CD 2 Recommend To A Friend

CHARLES MINGUS ~ MINGUS IN ARGENTINA: THE BUENOS AIRES CONCERTS RESONANCE 2077 (Barcode: 617270123089) ~ USA ~ Jazz Recorded: 1977 Released: 2025 This is an archival 2CD live album by American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded in Argentina on June 2 and 3, 1977. The music is performed by a quintet, which comprises of Mingus on bass with trumpeter Jack WalrathFind albums by this artist, saxophonists Ricky FordFind albums by this artist, pianist Robert NelomsFind albums by this artist and drummer Dannie RichmondFind albums by this artist. Mingus plays piano on two tracks. The album presents thirteen tracks, six of which last for over ten minutes. Almost all of the material comprises of original Mingus’ compositions. It includes music from the album “Cumbia & Jazz FusionFind albums with this title”, which Mingus recorded shortly before these concerts. The packaging includes an impressive 36-pages booklet with great photographs and essays, as usual with the ResonanceFind albums on this label Records releases. Since the music was recorded a year and a half before Mingus’ death, it is a wonderful document of Mingus and his modus operandi during his last period, which included expanded versions of his classic compositions, like those included herein, with a significant freedom allowed to the band members to improvise in various settings, like solo, duo, trios and so on, periodically returning to the main theme and then floating away again and again. The fact that the music was recorded almost fifty years before this album was released proves how far-thinking and everlasting this music was and still is today. There is of course plenty of opportunities for the individual musicians to show their chops, and it is one of the latest recordings featuring Mingus soloing extensively, although his illness limited his performing abilities. The album offers excellent sound quality and was recorded properly on a multitrack equipment, and the source material was excellently remastered. Overall, this is a classic Mingus recording, which represents his genius as player, composer, bandleader and a Jazz visionary, who always knew exactly what he wanted to say in his music and offered an unwavering dedication to his vision of Jazz, often against the “Jazz establishment” at home. For Mingus many fans and followers, this is an absolute must have in their collection of his recordings, but all true Jazz lovers should find this fascinating. There was, after all, only one Charles Mingus…

Updated: 18/06/2025Posted: 18/06/2025

CD 2 Mini-Sleeve Remastered Recommend To A Friend

CHARLES MINGUS ~ BREMEN 1964 & 1975 SUNNYSIDE 1570 (Barcode: 016728157025) ~ USA ~ Jazz Recorded: 1964 - 1974 Released: 2020 This is an archival 4CD album by American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded live in Bremen, Germany. It presents two concert recordings, separated by eleven years, each captured on a 2CD set. The album presents fifteen tracks, five of which are over ten minutes in duration, four are over twenty minutes in duration and two are over thirty minutes in duration. Most of the music is composed by Mingus, two tracks are standards and two others are composed by members of his ensembles. By the time the second concert was captured, Mingus was already suffering from a serious health issues and it is one of his last live recordings. CD1 & CD2 present the Mingus sextet with trumpeter Johnny ColesFind albums by this artist, saxophonists Eric DolphyFind albums by this artist and Clifford JordanFind albums by this artist, pianist Jaki ByardFind albums by this artist and drummer Dannie RichmondFind albums by this artist. CD3 & CD4 present the Mingus quintet with trumpeter Jack WalrathFind albums by this artist, saxophonist George AdamsFind albums by this artist, pianist Don PullenFind albums by this artist and Richmond (the only musician to play on both concerts). The music includes the iconic Mingus’ compositions, spanning his entire career, each and every one in a unique concert version, which depended on the specific lineup, the mood of the concert and of course the leader’s disposition, which means that regardless of how many versions of the same tunes one owns, they are always different, often dramatically different from every other version of the same tune. The two lineups are also very different; the sextet is dominated by the presence of Dolphy, whose hair-rising performances, especially those on flute and bass clarinet, are absolutely stunning, while the quintet might seem more relaxed and settled, but no less intense or sophisticated. Just two months after the concert captured herein, Ayler would be tragically dead, which makes his appearance here one of his last. Overall, this is a monumental piece of Jazz history, which deserves an honorable place in any serious Jazz collection, even if Mingus’ recordings, including live ones, are already proudly present therein. The 1964 concert is a true eye (ear) opener, disclosing the dramatic entry of Free Jazz into the core of the Jazz tradition, but every second of the music captured on this album is true Holy Grail!

Updated: 26/05/2024Posted: 26/05/2024

CD 4 Digipak Remastered Essential Recommend To A Friend

CHARLES MINGUS ~ CHANGES: THE COMPLETE 1970S ATLANTIC STUDIO RECORDINGS ATLANTIC 603497838363 (Barcode: 603497838363) ~ USA ~ Jazz Recorded: 1973 - 1978 Released: 2023 This 7CD Box Set combines all the studio recordings made by the great American Jazz bassist / composer / bandleader Charles MingusFind albums by this artist for the AtlanticFind albums on this label label during the last period of his life between 1973 and 1978. These recordings were released on seven albums, which appear here in their remastered versions: “Mingus MovesFind albums with this title”, “Changes OneFind albums with this title”, “Changes TwoFind albums with this title”, “Three Or Four Shades Of BluesFind albums with this title”, “Cumbia & Jazz FusionFind albums with this title”, “Me, Myself An EyeFind albums with this title” and finally “Something Like A BirdFind albums with this title”. All the music on these albums, with a few exceptions, was composed by Mingus. CD1 adds two outtakes and CD5 adds one outtake. The LP version of this Box Set adds an entire LP8 with seven outtakes. The list of participating musicians on these albums looks like the who’s who of the American Jazz scene at the time, with the most notable ones being saxophonists George AdamsFind albums by this artist, George ColemanFind albums by this artist and Ricky FordFind albums by this artist, pianist Don PullenFind albums by this artist, drummer Dannie RichmondFind albums by this artist, trumpeter Jack WalrathFind albums by this artist, guitarists Philip CatherineFind albums by this artist and Larry CoryellFind albums by this artist, and many others. The above albums mark the second period of Mingus recordings for Atlantic. Between 1956 and 1961 he recorded several albums for the label, but he was not under exclusive contract with the label at the time. Those albums can be found in the great Box Set released in 1997, called “Passions Of A Man: The Complete Atlantic Recordings 1956-1961Find albums with this title”. Overall, this Box Sets presents some of the most important American Jazz recordings of all time, preserving the incredible legacy of one of its most important protagonists. Mingus was a great innovator and at the same time a key keeper of the flame, combining the American Jazz tradition with modern trends, unlike most of his contemporaries, who preferred to be stuck in the past. This last period of his life turned out to be also perhaps his most productive and daring, definitely the most mature and aesthetically balanced. All of the music in this Box Set is a Holy Grail of American Jazz, sadly also one of the last displays of its productivity and genius. For Jazz lovers, who don’t own all these albums separately, this Box Set is an absolute must, but those who already have all this material in their collections, it adds almost nothing new, except for neat packaging and remastered sound quality.

Updated: 11/01/2024Posted: 11/01/2024

CD 7 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend

FRANCISZEK POSPIESZALSKI QUINTET ~ JAZZ.PL VOL.3 POLSKIE RAADIO 2417 (Barcode: 5907812247140) ~ POLAND ~ Jazz Recorded: 2021 Released: 2022 This is the fourth album by Polish Jazz bassist / composer Franciszek PospieszalskiFind albums by this artist, recorded in a quintet setting with trumpeter Piotr DamasiewiczFind albums by this artist, saxophonist Marek PospieszalskiFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist. The album presents arrangements of four compositions by Charles MingusFind albums by this artist and one by Jack WalrathFind albums by this artist, all of which originate from the seminal Mingus albums “Changes OneFind albums with this title” and “Changes TwoFind albums with this title” released in 1975. The album was recorded live by Polish Radio during a series of concerts entitled Jazz.pl, hence the title. I have to admit that at the first glace it looked to me as a very cheeky idea to undertake a “face to face” with some of the Jazz “holy ground”: an absolute peak of Mingus career as composer and bandleader and classic American Jazz legacy. These young Polish cats will have to prove being worthy of even playing this music, let alone playing around with it. It is with great relief and satisfaction that I find this attempt to be successful and astonishingly creative. The quintet manages successfully to Europeanize the music, by adding many minor, by highly significant touches, which appear all over this music quite unexpectedly. These highly skilled musicians have a lot of fun on the way and show clearly that they are able to take these wonderful compositions to new places, which Mingus would have never even thought of, but I am pretty sure he would have approved of. I am sending this music to my Friend Jack Walrath to hear his input on it, and I can imagine his face when he listens to these interpretations. With all due respect to Franciszek Pospieszalski for the idea and initiative, the true hero of this album is obviously Tarwid, who is in charge of most of the modifications via his charmingly brilliant piano work, twisting the entire aesthetics of this music. But to be fair, all five of these young devils play superbly from start to finish. Overall, this is an absolutely marvelous album, which shows how a fifty years old music, as genius as it originally was, can be revitalized, expanded and subtly redirected, all by using European Jazz shticks and tricks, to became even more brilliant than originally conceived. I bow my head in awe and respect!

Updated: 03/03/2023Posted: 03/03/2023

CD 1 Digipak Recommend To A Friend

UPPER AUSTRIAN JAZZ ORCHESTRA ~ YOU GOT MY WIFE, BUT I GOT YOUR DOG ATS 0822 (Barcode: 9005216008223) ~ AUSTRIA ~ Jazz Recorded: 2000 Released: 2014 This is an album by the veteran Austrian Jazz Big Band called The Upper Austrian Jazz OrchestraFind albums by this artist, which documents the cooperation between the orchestra and the American trumpeter / composer / arranger Jack WalrathFind albums by this artist. Since the orchestra was founded in 1991 it regularly invites resident artists and over the years these included some of the most prominent names in contemporary Jazz. This album was recorded live during the band´s tour with this project and presents eight tracks, six of which are original compositions by Walrath, one is a previously unrecorded Charles MingusFind albums by this artist composition and the remaining one was composed by Jed LevyFind albums by this artist. All the music was arranged by Walrath especially for the orchestra. The orchestra, as usually, includes a four piece trumpet section, four piece trombone section, five piece reed section and a four piece rhythm section and is led by saxophonist / composer Christian MaurerFind albums by this artist. Walrath plays a solo on each of the tracks, along other soloist of course. The music on this album is closer to the American Big Band music / sound than what the orchestra plays on any other of its recordings, which is hardly surprising under the circumstances. And yet Walrath skillfully left enough of the European identity of this wonderful Big Band, so stay close to its true character. As a result we get what can be possibly considered as the best of both worlds: the precision, tightness and swinging undertones of American Big Band music and the European finesse, sophistication and panache, working hand in hand. The individual and the orchestral performances are, as usual with the UAJO, brilliant from start to finish and again it is simply incredible how such precision, flow and meticulous execution of the multilayered music can be achieved live. But whatever the secret of the UAJO is, it works like a dream. Big Band recordings, especially those by European Big Bands / Orchestras are often full of an incredible amount of details, which needs repeated listening sessions in order to be discovered. This album is definitely one of such albums, which means one has to invest time in order to enjoy the full capacity of artistry this music has to offer. For Big Band / Orchestral Jazz music this album is an absolute must of course and one can only hope it will eventually land in as many good homes as possible. Therefore it is wholeheartedly recommended and my advise is to reach out and grab a copy ASAP – satisfaction guaranteed!

Updated: 30/04/2019Posted: 30/04/2019

CD 1 Recommend To A Friend