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2 Reviews Found. Use search to find more reviews or follow the links in the review text.

HERBIE HANCOCK ~ FAT ALBERT ROTUNDA
WARNER BROS. 47540 (Barcode: 093624754022) ~ USA ~ Jazz-Rock Fusion

Recorded: 1969 Released: 2001

Herbie HancockFind albums by this artist’s solo career (apart from his work done with his Mentor Miles DavisFind albums by this artist, with whom he stayed for over five years as the member of the legendary second quintet) produced an overwhelmingly diverse body of work which positions him as one of the Giants of 20th Century music. After recording a series of excellent and immensely influential albums on the Blue NoteFind albums on this label label in the 1960’s, Hancock switched to Warner Bros.Find albums on this label where he recorded just three albums, this one being the first of these.

Recorded shortly after Hancock left the Miles Davis group, it contains music he wrote for a TV series, rearranged for a jazz sextet. The funky approach was Hancock’s first attempt to play around with funk (influenced among others by the revolutionary work done with the genre at that time by Sly & The Family StoneFind albums by this artist). This started a love affair that would be extensively developed a few years later after Hancock switched labels again, this time to ColumbiaFind albums on this label. He plays the Fender Rhodes electric piano exclusively leaving the acoustic piano aside for a few years until the formation of the V.S.O.P.Find albums by this artist quintet. The funky arrangements are extremely clever and exquisitely performed by the sextet, which includes Joe HendersonFind albums by this artist on flute and sax, Johnny ColesFind albums by this artist on trumpet, Garnet BrownFind albums by this artist on trombone, Buster WilliamsFind albums by this artist on bass and Albert HeathFind albums by this artist on drums. The music sounds beautifully fresh and vibrant today, loosing nothing of its original charm and magic. A timeless classic!
 CD 1 Digipak Remastered Recommend To A Friend

CHARLES MINGUS ~ BREMEN 1964 & 1975
SUNNYSIDE 1570 (Barcode: 016728157025) ~ USA ~ Jazz

Recorded: 1964 - 1974 Released: 2020

This is an archival 4CD album by American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded live in Bremen, Germany. It presents two concert recordings, separated by eleven years, each captured on a 2CD set. The album presents fifteen tracks, five of which are over ten minutes in duration, four are over twenty minutes in duration and two are over thirty minutes in duration. Most of the music is composed by Mingus, two tracks are standards and two others are composed by members of his ensembles. By the time the second concert was captured, Mingus was already suffering from a serious health issues and it is one of his last live recordings.

CD1 & CD2 present the Mingus sextet with trumpeter Johnny ColesFind albums by this artist, saxophonists Eric DolphyFind albums by this artist and Clifford JordanFind albums by this artist, pianist Jaki ByardFind albums by this artist and drummer Dannie RichmondFind albums by this artist.

CD3 & CD4 present the Mingus quintet with trumpeter Jack WalrathFind albums by this artist, saxophonist George AdamsFind albums by this artist, pianist Don PullenFind albums by this artist and Richmond (the only musician to play on both concerts).

The music includes the iconic Mingus’ compositions, spanning his entire career, each and every one in a unique concert version, which depended on the specific lineup, the mood of the concert and of course the leader’s disposition, which means that regardless of how many versions of the same tunes one owns, they are always different, often dramatically different from every other version of the same tune.

The two lineups are also very different; the sextet is dominated by the presence of Dolphy, whose hair-rising performances, especially those on flute and bass clarinet, are absolutely stunning, while the quintet might seem more relaxed and settled, but no less intense or sophisticated. Just two months after the concert captured herein, Ayler would be tragically dead, which makes his appearance here one of his last.

Overall, this is a monumental piece of Jazz history, which deserves an honorable place in any serious Jazz collection, even if Mingus’ recordings, including live ones, are already proudly present therein. The 1964 concert is a true eye (ear) opener, disclosing the dramatic entry of Free Jazz into the core of the Jazz tradition, but every second of the music captured on this album is true Holy Grail!
Updated: 26/05/2024Posted: 26/05/2024CD 4 Digipak Remastered Essential Recommend To A Friend

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