Record Reviews
26 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | AMALGAM ~ DEEP
FMR 127 (Barcode: 649849981677) ~ UK ~ Jazz
Recorded: 1977 Released: 2003
7th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Dave ColeFind albums by this artist, bassists Harry MillerFind albums by this artist and drummer Liam GenockeyFind albums by this artist, which marks the second phase of Amalgam, characterized by the dual saxophone – guitar frontline. The music is written entirely by Watts. This album was originally released on the tiny German independent VinylFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and double electric bass the sound of the band becomes even more close to Fusion, but the extended improvisations and the virtuosity of the performers are still the same as always. This is again quite an accessible Amalgam album ever and easily enjoyed both by Jazz and Fusion adventurous music fans. This is still a classic and brilliant stuff as always!
| | | CD-R 1 Recommend To A Friend |
  | BROTHERHOOD OF BREATH ~ BREMEN TO BRIDGWATER
CUNEIFORM 182/183 (Barcode: 045775018225) ~ UK ~ Jazz
Recorded: 1971 - 1975 Released: 2004
This albums collects three concerts recorded by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist. The first recording captures the ensemble in its early days (1971) whereas the other two come from four years later (1975), towards the end of the life cycle of the first edition of the band, which came to its end with the death of trumpeter Mongezi FezaFind albums by this artist just a month after the last of these concerts was recorded. The collective lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Radu MalfattiFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist, Elton DeanFind albums by this artist, Bruce GrantFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist and Keith BaileyFind albums by this artist– drums. It is interesting to compare the development of the ensemble over this relatively short time period and see how well integrated musically and spiritually the ensemble really was. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
| | | CD 2 Recommend To A Friend |
  | BROTHERHOOD OF BREATH ~ ECLIPSE AT DAWN
CUNEIFORM 262 (Barcode: 045775026220) ~ UK ~ Jazz
Recorded: 1971 Released: 2008
This splendid recording by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist, captures the band at the Berliner Jazztage festival and presents the initial phase in their development as one of the most original and influential bands of the era. The lineup (which kept changing slightly over time) includes: Harry BeckettFind albums by this artist and Marc CharigFind albums by this artist – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums. The combination of Jazz, Free Improvisation and African music intermixed in a unique way creates a vibrant and challenging musical experience, which had no equal at the time. McGregor’s clever compositions are ideal vehicles for the individual and collective improvisations and the energy and fire this band has to offer transcends time and space, making it accessible to every connoisseur of good music on this planet. The music remains as valid and brilliant as it was at the time of the recording and its great to have it commercially released at last. Warmly recommended!
| | | CD 1 Recommend To A Friend |
  | BROTHERHOOD OF BREATH ~ TRAVELLING SOMEWHERE
CUNEIFORM 152 (Barcode: 045775015224) ~ UK ~ Jazz
Recorded: 1973 Released: 2001
The saga of the British ensemble Brotherhood Of BreathFind albums by this artist and their leader pianist / composer Chris McGregorFind albums by this artist stretches back in time and space to South Africa in the early-1960s, where McGregor founded the first mixed-race Jazz group in the country, the Blue NotesFind albums by this artist. For the Apartheid regime mixed-race groups were hardly a welcome activity and the group suffered many hardships and found it difficult to perform for the white public. In 1964 the group got permission to travel to Europe and eventually arrived in London, where they decided to stay. The Blue Notes played around UK initially as a sextet (McGregor – piano, Dudu PukwanaFind albums by this artist – alto sax, Nick MoyakeFind albums by this artist – tenor sax, Mongezi FezaFind albums by this artist – trumpet, Johnny DyaniFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums) and later as a quintet (after Moyake returned to SA). In spite of the fact that they were one of the most innovative and inspiring Jazz acts at the time, they never achieved proper recognition. The pioneering work of Jazz-World Fusion, with the emphasis on African music, which the group presented, was surely quite ahead of its time. By the early 1970s McGregor managed to form a large ensemble, combining the Blue Notes players with some of the most prominent British Jazz musicians of the time, which was called Brotherhood Of Breath. The resulting ensemble was surely one of the highlights of the British Jazz scene in the early to mid-1970s, offering an incredibly powerful stage act, which included a superb amalgam of modern Jazz, Free, Improvised Music and strong African music influence. The ensemble recorded but a few studio albums, but luckily many of their splendid concerts were recorded by radio stations and festivals, mostly around Europe, where they were always received warmly. This album documents a performance captured by the German Radio Bremen and is a superb example of what they were all about. The lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu Pukwana and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis Moholo – drums. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
| | | CD 1 Recommend To A Friend |
  | COMMAND ALL STARS ~ CURIOSITIES 1972
REEL RECORDINGS 010 (Barcode: 676868178023) ~ UK ~ Jazz
Recorded: 1972 Released: 2008
This album is a great example of what the Canadian Reel RecordingsFind albums on this label label is all about: unearthing recorded documents of the British Jazz / Avant-Garde scene dating back to the 1960s, which have been so far completely lost and (sadly) often forgotten. Considering the fact that the Golden Decade (1965-1975) was Britain´s most illustrious contribution to music, any recorded document from that period has an immense historical value and therefore the work done by this label is truly a quest worth following. The music contained herein was recorded with the intention to be released as a double album, presenting the Art of spontaneous improvisation, performed by a collective of young (at the time) but experienced British players, who spearheaded the local Free Jazz / Improvised Music scene and certainly deserved the "stardom" status in spite of the oxymoron such epithet might imply: pianist Keith TippettFind albums by this artist, saxophonist Elton DeanFind albums by this artist, trombonist Nick EvansFind albums by this artist, trumpeter Mark CharigFind albums by this artist, bassists Harry MillerFind albums by this artist and Johnny DyaniFind albums by this artist and drummer Keith BaileyFind albums by this artist. These musicians often played with each other in various ensembles, of which they were members, but never collectively as one group, hence the one-time opportunity to hear them improvise collectively is so attractive. Unfortunately, as it often happened at the time, even with Jazz labels as the one for which these recordings were made, the label found this music to be "too much to swallow" and the project was discarded, including whipping out the original master tapes (a crime, without a doubt). Fortunately two copies of the original four reels were recently discovered by Evans and here we are being able to finally listen to this music. The music itself needs little elucidation to people familiar with the recorded output of the protagonists – it is what they always did best, play whatever their hearts dictated at the moment, carefully listening to each other and together creating a whole, which is much bigger than its parts. The album also includes two tracks recorded later the same year (for the BBC? as the recording premises might suggest) by a sextet including Dean, Evans and Charig with guitarist Jeff GreenFind albums by this artist, bassist Neville WhiteheadFind albums by this artist and drummer Louis MoholoFind albums by this artist. This is a true "blast from the past" and an absolute must for any British Jazz / Avant-Garde fan, wholeheartedly recommended!
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO.
BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion
Recorded: 1968 - 1972 Released: 2019
This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles.
The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks.
However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering.
Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss.
Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance.
Absolutely not to be missed!
| | Updated: 02/09/2020Posted: 01/09/2020 | CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | BOB DOWNES / OPEN MUSIC ~ DIVERSIONS
VOCALION 8434 (Barcode: 765387843427) ~ UK ~ Jazz
Recorded: 1970 Released: 2007
Flautist / saxophonist / composer Bob DownesFind albums by this artist was one of the pioneers of the British free-form Jazz. Apart from leading his own groups, most notably the Open MusicFind albums by this artist trio presented here, he also played with Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Ray RussellFind albums by this artist’s Rock WorkshopFind albums by this artist and many others. He was also one of the first musicians to start their own record label, which was called OpenianFind albums on this label, on which this album was originally released. The Open Music trio included, apart from Downes, one of the following bass players: Barry GuyFind albums by this artist, Jeff ClyneFind albums by this artist, Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist (the first two are present on this recording) and drummer Denis SmithFind albums by this artist. Downes composed all the music and played mostly various flutes, although he was equally fluent playing the alto saxophone. The music is excellent and truly visionary for the time of the recording. The level of interplay between the trio members is exceptional and the virtuosity of the players is exemplary and the album lost none of its vigor and charm over the years. A great example of early British Free Jazz at its best, suitable for most Jazz listeners, as although highly improvisational, the natural flow of the music makes it easily acceptable to most people. The music on this album was used several times as a part of dance show, with the trio performing live and accompanying the dancers. Free Jazz listeners should definitely try this gem.
| | | CD 1 Remastered Recommend To A Friend |
  | BOB DOWNES / OPEN MUSIC ~ ELECTRIC CITY
ESOTERIC 2188 (Barcode: 5013929728820) ~ UK ~ Jazz-Rock Fusion
Recorded: 1970 Released: 2010
Flautist / composer Bob DownesFind albums by this artist is one of the most creative and innovative figures on the British Jazz scene, with a wide scope of cross-genre contributions from contemporary Classical Music via Jazz and Jazz-Rock to Free Jazz and Improvised Music. Downes was an integral part of the late 1960s / early 1970s revolution, that emerged in British and European Jazz, emancipating it from years of American influence and domination, and participated in numerous seminal recordings made during that period. His many activities were usually executed under the loosely defined umbrella name of Open MusicFind albums by this artist, which varied from a trio to a large ensemble and as the name suggests was completely free from any stylistic or genre restrictions. After recording several albums for mainstream record labels in his early days, Downes created his own record label, called OpenianFind albums on this label Records, on which he releases his projects, being one of the first musicians to do so. By the early 1980s Downes moved to Germany, where he lives and continues his work today. This incredible album presents Downes as a composer of Jazz-Rock oriented shorter pieces, packed with energy and intricate arrangements. The list of participating musicians is awe inspiring, with some of the most illustrious musicians on the scene at the time, like trumpeters Kenny WheelerFind albums by this artist, Ian CarrFind albums by this artist and Harry BeckettFind albums by this artist, guitarist Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, bassist Harry MillerFind albums by this artist and many others. The music is brilliant, breathtaking and captivating. The virtuosic performances are ample expressions of the underlying musical currents and once immersed in the magic sound, the listener is completely absorbed and mesmerized. They don´t make music like this any more, that´s for sure. Brilliant stuff!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | BOB DOWNES / OPEN MUSIC ~ OPEN MUSIC (DREAM JOURNEY)
ESOTERIC 2189 (Barcode: 5013929728929) ~ UK ~ Jazz
Recorded: 1970 Released: 2010
Flautist / composer Bob DownesFind albums by this artist is one of the most creative and innovative figures on the British Jazz scene, with a wide scope of cross-genre contributions from contemporary Classical Music via Jazz and Jazz-Rock to Free Jazz and Improvised Music. Downes was an integral part of the late 1960s / early 1970s revolution, that emerged in British and European Jazz, emancipating it from years of American influence and domination, and participated in numerous seminal recordings made during that period. His many activities were usually executed under the loosely defined umbrella name of Open MusicFind albums by this artist, which varied from a trio to a large ensemble and as the name suggests was completely free from any stylistic or genre restrictions. After recording several albums for mainstream record labels in his early days, Downes created his own record label, called OpenianFind albums on this label Records, on which he releases his projects, being one of the first musicians to do so. By the early 1980s Downes moved to Germany, where he lives and continues his work today. This incredible album presents Downes as a composer of "serious" contemporary music, with the entire first side of the original vinyl album dedicated to a suite intended for a ballet performance, called "Dream Journey". In fact this album was intended to be entitled "Dream Journey", but the title never appeared on the album´s artwork and therefore it is referred to as "Open Music" (which was of course the ensemble´s name). The rest of the music consists of shorter pieces, the final of which is entitled "Electric City" – a name of another album Downes was working on at the same time. The list of participating musicians is awe inspiring, with some of the most illustrious musicians on the scene at the time, like trumpeter Henry LowtherFind albums by this artist, saxophonist John WarrenFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bassist Harry MillerFind albums by this artist, drummer John StevensFind albums by this artist and many others. The music, although difficult at times, is breathtaking and captivating. The virtuosic performances are ample expressions of the underlying musical currents and once immersed in the magic sound, the listener is completely absorbed and mesmerized. They don´t make music like this any more, that´s for sure. Brilliant stuff!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | KEVIN FIGES ~ YOU ARE HERE
JAZZ NOW 02 (Barcode: 5060774190654) ~ UK ~ Jazz
Recorded: 2023 Released: 2024
This is an album by British Jazz saxophonist Kevin FigesFind albums by this artist, recorded in a sextet setting with pianist Jim BlomfieldFind albums by this artist, trombonist Raphael ClarksonFind albums by this artist, trumpeter Pete JudgeFind albums by this artist, drummer Tony OrrellFind albums by this artist and bassist Riaan VoslooFind albums by this artist. The album presents fourteen tracks, five of which were composed by Keith TippettFind albums by this artist, five were composed by other British Jazz musicians connected to Tippett throughout his career, and the remaining four short pieces were composed by the members of the sextet.
The album (and the sextet) is a tribute to the music of the legendary British pianist / composer / bandleader Keith Tippett, one of the most important figures of the modern British Jazz. Figes and a few other members of the sextet played with Tippet before his untimely demise in 2020, and the leader directed a series of concerts commemorating Tippett’s music, leading to the creation of this album.
The music is a wonderful tribute to Tippett’s giant contribution to the development of British Jazz since the late 1960s, in which he instigated some of the most revolutionary ideas, ranging from solo piano to Big Band / Orchestral projects, which are still perfectly valid today and remain beacons of ingenuity and genius, sadly not present on the contemporary scene.
The music is splendidly performed and recorded and offers a fond memory of Tippett and other heroes of the British Jazz scene, like Elton DeanFind albums by this artist, Harry MillerFind albums by this artist, Hugh HopperFind albums by this artist, Dudu PukwanaFind albums by this artist and King CrimsonFind albums by this artist members, all of which made a tremendous contribution at their time. The material selected for this album is a superb review / retrospect glance at the finest moments of the scene.
This album is the second release on the new Jazz NowFind albums on this label label, created by the same people who run the splendid Jazz In BritainFind albums on this label label, which produced an impressive series of brilliant albums, which document the development of British Jazz in past decades. Obviously the new label is meant to document contemporary British Jazz.
Overall, this is a wonderful tribute album, which offers refreshed versions of compositions by Keith Tippett and other Godfathers of modern British Jazz, splendidly arranged and performed by Figes and the sextet, a great addition to any British Jazz record collection.
| | Updated: 10/07/2024Posted: 10/07/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | HARRY MILLER / ISIPINGO ~ FULL STEAM AHEAD
REEL RECORDINGS 012 (Barcode: 676868177927) ~ UK ~ Jazz
Recorded: 1975 - 1977 Released: 2008
Harry MillerFind albums by this artist brought over from his native South Africa a whole universe of music, which he and several of his South African musical cohorts injected into the British Jazz scene at a time of its greatest glory, not only musically but also socially, when it opened its arms and embraced any worthy influence, be it from India, Middle East, Far East or any other part of the crumbling Empire. Harry was always one of the most revered Masters of the bass and the warm tone and full body of his instrument ornamented countless recordings made by British bandleaders in the 1970s. However, Harry´s heart was always warmest to the amalgam of Free Improvised Jazz based on South African roots. His performances with the Brotherhood Of BreathFind albums by this artist and with his own roots ensemble IsipingoFind albums by this artist are clear evidence of the fact. Sadly Isipingo recorded just one album and therefore this new release, which presents a set of wonderful (mostly studio) recordings, all previously unreleased, is a true delight to every one of the many Harry´s fans around the globe. Made in cooperation with the Miller family label OgunFind albums on this label Records, run by his wife Hazel, this album is a heaven on earth in every respect – the music is delightful, the sound quality excellent and the historical value immeasurable. The lineup of the sextet changes slightly on the tracks present here, including saxophonist Mike OsborneFind albums by this artist, trumpeters Mark CharigFind albums by this artist and Mongezi FezaFind albums by this artist, trombonists Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Paul NeimanFind albums by this artist, pianists Stan TraceyFind albums by this artist, Keith TippettFind albums by this artist and Frank RobertsFind albums by this artist, Miller on bass and drummer Louis MoholoFind albums by this artist. The music, all composed by Miller, charges full steam ahead indeed, preserving absolutely all of its vitality and high spirited energy. This album deserves a well respected place in any serious British Jazz album collection and hopefully will be discovered by many new listeners, who missed this wonderful music when it was performed live, being one more testimony to the fact that Harry´s untimely death in 1983 was a tremendous loss for all music lovers.
| | Updated: 29/01/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | HARRY MILLER / ISIPINGO ~ WHICH WAY NOW
CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz
Released: 2006
Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.
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  | MIKE OSBORNE ~ OUTBACK
FMR 007 (Barcode: 649849981349) ~ UK ~ Jazz
Recorded: 1970 Released: 1994
British saxophonist / composer Mike OsborneFind albums by this artist was an integral part of the modern Jazz scene in the late 1960s / 1970s, recording numerous albums as member of the most important ensembles at the time, led by Mike WestbrookFind albums by this artist, Harry BeckettFind albums by this artist, John SurmanFind albums by this artist and Chris McGregorFind albums by this artist (Brotherhood Of BreathFind albums by this artist). He was also the founding member of the momentous saxophone trio SOSFind albums by this artist with John Surman and Alan SkidmoreFind albums by this artist. A brilliant improviser, he was an absolute master of the alto saxophone with very few contenders. Stylistically Osborne tendencies were always oriented towards Free Jazz and he was one of the great pioneers of the genre in UK. Unfortunately his personal life was deeply disturbed by mental illness, which resulted in time spent on and off in mental institutions. By early 1980s the illness became so severe that he had to be institutionalized for life and never again played music. He died in 2007.
Although Osborne recorded quite a few albums as a sideman, his output as leader is very limited. This was his debut session as a leader, which took a lot of persuasion to materialize, as Osborne hated to be in the limelight. Released on the legendary TurtleFind albums on this label label (the first album to be recorded for the label, which was actually started to release this album), the album was a rare collector’s item for many years and the reissue is a blessing. The music consists of just two long tracks (which used to be the LP sides), performed by a quintet with Osborne on alto saxophone, Harry Beckett on trumpet, Chris McGregor on piano, Harry MillerFind albums by this artist on bass and Louis MoholoFind albums by this artist on drums (the rhythm section of Brotherhood Of Breath).
On both tracks the quintet states the theme and then ventures into extended free improvisation passages, with splendid long solos by Osborne and Beckett. The album is a classic example of European Free Jazz, capturing the atmosphere of the era, when music was created because musicians had something to say. Not easy music, but essential to all enthusiasts of the genre and a most important historical document.
Visitors' Comments
Christopher Brice
Odd that the CD cover itself credits "Mike Osbourne" so I had trouble looking up the recording date here (Wikipedia redirects Mike Osbourne to Mike Osborne)
| | Updated: 20/05/2016Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | MIKE OSBORNE ~ SHAPES
FMR 010 (Barcode: 786497263820) ~ UK ~ Jazz
Recorded: 1972 Released: 1995
British saxophonist / composer Mike OsborneFind albums by this artist was one of the greatest representatives of the burgeoning scene in the late 1960s / 1970s and one of the most prominent pioneers of Free Jazz and Improvised Music. His unique alto saxophone sound, exceptional improvisational skill and power and total involvement with the music were unparalleled by any of his contemporaries. Unfortunately his career was severely disrupted by mental illness, which eventually caused his early retirement from active performing. Although Osborne did record often in the 1970s as a sideman with the most prominent ensembles at the time, his output as a leader is sadly limited. Therefore the release of this fabulous album, 23 years after it was recorded and remained forgotten, was a major event not only for his many admirers, but also for the entire British Jazz scene. Especially so when one realizes that this album is in fact the first recording of the fabulous SOSFind albums by this artist saxophone trio, supported by a rhythm section. Here they are: John SurmanFind albums by this artist, Mike Osborne and Alan SkidmoreFind albums by this artist, three British saxophone giants, with two bass players Harry MillerFind albums by this artist and Earl FreemanFind albums by this artist and Louis MoholoFind albums by this artist on drums. The music is quite overwhelming, mostly free improvised with the three saxophonists playing simultaneously and separately and the rhythm section providing a solid basis cementing the overall result into a beautiful synergy of sounds. This kind of collective improvisation, based on phenomenal and almost telepathic rapport between the musicians is extremely rare and deserves to be heard time and time again. This is an immensely important document of European Jazz and a must for British Jazz enthusiasts.
| | | CD 1 Remastered Recommend To A Friend |
  | ALAN SKIDMORE ~ ONCE UPON A TIME…
VOCALION 8406 (Barcode: 765387840624) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
The title of the debut album by saxophonist / composer Alan SkidmoreFind albums by this artist is indeed appropriate for the occasion, as this is a recording of such beauty and excellence, that is happens extremely rarely. Alan, son of veteran British Jazz figure Jimmy SkidmoreFind albums by this artist, earned his own reputation by storming the modern British Jazz in the late 1960s. He participated in numerous pivotal recordings as sideman, and his debut turned out to be just it – the absolutely perfect example of what was happening at the time. If I had to select just one album, which represents the British scene at that time, this would be it. Skidmore on tenor sax leads a perfect quintet with Kenny WheelerFind albums by this artist on trumpet, John TaylorFind albums by this artist on piano, Harry MillerFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums (yes they were John SurmanFind albums by this artist’s rhythm section as well). Of the six exquisite compositions present, two are by John Surman, and the rest by Tony Oxley, John WarrenFind albums by this artist, John Taylor and Alan Skidmore, each contributing one composition. Whatever I’ll say here does not come even close to listening to this music, so do yourself a favor and grab a copy – this is something I’ve been listening to for almost 40 years and it still grabs me each and every time, so it must be really special. Essential stuff!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | JOHN SURMAN ~ FLASHPOINTS AND UNDERCURRENTS
CUNEIFOM 515/516 (Barcode: 045775051529) ~ UK ~ Jazz
Recorded: 1969 Released: 2025
This is an archival album by British saxophonist / composer / bandleader John SurmanFind albums by this artist, recorded on April 18, 1969 as part of the German NDR radio station series of concerts called Jazz Workshop. The 62nd edition of the series featured Surman and his tentet, which included eight British musicians: Surman, saxophonists Alan SkidmoreFind albums by this artist, Ronnie ScottFind albums by this artist and Mike OsborneFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist, and two Austrian musicians: trombonist Erich KleinschusterFind albums by this artist and pianist Fritz PauerFind albums by this artist. The entire concert is included on this 2CD album and presents thirteen tracks, ten of which are original compositions by Surman and three (one each) are compositions by Pauer, Wheeler and Kleinschuster.
Five of the tracks (in somewhat edited form) were previously released, also on CuneiformFind albums on this label, in 2011 as the CD/DVD album “Flashpoint: NDR Jazz Workshop – April `69Find albums with this title”. Shortly before this music was recorded, Surman recorded his 2nd album as a leader, the iconic “How Many Clouds Can You See?Find albums with this title”.
The music is of course absolutely Godly, a brilliant snapshot of the explosive modern British Jazz at its absolute peak, which takes the Jazz tradition exponentially expanded into new space-time continuum. Every one of these musicians is a master of his instrument and Surman’s music is an ideal catalyst which helps the music to explode. Hearing is believing of course, but there are very few albums, which can match the genius and intensity of this music. Since the German radio sound engineers knew how to capture the sound perfectly, listening to this album is an unadulterated ecstasy.
Overall, this is probably one of the best examples ever of the early European Jazz at its pivotal stage, taking everything there is to take form the American Jazz tradition between Swing and Free and moving to the next stage of evolution. A quintessential musical moment captured for posterity and serving as a beacon pointing towards the feature.
| | Updated: 14/06/2025Posted: 14/06/2025 | CD 2 Essential Recommend To A Friend |
  | JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE?
VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2006
2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.
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  | JOHN SURMAN ~ JOHN SURMAN
VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz
Recorded: 1968 Released: 2005
Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.
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  | JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69
VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz
Recorded: 1968 - 1969 Released: 2006
Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.
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  | JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN
VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!
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  | KEITH TIPPETT / JULIE TIPPETS / LUIS MOHOLO / CANTO GENERAL ~ VIVA LA BLACK LIVE AT RUVO
OGUN 020 (Barcode: 5020675572201) ~ UK ~ Big Band Jazz
Recorded: 2004 Released: 2007
This is an album, which documents a live performance captured at the Ruvo Festival in Italy, which features the British Jazz couple: pianist / composer / conductor Keith TippettFind albums by this artist and vocalist Julie TippettsFind albums by this artist, and the drummer Luis MoholoFind albums by this artist, who arrived in UK from South Africa, accompanied by the Italian Jazz Orchestra Canto General, which includes also a vocal sextet. The album presents twelve tracks, seven of which are composed by Keith Tippett, two including lyrics by Julie Tippetts, one is a traditional tune and the remaining four are by other South-African expatriates, who were an integral part of the British Jazz scene: Harry MillerFind albums by this artist, Dudu PukwanaFind albums by this artist and Mongezi FezaFind albums by this artist, sadly no longer with us.
The music is absolutely fascinating in every respect and the magic of the live performance is perfectly captured by this magnificent recording. The Orchestra features some top Italian Jazz players, like saxophonist Roberto OttavianoFind albums by this artist, who get a chance to solo throughout the proceedings, and Julie’s vocals are as captivating as always. The focal point of the album is a performance of Keith’s “Septober EnergyFind albums with this title” suite, which gets here a sublime reading by all the musicians involved.
Although based on melodic themes, the music ventures into extensive improvisations by the instrumentalists, never actually losing any of the coherence, which Keith looks after as a conductor. The music offers some of the most intensive Jazz Orchestra moments ever captured on record, which lovers of that particular idiom should cherish.
The album pays a great tribute both to the contribution by the South African Jazz musicians to the development of the modern British Jazz, as well as the sublime compositions by Keith Tippet, which sound absolutely divine in this orchestral form.
Overall, this is a magnificent album, full of great music and wonderful performances, with extraordinary Orchestral Jazz rarely heard at such intensity. For Keith’s and Julie’s fans this is an absolute must of course, the same goes to all British Jazz lovers, but every true music lover on this planet should enjoy this beautiful album in full. Great thanks to Hazel MillerFind albums by this artist and her OgunFind albums on this label Records for releasing this music for everybody to enjoy!
| | Updated: 21/03/2023Posted: 21/03/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MIKE WESTBROOK ~ LOVE SONGS
VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.
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  | MIKE WESTBROOK ~ MARCHING SONGS VOL.1 & 2
RIGHTEOUS 23:12 (Barcode: 5013929981225) ~ UK ~ Jazz
Recorded: 1969 Released: 2009
This magnificent piece of music by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is an iconic recording in the history of modern British Jazz. The huge band, which recorded this music, includes absolutely everybody who was anybody on the scene at the time: saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Malcolm GriffithFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist, drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist; these being only some of the 30 participants. The music is an extended suite (originally released on 2 LPs) with the main theme being an anti-war protest, as appropriate at the time when the Vietnam was in the center of everybody´s attention. The music was composed almost entirely by Westbrook, with a few sections composed by Surman. There is no point in explaining the significance of this music and its pioneering nature (which I have already done many times here), suffice to say that this is an absolute masterpiece in every respect and no decent Jazz record collection should exclude this historical milestone. Absolutely essential!
| | Updated: 10/03/2023Posted: | CD 2 Remastered Essential Recommend To A Friend |
  | MIKE WESTBROOK ~ METROPOLIS
BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz
Recorded: 1971 Released: 1999
If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!
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  | MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE
CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz
Recorded: 1968 Released: 2018
This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later.
This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears).
The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017.
The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity.
Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!
| | Updated: 02/02/2023Posted: 09/10/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
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