Record Reviews
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  | RON CARTER ~ ETUDES
WOUNDED BIRD 6214 (Barcode: 664140621428) ~ USA ~ Jazz
Recorded: 1982 Released: 2008
Legendary US bassist Ron CarterFind albums by this artist, one of the great Jazz veterans of the genre and the backbone of countless Jazz recordings, presents here a series of new compositions accompanied by other great musicians: trumpeter Art FarmerFind albums by this artist, saxophonist Bill EvansFind albums by this artist and drummer Tony WilliamsFind albums by this artist. This piano-less quartet might sound slightly unusual at first, but just a few bars into the music it becomes clear that they are s superb unit of Master musicians. Both Farmer and Evans solo with confidence and flair, Williams displays his usual pyrotechnics, which is second to none, and Carter confidently and with virtuosity sets the pace and puts down the backbone at all time. His beautiful tone (excellently recorded) is overwhelming and inspiring. The music includes four compositions by Carter and two by Williams and although it´s not experimental or particularly innovating, is well structured and makes perfect sense musically, allowing plenty of space for soloing. Carter´s solos are of course, as always, full of inspiration and virtuosity and Williams proves to be a perfect partner – well they did play together for many years in the legendary Miles DavisFind albums by this artist second quintet after all. This album is an absolute must for all bass enthusiasts, but every Jazz lover will find plenty of great music here.
| | | CD 1 Recommend To A Friend |
  | STANLEY CLARKE ~ THE COMPLETE 1970S EPIC ALBUMS COLLECTION
SONY 886979312227 (Barcode: 886979312227) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 - 1979 Released: 2012
American bassist / composer / bandleader Stanley ClarkeFind albums by this artist is one of the iconic figures of the Jazz-Rock Fusion explosion, which swept the world in the late 1960s / early 1970s. His distinctive and virtuosic bass lines have set standards, which are followed to this very day, with very few bass players being able to play as technically perfect as he always did and even fewer to be as inventive, groundbreaking and innovative. Although primarily associated with Fusion and the electric bass guitar, Clarke always was (and still is) an exceptional acoustic bass player with a superb Jazz technique and sensitivity.
Clarke first came to prominence as a member of the first lineup of the legendary Chick CoreaFind albums by this artist´s ensemble Return To ForeverFind albums by this artist, where his bass lines shaped the music as significantly as Corea´s keyboard wizardry. Clarke stayed with the original band for several years and remained a Corea´s friend and collaborator in the decades that followed. In parallel to his work with Return To Forever, Clarke started a solo recording career, which produced some of Fusion´s and later also Funk´s greatest moments.
Following the release of his debut solo album on PolydorFind albums on this label, he switched to the NemperorFind albums on this label label (currently owned by SonyFind albums on this label) and later on to the EpicFind albums on this label label (a subsidiary of ColumbiaFind albums on this label). He recorded five albums for Nemperor between 1974 and 1979, the last of which was a live double LP. In the 1980s and early 1990s his albums were released on Epic. This Box Set includes all the five albums released on Nemperor and as a bonus also a live album recorded during Clarke´s band tours in 1976-1977, which was released only in 1991.
Of course the list of names of the musicians, who play alongside Clarke on these albums, reads like an encyclopedia of American music of that period. To mention just a few: keyboardists Jan HammerFind albums by this artist, George DukeFind albums by this artist, Chick CoreaFind albums by this artist, David SanciousFind albums by this artist and others, guitarists Bill ConnorsFind albums by this artist, Jeff BeckFind albums by this artist, John McLaughlinFind albums by this artist and others, drummers Tony WilliamsFind albums by this artist, Steve GaddFind albums by this artist, Lenny WhiteFind albums by this artist, Gerry BrownFind albums by this artist and others and a myriad of other musicians. Clarke composed almost every note played here, with very few exceptions, and the music is absolutely marvelous and ass-kicking, as it was at the time it was recorded.
Clarke was often criticized for utilizing his vocals on some of these albums, which of course was not one of his fortes, but since the vocals are relatively scarce and in retrospect really not that bad, that point of criticism id completely insignificant in view of the majestic content of the music contained herein.
Every bass player today, consciously or subconsciously, directly or indirectly is influenced one way or another by what Stanley Clarke played over the years, and this Box Set is a great way to celebrate his talent. Brilliant stuff!
| | Updated: 26/01/2019Posted: | CD 7 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | MILES DAVIS ~ FREEDOM JAZZ DANCE: THE BOOTLEG SERIES VOL.5
COLUMBIA 889853573721 (Barcode: 889853573721) ~ USA ~ Jazz
Recorded: 1965 - 1968 Released: 2016
This is the 5th installment of the "Bootleg Series" recordings by American trumpeter / composer Miles DavisFind albums by this artist, released by ColumbiaFind albums on this label Records. For the first time in this series, the music included here comprises of studio recordings, rather than of live material, as was the practice so far. The music was recorded by the legendary second Miles Davis Quintet, which featured saxophonist Wayne ShorterFind albums by this artist, pianist Herbie HancockFind albums by this artist, bassist Ron CarterFind albums by this artist and drummer Tony WilliamsFind albums by this artist.
The music is presented in its rawest possible form, by simply including entire session reels, which comprise of rehearsals, false starts, partial takes, alternate takes and extensive studio chatter, all captured on tape in real time. The actual master takes follow, demonstrating the final result, which was eventually released on record. The whole concept of this set is to reveal a close inside look at the process of recording music and for people interesting in that process it is of course fascinating and absolutely unique.
Six of the master takes were released as the "Miles SmilesFind albums with this title" album released in 1967 and two were included on the "NefertitiFind albums with this title" album released in 1968. One master take remained unreleased for nine years and was finally included on the "Water BabiesFind albums with this title" album released in 1976. Several other tracks are previously unreleased.
Considering the fact that this music is performed by what is considered by many the ultimate Jazz ensemble to ever walk the face of the earth, every millisecond of this album is worth its weight in gold. The fact that they made mistakes and swore makes them of course human, but the way they play is definitely godlike. Although every devoted Miles fan is familiar with the master take versions of this music, the revelation of the process of their actual making is a deeply moving and for connoisseurs of the second Quintet this is of course an absolute must. For people who have spent huge amount of time in recording studios, like me, this is a close encounter of the fifth kind.
The fact that the music is absolutely sensational is of course obvious, which means that the more we can hear of it the better. The session reels, which are full of pauses and starts, can be a bit difficult for people not used to the studio reality, but are all worth the effort as they include some incredible music delivered once the quintet finally gets into gear and starts sailing full steam ahead.
As all the releases in the "Bootleg Series", this one delivers exactly what expected: previously unheard music, new perspectives, close encounters, historic moments and great memories. One can hardly imagine a more proper tribute to the genius of Miles Davis and the musicians associated with him than this series which takes the music seriously, is well researched, is aesthetically packaged, or in short simply works out wonderfully well. A BIG thank you to everybody involved in making this release a reality. One can only hope for many more installments in the future.
| | Updated: 31/12/2024Posted: 21/01/2017 | CD 3 Digipak Remastered Essential Recommend To A Friend |
  | MILES DAVIS ~ LIVE IN EUROPE 1967: THE BOOTLEG SERIES VOL.1
COLUMBIA 886979405325 (Barcode: 886979405325) ~ USA ~ Jazz
Recorded: 1967 Released: 2011
The Miles DavisFind albums by this artist second quintet is often considered the ultimate Jazz ensemble of all times. With saxophonist Wayne ShorterFind albums by this artist, pianist Herbie HancockFind albums by this artist, bassist Ron CarterFind albums by this artist and drummer Tony WilliamsFind albums by this artist as his partners, trumpeter / composer Davis was pushing music light-years ahead during the three and a half years this quintet existed (1965-1968). The studio albums recorded by the quintet (see "The Complete Columbia Studio Recordings Of The Miles Davis Quintet 1965-68Find albums with this title") are absolute masterpieces, which are totally timeless and unparalleled in their depth and perfection.
However, it was on stage that this ensemble really created its best work. Sadly, the recorded legacy of live performances by this quintet is not very extensive and therefore this release, which brings us 3 CDs and a DVD of previously unreleased live material by this quintet, is worth its weight in gold to every Davis connoisseur. Recorded (and filmed) during the quintet´s European tour in October / November 1967, this music and the film were all captured within a period of eleven days, which means that we get a clearly focused picture of what they were doing at the time.
After playing together for almost three years, the quintet was at the absolute peek of their creative powers, completely focused and intimately linked together by telepathic musical understanding. Listening to these live performance confirms all this, but also much more. It ultimately shows how creative these players were, even when performing a fixed set of compositions evening after evening. Davis, firmly in the lead, gives the cues to move from one composition to another or a change of tempo, but allows the individual musicians complete freedom. It is this freedom, which is the most striking and significant element omnipresent here, almost shocking in its power. Large portions of this music could be easily taken from a Free Jazz concert, even though the basic concept is still anchored in mainstream.
Collective improvisations often have all five members of the quintet playing at different tempi, scales and themes at the same time, somehow miraculously making a perfect sense. Personally I´ve always found the young Tony Williams to be the most striking personality in this ensemble, with his perception of rhythm more radically different and innovative than the other quintet members. A careful listener will be able to hear Williams play four different rhythms simultaneously, each played by one of his limbs. This barrage of sound is the most striking drumming imaginable, and an almost mystical experience.
It would be ridiculous to recommend this release, at it goes without saying that all modern Jazz listeners should find it absolutely essential and an obligatory part of their collections. Since the subtitle suggests that this is just the first in a series of previously unreleased Miles Davis recordings, all I can say is Halleluiah!
| | Updated: 20/05/2018Posted: | 3CD+DVD 4 Digipak Remastered Essential Recommend To A Friend |
  | MILES DAVIS ~ MILES IN FRANCE 1963 & 1964: THE BOOTLEG SERIES VOL.8
COLUMBIA 198028016728 (Barcode: 198028016728) ~ USA ~ Jazz
Recorded: 1963 - 1964 Released: 2024
This is the 8th installment of the “Bootleg Series” recordings by American trumpeter / composer / bandleader / visionary Miles DavisFind albums by this artist, released by ColumbiaFind albums on this label Records. It presents mostly previously unreleased material by Davis, captured during the early days of the legendary second quintet, recorded live in France. It follows the previous installment in the series, which was released in 2022 and offers 6 CDs of live material.
CD1 to CD4 present three full concerts recorded on July 26, 27 and 28, 1963 during the Antibes Jazz Festival, a total of twenty-seven tracks, performed by Davis, saxophonist George ColemanFind albums by this artist, pianist Herbie HancockFind albums by this artist, bassist Ron CarterFind albums by this artist and drummer Tony WilliamsFind albums by this artist.
The material recorded on July 27, 1963 (appearing here partly on CD2 and on CD3) was previously released on the “In EuropeFind albums with this title” album, in several versions, often edited, as well as on some compilations. This is the first time the full concert can be heard in its original form.
CD5 & CD6 present two full concerts recorded on October 1, 1964 during the Paris Jazz Festival, a total of ten tracks, performed by Davis, saxophonist Wayne ShorterFind albums by this artist, Hancock, Carter and Williams.
The music offers a wonderful glimpse on the development of the second quintet. The concerts, separated by just over a year, and with Shorter joining the quintet, show how the music takes a quantum leap forward, as does the young Williams, who offers some truly brilliant drumming displays. Coleman, an excellent musician by all means, was simply too much rooted in the Bebop tradition, while Davis was trying to push the boundaries of the genre.
Overall, as usual with any archival material by Miles Davis, the music is absolutely Godly, stressing again his unshaken position as the greatest Jazz musician of all time. Although the music does not reveal any surprising elements, it affirms his status, and for every Davis’ follower on this planet is absolutely essential.
| | Updated: 31/12/2024Posted: 31/12/2024 | CD 6 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | MILES DAVIS ~ SEVEN STEPS: THE COMPLETE COLUMBIA RECORDINGS OF MILES DAVIS 1963-1964
COLUMBIA 90840 ~ USA ~ Jazz
This is the 3rd chapter in the ColumbiaFind albums on this label’s epic series of Miles DavisFind albums by this artist Box Sets, which is a monumental reissue project of recordings by the most important Jazz musician of the 20th century. Recorded mostly live during 1963 & 1964, the music documents the so-called in transition period of Miles between his two legendary Quintets. Miles was, as always. In search of the next step he wanted to take musically and was searching for the right musicians who could accompany him in his journey. Therefore, although this set includes music performed by a constantly changing line-up, the crystallization of the second great Quintet is well documented here, with Ron CarterFind albums by this artist (bass), Tony WilliamsFind albums by this artist (drums), Herbie HancockFind albums by this artist (piano) and finally Wayne ShorterFind albums by this artist (sax) gradually joined his group. All the other musicians playing with Miles here (George ColemanFind albums by this artist and Sam RiversFind albums by this artist on sax, Victor FeldmanFind albums by this artist on piano and Frank ButlerFind albums by this artist on drums) were admirable of course, but somehow lacked the special chemistry Miles required from his players.
The music contained here was originally released on the following albums: “Seven Steps To HeavenFind albums with this title”, “In EuropeFind albums with this title”, “My Funny ValentineFind albums with this title”, “Four & MoreFind albums with this title”, “In TokyoFind albums with this title” and “In BerlinFind albums with this title”. As usual, a plethora of previously unreleased tracks and tracks released on other albums and various compilations is also included, all present in full chronological order.
All of the material is painstakingly remastered and sounds superbly. Of course all this stuff is heavenly and although the musical progress here is slow, every note played by Miles is absolutely right on. There is a lot of tension in the air as Miles tests the ground for the next leap, pushing his musicians to the limit. The youngster Williams re-defines the meaning of Jazz drumming here, with more freedom and space than ever heard before, even with the parallel Free Jazz drummers. Hancock’s highly evolved musicality and deep sense of melody is already quite evident and Carter’s powerful and precise bass cements the entire concept together.
This stuff is as essential to any Jazz lover as air and water are to his physical existence. The box packaging is as lavish and extravagantly beautiful, as all the other items in this series, with extensive liner notes, detailed discography and many superb photographs.
A special note to collectors:
The initial release of all the Miles Davis Box Sets in this reissue series is packaged in an exquisite metal-bound (except chapter 5 which is cardboard-bound) frame housed in a hard cardboard CD-sized slipcase (except for chapters 1 & 8 which have a metal slipcase). Once the initial release is sold out, the CDs are repackaged in a tall-box digipak book format. Naturally the tall-box issues have a much lower retail price tag. All the initial release CD-sized issues become priceless collectors’ items in time.
| | Updated: 11/01/2024Posted: | CD 7 Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | MILES DAVIS ~ THE COMPLETE COLUMBIA STUDIO RECORDINGS OF THE MILES DAVIS QUINTET 1965-68
COLUMBIA 90925 (Barcode: 827969092521) ~ USA ~ Jazz
Recorded: 1965 - 1968 Released: 2004
This is the 4th chapter in the ColumbiaFind albums on this label’s epic series of Miles DavisFind albums by this artist Box Sets, which is a monumental reissue project of recordings by the most important Jazz musician of the 20th century. This set presents the complete studio output recorded by the legendary quintet between January 1965 and June 1968, which included Wayne ShorterFind albums by this artist (tenor saxophone), Herbie HancockFind albums by this artist (piano), Ron CarterFind albums by this artist (bass) and Tony WilliamsFind albums by this artist (drums). During this three and a half years period this quintet was the most important jazz ensemble in the world and also the most stable musical environment Miles ever enjoyed, which enabled him to push the boundaries of music ever further, slowly changing the face of jazz from the bee bop and Hard Bop traditions into the free style Fusion, which was to emerge as the next step of his visionary path. The sessions included here were released on the following albums and compilations: E.S.P.Find albums with this title, Miles SmilesFind albums with this title, SorcererFind albums with this title, NefertitiFind albums with this title, Miles In The SkyFind albums with this title, Filles De KilimanjaroFind albums with this title, Water BabiesFind albums with this title, Circle In The RoundFind albums with this title and DirectionsFind albums with this title. As to the music – anything I can say here will be completely banal in view of the sheer genus of this masterpiece. Not only is this some of the most essential music recorded in the 20th Century, but even every individual note played here is essential. This icon is a must in every respectable music collection.
| | Updated: 26/01/2019Posted: | CD 6 Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | GIL EVANS / ORCHESTRA ~ PLAYS THE MUSIC OF JIMI HENDRIX (EXPANDED EDITION)
RCA 63872 (Barcode: 090266387229) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 - 1975 Released: 2005
Pianist / composer / arranger / bandleader Gil EvansFind albums by this artist was surely one of the most forward-thinking and open-minded Jazz Masters, who were able to overcome the typical American Jazz snobbery and keep their ears wide-open to anything of interest that was happening outside of the genre´s stifling ramparts. His revolutionary work with Miles DavisFind albums by this artist, one of the first examples of cross-genre music making and amalgamation of World Music elements into Jazz earned him his initial glory and recognition, but Evans remained a pioneer for the rest of his life. He was also the first Jazz personality to recognize and publically acknowledge his admiration of the talents of Jimi HendrixFind albums by this artist, not only as an exceptional guitarist but also as a great composer. Evans approached Hendrix with a cooperation proposal, which Jimi accepted wholeheartedly, but alas Jimi´s untimely death turned all plans into unfulfilled dreams. However, in spite of the disappointment, Evans decided to pay tribute to the genius of Hendrix by recording this exceptional album of arrangements of music composed by Hendrix, performed by his orchestra. This stunning example of Jazz-Rock Fusion is completely different from most other efforts pursued at the time worldwide and demonstrates a perfect marriage between Jazz and Rock in the orchestral realm. The orchestra, which included mostly young and up-coming Jazz virtuosi, features such illustrious players as guitarists John AbercrombieFind albums by this artist and Ryo KawasakiFind albums by this artist, trumpeters Lew SoloffFind albums by this artist and Marvin PetersonFind albums by this artist, saxophonists David SanbornFind albums by this artist and George AdamsFind albums by this artist, drummers Bruce DitmasFind albums by this artist and Tony WilliamsFind albums by this artist and many more. Hearing the music of Hendrix in this fantastic setting is an exceptional musical expedition, especially for people who are familiar with the original recordings by Hendrix. Evans finds new hidden facets in this music, which only a great musician can discover, and shares them with the listener, taking him on a journey of discovery. This expanded edition presents all the material on the original LP in unabridged form and adds alternative takes as bonuses. Exceptional stuff and a must for any true music lover!
| | | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | STAN GETZ ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION
SONY 886978805829 (Barcode: 886978805829) ~ USA ~ Jazz
Recorded: 1972 - 1979 Released: 2011
With a career spanning half a century American saxophonist Stan GetzFind albums by this artist became one of the undying Jazz icons, making many milestone contributions to the development of the Jazz art form. He was probably one of the most versatile Jazz figures, associated with such diverse Jazz genres as Bebop, Cool, Bossa Nova and Jazz-Rock Fusion. His extensive recorded legacy includes many classic Jazz albums, which are considered timeless and are listened to today.
Getz´s most popular albums are those recorded during his stint with the VerveFind albums on this label label (1951–1972), but his albums recorded for and released on ColumbiaFind albums on this label in the 1970s, although criminally less known, are in fact some of his best ever and surely constitute the most diverse output created by one artist in a period of just several years, probably due to the complete artistic freedom and self-production rights he was awarded by Columbia. A total of seven albums were released on Columbia, spanning a wide artistic spectrum and all absolutely brilliant.
The set opens with the marvelous "Captain MarvelFind albums with this title" album, recorded with pianist Chick CoreaFind albums by this artist (who wrote almost all the music on that album), bassist Stanley ClarkeFind albums by this artist, drummer Tony WilliamsFind albums by this artist and percussionist Airto MoreiraFind albums by this artist. This album was recorded just a month after the recording of the debut eponymous album by the newly founded Return To ForeverFind albums by this artist. It included some of the music already recorded on that debut album and other music included later on the second Return To Forever album called "Light As A FeatherFind albums with this title". This is definitely one of the most memorable early Fusion recordings.
Next comes the reunion between Getz and the Brazilian guitarist / composer Joao GilbertoFind albums by this artist ("The Best Of Two WorldsFind albums with this title"), returning to the Jazz / Bossa Nova style, which a decade earlier pushed Getz to the center of fame and popularity as a result of the commercial and artistic success of legendary early Getz / Gilberto albums.
Then there is the beautiful collaboration with the legendary vocalist / pianist / composer Jimmie RowlesFind albums by this artist ("The PeacocksFind albums with this title"), a straight-forward quartet date ("The MasterFind albums with this title"), another great Fusion album ("Another WorldFind albums with this title") with keyboardist Andy LaverneFind albums by this artist, an album of Lalo ShifrinFind albums by this artist´s compositions ("Children Of The WorldFind albums with this title") and finally a soundtrack album ("Forest EyesFind albums with this title") recorded in Holland with excellent Dutch musicians.
The Box Set also includes a bonus CD comprising of live recordings by Getz, compiled from different albums and informative liner notes. All albums are remastered and include bonus tracks. Together this is one of the most fascinating collections of music, simply exploding with musical genius and incredible performances. It is an essential document of what intelligent and open minded music is all about and an essential part of the Jazz legacy. Not to be missed under any circumstances!
| | Updated: 26/01/2019Posted: | CD 8 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | HERBIE HANCOCK ~ THE COMPLETE COLUMBIA ALBUM COLLECTION 1972-1988
SONY 886977240829 (Barcode: 886977240829) ~ USA ~ Jazz
Recorded: 1972 - 1988 Released: 2013
This monumental Box Set (31 albums, 3 of which are double CDs) presents the recording legacy of American keyboardist / composer / bandleader Herbie HancockFind albums by this artist during his most productive and groundbreaking two decades, in which his albums were released by ColumbiaFind albums on this label (and SonyFind albums on this label in Japan). Columbia was Hancock´s third record label; his initial recording career (1962-1969) was spent with the legendary Blue NoteFind albums on this label label, where he recorded a series of brilliant and pioneering albums as a leader and dozens of albums as a sideman, many of which are considered as part of the canon of Jazz recordings. After a short period of recording for the Warner Bros.Find albums on this label label (1969-1972) he signed with Columbia, which was quite natural considering that Hancock was a member of the second legendary Miles DavisFind albums by this artist quintet (1963-1969) and took part in many projects Davis led after the quintet disbanded, all of which were recorded for Columbia. Several of the albums in this box, which were originally released only in Japan, make their appearance outside of Japan for the first time.
The content of this Box Set emphasizes the incredible musical versatility and truly chameleonic nature of Hancock as an Artist. He plays in many settings, from solo keyboards, duos (with Chick CoreaFind albums by this artist for example), trios (with Ron CarterFind albums by this artist and Tony WilliamsFind albums by this artist) and ensembles like the pioneering Jazz-Funk Headhunters or the incredible V.S.O.P.Find albums by this artist quintet, which followed in the steps of the second Miles Davis quintet, with trumpeter Freddie HubbardFind albums by this artist replacing Davis and the rest of the players being the original quintet members. It also shows Hancock as a composer of soundtracks ("Death Wish" and "Round Midnight") and his affiliation with World Music.
Musically the box covers an incredibly wide cross-genre musical plateau, covering such varied areas as modern Mainstream, Jazz-Rock Fusion, Jazz-Funk Fusion, Jazz-Soul Fusion, electronic and ambient music, orchestral music, Jazz-Classical Fusion and any other. Hancock´s exceptional talent as a composer is exposed here in the fullest and confirms his status as one of the most influential and revolutionary Jazz musician ever. His skills as a player are of course completely unparalleled and have served as a model for generations of young musicians all over the world.
It wouldn´t be an exaggeration to state that this box contains some of the most important Jazz recordings made to date and as a legacy its value is absolutely priceless and unique. It is of course worth every penny of this reasonably priced and beautifully packaged Box Set, even if one owns some of these albums separately already. Grab the box and give the older versions to your friends; they will surely be grateful and thank you.
This is an absolutely essential piece of Jazz history, music history and human Cultural legacy, which is way beyond recommendation. Simply a must!
| | Updated: 26/01/2019Posted: | CD 34 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | JETHRO TULL ~ LIVE - BURSTING OUT (THE INFLATED EDITION)
CHRYSALIS 5054197723971 (Barcode: 5054197723971) ~ UK ~ Progressive Rock
Recorded: 1978 Released: 2024
This is a reissue of the 1st live album by the British Prog Masters Jethro TullFind albums by this artist, recorded during the 1978 European tour supporting the “Heavy HorsesFind albums with this title” album, and another chapter in the series of reissues of their seminal albums which are being remixed to new stereo and 5.1 surround sound versions by Steven WilsonFind albums by this artist, who is doing similar projects with classic Rock / Prog albums by other artists as well. It follows a similar treatment that Wilson applied to the reissues of all early Jethro Tull releases. The reissue consists of three CDs and three DVDs.
CD1 and CD2 contain the new stereo remix of the original album: eleven tracks, three of which are restored to their full version and five bonus tracks (soundcheck recordings, which are previously unreleased) on CD1 and ten tracks and three bonus tracks (soundcheck recordings, which are previously unreleased). The third CD contains new stereo remix of the audio tracks of the “Live At Madison Square GardenFind albums with this title” broadcast / video, captured later that year, edited to CD (sixteen tracks).
DVD1 and DVD2 contain the same material as CD1 and CD2, remixed in two High-Resolution formats (5.1 DTS, AC3 Dolby Digital Surround Sound and in High Resolution stereo format 96/24 LPCM). They also include the flat transfer 96/24 PCM stereo of the original “Live - Bursting OutFind albums with this title” double LP. The third DVD includes the full 93 minutes Madison Square Garden broadcast and some original TV adverts. If you are confused by all these technical terms, don´t be – it is all complete bullshit piece of hype! Basically you don´t even get the original stereo mix of the original album in a CD form, but you get a bunch of bonus tracks, which honestly contribute very little, if anything at all. A classic rip-off playing on the sentiments of aging fans and collectors.
The entire set is lavishly packaged in a digibook format, with great photos of the band, background material and other goodies, which are all beyond reproach.
The group´s lineup on this album consists of Ian AndersonFind albums by this artist, who as usual handles most of the vocals and plays the flute parts and acoustic guitar / mandolin and the lead guitar is magnificently handled by Martin BarreFind albums by this artist, the keyboards are handled by John EvanFind albums by this artist and David PalmerFind albums by this artist and rhythm section features bassist John GlascockFind albums by this artist and drummer Barriemore BarlowFind albums by this artist. On the Madison Square Garden broadcast Glascock is replaced by Tony WilliamsFind albums by this artist.
Musically, the album presents the group as brilliant live performers, superb instrumentalists and extraordinary entertainers, with very few equals. With the end of the 1970s decade Progressive Rock was steadily losing its steam and the artistic / aesthetic end of the genre was imminent, and yet Jethro Tull were going ahead as if they were living on a different planet, which in retrospect might have just been right. They were still at their artistic peak, which continued for years, without any signs of getting worn-out. Perhaps they were, after all, a class of their own.
Side Note
As for the Steven WilsonFind albums by this artist contributions, I´m perplexed time after time why anybody being of sound mind would allow him to butcher the original material and then hype the results as spectacular. These original mixes are untouchable and anybody trying to change them is more or less re-painting Van Gogh, re-sculpturing Michelangelo or re-writing the Bible, all truly barbaric acts of disrespect.
Additionally I find his stereo mixes to be dry, artificial and deviant, badly damaging the original ambience of the recordings. Perhaps for people who are not familiar with the original sound this sounds fine, but for me it´s unbearable and sacrilegious.
In addition I find the surround sound completely redundant, hoping for years that it will go away as did quad and other industry inventions meant to earn some more money from the suckers following the trends. The whole high resolution hype is so ridiculous; in reality most people are deaf anyway and can´t tell one note from another even if it bites them in the ass and use ridiculously lo-fi equipment. In short Emperor´s new clothes, as usual, and no shame whatsoever.
| | Updated: 24/07/2024Posted: 24/07/2024 | 3CD+3DVD 6 Digibook Box Set Oversampling DVD-A Remastered Bonus Tracks Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ LIVE AT THE BERKELEY COMMUNITY THEATER NOVEMBER 9, 1972
RENAISSANCE 901 (Barcode: 630428090125) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2024
This is an archival live album by the original lineup of the legendary Fusion group Mahavishnu OrchestraFind albums by this artist, led by British guitarist / composer / bandleader John McLaughlinFind albums by this artist, with American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and American (born in Panama) drummer Billy CobhamFind albums by this artist. The 2CD album presents nine lengthy tracks, taken form the group’s debut album “The Inner Mounting FlameFind albums with this title” and the not yet released at the time second album “Birds Of FireFind albums with this title”. All the music was composed by McLaughlin except one tune composed by Miles DavisFind albums by this artist.
The album is an incredible document of the way Mahavishnu Orchestra sounded and performed in their early days, with an obvious emphasis on improvisation. Two of the tracks are over twenty minutes in duration and another three well over ten minutes, which naturally allows for extensive soloing and group improvisation, which is rarely heard on the group’s studio albums. Although McLaughlin is at the epicenter of the performances, Goodman and Hammer get plenty of opportunity to show their improvising chops, as does the rhythm section of course.
Listening to the music over fifty years later plainly shows that the early 1970s were Fusion’s finest hours and everything since then was a slow degradation of the genre. McLaughlin freshly out of Miles Davis group is in absolute top form, and shows that he was the Godfather of Jazz-Rock Fusion after experimenting with improvisation while still living in UK and playing with Graham BondFind albums by this artist, Brian AugerFind albums by this artist and others and perfecting his stellar stylistics with Tony WilliamsFind albums by this artist and Miles Davis. It’s worthwhile to mention that the two pivotal American Jazz-Rock Fusion groups of the time, Mahavishnu Orchestra and Weather ReportFind albums by this artist, had more European input / influence than American, which is hardly surprising.
Overall, this is an immensely important historical document of the Jazz-Rock Fusion genre, which shows one of the most interesting, innovative and influential bands, recorded live and at the full splendor of its powers. Despite the sound quality, which is not ideal, but allows a painless listening experience, the quality of the music is monumental and the retrospective opportunity to relive these moments is an absolute bliss, lasting for two whole hours! Essential!
| | Updated: 11/11/2024Posted: 11/11/2024 | CD 2 Essential Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION
SONY 886979303423 (Barcode: 886979303423) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 - 1973 Released: 2011
To make things perfectly clear before we go any further, this Box Set includes music recorded by the first version of the seminal ensemble Mahavishnu OrchestraFind albums by this artist, which lasted for about a couple of years between 1971 and 1973 and released three albums on ColumbiaFind albums on this label. Subsequent versions of Mahavishnu Orchestra continued to release albums on Columbia, but those are not included here and will hopefully be released in the future as a separate Box Set.
British guitarist / composer John McLaughlinFind albums by this artist arrived at the epicenter of the revolutionary Jazz scene quite by chance, via his old friend bassist Jack BruceFind albums by this artist and his first American employer drummer Tony WilliamsFind albums by this artist, which eventually led to McLaughlin joining the Miles DavisFind albums by this artist group and playing a crucial role in creating the groundbreaking music Davis was forging at the time. Prompted by Davis, while still a part of his group, McLaughlin formed his first ensemble, which in retrospect turned out to be one of the most extraordinary Jazz-Rock Fusion ensembles, setting an example so powerful that now, over forty years later, it still reverberates and is being used as a definition of the genre.
Mahavishnu Orchestra was extraordinary in many ways. It brought together musicians from many different countries and cultural backgrounds: American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and Panamanian drummer Billy CobhamFind albums by this artist, all virtuosi on their respective instruments. Such aggregation of talent is of course beneficial for the music, but can prove to be strenuous as far as personal relationships are concerned. Also, as far as the musical direction was concerned, McLaughlin and the ensemble had to create their own environment, as they were walking on a path, which was previously undiscovered.
McLaughlin had complete freedom while with Davis, which enabled him to stretch out and play expanded solos without any harmonic or rhythmic restrictions. Mahavishnu Orchestra was completely opposite: precise and sharp like a razor blade, with everything clicking on a beat and often following a neck-breaking speed. It is evident McLaughlin struggled with this new framework initially, only to conquer it gloriously. He composed almost all the music the ensemble played, with just an occasional contribution by Hammer, Goodman and Laird.
After recording and releasing the first two albums ("The Inner Mounting FlameFind albums with this title" and "Birds Of FireFind albums with this title"), the group recorded a third studio album, which was scrapped and laid hidden in the vaults, only to be released twenty six years later as "The Lost Trident SessionsFind albums with this title". A live recording at NY Central Park, called "Between Nothingness & EternityFind albums with this title", became the group´s third and last album recorded by the first lineup.
This Box Set includes the four a.m. albums and a bonus CD, which comprises of previously unreleased additional material from the live recording, which became the third album. There is also one earlier live recording added as a bonus track on the first album.
Of course this music is so brilliant and so important, that recommending it any further is simply superfluous. It is an absolute classic and a timeless ingredient of music history, which should be an essential cornerstone of any music collection.
| | Updated: 26/01/2019Posted: | CD 5 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | WYNTON MARSALIS ~ WYNTON MARSALIS
WOUNDED BIRD 7574 (Barcode: 664140757424) ~ USA ~ Jazz
Recorded: 1981 Released: 2007
American trumpeter / composer / arranger / bandleader Wynton MarsalisFind albums by this artist is probably the most identifiable Jazz personality worldwide in the last three decades – Mr. Jazz himself! With Miles DavisFind albums by this artist and lately also Freddie HubbardFind albums by this artist no longer with us, Marsalis is also the greatest trumpet player still standing. Sometimes it seems that the responsibility that comes with these honorable positions appear to be just too much for Marsalis to handle, as he has been in the epicenter of a huge controversy concerning his personality, his public statements and even his musical achievements. It was all Guns (of appraisal) and Roses (of admiration) at first – everything just clicked for Marsalis: a prestigious recording contract with ColumbiaFind albums on this label Records, a massive PR campaign for his albums, Grammy nominations and awards and every other conceivable musical award in US and abroad (including the first ever Pulitzer Prize for music) and finally the appointment as Artistic Director of the "Jazz at Lincoln Center", a cushy and extremely well paid job, all these and more turned out to be just too much for his enemies (and he has many of those) to swallow. To say the truth, Marsalis has a mouth, which does not fall much behind his mouth´s extension, the trumpet. The man just loves to voice his opinions, and some of these are quite provocative and extremely controversial, all this on top his always highly stylish wardrobe and often snobbish behavior. All the above make Marsalis an easy target for hatred and criticism, mostly by bigots, short-sighted critics and most of all envious competitors. To tell the truth, I don´t dive a damn. For me, Marsalis was always, from day one, an example of a total musician. He not only has a tremendous gift, but he both feels and understands music, a rare combination with only a handful of musicians around the globe truly possess. His ability to perform and compose Jazz and Classical music only emphasizes his musical versatility and profound effort to study, learn and apply the acquired throughout his entire life. His love of early Jazz, from the Blues, the New Orleans Masters, Louis ArmstrongFind albums by this artist and up to Beboppers like Thelonious MonkFind albums by this artist, and in parallel his disrespect towards Fusion and Free Jazz are fine by me. Not everybody has to love every kind of music and even not all kinds of Jazz… as long as they do whatever they do in such magnificent fashion as he does with his music, time after time. So here comes this album, his debut solo recording. As already mentioned, Marsalis is a perpetual student, and this was just his first step, so obviously he was relaying heavily on what he knew then, which for a trumpet player means one thing: Miles Davis. In many respects this album is a direct bridge between the classic Davis recording with the second quintet, almost two decades earlier. Although his quintet does not perform any of Miles Davis compositions or even tunes from the Master´s regular repertoire, the sound and stylistic approach is quite obvious. Emphasized by the fact that about a half of the album´s tracks feature that very same quintet´s rhythm section – Herbie HancockFind albums by this artist on piano, Ron CarterFind albums by this artist on bass and Tony WilliamsFind albums by this artist on drums, and Wynton´s brother Branford MarsalisFind albums by this artist sounds remarkably like Wayne ShorterFind albums by this artist on his saxophones, the associations just keep flowing. Is it imitation? Hell no! Not even in the slightest, although Marsalis would be called a Davis imitator from now no, even when he completely changed his modus operandi on the trumpet as he went along. Again, who gives a damn? This is a magnificent album, full of superb performances and uplifting music, masterly played from start to finish. Period! And when one remembers that Marsalis was just 20 years old when this album was recorded… give me a break… this is a revelation. But Marsalis was a fast learner and his subsequent recordings will surpass this album, as good as it is, by far. Maturity has this effect on people; they just get better with what they do in time, provided of course that they are as talented as Wynton Marsalis.
Side Note: The fact that Columbia dropped from its catalogue almost the entire recorded output by Wynton Marsalis is a sad and tragic testimony of our times. Columbia made a lot of money from his albums for decades, but considering the state of the music industry, there are no sentiments left. This reissue is released on the Wounded BirdFind albums on this label label; kudos to the label owner for keeping great music alive!
| | Updated: 01/06/2018Posted: | CD 1 Essential Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ ELECTRIC GUITARIST
COLUMBIA 46110 (Barcode: 074644611021) ~ UK ~ Jazz-Rock Fusion
Recorded: 1979 Released: 1990
Solo album by John McLaughlinFind albums by this artist. An exceptional effort summarizing not only his illustrous career in the 70`s, but in fact the entire jazz-rock fusion genre of that period. A pleiade of music stars and cohorts participate here in various ensembles (Jerry GoodmanFind albums by this artist, Carlos SantanaFind albums by this artist, Chick CoreaFind albums by this artist, Tony WilliamsFind albums by this artist, Jack BruceFind albums by this artist, a.m.o.), strating with a virtual Mahavishnu OrchestraFind albums by this artist reunion, then moving to quartet, trio, duet and finally a McLaughlin solo guitar performance, which indicates his desire to perform as a soloist, realized later in the 80`s. Absolutely brilliant!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | CARLOS SANTANA ~ ORIGINAL ALBUM CLASSICS
SONY 886976260620 (Barcode: 886976260620) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 - 1980 Released: 2010
This Box Set collects reissues of three studio albums by the iconic American guitarist / composer / bandleader Carlos SantanaFind albums by this artist, originally released on the ColumbiaFind albums on this label label between 1974 and 1980. They are: “IlluminationsFind albums with this title” (1974), “Oneness: Silver Dreams - Golden RealtyFind albums with this title” (1979) and “The Swing Of DelightFind albums with this title” (1980). All three were released under Santana’s Sanskrit name Devadip Carlos SantanaFind albums by this artist given to him by Sri ChinmoyFind albums by this artist. These three albums followed Carlos Santana’s debut solo album recorded in collaboration with guitarist John McLaughlinFind albums by this artist entitled “Love Devotion SurrenderFind albums with this title” (1973).
“Illuminations” is a collaboration with pianist / harpist Alice ColtraneFind albums by this artist, the wife of John ColtraneFind albums by this artist. SantanaFind albums by this artist (the group) keyboardist Tom CosterFind albums by this artist and percussionist Armando PerazaFind albums by this artist play on the album and Coster also co-composed three of the tracks. Jazz musicians: bassist Dave HollandFind albums by this artist, drummer Jack DeJohnetteFind albums by this artist and several others take part in the recording, as well as a large string section conducted by Alice Coltrane, who wrote the arrangements and co-composed one the tracks. A short chant by Chinmoy is the album’s opening track.
“Oneness: Silver Dreams - Golden Realty” presents fifteen relatively short compositions, most composed by Carlos Santana and is performed by a large group of musicians, including many Santana (the group) members. The first six tracks were recorded live and the rest were recorded in the studio.
“The Swing Of Delight”, originally a double LP, presents nine compositions performed by a large group of top Jazz musicians, including Wayne ShorterFind albums by this artist, Herbie HancockFind albums by this artist, Ron CarterFind albums by this artist, Tony WilliamsFind albums by this artist and many others.
These three albums together with the a.m. “Love Devotion Surrender” album present some of the most spiritual and deeply Jazz influenced music that Carlos Santana created during his long-lasting career. The mixture of Indian spirituality, which he shared with many Jazz musicians at the time, and extensive / hypnotic Jazz improvisations are in retrospect some of his best achievements, and deserve to be cherished and remembered.
Side Note
The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty.
The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations.
In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!
| | Updated: 13/09/2021Posted: 13/09/2021 | CD 3 Mini-Sleeve Box Set Recommend To A Friend |
  | CARLOS SANTANA / JOHN MCLAUGHLIN ~ LOVE DEVOTION SURRENDER
COLUMBIA 63593 (Barcode: 074646359327) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2003
This is the most quintessential Fusion album of all times. Although sadly neglected and almost forgotten (both by critics and listeners) over the years, it stands out as a beacon of musical enlightenment for posterity. The album came to be as a result of many parallel events and personal / musical paths crossings. Carlos SantanaFind albums by this artist and John McLaughlinFind albums by this artist became close after becoming disciples of Guru Sri Chinmoy. Although they were both aware of each other’s work before this musical cooperation, they operated in quite separate musical areas. McLaughlin at this point had already a glorious career stretch behind him with his pioneering work on the UK Jazz-Rock scene, his revolutionary work with Miles DavisFind albums by this artist, the visionary contributions in the Tony WilliamsFind albums by this artist LifetimeFind albums by this artist and of course his brilliant Mahavishnu OrchestraFind albums by this artist output. Santana’s roots were deep into Latin music and rock, but he was rapidly transforming his musical focus into jazz and Fusion. Influenced by his band’s drummer Michael ShrieveFind albums by this artist, who was a jazz buff, Carlos discovered a new musical world and was swallowing everything he could lay his ears on. This included the works of Mahavishnu Orchestra, of which he was a devoted fan, but also the work of Miles Davis and John ColtraneFind albums by this artist. The actual get together was most probably orchestrated by ColumbiaFind albums on this label’s chief Clive DavisFind albums by this artist (both Santana and Mahavishnu Orchestra were signed by Columbia Records), suggesting a John Coltrane tribute album featuring both guitarists. The album was recorded almost immediately after Santana finished recording the pivotal CaravanseraiFind albums with this title album, which marked a series of dramatic changes both in the band’s musical direction (a move towards jazz and Fusion) and personnel changes (the forming of Santana Mk. II). A meeting of two great talents is always a dangerous affair, and this one could have proven either disastrous or absolutely divine – fortunately the latter did happen. The reason it did turn out to be such a success is twofold: First the musicians truly loved Coltrane’s music and felt the spiritual side of it (Coltrane went through a process of soul searching and seeking enlightenment in Eastern beliefs as well). Coltrane’s “A Love Supreme” is really a musical mantra very similar to a Hindu chant, which of course is as much a spiritual music as it ever gets. The beautiful “Naima” (the other Coltrane composition featured here) is also deeply spiritual, as are the two McLaughlin’s compositions and the traditional chant, which serves as the base for the remaining track of the album. Having established the musical / spiritual base of the session the rest was up to the participating musicians, which (again) most fortunately turned out to be ideal. Both Santana and McLaughlin brought with them associate musicians – Carlos brought selected members of his band (Armando PerazaFind albums by this artist – congas, Doug RauchFind albums by this artist – bass and Michael Shrive – drums) and John brought Mahavishnu Orchestra members (Billy CobhamFind albums by this artist – drums and Jan HammerFind albums by this artist – drums(!)). Veteran jazz drummer Don AliasFind albums by this artist was also invited, but the greatest and perhaps most crucial role was entrusted upon the organ player Larry YoungFind albums by this artist – John’s former partner in Lifetime. Young provides the foundation and glue, which makes this session work. With two lead guitarists exchanging licks at the speed of light and the super-power expanded rhythm section pulsating mercilessly, this session would have never worked without Young’s brilliant work. He fills the spaces, provides the balance and the sanity, the ground on which the soloist are able to build their sky-high towers. Of course the main attraction is the spectacular work by the two soloists, so different and yet so completely complimentary of each other. Santana’s sublimely melodic feel (truly unparalleled to this very day) and McLaughlin’s extraordinary improvisational abilities just merge into one continuous flow of musical bliss. Their exchanges are in perfect harmony, not competing but supplementing each other – fire and grace incarnate. This remastered edition enhances the originally muddy sound tremendously and the two bonus tracks are priceless. There is nothing but Love of music, Devotion to talent and Surrender to divinity on this album, the Mother of all Fusion albums! Beyond essential!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69
VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz
Recorded: 1968 - 1969 Released: 2006
Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.
| | | CD 1 Remastered Essential Recommend To A Friend |
  | TRIO OF DOOM ~ TRIO OF DOOM
COLUMBIA 96450 (Barcode: 827969645024) ~ USA ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2007
A power Fusion trio consisting of musicians of such caliber as John McLaughlinFind albums by this artist (guitar), Jaco PastoriusFind albums by this artist (bass) and Tony WilliamsFind albums by this artist (drums) usually only happens in the wildest and wettest of dreams by serious Fusion-heads, but if fact this one did happen in reality and even recorded both live and in the studio. Trio Of DoomFind albums by this artist was a one-time collaboration assembled for the occasion of the historic Havana Jam Festival in Cuba, where for the first time US performers were allowed to play before the Cuban audience. The festival took place for 3 days in early March of 1979 and presented a wide variety of US artists (pop, rock & jazz) and was recorded by ColumbiaFind albums on this label. Selections were later released on 2 albums, including 3 of the tracks on this album. Although McLaughlin never played before with Pastorius, both of them did play with Williams: McLaughlin as a member of his group LifetimeFind albums by this artist and Pastorius in Weather ReportFind albums by this artist, when Williams played on Mr. GoneFind albums with this title. The trio’s rehearsals were very successful, but the actual concert at Havana’s Carl Marx (what else?) hall turned out to be unsatisfactory due to a hectic and out-of-focus performance by Pastorius. The legend has it that Williams almost kicked the hell out of Pastorius after the gig (being a men of enormous physical strength this was no laughing matter), but seeing how spaced-out Pastorius was punched a hole in a wall instead. When Columbia informed McLaughlin that they want to use the Havana material for their albums, McLaughlin opposed and eventually a recording session was set up a week later to repeat the live performance in the studio. The resulting studio material was then used to overdub parts of the live recording, which appeared on the Havana Jam albums. This album brings us (28 years later) the entire live and studio material recorded by the Trio Of Doom in its original form, most of it previously unreleased in any form. The music is of course electrifying and almost super-human. All three musicians at the peek of their performing powers, with years of experience and enormous talents just can’t go wrong. Williams is in fact the moving power behind the trio, with his phenomenal technique and sublime interplay with his partners. This music kicks serous ass and whatever minor imperfections overshadowed the outcome at the time, those are long time gone and thankfully forgiven / forgotten. We can all enjoy this glorious Fusion gem, which is finally out of the vaults. Viva Fusion!
| | | CD 1 Remastered Recommend To A Friend |
  | TONY WILLIAMS ~ PLAY OR DIE
MOOSICUS 1214 (Barcode: 885513121424) ~ USA ~ Jazz-Rock Fusion
Recorded: 1980 Released: 2022
This is a reissue / remaster of the little known album by American drummer / composer bandleader Tony WilliamsFind albums by this artist recorded in Germany during his trio tour, which also included keyboardist Tom GrantFind albums by this artist and bassist Patrick O`HearnFind albums by this artist. The album presents five original compositions, two each by Williams and O`Hearn and one co-credited to all three musicians. The album was released by a small independent Swiss label and was never reissued since 1980, when it was recorded and originally released.
The music is typical power Fusion, that Williams played with his ensemble LifetimeFind albums by this artist, dominated by the keyboard / synthesizer sound and superb bass work by O`Hearn, who played a key role in Frank ZappaFind albums by this artist ensembles in the late 1970s. Williams adds his energetic and technically brilliant drumming for the entire duration, as expected.
The compositions are a bit sketchy and the trio’s limited instrumentation influences the result, which is a bit lackluster at times, mostly due to the inadequate work by Grant, but Fusion lovers should find this stuff interesting, especially since it was out of circulation for over forty years.
Overall, this is a long overdue reissue of a “lost” album by one of the greatest Jazz / Fusion drummers of all times and in view of his relatively limited recorded legacy as a leader, this reissue is definitely welcome, despite its limitations.
| | Updated: 17/08/2022Posted: 17/08/2022 | CD 1 Remastered Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ EGO
VERVE 559512 (Barcode: 731455951226) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 1999
3rd album by the Tony Williams LifetimeFind albums by this artist. A mixture of jazz and space/psychedelic rock, which explains why this group is considered as one of the most important pioneers of Jazz-Rock. Williams, who at the age of 17 was given the drum chair by Miles DavisFind albums by this artist, is one of the greatest drummers of all times and his untimely death in 1997 was a great blow to all music lovers.
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ EMERGENCY!
ESOTERIC 2256 (Barcode: 5013929735620) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2011
This is the 1st album (originally a double LP) by the revolutionary Tony Williams LifetimeFind albums by this artist, a groundbreaking trio created by drummer Tony WilliamsFind albums by this artist with British guitarist John McLaughlinFind albums by this artist and organist Larry YoungFind albums by this artist. The trio was a pioneering force of the Jazz-Rock Fusion and set up not only the standards, which would be followed decades on, but also most of the tricks of the trade for the new and emerging genre. The playing is absolutely incredible, innovative and virtuosic and the music lost absolutely nothing over time, in fact it sounds even better than at the time it was recorded, especially in comparison to contemporary Fusion efforts. This is one of the most influential albums in music history and an absolute must in any decent record collection. Beyond essential!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ LIVE IN NEW YORK 1969
HI HAT 3084 (Barcode: 5297961308411) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2017
This is a live recording by the legendary pioneering Jazz-Rock Fusion trio Tony Williams LifetimeFind albums by this artist, founded by American drummer Tony WilliamsFind albums by this artist and including also organist Larry YoungFind albums by this artist and British guitarist John McLaughlinFind albums by this artist. It presents some of the material that was released on the trio´s debut album "Emergency!Find albums with this title" and some material from their second album "Turn It OverFind albums with this title", which was recorded and released after this concert was recorded with the British bassist Jack Bruce as a fourth member of Lifetime.
The music is of course absolutely stunning, light-years ahead of its time, presenting a futuristic amalgam of Avant-Garde Rock, Jazz and Improvised Music, with a heavy, muddy sound dominating the proceedings kicked forward by Williams´ hyper energetic drumming. Although this music is often considered as some of the most important early Jazz-Rock Fusion, it was in fact more daring and advanced that most of the genre´s output that followed.
McLaughlin was of course exposed to the true Jazz-Rock Fusion cradle at least five or so years earlier, when he was a member of the Graham Bond QuartetFind albums by this artist, which is where this genre was born. His remarkable performances here are simply blood-curdling.
The trio´s genesis is of course connected to the association of its members with Miles DavisFind albums by this artist and his Fusion period, which culminated with the recording of the iconic "Bitches BrewFind albums with this title" album. Lifetime was only one of several iconic groups born from musicians playing with Miles at the time, such as Weather ReportFind albums by this artist and Mahavishnu OrchestraFind albums by this artist.
Although the sound of this recording is not ideal, neither is the sound of the studio recorded "Emergency!", and considering the rarity and the importance of the music this is a must for Tony Williams Lifetime fans and followers of Fusion history!
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 24/05/2019Posted: 24/05/2019 | CD 1 Remastered Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ TURN IT OVER
ESOTERIC 2257 (Barcode: 5013929735729) ~ USA ~ Jazz-Rock Fusion
Recorded: 1970 Released: 2011
This is the 2nd album by the revolutionary Tony Williams LifetimeFind albums by this artist, a groundbreaking group created by drummer Tony WilliamsFind albums by this artist with British guitarist John McLaughlinFind albums by this artist and organist Larry YoungFind albums by this artist. On this album the group is extended to a quartet with the inclusion of another great British musician – bassist / vocalist Jack BruceFind albums by this artist. The group was a pioneering force of the Jazz-Rock Fusion and set up not only the standards, which would be followed decades on, but also most of the tricks of the trade for the new and emerging genre. The playing is absolutely incredible, innovative and virtuosic and the music lost absolutely nothing over time, in fact it sounds even better than at the time it was recorded, especially in comparison to contemporary Fusion efforts. This is one of the most influential albums in music history and an absolute must in any decent record collection. Beyond essential!
| | | CD 1 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
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