Record Reviews
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  | ORNETTE COLEMAN ~ BEAUTY IS A RARE THING: THE COMPLETE ATLANTIC RECORDINGS
RHINO 71410 (Barcode: 081227141028) ~ USA ~ Jazz
Recorded: 1959 - 1961 Released: 1993
This magnificent Box Set includes some of the most revolutionary music ever recorded on this planet. Ornette ColemanFind albums by this artist’s music dropped on the jazz scene with the force of an atom bomb by the end of the 1950s. Although other great jazz pioneers, especially John ColtraneFind albums by this artist and Miles DavisFind albums by this artist, were already slowly approaching the free / Avant-Garde jazz idiom, Coleman’s bold and fearless attack on the conventional jazz form was completely radical and innovative, splitting the jazz community immediately into the pro and contra camps, with discussions as heated as they can get. Coleman was ridiculed and called bad names by critics and listeners alike, who failed to comprehend his prophetic statement, and it took many years before this music was widely accepted into the jazz canon and treated with the proper esteem. Recorded between May 1959 and March 1961 (less than 2 years!) this music includes all 9 Coleman’s albums released on Atlantic (The Shape Of Jazz To ComeFind albums with this title, Change Of The CenturyFind albums with this title, This Is Our MusicFind albums with this title, Free JazzFind albums with this title, Ornette!Find albums with this title, Ornette On TenorFind albums with this title, The Art Of The ImprovisersFind albums with this title, TwinsFind albums with this title and To Whom Who Keeps A RecordFind albums with this title), as well as previously unreleased material and selections from Gunther SchullerFind albums by this artist’s Jazz AbstractionsFind albums with this title featuring Coleman. As usual in such Box Sets, the music is presented in chronological recording order. As to the musicians, most of the music was recorded in quartet setting, with Coleman and trumpeter Don CherryFind albums by this artist as the permanent core of the group and various bass / drums rhythm sections, which included Charlie HadenFind albums by this artist, Scott LaFaroFind albums by this artist and Jimmy GarrisonFind albums by this artist on bass and Billy HigginsFind albums by this artist and Ed BlackwellFind albums by this artist on drums. The legendary “Free Jazz” session features a double quartet and includes Eric DolphyFind albums by this artist on bass clarinet and Freddie HubbardFind albums by this artist on trumpet. There is hardly any need to go into the description of the music itself - whole books have been written on the subject and the music is indescribable anyway. What is important however, is the fact that any respectable jazz collection could never be considered comprehensive if it didn’t include this music. Absolutely essential!
| | Updated: 12/04/2019Posted: | CD 6 Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | JOHN COLTRANE ~ THE COMPLETE 1961 VILLAGE VANGUARD RECORDINGS
IMPULSE! 232 (Barcode: 011105023221) ~ USA ~ Jazz
Recorded: 1961 Released: 1997
When this music was recorded in November of 1961 I was only 10 years old and yet it changed my life forever. Living in (Socialist) Poland, my access to contemporary (at the time) jazz originating in the US was pretty limited and the only beacon of light was the daily Willis ConoverFind albums by this artist’s radio jazz program on Voice Of America, beamed from across the Iron Curtain. Millions of Eastern European listeners would risk freedom (listening to VOA was a criminal act then) to gain freedom, myself included. These broadcasts changed the life of countless people and particularly in Poland would eventually be a dominant factor in the process of forming a burgeoning and extremely fruitful local jazz scene. Many hours of my early childhood were spent with myself standing on a conductor’s podium (e sledge), in front of an imaginary orchestra playing inside the enormous radio (a pre WW II antique). Since classical music was less censored and sponsored by the Establishment, it was there for us to enjoy most of it of very high quality. I remember listening for hours at end to the annual Chopin competition, which was Poland’s most prestigious music event, getting to know his music inside out before I even knew anything about him. My Mother encouraged my “conducting” aspirations warmly, supplementing them with occasional background information. But the discovery of jazz and its strange convoluting patterns and unfamiliar rhythms was a revelation. I just couldn’t get enough of it and every new artist or piece of music was an instant bliss. By the time I was about to hear John ColtraneFind albums by this artist for the first time I was already familiar with the music of Duke EllingtonFind albums by this artist, Count BasieFind albums by this artist, Charlie ParkerFind albums by this artist and Dizzie GillespieFind albums by this artist (thanks to Mr. Conover). Conover, in contrast to many of his peers (who were stuck in be-bop or some earlier jazz sub-genre for the rest of their lives), was remarkably open-minded and understood the genius of Coltrane and his visionary contribution to the development of the Jazz Art form. He therefore featured every new Coltrane album as soon as it was released. So here I was, 10 years old, some time in early 1962, listening to the Village Vanguard sessions – an experience equivalent to a 10,000 Volts electricity shock. My life would definitely be never the same again. I hope these personal reminiscences don’t put you off too much, but I just couldn’t resist the temptation. Taking the time-travel express to now here are my comments about this music from a “45 years later” point of view. In 1961 Coltrane left AtlanticFind albums on this label (his second label, PrestigeFind albums on this label being the first) and signed a contract with Impulse!Find albums on this label, the new and ambitious jazz label run by producer Bob ThieleFind albums by this artist, where he would stay for the rest of his life. Coltrane was already following a path (mostly subconsciously) which would lead him to the edge of the known jazz explorations and beyond. His monumental Atlantic albums like Giant Steps and My Favorite Things were just a glimpse of things to come. Coltrane felt that Thiele would allow him to speed up the process of reaching the quest of musical enlightenment by allowing him total artistic freedom and supporting him all the way and he was of course right. The extensive volume of music recorded for Impulse! in the span of almost 7 years right up to his death would become the most important musical legacy of the 20th Century, so innovative and groundbreaking that it is still a mystery to many contemporary listeners and musicologists today. Coltrane’s first recording for Impulse! (in the spring of 1961) would be the Africa / Brass sessions, an ambitious project involving a large ensemble of the most gifted players on the scene (Freddie HubbardFind albums by this artist, Booker LittleFind albums by this artist, Eric DolphyFind albums by this artist and many others) – see The Complete Africa / Brass SessionsFind albums with this title album, another essential Coltrane release. These sessions introduce several new elements in Coltrane’s music, like Far-Eastern motifs, African rhythms and other ethnic influences. In November of 1961 Thiele decided to record Coltrane live, using the 4 nights booking at the NY club The Village Vanguard (where many jazz albums were recorded live) for this purpose. The booking was for a John Coltrane Quintet and it was only natural that the Quintet would include Eric Dolphy, whom Coltrane knew, respected and played with earlier. The legendary Quartet (with McCoy TynerFind albums by this artist, Jimmy GarrisonFind albums by this artist and Elvin JonesFind albums by this artist) was not entirely crystallized at the time, so Coltrane and Thiele decided to expand the line-up (on some takes) to include an oud player (Ahmed Abdul-MalikFind albums by this artist) and alternative bassist (Reggie WorkmanFind albums by this artist) and drummer (Roy HaynesFind albums by this artist). Since this music was recorded for a future release Thiele (as any produce would do) recorded several takes of each tune, some with an alternating line-up. This 4CDs Box Set includes all the music that was recorded during these four days (mind you not all the music that was played, as some of it was not recorded hence the “complete” being not entirely true) in the exact order it was recorded. This music was to be released later on two albums (Live At The Village Vanguard and The Other Village Vanguard Tapes) as well as parts of other albums (Impressions) and collections. Collected here together for the first time, this is a monumental piece of jazz history and an unforgettable musical experience. Coltrane’s circular breathing technique and his “wall of sound” approach are clearly evident here for the first time in their full glory. The comparison of the different versions of the same tunes are both fundamental and clairvoyant examples of the “one time experience” that every jazz performance essentially is. The power, the vision, the super-human strength of will of the Master and Prophet (please excuse the almost religious references) that Coltrane was, are here for us, his disciples, to discover, study, revere and bequest to future generations. This Box Set is something one has in one’s record collection for life. It is not only timeless, but also constantly evolving in parallel to one’s private (musical) evolution. Listening to it time after time (especially after a long period of abstention) will be revealing and constantly surprising. It is a superb example of great Art, which keeps alive for eternity, adopting itself to the changing cultural surroundings, and therefore being truly eternal. I can’t imagine anybody, who calls himself a music lover, not owning this music, as naive as this might sound, since I believe there is something in it for everybody. Beyond essential!
| | Updated: 26/01/2019Posted: | CD 4 Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | GRIFFITH PARK COLLECTION ~ THE GRIFFITH PARK COLLECTION 2 IN CONCERT
WOUNDED BIRD 6262 (Barcode: 664140626225) ~ USA ~ Jazz
Recorded: 1982 Released: 2008
2nd album by an ad-hoc US Jazz super-group Griffith Park CollectionFind albums by this artist, which was put together by drummer Lenny WhiteFind albums by this artist and included trumpeter Freddie HubbardFind albums by this artist, saxophonist Joe HendersonFind albums by this artist, pianist Chick CoreaFind albums by this artist and bassist Stanley ClarkeFind albums by this artist – all Masters of the trade and veteran American Jazz Giants. White is the link between all these players, as he previously played in Henderson´s and Hubbard´s bands and of course he was a member of Return To ForeverFind albums by this artist with Corea and Clarke.
The quintet is in many respects similar to the V.S.O.P.Find albums by this artist quintet, which in turn was modeled after the famous second Miles DavisFind albums by this artist quintet. They play modern Jazz, strongly based on the Bebop tradition, but pushing the boundaries into modal and sometimes Free Form. Following the recording of their only studio album, the band performed several concerts, which produced these live recordings, which are more relaxed and much expanded, with fearsome long solos. The music is all original by the quintet members except for two standards, performed superbly with flair and breathtaking virtuosity, as expected from these great musicians. This album was unavailable for almost two decades and it´s great to have it back in circulation. A must for modern Jazz lovers!
| | | CD 2 Recommend To A Friend |
  | HERBIE HANCOCK ~ THE COMPLETE COLUMBIA ALBUM COLLECTION 1972-1988
SONY 886977240829 (Barcode: 886977240829) ~ USA ~ Jazz
Recorded: 1972 - 1988 Released: 2013
This monumental Box Set (31 albums, 3 of which are double CDs) presents the recording legacy of American keyboardist / composer / bandleader Herbie HancockFind albums by this artist during his most productive and groundbreaking two decades, in which his albums were released by ColumbiaFind albums on this label (and SonyFind albums on this label in Japan). Columbia was Hancock´s third record label; his initial recording career (1962-1969) was spent with the legendary Blue NoteFind albums on this label label, where he recorded a series of brilliant and pioneering albums as a leader and dozens of albums as a sideman, many of which are considered as part of the canon of Jazz recordings. After a short period of recording for the Warner Bros.Find albums on this label label (1969-1972) he signed with Columbia, which was quite natural considering that Hancock was a member of the second legendary Miles DavisFind albums by this artist quintet (1963-1969) and took part in many projects Davis led after the quintet disbanded, all of which were recorded for Columbia. Several of the albums in this box, which were originally released only in Japan, make their appearance outside of Japan for the first time.
The content of this Box Set emphasizes the incredible musical versatility and truly chameleonic nature of Hancock as an Artist. He plays in many settings, from solo keyboards, duos (with Chick CoreaFind albums by this artist for example), trios (with Ron CarterFind albums by this artist and Tony WilliamsFind albums by this artist) and ensembles like the pioneering Jazz-Funk Headhunters or the incredible V.S.O.P.Find albums by this artist quintet, which followed in the steps of the second Miles Davis quintet, with trumpeter Freddie HubbardFind albums by this artist replacing Davis and the rest of the players being the original quintet members. It also shows Hancock as a composer of soundtracks ("Death Wish" and "Round Midnight") and his affiliation with World Music.
Musically the box covers an incredibly wide cross-genre musical plateau, covering such varied areas as modern Mainstream, Jazz-Rock Fusion, Jazz-Funk Fusion, Jazz-Soul Fusion, electronic and ambient music, orchestral music, Jazz-Classical Fusion and any other. Hancock´s exceptional talent as a composer is exposed here in the fullest and confirms his status as one of the most influential and revolutionary Jazz musician ever. His skills as a player are of course completely unparalleled and have served as a model for generations of young musicians all over the world.
It wouldn´t be an exaggeration to state that this box contains some of the most important Jazz recordings made to date and as a legacy its value is absolutely priceless and unique. It is of course worth every penny of this reasonably priced and beautifully packaged Box Set, even if one owns some of these albums separately already. Grab the box and give the older versions to your friends; they will surely be grateful and thank you.
This is an absolutely essential piece of Jazz history, music history and human Cultural legacy, which is way beyond recommendation. Simply a must!
| | Updated: 26/01/2019Posted: | CD 34 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | FREDDIE HUBBARD ~ FIRST LIGHT
CTI 512790 (Barcode: 5099751279020) ~ USA ~ Jazz
Recorded: 1971 Released: 2001
This is Freddie HubbardFind albums by this artist`s 3rd album on the CTIFind albums on this label label with the same players (more or less) as the two previous albums, except this time accompanied by an orchestra (which also includes many famous jazz players, like Hubert LawsFind albums by this artist). The intricate orchestral arrangements (by the legendary Don SebeskyFind albums by this artist, who did arrangements for many CTI albums) add another aspect to the music, which is more mellow than the previous albums, but remains interesting and still definitely swings. Hubbard delivers some great solos on muted trumpet and this is probably one of his strongest recordings ever.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | FREDDIE HUBBARD ~ THE HUB OF HUBBARD
MPS 4029759113461 (Barcode: 4029759113461) ~ USA ~ Jazz
Recorded: 1969 Released: 2016
This is a reissue of an album by American trumpeter / composer Freddie HubbardFind albums by this artist, which was his first of two albums for MPSFind albums on this label and which was produced by the legendary Joachim BerendtFind albums by this artist. He is supported by saxophonist Eddie DanielsFind albums by this artist, pianist Roland HannaFind albums by this artist, bassist Richard DavisFind albums by this artist and drummer Louis HayesFind albums by this artist. The album presents one original composition by Hubbard and three standards.
This album marks a transition period between Hubbard´s recordings for Blue NoteFind albums on this label and AtlanticFind albums on this label, which established him as one of the top American Bebop and Hard Bop trumpeters (and to a degree a Free Jazz pioneer), and his move to CTIFind albums on this label, which marked a slightly more commercial and Fusion oriented period. This album was recorded during an informal recording session, organized by Berendt during a break in Hubbard´s European tour and the relaxed and casual atmosphere dominates the proceedings. BTW the same session also produced another album: Richard Davis´s "Muses For Richard DavisFind albums with this title".
The music is everything one might expect from the stellar lineup, i.e. superbly played mainstream American Jazz, which unfortunately introduces nothing new to the Jazz idiom per se and by the time it was recorded was already passé to some extent. Of course Hubbard and his cohorts pay their asses off and their virtuosity is hair-raising. Combined with the first-rate recording quality and the great remaster, this album is a superb example of Hard Bop at its best, full of exciting soloing and outstanding teamwork.
Lovers of mainstream American Jazz should be perfectly happy with this release, which brings this album back into circulation (although it was already reissued on CD in 1988 and 2009, but long time gone from the market).
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 12/06/2018Posted: 03/12/2016 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | WYNTON MARSALIS ~ WYNTON MARSALIS
WOUNDED BIRD 7574 (Barcode: 664140757424) ~ USA ~ Jazz
Recorded: 1981 Released: 2007
American trumpeter / composer / arranger / bandleader Wynton MarsalisFind albums by this artist is probably the most identifiable Jazz personality worldwide in the last three decades – Mr. Jazz himself! With Miles DavisFind albums by this artist and lately also Freddie HubbardFind albums by this artist no longer with us, Marsalis is also the greatest trumpet player still standing. Sometimes it seems that the responsibility that comes with these honorable positions appear to be just too much for Marsalis to handle, as he has been in the epicenter of a huge controversy concerning his personality, his public statements and even his musical achievements. It was all Guns (of appraisal) and Roses (of admiration) at first – everything just clicked for Marsalis: a prestigious recording contract with ColumbiaFind albums on this label Records, a massive PR campaign for his albums, Grammy nominations and awards and every other conceivable musical award in US and abroad (including the first ever Pulitzer Prize for music) and finally the appointment as Artistic Director of the "Jazz at Lincoln Center", a cushy and extremely well paid job, all these and more turned out to be just too much for his enemies (and he has many of those) to swallow. To say the truth, Marsalis has a mouth, which does not fall much behind his mouth´s extension, the trumpet. The man just loves to voice his opinions, and some of these are quite provocative and extremely controversial, all this on top his always highly stylish wardrobe and often snobbish behavior. All the above make Marsalis an easy target for hatred and criticism, mostly by bigots, short-sighted critics and most of all envious competitors. To tell the truth, I don´t dive a damn. For me, Marsalis was always, from day one, an example of a total musician. He not only has a tremendous gift, but he both feels and understands music, a rare combination with only a handful of musicians around the globe truly possess. His ability to perform and compose Jazz and Classical music only emphasizes his musical versatility and profound effort to study, learn and apply the acquired throughout his entire life. His love of early Jazz, from the Blues, the New Orleans Masters, Louis ArmstrongFind albums by this artist and up to Beboppers like Thelonious MonkFind albums by this artist, and in parallel his disrespect towards Fusion and Free Jazz are fine by me. Not everybody has to love every kind of music and even not all kinds of Jazz… as long as they do whatever they do in such magnificent fashion as he does with his music, time after time. So here comes this album, his debut solo recording. As already mentioned, Marsalis is a perpetual student, and this was just his first step, so obviously he was relaying heavily on what he knew then, which for a trumpet player means one thing: Miles Davis. In many respects this album is a direct bridge between the classic Davis recording with the second quintet, almost two decades earlier. Although his quintet does not perform any of Miles Davis compositions or even tunes from the Master´s regular repertoire, the sound and stylistic approach is quite obvious. Emphasized by the fact that about a half of the album´s tracks feature that very same quintet´s rhythm section – Herbie HancockFind albums by this artist on piano, Ron CarterFind albums by this artist on bass and Tony WilliamsFind albums by this artist on drums, and Wynton´s brother Branford MarsalisFind albums by this artist sounds remarkably like Wayne ShorterFind albums by this artist on his saxophones, the associations just keep flowing. Is it imitation? Hell no! Not even in the slightest, although Marsalis would be called a Davis imitator from now no, even when he completely changed his modus operandi on the trumpet as he went along. Again, who gives a damn? This is a magnificent album, full of superb performances and uplifting music, masterly played from start to finish. Period! And when one remembers that Marsalis was just 20 years old when this album was recorded… give me a break… this is a revelation. But Marsalis was a fast learner and his subsequent recordings will surpass this album, as good as it is, by far. Maturity has this effect on people; they just get better with what they do in time, provided of course that they are as talented as Wynton Marsalis.
Side Note: The fact that Columbia dropped from its catalogue almost the entire recorded output by Wynton Marsalis is a sad and tragic testimony of our times. Columbia made a lot of money from his albums for decades, but considering the state of the music industry, there are no sentiments left. This reissue is released on the Wounded BirdFind albums on this label label; kudos to the label owner for keeping great music alive!
| | Updated: 01/06/2018Posted: | CD 1 Essential Recommend To A Friend |
  | ALPHONSE MOUZON ~ BY ALL MEANS
MPS 4029759169703 (Barcode: 4029759169703) ~ USA ~ Jazz-Funk Fusion
Recorded: 1981 Released: 2021
This is a reissue / remaster of an album by American drummer / composer / bandleader Alphonse MouzonFind albums by this artist, recorded with some top American musicians active at the time, including keyboardist Herbie HancockFind albums by this artist, guitarists Lee RitenourFind albums by this artist and Paul Jackson Jr.Find albums by this artist, bassist Scott EdwardsFind albums by this artist and the Seawind HornsFind albums by this artist. Trumpeter Freddie HubbardFind albums by this artist guests on one tracks. The album presents five original compositions, all by Mouzon, and the album was produced by my Friend and Mentor Joachim BerendtFind albums by this artist.
Mouzon enjoyed an illustrious career during the 1970s, first as a member of McCoy TynerFind albums by this artist quartet and later as a founding member of Weather ReportFind albums by this artist, Larry CoryellFind albums by this artist’s Eleventh HouseFind albums by this artist and many other Fusion ensembles, which makes him one of the forefathers of the American Fusion. By the time this album was recorded, Mouzon move more towards Funk and Groove, and this album is a classic example of the genre. Combining Funky grooves and Jazzy brass arrangements it reflects perfectly the relaxed atmosphere fashionable at the time.
Although hardly challenging musically, the album shows that the easier side of the Jazz spectrum can be masterly conceived and executed by highly professional musicians, who are Masters of their trade.
Overall, this is a long overdue reissue of a very enjoyable album, which is a perfect companion for sunny days and an effective antidepressant, which should help some of the Jazz snobs to relax once in a while.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 02/05/2022 | CD 1 Digipak Remastered Recommend To A Friend |
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