Record Reviews
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  | CANNONBALL ADDERLEY ~ BURNIN` IN BORDEAUX: LIVE IN FRANCE 1969
ELEMENTAL MUSIC 5990448 (Barcode: 8435395504130) ~ USA ~ Jazz
Recorded: 1969 Released: 2024
This is an archival live album by American Jazz saxophonist Cannonball AdderleyFind albums by this artist, recorded with his quintet, which also includes his brother, trumpeter Nat AdderleyFind albums by this artist, Austrian pianist Joe ZawinulFind albums by this artist, bassist Victor GaskinFind albums by this artist and drummer Roy McCurdyFind albums by this artist. The 2CD album presents twelve tracks, a mixture of standards and original material, mostly composed by Zawinul. As usual with the Elemental MusicFind albums on this label releases, the album is accompanied by a booklet with interviews, photographs and essays with historical background about the music. The sound quality of the live recordings is certainly good enough to enjoy the music.
The album offers a splendid occasion to hear Adderley with Zawinul, shortly before he left to found Weather ReportFind albums by this artist, after spending most of the decade in Cannonball Adderley’s and Nat Adderley’s groups, recording numerous albums with both of them and composing a huge part of their material.
The quintet performs with passion and complete control of their faculties, as appropriate for such professionals. By the time this music was recorded, the material was getting somewhat out of sync with the dramatic developments on the Jazz scene, with Free Jazz and Jazz-Rock Fusion rapidly taking over the somewhat rusty Bebop and Hard Bop stylistics, but nevertheless the Adderley Brothers were still a force not to be taken lightly, and certainly able to provide the listeners with exciting and worthwhile musical experience.
Overall, this is an exciting time capsule, presenting mainstream American Jazz at the very end of the 1960s, just before the scene would enter a succession of dramatic changes, in which only a minority of the musicians will take part willingly and enthusiastically, and the rest would try to carry on the music further on the same path.
| | Updated: 26/05/2025Posted: 26/05/2025 | CD 2 Digipak Remastered Recommend To A Friend |
  | CORE ~ GOLONKA LOVE
MOSEROBIE 063 (Barcode: 7320470104194) ~ NORWAY ~ Jazz
Recorded: 2007 - 2008 Released: 2008
This is the 5th album by the Norwegian Jazz quartet The CoreFind albums by this artist, which consists of saxophonist Kjetil MosterFind albums by this artist, pianist Erlend SlettevollFind albums by this artist, bassist Steinar RaknesFind albums by this artist and drummer Espen AalbergFind albums by this artist, who is the band’s leader and primary composer. This album also introduces the band’s new saxophonist Jorgen MathisenFind albums by this artist, who replaces Moster on several tracks. Polish DJ LenarFind albums by this artist participates on several tracks as well. The music included on the album was captured live during three separate concerts in Jazz clubs in Poland, where the band often plays and enjoys faithful following. The drummer and the bassist composed most of the music, with a couple of improvised pieces credited collectively to the band and one being a traditional African tune. These recordings testify to the intensity and incredible power the band is celebrated for, but also their versatility and openness, which is quite unusual in most contemporary Jazz ensembles. Each of the three gigs captured herein presents a different facet of the group: the electric side dominated by the distorted electric piano and wailing soprano saxophone, which brings fond memories of the early Weather ReportFind albums by this artist days; the acoustic side, which brings us back to the explosive days of the John ColtraneFind albums by this artist quartet, where Freedom rules, supported rock-steady by the piano pulsating a la McCoy TynerFind albums by this artist; and finally the contemporary side, incorporating ambient / electronic sounds as an organic ingredient of the music. The rhythm section supports the music at all times with elegance and grace, contributing the powerful engine behind the soloists and bonds everything together. It is truly remarkable to see such young musicians displaying not only talent and dedication, but also maturity well beyond the call of duty. They are certainly doing their own thing without much regard to commercial acceptance, which is even rarer. Overall this is a remarkable document of European Jazz at its best, which gives hope as to the genre´s future, which sometimes looks bleak. These Norwegians carry on the splendid tradition of the Scandinavian Jazz, which contributed so much pleasure to our lives over the years. Any true Jazz lover should not miss this album as a part of his / her music for the soul. Brilliant stuff!
| | | CD 2 Digipak Recommend To A Friend |
  | ENERGIT ~ ENERGIT (EXPANDED EDITION)
GAD 220 (Barcode: 5903068123283) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion
Recorded: 1974 - 1976 Released: 2022
This is a 2CD reissue of the debut album by the Czechoslovak Jazz-Rock Fusion ensemble EnergitFind albums by this artist. It is a brilliant document of the music scene, which thrived in Eastern Europe behind the Iron Curtain, in all the so-called "Socialist" countries, and was every bit as interesting, groundbreaking and visionary as anything else happening at the same time in Western Europe or the USA. In spite of political pressures, artistic censorship and economic hardships, with very limited access to recordings from the West, decent equipment or proper recording facilities, these young and ambitious musicians were exploding with ideas and boldly exploring new territories. The resulting music created at the time remains completely relevant today and should be rediscovered by young audiences, as it lost absolutely nothing of its power and intellectual quality.
Energit was formed by the brilliant guitarist Lubos AndrstFind albums by this artist, after he left the legendary Jazz QFind albums by this artist ensemble, joining forces with two excellent young musicians from another legendary ensemble SHQFind albums by this artist: keyboardist Emil ViklickyFind albums by this artist and saxophonist Rudolf TichacekFind albums by this artist. The lineup was completed by bassist Jan VytrhlikFind albums by this artist and alternating drummers: Karel JencikFind albums by this artist, Anatoli KohoutFind albums by this artist and Josef VojevodaFind albums by this artist. Percussionist Jiri TomekFind albums by this artist guests on two tracks. Andrst wrote all of the original material performed by the ensemble, which although Blues influenced, was at the time centered on the Jazz-Rock Fusion idiom, similar in sound and obviously influenced mostly by Mahavishnu OrchestraFind albums by this artist, but also by Return To ForeverFind albums by this artist or Weather ReportFind albums by this artist.
The first CD presents the original album, which offers five tracks, with the opening 17+ minutes long and the closing tracks being parts of a suite. The second CD presents seven tracks of bonus material, two recorded live, four originating from a radio broadcast and one from a TV broadcast, from which four are previously unreleased. The reissue is accompanied by extensive bi-lingual liner notes, as usual with the superb GADFind albums on this label Record releases, which cover the group’s history and other background information.
Overall, this is some of the best Eastern European Jazz-Rock Fusion, which should not be missed by any connoisseur of the genre, especially those interested in music originating from behind the Iron Curtain. A must!
| | Updated: 23/12/2022Posted: 23/12/2022 | CD 2 Remastered Recommend To A Friend |
  | GRUPO UM ~ MARCHA SOBRE A CIDADE
EDITIO PRINCEPS 01 ~ BRAZIL ~ Jazz-Rock-World Fusion
Recorded: 1977 - 1979 Released: 2002
This is the reissue of the debut album by legendary Brazilian Grupo UmFind albums by this artist, which was the pioneering Jazz-Rock-World Fusion ensemble in the country. The group was founded by musicians who played with legendary Brazilian figures like Hermeto PascoalFind albums by this artist and Egberto GismontiFind albums by this artist and consisted of brothers Lelo NazarioFind albums by this artist (keyboards) and Zé Eduardo NazarioFind albums by this artist (drums), bassist Zeca AssumpcaoFind albums by this artist, percussionist Carlinhos GoncalvesFind albums by this artist and saxophonist Mauro SeniseFind albums by this artist. This reissue presents the original album (six tracks) with two bonus tracks, one being an outtake and the other originating from the first attempt to record this album two years earlier, which features saxophonist Roberto SionFind albums by this artist. All the material is original and was composed by the ensemble members, mainly by the Nazario brothers.
Stylistically the album is close to the early Weather ReportFind albums by this artist albums, but with more emphasis on the Brazilian folkloristic accents and in many respects with more freedom and space. Of course this was almost a decade after the early Weather Report albums were recorded and the influence took its time to reach Brazil, but Grupo Um really showed they can do it as good if not better and with vengeance. Some of the free form passages on this album are among the best ever in this particular idiom and in retrospect leave many contemporary ensembles way behind.
Although it might sound pompous or over exaggerated, this album is an absolute classic of the Jazz-Rock-World Fusion idiom, with very few equals and in almost forty years since it was recorded there was hardly anything better recorded in this style than this album. It took me ten years to get a copy of this album (courtesy of Zé Eduardo) but it was more than worth the wait. It is an eye (ear) opener of a monumental scale and although it´s impossible to find, try to get it!
| | Updated: 08/08/2016Posted: 08/08/2016 | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | HERBIE HANCOCK ~ MWANDISHI
WARNER BROS. 47541 (Barcode: 093624754121) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2001
Following his departure from the Miles DavisFind albums by this artist quintet, Herbie HancockFind albums by this artist established his own sextet, which would serve as his musical vehicle in the next step of his explorations. The sextet included Eddie HendersonFind albums by this artist on trumpet, Benny MaupinFind albums by this artist on bass clarinet and flute, Julian PriesterFind albums by this artist on trombone, Buster WilliamsFind albums by this artist on bass and Billy HartFind albums by this artist on drums.
Hancock recorded three revolutionary and visionary albums with this group, before changing his chameleon-like path again, this time into funk. These three albums were MwandishiFind albums with this title and CrossingsFind albums with this title released on Warner Bros.Find albums on this label and his ColumbiaFind albums on this label debut SextantFind albums by this artist. The extraordinary music present on these albums is the next step in the future of Jazz, the creation of a multi-genre Fusion, which “genetically spliced” Jazz with Rock, Funk and World Music, creating a new musical universe.
In fact one should see these recordings in the right perspective, comparing it to the music Miles Davis was creating (from Bitches BrewFind albums with this title onward) and his disciples: John McLaughlinFind albums by this artist with Mahavishnu OrchestraFind albums by this artist, Joe ZawinulFind albums by this artist and Wayne ShorterFind albums by this artist with Weather ReportFind albums by this artist and Herbie Hancock with his sextet. All this music (created roughly at the same time) falls beautifully into place supplementing the big picture. Of course one should always credit it as much to its wonderfully talented creators as to their Mentor Miles Davis.
The music on Mwandishi is beautifully atmospheric. The unusually (for Jazz) long tracks (one over 21 minutes and the two others over 10 minutes long) leave plenty of space for group improvisation and generous solo space for all the musicians. Hancock sticks to the electric piano, by now mastering the instrument to perfection. He composed two of the tracks and Priester the remaining one. A few guest musicians, including SantanaFind albums by this artist’s percussionist Jose AreasFind albums by this artist and drummer Leon ChanclerFind albums by this artist contribute their input. This music can be heard time after time, revealing new emotions and hidden treasures every time. An essential classic!
| | | CD 1 Digipak Remastered Essential Recommend To A Friend |
  | IL SOGNO ~ GRADUATION
GOTTA LET IT OUT 47 (Barcode: 8031697501527) ~ ITALY ~ Avant-Garde Jazz
Recorded: 2020 Released: 2021
This is the second album by young European Jazz trio Il SognoFind albums by this artist, comprising of Italian keyboardist Emanuele ManiscalcoFind albums by this artist, Polish bassist Tomo JacobsonFind albums by this artist and Danish drummer Oliver LaumannFind albums by this artist. The album presents fifteen tracks, twelve of which were composed or co-composed by the members of the trio and three come from other sources.
With a switch from the acoustic piano to an electric Wurlitzer piano and synthesizer the sound of the trio changes into gentle, almost ambient vistas, based on melodic themes, and Fusion oriented flow (see Weather ReportFind albums by this artist), which also incorporates elements of Free and Eastern mysticism. In short this album is very different from the debut, but considering the fact that five years passed between the two recordings, it is hardly surprising.
Despite the fact that the album is divided into separate tracks, it offers a sonic continuity, which allows listening to the music as a continuous experience, which can be a bit trying at times due to the slow tempi and minimal dynamics, but on the other hand has an enchanting meditative character, which allows the listener to get completely absorbed into the music.
The individual contributions are exceptional and all three members of the trio get equal opportunities to show their chops. Although Maniscalco is in charge of the melodies and the ambient synthesizer layers, both Jacobson and Laumann are clearly audible for the entire duration and often step out of the role of the rhythm section to offer their soli. The relatively sparse concentration of sounds allows for all three instruments to be clearly heard for the entire duration and the crystal clear sound quality allows the listener to enjoy the music in full detail.
Overall, this is an excellent follow up album, full of beautiful sounds and excellent contributions by the trio members, which manage to create a very unique ambience, somewhat resembling the Acid Jazz of the 1990s, but with a greater dose of Free improvisation. For Jazz fans searching for new excitements, this just might be exactly what they are searching for. I for one had an absolute blast listening to this music; it’s fresh, exciting and exploring, and yet entertaining.
| | Updated: 16/03/2023Posted: 04/12/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JAZZ Q ~ ELEGIE (ELEGY) (EXPANDED EDITION)
GAD 045 (Barcode: 5901549197594) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion
Recorded: 1975 - 1976 Released: 2016
This is a reissue of the 4th album by the legendary Czechoslovak Jazz-Rock Fusion band Jazz QFind albums by this artist, led by keyboardist / composer Martin KratochvilFind albums by this artist, which also included guitarist Frantisek FranclFind albums by this artist, bassist Premysl FauknerFind albums by this artist and drummer Libor LaunFind albums by this artist. Several guest musicians also participated on selected tracks. The original album comprised of eight original compositions, all by Kratochvil, which are presented here in their remastered form on the first CD of the 2CD set. The second CD collects live recordings by the group, which were previously released on two festival compilations, a couple of radio recordings, which are previously unreleased and fourteen tracks which were recorded as a soundtrack to the movie entitled "Hriste", all also previously unreleased.
This album is undoubtedly one of the best Jazz-Rock Fusion albums ever recorded, not only behind the Iron Curtain, but worldwide. It offers the essence of the most advanced Fusion "spirit", which reached its apogee in the mid 1970s, defined by recordings by Chick CoreaFind albums by this artist (Return To ForeverFind albums by this artist), John McLaughlinFind albums by this artist (Mahavishnu OrchestraFind albums by this artist), Joe ZawinulFind albums by this artist (Weather ReportFind albums by this artist) and of course countless lesser known musicians, who contributed to the genre´s rapid development. Kratochvil and his Jazz Q ensemble managed to distill the Fusion elements and incorporate them within European aesthetics, which resulted in a much calmer and more lyrical form. Based on beautiful melodic themes, with solid harmonic structures and sophisticated expanded suite-like structures, this music is as good as Fusion ever got in its lifespan, with most of what has been offered under the genre´s banner later on was a sad imitation of the past.
Kratochvil´s brilliant compositions, combined with his virtuosic keyboards technique and deep musical sensitivity and elegance, are simply irresistible. Supported by an excellent team of band members and guests, each of whom contributed his own layer to the final result, he was able to create a masterpiece, which has a few rivals to this day and sound as good today as it did at the time it was released. It is definitely one of the most well aging Fusion albums out there.
The bonus material on this album is every step as good as the original album and offers a wonderful opportunity to get better and deeper acquainted with Kratochvil and his band at the time. The diversity and richness of his compositions is fully exposed here, and the fact that this music is finally available for us to enjoy is a miracle in every sense.
This album is an absolute must to every Fusion fan on this planet (and perhaps beyond), especially since at the time of its release most music fans living on the West side of the Iron Curtain were completely oblivious as to what was happening on the East side. Now is the time to finally discover what was missed. Essential stuff!
| | Updated: 13/01/2025Posted: 18/03/2017 | CD 2 Remastered Bonus Tracks Essential Recommend To A Friend |
  | LABORATORIUM ~ MODERN PENTATHLON (POLISH JAZZ VOL.49)
MUZA 949 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2004
Polish Jazz-Rock Fusion band LaboratoriumFind albums by this artist was one of several great Polish bands (Extra BallFind albums by this artist for example) playing in that vein during the 1970s and 1980s. Founded by keyboardist Janusz GrzywaczFind albums by this artist, the band´s founding members included also saxophonist / vocalist Marek StryszowskiFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. After an initial period of trying to find a musical identity, the band was joined by brothers Pawel ScieranskiFind albums by this artist on guitar and Krzysztof ScieranskiFind albums by this artist on bass (one of the greatest Polish bass players) and settled into the Fusion genre, with a musical approach and sound not far away from Weather ReportFind albums by this artist. This, their debut recording, presents them already in their full power and the recording is quite stunning in its sophistication and instrumental aptitude. The music includes the 20 minutes long suite in five parts, which gives the album its title and a few shorter pieces, all composed or co-composed by the leader. As opposed to most American Fusion at the time, which was mostly based on simplistic melodies and endless instrumental doodling, this music is atmospheric, intelligent, sophisticated, well developed and coherent, clearly well rooted in the European musical tradition. Fusion fans are well advised to try this out and explore this wonderful music, which is expanding the genre´s limitations to the max. Superb stuff!
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | LABORATOTIUM ~ QUASIMODO (POLISH JAZZ VOL.58)
POLSKIE RADIO 0532 (Barcode: 5901448115323) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2005
This is the 2nd album by Polish Jazz-Rock Fusion ensemble LaboratoriumFind albums by this artist, which was one of several great Polish bands (like Extra BallFind albums by this artist for example) playing in that vein during the 1970s. Founded by keyboardist Janusz GrzywaczFind albums by this artist, the band´s founding members included also saxophonist / vocalist Marek StryszowskiFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. After an initial period of trying to find a musical identity, the band was joined by brothers Pawel ScieranskiFind albums by this artist on guitar and Krzysztof ScieranskiFind albums by this artist on bass (one of the greatest Polish bass players) and settled into the Fusion genre, with a musical approach and sound not far away from Weather ReportFind albums by this artist. This, their second recording, presents them in their full power and the recording is quite stunning in its sophistication and instrumental aptitude. The music includes pieces composed by all members of the group. As opposed to most American Fusion at the time, which was mostly based on simplistic melodies and endless instrumental doodling, this music is atmospheric, intelligent, sophisticated, well developed and coherent, clearly well rooted in the European musical tradition. Fusion fans are well advised to try this out and explore this wonderful music, which is expanding the genre´s limitations to the max. This music will also interest fans Prog fans, as it is close in spirit to the Canterbury genre. Superb stuff!
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ LIVE AT THE BERKELEY COMMUNITY THEATER NOVEMBER 9, 1972
RENAISSANCE 901 (Barcode: 630428090125) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2024
This is an archival live album by the original lineup of the legendary Fusion group Mahavishnu OrchestraFind albums by this artist, led by British guitarist / composer / bandleader John McLaughlinFind albums by this artist, with American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and American (born in Panama) drummer Billy CobhamFind albums by this artist. The 2CD album presents nine lengthy tracks, taken form the group’s debut album “The Inner Mounting FlameFind albums with this title” and the not yet released at the time second album “Birds Of FireFind albums with this title”. All the music was composed by McLaughlin except one tune composed by Miles DavisFind albums by this artist.
The album is an incredible document of the way Mahavishnu Orchestra sounded and performed in their early days, with an obvious emphasis on improvisation. Two of the tracks are over twenty minutes in duration and another three well over ten minutes, which naturally allows for extensive soloing and group improvisation, which is rarely heard on the group’s studio albums. Although McLaughlin is at the epicenter of the performances, Goodman and Hammer get plenty of opportunity to show their improvising chops, as does the rhythm section of course.
Listening to the music over fifty years later plainly shows that the early 1970s were Fusion’s finest hours and everything since then was a slow degradation of the genre. McLaughlin freshly out of Miles Davis group is in absolute top form, and shows that he was the Godfather of Jazz-Rock Fusion after experimenting with improvisation while still living in UK and playing with Graham BondFind albums by this artist, Brian AugerFind albums by this artist and others and perfecting his stellar stylistics with Tony WilliamsFind albums by this artist and Miles Davis. It’s worthwhile to mention that the two pivotal American Jazz-Rock Fusion groups of the time, Mahavishnu Orchestra and Weather ReportFind albums by this artist, had more European input / influence than American, which is hardly surprising.
Overall, this is an immensely important historical document of the Jazz-Rock Fusion genre, which shows one of the most interesting, innovative and influential bands, recorded live and at the full splendor of its powers. Despite the sound quality, which is not ideal, but allows a painless listening experience, the quality of the music is monumental and the retrospective opportunity to relive these moments is an absolute bliss, lasting for two whole hours! Essential!
| | Updated: 11/11/2024Posted: 11/11/2024 | CD 2 Essential Recommend To A Friend |
  | KRZYSZTOF MAJCHRZAK / DRUMMONAUT ~ H-E-K-A
NOT ON LABEL (Barcode: 192914858294) ~ POLAND ~ Electronic & Ambient
Recorded: 2017 - 2018 Released: 2018
This is a duo album by Polish (resident in France) bassist / guitarist Krzysztof MajchrzakFind albums by this artist and drummer DrummonautFind albums by this artist (a.k.a. Dawid Wojtek LewandowskiFind albums by this artist). It presents nine original instrumental compositions co-credited to both duo members.
The music combines Groove, Funk, Ambient, Electronic and Ethno elements with improvisation, sounding like an up to date version of Weather ReportFind albums by this artist meets Tangerine DreamFind albums by this artist. The consecutive tracks create a trance like meditative state, which completely absorbs the listener, flowing naturally one into the next. The entire flow of sounds is more about atmosphere and sub-consciousness than about melody or harmony. As such, the music simply avoids clear genre classification and its abstract nature fits to the mood and orientation of the listener more than sets it.
Music fans, who are used to absorb clearly defined messages, might find this music difficult to enjoy, but free spirited listeners who are ready to let go of their preconceptions should find this music wonderfully fulfilling and spiritual. This is perhaps not for everybody, but it is highly interesting for the adventurous explorers. Personally I had a great fun listening to this eclectic and unconventional music.
| | Updated: 24/02/2019Posted: 18/02/2019 | CD 1 Digipak Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ INDUSTRIAL ZEN
VERVE 983932 (Barcode: 602498393284) ~ UK ~ Jazz-Rock Fusion
Recorded: 2006 Released: 2006
Here it is at last – the finest album recorded in the 21st century! As lofty and far-fetched as this might sound, I’m ready to defend this statement for as long as it takes. This masterpiece by the legendary guitarist is a complex, multi-layered work of art. On one hand it is contemporary in every sense, especially as far as the overall sound is concerned, on the other hand however it is also an amalgam of John McLaughlinFind albums by this artist’s entire life as a musician, including every style, genre, direction and sound he played over the years, all of these synthesized into an integral new entity. For people familiar with McLaughlin’s illustrious career it should be quite easy to recognize the familiar elements: the spontaneity of the Miles DavisFind albums by this artist sessions, the fire of Mahavishnu OrchestraFind albums by this artist, the grace of his solo work on acoustic and electric guitar and of course his sensitivity and openness to other cultures as demonstrated in ShaktiFind albums by this artist and Remember ShaktiFind albums by this artist. Every note here is original and yet every note also has traces and links to something accomplished in the past. As far as the sound and instrumentation are concerned, these are completely new to McLaughlin. As the title of the album suggests, he uses plenty of electronics here – synth-guitar, keyboards and even drums are used to produce a plethora of both foreground and background electronic sounds, somewhat similar to the so-called “Industrial” sound used in Rock, but of course infinitely more complex and interesting. In addition, the album is very rhythmic and percussive, with two drummers and percussion players present simultaneously on most tracks. To achieve the maximal effect McLaughlin uses different players on various tracks and the list is most impressive: Mark MondesirFind albums by this artist, Vinnie ColaiutaFind albums by this artist, Dennis ChambersFind albums by this artist, Gary HusbandFind albums by this artist – drums; Otmaro RuizFind albums by this artist, Gary HusbandFind albums by this artist – keyboards; Bill EvansFind albums by this artist, Ada RovattiFind albums by this artist – sax; Matthew GarrisonFind albums by this artist, Hadrien FeraudFind albums by this artist – bass; Zakir HussainFind albums by this artist – tabla; Shankar MahadevanFind albums by this artist – vocals. This superb group of musicians supports their Master with love and devotion, which is evident, every step of the way. Another very interesting aspect of this album is that it seems McLaughlin is paying homage to the greatest Fusion ensemble in history – Weather ReportFind albums by this artist. Two of the tracks are explicitly named after WR members: “For Jaco” (Jaco PastoriusFind albums by this artist) and “Wayne’s Way” (Wayne ShorterFind albums by this artist) but also the entire sound and feel of the album reflects very closely the feel of WR albums. I had a distinct feeling as if listening to a new album by an expanded version of WR including guitar. Perhaps something that was meant to happen but never did (i.e. WR playing with McLaughlin) finally materializes here? Fusion Karma? Whatever the Gods intended is besides the point here; one thing is sure: to create such divine music McLaughlin surely had to have a measure of godly intervention / inspiration. Bless you John for giving us such a wonderful musical gift. You do make life endurable again with your beacon clearly showing the direction to ships sailing the oceans of musical ennui.
| | | CD 1 Essential Recommend To A Friend |
  | ALPHONSE MOUZON ~ BY ALL MEANS
MPS 4029759169703 (Barcode: 4029759169703) ~ USA ~ Jazz-Funk Fusion
Recorded: 1981 Released: 2021
This is a reissue / remaster of an album by American drummer / composer / bandleader Alphonse MouzonFind albums by this artist, recorded with some top American musicians active at the time, including keyboardist Herbie HancockFind albums by this artist, guitarists Lee RitenourFind albums by this artist and Paul Jackson Jr.Find albums by this artist, bassist Scott EdwardsFind albums by this artist and the Seawind HornsFind albums by this artist. Trumpeter Freddie HubbardFind albums by this artist guests on one tracks. The album presents five original compositions, all by Mouzon, and the album was produced by my Friend and Mentor Joachim BerendtFind albums by this artist.
Mouzon enjoyed an illustrious career during the 1970s, first as a member of McCoy TynerFind albums by this artist quartet and later as a founding member of Weather ReportFind albums by this artist, Larry CoryellFind albums by this artist’s Eleventh HouseFind albums by this artist and many other Fusion ensembles, which makes him one of the forefathers of the American Fusion. By the time this album was recorded, Mouzon move more towards Funk and Groove, and this album is a classic example of the genre. Combining Funky grooves and Jazzy brass arrangements it reflects perfectly the relaxed atmosphere fashionable at the time.
Although hardly challenging musically, the album shows that the easier side of the Jazz spectrum can be masterly conceived and executed by highly professional musicians, who are Masters of their trade.
Overall, this is a long overdue reissue of a very enjoyable album, which is a perfect companion for sunny days and an effective antidepressant, which should help some of the Jazz snobs to relax once in a while.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 02/05/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | ALPHONSE MOUZON ~ IN SEARCH OF A DREAM
MPS 4029759097273 (Barcode: 4029759097273) ~ USA ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2014
Conceived and produced by my Friend and Mentor, the celebrated Joachim BerendtFind albums by this artist, this wonderful and sadly little known album presents a recording by a Fusion supergroup headed by the great American drummer / composer Alphonse MouzonFind albums by this artist. A group of top Fusion players from both sides of the pond, the collective personnel includes, in addition to Mouzon, two more Americans: keyboardist Stu GoldbergFind albums by this artist and saxophonist Bob MalikFind albums by this artist. The European contingent comprises of Belgian guitar virtuoso Philip CatherineFind albums by this artist, German pianist Joachim KuhnFind albums by this artist and finally Czech bass magician Miroslav VitousFind albums by this artist, who plays a funkiest electric bass ever on this album, in addition to his double bass, a very rare occurrence indeed.
Mouzon, aged 29 at the time this music was recorded (the "Happy Birthday" chant heard on the album is about that), was already a Fusion veteran, after being a founding member of Weather ReportFind albums by this artist (with Vitous) and later Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist. His technical proficiency and more importantly superb musicality earned his much respect among his peers and quite a following on the busy Fusion scene. This recording was Mouzon´s second album as a leader for the legendary German MPSFind albums on this label label, also produced by Berendt, following the no less outstanding "VirtueFind albums with this title" recorded a year earlier.
Of the nine tracks on this album, six are original compositions by Mouzon, with the remaining three being originals by Catherine, Kuhn and Vitous. They are all superb pieces of music, based on great melodies, complex rhythmic patterns and stunning solo work by all the participants, reflecting Fusion at its best before the genre sadly dwindled into obsessive repetitious doodling.
Hearing this music almost forty years after it was recorded produces a striking realization that it lost absolutely nothing of its original freshness and sounds brilliant as ever, perhaps even more so today, considering what pretends to be music these days. Listening carefully to this album reveals a plentitude of musical details and ideas that went into creating this music, which require talent and dedication. Mouzon´s drumming on this album is of course a delightful reminder of better times.
As all the albums recorded for the MPS label, the recording quality of this album is simply marvelous, with precision and ambience unachieved by almost any other recordings and as such is a true delight to all audiophile music listeners, in additions to being a great document of the era when music truly mattered.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 30/01/2016 | CD 1 Slipcase Remastered Recommend To A Friend |
  | ALPHONSE MOUZON ~ VIRTUE
PROMISING MUSIC 44110 (Barcode: 602517602410) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2009
In the early 1970s the name of US drummer Alphonse MouzonFind albums by this artist was almost synonymous with Jazz-Rock Fusion as one of its most prominent drummers, rivaled only by Billy CobhamFind albums by this artist. His stints with Weather ReportFind albums by this artist and Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist are prime examples of his extraordinary abilities and technique. But Mouzon could play modern Jazz as well as Fusion, and he played with the best, including McCoy TynerFind albums by this artist and many other "conventional" Jazz musicians. This album is a brainchild of the legendary producer Joachim BerendtFind albums by this artist, who was a great fan of Mouzon´s playing and invited him to record for the legendary MPSFind albums on this label label twice, before recording this one with him as a leader. For the album Mouzon assembled quite an unusual quartet, incorporating one of the greatest (and often underappreciated) saxophonist Gary BartzFind albums by this artist, which seemed truly inappropriate, as Bartz was more then anything a player in the John ColtraneFind albums by this artist tradition, which was hardly "in place" in a Funk / Fusion setting. The result of course proves that all fears were completely unfounded and the quartet works like a dream. Completed by keyboardist Stu GoldbergFind albums by this artist (a frequent guest on the MPS label), whose feel for Fusion and Funk was beyond reproach, and bassist Welton GiteFind albums by this artist (a legendary bass player, who was a member of SteppenwolfFind albums by this artist! and played with a plethora of Rock, Pop and Jazz acts) the quartet performs a set of compositions composed by Mouzon, playing their ass off from start to finish, producing one of the most energetic and brilliant Fusion albums with no weak moments whatsoever. Mouzon is of course brilliant, a monster rhythmic (and polyrhythmic) driving power at all times. Both Goldberg and Bartz get plenty of solo space and the overall result is a Fusion orgy of unearthly proportions. Although this album is rarely mentioned as a Fusion "classic", it definitely deserves the status, which anybody listening to it should easily recognize. We should be grateful to Promising MusicFind albums on this label for reissuing this classic treasure! As usual, the remastering, sound quality, packaging and extensive liner notes are beyond reproach. Warmly recommended!
| | Updated: 16/05/2016Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | OLES BROTHERS & PIOTR ORZECHOWSKI ~ WATERFALL
AUDIO CAVE 2020/011 (Barcode: 5908298549094) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020
This is the debut album by a "dream come true" Polish Jazz piano trio, which combines the forces of the brilliant rhythm section comprising of twin brothers Marcin OlesFind albums by this artist on bass and Bartlomiej OlesFind albums by this artist on drums (collectively known as Oles BrothersFind albums by this artist) with one of Poland´s most idiosyncratic, expressive and open-minded pianists Piotr OrzechowskiFind albums by this artist. It is therefore not surprising that the expectations from the music produced by this trio reach the zenith as far as Polish Jazz scene is concerned.
As the subtitle of this album ("Music Of Joe Zawinul") discloses, the subject of the album is the music composed by Austrian composer / keyboardist Josef Joe ZawinulFind albums by this artist, who left Austria in 1959 and moved to where Jazz "was happening", soon to become one of the most prominent musicians on the American scene, playing with Cannonball AdderleyFind albums by this artist and then Miles DavisFind albums by this artist, before forming the revolutionary ensemble Weather ReportFind albums by this artist and later Zawinul SyndicateFind albums by this artist.
Despite his success in America, Zawinul was in many respects a tragic figure as his European background and musical tradition never truly allowed him to integrate within American Jazz. Over the years he composed a superb body of music that attested to his European foundations, which was never fully understood by his fellow musicians at the time. Therefore the recognition of the European spirit in the music of Zawinul, which is fully recognized and openly stated by the creators of this album, offers an important historical and intellectual testimonial beyond the musical layer. This approach leads of course to a completely novel and unprecedented interpretation of Zawinul´s music, dominant to such extent that most music listeners familiar with these compositions in their original recorded form will probably not recognize these compositions easily (if at all) on this album.
As a result, the listeners are exposed to a completely new depth and beauty of Zawinul´s compositions, a presentation which deserves a highest respect for its ingenuity and boldness, qualities that are not surprising in case of Oles Brothers and Orzechowski.
The performances are of course absolutely stellar, with every single note and sound perfectly placed within the musical kaleidoscope. The clarity of the sound and the total involvement of these three musicians is absolutely phenomenal, standing apart from almost everything else one can find on record elsewhere. It seems that the magic touch of Oles Brothers and Orzechowski combined becomes not only a sum of their sublime qualities but rather their product
A word of warning for listener´s expecting anything like what Zawinul´s music sounded originally – this album demands a completely different level of involvement, concentration and open-mindedness.
Of course this is an immediate favorite as far as I am concerned, and as the year (dreadful 2020) nears its most welcome ending, this album jumps straight into the small heap of top albums of the year. It is a true revelation and I feel proud to be able to call the makers of this magnificent music my Friends. Thank you, as always!
| | Updated: 19/12/2020Posted: 19/12/2020 | CD 1 Digipak Recommend To A Friend |
  | JACO PASTORIUS ~ JACO PASTORIUS
EPIC 64977 ~ USA ~ Jazz
Recorded: 1976
1st album and one of the most revolutionary and influential Jazz debuts of all time. It takes about 10 seconds into the first track to understand that the role of the bass as an instrument and perhaps the entire Jazz idiom will not stay the same after this music hits the ears of the listeners. But it is not only the virtuosity of Jaco PastoriusFind albums by this artist as a player and his Promethean approach to playing the instrument, but also his skills as a composer and arranger, all these at the age of 25, that make this album and the man so unique. Pastorius presents here a widely diverse set of compositions, ranging in style from Soul / Rock to Classical, all perfectly crafted and surprisingly mature. A long list of superb Jazz players (Wayne ShorterFind albums by this artist, Michael BreckerFind albums by this artist, Don AliasFind albums by this artist and Hubert LawsFind albums by this artist to mention but a few) and classical string players were involved in making of this album, but the most sympathetic and supportive role was played by pianist Herbie Hancock, who is the main soloist – often more dominant than Pastorius himself. This album shook the entire Jazz (and Rock) world and it is no wonder that as a result Pastorius was asked to join the best band on the scene at that time – Weather ReportFind albums by this artist – where he stayed for about six years as an equal partner and a third lead voice alongside Joe ZawinulFind albums by this artist and Wayne ShorterFind albums by this artist. What a tragedy it was to hear about Jaco’s death in 1987 just over a mere decade after this masterpiece was recorded, mentally ill and addicted to drugs. This album belongs to the Pantheon of Jazz recordings and is an absolute must!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | JACO PASTORIUS BIG BAND ~ WORD OF MOUTH REVISITED
HEADS UP 3078 ~ USA ~ Jazz
Recorded: 2003
1st album by the Jaco PastoriusFind albums by this artist tribute Big Band, conducted and led by Peter GravesFind albums by this artist. Graves was the leader of the Big Band, in which Pastorius played for five years (1970-1975) and where he perfected his chops, before leaving to record his eponymous debut album and then joining Weather ReportFind albums by this artist, where he stayed for another five years (1976-1981). Pastorius revolutionized the way bass guitar would be played from his days onward and earned a momentous respect for the instrument, placing it alongside the leading instruments in any musical setting. He died in tragic circumstances in 1987. Graves collected some of the original Big Band members, added many superb contemporary players and invited the best bass players on the scene (Marcus MillerFind albums by this artist, Jimmy HaslipFind albums by this artist, Gerald VeasleyFind albums by this artist, Victor BaileyFind albums by this artist, and others) to create this tribute recording. The music includes tunes from the early Big Band days, Jaco’s solo albums and Weather Report albums. The band swings like hell, the bassists fly and soar and the music is exceptional all the way through. Between the music tracks there are inserts of Jaco’s spoken commentary during the recording sessions of his albums, which enhance the atmosphere and make this recording even more special. For any Pastorius or / and bass guitar fan this is a wet dream come true – an absolute must! This enhanced CD includes bonus material and a link to video clips documenting the recording session.
| | | CD 1 Digipak Bonus Tracks Recommend To A Friend |
  | KRZYSZTOF SADOWSKI ~ NA KOSMODROMIE
GAD 030 (Barcode: 5901549197389) ~ POLAND ~ Jazz
Recorded: 1972 Released: 2015
This is a reissue (first time on CD) of the second album by Polish Jazz keyboardist / composer Krzysztof SadowskiFind albums by this artist recorded with an ensemble called Organ GroupFind albums by this artist, which also included flautist / vocalist Liliana UrbanskaFind albums by this artist, Dutch trumpeter Eddie EngelsFind albums by this artist, saxophonist Wlodzimierz NahornyFind albums by this artist, bass guitarist Pawel DabrowskiFind albums by this artist, drummer Tomasz ButowttFind albums by this artist and congas player Jozef GawrychFind albums by this artist.
This album was not released at the time as part of the legendary "Polish Jazz" series, for reasons that are way beyond the scope of this text. The original album included only six tracks, the first of which gave the album its title and was a twenty minutes long six parts suite originally found on side A of the LP. The five tracks on side B were all much shorter. All the compositions were originals, four composed by Sadowski and one each by Nahorny and Engels. This remastered reissue adds three bonus tracks recorded at the Polish Radio.
By the time this album was released the Polish Jazz scene was in a state of upheaval, torn between two extremes: Free Jazz on one side and Jazz-Rock Fusion on the other. Strangely this album presents a bit of both, since although conceptually belonging to the Jazz-Rock Fusion genre it features a few Free Form solos. Obviously Sadowski was shifting his organ playing stylistics from the traditional influences (Jimmy SmithFind albums by this artist) towards (then) contemporary keyboard approach represented by Herbie HancockFind albums by this artist or Weather ReportFind albums by this artist´s Joe ZawinulFind albums by this artist. The use of vocalese, which was one of the trademarks of Polish Jazz at the time, utilized extensively by Urszula DudziakFind albums by this artist in Michal UrbaniakFind albums by this artist´s ensemble, is only one of the parallels between these two pioneering Fusion bands active at the time.
The space exploration, which seems a bit strange as a subject matter of a Jazz album, was at the time one of the main pillars of the Socialist propaganda, which excitedly participated in the space race between USSR and USA, with an obvious winning side. Picking such a subject increased of course significantly the possibility to have one´s music released by the State controlled solitary record company in existence at the time in Poland (Polskie Nagrania).
In retrospect the albums is a great document of the time at which it was recorded, proving that in spite of the relative separation from what was happing beyond the Iron Curtain, Polish Jazz was responding rapidly to the changes in the Jazz idiom, often with ferocity and ingenuity, which were impossible to hold back by the political regime.
As usual it is my duty to thank GADFind albums on this label Records for taking care of the Polish Jazz heritage, who is sadly a lonely rider on that trail. This superb music definitely needs to be fondly remembered and discovered by new generations!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SANTANA ~ CARAVANSERAI
COLUMBIA 511128 (Barcode: 5099751112822) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2003
4th album, which reflects clear change of direction for the band (and the bandleader in particular) and initiating the entrance of SantanaFind albums by this artist into the world of Fusion. Following three phenomenally successful albums and a clearly defined style (perfected by five years of recording and touring) mixing rock with Latin and Jazz rhythms, the band was now in a turmoil, being torn apart by two conflicting tendencies. Some of the band members wished to continue the same path (stylistically) and others (especially Carlos SantanaFind albums by this artist) wanted to move on to the next phase. In the period shortly preceding the recording of this album Carlos was exposed to two new major cultural influences. Fellow guitarists Larry CoryellFind albums by this artist and John McLaughlinFind albums by this artist introduced Carlos to the teachings of Guru Sri ChinmoyFind albums by this artist and he embraced these with passion. Santana’s drummer Michael ShrieveFind albums by this artist inaugurated Carlos into the burgeoning world of (then) contemporary jazz and Fusion of Miles DavisFind albums by this artist, Herbie HancockFind albums by this artist, Weather ReportFind albums by this artist and Mahavishnu OrchestraFind albums by this artist, which he immediately fell in love with. All these new influences pushed Carlos further and further away from the old Santana style into Fusion, which would soon result in the collapse of the original line-up and the creation of a new band. CaravanseraiFind albums with this title is a crossroads album for the band, with several members playing here for the last time. Organist Gregg RolieFind albums by this artist and guitarist Neal SchonFind albums by this artist would leave soon after to form JourneyFind albums by this artist and new members, notably keyboards player Tom CosterFind albums by this artist and bassist Doug RauchFind albums by this artist would join. Since the album includes all of these wonderful players, the resulting music is truly exquisite. The dual lead guitar front line drives the melodic material to stratospheric heights and the expanded percussive rhythm section provides a soaring background. In spite of the “in transition” mood, the albums sounds cohesive and provides an uplifting musical continuum. The album was to be followed shortly by the divine Carlos Santana / John McLaughlin duet album Love, Devotion, SurrenderFind albums with this title and a series of outstanding albums like WelcomeFind albums with this title, IlluminationsFind albums with this title (with Alice ColtraneFind albums by this artist) and LotusFind albums with this title. An absolute classic!
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  | WAYNE SHORTER ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION
SONY 886979202429 (Barcode: 886979202429) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1971 - 1988 Released: 2011
There are very few Jazz musicians, who can claim being at the epicenter of the most innovative and creative music making for decades and also be called one of the greatest Jazz composers, but saxophonist / composer Wayne ShorterFind albums by this artist certainly is one of them. His role as a member of the legendary second Miles DavisFind albums by this artist quintet and than as co-founder and co-leader of the no less legendary Weather ReportFind albums by this artist are already more significant than the achievements of most other musicians, but Shorter also has a most impressive solo career, which spans from the late 1950s to now, i.e. for over half a century.
Shorter´s recordings as a leader, which were chronologically released on the Vee-JayFind albums on this label, Blue NoteFind albums on this label, ColumbiaFind albums on this label and VerveFind albums on this label labels present a magnificent body of work both as a performer and a composer. The Blue Note recordings, eleven albums released between 1964 and 1970 and recorded while he was a member of the Miles Davis quintet, are perhaps the most impressive and pivotal as far as Jazz development is concerned, but all the others are also great showcases of his talent.
Shorter recorded four albums for Columbia; one in 1974 and the other three in the late 1980s, all of which are included in this Box Set. The first album, ("Native DancerFind albums with this title") recorded with the brilliant Brazilian musician / composer Milton NascimentoFind albums by this artist is the most memorable and impressive of the Columbia recordings and a beautiful example of Jazz-World Fusion at its best. In addition to several great Brazilian musicians playing on the album, including Airto MoreiraFind albums by this artist, it also features Herbie HancockFind albums by this artist on piano. The other three albums are somewhat Fusion oriented and feature different lineups of first class musicians, especially keyboard players like Chick CoreaFind albums by this artist, Stu GoldbergFind albums by this artist, Jim BeardFind albums by this artist, Patrice RushenFind albums by this artist, Geri AllenFind albums by this artist and others and of course almost exclusively the superb compositions by Shorter.
This Box Set also includes two bonus CDs, which collect all Weather Report tracks, which were composed by Wayne Shorter and recorded during the group´s entire lifespan. Although not adding anything new, these CDs present a great historic document of Shorter´s contribution as a composer to the group´s monumental accomplishments.
This Box Set is a must to all Wayne Shorter fans, especially in view of the fact that the individual albums have been out of print for ages. The musical content is of course top notch in every respect, a part of the legacy of a great musician, which deserves to be heard and remembered!
| | Updated: 26/01/2019Posted: | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | ALAN SKIDMORE ~ A SUPREME LOVE
CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz
Recorded: 1961 - 2019 Released: 2023
This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued.
Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians.
The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6.
The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true.
Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.
| | Updated: 01/10/2024Posted: 21/06/2023 | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JAROSLAW SMIETANA ~ SOUNDS & COLORS (POLISH JAZZ VOL.73)
POLSKIE RADIO 0533 (Barcode: 5901448115330) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1987 Released: 2005
This is an excellent album by Polish guitarist / composer Jaroslaw SmietanaFind albums by this artist, his first recording under his name in the legendary Polish Jazz series, although he already released two albums with his group Extra BallFind albums by this artist a decade earlier. Undoubtedly the best Polish Fusion guitar player, Smietana is also a great tunesmith; this album includes six of his wonderful compositions (and one standard), performed by a superb quartet, which includes side by side with the leader saxophonist Piotr BaronFind albums by this artist (one of future best Polish sax players), bassist Antoni DebskiFind albums by this artist and drummer Jacek PelcFind albums by this artist. The music is very similar to what one might expect from the best Fusion groups around at the time, especially Weather ReportFind albums by this artist, which is a clear model. The guitar (and occasional keyboards) - sax exchanges could be very easily mistaken for another Joe ZawinulFind albums by this artist / Wayne ShorterFind albums by this artist dialog. But there is enough originality here, both in the compositions and the performances, to dismiss any accusations of plagiarism. These excellent musicians are not to be taken for granted and overall this album is as good, if not better, that any other Fusion album recorded anywhere on this planet. Fusion fans will definitely enjoy this album with no reservations, but the general Jazz loving public should be able to have a great time with it as well. It lost nothing of its charm over time!
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | SOM NOSSO DE CADA DIA ~ A PROCURA DA ESSÊNCIA: AU VIVO 1975-1976
EDITIO PRINCEPS 04 (Barcode: 7898901556046) ~ BRAZIL ~ Jazz-Rock Fusion
Recorded: 1975 - 1976 Released: 2004
These live recordings are the only available document of the legendary Brazilian 1970s Prog / Fusion band Som Nosso De Cada DiaFind albums by this artist. Following the release of their debut album SnegsFind albums by this artist in 1974, the band embarked upon intensive touring and performances, but the lack of commercial success, lack of interest from record labels, etc. (the usual hardships of 1970s Prog artists) led to internal frictions and four years after the band was formed it disbanded and disappeared from the scene. The band recorded their 2nd legendary album AmazôniaFind albums by this artist in 1975, which was picked by CBSFind albums on this label Brazil, but released only two years as Som NossoFind albums with this title with intensive overdubs and remix, completely changing the original masterpiece into a commercial funk album. These live recordings present the group in its full glory playing their great material, including the full original version of the “Amazônia” suite. Most of the tracks are extensive instrumental improvisations, mostly over 10 minutes long and one over 17 minutes long, which show the virtuosity of the players. The double keyboards line and exceptional spacey lead guitar offer endless peaks of energy floating somewhere between early Pink FloydFind albums by this artist and Weather ReportFind albums by this artist. This is fantastic music and in spite of the technical flaws of the recording every fan of good music should be grateful this is available for us to enjoy. Most warmly recommended!
| | | CD 2 Recommend To A Friend |
  | SYNCHRONOUS YAWN ~ CRACKS
VITAL 004 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 1999 - 2006 Released: 2007
1st album by excellent Japanese trio Synchronous YawnFind albums by this artist, led by guitarist / keyboardist Eishow MutohFind albums by this artist (who also wrote most of the music), with bassist Naoyuki SetoFind albums by this artist and drummer Masashi MatsumotoFind albums by this artist. Three guest musicians participate on several tracks, most notably the excellent soprano saxophonist Yuji KawamuraFind albums by this artist, who sounds like Wayne ShorterFind albums by this artist. The music is excellent, a mixture of Jazz-Rock Fusion and Japanese ethnic influences, somewhat resembling early Weather ReportFind albums by this artist. All these players are truly excellent and the album is full of mystic atmosphere and beautiful melodies. The recordings span a period of 7 years and since I couldn´t find any information about the band, I hope they still exist, as they have great potential. At least we have this document of their activities so far, hoping to hear more. The album reflects well the vibrant and advanced Japanese scene, which never ceases to surprise. Although completely obscure, this album surely deserves to be heard and enjoyed beyond its homeland. Recommended!
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  | JAY-TEE TETERISSA ~ DON`T JAY WALK
NOT ON LABEL (Barcode: 9789079496112) ~ NETHERLANDS ~ Jazz-Rock Fusion
Recorded: 2010 Released: 2010
This is the 2nd album by Dutch bass virtuoso Jay-Tee TeterissaFind albums by this artist, a superb player and composer, who remains relatively unknown, although his talents put him in the front row of today´s Fusion Masters. Recorded with an excellent team of great musicians, which includes US guitar hero Mike SternFind albums by this artist, Canadian bassist Alain CaronFind albums by this artist, Dutch keyboardist Jeroen van ItersonFind albums by this artist, guitarist Martijn van ItersonFind albums by this artist, saxophonist Tom BeekFind albums by this artist and drummer Marcel LatupeirissaFind albums by this artist, this is one of the best Fusion albums I´ve heard in a very long time. Completely fresh and full of energies, which remind me of the early days of Fusion, when Weather ReportFind albums by this artist, Mahavishnu OrchestraFind albums by this artist and other brilliant ensembles were breaking sound barriers and stylistic limitations. Of course these players perform brilliantly, as expected, but performance alone is not enough to make an album work, the music they play is the real deal. Co-composed by Jay-Tee Teterissa and Jeroen van Iterson it is first-rate from start to finish, from the first note to the last, from top to bottom, with great melody lines, perfect harmonies and powerful driving rhythms. Add to this excellent production, arrangements and sound quality and you have a Fusion gem of rare beauty. Jay-Tee´s bass sounds sometimes like a lead guitar and sometimes like a pulse of a sprinter. The keyboardist plays a superb Fender piano, which takes the music on a retro trip on occasion. In short this is one great Fusion album, which no fan of the genre should miss. A must!
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  | TRIO OF DOOM ~ TRIO OF DOOM
COLUMBIA 96450 (Barcode: 827969645024) ~ USA ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2007
A power Fusion trio consisting of musicians of such caliber as John McLaughlinFind albums by this artist (guitar), Jaco PastoriusFind albums by this artist (bass) and Tony WilliamsFind albums by this artist (drums) usually only happens in the wildest and wettest of dreams by serious Fusion-heads, but if fact this one did happen in reality and even recorded both live and in the studio. Trio Of DoomFind albums by this artist was a one-time collaboration assembled for the occasion of the historic Havana Jam Festival in Cuba, where for the first time US performers were allowed to play before the Cuban audience. The festival took place for 3 days in early March of 1979 and presented a wide variety of US artists (pop, rock & jazz) and was recorded by ColumbiaFind albums on this label. Selections were later released on 2 albums, including 3 of the tracks on this album. Although McLaughlin never played before with Pastorius, both of them did play with Williams: McLaughlin as a member of his group LifetimeFind albums by this artist and Pastorius in Weather ReportFind albums by this artist, when Williams played on Mr. GoneFind albums with this title. The trio’s rehearsals were very successful, but the actual concert at Havana’s Carl Marx (what else?) hall turned out to be unsatisfactory due to a hectic and out-of-focus performance by Pastorius. The legend has it that Williams almost kicked the hell out of Pastorius after the gig (being a men of enormous physical strength this was no laughing matter), but seeing how spaced-out Pastorius was punched a hole in a wall instead. When Columbia informed McLaughlin that they want to use the Havana material for their albums, McLaughlin opposed and eventually a recording session was set up a week later to repeat the live performance in the studio. The resulting studio material was then used to overdub parts of the live recording, which appeared on the Havana Jam albums. This album brings us (28 years later) the entire live and studio material recorded by the Trio Of Doom in its original form, most of it previously unreleased in any form. The music is of course electrifying and almost super-human. All three musicians at the peek of their performing powers, with years of experience and enormous talents just can’t go wrong. Williams is in fact the moving power behind the trio, with his phenomenal technique and sublime interplay with his partners. This music kicks serous ass and whatever minor imperfections overshadowed the outcome at the time, those are long time gone and thankfully forgiven / forgotten. We can all enjoy this glorious Fusion gem, which is finally out of the vaults. Viva Fusion!
| | | CD 1 Remastered Recommend To A Friend |
  | MIROSLAV VITOUS ~ MAJESTY MUSIC
WOUNDED BIRD 4099 (Barcode: 664140409927) ~ CZECH REPUBLIC ~ Jazz-World Fusion
Recorded: 1976 Released: 2015
This is a reissue of the 4th solo album by Czech (resident in the US) bassist / composer Miroslav VitousFind albums by this artist. Following his departure from Weather ReportFind albums by this artist, Vitous started a solo career playing with many of the most prestigious Jazz musicians over the years. This album was recorded with two Israeli musicians: saxophonist Jaroslav JakubovicFind albums by this artist (also of Czech origin) and vocalist / keyboardist Rimona FrancisFind albums by this artist. Other musicians playing on the album included percussionist David Earle JohnsonFind albums by this artist, drummers Lenny WhiteFind albums by this artist and Gerry BrownFind albums by this artist, electric bassist Francisco CentenoFind albums by this artist and a couple of others. The album presents ten tracks, seven of which were composed by Vitous, two by Jakubovic and one co-composed by them both.
This is relatively a little known album by Vitous, despite the fact that it is one of his most interesting recordings, mixing elements of Fusion and World Music. The superb team of international musicians, and especially the presence of Rimona Francis and Jaroslav Jakubovic, make it completely unique in Vitous’ recording legacy.
Overall, it is great to have this superb album on CD, and Weather Report fans should grab a copy instantly, before it disappears from the market like all other great reissues. I have no idea how I missed it till now?
| | Updated: 14/12/2023Posted: 14/12/2023 | CD 1 Recommend To A Friend |
  | MIROSLAV VITOUS ~ REMEMBERING WEATHER REPORT
ECM 2073 (Barcode: 602517881372) ~ CZECHOSLOVAKIA ~ Jazz
Recorded: 2006 - 2007 Released: 2009
Czech bassist / composer Miroslav VitousFind albums by this artist was a founding member of the seminal group Weather ReportFind albums by this artist and played on their first 3 studio albums and the live album recorded in Japan. The idea of Weather Report was to search for a new direction in the rapidly changing Jazz scene at the time, which was initiated by the revolutionary artistry of Miles DavisFind albums by this artist. However, as we know in retrospect, Weather Report took a different turn than what Vitous had in mind when he co-founded the group, turning gradually more and more into the leading Fusion and Funk group of the 1970s / 1980s, rather than exploring the realms of free improvisation and spontaneity. Thirty years later Vitous takes a somewhat nostalgic trip back to his Weather Report days, proposing a "what if…" scenario, i.e. presenting music, which might have been played by the band if he stayed on. Played by his quartet with veteran Swiss trumpeter Franco AmbrosettiFind albums by this artist, saxophonist Gary CampbellFind albums by this artist and drummer Gerald CleaverFind albums by this artist, Vitous also adds the veteran French Master – Michel PortalFind albums by this artist, who plays bass clarinet. Together they perform some superb music, mostly written by Vitous except for one piece by Ornette ColemanFind albums by this artist, which is pretty open and free but retains enough rhythmic and melodic backbone to be enjoyable even to less ear-trained listeners. Wholeheartedly recommended!
| | | CD 1 Slipcase Recommend To A Friend |
  | WEATHER REPORT ~ FORECAST: TOMORROW
COLUMBIA 85570 (Barcode: 828768557020) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 - 1985 Released: 2006
This magnificent Box Set summarizes the 15 years (and 15 studio albums) of activity by the seminal Jazz / Fusion band Weather ReportFind albums by this artist, which shaped the future of the genre probably more than any other band in history. The set includes 3 CDs and a DVD. The CDs give a solid overview of the band’s output over the years (1971-1985), starting with a few pre-WR cuts (to show the direction Wayne ShorterFind albums by this artist and Joe ZawinulFind albums by this artist were taking) and even trying to predict the future by including a DJ remix of one of the tunes. To spice things a bit a few previously unreleased tracks are included. The true gem of the set is the 2 hours long DVD, filmed during WR Heavy WeatherFind albums with this title tour (with Jaco PastoriusFind albums by this artist and Peter ErskineFind albums by this artist), which is outstanding in every respect (sound and vision) and alone is worth the price of the entire Box Set. If you don’t own all the WR albums already (or any WR albums – shame on you) this is a wonderful opportunity to enter the magic word of WR and get hooked. If you do own the albums, you’ll still want the set for the bonus tracks and the DVD – in short it’s a winner any way you look at it!
| | Updated: 26/01/2019Posted: | 3CD+DVD 4 Box Set Essential Recommend To A Friend |
  | WEATHER REPORT ~ I SING THE BODY ELECTRIC
COLUMBIA 512897 (Barcode: 5099751289722) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 - 1972 Released: 1997
2nd album by the first jazz super group Weather ReportFind albums by this artist, formed by ex-Miles DavisFind albums by this artist group members Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (sax) and the Czech bass virtuoso Miroslav VitousFind albums by this artist. Vitous was asked to join the Miles Davis group in 1970, but for various reasons this didn’t work out. Instead he approached two of the group members and proposed to form a new group, which would continue the revolutionary new direction Miles was following (later to be named Jazz-Rock Fusion) and expand it into new territory. Zawinul and Shorter, both being at a crossroads at the time after leaving the ensembles they played in, agreed and Weather Report was born. Following the release of their eponymous album in 1971 the group embarked on several European and Japanese tours. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which a legendary album called Live In TokyoFind albums with this title was recorded on January 13, 1972. The live album was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of I Sing The Body ElectricFind albums with this title, in addition to the a.m. November studio recordings on side A. As usual with WR, personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Zawinul using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles Davis In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions. On the studio sessions WR used several guest musicians, notably the superb guitarist Ralph TownerFind albums by this artist (from OregonFind albums by this artist) on the classically influenced piece called The Moors and an extended brass session and vocals on the ominous anti-war piece called Unknown Soldier (remember the Doors?). This album is a timeless masterpiece and a cornerstone of Jazz (in general) and Fusion (in particular), providing a wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music. Absolutely essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | WEATHER REPORT ~ LIVE AND UNRELEASED
COLUMBIA 508058 ~ USA ~ Jazz-Rock Fusion
Recorded: 1975 - 1983
Recent (2002) compilation of never previously released live recordings by Weather ReportFind albums by this artist from the years 1975-1983. Considering the fact that WR recorded only 2 live albums (8:30Find albums with this title and the Japanese only release Live In TokyoFind albums with this title), this is a most welcome edition to their legacy. It features the band in various line-ups and the material includes tracks from studio albums as well as some jazz standards. The overwhelming talent and musicianship are evident throughout and this is a real treasure.
| | | CD 2 Oversampling Remastered Recommend To A Friend |
  | WEATHER REPORT ~ LIVE AT MONTREUX 1976
EAGLE VISION 629 (Barcode: 5034504962972) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2007
Every piece of music by the legendary Fusion pioneers Weather ReportFind albums by this artist is worth it’s weight in gold, and considering this one is a well filmed and well recorded brilliant performance at the Swiss Montreux Jazz Festival, this is truly a priceless addition to the band’s legacy. WR appeared twice at Montreux, this being the first of the two. The lineup is probably the strongest one of the band’s mid-life period, and includes Joe ZawinulFind albums by this artist, Wayne ShorterFind albums by this artist, Jaco PastoriusFind albums by this artist, Alex AcunaFind albums by this artist and Manolo BadrenaFind albums by this artist – the same band that was to record Heavy WeatherFind albums with this title a few months later. Everything that made WR great is evident here – the individual soloing, the incredible interplay and telepathic connection between the players, the great tunes and the total devotion to their music. It must have been pretty hot on the July night, as everybody sweats intensely, and the music is nothing but brilliant. I was lucky to see WR quite a few times, and this DVD is a great evidence of how incredible this band was live, even at times when their studio efforts suffered. This is an absolute must to all WR fans and all Fusion-heads out there. Dolby Digital 5.1 Surround Sound and DTS, 84 minutes.
| | Updated: 17/06/2016Posted: | DVD 1 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1971
GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1971 Released: 2023
This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist.
This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period.
It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak.
Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!
| | Updated: 05/01/2024Posted: 05/01/2024 | CD 2 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1975
ART OF GROOVE 80020 (Barcode: 885513800206) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1975 Released: 2010
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured during the Berliner Jazztage Festival, at the transition period between their original incarnation and their entry into the more Funk and Groove oriented period, but just before bassist Jaco PastoriusFind albums by this artist joined the band, which would lock their classic mid-period which lasted between 1976 and 1982. The lineup captured here consists of keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Alphonso JohnsonFind albums by this artist, drummer Chester ThompsonFind albums by this artist and percussionist Alex AcunaFind albums by this artist. That particular lineup in fact never appeared on any album recorded by the band. Therefore this show captured by the German ZDF, presented here on CD and DVD, is of particular interest to Weather Report fans.
The music is right in between the two periods of the band: it features the groovy bass lines that characterize the second period but it also ventures into extensive and pretty Free improvised passages, which are less structured than the music of Weather Report that was about to follow and characterize the first period. As a result this live show is pretty unique and adventurous, as opposed to later live recordings by the band. Both Zawinul and Shorter play some pretty wild solo parts, including Zawinul´s acoustic piano solo, which is almost never present on other live recordings.
In short this is not to be missed by the Weather Report fans, since in addition to the very interesting content the music is relatively well recorded and the balance between the instruments, which most live Weather Report recordings suffer from, if well captured this time. The only disadvantage is the fact that the music last only for just over forty minutes. Definitely some of the best live Weather Report moments are waiting herein to be heard.
| | Updated: 17/06/2016Posted: 17/06/2016 | CD+DVD 2 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN COLOGNE 1983
ART OF GROOVE 80052 (Barcode: 885513800527) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1983 Released: 2011
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured by the German WDR at the beginning of final period of their activity and presents the last steady lineup of the group: keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Victor BaileyFind albums by this artist, drummer Omar HakimFind albums by this artist and percussionist Jose RossyFind albums by this artist. The music is spread across two CDs and is excellently recorded, being probably one of the best live Weather Report recordings as far sound quality is concerned.
This revitalized lineup, formed following the departure of Jaco PastoriusFind albums by this artist, created an influx of new creative energies into the group that was slowly going out of steam. This music was recorded before the album "ProcessionFind albums with this title" was recorded in the studio by this lineup, and includes several early version of the album´s tunes, but also rearranged versions of Weather Report favorites. The band is in excellent shape and seems to be very excited and relaxed, which if felt in the music. In addition the album also features a wonderful Zawinul / Shorter duet as well as a short Rossy / Hakim duet, which of course can only be heard on live recordings such as this one.
There is very little live Weather Report material available from this period and therefore this album is a true gem for the many fans of the group, filling many gaps. It is worth to remember that Weather Report never played bad music, contrary to what some people would like you to believe, which this album proves splendidly. Personally I remember hearing them at that time and those memories, compared to memories from gig in earlier periods always stood up to the challenge.
Overall this is a great tribute to the memory of one of the most important Fusion bands of all times, which deserves an honorable place in any decent record collection, especially of course in collections owned by the band´s numerous fans. In short this is a must have if you love or ever loved this band!
| | Updated: 18/06/2016Posted: 18/06/2016 | CD 2 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN OFFENBACH 1978
ART OF GROOVE 80090 (Barcode: 885513800909) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1978 Released: 2011
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured when it enjoyed the peak of its popularity. The band in its kernel lineup with keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Jaco PastoriusFind albums by this artist and drummer Peter ErskineFind albums by this artist performs over two hours of their classic material. The show, captured by the German WDR, is presented here on two CDs and a DVD, which includes the same material as the CDs.
As I have already written extensively in my review of the Weather Report´s album "The Legendary Tapes: 1978-1981Find albums with this title", additional releases of the band´s live material are often quite problematic for a variety of reasons: the sound quality, performance quality and other considerations. The numerous fans of the band are therefore faced with the dilemma of craving for more previously unreleased material on one hand and getting recordings which are of problematic quality and basically offer nothing new beyond what was already revealed many times in the past on the other hand.
To put things in perspective, this is still Weather Report – one of the greatest Fusion bands ever, so the music is splendid all the way through, as expected. The only shortcoming of this release is the comparison with very similar live recordings, which present almost identical musical content in somewhat better quality, both sonically and artistically.
For die-hard Weather Report fans this is of course an absolute must have, but others who already own many live albums by the band, might think twice about it. Personally I enjoyed both the audio and the video presentations, but I am definitely far from being objective about something, that dominated the soundtrack of my life for many years.
| | Updated: 17/06/2016Posted: 17/06/2016 | 2CD+DVD 3 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN TOKYO
COLUMBIA 489208 (Barcode: 5099748920829) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2001
Following the release of their eponymous album in 1971 and in spite of the hype and show-biz brouhaha created by ColumbiaFind albums on this label at the time, which presented Weather ReportFind albums by this artist as the first ever jazz super group (a term already used in reference to rock acts), the band found it difficult to secure any US venues to perform live. Europe and Japan of course couldn’t get enough of them and WR spent most of 1971 performing there in front of ecstatic audiences. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which this legendary album was recorded on January 13, 1972. The music was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of the 2nd official WR album I Sing The Body ElectricFind albums with this title, which included the a.m. November studio recordings as side A – all this probably due to the fact that Columbia was anxious to have the next WR album out ASAP and didn’t want to wait for the more studio recordings. So much for the background and now for the music. As usual with WR, the personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Joe ZawinulFind albums by this artist using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles DavisFind albums by this artist´ In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, with the intensity equal to the legendary Miles’ Fillmore concerts. The music is presented in a form of four extended medleys (the longest of which lasts for over 26 minutes), mixing expanded versions of compositions present on the debut album with those recorded during the a.m. November sessions and yet others that appear only here. The group improvisations and the telepathic interplay are fearfully intense. Miroslav VitousFind albums by this artist bravely provides the steady pulsation, which cements the basis on which his companions embark into their sonic ventures. Gravatt is all over the rhythmic patterns and Romao brilliantly fills the spaces. WR strength was always in their live performances, since their studio efforts somehow lacked much of the spontaneity, drive, inspiration and vigor present on stage. This recording, in addition to its heavenly contents, has also a tremendous historic value, as it is the only one in existence documenting the early (and to many the most interesting) stage of the band. It also provides the wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music, during the convoluted period where all boundaries seemed to be irrelevant and the unexpected was expected. There would be very few moments in the years that followed that either WR or any other band for that matter would reach the same level of creative genius or performance intensity. Absolutely essential!
| | | CD 2 Essential Recommend To A Friend |
  | WEATHER REPORT ~ PROCESSION
COLUMBIA 489775 (Barcode: 5099748977526) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1983 Released: 1991
This is the 12th album by the legendary band Weather ReportFind albums by this artist, which single handedly redefined the meaning of Fusion and led genre for two decades. It is also the first album by the last Weather Report lineup, which included the two leaders: keyboardist / composer Joe ZawinulFind albums by this artist and saxophonist / composer Wayne ShorterFind albums by this artist with bassist Victor BaileyFind albums by this artist, drummer Omar HakimFind albums by this artist and percussionist Jose RossyFind albums by this artist. The music, mostly composed (as usual) by Zawinul, is a wonderful mixture of Jazz, Fusion, Funk and World Music influences. Although received coldly at the time, in retrospect it´s as good as anything else the group recorded, different of course from what they did previously, but that was the point after all. A must!
| | | CD 1 Recommend To A Friend |
  | WEATHER REPORT ~ THE COLUMBIA ALBUMS 1971-1975
SONY 886919934229 (Barcode: 886919934229) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1971 - 1975 Released: 2012
It is almost impossible to imagine contemporary music in general and Jazz in particular without the contribution made by Weather ReportFind albums by this artist, one of the most eminent, pioneering and revolutionary ensembles that ever existed. In the decade and a half that the band recorded and performed music together, they managed to set an example to entire generations of musicians, changing the face of music as we know it.
From day one Weather Report was different. Although it is considered an American band, in fact it included at any given time of its existence more members that were not American-born than those that were. They band´s basic concept was different from everything that was a standard at the time and put forward collective improvisation and multicultural musical approach rather than the standard theme followed by individual solos approach. Also the band kept constantly evolving, frequently changing lineups, styles and sound, totally unpredictable and free of any conventions.
Weather Report was formed by two musical friends, who knew each other for quite a while before their individual careers allowed them to join forces and make music together. Austrian-born keyboardist / composer Joe ZawinulFind albums by this artist and American saxophonist / composer Wayne ShorterFind albums by this artist had both paid their dues in top Jazz ensembles of the 1960s, most importantly both playing in the Miles DavisFind albums by this artist revolutionary ensemble of the "Bitches BrewFind albums with this title" period. Joined by the Czech-born bassist / composer Miroslav VitousFind albums by this artist, the original band was born, with American drummer Alphonse MouzonFind albums by this artist and Brazilian-born percussionist Airto MoreiraFind albums by this artist. The double drums / percussion team would be kept throughout the entire history of the band, with just one brief period when the lineup was just a quartet.
During the first five years of its existence Weather Report recorded six albums, including the live double LP, which was initially only released in Japan, all of which are included in this magnificent Box Set. The bonus tracks are taken from the two compilation albums: "Forecast: TomorrowFind albums with this title" and "Live And UnreleasedFind albums with this title", which were released in the 2000s. Vitous left the band at the end of this period, playing only on one track of the last album in this Box Set, which marked the end of the first phase of the band, which would soon enter a new phase when Jaco Pastorius joined Weather Report, a phase which is documented by the other Box Set of Weather Report albums called "The Columbia Albums 1976-1982Find albums with this title".
This Box Set is not only a holy grail of contemporary music, but also a sublime document of the music itself going through a perpetual change and transition. It is beyond recommendation, as its place on the pedestal of contemporary canon was already established long before these lines were written. Essential stuff!
| | Updated: 26/01/2019Posted: | CD 7 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | WEATHER REPORT ~ THE COLUMBIA ALBUMS 1976-1982
SONY 886979394025 (Barcode: 886979394025) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1976 - 1982 Released: 2011
When bassist / composer Jaco PastoriusFind albums by this artist joined the ranks of Weather ReportFind albums by this artist in 1976, a new phase of stability and prosperity opened for the band, which would last for almost the entire next seven years period and produce an incredible body of work, considered today as part of the classic Jazz, Fusion and Funk heritage. The six albums recorded during that period and included in this Box Set, including the live double LP, are all perfect examples of the band´s incredible writing and performing talents and their everlasting search for new sounds, musical explorations and means of expression.
Pastorius brought into the band not only his youthful energy, but also his unparalleled virtuosity, extreme rhythmic sensitivity and of course his compositions, which were every bit as good as those of the group founders keyboardist / composer Joe ZawinulFind albums by this artist and saxophonist / composer Wayne ShorterFind albums by this artist. His musical personality was in fact a perfect choice for the direction the band was taking already by the end of the previous phase, which meant more pre-composed melodic themes and more individual soloing, although the overall concept of group improvisation on top of a solid and resourceful rhythm section continued to apply.
With Shorter gradually taking a step back from the front line, allowing Zawinul to dominate the group´s repertoire with his compositions and musical direction, it was Pastorius who kept Weather Report as an organic group, rather than a Zawinul backup group, which they would eventually turn into following the departure of Pastorius at the end of this phase. In spite of these internal tensions and changes, in retrospect this phase in the group´s lifetime proved to be the most productive and also commercially successful, both as a recording and a touring act.
The bonus tracks used here come mostly from the compilation album "Live And UnreleasedFind albums with this title" and two are previously unreleased. This Box Set is a companion release to the "The Columbia Albums 1971-1975Find albums with this title" Box Set, which covers the first phase of the band´s activity. Hopefully the four remaining Weather Report albums, recorded 1983-1986, will also get a similar reissue treatment, to complete this seminal band´s complete discography.
This is an essential release and should be a part of any decent music collection, especially in view of its accessibility, which should appeal to quite a wide spectrum of listeners. They don´t make music like this any more…
| | Updated: 26/01/2019Posted: | CD 6 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | WEATHER REPORT ~ THE LEGENDARY TAPES: 1978-1981
COLUMBIA 888751412729 (Barcode: 888751412729) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1978 - 1981 Released: 2015
This is a collection of archival recordings by the seminal Weather ReportFind albums by this artist, one of the most important and groundbreaking ensembles which shaped the state of music as we know it and at the same time also achieved immense popularity both as recording and live acts, which of course helped to spread the gospel. The music on the four CDs which are included herein was recorded live by two lineups of the ensemble: the quartet with keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Jaco PastoriusFind albums by this artist and drummer Peter ErskineFind albums by this artist (1978), and the quintet which adds percussionist Robert Thomas, Jr.Find albums by this artist (1980-1981). All the recordings are "bootleg" quality and in fact originate from recordings captured on portable cassette recorders (for those people who don´t know what this is, please Wiki it), which means that in spite of an effort to improve the sound quality it remains mostly Lo-Fi, sometimes almost painfully so.
Peter Erskine, who is the producer of this collection, in his extensive liner notes explains the circumstances of these recordings and adds his personal comments on a track by track basis. He wisely points out the differences about the two facets of Weather Report: the studio recordings which created a long series of incredible albums using advanced studio technology and a long process of mixing, editing and overdubbing following the recording, and the live performances, like the ones captured here, which were, as he puts it: "completely, totally, unapologetically and insanely live".
Since I already wrote extensively about Weather Report and their albums, I´ll say only what I find relevant about this specific release. When it was first announced by ColumbiaFind albums on this label I already had some mixed feelings about it. A four CDs worth of previously unreleased material by one of the most popular Jazz / Fusion bands of all times sounds simply too good to be true. When the actual set arrived on my desk, sadly my suspicions turned out to be painfully accurate. Although there are plenty of great moments on these four CDs, the overall result is simply disappointing for many reasons.
Firstly there is the sound quality and the recording quality (i.e. balance, distortion and other aspects of live recordings) which turn out to be a major hindrance when listening to this material. I often say that where there is sublime music, the sound quality is only secondary; sadly this does not seem to help in case of this collection.
Secondly there is nothing here that we haven´t already heard. Of course in case of Jazz every live performance is unique, but often the unique performance can be very similar to other unique performances and as such are of lesser importance. Obviously some performances are less inspired that others, and when looking at an artist´s legacy, I prefer to remember and cherish the most inspired ones. And yes I agree that Pastorius was a Genius, but if I hear one more Pastorius solo I´ll go ballistic.
Thirdly I am always worried about the motivation behind releasing archival material. Was this material released based on its strength, artistic merit and historic importance, or simply to squeeze some more money from the dwindling music buying public in a collapsing music market? I´ll let the listener be the judge of that.
And lastly the collection was released in a completely non-standard packaging (sizewise), somewhere in between the CD and the DVD size. Someone wanted to be creative all of a sudden? We, the oppressed buying public, have to be able to store these artifacts somehow and this one does not fit in the standard CD shelves!
For me Weather Report are a legend and I´d really love to keep it like that. This collection does put a slight dent on the ensemble´s iconic status, as far as I am concerned, which I deeply regret. On the other hand forever, four hours of previously unreleased material by Weather Report is devilishly tempting…
| | Updated: 01/06/2018Posted: 25/12/2015 | CD 4 Mini-Sleeve Recommend To A Friend |
  | WEATHER REPORT ~ WEATHER REPORT
COLUMBIA 468212 (Barcode: 5099746821227) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 1991
1st album by Weather ReportFind albums by this artist, the greatest Fusion band ever, and a pivotal recording, which would change the face of music for generations to come. The core members of Weather Report were Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (saxophones), two prominent members of the 1960s Miles DavisFind albums by this artist ensembles, and a young Czech bass player Miroslav VitousFind albums by this artist (who played with Davis for a brief period of time only). Vitous arrived in the US in 1966 on a Berklee scholarship (like Zawinul almost a decade earlier) but soon after left the school to explore the soaring jazz scene in NY, where he played with Chick CoreaFind albums by this artist, Herbie MannFind albums by this artist, Stan GetzFind albums by this artist and many others. After meeting Zawinul and Shorter the decision was made to start a new group, which would continue the direction set by Davis on his historic In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, based on a collaborative / group improvisation (Davis was moving in the meantime into a more funk oriented period). To complete the group they drafted another ex-Davis musician, the Brazilian percussionist Airto MoreiraFind albums by this artist and a young drummer Alphonse MouzonFind albums by this artist. The debut album, recorded soon after the band was formed, reveals with full force the extraordinary rapport the members of the group established immediately, transcending their individual personalities. The music is mostly atmospheric, free form and with subtle melody lines, mostly concealed beneath the improvisations. Thus began a journey, which lasted for over 15 years, which would place Weather Report on the forefront on contemporary music and create a model followed by countless jazz and fusion musicians all over the world to this very day. Although the group would undergo multiple personnel changes and stylistic swings, their innovative, groundbreaking and often prophetic leadership would remain unchallenged. In retrospect it’s interesting to see that something, which is considered a core of American culture, was in fact created by a group in which American born musicians were in fact a minority, with Zawinul and Vitous coming from Europe and Moreira from Brazil. It can be also considered as foretelling, since future Weather Report would be one of the first bands to include World Music elements into fusion. This is monumental stuff, absolutely essential listening and a historical document of great importance.
| | | CD 1 Remastered Essential Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ LIVE IN NEW YORK 1969
HI HAT 3084 (Barcode: 5297961308411) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2017
This is a live recording by the legendary pioneering Jazz-Rock Fusion trio Tony Williams LifetimeFind albums by this artist, founded by American drummer Tony WilliamsFind albums by this artist and including also organist Larry YoungFind albums by this artist and British guitarist John McLaughlinFind albums by this artist. It presents some of the material that was released on the trio´s debut album "Emergency!Find albums with this title" and some material from their second album "Turn It OverFind albums with this title", which was recorded and released after this concert was recorded with the British bassist Jack Bruce as a fourth member of Lifetime.
The music is of course absolutely stunning, light-years ahead of its time, presenting a futuristic amalgam of Avant-Garde Rock, Jazz and Improvised Music, with a heavy, muddy sound dominating the proceedings kicked forward by Williams´ hyper energetic drumming. Although this music is often considered as some of the most important early Jazz-Rock Fusion, it was in fact more daring and advanced that most of the genre´s output that followed.
McLaughlin was of course exposed to the true Jazz-Rock Fusion cradle at least five or so years earlier, when he was a member of the Graham Bond QuartetFind albums by this artist, which is where this genre was born. His remarkable performances here are simply blood-curdling.
The trio´s genesis is of course connected to the association of its members with Miles DavisFind albums by this artist and his Fusion period, which culminated with the recording of the iconic "Bitches BrewFind albums with this title" album. Lifetime was only one of several iconic groups born from musicians playing with Miles at the time, such as Weather ReportFind albums by this artist and Mahavishnu OrchestraFind albums by this artist.
Although the sound of this recording is not ideal, neither is the sound of the studio recorded "Emergency!", and considering the rarity and the importance of the music this is a must for Tony Williams Lifetime fans and followers of Fusion history!
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 24/05/2019Posted: 24/05/2019 | CD 1 Remastered Recommend To A Friend |
  | ZAWINUL SYNDICATE ~ BLACK WATER / LOST TRIBES
BGO 1417 (Barcode: 5017261214171) ~ AUSTRIA ~ Jazz-Rock-World Fusion
Recorded: 1989 - 1992 Released: 2020
This is a reissue of the second and third albums released on the ColumbiaFind albums on this label label by The Zawinul SyndicateFind albums by this artist, the ensemble led by Austrian keyboardist / composer Joe ZawinulFind albums by this artist, following the cessation of the legendary Weather ReportFind albums by this artist. The ensemble continued the musical path of the late period Weather Report, mixing Jazz-Rock Fusion with World Music and Pop elements. Veteran Zawinul was supported by much younger American musicians and the lineup of the ensemble changed over time several times.
"Black WaterFind albums with this title", released in 1989, features guitarist Scott HendersonFind albums by this artist, bassist Gerald VeasleyFind albums by this artist, drummer Cornell RochesterFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist, with occasional vocal parts by Lynne Fiddmont-LinseyFind albums by this artist and other vocalists. The album presents nine tracks, seven of which are original compositions by Zawinul and two are arrangements by compositions by Thelonious MonkFind albums by this artist.
"Lost TribesFind albums with this title", released in 1992, features new members: guitarist Randy BernsenFind albums by this artist, drummer Mike BakerFind albums by this artist and percussionist Bobby Thomas, Jr.Find albums by this artist, with Veasley on bass but also playing keyboards alongside the leader. The album presents ten original compositions, nine by Zawinul and one by Veasley.
Following the third album Zawinul and his ensemble was dropped by Columbia and recorded a few additional albums on small independent labels until his death at the age of 75 in 2007.
These two albums perfectly reflect Zawinul´s genius as a composer and performer and his everlasting search for new forms of expression and his exploration of worldwide influences. In retrospect this music sounds significantly better than how it appeared at the time of its release, dismissed by critics and fans as way to commercial. But in truth it sounds today quite visionary, especially in comparison to what people call music today. The ensemble was a first rate live act, which I was lucky to catch several times, and managed to restore similar energies as live shows by Weather Report.
Considering that the original copies of these two albums are quite difficult to find, this remastered reissue is a true Godsend. Wholeheartedly recommended!
| | Updated: 11/09/2020Posted: 11/09/2020 | CD 1 Slipcase Remastered Recommend To A Friend |
  | JOE ZAWINUL ~ BROWN STREET
INTUITION 3450 (Barcode: 750447345027) ~ AUSTRIA ~ Jazz-Rock-World Fusion
Recorded: 2005 Released: 2006
This is an album by Austrian Jazz keyboardist / composer / bandleader Joe ZawinulFind albums by this artist, recorded live with a superb rhythm section comprising of American bassist Victor BaileyFind albums by this artist, (Peruvian born) percussionist Alex AcunaFind albums by this artist and drummer Nathaniel TownsleyFind albums by this artist and the great German WDR Big BandFind albums by this artist. The 2CD album presents ten original compositions, all by Zawinul, which span his entire career from his stint with Miles DavisFind albums by this artist and his bands Weather ReportFind albums by this artist and Zawinul SyndicateFind albums by this artist. Following his return to Austria Zawinul opened a club in Vienna’s Hilton hotel called Zawinul’s Birdland, which is where this music was recorded in October 2005. This is one of the last recordings by Zawinul before his untimely death in 2007.
The music is a brilliant mixture of Jazz-World Fusion and Big Band Jazz and pays a great tribute to Zawinul’s compositional genius, in addition to his unparalleled keyboard magic. The Big Band arrangements are absolutely amazing, as are the performances, which makes the fact that these compositions have been recorded before irrelevant, as this new attire makes them sound completely fresh and worth being rediscovered. There is not one dull moment on this album and the soaring music is worth its weight in gold.
Overall, this album is full of wonderful music, brilliant performances and innovative Big Band arrangements, which should leave no true Jazz fan indifferent. For Zawinul fans and his many followers around the world this is an absolute must!
| | Updated: 31/08/2021Posted: 31/08/2021 | CD 6 Digipak Recommend To A Friend |
  | JOE ZAWINUL ~ THE RISE & FALL OF THE THIRD STREAM / MONEY IN THE POCKET
RHINO 71675 (Barcode: 081227167523) ~ AUSTRIA ~ Jazz
Recorded: 1965 - 1967 Released: 1994
Joe ZawinulFind albums by this artist arrived in the US in 1958, after being one of the first European musicians to win a scholarship to Berklee, but he left the school almost immediately and became active on the US jazz scene as pianist, arranger and composer. He played with Maynard FergusonFind albums by this artist, Slide HamptonFind albums by this artist and Dinah WashingtonFind albums by this artist before landing on the piano chair with Cannonball AdderleyFind albums by this artist’s quintet, where he stayed for 9 years (1961-1969). Towards the end of his Adderley days Zawinul played for almost 2 years (1969-1970) with Miles DavisFind albums by this artist, participating in the seminal recordings Miles made at that period.
In 1970 Zawinul formed the legendary Weather ReportFind albums by this artist, which would revolutionize the jazz and fusion genres and continue (in a slightly different direction) the pioneering breakthroughs made by Davis. Over the years Zawinul recorded only three albums as a leader (on AtlanticFind albums on this label and VortexFind albums on this label), two of which are included here (The eponymous album from 1969 was really the starting point for Weather Report). Money In The PocketFind albums with this title, recorded in 1965, finds him in a setting similar to his Adderley’s quintet gig both musically and personally. He uses the quintet’s bass player (Sam JonesFind albums by this artist) and drummer (Louis HayesFind albums by this artist) and adds three excellent horn players: Blue MitchellFind albums by this artist (trumpet), Joe HendersonFind albums by this artist (tenor sax) and Pepper AdamsFind albums by this artist (baritone sax). The sextet plays a great set of bebop material, including mostly original material by Zawinul, Jones and Henderson and two standards. Zawinul’s elegant and soulful piano playing sets a firm basis for the music’s graceful flow.
The Rise & Fall Of The Third StreamFind albums with this title, recorded in 1967, is a completely different album and a most ambitious and pioneering jazz venture for the time. It involves a meeting between the American jazz tradition and the European classical tradition, but as the title suggests it was meant to be a new kind of synthesis to the one attempted earlier in the US by Gunther SchullerFind albums by this artist and named “The Third Stream”, which seemed to be forced and artificial rather than natural. A meeting between Zawinul and American classical composer William FisherFind albums by this artist led to the two of them working together in an attempt to create a natural synthesis of the two musical worlds. The project involved a jazz ensemble and a string quartet, playing music composed and arranged by Fisher. The jazz ensemble includes Zawinul on acoustic and electric piano, Jimmy OwensFind albums by this artist on trumpet, Richard DavisFind albums by this artist on bass, Roy McCurdyFind albums by this artist and Freddie WaitsFind albums by this artist on drums, Warren SmithFind albums by this artist on percussion and Fisher on tenor sax. The result is a stunning piece of music, a completely new and previously attempted kind of musical vista.
In retrospect one can of course hear the seeds of what Zawinul will be doing just a couple of years later with Davis and then Weather Report. Although sadly overlooked and rarely mentioned, this is a seminal album in every respect and surely ahead of its time in every respect. For the intelligent jazz lover, interested in the forces that forged the jazz revolution of the late 1960s this is an absolute must!
| | Updated: 09/01/2025Posted: | CD 1 Remastered Recommend To A Friend |
  | JOE ZAWINUL ~ ZAWINUL
ATLANTIC 81375 (Barcode: 075678137525) ~ AUSTRIA ~ Jazz-Rock Fusion
Recorded: 1970 Released: 1994
This sadly overlooked and almost forgotten masterpiece by Joe ZawinulFind albums by this artist is one of the most pivotal recordings of the emerging Jazz-Rock Fusion movement. Following Zawinul’s stint with Miles DavisFind albums by this artist (with whom he recorded the timeless masterpiece In A Silent WayFind albums with this title), he was looking for a new environment to express his unique music vision, which combined his European classical music heritage and the American jazz tradition, spiced by the funky and rock rhythmic patterns. His vision was to be realized soon, when the greatest Fusion group of all times – Weather ReportFind albums by this artist – was formed just weeks after this album was recorded.
In fact this album could (or rather should) be considered the first Weather Report album for several reasons: two soon to be Weather Report founding members – Miroslav VitousFind albums by this artist (bass) and Wayne ShorterFind albums by this artist (saxophone) take part in these sessions and the musical direction of the future group is basically all present here already. The main difference is that Zawinul decided to invite his ex-Davis partner Herbie Hancock to play along with him on this album, making it a double keyboards affair. The effect of two exceptional keyboards players soloing in tandem and in parallel creates a magic atmosphere, reminiscent of course of the Davis recordings. Other prominent musicians taking part in these sessions include the great Wood ShawFind albums by this artist on trumpet, Walter BookerFind albums by this artist on bass, Joe ChambersFind albums by this artist and Billy HartFind albums by this artist on drums, etc.
All the performances are of course absolutely brilliant, with Vitous contributing some superb bow solos, which compliment the music perfectly. I have no idea why this album is not given its proper importance as a true classic, but in my book this is an absolutely essential piece of music.
| | Updated: 31/08/2021Posted: | CD 1 Essential Recommend To A Friend |
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