Record Reviews
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  | STAN GETZ ~ THE BOSSA NOVA ALBUMS VERVE 754969 (Barcode: 602517549692) ~ USA ~ Jazz-World Fusion Recorded: 1962 - 1963 Released: 2008
The Brazilian musical gift to the world – the Bossa Nova – is celebrating its 50th Anniversary, so it’s only natural to take a look at some classic recordings, which popularized the genre outside of its birthplace, namely the legendary Stan GetzFind albums by this artist recordings, which created a Bossa Nova craze in the US. Saxophonist Stan Getz was already an established Jazz player at the time these timeless albums were recorded, but his pioneering work with Brazilian musicians was a bold step, very unusual for the conservative US Jazz community. Although accused of commercialism and “selling out” by many of his peers and music critics, the fact that this music became so immensely popular with Jazz fans and even many non-Jazz listeners, has everything to do with the quality of the music, rather than the its accessibility. After all the Bossa Nova’s inherent beauty and mesmerizing rhythm are addictive and quite irresistible and the way Getz immersed himself totally in the music, creating a perfect amalgam of Jazz and the Brazilian music (a superb early example of Jazz-World Fusion) was phenomenal. Add to this the incredible tone of his saxophone, lush and clear, sweet as honey and yet highly intelligent and often innovative musically, and you get some classic music, which sounds forever fresh and moving, even if you heard some if it countless times before. This beautiful Box Set includes the five Bossa Nova albums Getz recorded for Verve in 1962 and 1963: “Jazz SambaFind albums with this title”, “Big Band Bossa NovaFind albums with this title”, “Jazz Samba Encore!Find albums with this title”, “Getz / GilbertoFind albums with this title” and “Getz / AlmeidaFind albums with this title”. Of these five albums, four are small combo recordings, where Getz plays opposite a guitarist: Charlie ByrdFind albums by this artist, Luiz BonfaFind albums by this artist, Joao GilbertoFind albums by this artist and Laurindo AlmeidaFind albums by this artist, respectively. The big band album features a large orchestra (with some of the best Jazz players of the time), conducted by Gary McFarlandFind albums by this artist, who also arranged the music. The legendary producer Creed TaylorFind albums by this artist produced all the albums. A few vocal tracks appear here, including the everlasting Astrud GilbertoFind albums by this artist‘s “The Girl From Ipanema”. In the 45 years that passed since these sessions were recorded, the music lost absolutely nothing of its charm and beauty and I still very much a source of great musical pleasure. Don’t get fooled by people, who label this music commercial or “sentimental”, this is essential stuff, which will outlast its critics.
| Updated: 26/01/2019Posted: | CD 5 Digipak Box Set Remastered Essential Recommend To A Friend |
  | STAN GETZ ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION SONY 886978805829 (Barcode: 886978805829) ~ USA ~ Jazz Recorded: 1972 - 1979 Released: 2011
With a career spanning half a century American saxophonist Stan GetzFind albums by this artist became one of the undying Jazz icons, making many milestone contributions to the development of the Jazz art form. He was probably one of the most versatile Jazz figures, associated with such diverse Jazz genres as Bebop, Cool, Bossa Nova and Jazz-Rock Fusion. His extensive recorded legacy includes many classic Jazz albums, which are considered timeless and are listened to today.
Getz´s most popular albums are those recorded during his stint with the VerveFind albums on this label label (1951–1972), but his albums recorded for and released on ColumbiaFind albums on this label in the 1970s, although criminally less known, are in fact some of his best ever and surely constitute the most diverse output created by one artist in a period of just several years, probably due to the complete artistic freedom and self-production rights he was awarded by Columbia. A total of seven albums were released on Columbia, spanning a wide artistic spectrum and all absolutely brilliant.
The set opens with the marvelous "Captain MarvelFind albums with this title" album, recorded with pianist Chick CoreaFind albums by this artist (who wrote almost all the music on that album), bassist Stanley ClarkeFind albums by this artist, drummer Tony WilliamsFind albums by this artist and percussionist Airto MoreiraFind albums by this artist. This album was recorded just a month after the recording of the debut eponymous album by the newly founded Return To ForeverFind albums by this artist. It included some of the music already recorded on that debut album and other music included later on the second Return To Forever album called "Light As A FeatherFind albums with this title". This is definitely one of the most memorable early Fusion recordings.
Next comes the reunion between Getz and the Brazilian guitarist / composer Joao GilbertoFind albums by this artist ("The Best Of Two WorldsFind albums with this title"), returning to the Jazz / Bossa Nova style, which a decade earlier pushed Getz to the center of fame and popularity as a result of the commercial and artistic success of legendary early Getz / Gilberto albums.
Then there is the beautiful collaboration with the legendary vocalist / pianist / composer Jimmie RowlesFind albums by this artist ("The PeacocksFind albums with this title"), a straight-forward quartet date ("The MasterFind albums with this title"), another great Fusion album ("Another WorldFind albums with this title") with keyboardist Andy LaverneFind albums by this artist, an album of Lalo ShifrinFind albums by this artist´s compositions ("Children Of The WorldFind albums with this title") and finally a soundtrack album ("Forest EyesFind albums with this title") recorded in Holland with excellent Dutch musicians.
The Box Set also includes a bonus CD comprising of live recordings by Getz, compiled from different albums and informative liner notes. All albums are remastered and include bonus tracks. Together this is one of the most fascinating collections of music, simply exploding with musical genius and incredible performances. It is an essential document of what intelligent and open minded music is all about and an essential part of the Jazz legacy. Not to be missed under any circumstances!
| Updated: 26/01/2019Posted: | CD 8 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | WANDA WARSKA ~ DOMOWE PIOSENKI POLSKIE RADIO 1984-1985 (Barcode: 5907812249847) ~ POLAND ~ Jazz & Poetry Recorded: 1964 - 2015 Released: 2016
This is a phenomenal collection of radio recordings by the iconic Polish Jazz vocalist Wanda WarskaFind albums by this artist, the wife of the Godfather of Polish Jazz, pianist / trumpeter / trombonist / composer / arranger / conductor / bandleader Andrzej KurylewiczFind albums by this artist. In retrospect, considering the criminally limited recorded legacy by Warska, in spite of her status and immense talent, she was perhaps overshadowed by the colossal figure of her husband and perhaps decided to support his career rather than develop her own. Whatever the reasons might have been, there is almost nothing available on the Polish music market that reflects her incredible artistry and this collection is a most welcome, albeit much belated, tribute to this Wonder Women!
This 2CD album presents thirty seven stunning songs, all of which have two things in common: Warska sings them all and she wrote the lyrics to all of them, unveiling a part of her creative nature less know to the public. As if this wasn´t impressive enough, she also composed twenty four of these songs. Those she did not composed are mostly by Brazilian composers: Antonio Carlos JobimFind albums by this artist, Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist and Joao GilbertoFind albums by this artist, the Godfathers of Bossa Nova and modern Brazilian music (total nine songs). Warska started her career as a lyricist in 1964, when she translated into Polish the a/m Bossa Nova songs, which swept the Polish scene as they did all over the world at the time. The remaining four songs come from other sources and interestingly none of the songs on this album were composed by Kurylewicz.
These songs were recorded during a number of recording sessions as follows: one song was recorded in 1963, five songs were recorded in 1964, seven songs were recorded in 1966, one song was recorded in 1971 and seven songs were recorded in 1972; on all of the above twenty one songs Warska is accompanied by various ensembles led by Kurylewicz, lineups of which are unknown. Thirteen songs were recorded in 2002 and one in 2004 with a quartet which included Kurylewicz on piano, guitarist Marek NapiorkowskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. Two more songs were recorded in 2015 (after the passing of Kurylewicz in 2007) with a trio featuring pianist Andrzej JagodzinskiFind albums by this artist, Napiorkowski and Panta.
The songs composed by Warska are all pearls of the Polish Jazz & Poetry idiom, full of that heartbreaking lyricism, Slavic melancholy and beautiful melodies, that only Poles are capable of weaving. Warska´s interpretations of these songs are absolutely divine, although she was always the absolute Queen of Cool, playing around with her beautiful voice and using cleverly the idiosyncrasies of the Polish language and diction, but eschewing theatrics and drama. This perfect minimalism is her trademark, and sets her apart from all other Polish Jazz vocalists, regardless of their age.
In truth this album is a wonderful opportunity to compare Warska to her alter ego, the legendary Polish Jazz vocalist Ewa DemarczykFind albums by this artist, who also enjoys an iconic status based mostly on a very limited number of recordings done decades ago. Demarczyk and Warska are the two most important figures of the Polish Jazz vocal artistry, and they both remain unchallenged so far. Demarczyk, the absolute Drama Queen, is the devilish face of Polish Jazz vocals whereas Warska is the absolute angelic face of it. They compliment each other perfectly, like Yin & Yang and a prospect of seeing them both on one stage and / or the possibility of them making an album together gives me the Goosebumps.
As usual in such cases, the lyrical content of this album is sadly limited to those listeners who understand the Polish language, however I´m pretty sure that the beauty and the power of these songs is much stronger than language barriers and all sensitive listeners anywhere on this planet should be able to enjoy this album immensely.
As far as Polish Cultural Heritage is concerned, this is an absolute National Treasure, which deserves to be cherished and studied by young musicians in Poland, first and foremost by vocalists of course. For us, the humble admirers, this is an essential addition to our record collections, no questions asked. We thank you from the bottom of our hearts!
| Updated: 05/05/2016Posted: 05/05/2016 | CD 2 Digipak Remastered Essential Recommend To A Friend |
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