Record Reviews
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  | COMMON BOND ~ RHYTHM OF LIFE
NOT ON LABEL ~ ISRAEL ~ Jazz-World Fusion
Recorded: 2006 Released: 2006
1st album by Israeli ensemble Common BondFind albums by this artist, founded and led by guitarist and composer Kobi ShefiFind albums by this artist. Although founded at the end of the 1990s, the nine-piece band took a long time to mature and develop. They recorded a demo album a few years back, but this is their formal debut release, and as it turns out it was worth waiting for. In many respects this is one of the finest albums ever recorded in this country and it encapsulates the capabilities of the phenomenal new generation of Israeli musicians.
Kobi, who wrote most of the music and the spectacular arrangements on this album, is a seasoned player with solid Jazz background (he was a member of Harold RubinFind albums by this artist’s group ParparFind albums by this artist). Drummer Roni ZadikFind albums by this artist, who is another veteran musician, keeps the music incredibly tight, regardless of the complex rhythmic patterns. All the other players are slightly younger (late 20s / early 30s) with extensive musical education and performing experience.
The surprise of the album is the 19 years old vocalist Marina MaximilianFind albums by this artist (Blumin), born in Ukraine and immigrated to Israel as a child. She is undoubtedly the most original and spectacular Israeli vocalist since Rimona FrancisFind albums by this artist 40 years ago. Her extraordinary technique, range and self-confidence could all be easily mistaken as belonging to a 40 years old veteran superstar.
The band creates an incredible big sound, with intricate brass arrangements and jazzy solos, but the music combines (as the band’s name suggests) the best of Jazz, Fusion, Funk and World Music elements into an amalgam of rare beauty and spectacular effect. Think Blood, Sweat & TearsFind albums by this artist, Tower Of PowerFind albums by this artist and SantanaFind albums by this artist with a dash of Middle Eastern and Balkan melancholy, fronted by a diva. Absolutely stunning!
Since the album was released, Common Bond performed extensively in many countries with enormous success and they are surely destined to go far. Unfortunately Marina left to follow her solo career (after capturing the entire Israeli public through her participation in a TV talent-discovery show), and was replaced by another very talented singer Anat Ben HamoFind albums by this artist. If you wish to explore the wonderful world of new Israeli music – this is the album to start with. You are in for a treat of your (musical) life.
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  | DAVID CROSBY ~ IF I COULD ONLY REMEMBER MY NAME (DELUXE EDITION)
RHINO 081227320423 (Barcode: 081227320423) ~ USA ~ Classic Rock
Recorded: 1970 Released: 2006
This is a reissue of the seminal debut album by legendary American singer / songwriter David CrosbyFind albums by this artist, recorded in the months following the release of Crosby, Stills, Nash & YoungFind albums by this artist album "Déjà VuFind albums with this title", which saw all four members of the group releasing their debut solo albums. The album was recorded in San Francisco and features members of several groups associated with the SF scene at the time, like Jefferson AirplaneFind albums by this artist, Grateful DeadFind albums by this artist and SantanaFind albums by this artist, as well as solo artists like Joni MitchellFind albums by this artist. The combined list of musicians participating on this album reads like the who´s who of American Rock at the time. The original album presented nine original songs by Crosby (one co-written with Nash and Young and one arrangement of a traditional song) and this reissue adds one bonus track, which is an outtake from the original sessions. It also includes a DVD-A with hi-res mixes of the album and some bonus textual material and new liner notes with Crosby´s commentary on the album´s songs.
Of course this album is way beyond just a classic Rock masterpiece from the period when music thrived on Earth – it is a unique symbol of an era. This music symbolizes a generation, a social movement and a state of mind, which includes Flower Power, Psychedelia, Woodstock, Social Awareness and Enlightenment, all happening within a brief period of few years, which was the only Renaissance the American people experienced in their entire history, and which was over before it could achieve anything or change the brutal reality of the Corporate Nation. This music touched millions of people at the time but sadly managed to transfix only a handful of them in the long range, absurdly more outside of the US than Americans themselves.
Musically the album is also a document of the period, when everything was conceivable, allowed and welcomed. The album mixes American Folk, Rock, Psychedelia, Jazz and European Folk influences completely naturally and mostly subconsciously, which creates a unique, one time experience, never to be repeated again. Crosby´s hesitance results in his vocal theatrics and the distinctive way he delivers the lyrics as spoken word rather than singing them at the dramatic peaks of some of the songs. The instrumental accompaniment, which features intensive guitar improvisations in the background, delivered often by more than one guitarist at the same time, is another dimension of this complex and multilayered music. Although the trademark vocal harmonies, which dominate Crosby´s earlier work with The Byrds and Crosby, Stills & Nash, are present here as well, they are definitely not the centerpiece of this album, which offers a much wider musical scope.
The mayhem that dominated Crosby´s personal life in the years that followed the recording of this album had of course major consequences and as a result his next solo album ("Oh Yes I CanFind albums with this title") was released almost twenty years later, when the world was already changed beyond recognition. Crosby still performs and writes songs and his fifth solo album ("LighthouseFind albums with this title") was released recently (2016), but the magic spark glitters mostly in the hearts of those, like myself, who experienced this music in real time.
An anthem of a generation, a bright star in a dark night sky, a sweet memory… whatever one might consider this album to be, it still has everything great music is supposed to have and once you open your heart to it, it will pay back handsomely. The choice is yours!
| | Updated: 11/08/2019Posted: 14/01/2017 | CD+DVD 2 HDCD Remastered Bonus Tracks Essential Recommend To A Friend |
  | HERBIE HANCOCK ~ MWANDISHI
WARNER BROS. 47541 (Barcode: 093624754121) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2001
Following his departure from the Miles DavisFind albums by this artist quintet, Herbie HancockFind albums by this artist established his own sextet, which would serve as his musical vehicle in the next step of his explorations. The sextet included Eddie HendersonFind albums by this artist on trumpet, Benny MaupinFind albums by this artist on bass clarinet and flute, Julian PriesterFind albums by this artist on trombone, Buster WilliamsFind albums by this artist on bass and Billy HartFind albums by this artist on drums.
Hancock recorded three revolutionary and visionary albums with this group, before changing his chameleon-like path again, this time into funk. These three albums were MwandishiFind albums with this title and CrossingsFind albums with this title released on Warner Bros.Find albums on this label and his ColumbiaFind albums on this label debut SextantFind albums by this artist. The extraordinary music present on these albums is the next step in the future of Jazz, the creation of a multi-genre Fusion, which “genetically spliced” Jazz with Rock, Funk and World Music, creating a new musical universe.
In fact one should see these recordings in the right perspective, comparing it to the music Miles Davis was creating (from Bitches BrewFind albums with this title onward) and his disciples: John McLaughlinFind albums by this artist with Mahavishnu OrchestraFind albums by this artist, Joe ZawinulFind albums by this artist and Wayne ShorterFind albums by this artist with Weather ReportFind albums by this artist and Herbie Hancock with his sextet. All this music (created roughly at the same time) falls beautifully into place supplementing the big picture. Of course one should always credit it as much to its wonderfully talented creators as to their Mentor Miles Davis.
The music on Mwandishi is beautifully atmospheric. The unusually (for Jazz) long tracks (one over 21 minutes and the two others over 10 minutes long) leave plenty of space for group improvisation and generous solo space for all the musicians. Hancock sticks to the electric piano, by now mastering the instrument to perfection. He composed two of the tracks and Priester the remaining one. A few guest musicians, including SantanaFind albums by this artist’s percussionist Jose AreasFind albums by this artist and drummer Leon ChanclerFind albums by this artist contribute their input. This music can be heard time after time, revealing new emotions and hidden treasures every time. An essential classic!
| | | CD 1 Digipak Remastered Essential Recommend To A Friend |
  | PALADIN ~ JAZZATTACK
ROCK SYMPHONY 075 (Barcode: 7898217280758) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2002
UK Prog group PaladinFind albums by this artist released two very interesting albums in the early 1970s (the self-titled debut and the second album called Charge!Find albums with this title) and then promptly disappeared form the scene – a fate common to hundreds of Prog bands. In 1996 the band members decided to reissue the two albums on CD and while working on the reissue they discovered some demo tapes recorded before the recording of the debut album. This album includes all of these and some additional previously unreleased material. The music is very jazzy, similar to early instrumental Jazz-Rock, somewhere between Brian AugerFind albums by this artist and SantanaFind albums by this artist. The bonus tracks include vocals. This is one of those lost Prog gems (there must be thousands of those around) to be rediscovered a quarter of a century later – always a joy.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PLOT ~ TIGHTROPE
WHYPLAYJAZZ 023 (Barcode: 4050486940235) ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 2014 Released: 2015
This is the second album by the German trio PlotFind albums by this artist, which consists of saxophonist Sebastian WehleFind albums by this artist, bassist Robert LucaciuFind albums by this artist and drummer Philipp ScholzFind albums by this artist. The album presents nine classis Pop / Rock songs, adapted for a Jazz trio, which include five songs by the BeatlesFind albums by this artist, two by Creedence Clearwater RevivalFind albums by this artist and one each by Led ZeppelinFind albums by this artist and SantanaFind albums by this artist.
The concept is both very familiar and very innovative. Pop / Rock songs have been the subject of Jazzed up interpretations for ages and most Jazz standards originate from Pop songs one way or another. However this trio takes the idea into a new dimension, creating a unique universe, which mixes Punkish nonchalance with highly aesthetic sensibility. The result is a surprising and vibrant musical experience, which catches even experienced listeners completely off guard.
All three members of the trio perform exceedingly well, with Wehle carrying the melody and improvising, Lucaciu supplying the riffs that are the spine of Pop / Rock songs and Scholz taking care of the rhythmic layer. The arrangements are based on minimalism and expression and as a result are able to create a completely nontrivial new interpretation of the familiar material.
There is really no need to say much more about this album except that it is one of the most interesting pieces of music I happened to come across in a long time and an absolute must hear to all true Jazz connoisseurs, especially those who also have an affinity to Pop / Rock music. It also is an example of originality and good taste that should be taught in music schools that today produce mostly clones of a rigid conception conceived ages ago. Additionally the album has a superb sound quality, which adds another reason why it deserves to be a part of every respectable music collection.
Roland SchulzFind albums by this artist, the owner and guru of the WhyPlayJazzFind albums on this label label deserves special merit for releasing this album, as most label owners would have probably considered it as a freak show failing to see how wonderful this experience truly is. Hats off!
| | Updated: 12/06/2016Posted: 12/06/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SANTANA ~ ABRAXAS
COLUMBIA 489543 ~ USA ~ Jazz-Rock Fusion
2nd album from 1970. Continuing the style and direction set by the revolutionary debut album, this is another masterpiece of the genre. The group expands their approach and includes material by other rock icons, especially Peter Green`s Black Magic Women, which will become their anthem for years to come. The bonus tracks include material recorded during their 1st visit to the UK at the Royal Albert Hall.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SANTANA ~ AFRICA SPEAKS
CONCORD 888072090842 (Barcode: 888072090842) ~ USA ~ Jazz-World Fusion
Recorded: 2019 Released: 2019
It is almost exactly fifty years since I´ve heard SantanaFind albums by this artist live for the first time during the Woodstock Festival and it was definitely "love at first sound". Over the years I have kept a close ear down to the Santana ground, following the ups and downs the incredibly talented guitarist / composer / bandleader Carlos SantanaFind albums by this artist and his ever changing ensembles, which produced a vast body of recordings over time. Santana never lost his touch on the guitar and he is still one of the best guitar players around, which nobody can deny. Personally I always preferred the Jazz "days" when Santana explored exotic Jazz-Rock Fusion with some of the top Jazz musicians, like fellow guitarist John McLaughlinFind albums by this artist, but of course many of his later Latin / Pop explorations were also exemplary.
This album finds Carlos Santana coupled with Spanish vocalist / composer / poet BuikaFind albums by this artist (a.k.a. Concha BuikaFind albums by this artist), who sings the lead vocals (in Spanish) on all the tracks, which she wrote the lyrics to. Carlos Santana composed or co-composed the music to all the eleven tracks on the album. The instrumental sound follows the classic Santana pattern with scorching lead guitar, Hammond organ, bass, drums and percussion.
The music, as the album´s title suggests, explores the polyrhythmic African tradition, heavily mixed with Latin and some Jazz influences. It definitely takes time to get into. Santana´s guitar is harsh and rocky, in contrast to his usual fluid and mellow tone, often so harsh that listening to the music becomes very difficult. Buika, who is considered as a talented singer, shouts almost non-stop, in a manner that can hardly be considered as singing, which again adds to the difficulty I experienced while listening to the music, produced by the famous producer Rick RubinFind albums by this artist at his studio. It is definitely quite strange for a producer of such fame to create an almost unlistenable product – perhaps a product of the MP3 aesthetics. I had to take the volume down almost to a whisper while listening to the album to be able to listen to it in its entirety.
Overall this is a very disappointing album and a sad 50th anniversary (and 25th studio album anniversary), which still shows Carlos Santana as a great guitarist, but surrounded by a sonic cacophonic disaster.
| | Updated: 07/07/2019Posted: 07/07/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SANTANA ~ BARBOLETTA
COLUMBIA 474685 (Barcode: 5099747468520) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 Released: 1995
7th album, featuring the SantanaFind albums by this artist Mk. II lineup with some distinguished guests like Brazilian percussionist Airto MoreiraFind albums by this artist and his wife the singer Flora PurimFind albums by this artist, and bass player Stanley ClarkeFind albums by this artist. The great bass player Doug RauchFind albums by this artist, who was responsible for the band’s pulsating rhythms, departed to be replaced by original Santana member David BrownFind albums by this artist. The album has a strong Brazilian feel mainly due to the presence of Airto and Flora and their version of Dorival CaymmiFind albums by this artist’s “Promise Of A Fisherman” is truly wonderful. Santana plays with confidence and his usual flair with Tom CosterFind albums by this artist’s keyboards filling in and him soloing occasionally, mostly on electric piano. This is a great Fusion album, which stands the test of time beautifully. Unfortunately this was the last of the “great” Santana albums. When Santana’s album sales started to show lower then usual figures, ColumbiaFind albums on this label executives pressured Carlos SantanaFind albums by this artist to return to a more commercial output, and he eventually caved in. The remainder of the band’s output, although always full of brilliant moments, was to be haunted of sales potential (rather than musical) considerations. Carlos remains of course one of the greatest guitar players ever and his recorded legacy up to this album is an everlasting testimony to the greatness of the era.
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  | SANTANA ~ CARAVANSERAI
COLUMBIA 511128 (Barcode: 5099751112822) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2003
4th album, which reflects clear change of direction for the band (and the bandleader in particular) and initiating the entrance of SantanaFind albums by this artist into the world of Fusion. Following three phenomenally successful albums and a clearly defined style (perfected by five years of recording and touring) mixing rock with Latin and Jazz rhythms, the band was now in a turmoil, being torn apart by two conflicting tendencies. Some of the band members wished to continue the same path (stylistically) and others (especially Carlos SantanaFind albums by this artist) wanted to move on to the next phase. In the period shortly preceding the recording of this album Carlos was exposed to two new major cultural influences. Fellow guitarists Larry CoryellFind albums by this artist and John McLaughlinFind albums by this artist introduced Carlos to the teachings of Guru Sri ChinmoyFind albums by this artist and he embraced these with passion. Santana’s drummer Michael ShrieveFind albums by this artist inaugurated Carlos into the burgeoning world of (then) contemporary jazz and Fusion of Miles DavisFind albums by this artist, Herbie HancockFind albums by this artist, Weather ReportFind albums by this artist and Mahavishnu OrchestraFind albums by this artist, which he immediately fell in love with. All these new influences pushed Carlos further and further away from the old Santana style into Fusion, which would soon result in the collapse of the original line-up and the creation of a new band. CaravanseraiFind albums with this title is a crossroads album for the band, with several members playing here for the last time. Organist Gregg RolieFind albums by this artist and guitarist Neal SchonFind albums by this artist would leave soon after to form JourneyFind albums by this artist and new members, notably keyboards player Tom CosterFind albums by this artist and bassist Doug RauchFind albums by this artist would join. Since the album includes all of these wonderful players, the resulting music is truly exquisite. The dual lead guitar front line drives the melodic material to stratospheric heights and the expanded percussive rhythm section provides a soaring background. In spite of the “in transition” mood, the albums sounds cohesive and provides an uplifting musical continuum. The album was to be followed shortly by the divine Carlos Santana / John McLaughlin duet album Love, Devotion, SurrenderFind albums with this title and a series of outstanding albums like WelcomeFind albums with this title, IlluminationsFind albums with this title (with Alice ColtraneFind albums by this artist) and LotusFind albums with this title. An absolute classic!
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  | SANTANA ~ LIVE AT THE FILLMORE 1968
COLUMBIA 485106 ~ USA ~ Jazz-Rock Fusion
Released almost 20 years after this music was recorded, this splendid album captures Santana blowing away the audiences at the legendary Fillmore West in San Francisco. This music was captured before the debut album was released and it shows how `together` the band was in every respect and deeply rooted they were in the art of improvasation (best witnessed on the 30+ minutes jam called `Freeway`). Great sound quality and electrifying playing make this an excellent piece of music.
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  | SANTANA ~ LOTUS
COLUMBIA 467943 (Barcode: 5099746794323) ~ USA ~ Jazz-Rock Fusion
Recorded: 1973 Released: 1999
6th album and the first official Santana live album (not counting the Santana / Buddy Miles collaboration from early 1972, which wasn’t a proper Santana album). Recorded in Japan in June of 1973 (before the 5th album - Welcome - was recorded) and released as a massive 3 LPs album (initially in Japan only), it features the new Santana Mk. II as an octet, with core members Tom Coster (keyboards), Doug Rauch (bass) and Michael Shrieve (drums), supported by several musicians added for the Japanese tour: Richard Kermode (keyboards), Leon Thomas (vocals), Armando Peraza (percussion) and Jose Areas (percussion). All these musicians (and a few distinguished guests) were to take part in the recording of Welcome soon after and the tour was an excellent opportunity to fuse, cement and rehearse the line-up. Although Carlos Santana was a transformed musician by the time this music was recorded, leaving the Latin Rock groove behind and stepping full steam ahead into Fusion and Jazz-Rock, playing live before audiences meant to perform the well known and much loved Santana material from the three legendary first albums alongside the new material. As a result, this album presents to the listener an entirely new outlook at the early Santana material, performed here with a much jazzier edge, creating Fusion per excellence. Carlos plays wonderfully, with his usual melodic feel, but improvises more, which is of course all for the better. The two keyboards players provide the band with a massive sound, with Coster soloing often in Chick Corea’s fashion. The expanded rhythm section is busy at all times driving the music forward. In short, this is everything a Fusion fan might wish to find in an album – over two solid hours of musical bliss, with great tunes and excellent musicianship. Wholeheartedly recommended!
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  | SANTANA ~ SANTANA
COLUMBIA 489542 ~ USA ~ Jazz-Rock Fusion
1st album from 1969 by this sensational group led by guitarist Carlos Santana. Their elecrifying set at the Woodstock Festival (which is included here as bonus tracks) brought them fame even before the debut album was released later in the year. The unique combination of latin rhythms, rock and jazzy improvisations made Santana one of the best and most successful groups in the 70`s and the music stands the test of time formidably.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SANTANA ~ SANTANA (III)
COLUMBIA 489544 ~ USA ~ Jazz-Rock Fusion
3rd album from 1971 and the last album by the original `Woodstock` line-up. After scoring immediate success and immense popularity with their first 2 albums, the group (and maily Carlos) decide to move into more challenging and jazz oriented material, placing them firmly in the early Fusion genre. This direction will be expanded even more on the next albums.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SANTANA ~ SANTANA (LEGACY EDITION)
COLUMBIA 90272 (Barcode: 827969027226) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2004
1st album by the sensational group SantanaFind albums by this artist led by guitarist Carlos SantanaFind albums by this artist. Their elecrifying set at the Woodstock Festival brought them fame even before the debut album was released later in the year. The unique combination of latin rhythms, rock and jazzy improvisations made Santana one of the best and most successful groups in the 70`s and the music stands the test of time formidably. This beautiful edition includes the complete Woodstock performance as well as outtakes from the album session, which see the light of day here for the first time ever. Absolutelly Essential!
| | | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | SANTANA ~ SANTANA IV
SONY 696859969492 (Barcode: 696859969492) ~ USA ~ Classic Rock
Recorded: 2014 - 2015 Released: 2016
This is not a "lost" unreleased album by SantanaFind albums by this artist, one of the greatest and most inventive Rock bands in the history of modern music; this is the reunion album which assembles five of the original members of the band, who participated in the recording of Santana´s third album: guitarists Carlos SantanaFind albums by this artist and Neal SchonFind albums by this artist, keyboardist Gregg RolieFind albums by this artist, drummer Michael ShrieveFind albums by this artist and percussionist Michael CarabelloFind albums by this artist. The band is further enhanced by the presence of bassist Benny RietveldFind albums by this artist and percussionist Karl PerazzoFind albums by this artist, both members of the current incarnation of the band. The album presents sixteen new songs, which were written by the band members over a period of two years.
Reunion albums are very perilous endeavors and the fact that this album is overall quite excellent is a true miracle. During the forty five years that passed between the release of Santana III and Santana IV, the musical world went through so many changes (all for the worse of course) that the sheer audacity of the band to ignore the odds and try to make an about-turn and create an album that continues the music the band played then is staggering. And yet, to a large extend they succeeded to accomplish the impossible and the music on this album is instantly recognizable as Santana circa early 1970s or at least originating in that period. After all Santana invented Latin Rock and over time no other band made any significant contribution to that genre or surpassed Santana´s abilities.
Of course not everything is perfect here: the material displays certain ups and downs and is not exactly in par with the tunes from the past. The vocals are somewhat trivial, which worked fine with the spontaneity of the original albums, but is not acceptable any more. The biggest problems lay within the production aspects of the album: the sound is way too sharp and dry and the mix is uneven and often hides instruments, especially the guitars, beneath the percussion racket. Rather than going for the contemporary sound this album would have benefited considerably from using a "retro" sound, emphasizing the continuity effect.
But all criticism aside, this is an ass-kicking album, which offers one and a quarter of an hour of genuine Rock, which very few other bands today are able even to come close to. So this, the twenty-third studio album by Santana, is definitely a most welcome rejuvenation effort, which is an absolute delight to be listened to, especially in comparison to the usual toxic waste the musical industry spews out every day. Hasta siempre amigos!
| | Updated: 18/07/2016Posted: 18/07/2016 | CD 1 Recommend To A Friend |
  | SANTANA ~ SUPERNATURAL LIVE (DVD)
GAMEMANIA 21 ~ USA ~ Classic Rock
This is a 2000 recording of Carlos Santana and his band with many distinguished guests, such as Wyne Shorter. Age seems to nothing to Carlos, as his playing is superb as always and his energy unexhausted. In addition to the concert this DVD includes some great clips, interviews and behind the scenes footage. Dolby Digital 5.1 Surround Sound, 88 minutes.
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  | CARLOS SANTANA ~ ORIGINAL ALBUM CLASSICS
SONY 886976260620 (Barcode: 886976260620) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 - 1980 Released: 2010
This Box Set collects reissues of three studio albums by the iconic American guitarist / composer / bandleader Carlos SantanaFind albums by this artist, originally released on the ColumbiaFind albums on this label label between 1974 and 1980. They are: “IlluminationsFind albums with this title” (1974), “Oneness: Silver Dreams - Golden RealtyFind albums with this title” (1979) and “The Swing Of DelightFind albums with this title” (1980). All three were released under Santana’s Sanskrit name Devadip Carlos SantanaFind albums by this artist given to him by Sri ChinmoyFind albums by this artist. These three albums followed Carlos Santana’s debut solo album recorded in collaboration with guitarist John McLaughlinFind albums by this artist entitled “Love Devotion SurrenderFind albums with this title” (1973).
“Illuminations” is a collaboration with pianist / harpist Alice ColtraneFind albums by this artist, the wife of John ColtraneFind albums by this artist. SantanaFind albums by this artist (the group) keyboardist Tom CosterFind albums by this artist and percussionist Armando PerazaFind albums by this artist play on the album and Coster also co-composed three of the tracks. Jazz musicians: bassist Dave HollandFind albums by this artist, drummer Jack DeJohnetteFind albums by this artist and several others take part in the recording, as well as a large string section conducted by Alice Coltrane, who wrote the arrangements and co-composed one the tracks. A short chant by Chinmoy is the album’s opening track.
“Oneness: Silver Dreams - Golden Realty” presents fifteen relatively short compositions, most composed by Carlos Santana and is performed by a large group of musicians, including many Santana (the group) members. The first six tracks were recorded live and the rest were recorded in the studio.
“The Swing Of Delight”, originally a double LP, presents nine compositions performed by a large group of top Jazz musicians, including Wayne ShorterFind albums by this artist, Herbie HancockFind albums by this artist, Ron CarterFind albums by this artist, Tony WilliamsFind albums by this artist and many others.
These three albums together with the a.m. “Love Devotion Surrender” album present some of the most spiritual and deeply Jazz influenced music that Carlos Santana created during his long-lasting career. The mixture of Indian spirituality, which he shared with many Jazz musicians at the time, and extensive / hypnotic Jazz improvisations are in retrospect some of his best achievements, and deserve to be cherished and remembered.
Side Note
The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty.
The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations.
In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!
| | Updated: 13/09/2021Posted: 13/09/2021 | CD 3 Mini-Sleeve Box Set Recommend To A Friend |
  | CARLOS SANTANA / JOHN MCLAUGHLIN ~ LOVE DEVOTION SURRENDER
COLUMBIA 63593 (Barcode: 074646359327) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2003
This is the most quintessential Fusion album of all times. Although sadly neglected and almost forgotten (both by critics and listeners) over the years, it stands out as a beacon of musical enlightenment for posterity. The album came to be as a result of many parallel events and personal / musical paths crossings. Carlos SantanaFind albums by this artist and John McLaughlinFind albums by this artist became close after becoming disciples of Guru Sri Chinmoy. Although they were both aware of each other’s work before this musical cooperation, they operated in quite separate musical areas. McLaughlin at this point had already a glorious career stretch behind him with his pioneering work on the UK Jazz-Rock scene, his revolutionary work with Miles DavisFind albums by this artist, the visionary contributions in the Tony WilliamsFind albums by this artist LifetimeFind albums by this artist and of course his brilliant Mahavishnu OrchestraFind albums by this artist output. Santana’s roots were deep into Latin music and rock, but he was rapidly transforming his musical focus into jazz and Fusion. Influenced by his band’s drummer Michael ShrieveFind albums by this artist, who was a jazz buff, Carlos discovered a new musical world and was swallowing everything he could lay his ears on. This included the works of Mahavishnu Orchestra, of which he was a devoted fan, but also the work of Miles Davis and John ColtraneFind albums by this artist. The actual get together was most probably orchestrated by ColumbiaFind albums on this label’s chief Clive DavisFind albums by this artist (both Santana and Mahavishnu Orchestra were signed by Columbia Records), suggesting a John Coltrane tribute album featuring both guitarists. The album was recorded almost immediately after Santana finished recording the pivotal CaravanseraiFind albums with this title album, which marked a series of dramatic changes both in the band’s musical direction (a move towards jazz and Fusion) and personnel changes (the forming of Santana Mk. II). A meeting of two great talents is always a dangerous affair, and this one could have proven either disastrous or absolutely divine – fortunately the latter did happen. The reason it did turn out to be such a success is twofold: First the musicians truly loved Coltrane’s music and felt the spiritual side of it (Coltrane went through a process of soul searching and seeking enlightenment in Eastern beliefs as well). Coltrane’s “A Love Supreme” is really a musical mantra very similar to a Hindu chant, which of course is as much a spiritual music as it ever gets. The beautiful “Naima” (the other Coltrane composition featured here) is also deeply spiritual, as are the two McLaughlin’s compositions and the traditional chant, which serves as the base for the remaining track of the album. Having established the musical / spiritual base of the session the rest was up to the participating musicians, which (again) most fortunately turned out to be ideal. Both Santana and McLaughlin brought with them associate musicians – Carlos brought selected members of his band (Armando PerazaFind albums by this artist – congas, Doug RauchFind albums by this artist – bass and Michael Shrive – drums) and John brought Mahavishnu Orchestra members (Billy CobhamFind albums by this artist – drums and Jan HammerFind albums by this artist – drums(!)). Veteran jazz drummer Don AliasFind albums by this artist was also invited, but the greatest and perhaps most crucial role was entrusted upon the organ player Larry YoungFind albums by this artist – John’s former partner in Lifetime. Young provides the foundation and glue, which makes this session work. With two lead guitarists exchanging licks at the speed of light and the super-power expanded rhythm section pulsating mercilessly, this session would have never worked without Young’s brilliant work. He fills the spaces, provides the balance and the sanity, the ground on which the soloist are able to build their sky-high towers. Of course the main attraction is the spectacular work by the two soloists, so different and yet so completely complimentary of each other. Santana’s sublimely melodic feel (truly unparalleled to this very day) and McLaughlin’s extraordinary improvisational abilities just merge into one continuous flow of musical bliss. Their exchanges are in perfect harmony, not competing but supplementing each other – fire and grace incarnate. This remastered edition enhances the originally muddy sound tremendously and the two bonus tracks are priceless. There is nothing but Love of music, Devotion to talent and Surrender to divinity on this album, the Mother of all Fusion albums! Beyond essential!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | CARLOS SANTANA / BUDDY MILES ~ LIVE!
COLUMBIA 478089 (Barcode: 5099747808920) ~ USA ~ Progressive Rock
Recorded: 1972 Released: 1995
By the end of 1971 the "Woodstock Era" version of the group SantanaFind albums by this artist, led by guitarist Carlos SantanaFind albums by this artist, was over and the leader decided to search for a new path for his artistic experimentations, which would bring him much closer to Jazz, Fusion and improvisation in general. After recording three brilliant albums, which defined Latin Rock as a genre, Carlos was looking for new musicians to form the second incarnation of Santana, which would be quite different, as we know in retrospect. In the interim period, which lasted just a few short months, Santana joined forces with drummer Buddy MilesFind albums by this artist (ex-Electric FlagFind albums by this artist, ex-Jimmy HendrixFind albums by this artist) creating a band, which played several live concerts, one of which was recorded for posterity and released as this album. The musicians comprise of several members of Santana, including the young guitarist Neal SchonFind albums by this artist, en extended percussion section with the best Latin players and a brass section. The resulting music, although hectic at times, is a great example of greatly talented musicians in process of searching new ways to mix Rock with the improvisational elements. The expanded improvised piece (almost 25 minutes long, which was side B of the original LP) is the most important and obviously the most advanced achievement of this meeting, sounding absolutely nothing like anything else at the time. In retrospect this stuff still sounds fascinating forty years later. A must to all Santana fans and wholeheartedly recommended!
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  | VARIOUS ARTISTS ~ VIVA CARLOS!: A SUPERNATURAL MARATHON CELEBRATION
MASCOT 7210 (Barcode: 8712725721024) ~ USA ~ Jazz-Rock Fusion
Recorded: 2006 Released: 2006
5th Fusion tribute album produced by Jeff RichmanFind albums by this artist (see the earlier John ColtraneFind albums by this artist, John McLaughlinFind albums by this artist, Miles DavisFind albums by this artist and Steely DanFind albums by this artist Fusion tributes). Sticking to the same formula, the producer sets up a “house band” (this time including Peter WolfFind albums by this artist – keyboards, Abraham LaborielFind albums by this artist – bass, Dave WecklFind albums by this artist – drums and Luis ConteFind albums by this artist – percussion) and matches it with some of the best Fusion guitar players (this time Robben FordFind albums by this artist, Frank GambaleFind albums by this artist, Albert LeeFind albums by this artist, Pat MartinoFind albums by this artist, Mike SternFind albums by this artist and others). As the title suggests, the subject matter this time is the music of Carlos SantanaFind albums by this artist. Since this formula worked out splendidly on the previous four albums, there is no reason to suspect that things would go wrong this time, and indeed they don’t. The only problem might have been the choice of material from the vast SantanaFind albums by this artist repertoire, but fortunately only the best tunes were selected, all of them from his early and most fruitful years. The various guitar players, rather then to imitate Santana’s guitar sound and special technique, play in their own individual way, taking the music places often quite different from the origin. The entire album works out beautifully as a whole and Fusion fans (and guitar freaks) should have a field day with this stuff.
| | Updated: 12/07/2025Posted: | CD 1 Digipak Recommend To A Friend |
  | STOMU YAMASH`TA ~ GO
ESOTERIC 2081 (Barcode: 5013929718128) ~ JAPAN ~ Progressive Rock
Recorded: 1976 Released: 2008
Japanese percussionist / composer Stomu Yamash`taFind albums by this artist settled in England in 1972, after studying music in his native country and later in the USA. He worked mainly as a composer for theatre music, but his signing as a recording artist for the Island label brought his work to the attention of a wide audience following the release of this seminal album – a super project in every sense. "GoFind albums with this title" is a large scale suite, combining many musical elements, from Classical to Jazz, World Music and Rock. For the recording of this project the composer created a true super group, consisting of some of the best musicians on the scene, including British vocalist Steve WinwoodFind albums by this artist (TrafficFind albums by this artist, Blind FaithFind albums by this artist), American drummer Michael ShrieveFind albums by this artist (SantanaFind albums by this artist) and guitarist Al Di MeolaFind albums by this artist (Return To ForeverFind albums by this artist), German keyboardist Klaus SchulzeFind albums by this artist (Tangerine DreamFind albums by this artist) and many others. The orchestral arrangements were written by the wonderful Paul BuckmasterFind albums by this artist. The album is full of brilliant musicianship and the music majestic and mystical, flows serenely engulfing the listener into a trance-like state. In retrospect the entire work is a proud precursor of New Age music, which would erupt on the scene two decades later, but at the time it was innovative and quite daring in its scope, which cased it to be embraced by the Prog fans. Although the album was very successful at the time, it was unavailable on CD for many years and this new remastered edition is a most welcome dream-come-true to many Prog fans.
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  | STOMU YAMASH`TA ~ GO… LIVE FROM PARIS
ESOTERIC 2086 (Barcode: 5013929718623) ~ JAPAN ~ Progressive Rock
Recorded: 1976 Released: 2008
Following the studio recording of the epic work "GoFind albums with this title" by the Japanese percussionist / composer Stomu Yamash`taFind albums by this artist, the same cast of musicians embarked on a tour, performing the music live. The Paris performance was captured on tape and later released as a double LP, released here on single CD. The cast is a true super group, consisting of some of the best musicians on the scene, including British vocalist / keyboardist Steve WinwoodFind albums by this artist (TrafficFind albums by this artist, Blind FaithFind albums by this artist), American drummer Michael ShrieveFind albums by this artist (SantanaFind albums by this artist) and guitarist Al Di MeolaFind albums by this artist (Return To ForeverFind albums by this artist), German keyboardist Klaus SchulzeFind albums by this artist (Tangerine DreamFind albums by this artist) and several other backing musicians. In many respects the live recording is by far superior to the studio version, easily explained by the lack of time limitations and other constrains present in the studio. The soloists (and especially Di Meola, whose playing is truly inspired and Winwood, whose vocals soared that night) can stretch almost at will and considering the strength of the participating musicians they always receive a sympathetic and masterly support. The orchestral arrangements being replaced by synthesizer work also take off some of the studio version rigidity. In short this is one hell of a concert, one of those once-in-a-lifetime special nights. If you like the studio version of "Go", this is a must, if you didn´t, you still might find this to be great after all. Definitely worth trying out!
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