Record Reviews

BOB GLUCK ~ INFINITE SPIRIT: REVISITING MUSIC OF THE MWANDISHI BAND FMR 398 (Barcode: 649849982254) ~ USA ~ Jazz Recorded: 2015 Released: 2016 This is a fascinating album by American pianist / composer / electronic music performer and composer / educator / writer and a former Rabbi Bob GluckFind albums by this artist, recorded in a quartet setting with trumpeter Eddie HendersonFind albums by this artist, bassist Christopher Dean SullivanFind albums by this artist and drummer Billy HartFind albums by this artist, which as the title suggests, revisits the music performed and recorded by the Herbie HancockFind albums by this artist sextet, often called the Mwandishi Band after the title of their seminal album "MwandishiFind albums with this title", the first of three albums the ensemble recorded, which includes also "CrossingsFind albums with this title" and "SextantFind albums with this title". Hancock formed this band in the early 1970s after he left the Miles DavisFind albums by this artist group, where he played for many years. Gluck wrote and published the book entitled "You´ll Know When You Get There: Herbie Hancock And The Mwandishi Band", where he analyzes the music and it´s hardly surprising he also created a musical facet of his fascination with this subject. By drafting two of the original members of the sextet: Henderson and Hart to take part in this project, Gluck is able to get as close to the source of this music as possible, without engaging Hancock himself of course. The album presents just five lengthy pieces, two of which were composed by Hancock, two others by Bennie MaupinFind albums by this artist (one features an introduction composed by Gluck) and just one is an original composition by Sullivan, which means that most of the music originates from the Mwandishi output. The overall modus operandi, i.e. openness, lengthy improvisations, minimalism and introspection, and above all an atmospheric approach to music creation, which of course is a much more European way of doing things, and finally the use of electronics (which on the original recordings was created by Patrick Gleason) lead to what Gluck obviously intended: a revisit of the Mwandishi music, but also a tribute to one of the most fascinating chapters of the American Jazz idiom, and sadly perhaps one of the last contributions to the genre originating on US soil. The music is of course everything one might hope for. Brilliantly performed by all four participants, it flows elegantly and yet also passionately from start to finish, leaving the listener wishing for more when the music is over. Despite their age Henderson and Hart are still very much the Masters they always were, Sullivan provides the anchor for the music with his steady pulsations, and his original composition fits the Mwandishi music ideally. Gluck´s piano and electronics create the frame which defines the melodic and harmonic structures and he wisely eschews imitating Hancock in any way, making his own statements. Overall this is an album which besides presenting some fascinating music has also an educational message and pays tribute to the glorious history of the Jazz idiom. Highly recommended!

Updated: 29/04/2016Posted: 29/04/2016

CD 1 Digipak Recommend To A Friend

HERBIE HANCOCK ~ CROSSINGS WARNER BROS. 47542 (Barcode: 093624754220) ~ USA ~ Jazz-Rock Fusion Recorded: 1972 Released: 2001 CrossingsFind albums with this title was Herbie HancockFind albums by this artist’s last album for Warner Bros.Find albums on this label and the 2nd part of his sextet album trilogy, which started with MwandishiFind albums with this title and continued with SextantFind albums with this title after Hancock switched labels to ColumbiaFind albums on this label. The sextet’s lineup (Eddie HendersonFind albums by this artist on trumpet, Benny MaupinFind albums by this artist on bass clarinet and flute, Julian PriesterFind albums by this artist on trombone, Buster WilliamsFind albums by this artist on bass and Billy HartFind albums by this artist on drums) remained steady for all three albums, which of course contributed to the phenomenal level of interplay they were able to achieve. Musically the album continues the path set by its predecessor, with long (this time the longest track is almost 25 minutes long) atmospheric compositions which allow a lot of space for collective and individual improvisations. Hancock composed the central piece and Maupin the two additional tunes. Hancock, who was always extremely aware of the latest developments on the music scene as well as open-minded, invited the electronic music pioneer Patrick GleasonFind albums by this artist to play the Moog synthesizer on this album, which added a new dimension to the music, which sounds even more contemplative and spiritual. The resulting sound vistas are truly amazing. This is visionary music in every respect, touching the listener on every plane of awareness – esthetic, emotional and intellectual. Another essential classic!

CD 1 Digipak Remastered Essential Recommend To A Friend

HERBIE HANCOCK ~ MWANDISHI WARNER BROS. 47541 (Barcode: 093624754121) ~ USA ~ Jazz-Rock Fusion Recorded: 1971 Released: 2001 Following his departure from the Miles DavisFind albums by this artist quintet, Herbie HancockFind albums by this artist established his own sextet, which would serve as his musical vehicle in the next step of his explorations. The sextet included Eddie HendersonFind albums by this artist on trumpet, Benny MaupinFind albums by this artist on bass clarinet and flute, Julian PriesterFind albums by this artist on trombone, Buster WilliamsFind albums by this artist on bass and Billy HartFind albums by this artist on drums. Hancock recorded three revolutionary and visionary albums with this group, before changing his chameleon-like path again, this time into funk. These three albums were MwandishiFind albums with this title and CrossingsFind albums with this title released on Warner Bros.Find albums on this label and his ColumbiaFind albums on this label debut SextantFind albums by this artist. The extraordinary music present on these albums is the next step in the future of Jazz, the creation of a multi-genre Fusion, which “genetically spliced” Jazz with Rock, Funk and World Music, creating a new musical universe. In fact one should see these recordings in the right perspective, comparing it to the music Miles Davis was creating (from Bitches BrewFind albums with this title onward) and his disciples: John McLaughlinFind albums by this artist with Mahavishnu OrchestraFind albums by this artist, Joe ZawinulFind albums by this artist and Wayne ShorterFind albums by this artist with Weather ReportFind albums by this artist and Herbie Hancock with his sextet. All this music (created roughly at the same time) falls beautifully into place supplementing the big picture. Of course one should always credit it as much to its wonderfully talented creators as to their Mentor Miles Davis. The music on Mwandishi is beautifully atmospheric. The unusually (for Jazz) long tracks (one over 21 minutes and the two others over 10 minutes long) leave plenty of space for group improvisation and generous solo space for all the musicians. Hancock sticks to the electric piano, by now mastering the instrument to perfection. He composed two of the tracks and Priester the remaining one. A few guest musicians, including SantanaFind albums by this artist’s percussionist Jose AreasFind albums by this artist and drummer Leon ChanclerFind albums by this artist contribute their input. This music can be heard time after time, revealing new emotions and hidden treasures every time. An essential classic!

CD 1 Digipak Remastered Essential Recommend To A Friend

HERBIE HANCOCK ~ SEXTANT COLUMBIA 64983 (Barcode: 5099706498322) ~ USA ~ Jazz-Rock Fusion Recorded: 1972 Released: 1998 SextantFind albums with this title was Herbie HancockFind albums by this artist’s debut album for ColumbiaFind albums on this label (an association that would last for three decades) and the 3rd part of his sextet album trilogy, which started with MwandishiFind albums with this title and CrossingsFind albums with this title recorded for Warner Bros.Find albums on this label The sextet’s lineup (Eddie HendersonFind albums by this artist on trumpet, Benny MaupinFind albums by this artist on bass clarinet and flute, Julian PriesterFind albums by this artist on trombone, Buster WilliamsFind albums by this artist on bass and Billy HartFind albums by this artist on drums) remained steady for all three albums, which of course contributed to the phenomenal level of interplay they were able to achieve. Musically the album continues the path set by its predecessors, with long atmospheric compositions, which allow a lot of space for collective and individual improvisations. Hancock composed all the music on this album and again included in the recording the electronic music pioneer Patrick GleasonFind albums by this artist, who plays the Moog synthesizer. The music continues the direction pioneered by Miles DavisFind albums by this artist, with modal compositions and usage of electric instruments, but is spiced it with the addition of African rhythms and funk (to be expanded in the next edition of his group and the recording of the legendary Head HuntersFind albums with this title album), creating a highly expressionist soundscapes of rare beauty. Visionary music and another essential classic!

CD 1 Remastered Essential Recommend To A Friend

BILLY HART ~ ALL OUR REASONS ECM 2248 (Barcode: 602527866314) ~ USA ~ Jazz Recorded: 2011 Released: 2012 This is the debut album on the legendary ECMFind albums on this label label by veteran American drummer / composer Billy HartFind albums by this artist, who is one of the greatest drummers in Jazz history, although he is rarely mentioned by critics. He was a part of many pivotal Jazz recordings over the years with such great musicians as Wes MontgomeryFind albums by this artist, Herbie HancockFind albums by this artist, Stan GetzFind albums by this artist and of course Miles DavisFind albums by this artist. Unfortunately his recordings as a leader are relatively rare. This is the second album by his recent quartet, which includes saxophonist Mark TurnerFind albums by this artist, pianist Ethan IversonFind albums by this artist and bassist Ben StreetFind albums by this artist. Hart, Iverson and Turner all contribute compositions on this album and the quartet performs them with elegance and flair, which is usually identified with European Jazz, which is probably the reason behind ECM´s decision to include this music in their catalogue. This is modern Jazz at its best, firmly based in the tradition and expanding it towards new territory. Beautiful stuff!

CD 1 Slipcase Recommend To A Friend

LEE KONITZ ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1011 (Barcode: 8052405140074) ~ USA ~ Jazz Recorded: 1984 - 1992 Released: 2011 This superb Box Set collects all the albums recorded by the legendary US saxophonist / composer Lee KonitzFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. Konitz needs no introduction to any serious Jazz connoisseur; suffice to say that from the early days with Lennie TristanoFind albums by this artist and than Miles DavisFind albums by this artist to this very day he never stopped developing and astounding his audiences. Being a very prolific musician and bandleader, Konitz recorded a vast number of albums over the years cooperating with the most distinguished Jazz musicians around the globe. His virtuosic sax playing and excellent compositions are always a source of great musical joy. The musicians playing on these five albums include: drummer Billy HartFind albums by this artist, pianist Kenny WernerFind albums by this artist, bassist Ron McClureFind albums by this artist, bassist Marc JohnsonFind albums by this artist, drummer Adam NussbaumFind albums by this artist and many others. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap! Visitors' Comments Christopher  Brice Lovely - led me to areas of Konitz´s work I did not know

Updated: 12/04/2020Posted:

CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend

JOACHIM KUHN ~ NIGHTLINE NEW YORK IN-AKUSTIK 869 (Barcode: 4001985008698) ~ GERMANY ~ Jazz Recorded: 1981 Released: 2000 This is a reissue / remaster of the album by German Jazz pianist / composer / bandleader Joachim KuhnFind albums by this artist, recorded in NY with an all American team, which included saxophonists Michael BreckerFind albums by this artist and Bob MintzerFind albums by this artist, bassist Eddie GomezFind albums by this artist and drummer Billy HartFind albums by this artist. Percussionist Mark NauseefFind albums by this artist guests on two tracks. The album presents five tracks, all composed by Kuhn. The music is a brilliant display of modern Jazz, performed by some of the best American Jazz musicians active at the time, and highly charged by the presence of Kuhn, who is taking both the music and the performances on a completely new lever both energetically and aesthetically. The music is based on solid and beautifully melodic themes, and performed within the standard Jazz framework, but Kuhn’s piano playing is well beyond the ordinary and fills the aural space with incredibly dense arpeggios and sophisticated harmonics. The combined result of the “well behaved” Americans and the “wild” European, who originates from far-out Avant-Garde but proves that he can be seemingly as “tamed” as the best traditionalist, is simply epic. In many respects this album is a classic example of the colossal difference between American and European Jazz, a dissonance which Kuhn manages to put to work together perfectly. In culinary terms it’s a bit like adding pepper to chocolate, which might have been shocking and unthought-of, when proposed for the first time, but soon found many admirers. Overall, although being a rather singular episode in Kuhn’s extraordinary recording legacy, and probably one of his most obscure albums, this is a superb piece of music and a highly educational document of the Euro-American Jazz relations. It is, of course, an absolute must to all serious Jazz lovers.

Updated: 22/02/2025Posted: 22/02/2025

CD 1 Remastered Recommend To A Friend

CHARLES LLOYD ~ ALL MY RELATIONS ECM 1557 (Barcode: 731452734426) ~ USA ~ Jazz Recorded: 1994 Released: 1995 Legendary US saxophonist / composer Charles LloydFind albums by this artist continues his quest, now in the fifth decade of his activity, building up a legendary status as one of the most talented and original Jazz Masters. His accumulative legacy as a recording artist is truly immense, ranging from Bebop to Free, but his unique voicing and extraordinary sensitivity, both as a player and a composer, set him aside from most. Lloyd resumed his recording activity in the late 1980s on the ECMFind albums on this label label, where he released a series of wonderful albums, this one being a prime example of his abilities. The quartet consists of Swedish pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and veteran US drummer Billy HartFind albums by this artist. Together they perform eight original compositions by Lloyd, all of which are truly moving. There is little need to encourage anybody to try this out, as people, who understand Jazz, already are more that convinced. Brilliant stuff!

Updated: 01/06/2018Posted:

CD 1 Recommend To A Friend

CHARLES LLOYD ~ CANTO ECM 1635 (Barcode: 731453734524) ~ USA ~ Jazz Recorded: 1996 Released: 1997 Legendary US saxophonist / composer Charles LloydFind albums by this artist continues his quest, now in the fifth decade of his activity, building up a legendary status as one of the most talented and original Jazz Masters. His accumulative legacy as a recording artist is truly immense, ranging from Bebop to Free, but his unique voicing and extraordinary sensitivity, both as a player and a composer, set him aside from most. Lloyd resumed his recording activity in the late 1980s on the ECMFind albums on this label label, where he released a series of wonderful albums, this one being a prime example of his abilities. The quartet consists of Swedish pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and veteran US drummer Billy HartFind albums by this artist. Together they perform seven original compositions by Lloyd, all of which are truly moving. There is little need to encourage anybody to try this out, as people, who understand Jazz, already are more that convinced. Brilliant stuff!

Updated: 01/06/2018Posted:

CD 1 Slipcase Recommend To A Friend

CHARLES LLOYD ~ THE CALL ECM 1522 (Barcode: 602517799240) ~ USA ~ Jazz Recorded: 1993 Released: 2008 Legendary US saxophonist / composer Charles LloydFind albums by this artist continues his quest, now in the fifth decade of his activity, building up a legendary status as one of the most talented and original Jazz Masters. His accumulative legacy as a recording artist is truly immense, ranging from Bebop to Free, but his unique voicing and extraordinary sensitivity, both as a player and a composer, set him aside from most. Lloyd resumed his recording activity in the late 1980s on the ECMFind albums on this label label, where he released a series of wonderful albums, this one being a prime example of his abilities. The quartet consists of Swedish pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and veteran US drummer Billy HartFind albums by this artist. Together they perform nine original compositions by Lloyd, all of which are truly moving. There is little need to encourage anybody to try this out, as people, who understand Jazz, already are more that convinced. Brilliant stuff!

Updated: 01/06/2018Posted:

CD 1 Mini-Sleeve Recommend To A Friend

BENNIE MAUPIN ~ THE JEWEL IN THE LOTUS ECM 1043 (Barcode: 602517232501) ~ USA ~ Jazz Recorded: 1974 Released: 2007 This great and unfortunately little known album by US reedman Bennie MaupinFind albums by this artist is a superb example of the artistic freedom extended to musicians by the legendary ECMFind albums by this artist label. Maupin is of course known from his input to the revolutionary music recorded by Miles DavisFind albums by this artist and later by the Herbie HancockFind albums by this artist sextet and in fact this album was recorded shortly after the recording of the three so called "MwandishiFind albums with this title" albums and later the immensely successful "Head HuntersFind albums with this title". The core members of Hancock´s sextet are here: Hancock himself on piano and electric piano, Buster WilliamsFind albums by this artist and bass, Billy HartFind albums by this artist on drums, augmented by trumpeter Charles SullivanFind albums by this artist and percussionists Frederic WaitsFind albums by this artist and Bill SummersFind albums by this artist. The music, all composed by Maupin, is deeply meditative and low key, but full of beauty and reflection. There is ample space for improvisation and interplay, all of which is done with great care and restraint, but the overall result aesthetically perfect. Perhaps not an "easy" album to listen to, especially for the first time, but music without challenge is not really worth pursuing, is it?

CD 1 Oversampling Remastered Recommend To A Friend

O`LEARY / STANKO / HART ~ LEVITATION LEO 445 (Barcode: 5024792044528) ~ IRELAND ~ Free Jazz / Improvised Music Recorded: 2000 Released: 2005 This is an album by an international Jazz / Improvised Music trio led by Irish guitarist / composer Mark O`LearyFind albums by this artist with legendary Polish trumpeter Tomasz StankoFind albums by this artist and no less legendary American drummer Billy HartFind albums by this artist. The album presents fourteen original compositions, seven of which are by O`Leary and seven are credited to all three members of the trio. The music, at least in the pieces composed by O`Leary, is based on pre-composed melody lines, which are then expanded by the trio into improvised statements, as appropriate for the Free Jazz / Improvised Music idiom. Since there is very little melodic content per se, the music is mostly about the process of conversation developing between the three musicians. O´Leary uses mostly series of single note barrages and arpeggios, produced by his guitar, which does not employ and electronic devises except for reverb, resulting in very clear and precise statements. His fiery soloing might even appeal to open-minded Fusion fans. Stanko, as usual, uses his "dirty" / hoarse tone, which balances very effectively against the guitar. Hart does everything except playing time, which of course is self explanatory under these circumstances. Overall this is an interesting album of Improvised Music, which includes many excellent statements by the trio members and is especially valuable to the many fans of the late Tomasz Stanko, since this album is rarely mentioned in his discographies. Definitely worth investigating!

Updated: 22/09/2018Posted: 22/09/2018

CD 1 Recommend To A Friend

QUEST ~ REDEMPTION – QUEST LIVE IN EUROPE HATOLOGY 642 (Barcode: 752156064220) ~ USA ~ Jazz Recorded: 2005 Released: 2007 The meeting between saxophonist Dave LiebmanFind albums by this artist and pianist Richie BeirachFind albums by this artist in early 1970s established not only an excellent musical cooperation, as documented by the albums they recorded together, but also a deep personal friendship. Later the pair joined forces with two Jazz giants, bassist George MrazFind albums by this artist and drummer Al FosterFind albums by this artist, forming a quartet, which was named QuestFind albums by this artist, and which recorded the debut album under that name in 1981. When Mraz and Foster left the quartet to pursue other avenues, they were replaced by bassist Ron McClureFind albums by this artist and drummer Billy HartFind albums by this artist and the quartet played on for a few years, but never recorded, eventually falling apart. But good fortune had it to reunite the quartet in 2005 for en European tour, with some gigs being recorded, as heard here. Considering the fact that these are all veteran monster musicians, I suppose it takes no effort to convince anybody that this music is exceptionally good from start to end. This is no nostalgic get together, but a serious blow out of contemporary Jazz by the best players around, so don´t think twice!

CD 1 Mini-Sleeve Oversampling Recommend To A Friend

ZBIGNIEW SEIFERT ~ MAN OF THE LIGHT PROMISING MUSIC 44112 (Barcode: 602527326283) ~ POLAND ~ Jazz Recorded: 1976 Released: 2010 This exceptional album by Polish violin virtuoso / composer Zbigniew SeifertFind albums by this artist was the first major exposure of his talents outside of his motherland. Legendary MPSFind albums on this label producer Joachim BerendtFind albums by this artist, who had close ties to the Polish Jazz scene, was aware of Seifert´s incredible talent and managed to pull off this recording session, bringing on board a superb team of players, which consisted of German pianist Joachim KuhnFind albums by this artist and an American rhythm section: bassist Cecil McBeeFind albums by this artist and drummer Billy HartFind albums by this artist. Dutch pianist Jasper van`t HofFind albums by this artist also participates on one track. Seifert composed all the music on this album, which is a great example of typical Eastern European Jazz, which cleverly combines elements of modern American Jazz, especially that of John ColtraneFind albums by this artist, with Folklore and Classical influences. Seifert´s "obsession" with Coltrane´s music and his improvisational technique are plainly evident, especially during the up-tempo numbers. The album´s title track is dedicated to Coltrane´s pianist McCoy TynerFind albums by this artist. Hearing the album 35 years after it was recorded makes one realize how great music gets better with time, losing absolutely nothing of its initial grandeur. Both Seifert and Kuhn play some incredible solos here and the rhythm section supports them admirably every step of the way. Tragically, just three years after this music was recorded Seifert died, stricken by cancer, before his endless potential was realized and recognized properly. Seifert managed to record several albums in the US before his untimely death, but this album is definitely his most important and most perfect legacy. Absolutely essential! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 08/01/2021Posted:

CD 1 Mini-Sleeve Slipcase Oversampling Remastered Essential Recommend To A Friend

GROVER WASHINGTON, JR. ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION SONY 886979244825 (Barcode: 886979244825) ~ USA ~ Jazz Recorded: 1985 - 1999 Released: 2011 This Box Set includes all the albums released by US saxophonist / composer Grover Washington, Jr.Find albums by this artist on the ColumbiaFind albums on this label label, which spanned the last decade and a half of his life, untimely cut short by his tragic and unexpected death. Washington, primarily known as the Godfather of Smooth Jazz was in fact a gifted Jazz musician with a career spanning almost forty years, which slowly shifted from mainstream Jazz towards Jazz-Funk and Soul-Jazz. He enjoyed immense popularity amongst non-Jazz music lovers, but his true Jazz spirit was always a part of his milieu, especially when examined in retrospect. The Columbia recordings present a wide range of stylistically diverse settings, moving between Funk, Soul-Jazz and mainstream Jazz, which is rarely associated with his legacy. Some superb players took part in these recordings, such as trumpeter Eddie HendersonFind albums by this artist, pianists Herbie HancockFind albums by this artist and Hank JonesFind albums by this artist, bassists Ron CarterFind albums by this artist and George MrazFind albums by this artist, drummer Billy HartFind albums by this artist and many, many more. Washington plays alto, tenor and soprano saxophones with mastery skill and fluency and his improvisational abilities are beyond reproach. Of course many hardcore Jazz listeners will find this music way to "easy going" for their ears, but many will also be surprised by the Artistry Washington presents often on these albums. Listeners, who like the easier side of Jazz, should find this stuff absolutely delightful. Whatever one´s opinion of Washington´s music may be, one must admit that he certainly was one of the most influential musicians in the 1980s and 1990s. This Box Set, with the original albums mini-sleeved and an informational liner notes included is definitely worth investigating.

Updated: 26/01/2019Posted:

CD 9 Mini-Sleeve Box Set Recommend To A Friend

JOE ZAWINUL ~ ZAWINUL ATLANTIC 81375 (Barcode: 075678137525) ~ AUSTRIA ~ Jazz-Rock Fusion Recorded: 1970 Released: 1994 This sadly overlooked and almost forgotten masterpiece by Joe ZawinulFind albums by this artist is one of the most pivotal recordings of the emerging Jazz-Rock Fusion movement. Following Zawinul’s stint with Miles DavisFind albums by this artist (with whom he recorded the timeless masterpiece In A Silent WayFind albums with this title), he was looking for a new environment to express his unique music vision, which combined his European classical music heritage and the American jazz tradition, spiced by the funky and rock rhythmic patterns. His vision was to be realized soon, when the greatest Fusion group of all times – Weather ReportFind albums by this artist – was formed just weeks after this album was recorded. In fact this album could (or rather should) be considered the first Weather Report album for several reasons: two soon to be Weather Report founding members – Miroslav VitousFind albums by this artist (bass) and Wayne ShorterFind albums by this artist (saxophone) take part in these sessions and the musical direction of the future group is basically all present here already. The main difference is that Zawinul decided to invite his ex-Davis partner Herbie Hancock to play along with him on this album, making it a double keyboards affair. The effect of two exceptional keyboards players soloing in tandem and in parallel creates a magic atmosphere, reminiscent of course of the Davis recordings. Other prominent musicians taking part in these sessions include the great Wood ShawFind albums by this artist on trumpet, Walter BookerFind albums by this artist on bass, Joe ChambersFind albums by this artist and Billy HartFind albums by this artist on drums, etc. All the performances are of course absolutely brilliant, with Vitous contributing some superb bow solos, which compliment the music perfectly. I have no idea why this album is not given its proper importance as a true classic, but in my book this is an absolutely essential piece of music.

Updated: 31/08/2021Posted:

CD 1 Essential Recommend To A Friend