Record Reviews

BROTHERHOOD OF BREATH ~ BREMEN TO BRIDGWATER CUNEIFORM 182/183 (Barcode: 045775018225) ~ UK ~ Jazz Recorded: 1971 - 1975 Released: 2004 This albums collects three concerts recorded by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist. The first recording captures the ensemble in its early days (1971) whereas the other two come from four years later (1975), towards the end of the life cycle of the first edition of the band, which came to its end with the death of trumpeter Mongezi FezaFind albums by this artist just a month after the last of these concerts was recorded. The collective lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Radu MalfattiFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist, Elton DeanFind albums by this artist, Bruce GrantFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist and Keith BaileyFind albums by this artist– drums. It is interesting to compare the development of the ensemble over this relatively short time period and see how well integrated musically and spiritually the ensemble really was. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.

CD 2 Recommend To A Friend

BROTHERHOOD OF BREATH ~ ECLIPSE AT DAWN CUNEIFORM 262 (Barcode: 045775026220) ~ UK ~ Jazz Recorded: 1971 Released: 2008 This splendid recording by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist, captures the band at the Berliner Jazztage festival and presents the initial phase in their development as one of the most original and influential bands of the era. The lineup (which kept changing slightly over time) includes: Harry BeckettFind albums by this artist and Marc CharigFind albums by this artist – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums. The combination of Jazz, Free Improvisation and African music intermixed in a unique way creates a vibrant and challenging musical experience, which had no equal at the time. McGregor’s clever compositions are ideal vehicles for the individual and collective improvisations and the energy and fire this band has to offer transcends time and space, making it accessible to every connoisseur of good music on this planet. The music remains as valid and brilliant as it was at the time of the recording and its great to have it commercially released at last. Warmly recommended!

CD 1 Recommend To A Friend

BROTHERHOOD OF BREATH ~ TRAVELLING SOMEWHERE CUNEIFORM 152 (Barcode: 045775015224) ~ UK ~ Jazz Recorded: 1973 Released: 2001 The saga of the British ensemble Brotherhood Of BreathFind albums by this artist and their leader pianist / composer Chris McGregorFind albums by this artist stretches back in time and space to South Africa in the early-1960s, where McGregor founded the first mixed-race Jazz group in the country, the Blue NotesFind albums by this artist. For the Apartheid regime mixed-race groups were hardly a welcome activity and the group suffered many hardships and found it difficult to perform for the white public. In 1964 the group got permission to travel to Europe and eventually arrived in London, where they decided to stay. The Blue Notes played around UK initially as a sextet (McGregor – piano, Dudu PukwanaFind albums by this artist – alto sax, Nick MoyakeFind albums by this artist – tenor sax, Mongezi FezaFind albums by this artist – trumpet, Johnny DyaniFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums) and later as a quintet (after Moyake returned to SA). In spite of the fact that they were one of the most innovative and inspiring Jazz acts at the time, they never achieved proper recognition. The pioneering work of Jazz-World Fusion, with the emphasis on African music, which the group presented, was surely quite ahead of its time. By the early 1970s McGregor managed to form a large ensemble, combining the Blue Notes players with some of the most prominent British Jazz musicians of the time, which was called Brotherhood Of Breath. The resulting ensemble was surely one of the highlights of the British Jazz scene in the early to mid-1970s, offering an incredibly powerful stage act, which included a superb amalgam of modern Jazz, Free, Improvised Music and strong African music influence. The ensemble recorded but a few studio albums, but luckily many of their splendid concerts were recorded by radio stations and festivals, mostly around Europe, where they were always received warmly. This album documents a performance captured by the German Radio Bremen and is a superb example of what they were all about. The lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu Pukwana and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis Moholo – drums. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.

CD 1 Recommend To A Friend

GRAHAM COLLIER ~ DOWN ANOTHER ROAD / SONGS FOR MY FATHER / MOSAICS BGO 767 (Barcode: 5017261207678) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2007 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album collects the three albums Collier recorded for the FontanaFind albums on this label / PhilipsFind albums on this label labels in 1969 / 1970, following his debut recording on DeramFind albums on this label from 1967. He composed all the music presented here (except one tune) and plays bass (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Harry BeckettFind albums by this artist (trumpet), Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Alan WakemanFind albums by this artist, Bob SydorFind albums by this artist, Tony RobertsFind albums by this artist (saxophone), Karl JenkinsFind albums by this artist (oboe), Nick EvansFind albums by this artist, Derek WadsworthFind albums by this artist (trombone), Philip LeeFind albums by this artist (guitar), John TaylorFind albums by this artist, Geoff CastleFind albums by this artist (piano) and John MarshallFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

CD 2 Slipcase Remastered Essential Recommend To A Friend

GRAHAM COLLIER ~ DOWN ANOTHER ROAD @ STOCKHOLM JAZZ DAYS `69 MY ONLY DESIRE 005 (Barcode: 5052442022411) ~ UK ~ Jazz Recorded: 1969 Released: 2023 This is an archival live album by British Jazz bassist / composer / bandleader / educator Graham CollierFind albums by this artist, recorded by the Swedish Radio on August 24, 1969, which presents Collier’s sextet with trumpeter Harry BecketFind albums by this artist, trombonist Nick EvansFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, pianist / oboist Karl JenkinsFind albums by this artist and drummer John MarshallFind albums by this artist. The album presents six original compositions, five by Collier and one by Jenkins, five of which appear on the album “Down Another RoadFind albums with this title”, released a few months earlier. The remaining composition (“Burblings For Bob”) makes here its only appearance on record. The album includes informative liner notes by Collier’s biographer Duncan HeiningFind albums by this artist. Although this was only the second album by Collier, his stylistic direction was already firmly set and represented the new British Jazz, which developed quite independently form the American Jazz tradition. Collier was one of the pioneers of the new direction, which embraced ensemble approach, Free Improvisation in parallel to clearly defined melodic themes, advanced polyrhythmic drumming and some World Music influences. This live recording is quite different in many aspects from the studio recording, and as such is of course invaluable. And of course hearing Graham’s voice introducing the tunes touches many personal memories. The sound quality is excellent and the cooperation between Jon GriffithsFind albums by this artist, My Only DesireFind albums on this label label owner, and the Swedish Radio, is a blessing and offers the British Jazz fans already the third album of previously unheard material, which is absolutely fabulous. Hopefully more such releases will follow suit. A small personal note: one of the tracks present here, called “Aberdeen Angus”, is also present on the Graham Collier’s album “Adam`s MarbleFind albums with this title”, which I released on my JazzisFind albums on this label Records label in 1995, and which is completely different from the version presented here. Overall, this is a superb historical document of the British Jazz scene and an excellent example of some of the most brilliant music created in Britain by the end of the 1960s, which was a true age of discovery and explosive development. Absolutely essential to all British Jazz enthusiasts and record collectors.

Updated: 10/03/2023Posted: 10/03/2023

CD 1 Mini-Sleeve Recommend To A Friend

COMMAND ALL STARS ~ CURIOSITIES 1972 REEL RECORDINGS 010 (Barcode: 676868178023) ~ UK ~ Jazz Recorded: 1972 Released: 2008 This album is a great example of what the Canadian Reel RecordingsFind albums on this label label is all about: unearthing recorded documents of the British Jazz / Avant-Garde scene dating back to the 1960s, which have been so far completely lost and (sadly) often forgotten. Considering the fact that the Golden Decade (1965-1975) was Britain´s most illustrious contribution to music, any recorded document from that period has an immense historical value and therefore the work done by this label is truly a quest worth following. The music contained herein was recorded with the intention to be released as a double album, presenting the Art of spontaneous improvisation, performed by a collective of young (at the time) but experienced British players, who spearheaded the local Free Jazz / Improvised Music scene and certainly deserved the "stardom" status in spite of the oxymoron such epithet might imply: pianist Keith TippettFind albums by this artist, saxophonist Elton DeanFind albums by this artist, trombonist Nick EvansFind albums by this artist, trumpeter Mark CharigFind albums by this artist, bassists Harry MillerFind albums by this artist and Johnny DyaniFind albums by this artist and drummer Keith BaileyFind albums by this artist. These musicians often played with each other in various ensembles, of which they were members, but never collectively as one group, hence the one-time opportunity to hear them improvise collectively is so attractive. Unfortunately, as it often happened at the time, even with Jazz labels as the one for which these recordings were made, the label found this music to be "too much to swallow" and the project was discarded, including whipping out the original master tapes (a crime, without a doubt). Fortunately two copies of the original four reels were recently discovered by Evans and here we are being able to finally listen to this music. The music itself needs little elucidation to people familiar with the recorded output of the protagonists – it is what they always did best, play whatever their hearts dictated at the moment, carefully listening to each other and together creating a whole, which is much bigger than its parts. The album also includes two tracks recorded later the same year (for the BBC? as the recording premises might suggest) by a sextet including Dean, Evans and Charig with guitarist Jeff GreenFind albums by this artist, bassist Neville WhiteheadFind albums by this artist and drummer Louis MoholoFind albums by this artist. This is a true "blast from the past" and an absolute must for any British Jazz / Avant-Garde fan, wholeheartedly recommended!

Updated: 12/04/2019Posted:

CD 1 Digipak Recommend To A Friend

ELTON DEAN ~ THE VORTEX TAPES SLAM 203 (Barcode: 5028386020325) ~ UK ~ Free Jazz / Improvised Music Recorded: 1990 Released: 1992 This is a live album by British Jazz saxophonist / composer Elton DeanFind albums by this artist, recorded at the legendary London’s Vortex club during the five days of the last week of September 1990, each night with a different lineup, four of which are quartets and one is a sextet. The list of the participating musicians reads like the Who’s Who of the British Free Jazz / Improvised Music scene at the time and includes pianists Keith TippettFind albums by this artist and Howard RileyFind albums by this artist, saxophonists Trevor WattsFind albums by this artist, Jerry UnderwoodFind albums by this artist and Simon PicardFind albums by this artist, trombonists Nick EvansFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Marcio MattosFind albums by this artist and Paul RogersFind albums by this artist, drummers Louis MoholoFind albums by this artist, Mark SandersFind albums by this artist, Nigel MorrisFind albums by this artist and Tony LevinFind albums by this artist. The fact that Dean managed to invite all these great musicians to play with him during one week speak volumes about his position on the scene and the respect he earned over the years. The album presents five tracks, three of which are over ten minutes in duration. All the music was composed by Dean. The music is absolutely in sync with what one might have expected from such esteemed players, Free Jazz oriented, full of passion and incredible dialogues between these musicians, who often played with each other in various settings. The incredible intensity of the music still allows for excellent individual contributions to be clearly heard. The sextet (four saxophones) track is a wonderful example of group improvisation, where the mutual respect is fully observed and the saxophone quartet is featured as an organic micro-orchestral unit, later joined by the rhythm section. There is so much superb music on this album, that writing about it is actually pretty redundant, and should simply encourage to grab a copy of this gem, before it completely disappears from the market. British Jazz enthusiasts and even listeners who are aware of Elton Dean only through his association with Soft MachineFind albums by this artist, should make to bold step forward and embrace this facet of Dean’s incredible talent. Overall, this is a monumental document of the British Free Jazz scene by the end of the 1990s, when it was at its absolute peak. The tornado swirl on the album’s cover reflects the power and spirit of the music perfectly and fans of this kind of music should find this album indispensable. Lucky for us this music was captured on tape and released, staying with us for posterity. A true force of Nature!

Updated: 24/06/2023Posted: 24/06/2023

CD 1 Recommend To A Friend

HARRY MILLER / ISIPINGO ~ FULL STEAM AHEAD REEL RECORDINGS 012 (Barcode: 676868177927) ~ UK ~ Jazz Recorded: 1975 - 1977 Released: 2008 Harry MillerFind albums by this artist brought over from his native South Africa a whole universe of music, which he and several of his South African musical cohorts injected into the British Jazz scene at a time of its greatest glory, not only musically but also socially, when it opened its arms and embraced any worthy influence, be it from India, Middle East, Far East or any other part of the crumbling Empire. Harry was always one of the most revered Masters of the bass and the warm tone and full body of his instrument ornamented countless recordings made by British bandleaders in the 1970s. However, Harry´s heart was always warmest to the amalgam of Free Improvised Jazz based on South African roots. His performances with the Brotherhood Of BreathFind albums by this artist and with his own roots ensemble IsipingoFind albums by this artist are clear evidence of the fact. Sadly Isipingo recorded just one album and therefore this new release, which presents a set of wonderful (mostly studio) recordings, all previously unreleased, is a true delight to every one of the many Harry´s fans around the globe. Made in cooperation with the Miller family label OgunFind albums on this label Records, run by his wife Hazel, this album is a heaven on earth in every respect – the music is delightful, the sound quality excellent and the historical value immeasurable. The lineup of the sextet changes slightly on the tracks present here, including saxophonist Mike OsborneFind albums by this artist, trumpeters Mark CharigFind albums by this artist and Mongezi FezaFind albums by this artist, trombonists Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Paul NeimanFind albums by this artist, pianists Stan TraceyFind albums by this artist, Keith TippettFind albums by this artist and Frank RobertsFind albums by this artist, Miller on bass and drummer Louis MoholoFind albums by this artist. The music, all composed by Miller, charges full steam ahead indeed, preserving absolutely all of its vitality and high spirited energy. This album deserves a well respected place in any serious British Jazz album collection and hopefully will be discovered by many new listeners, who missed this wonderful music when it was performed live, being one more testimony to the fact that Harry´s untimely death in 1983 was a tremendous loss for all music lovers.

Updated: 29/01/2019Posted:

CD 1 Digipak Recommend To A Friend

HARRY MILLER / ISIPINGO ~ WHICH WAY NOW CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz Released: 2006 Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.

CD 1 Recommend To A Friend

RAY RUSSELL SEXTET ~ FORGET TO REMEMBER JAZZ IN BRITAIN 22 (Barcode: 5060774190166) ~ UK ~ Jazz Recorded: 1970 Released: 2021 This is an archival album by British Jazz guitarist / composer Ray RussellFind albums by this artist, which presents a BBC session recorded in a sextet setting with trumpeter Harry BeckettFind albums by this artist, saxophonist Tony RobertsFind albums by this artist, trombonist Nick EvansFind albums by this artist, bassist Daryl RunswickFind albums by this artist and drummer Alan RushtonFind albums by this artist. The album presets seven tracks, five original compositions by Russell, two appearing twice in alternate versions. Before this session Russell already recorded and released two seminal albums for CBSFind albums on this label (“Turn CircleFind albums with this title” and “Dragon HillFind albums with this title”) and some of the material present here would appear later on his third studio album (also on CBS) “Rites And RitualsFind albums with this title”. The music is already deeply within the modern British Jazz mold, which developed around that time, plunging into open formats and Free Improvisation, but still based on clear melodic phrases serving as the starting points of each tune. Russell offered a completely idiosyncratic style, merging Rock attack with Jazz chord delivery, which made him a new voice on the scene. He eschewed the Fusion direction, staying firmly within the Jazz idiom at the time, sounding like an angry John McLaughlinFind albums by this artist on speed, but completely himself. His soloing on this album, which is much more opened than on the studio recordings, is absolutely hair-raising and deserves to be heard, since after fifty years of Jazz guitar there are very few examples of a more imaginative approach. The other players support the leader amicably, with Beckett taking the rest of the soloing under his wings and the other two brass players heard mostly on the intros and outros but also soloing from time to time. The rhythm section is brilliant all the way and manages to swing gracefully despite the rather overall Free atmosphere. With the usual BBC sound quality, this is a superb document of the era, obviously worth being heard by the fans of the period. Guitar freaks are in for quite a surprise obviously, so here it is, five decades old and still alive and kicking. Good job with keeping this music alive.

Updated: 30/05/2021Posted: 30/05/2021

CD 1 Digipak Recommend To A Friend

SOFT MACHINE ~ FOURTH (REMASTERED) SONY BMG 687291 (Barcode: 828768729120) ~ UK ~ Canterbury Scene Recorded: 1970 Released: 2007 4th album, which finds Soft MachineFind albums by this artist back in the quartet format with Elton DeanFind albums by this artist as the new permanent member. Following the direction set on the previous album, SM moved even further away from their original psychedelic direction into experimental Jazz-Rock, which was groundbreaking and innovative to the extreme and aeons ahead of its time. In similar fashion to the previous album, the band used a horn-section to utilize a much more powerful sound and limitless sonic possibilities, which included the creme de la creme of (then) contemporary and burgeoning young UK jazz scene, including Roy BabingtonFind albums by this artist – acoustic bass, Nick EvansFind albums by this artist – trombone, Mark CharigFind albums by this artist – cornet, Jimmy HastingsFind albums by this artist – saxes and Alan SkidmoreFind albums by this artist – saxes. This expanded ensemble recorded one of the most beautiful and most sophisticated albums of the era, which is completely timeless and inspiring to this very day. This new direction created some tension (to put it mildly) between the jazz oriented trio and the band’s original drummer Robert WyattFind albums by this artist, which led to Wyatt’s departure from the band by mid-1971 (to start Matching MoleFind albums by this artist), before the next album would be recorded. Therefore this was to be the last SM album to feature his extraordinary drumming skills. This beautiful new remaster finally (for the first time ever) gets rid of the muddy and hollow sound from which this album suffered badly, obscuring much of the music it contained. Absolutely essential! Visitors' Comments Christopher  Brice It´s great to hear this properly at last - I have been listening to it over and over again since I broke the seal last night!

CD 1 Oversampling Remastered Essential Recommend To A Friend