Record Reviews

HARRY BECKETT ~ MAXINE ITM 920010 (Barcode: 4250079750108) ~ UK ~ Jazz Recorded: 1987 - 1995 Released: 2011 This is an album by British Jazz trumpeter / composer Harry BeckettFind albums by this artist, released shortly after his death. It presents a compilation of seven tracks, recorded between 1987 and 1995 with five different lineups, ranging between a quintet and a duo. In fact, it is a reissue of the 1993 album “Les Jardins Du CasinoFind albums with this title” with two tracks form the 1996 album “Compared 2 What?Find albums with this title”. Two tracks were recorded by a quintet with trombonist Annie WhiteheadFind albums by this artist, flautist / saxophonist John BurgesFind albums by this artist, bassist Marco CastronariFind albums by this artist and drummer Winston CliffordFind albums by this artist. Another two tracks were recorded by a trio with German pianist Joachim KuhnFind albums by this artist and French bassist Jean-Francois Jenny-ClarkFind albums by this artist. One track was recorded by a duo with pianist Django BatesFind albums by this artist, another one by a duo with pianist Chris McGregorFind albums by this artist and finally one track by a quintet with saxophonist Courtney PineFind albums by this artist, McGregor, bassist Fred Thelonious BakerFind albums by this artist and drummer Clifford JarvisFind albums by this artist. The music in incredibly diverse stylistically, from mainstream balladry to intense modern Jazz improvisation, but the focus is on Beckett’s superb trumpet / flugelhorn performances, which are consistently breathtaking, despite the changing lineups and stylistic variations. Personally, my favorite tracks are those with Joachim Kuhn, but all the music is truly delightful and should make every Jazz enthusiast happy. It would be a crime to leave these tracks unreleased, so it’s great to see them available, for us to enjoy and cherish. Warmly recommended.

Updated: 05/08/2023Posted: 05/08/2023

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BROTHERHOOD OF BREATH ~ BREMEN TO BRIDGWATER CUNEIFORM 182/183 (Barcode: 045775018225) ~ UK ~ Jazz Recorded: 1971 - 1975 Released: 2004 This albums collects three concerts recorded by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist. The first recording captures the ensemble in its early days (1971) whereas the other two come from four years later (1975), towards the end of the life cycle of the first edition of the band, which came to its end with the death of trumpeter Mongezi FezaFind albums by this artist just a month after the last of these concerts was recorded. The collective lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Radu MalfattiFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist, Elton DeanFind albums by this artist, Bruce GrantFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist and Keith BaileyFind albums by this artist– drums. It is interesting to compare the development of the ensemble over this relatively short time period and see how well integrated musically and spiritually the ensemble really was. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.

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BROTHERHOOD OF BREATH ~ ECLIPSE AT DAWN CUNEIFORM 262 (Barcode: 045775026220) ~ UK ~ Jazz Recorded: 1971 Released: 2008 This splendid recording by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist, captures the band at the Berliner Jazztage festival and presents the initial phase in their development as one of the most original and influential bands of the era. The lineup (which kept changing slightly over time) includes: Harry BeckettFind albums by this artist and Marc CharigFind albums by this artist – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums. The combination of Jazz, Free Improvisation and African music intermixed in a unique way creates a vibrant and challenging musical experience, which had no equal at the time. McGregor’s clever compositions are ideal vehicles for the individual and collective improvisations and the energy and fire this band has to offer transcends time and space, making it accessible to every connoisseur of good music on this planet. The music remains as valid and brilliant as it was at the time of the recording and its great to have it commercially released at last. Warmly recommended!

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BROTHERHOOD OF BREATH ~ TRAVELLING SOMEWHERE CUNEIFORM 152 (Barcode: 045775015224) ~ UK ~ Jazz Recorded: 1973 Released: 2001 The saga of the British ensemble Brotherhood Of BreathFind albums by this artist and their leader pianist / composer Chris McGregorFind albums by this artist stretches back in time and space to South Africa in the early-1960s, where McGregor founded the first mixed-race Jazz group in the country, the Blue NotesFind albums by this artist. For the Apartheid regime mixed-race groups were hardly a welcome activity and the group suffered many hardships and found it difficult to perform for the white public. In 1964 the group got permission to travel to Europe and eventually arrived in London, where they decided to stay. The Blue Notes played around UK initially as a sextet (McGregor – piano, Dudu PukwanaFind albums by this artist – alto sax, Nick MoyakeFind albums by this artist – tenor sax, Mongezi FezaFind albums by this artist – trumpet, Johnny DyaniFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums) and later as a quintet (after Moyake returned to SA). In spite of the fact that they were one of the most innovative and inspiring Jazz acts at the time, they never achieved proper recognition. The pioneering work of Jazz-World Fusion, with the emphasis on African music, which the group presented, was surely quite ahead of its time. By the early 1970s McGregor managed to form a large ensemble, combining the Blue Notes players with some of the most prominent British Jazz musicians of the time, which was called Brotherhood Of Breath. The resulting ensemble was surely one of the highlights of the British Jazz scene in the early to mid-1970s, offering an incredibly powerful stage act, which included a superb amalgam of modern Jazz, Free, Improvised Music and strong African music influence. The ensemble recorded but a few studio albums, but luckily many of their splendid concerts were recorded by radio stations and festivals, mostly around Europe, where they were always received warmly. This album documents a performance captured by the German Radio Bremen and is a superb example of what they were all about. The lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu Pukwana and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis Moholo – drums. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.

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HARRY MILLER / ISIPINGO ~ WHICH WAY NOW CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz Released: 2006 Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.

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MIKE OSBORNE ~ OUTBACK FMR 007 (Barcode: 649849981349) ~ UK ~ Jazz Recorded: 1970 Released: 1994 British saxophonist / composer Mike OsborneFind albums by this artist was an integral part of the modern Jazz scene in the late 1960s / 1970s, recording numerous albums as member of the most important ensembles at the time, led by Mike WestbrookFind albums by this artist, Harry BeckettFind albums by this artist, John SurmanFind albums by this artist and Chris McGregorFind albums by this artist (Brotherhood Of BreathFind albums by this artist). He was also the founding member of the momentous saxophone trio SOSFind albums by this artist with John Surman and Alan SkidmoreFind albums by this artist. A brilliant improviser, he was an absolute master of the alto saxophone with very few contenders. Stylistically Osborne tendencies were always oriented towards Free Jazz and he was one of the great pioneers of the genre in UK. Unfortunately his personal life was deeply disturbed by mental illness, which resulted in time spent on and off in mental institutions. By early 1980s the illness became so severe that he had to be institutionalized for life and never again played music. He died in 2007. Although Osborne recorded quite a few albums as a sideman, his output as leader is very limited. This was his debut session as a leader, which took a lot of persuasion to materialize, as Osborne hated to be in the limelight. Released on the legendary TurtleFind albums on this label label (the first album to be recorded for the label, which was actually started to release this album), the album was a rare collector’s item for many years and the reissue is a blessing. The music consists of just two long tracks (which used to be the LP sides), performed by a quintet with Osborne on alto saxophone, Harry Beckett on trumpet, Chris McGregor on piano, Harry MillerFind albums by this artist on bass and Louis MoholoFind albums by this artist on drums (the rhythm section of Brotherhood Of Breath). On both tracks the quintet states the theme and then ventures into extended free improvisation passages, with splendid long solos by Osborne and Beckett. The album is a classic example of European Free Jazz, capturing the atmosphere of the era, when music was created because musicians had something to say. Not easy music, but essential to all enthusiasts of the genre and a most important historical document. Visitors' Comments Christopher  Brice Odd that the CD cover itself credits "Mike Osbourne" so I had trouble looking up the recording date here (Wikipedia redirects Mike Osbourne to Mike Osborne)

Updated: 20/05/2016Posted:

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ALAN SKIDMORE / UBIZO ~ UBIZO PROVOCATEUR 1036 (Barcode: 5038491103622) ~ UK ~ Jazz-World Fusion Recorded: 2002 Released: 2003 Following the recording of the sensational “The CallFind albums with this title” album, legendary British saxophonist / composer Alan SkidmoreFind albums by this artist reunited again with the South African ensemble AmampondoFind albums by this artist and created the group UbizoFind albums by this artist, adding a few other British Jazz musicians. This album documents the group’s music, which is a direct continuation of the tremendous success achieved on the previous album. This time the group presents a slightly different balance between Jazz and Folklore, as the “Jazz section” is strengthened by the addition of trumpeter Ingolf BurkhardtFind albums by this artist (from the NDR Big BandFind albums by this artist). Other players include Colin TownsFind albums by this artist (keyboards), Steve MellingFind albums by this artist (piano) and Arnie SomogyiFind albums by this artist (bass), who played on the previous album, and Stephen KeoghFind albums by this artist on drums. The music includes compositions by Skidmore, Towns and of course by members of Amampondo, as well as arrangements of traditional South African music. The overall balance between Jazz and Folklore is absolutely perfect, creating a superb Jazz-World Fusion, as it should be. British Jazz aficionados should remember Skidmore’s participation in Chris McGregorFind albums by this artist’s Brotherhood Of BreathFind albums by this artist some 30 years earlier, which also blended South African music and Jazz. It is quite interesting to compare this recording with the BOB ones and observe the process of maturity and refining that occurred in the meantime. The raw power and wildness (in search of musical and not only freedom) is replaced here by moderation and sophistication. Yes, we are all getting older, no doubt, but this does not affect Skidmore’s playing, which is exceptional, like always. His tone and improvisational skills are a symbol of (spiritual) youth and his Coltranesque explorations remain equal to none. I only hope Skidmore will continue to record his superb music for many years to come. Delightful!

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MIKE WESTBROOK ~ IN MEMORY OF LOU GARE WESTBROOK 002 (Barcode: 5024545821529) ~ UK ~ Jazz Recorded: 2010 - 2015 Released: 2018 This is a vey unique album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Uncommon OrchestraFind albums by this artist, which is a loving tribute to the orchestra´s member saxophonist Lou GareFind albums by this artist, who sadly died in 2017. The album presents nine live recordings by the orchestra, featuring extensive soloing by Gare, recorded between 2010 and 2015. The music is mostly composed by Westbrook except for one standard and one piece by Chris McGregorFind albums by this artist arranged by Westbrook. Seven of the recordings are extracts from longer pieces, focusing on the parts played by Gare. Being a Jazz musician, especially so in the framework of a Big Band or Jazz Orchestra can be frustrating as far as getting recognition and appreciation, not even mentioning "fame". Usually it is the bandleader who gets the recognition and whose name appears in the headlines and on album covers. Many thousands of unsung Jazz heroes, who played in Big Bands over the last Century, are completely unknown even to the most avid and dedicated Jazz fans. It takes someone like Mike Westbrook to understand this and try to pay tribute to one of the musicians who played in his band for many years, and who was blessed by extraordinary talent, which sadly was only marginally noticed beyond the small circle of "insiders". As the music present on this album proves beyond any doubt, Gare had a completely unique sound and improvisational approach, which was deeply rooted in the Jazz tradition yet at the same time was also completely unconventional. The wonderful amalgam of minimalism and modesty with fiery imagination and unprecedented skill, always expressed with elegance and grace, made Gare one of the best British saxophonists. As expected, the album is full of superb music, and the fact that most of the tracks are extracts doesn’t have any negative impact on the flow of the music and its coherency. The album includes detailed notes by Westbrook, describing each of the included tracks and which are informative and obviously express his love and appreciation towards Gare. Overall it is a genuine first class listening experience in addition to being a much deserved tribute to a musicians worth being remembered. Wholeheartedly recommended!

Updated: 12/07/2018Posted: 12/07/2018

CD 1 Digipak Recommend To A Friend