Record Reviews

NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75 JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion Recorded: 1975 Released: 2021 This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here. The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history. “Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music. The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version. Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music. As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.

Updated: 03/07/2021Posted: 03/07/2021

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HARRY BECKETT ~ FLARE UP JAZZPRINT 124 (Barcode: 604388600526) ~ UK ~ Jazz Recorded: 1970 Released: 2002 Trumpeter / composer Harry BeckettFind albums by this artist was one of the pillars of the British Jazz in the 1960s / 1970s. His beautiful tone and exceptional improvising qualities made his one of the busiest player on the scene. He was a member of some of the most important ensembles of the period, led by distinguished musicians like Graham CollierFind albums by this artist, Mike WestbrookFind albums by this artist, Keef HartleyFind albums by this artist, John SurmanFind albums by this artist, Ray RussellFind albums by this artist and many others, and also led his own quartet. The plans to make his debut album as a leader with his own quartet somehow never materialized, but instead he formed an octet for the occasion, which included the young “lions” of the scene: John Surman, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones, Frank RicottiFind albums by this artist on vibes, John TaylorFind albums by this artist on piano, Chris LaurenceFind albums by this artist on bass and John WebbFind albums by this artist on drums – an absolute dreamy collection of players. In addition to his compositions, the band also performs three of Graham Collier’s beautiful tunes and one Surman classic. The result is absolutely sensational, a true classic of the period and a must for every fan of British Jazz of the era. Not to be missed!

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CHRIS BISCOE ~ MUSIC IS: PLAYS MIKE WESTBROOK TRIO 607 (Barcode: 5052442022947) ~ UK ~ Jazz Recorded: 2021 - 2022 Released: 2022 This is an album by British Jazz saxophonist / clarinetist / composer Chris BiscoeFind albums by this artist, recorded with pianist Kate WilliamsFind albums by this artist, guitarist Mike OutramFind albums by this artist, bassist Dave WhitfordFind albums by this artist and drummer Jon ScottFind albums by this artist. The album presents eight tracks, all of which, as the title suggests, were composed by British pianist / composer Mike WestbrookFind albums by this artist. Biscoe has been a member of the various ensembles led by Mike Westbrook and his wife Kate WestbrookFind albums by this artist since 1979 and participated in many recordings by these ensembles, consistently demonstrating his brilliant technique and talent. On this album he arranged some of his favorite Westbrook compositions and performs them with different musicians, often in a new and quite surprising way. The music is absolutely brilliant of course, not only because of the strength of these compositions, but in this case especially due to the treatment these compositions receive, mostly with a surprising freedom of interpretation, which dominates the proceedings. Biscoe’s sublime performances are not surprising of course, but the level of musicianship by the entire team, which I am not familiar with, is also excellent throughout. The music manages to swing splendidly due to the superb work by the rhythm section, which drives the pulse steadily, even if the rhythm dances around unevenly, purposely of course. Williams’ and Outram’s solos are also perfectly structured, and are a bliss to listen to. One of the tracks is performed by Biscoe using multi-tracking of different saxophones and the clarinet, creating a wonderful orchestral effect, and another track is a solo saxophone recording, both being among the highlights of this album. All the music is wonderfully recorded and the sound quality is superb for the entire duration. Overall, this is an outstanding and highly unusual album by one of the British Jazz less spotlighted heroes, who certainly deserves all the compliments for his consistently splendid work as a sideman over the years, and has a lot to offer as a leader as well, as this album proves beyond any doubt. A wonderful surprise and an immediate favorite of mine; well done indeed!

Updated: 15/08/2023Posted: 15/08/2023

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GRAHAM COLLIER ~ BRITISH CONVERSATIONS MY ONLY DESIRE 004 (Barcode: 5052442020400) ~ UK ~ Jazz Recorded: 1975 Released: 2021 This is an archival album, which presents a previously unreleased suite by British Jazz bassist / composer / bandleader Graham CollierFind albums by this artist, one of the Godfathers of modern British Jazz. This is a live recording of the suite from 1975 with the Swedish Radio Jazz GroupFind albums by this artist featuring Collier as conductor and British trumpeter Harry BeckettFind albums by this artist and guitarist Ed SpeightFind albums by this artist, both regular members of his groups, as guest soloist. The album presents five tracks, all composed and arranged by Collier. The recording quality is excellent. The fifteen members strong Swedish Radio Jazz Group included some of the finest Swedish / European musicians active at the time, including saxophonists Arne DomnerusFind albums by this artist and Lennart AbergFind albums by this artist, trumpeter Bertil LovgrenFind albums by this artist, pianist Bengt HallbergFind albums by this artist and others. The music follows the modus operandi of Collier’s compositional concepts, which produced several Jazz suites over time. The music is based on highly melodic themes, with characteristic Collier’s love of the Blues and modern harmony, which in this case are beautifully and highly imaginatively arranged for a Big Band, rather than the more common arrangements for his small groups. There is plenty of superb soloing, both by the two Brits and the local Swedes. Especially interesting are the guitar solos, which emphasize the great talent of Speight, who is often otherwise overlooked, despite being certainly one of the most unique British guitar players. I remember talking to Graham about this recording at the time and in time completely forgot about it. Seeing it released was a most pleasant surprise, like finding a lost treasure. The album includes informative liner notes by Duncan HeiningFind albums by this artist, which offers a historical perspective of Collier’s work. Kudos to Jon GriffithsFind albums by this artist, the owner of My Only DesireFind albums on this label Records, for releasing this fabulous piece of music, which was dormant for so many years. This is a second album, which documents the collaboration between British Jazz musicians with the Swedish Radio Jazz Group, following the fabulous Mike WestbrookFind albums by this artist’s “Love And Understanding: Citadel / Room 315 Sweden `74Find albums with this title” album released a year earlier. Hopefully more of such gems will follow. All British Jazz fans are grateful, of course! Overall, this is a wonderful piece of British Jazz history, which deserves to be heard today, as it lost absolutely nothing of its power of expression and aesthetic values, fulfilling a missing link that many Collier fans can now consider as resolved. An absolute must have!

Updated: 10/03/2023Posted: 13/05/2022

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BOB DOWNES / OPEN MUSIC ~ DIVERSIONS VOCALION 8434 (Barcode: 765387843427) ~ UK ~ Jazz Recorded: 1970 Released: 2007 Flautist / saxophonist / composer Bob DownesFind albums by this artist was one of the pioneers of the British free-form Jazz. Apart from leading his own groups, most notably the Open MusicFind albums by this artist trio presented here, he also played with Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Ray RussellFind albums by this artist’s Rock WorkshopFind albums by this artist and many others. He was also one of the first musicians to start their own record label, which was called OpenianFind albums on this label, on which this album was originally released. The Open Music trio included, apart from Downes, one of the following bass players: Barry GuyFind albums by this artist, Jeff ClyneFind albums by this artist, Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist (the first two are present on this recording) and drummer Denis SmithFind albums by this artist. Downes composed all the music and played mostly various flutes, although he was equally fluent playing the alto saxophone. The music is excellent and truly visionary for the time of the recording. The level of interplay between the trio members is exceptional and the virtuosity of the players is exemplary and the album lost none of its vigor and charm over the years. A great example of early British Free Jazz at its best, suitable for most Jazz listeners, as although highly improvisational, the natural flow of the music makes it easily acceptable to most people. The music on this album was used several times as a part of dance show, with the trio performing live and accompanying the dancers. Free Jazz listeners should definitely try this gem.

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SATOKO FUJII ORCHESTRA BERLIN ~ ICHIGO ICHIE LIBRA 212-037 (Barcode: 4562169330375) ~ JAPAN ~ Jazz Recorded: 2014 Released: 2015 Japanese pianist / composer / bandleader Satoko FujiiFind albums by this artist is one of the most prolific and active international Jazz icons, leading several versions of an Orchestra, located in several cities around the globe in addition to several small ensembles. This album is a recording by the Orchestra BerlinFind albums by this artist, a twelve piece band that comprises mostly of German musicians, but also includes Fujii and her husband, trumpeter Natsuki TamuraFind albums by this artist, French drummer Peter OrinsFind albums by this artist and Polish saxophonist Paulina OwczarekFind albums by this artist. It presents the four parts suite that gives the album its title and one additional piece, all composed by Fujii. The music of Fujii is always full of innovation and groundbreaking steps towards expanding the boundaries of Jazz music, and this everlasting process of search is her trademark. But she also composes great melodic vistas, which in an orchestral environment like this one reach a climatic climax. The individual solo performances by the orchestra members lead to full orchestral passages, which define the overall structure of the music. Fujii carefully seeks out some of the most daring Jazz performers to become members of her various teams, and the level of the individual statements on this album is a great illustration of such a collection of incredible talents. The music is in many respects a continuation of the great European Jazz Orchestras of the late 1960s, starting with the British outfits led by Mike WestbrookFind albums by this artist and continental ensembles like Globe Unity OrchestraFind albums by this artist, brought up to date with contemporary compositional language. Fujii manages to push the orchestral idiom to its limits time after time, and this album is no different. Of course every true Jazz fan knows, either if he admits it or not, that there is nothing remotely as powerful aesthetically and emotionally as a full orchestra sound, and listening to this album clearly points that out. The wonderful tension created between the solos, duets and other chamber units formed within the orchestra and the entire band playing together is the secret weapon of this music and every moment of it is absolutely priceless. Of course this is by far not an easy musical experience, and a trained ear and open-mindedness should definitely be assumed by the potential listener. The reward is of course proportional to the effort needed to grasp the intricacy and internal beauty of this music. Definitely highly recommended!

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SATOKO FUJII ORCHESTRA BERLIN ~ NINETY-NINE YEARS LIBRA 211-047 (Barcode: 4562169330474) ~ JAPAN ~ Avant-Garde Jazz Recorded: 2017 Released: 2018 This is an album by Japanese pianist / composer / bandleader Satoko FujiiFind albums by this artist, one of the most prominent representatives of the contemporary Avant-Garde Jazz activists. The album was recorded with an eleven piece Orchestra Berlin, one of Fujii´s permanent ensembles, which features mostly German musicians, but includes also her Japanese husband, trumpeter Natsuki TamuraFind albums by this artist, French drummer Peter OrinsFind albums by this artist and Polish saxophonist Paulina OwczarekFind albums by this artist. The album presents five extended original orchestral compositions, all by Fujii and is one of the twelve albums Fujii released in 2018 (one every month) to celebrate her 60th Birthday. Her cumulating discography since 1991 includes well over a hundred albums. The music is everything contemporary Avant-Garde Big Band has to offer: composed parts expanded into lengthy improvised passages, several sub-ensembles constantly developing within the frame of the Big Band (duos, trios, etc.) sublime individual soloing and group improvisations and much more. Fujii skillfully uses the entire arsenal at her disposal to continue the splendid tradition of European Avant-Garde Big Bands, which goes several decades into the past, initiated by the British Big Bands led by Barry GuyFind albums by this artist, Mike WestbrookFind albums by this artist and others and later European parallels like Globe Unity OrchestraFind albums by this artist and others. Since contemporary activity in this particular area is rather limited today, Fujii´s recordings are even more important and significant. Of course Avant-Garde Jazz never was music for the masses, and this intellectually challenging offering is of interest to a sadly miniscule group of potential listeners, who are able to appreciate and enjoy it. The faithful aficionados will find this music absolutely stunning of course, which is hardly surprising. Wholeheartedly recommended to the connoisseurs of the genre!

Updated: 12/04/2019Posted: 19/03/2019

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GORCZYNSKI / PALMER / WIRACKI ~ WILLIAM`S THINGS MULTIKULTI MPO 002 (Barcode: 5907529223833) ~ POLAND ~ Jazz & Poetry Recorded: 2018 Released: 2018 This is an amazing Jazz & Poetry album recorded by Polish clarinetist / composer Michal GorczynskiFind albums by this artist (playing the contrabass clarinet), British (resident in Warsaw) actor / vocalist Sean PalmerFind albums by this artist and Polish pianist Tomasz WirackiFind albums by this artist. The album presents ten original compositions by Gorczynski to poems by the celebrated British poet William BlakeFind albums by this artist. The music, although melody based to some extent, is a superb example of contemporary Avant-Garde exploration, which uses relatively intimate instrumental setting to produce entire landscapes of words and music, which are deeply moving and wonderfully expressive. The contrabass clarinet is seemingly a limited instrument, but when skillfully combined with the human voice and delicate piano stream, and enhanced by electronic looping, is able to create powerful and rich kaleidoscope of sounds. The atmosphere of the resulting framework often resembles minimalist music, but of course is not constrained only to that specific idiom. There are also elements of serial, sacral and neoromanic trends, some Jazz improvisation, folkloristic touches and even Rock; overall a bizarre but wonderful blend of ideas that works out surprisingly well and combined with the potent poetry is very striking. Gorczynski again proves that he is one of the most idiosyncratic Artists on the Polish scene, who does not stand still for a moment and manages to surprise the connoisseurs with new concepts on each of his relatively frequent releases. It is difficult to say much about the individual performances, as this project is all about close, almost symbiotic cooperation between the three partners. Palmer´s theatrical background is a great benefit herein, as his delivery of the vocals is based on his ability to play with his voice and other tricks of the trade. Wiracki is a master of the understatement, and his delicate melodic pointers are more suggestive than direct. Gorczynski is a virtuoso player of course but his contributions on this album are mostly atmospheric and background oriented. Having said that, this album is full of exquisite moments, which when added together creates a result way beyond just the sum of its ingredients. This is a very unique, wonderful piece of Artistry, wholeheartedly recommended to open-minded listeners anywhere on this planet. For other Jazz & Poetry projects involving William Blake the listeners should also check out the Mike WestbrookFind albums by this artist discography.

Updated: 12/04/2019Posted: 19/10/2018

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GUILDHALL BIG BAND / JOHN TAYLOR ~ PURE AND SIMPLE CAM JAZZ 3303 (Barcode: 8024709330321) ~ UK ~ Big Band Jazz Recorded: 2005 Released: 2007 This is a criminally little known brilliant album by the Guildhall Big BandFind albums by this artist – the home band of the renown Guildhall School of Music & Drama in London – conducted by Scott StromanFind albums by this artist, which plays Big Band arrangements of six compositions by British Jazz pianist / composer John TaylorFind albums by this artist, who was one of the teachers at the school and who played piano on these recordings. People familiar with the music of Taylor will find these Big Band arrangements as striking as everything else he ever touched, completely different from the traditional Jazz Big Band approach, and to some extent continuing the modern British Big Band / Jazz Orchestra legacy, which was developed from the late 1960s onward by orchestra leaders like Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Neil ArdleyFind albums by this artist and others. As a result these compositions sound quite refreshed and morphed cleverly into the new environment. The Big Band performs splendidly, despite the complexity of the arrangements, which is hardly surprising considering the extraordinary level of talent by the young generation of British / European young musicians. One would never suspect that this is a band comprised of students, since it sounds as professional and disciplined as a fully fledged veteran working band. Taylor plays wonderful soli on five of the pieces, which are usual displays of his High Artistry and offer the proverbial cherry on top of this superb album, which is an absolute must to all Taylor followers and British Jazz connoisseurs.

Updated: 26/09/2020Posted: 26/09/2020

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NIKOLA KOLODZIEJCZYK ORCHESTRA ~ CHORD NATION FOR TUNE 0042 (Barcode: 5902768701487) ~ POLAND ~ Jazz Recorded: 2011 Released: 2014 This is the debut album by young Polish Jazz pianist / composer / bandleader Nikola KolodziejczykFind albums by this artist, recorded by a twenty five piece orchestra, with members who originate from three different countries, which presents a five-part suite, which in turn is a hybrid of contemporary Classical music, classic mainstream Big Band and Free Jazz / Improvised music. There is no doubt that this is a very ambitious project, brought into reality against all odds and one that refuses to compromise and takes no prisoners. Although highly motivated and certainly ingenious, this project is not quite as revolutionary or innovative as one might imagine. In fact it continues the European orchestral Jazz tradition, which followed a different path from the American orchestral Jazz tradition, which flourished in the US in the early 20th Century and was than imported into Europe and mimicked for a few decades until the emancipation of the European Jazz in the 1960s. Since than a long line of superb European Jazz orchestras carried the torch towards new horizons, starting with the British orchestras led by Neil ArdleyFind albums by this artist, Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist and many others and than gradually spread across Europe and even behind the Iron Curtain, with such notable bandleaders as Gunter HampelFind albums by this artist, Hans KollerFind albums by this artist, Martial SolalFind albums by this artist, Gustav BromFind albums by this artist and such distinguished ensembles as the NDR Big BandFind albums by this artist, the Vienna Art OrchestraFind albums by this artist and so many others. Many of these European Jazz orchestras often use similar characteristic devices to those used in the process of making the music heard on this album: switching between melodic mainstream Big Band parts and freely improvised passages, using string arrangements and wordless human vocalese, in short the typical palette of contemporary European Jazz orchestral music. Considering Kolodziejczyk´s age, limited experience, restricted resources and all the obstacles that he had to confront in order to record this album, one must admit that this is a remarkable achievement, not only from the aesthetic perspective but also from the pure organizational one. But of course most listeners are not really interested in the behind the scenes of music making and judge it by what they hear. As far as the music is concerned, Kolodziejczyk presents a collection of sonic plateaus, which intertwine and develop slowly, and are best listened to in the sequence dictated by the album´s tracks and as a whole. The separate parts of the suite do not really stand on their own, as the melodic content of the entire proceedings is relatively limited. To use a metaphor from a different media, the suite makes sense the same way a complete canvas of a painting makes sense, and wouldn´t do so if looked at when sliced into several pieces. At times one might get the impression that this music is more about "how" than about "what". Kolodziejczyk is obviously enamored with the bag of tricks that are at his disposal as a composer / orchestrator, and with the sound of the orchestra, much more than with the actual compositions, and as a result we get a complex baroque musical structure, supported by quite simple foundations. Sometimes the instinctive urge to show as much of one´s talents as possible, here and now, can prove hazardous. This often happens to young and talented artists and is quite meaningless in a long range, provided that Kolodziejczyk is treating this project as just one of many lessons he has to go through during his long and hopefully very successful career. All in all this is a very impressive, ambitious and unusual debut album by an obviously talented musician / composer, who presents enormous potential, which hopefully will be fully realized in his future projects. Since orchestral Jazz albums are extremely rare, this is even more of a valuable contribution to the Polish Jazz scene. Thanks to For Tune for finally releasing this album, over three years after it was recorded, it´s certainly better off now in the open for all music lovers to enjoy. I am anxiously waiting for the next project.

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HENRY LOWTHER ~ CHILD SONG VOCALION 8403 (Barcode: 765387840327) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Trumpeter / violinist / composer Henry LowtherFind albums by this artist was one of the busiest and most sought after musicians on the British scene in the late 1960s and 1970s. His virtuosity and versatility resulted in him being a member in many groups (often simultaneously) and in different musical environments like Rock (Manfred MannFind albums by this artist), Jazz-Rock (Keef HartleyFind albums by this artist), Blues (John MayallFind albums by this artist) and Jazz (Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist) as well as participating in hundreds of recordings as a session musician. This album is his debut recording as a leader of his own quintet, which includes some of the best young and up-coming British Jazz musicians at the time: Tony RobertsFind albums by this artist – sax, Mike McNaughtFind albums by this artist – electric piano, Daryl RunswickFind albums by this artist – bass and Mike TravisFind albums by this artist – drums. Two additional musicians: Jimmy JewellFind albums by this artist – sax and Neil SlavenFind albums by this artist – percussion also take part in the recording. The music, all composed by Lowther, is a splendid example of the European modern Jazz, which is both melodic and adventurous at the same time. The performances are all spotless and the music flows beautifully, leaving the listener wishing for more when the album is over. Overall the album stands the test of time with flying colors and I can wholeheartedly recommend it every Jazz buff, but of course especially to people partial to the British Jazz scene. Great stuff!

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HARRY MILLER / ISIPINGO ~ WHICH WAY NOW CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz Released: 2006 Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.

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DOM MINASI ~ THE VAMPIRE`S REVENGE CDM 1006 (Barcode: 616892693727) ~ USA ~ Jazz Recorded: 2005 Released: 2006 This momentous masterpiece by US guitarist / composer Dom MinasiFind albums by this artist is one of the most ambitious large scale Avant-Garde recordings I’ve come across since the turn of this Century. Although large scale Avant-Garde projects flourished in European Jazz in the late 1960s / 1970 (Keith TippetFind albums by this artist and his CentipedeFind albums by this artist ensemble, Mike WestbrookFind albums by this artist’s Orchestra and many others), the complexity, cost and logistics involved with such projects basically doomed the prospects for such recordings over time with the cultural climate and openness for such endeavors virtually disappearing. Therefore, before even examining the music as such, one must take one’s hat off to Minasi for pulling it all together. The album presents a concept Free Jazz suite, inspired by the writings of Ann RiceFind albums by this artist, to which Minasi was first exposed in the mid-1990s and since then was slowly building up his material for a large scale work on the subject of Vampires – one of the most mysterious and fascinating themes in our world of fantasy, legend and imagination. The last pieces of this complex work were completed just shortly before the recording actually took place. For the recording Minasi assembled a formidable gathering of his “regulars” - his trio members Ken FilianoFind albums by this artist on bass and Jackson KrallFind albums by this artist on drums, his DDTFind albums by this artist cellist Tomas UrlichFind albums by this artist, his singer wife Carol MennieFind albums by this artist, his quartet member saxophonist Mark WhitecageFind albums by this artist and his former quartet member saxophonist Blaise SiwulaFind albums by this artist. In addition he enlisted some of the most prominent names on the US Avant-Garde scene like Borah BergmanFind albums by this artist on piano, Perry RobinsonFind albums by this artist on clarinet and others. A total of 22 musicians participated in the recording sessions for this album, including the conductor Byron OlsonFind albums by this artist, who conducted the immensely complex big ensemble pieces. Describing the music is a task beyond any lingual skills – it is meant to be listened to rather that written about after all. I’ll only say that there is so much music here that it will take even the most experienced listener several listening sessions to start digesting this immense work. Moving between quiet contemplative moments and crescendos of expressionist power, the music tells a story, which each listener might interpret differently, but none can stay indifferent to. Even the most experienced Free Jazz and Avant-Garde listeners will find innovation and exploration of uncharted territory here, which in today’s music is such a rare commodity. It’s demanding, overwhelming, complex and intricate and at the same time communicative and deeply moving. A brilliant piece of modern music, which although known to few, constitutes a ray of hope in contemporary music, symbolizing the pursuit of new horizons by the few musicians, who still care about expanding them. Amazing stuff!

Updated: 12/04/2019Posted:

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PHIL MINTON / VERYAN WESTON ~ SONGS FROM A PRISON DIARY LEO 196 (Barcode: 5024792019625) ~ UK ~ Avant-Garde Jazz-Classical Fusion Recorded: 1991 Released: 1993 This is a criminally little known album by two distinguished British Jazz heroes, vocalist / composer Phil MintonFind albums by this artist and pianist / composer Veryan WestonFind albums by this artist. It presents a brilliant Avant-Garde Jazz cantata for solo voice, choir, piano and percussion, co-composed by Minton and Weston, with lyrics based on poems written in 1943 by Vietnamese leader and statesman Ho Chi MinhFind albums by this artist while he was imprisoned by the Chinese. The music was recorded live at the Church of Saint Paul in Strasbourg with Minton performing the solo vocal parts, Weston playing the piano and Gary HammondFind albums by this artist playing the percussion. The twenty four piece choir called Voices From SomewhereFind albums by this artist, conducted by Mike RaffertyFind albums by this artist, includes British and French singers, among them such renowned Jazz vocalists like Norma WinstoneFind albums by this artist and Maggie NicolsFind albums by this artist. The cantata is divided into eighteen tracks, eight of which are solo / duo / trio unaccompanied vocal improvisations. The music is a wondrous amalgam of Avant-Garde vocal music, Jazz improvisation, choral Church music, Jazz & Poetry and a myriad other idioms, fused together into a powerful statement, that keeps the listener on his toes from start to finish. As much as it is innovative and extraordinary in its approach, at the same time it is deeply rooted in European sacral music, which comes up to the surface from time to time. For people interested in vocal improvised music, this album is a true revelation of course and the solo vocal improvisations are absolutely stunning. But there is also the wonderful singing by Minton, which might be familiar to some listeners from his work with Mike WestbrookFind albums by this artist, the majestic choir parts and the instrumental parts by Weston and Hammond, all performed with obvious devotion and talent. It took me a while to get hold of a copy of this album and a web search amounted to very little artistic assessment of this masterpiece (except for a raving review by Thom JurekFind albums by this artist), which prompted me to write about this album, simply to expose some more people to its importance and beauty. With so much appalling "music" around us these days, taking a glance at forgotten gems is at least a partial solace. For people who are open to musical adventures, this is definitely a way to go. Do yourself a favor a grab a copy, put it in a player and enjoy an interstellar ride into the unknown. This music sounds at times somewhat like the fabulous music by György LigetiFind albums by this artist, which is used in the "2001: A Space Odyssey" soundtrack, so it is definitely appropriate such a journey ;)

Updated: 18/04/2019Posted: 18/04/2019

CD 1 Recommend To A Friend

NEW JAZZ ORCHESTRA ~ LE DEJEUNER SUR L`HERBE DUSK FIRE 110 (Barcode: 5065001032981) ~ UK ~ Jazz Recorded: 1968 Released: 2014 This is the second and also the last formal album by the seminal British Jazz Orchestra called New Jazz OrchestraFind albums by this artist or NJOFind albums by this artist for short. Directed by the legendary composer / arranger / bandleader Neil ArdleyFind albums by this artist the NJO was probably the most important singular British Jazz ensemble, which shaped the way British and European Jazz developed in the late 1960s. Despite the fact that the number of people, who are familiar with this epic recording, will hardly fill up an average British pub, it is still one of the best and more importantly revolutionary Jazz albums of all times, certainly as far as British Jazz is concerned. The fact that the album, which was released on LP in 1969 and almost immediately after disappeared from the shelves, had to wait for 45 years for its debut CD reissue confirms its anonymity and obscurity. And yet for the handful of British Jazz enthusiasts it always was the magnum opus of the British Jazz resurgence, when the music emerged for the first time as a truly new Art form, related to but fully independent from the American Jazz tradition. Why "new"? The origin of the name is not entirely clear but NJO was new indeed; it included a new generation of British Jazz musicians, which arrived on the scene mostly in the 1960s and had very little in common with the older "swing" generation, which completely dominated the British scene up to that period, and which was entirely immersed in the American tradition, strengthened by the presence of American bands in Britain during the WWII period. Several Jazz Big Bands and orchestras were active on the British scene since the 1920s and well into the 1960s, some quite excellent and even extraordinary, but those limited the artistic scope to imitating the trends originating across the big pond. The list of British composers / bandleaders includes Ted HeathFind albums by this artist, Syd LawrenceFind albums by this artist, John DankworthFind albums by this artist and numerous others. By the time this album was recorded the NJO was about five years old. In 1965 it recorded its debut album called "Western Reunion London 1965Find albums with this title", which beautifully sums up the first phase of its activity, when the orchestra performed mostly new arrangements of American standards, but the overall sound of the band was already quite unique and stunning. This album was recorded by the second incarnation of the NJO, which included Jack BruceFind albums by this artist on bass (who was already a member of CreamFind albums by this artist at the time), with the regular bassist Tony ReevesFind albums by this artist taking the position of the album´s producer. The rest of the band included: trumpeters Derek WatkinsFind albums by this artist, Harry LowtherFind albums by this artist, Harry BeckettFind albums by this artist and Ian CarrFind albums by this artist, trombonists John MumfordFind albums by this artist, Michael GibbsFind albums by this artist, Derek WadsworthFind albums by this artist and Tony RussellFind albums by this artist, tuba player George SmithFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist and Dick Heckstall-SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist and drummer Jon HisemanFind albums by this artist. The album presents eight compositions, five of which are originals composed by NJO members or other British Jazz musicians / composers of the new generation; those are Neil Ardley, Howard RileyFind albums by this artist, Mike TaylorFind albums by this artist, Michael GarrickFind albums by this artist and Michael Gibbs. Two modern American Jazz standards, one by John ColtraneFind albums by this artist and another one by Miles DavisFind albums by this artist are also present, but their arrangements are stunningly removed from the original versions known to most Jazz listeners. The remaining composition is by the French composer of Polish / Jewish origin Alexandre TansmanFind albums by this artist, whose composition receives another highly unusual treatment. The album emerges triumphantly as a masterpiece of composition, arrangement, performance and intelligent music making, all those on top of its being a first of its kind and a beacon for generations to come. Many other superb Big Band / Orchestral British Jazz recordings will follow (Michael Gibbs, Mike WestbrookFind albums by this artist and others), but as great as they were, none of them achieved the same primordial perfection, which marked the birth of British Jazz as documented herein. If anybody wanders about the album´s title (and the title of the opening track) and its humorous sleeve design, Google it up, oh ye ignoramuses, or preferably visit the Musée d´Orsay in Paris and look for the original ;) With the recent parting of Jack Bruce, whom I was honored and lucky to know in person, the reissue of this album is a small solace in his memory and in memory of a generation almost gone…

CD 1 Digipak Remastered Essential Recommend To A Friend

MIKE OSBORNE ~ OUTBACK FMR 007 (Barcode: 649849981349) ~ UK ~ Jazz Recorded: 1970 Released: 1994 British saxophonist / composer Mike OsborneFind albums by this artist was an integral part of the modern Jazz scene in the late 1960s / 1970s, recording numerous albums as member of the most important ensembles at the time, led by Mike WestbrookFind albums by this artist, Harry BeckettFind albums by this artist, John SurmanFind albums by this artist and Chris McGregorFind albums by this artist (Brotherhood Of BreathFind albums by this artist). He was also the founding member of the momentous saxophone trio SOSFind albums by this artist with John Surman and Alan SkidmoreFind albums by this artist. A brilliant improviser, he was an absolute master of the alto saxophone with very few contenders. Stylistically Osborne tendencies were always oriented towards Free Jazz and he was one of the great pioneers of the genre in UK. Unfortunately his personal life was deeply disturbed by mental illness, which resulted in time spent on and off in mental institutions. By early 1980s the illness became so severe that he had to be institutionalized for life and never again played music. He died in 2007. Although Osborne recorded quite a few albums as a sideman, his output as leader is very limited. This was his debut session as a leader, which took a lot of persuasion to materialize, as Osborne hated to be in the limelight. Released on the legendary TurtleFind albums on this label label (the first album to be recorded for the label, which was actually started to release this album), the album was a rare collector’s item for many years and the reissue is a blessing. The music consists of just two long tracks (which used to be the LP sides), performed by a quintet with Osborne on alto saxophone, Harry Beckett on trumpet, Chris McGregor on piano, Harry MillerFind albums by this artist on bass and Louis MoholoFind albums by this artist on drums (the rhythm section of Brotherhood Of Breath). On both tracks the quintet states the theme and then ventures into extended free improvisation passages, with splendid long solos by Osborne and Beckett. The album is a classic example of European Free Jazz, capturing the atmosphere of the era, when music was created because musicians had something to say. Not easy music, but essential to all enthusiasts of the genre and a most important historical document. Visitors' Comments Christopher  Brice Odd that the CD cover itself credits "Mike Osbourne" so I had trouble looking up the recording date here (Wikipedia redirects Mike Osbourne to Mike Osborne)

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Recommend To A Friend

RESONANCE ENSEMBLE ~ DOUBLE ARC NOT TWO 936 (Barcode: 5901549185980) ~ USA ~ Jazz Recorded: 2013 Released: 2015 This is a live recording by the Resonance EnsembleFind albums by this artist, an international gathering of Free Jazz / Improvised Music players led by American saxophonist / clarinetist / composer Ken VandermarkFind albums by this artist, which in this case comprises of eleven musicians, including two top Polish improvisers: saxophonist / clarinetist Mikolaj TrzaskaFind albums by this artist and clarinetist Waclaw ZimpelFind albums by this artist. The music, all composed by Vandermark, is en extended two-part suite, each of the parts being split into eight and six sub-parts respectively. The music was recorded at the Manggha Culture Center in Krakow, Poland. In his liner notes Vandermark describes this music as a summary of his career and a reflection of the many musical influences he has absorbed over time, which according to him can be heard in the specific sub-parts of the suite. He dedicates this album to the great Polish contemporary Classical composer Witold LutoslawskiFind albums by this artist. Personally I find this music rather cold and unrelated to any specific musical associations, which is a typical American contemporary Free Jazz, which just is there to be there, i.e. has sense only during a live performance but repeated listening of the recorded music has almost zero chance to happen, as the music simply does not make a statement. I must be suffering from a very serious Vandermark overdose, but honestly there is not much revealing music here, which propagates the Free Jazz / Improvised Music (more or less composed), to a new dimension or uncharted territory. Even the usage of the electronic "lloopp" is not interesting enough to save the day. The large ensemble parts present here should be compared to the stuff that British and European composers / bandleaders like Mike WestbrookFind albums by this artist, Trevor WattsFind albums by this artist and others already perfected in the 1960s and 1970s. There are of course brilliant individual statements as these musicians are all well seasoned improvisers and first class composers themselves, but their efforts with their own ensembles are much more impressive IMHO. Overall this album will be definitely of interest to the many Vandermark aficionados and other Free Jazz / Improvised Music fans, but considering how many recordings of similar musical language are being released in the last decade, it will simple blend into the background pretty soon.

CD 1 Mini-Sleeve Recommend To A Friend

HAROLD RUBIN ~ BLUE BAG NOT ON LABEL ~ ISRAEL ~ Jazz Recorded: 1996 Released: 1997 Harold RubinFind albums by this artist is one of the very few true Renaissance men I’ve had the pleasure to meet and befriend over the years. An architect, a poet, a painter and an outstanding musician, but also a wonderful human being, who hates bullshit of any form and shape. This, often bold, honesty is present in every creative process Harold is involved with, and what makes his music so wonderfully different and outstanding. Blue Bag is a musical suite, a complete work of art, rather than a collection of separate and unrelated pieces of music. It is probably Harold’s most “accessible” album. It involves a larger group of musicians (as opposed to his regular trio / quartet setting) and for the first time also features vocals. Stylistically it involves, in addition to the obvious jazz contents, some rock elements (for the first time since Harold played with ZaviotFind albums by this artist), some theatrical aura and a much clearer melody lines. The entire album brings fond memories of Brecht’s operas and works by musicians like Gunter HampelFind albums by this artist and his wife Jeanne LeeFind albums by this artist or Mike WestbrookFind albums by this artist and Kate WestbrookFind albums by this artist. It also prominently features for the first time Harold’s poetry, which constitutes the libretto for the entire suite. The musicians playing with Harold include Mark SmulianFind albums by this artist, his partner in Zaviot, who proves he can play the guitar as skillfully as he can handle the bass, Smulian’s wife the wonderful singer Gani TamirFind albums by this artist, Israel’s best drummer Asaf SirkisFind albums by this artist (who plays on many albums released on my JazzisFind albums on this label label), extremely talented trombonists Reut RegevFind albums by this artist and Rafi MalkielFind albums by this artist, and bassist Amit CarmeliFind albums by this artist. Harold contributes his unique brand of clarinet virtuosity and occasionally recites / narrates his fantastic poetry with the music playing in the background (reminiscent of the wonderful “Jazz & Poetry” movement of the 1960’s). If I could, I’d make every person on this planer to listen to this Magnum Opus, but obviously I can’t do that. Hopefully some of you will read this and subsequently discover some of the best music ever recorded on this planet.

CD 1 Recommend To A Friend

RUNSWICK / HYMAS ~ BIG BANDS 1974-78 ASC 175 (Barcode: 0712396065340) ~ UK ~ Big Band Jazz Recorded: 1974 - 1978 Released: 2019 This is a phenomenal and completely obscure archival album by British Jazz musicians: bassist / composer Daryl RunswickFind albums by this artist and keyboardist / composer Tony HymasFind albums by this artist. The album presents two recordings (details below), both in a Big Band format, which include the crème de la crème of the British Jazz scene active in the 1970s, including vocalist Norma WinstoneFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Don RendellFind albums by this artist and Tony CoeFind albums by this artist, trombonist Chris PyneFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummers Spike WellsFind albums by this artist and Tony CarrFind albums by this artist and many others. The sound quality of this material is truly sensational. The first project is the Tony Hymans – Daryl Runswick Big Band, captured live in 1974, performing four original compositions, one by Hymans and three by Runswick. The music is typical of the era, and similar to other Big Band projects from that time, like those by Mike WestbrookFind albums by this artist or Michael GibbsFind albums by this artist. The second project is an unreleased studio album “Señor Funk”, conceived by Denis PrestonFind albums by this artist and recorded at the legendary Lansdowne Studios in 1978. It presents six tracks, three composed by Runswick, one each by Tony Coe and John TaylorFind albums by this artist and one standard, all arranged by Runswick. Hymans was not a part of this project. As the album’s title suggests, it was supposed to be somewhat Latin Music oriented, which it indeed is, but it also remains very much British Jazz at its core. The level of composition and performance is everything one might expect from these sublime musicians, and the album is a great exposure to the previously unreleased music from this Golden era of British Jazz. Overall, this is a wonderful discovery and joy to be able to hear this great music, and for the British Jazz fans a great opportunity to hear again many of the heroes of that period. A must in every serious British Jazz collection!

Updated: 18/04/2025Posted: 18/04/2025

CD 1 Digipak Remastered Recommend To A Friend

SCHWAGER / OLIVER QUINTET ~ SENZA RESA CELLAR 030123 (Barcode: 875531023992) ~ CANADA ~ Jazz-Rock Fusion Recorded: 2022 Released: 2023 This is an album by Canadian Jazz quintet co-led by guitarist Reg SchwagerFind albums by this artist and saxophonist / flautist Ryan OliverFind albums by this artist, with keyboardist Nick PeckFind albums by this artist, bassist Rene WorstFind albums by this artist and drummer Ernesto CerviniFind albums by this artist. The album presents ten tracks, one of which is a live recording, which is a mixture of original compositions by the quintet members and music by others, including one tune by British composer Mike WestbrookFind albums by this artist. The music is hard to classify exactly and for luck of a better definition I’d call it contemporary Fusion, primarily due to the role of electric guitar, keyboards and bass, since compositionally the music is all over the place. But the original material is well weaved and the choice of external material is also very careful, which results in a pleasant, highly melodic and excellently performed, easy on the ear and entertaining listening experience. The Westbrook tune is, as expected, the highlight of the album. There is no doubt that these musicians are all highly professional and talented, but the music is hardly intellectually challenging, albeit, as already mentioned, very entertaining. There are some sound and balance issues, with overemphasized and boomy bass, but that is of course a matter of taste (and hearing). Overall, this is a fine Fusiony album, which most Jazz listeners should enjoy, if not in their living rooms then at least in their cars. This music probably is much more suited to be listened to live. Several of the melodies are really quite nice, but the album tends to run out of steam after several tracks, sounding somewhat repetitive. But all in all, not bad at all. Great cover Art!

Updated: 02/07/2023Posted: 02/07/2023

CD 1 Mini-Sleeve Recommend To A Friend

SOLID GOLD CADILLAC ~ SOLID GOLD CADILLAC / BRAIN DAMAGE BGO 0471 (Barcode: 5017261204714) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 - 1973 Released: 1999 This is a reissue of the only two albums released in the early 1970s by the short lived British Jazz-Rock ensemble Solid Gold CadillacFind albums by this artist, led by pianist / composer Mike WestbrookFind albums by this artist. The list of participating musicians reads like the Who´s Who of British Jazz / Jazz-Rock at the time: lead vocalist / trumpeter Phil MintonFind albums by this artist, saxophonist / flautist George KhanFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, guitarist Dick MorecombeFind albums by this artist, Westbrook on electric piano and additional vocals, pianist Fiachra TrenchFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer Alan JacksonFind albums by this artist. Guitarist Chris SpeddingFind albums by this artist guests on two tracks on the eponymous debut album. Brian GoddingFind albums by this artist plays guitar and Butch PotterFind albums by this artist plays bass on the second album and Trench does not take part in it. The debut album offers eleven tracks and the second album offers ten tracks, almost all of which were composed by Westbrook. The music is a zany, eclectic collection of absolutely stupendous music, light years ahead of its time at the time of the recording. It moves between Pop, Rock, Jazz-Rock, Jazz and typical Westbrook cabaret / vaudeville creations, all superbly performed by this elite team of musicians. My recent review of Kate WestbrookFind albums by this artist´s album "GraniteFind albums with this title" struck a "memory" chord and made me to come back to these two albums, which admittedly I have not listened to in decades. It is absolutely amazing how good this music sounds today, losing nothing of its freshness and ingenuity. The sense of humor and irony are already there, playing a major role in the overall scheme of things, going hand in hand with wonderful musicality and astounding versatility. Although Solid Gold Cadillac was only a small "sidestep" in Westbrook´s decades long career, in retrospect it proves again that he definitely is a man of the "golden touch", as far as music is concerned, and everything he created over time is able to defend its values over time. Although this reissue is long time out of print, it is definitely worth seeking out, not only for the Westbrook devotees, but for all British Jazz / Jazz-Rock collectors, who missed this jewel so far. Wholeheartedly recommended!

Updated: 16/08/2018Posted: 16/08/2018

CD 2 Remastered Recommend To A Friend

JOHN SURMAN ~ JOHN SURMAN VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz Recorded: 1968 Released: 2005 Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.

CD 1 Remastered Recommend To A Friend

BARBARA THOMPSON ~ FIRST LIGHT JAZZ IN BRITAIN 54 (Barcode: 5060774190524) ~ UK ~ Jazz Recorded: 1971 - 1972 Released: 2023 This is an album collecting three archival live recordings / radio broadcasts by the late British Jazz saxophonist / composer / bandleader Barbara ThompsonFind albums by this artist, which present her in various settings with the crème de la crème of the British Jazz musicians active in the early 1970s. As a result, it is a companion album to the tremendous 14CD Box Set “Live At The BBCFind albums with this title” by Barbara Thompson, released in 2020 by RepertoireFind albums on this label Records, offering material uncovered after the Box Set was released. This album, released by the Jazz In BritainFind albums on this label label, is a completely non-commercial release, with all profits from the album going to the Cure Parkinson’s Trust, a moving gesture by all the people involved, including Barbara’s and Jon HisemanFind albums by this artist’s daughter Ana GraceyFind albums by this artist and Jazz In Britain founder John ThurlowFind albums by this artist. We all still mourn Barbara’s and Jon’s untimely departures of course. The first two tracks present the Group EFind albums by this artist, which comprised of (in addition to Barbara) vocalist Pepi LemerFind albums by this artist, pianist Peter LemerFind albums by this artist, bassist Johnny DyaniFind albums by this artist and drummer Laurie AllanFind albums by this artist. The music is Avant-Garde Jazz, with superb vocal parts by Lemer, who sadly is often forgotten, but was one of the most interesting Jazz vocalist of the period. The next three tracks present a suite for a Big Band, called “The Awakening”, co-composed by Barbara and Jon. The band features a dreamy lineup of eleven instrumentalists and a vocalist – no other than my beloved Norma WinstoneFind albums by this artist – which reads like a Who’s Who of the modern British Jazz and is conducted by Neil ArdleyFind albums by this artist. The players are: trumpeters Ian HamerFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Don RendellFind albums by this artist and Barbara Thompson, cellist Charles TunnellFind albums by this artist, pianist Howard RileyFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jon Hiseman. The music is absolutely brilliant and very typical of the Big Band recordings recorded at the time by Neil Ardley, Mike WestbrookFind albums by this artist and others. The vocal parts by Winstone are, not surprisingly, my favorite jewels, but the entire suite is simply divine and the fact it was discovered and now released is no less than sensational. The last five tracks are by Barbara’s group JubiabaFind albums by this artist, which comprised of (in addition to Barbara) trumpeters George ChisholmFind albums by this artist and Ian CarrFind albums by this artist, Wadsworth, Le Sage, Peter Lemer, bassist Roy BabbingtonFind albums by this artist, drummer Martin DrewFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. It presents the early version of the band, which was essentially dedicated to combining Jazz with World Music influences, mostly Latin. As far as I am aware, this is the earliest recordings by Jubiaba captured on tape. Overall, this is an absolute jewel from start to finish and an absolute must to all British Jazz enthusiasts, and in retrospect one of the most surprising and important releases by the Jazz In Britain label so far. The Big Band piece alone is a beacon symbolizing the birth of the modern British Jazz, with everything it stands for: ingenuity, originality, groundbreaking musical thinking and enormous talent. Hats off to everybody involved!

Updated: 26/07/2023Posted: 26/07/2023

CD 1 Mini-Sleeve Recommend To A Friend

COLIN TOWNS ~ NOWHERE & HEAVEN PROVOCATEUR 1013 (Barcode: 5029152801322) ~ UK ~ Jazz Recorded: 1996 Released: 1996 British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist presents his 2nd large scale Jazz project on this album, released on his record label ProvocateurFind albums on this label Records. Five years after his previous release, which was a great surprise and a stunning example of modern big band Jazz music, Towns takes the listener even further into the realm of orchestral Jazz, with an ambitious and complex piece of music, performed by his Mask Orchestra, which includes some of the best Jazz players in Britain, such as Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Guy BarkerFind albums by this artist (trumpet) and Clark TraceyFind albums by this artist (drums). But the greatest surprise on the album is the presence of Italian singer Maria Pia De VitoFind albums by this artist, who delivers some remarkable vocal parts, cleverly incorporated into the music, often taking the music places previously unexplored. Incorporating vocal parts into large scale orchestral Jazz is not new in the British Jazz tradition and has been previously used during the golden age of the late 1960s / 1970s by composers like Mike WestbrookFind albums by this artist, Michael GarrickFind albums by this artist and others. I suppose Towns is familiar with these examples and I’m happy to see him creating an up-to-date example of this compositional device. The music is truly grand, rich and sophisticated; somewhat similar to Classical Music at times, but more dynamic and of course retaining the element of swing, which clearly keeps the music well inside the overall framework of Jazz. Perfect performances, with many splendid solo parts and the fantastic sound quality all contribute to the success of this album, which deserves a worthy place in the Pantheon of the valued British Jazz tradition. Although requiring attentive listening, patience and open-mindedness, this music is richly rewarding and holds many intellectual as well as emotional qualities, which should keep all Jazz lovers happy. Wholeheartedly recommended!

CD 2 Recommend To A Friend

VARIOUS ARTISTS ~ AND DID THOSE FEET… JAZZ IN BRITAIN 52 ~ UK ~ Jazz Recorded: 1971 - 1980 Released: 2023 This archival 2CD album accompanies the book by Duncan HeiningFind albums by this artist of the same title, published by the inexorable Jazz In BritainFind albums on this label label / publishing house, which continues, to the delight of all British Jazz lovers, to bring to light previously unreleased or long forgotten gems from the depths of private archives. The book, subtitled “Six British Jazz Composers”, presents biographies of six pivotal British Jazz figures and the album brings music illustrating their vast achievements. All the music was previously unreleased and all originates from BBC broadcasts. CD1 presents recordings by Michael GarrickFind albums by this artist from 1972, Michael GibbsFind albums by this artist from 1971 and Barry GuyFind albums by this artist from 1971. CD2 presents recordings by John MayerFind albums by this artist from 1972, Keith TippettFind albums by this artist from 1971 and Mike WestbrookFind albums by this artist from 1980. The collective lineup of the musicians performing herein is a magnificent compendium of the who’s who of the British Jazz scene at its most dramatic development period. All the music, except that by Westbrook, originates from the early 1970s, and Westbrook’s activity at that time was also absolutely essential, which means that the editors of this album did not have access to any of his early 1970s material, which would have fitted perfectly. The lineups include an intimate trio, two septets and three large ensembles, and stylistically it moves between delicate lyrical compositions, via orchestral works, Jazz-World Fusion experiments and Free Jazz / Avant-Garde explorations, all this happening at the same time slot, which portrays the British Jazz scene perfectly. I vividly remember the abundance of talent and feverish activity at the time, which meant that selecting an event to go to was often an impossible choice. This album also emphasizes the importance and incredible support by the BBC to the development of music (Jazz but also Rock) at the time. None of this music herein would be available to us today if not for those regular broadcasts and the sublime recording quality of those guys in white coats… Overall, this is a tremendous piece of British Jazz history, absolutely essential to all the fans, and of course a perfect companion to the book, which is also wholeheartedly recommended! British Jazz forever!

Updated: 19/12/2023Posted: 19/12/2023

CD 2 Mini-Sleeve Remastered Recommend To A Friend

VARIOUS ARTISTS ~ SARAJEVO (SUITE) HARMONIA MUNDI 13039 (Barcode: 3366750130396) ~ FRANCE ~ Jazz & Poetry Recorded: 1993 Released: 1994 This is a brilliant and completely obscure European Jazz & Poetry album, which features a large group of creative Artists, dedicated to the commemorative effort of the bombing and destruction of the Bosnian city of Sarajevo during the Yugoslav Wars. The original music accompanies texts by Bosnian poet Abdulah SidranFind albums by this artist. The participating musicians include British Lindsay CooperFind albums by this artist, Phil MintonFind albums by this artist, Kate WestbrookFind albums by this artist, Mike WestbrookFind albums by this artist, Chris BiscoeFind albums by this artist, French Henri TexierFind albums by this artist and Louis SclavisFind albums by this artist, German Wolfgang PushingFind albums by this artist, Dutch Willem BreukerFind albums by this artist and many others. The music is absolutely sensational and combined with the deeply penetrating texts offers a shocking protest against war, political extremism, cruelty, intolerance and injustice. Musically it presents mostly contemporary Jazz themes sprinkled with Balkan folkloristic accents, but also some orchestral, Avant-Garde and Classical pieces, all creating a collage of music and words, which is impossible to stay indifferent to. Sadly, this is a rare example of protest in contemporary music, in contrast to what was happening in music in the 1960s, when the social / political protest was deeply intertwined in the music mainstream. Humanity is slowly becoming indifferent and therefore a project like this one is especially important and worth being remembered. Overall, this is an absolutely marvelous piece of music and poetry, which is also an example of Artists unified by a political issue, which needs to tackled. Performed by some of the best European musicians, actors, producers and other creative contributors, this album is as important for its aesthetics as for its moral significance. Sadly, it is extremely difficult to find a copy if this album today, but every effort to do so will be richly rewarded. A true gem of European Culture!

Updated: 25/06/2023Posted: 25/06/2023

CD 1 Recommend To A Friend

VARIOUS ARTISTS ~ TURTLE RECORDS: PIONEERING BRITISH JAZZ 1970-1971 RPM 528 (Barcode: 5013929552807) ~ UK ~ Jazz Recorded: 1970 - 1971 Released: 2015 This is a phenomenal Box Set including the reissues of all three albums released by the legendary British TurtleFind albums on this label label, owned by producer Peter EdenFind albums by this artist, who besides owning the label was also responsible for producing a long list of revolutionary British Jazz albums, which are all classics today and which document the extraordinary explosion of creativity and talent that transformed British Jazz into a new idiom, emancipated from the American Jazz tradition, proudly stepping into a new dimension, which spread rapidly to the European Continent giving birth to European Jazz. Eden´s productions included albums by such pioneering Jazz musicians like Mike WestbrookFind albums by this artist, John SurmanFind albums by this artist, Alan SkidmoreFind albums by this artist, Michael GibbsFind albums by this artist, Norma WinstoneFind albums by this artist and others, as well as no less pioneering Rock / Prog musicians. Most of his productions were originally released on the DawnFind albums on this label and DeramFind albums on this label labels. The three albums included in this Box Set are: "OutbackFind albums with this title" by Mike OsborneFind albums by this artist, "FlightFind albums with this title" by Howard RileyFind albums by this artist and "Pause, And Think AgainFind albums with this title" by John Taylor.Find albums by this artist To read the reviews of these albums please click on their titles. The set also includes a fabulous book "The Turtle Records Story" by Colin HarperFind albums by this artist, which is an excellently written and researched account of Eden´s activity at the time, and which includes may interviews with musicians involved and photographs taken at the time, in short a superb piece of British Jazz history. This is a splendid example of what writing about music is all about. I can hardly imagine a more important document of the pivotal period of the British Jazz than this Box Set. The music is still shockingly expressive, losing nothing of its power and farsightedness over time, the production is exemplary and the listening experience exhilarating. Anybody interested in Jazz who does not own the original LPs should of course get this Box Set ASAP, since not knowing this music is simply criminal. Unless of course someone prefers to listen to the insanely boring American mainstream…

Updated: 26/01/2019Posted: 20/05/2016

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

KATE WESTBROOK ~ CUFF CLOUT VOICEPRINT 310 (Barcode: 604388315123) ~ UK ~ Jazz Recorded: 2001 Released: 2003 British vocalist / lyricist Kate WestbrookFind albums by this artist, wife and musical companion of the celebrated pianist / composer Mike WestbrookFind albums by this artist, has been a singular figure on the local Art scene for decades. Her completely unique vocal approach as well as her exceptionally broad understanding and knowledge of the European literary and cultural heritage, make her a singular artistic personality of unparalleled quality. Combined with her knowledge of other European languages (French and German), which enables her to perform music written to accompany literary pieces in these languages and use the original versions, she is a perfect performer and a perfect partner for Mike Westbrook, similar to the role of the great Lotte LenyaFind albums by this artist with her husband Kurt WeillFind albums by this artist. This superb album presents a project originally staged in 1994 but recorded seven year later, in which Kate presents music composed by several of her favorite contemporary composers and to which she wrote original lyrics. Accompanied by a stellar cast of players, which includes among others saxophonists Chris BiscoeFind albums by this artist, Peter KingFind albums by this artist, Barbara ThompsonFind albums by this artist, Kate delivers the texts with true artistry and the overall effect of the music and lyrics is truly overwhelming. Perhaps not for a casual listener, but this project is so elegant and sophisticated that true music lovers will definitely enjoy it to the fullest. Warmly recommended!

CD 1 Recommend To A Friend

KATE WESTBROOK ~ EARTH FELT THE WOUND WESTBROOK 006 (Barcode: 5052442017929) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 2018 - 2020 Released: 2020 This is the second album by British Jazz vocalist / lyricist Kate WestbrookFind albums by this artist, recorded with a septet called The Granite BandFind albums by this artist, which also includes her husband / pianist / composer Mike WestbrookFind albums by this artist, saxophonist Roz HardingFind albums by this artist, guitarists Jesse MolinsFind albums by this artist and Matthew NorthFind albums by this artist, bassist Billie BottleFind albums by this artist (who also adds some vocals and keyboards) and drummer Coach YorkFind albums by this artist. The album presents twelve tracks, all but three composed by Mike Westbrook with lyrics, all but four written by Kate Westbrook. Musically the album is a continuation of its predecessor “Granite”, with a Fusiony, almost Rocky electric sound, superbly performed by the instrumentalists. The subject matter of the lyrics remains as serious as they come, concentrating on the imminent environmental disasters that face us and our planet. Using French, German and Italian texts, as usual, Kate expands the dramatic delivery, which her voice suits perfectly. The music and lyrics generate an effect of a post-apocalyptic theatre performance, definitely not for the weak hearted. Of course everything works out superbly and despite the morose atmosphere the album is a tour de force from start to finish, which of course should not surprise anybody familiar with the work of the Westbrooks, which basically stays on the same aesthetic platform since decades. They are a phenomenon, which is absolutely unique, although clearly connected to the legacy of Berthold BrechtFind albums by this artist and Kurt WeillFind albums by this artist and other European Avant-Gardists, who saw music / theatre / poetry / dance as an organic artistic body of human creativity. Overall, this is another masterpiece by the Westbrooks, who seem to be completely immune to time and its tides, ignoring fads and fashions and simply doing their own unique thing. Their legacy is a treasure chest of European culture, which is timeless and universal, always ahead of their time and contemporary. An absolute Godsend and a must to any serious music lover!

Updated: 08/08/2022Posted: 08/08/2022

CD 1 Digipak Recommend To A Friend

KATE WESTBROOK ~ GRANITE WESTBROOK 003 (Barcode: 5024545826722) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 2018 Released: 2018 This is the eagerly anticipated new album by British vocalist / lyricist Kate WestbrookFind albums by this artist, which presents what she calls a soliloquy featuring music composed, as expected, by her husband, pianist / composer Mike WestbrookFind albums by this artist. She is supported by a sextet called The Granite BandFind albums by this artist, which in addition to Mike Westbrook also includes saxophonist Roz HardingFind albums by this artist, guitarists Jesse MolinsFind albums by this artist and Matthew NorthFind albums by this artist, bass guitarist Billie BottleFind albums by this artist and drummer Coach YorkFind albums by this artist. The title piece comprises of twenty three short tracks, split into three song cycles. The album closes with a short version of an Irving Berlin standard, whistled by Kate, which is a perfect ironic ending to the entire piece. The music is quite unexpected, even to long time Westbrook followers, like yours truly. Although the introductory or epilogue piece in each of the three cycles are presented in the familiar voice / piano format, which the Westbrooks have been using from day one, the rest of the pieces have a strong Rocky character, with dominant electric guitars in the foreground, which goes back stylistically to Westbrook´s Solid Gold CadillacFind albums by this artist days. At first it is a bit "bizarre", but as the album progresses it does make perfect sense after all. Kate Westbrook´s vocals fit perfectly this unusual, Rocky environment. Her theatrical delivery works with the same effectiveness, regardless of the style that the accompanying music follows, which of course is truly astounding. Although Kate never tried to "sing" in the traditional way, her vocals prove to be more universal than those offered by conventional singers. Her throaty voice is still one of the best means of vocal delivery out there. The libretto, which is included in the album´s booklet, is a complex associative / imaginative / metaphoric tale of a granite quarry and its workers, which has a wide spread moral, philosophical and even religious implications, as usual with Kate Westbrook´s works. This intellectual layer is of course an integral part of the entire work, complementing it superbly. The Westbrooks seem to be completely immune to the passing of time and this album, which one would expect to be created by musicians, who are generations younger then the iconic pair, proves that they simply ignore, as they have always done, any stylistic transitory norms, simply doing what they see as appropriate. Although full of Rock and Fusion elements, this music is immediately recognizable as part of the Westbrook legacy, with the same mark of excellence, which accompanies everything they create. Superb stuff!

Updated: 02/08/2018Posted: 02/08/2018

CD 1 Digipak Recommend To A Friend

KATE WESTBROOK ~ THE NIJINSKA CHAMBER VOICEPRINT 383 (Barcode: 604388322428) ~ UK ~ Jazz Recorded: 2005 Released: 2006 Brilliant album by singer / lyricist Kate WestbrookFind albums by this artist with music by her husband Mike WestbrookFind albums by this artist, dedicated to the memory of Bronislava Nijinska (sister of Vaslav Nijinsky), the great pioneer of modern choreography. Of Polish descent, Nijinska started her career in Russia, but soon became internationally known and worked all over the world, being admired and revered as the pioneer of modern ballet. She died in Los Angeles in 1972. Westbrook´s lyrics tell the story of her life with taste and extraordinary sensitivity to Art, in all its revelations. The entire suite is performed by Westbrook either solo or accompanied by the extraordinary accordion player Karen Street, creating a sublime atmosphere of cabaret, French chanson and Kurt Weill´s "The Threepenny Opera". Not an easy piece of music, this is a masterpiece of European elegance and sophistication, which requires a refined listener to enjoy the music in full. Brilliant stuff!

CD 1 Recommend To A Friend

KATE WESTBROOK / MIKE WESTBROOK ~ ART WOLF ALTRISUONI 186 (Barcode: 7619993001869) ~ UK ~ Jazz & Poetry Recorded: 2004 Released: 2005 This is an album by the British Jazz Royal couple of vocalist / lyricist Kate WestbrookFind albums by this artist and her husband / pianist / composer Mike WestbrookFind albums by this artist, recorded with saxophonists Peter WhymanFind albums by this artist and Chris BiscoeFind albums by this artist. Drummer Jon HisemanFind albums by this artist guests on two tracks. The album was recorded by Hiseman at his London Temple Music Studios. The album presents twelve songs, all composed by Mike Westbrook with lyrics by Kate Westbrook. The album is a tribute to the relatively little known Swiss 18th Century painter Caspar WolfFind albums by this artist, and each of the songs relates to a specific painting by Wolf, hence the title. Musically the album is a continuation of the long tradition of Jazz albums created by the Westbrook couple, full of incredible music and brilliant lyrics, which are one of the British Jazz recorded legacy highlights. Kate’s intense perception of European Culture and Art is a unique phenomenon, which deserves to be admired in its all manifestations. The intimate lineup of vocals / piano and two saxophones emphasizes Mike Westbrook’s genius as a composer, and the delivery lacks absolutely nothing to create a full-fledged Jazz performance, including fierce soloing. The two saxophonist perform genius orchestral parts playing unisono or accompanying each other, with a breathtaking efficiency and genius. Overall, this is another masterpiece by the Westbrooks, who seem to be completely immune to time and its tides, ignoring fads and fashions and simply doing their own unique thing. Their legacy is a treasure chest of European culture, which is timeless and universal, always ahead of their time and contemporary. An absolute Godsend and a must to any serious music lover!

Updated: 10/08/2022Posted: 10/08/2022

CD 1 Digipak Recommend To A Friend

KATE WESTBROOK / MIKE WESTBROOK ~ STAGE SET ASC 009 (Barcode: 5029716000925) ~ UK ~ Jazz & Poetry Recorded: 1995 Released: 1996 This is an album by the British Jazz Royal Couple: singer / lyricist Kate WestbrookFind albums by this artist and her husband pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded in the minimalist duo setting, finds them performing a set of fifteen songs, which include original compositions by Mike Westbrook to poetry by Kate Westbrook and many other prominent literary figures in several languages, as well as classic Blues / Jazz / Cabaret material. I have no idea how I managed to miss this wonderful album for so long (it was recorded almost thirty years ago), but better late than never, so here it comes at last. It is an epitomic example of the Westbrook couple performances, which I had the pleasure to experience several times over the years, a close dialogue between the idiosyncratic vocal style, deeply rooted in theater and cabaret and the sublime accompanying piano playing, which is Westbrooks trademark. Some of the material present here can be heard on other albums by the couple and it is a kind of “best off” collection of songs, which were a part of their repertoire at the time. Kate, as usual, is a bigger than life performer, taking each and every one of these songs deep into her world of unique personal interpretation, which knows no equals. Singing in several languages (Greek, Italian, German, French and English) and in diverse musical idioms, she stays always unmistakably herself. Mike, always closely by her side, carefully wraps her vocals with his chords, providing the velvety background that allows her vocal pyrotechnics to sparkle in full. As usual, the couple are able to create a whole world of culture and aesthetics, which embraces the European traditions not only in music, but also in literature, philosophy and morality, which of course is a very rare phenomenon. Overall, this is an essential piece of the Westbrook couple discography, which never disappoints. Intimate duo settings focuses on Kate’s vocal performances, which are some of the most unique ones out there. For British Jazz collectors, this is an absolute must, although this album might prove to be difficult to find these days. Wholeheartedly recommended, a gem of an album!

Updated: 24/01/2023Posted: 24/01/2023

CD 1 Recommend To A Friend

KATE WESTBROOK / MIKE WESTBROOK ~ THE SERPENT HIT WESTBROOK 001 (Barcode: 5060195515159) ~ UK ~ Jazz Recorded: 2013 Released: 2013 This is an album by the iconic British Jazz couple, vocalist / lyricist Kate WestbrookFind albums by this artist and pianist / composer / bandleader Mike WestbrookFind albums by this artist. Kate is accompanied by a saxophone quartet: Andy TweedFind albums by this artist, Chris BiscoeFind albums by this artist, Karen StreetFind albums by this artist and Chris CaldwellFind albums by this artist and a drummer Simon PearsonFind albums by this artist. Mike wrote all the music, but surprisingly he does not take part in the performance. The album presents six original compositions, five of which feature lyrics by Kate and one is an instrumental. The album was beautifully recorded by the lamented Jon HisemanFind albums by this artist in his recording studio. The album´s artwork features a painting by Kate, which reveals another facet of her artistic activity. The music, which is based on a piece originally commissioned by the British Delta Saxophone QuartetFind albums by this artist (Of which Chris Caldwell is a member), is an amazing amalgam of Jazz and contemporary Classical Music with a pinch of Rock, beautifully melodic and at times even romantic. Kate´s lyrics, which are mostly morbid and bitter, create a strange contrast to the musical background, with the overall effect being extremely potent. The individual and collective performances by the members of the saxophone quartet are all superb, handling the difficult and multilayered compositions with ease and elegance and in perfect harmony. The drums, used sparingly, emphasize some rhythmic characteristics of the complex music and ornament the overall ambience during the down tempo parts. Kate´s lyrics deal with the Biblical notion of "original sin", which haunts humanity continuously over time and stands behind the major problems we face, both as individuals and societies, ultimately bound for destruction. Some of these ideas appear in her works consistently over the years. Overall this album is a true piece of Art of the highest level. The music, the lyrics and the artwork combined are a testimony of haute culture, which characterizes the legacy of the Westbrooks, which spans over several decades. This album completely slipped under my radar at the time it was released and I thank Mike Westbrook for graciously sending me a copy of this gem. If anybody else misses it in their Westbrook collection, the time to seal the gap is now!

Updated: 03/08/2018Posted: 03/08/2018

CD 1 Digipak Recommend To A Friend

MIKE WESTBROOK ~ A BIGGER SHOW ASC 162-163 (Barcode: 654469439163) ~ UK ~ Jazz Recorded: 2015 Released: 2016 This is an incredible album that celebrates eight decades of life and six decades of musical activity by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, one of the most iconic figures of British / European Jazz and in retrospect an unstoppable innovator, who is always ahead of the time of his contemporaries. The album is a live recording of a show, which features the music of Mike Westbrook and lyrics by his wife Kate WestbrookFind albums by this artist, performed by an orchestra consisting of twenty one musicians and called The "Uncommon OrchestraFind albums by this artist". The 2CD album presents eight original compositions, four on each CD, one of which is over half an hour in duration. The music was recorded, mixed and edited by the recently departed Jon HisemanFind albums by this artist, who closely cooperated with Westbrook for many years of his life. Westbrook´s big ensemble music is always an amazing amalgam of marching Brass Bands, Circus Music, Funeral Bands, Cabaret and Vaudeville, modem day Opera and Jazz Big Bands. This has not changed much over time, as a concept, but his music travelled far and wide stylistically over the years, always being exceptionally creative and completely unique. The music on this album is no different, and presents a highly complex musical story, which keeps enfolding in front of the listener like an Opera plot. The Orchestra, which is basically a large brass section supported by a double rhythm section (two guitars, two basses and two drums) performs superbly and the orchestra members play bloodcurdling solos along the way. Kate Westbrook, Martine WaltierFind albums by this artist and Billie BottleFind albums by this artist perform the vocal parts, which are, as usual, theatrical and full of drama. A few legendary veterans can be found among the orchestra members, like saxophonist Alan WakemanFind albums by this artist and trumpeter Dave HoldsworthFind albums by this artist, both soloing splendidly. Overall this is another Mike Westbrook masterpiece, which proudly takes its place with his earlier works in the rich tapestry of his musical achievements. His many followers will hopefully add this jewel to the Mike Westbrook collection, as it wholly deserves to be heard and admired. There are but a few contemporary musical figures, which have behind them six decades of pioneering work and a splendid legacy of uncompromising musical treasures. Wholeheartedly recommended!

Updated: 02/02/2023Posted: 25/06/2018

CD 2 Digipak Recommend To A Friend

MIKE WESTBROOK ~ CATANIA WESTBROOK 004 (Barcode: 5052442014829) ~ UK ~ Jazz Recorded: 1992 Released: 2018 This is an archive concert recording by British Jazz Colossus pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Orchestra, recorded over three days in July 1992 in Catania, Sicily during the Mike Westbrook Festival organized by local Jazz aficionados. Twenty four musicians take part in the recordings: twenty one members of the Orchestra including Mike and his wife Kate WestbrookFind albums by this artist and three guests - vocalist Phil MintonFind albums by this artist, French violin virtuoso Dominique PifarelyFind albums by this artist and Italian trombonist Danilo TerenziFind albums by this artist. The concerts were not officially recorded at the time, but the lamented studio wizard Jon HisemanFind albums by this artist, to whom this album is dedicated, managed to restore the music from various sources half a Century later to produce this double CD with sixteen tracks, seven of which are extended pieces between ten and almost twenty minutes long. As Westbrook writes in the liner notes the Orchestra was at the absolute top form at the time, following UK and European tours with the Big Band Rossini project, which culminated in a Royal Albert Hall concert for the BBC Proms, which took place on 30th of August 1992, just a month after the music presented here was performed and recorded, followed by the recording of the splendid "The Orchestra Of The Smith`s AcademyFind albums with this title" album in September of the same year. The material includes a wide range of compositions, with only one piece from the Rossini project and the rest covering Westbrook´s compositions going as far back as the mid-1970s ("Citadel / Room 315Find albums with this title") and his explorations of William BlakeFind albums by this artist and Berthold BrechtFind albums by this artist / Kurt WeillFind albums by this artist inspirations. The majority of the material is of course original, composed by Westbrook, with just one standard, one Duke Ellington inspired piece, two Brecht / Weill pieces and one Gioachino RossiniFind albums by this artist inspired piece arranged by him. As appropriate for a Westbrook Festival the music represents faithfully Westbrook´s musical path up to the time of the recording. I am sure I don´t need to convince any of the numerous Mike Westbrook followers that this album is an essential piece of his recorded legacy. Although the sound quality is perhaps not ideal in comparison to his other live recordings, it is certainly acceptable, surely thanks to Hiseman´s efforts. The music is certainly way too good to remain in the vaults. This album is pretty unique as far as the choice of material is concerned, since usually Westbrook´s live recordings document his current projects rather than a review of his work with an almost nostalgic glance back. With such quality of the music and the superb abilities of the performers involved, this is a beautiful time capsule, which documents not only the achievements of Westbrook but the entire European Jazz history at its best. One should admire Westbrook not only for his music but also for his consistent effort to document his music. More information about Mike Westbrook can always be found on his web site www.westbrookjazz.co.uk

Updated: 02/02/2023Posted: 23/07/2019

CD 2 Digipak Recommend To A Friend

MIKE WESTBROOK ~ CITADEL / ROOM 315 BGO 713 (Barcode: 5017261207135) ~ UK ~ Big Band Jazz Recorded: 1975 Released: 2006 This magnificent album marks a pivotal point in the career of pianist / composer Mike WestbrookFind albums by this artist, a transition between the first and the second phases of his monumental life’s achievement. Since it is a suite composed for and performed by a large ensemble (19 musicians in this case), it continues the pioneering work by Westbrook as a composer of large scale orchestral music and closes the cycle which started with the debut "CelebrationFind albums with this title" and continued with "ReleaseFind albums with this title", "Marching SongsFind albums with this title", "Love SongsFind albums with this title" and "MetropolisFind albums with this title". In between “Metropolis” and "Citadel / Room 315Find albums with this title" Westbrook ventured into Jazz-Rock Fusion with the group Solid Gold CadillacFind albums by this artist, returning to Jazz with the new suite, which was commissioned by the Swedish Radio Jazz Group with John SurmanFind albums by this artist as a guest soloist. It was first performed and recorded in 1974, but for various reasons the recording was not released, so Westbrook decided to record it with a British lineup, following several performances in UK a year later. As usual in his case, he managed to assemble the best Jazz players on the British Jazz scene to participate in the recording, including John Surman as the main soloist on baritone and soprano saxophone, with Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist on trumpet, Dave MacRaeFind albums by this artist on piano, Brian GoddingFind albums by this artist on guitar, Chris LaurenceFind albums by this artist on bass and Allan JacksonFind albums by this artist on drums and many others. The music is of course brilliant, as always, but surprisingly more melodic and accessible than most of his earlier works, with clear “winks” towards the work of Duke EllingtonFind albums by this artist. Superbly arranged and performed, this is an epic achievement, sadly one of the last great Jazz works of such scale, as the climate in Britain was about to change very soon and the magnificent Golden Decade was facing an inevitable comedown. Westbrook was of course to continue his extraordinary work as a composer, but his albums will be gradually released on small independent labels and sell meagerly. Well, we still have this essential recording to re-visit any time we feel a need to refill out batteries with some highly charged musical delight. Essential!

Updated: 12/03/2022Posted:

CD 1 Slipcase Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ FINE `N YELLOW GONZO 014 (Barcode: 5060230860428) ~ UK ~ Jazz Recorded: 2009 Released: 2010 British pianist / composer Mike WestbrookFind albums by this artist seems to have found the fountain of youth. Now, at the end of his fifth decade as one of the most important European music makers, leader, prophet, innovator and magician, Westbrook continues to astonish his devotees with new music, alas less frequently than in the past. Accompanied by his faithful life and musical partner, wife, singer / lyricist Kate WestbrookFind albums by this artist and a team of superb instrumentalists, Mike created this new album, which is dedicated to the memory of a couple of their friends and supporters Margery and John Styles, who are now both deceased. Obviously a work of love and deep gratitude, this new musical journey takes the listener through different chapters in the Styles´ life´s story, as told by Kate´s lyrics and ornamented by Mike´s music. Musically Mike uses the Blues as the basis for all his compositions on this album, which is somewhat unusual for him, although not entirely unexpected. The four musicians accompanying the Westbrooks on this album are reedmen Chris BiscoeFind albums by this artist and Peter WhymanFind albums by this artist, bassist Steve BerryFind albums by this artist and legendary drummer Jon HisemanFind albums by this artist, who also directed, engineered and mixed this album in his Temple Music studios. The production and sound quality are truly amazing, which adds to the overall pleasure and delight of listening to the music. Biscoe and Whyman solo beautifully, both on saxophones and clarinets, often interplaying and exchanging licks fiercely. Berry´s bass is both precise and inspired, gluing the music together and Hiseman´s drumming is outstanding, tasteful and incredibly musical above all. Listening to Hiseman´s contributions here one can really hear the difference between drumming and playing the drums. Mike plays some very nice keyboards parts in addition to his usual piano contributions. Kate´s vocal delivery is strong, clear and exquisite as usual with her theatrical trickery of twisting the vocals any way she pleases still amazing every time. Overall this is one of the best albums I´ve heard in a long time, a complete experience, both aesthetical and intellectual, as all good Art should be able to consist of. This one goes beyond any recommendation, being simply a masterpiece and an essential musical experience!

CD 1 Recommend To A Friend

MIKE WESTBROOK ~ GLAD DAY ENJA 9376 (Barcode: 063757937623) ~ UK ~ Jazz & Poetry Recorded: 1997 Released: 1999 This is a 2CD album presenting the studio recording of the "Glad Day" Jazz & Poetry project, which combines the poems of celebrated British poet William BlakeFind albums by this artist with the music composed by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded in November 1997 at C.T.S. Studios in London. The music was performed by vocalists Phil MintonFind albums by this artist and Kate WestbrookFind albums by this artist, with Mike Westbrook on piano, saxophonists Peter WhymanFind albums by this artist, Alan WakemanFind albums by this artist and Chris BiscoeFind albums by this artist, bassist Steve BerryFind albums by this artist and drummer Dave BarryFind albums by this artist. The Senior Girls Choir of Blackheath Conservatoire of MusicFind albums by this artist, directed by Lucy McAlaryFind albums by this artist appears on fire tracks and four guitarists appear on one track. The album presents twelve tracks, all composed by Mike Westbrook. Westbrook´s association with the poetry of Blake goes back to the early days of his career, with the release of the legendary album "Tyger (A Celebration Of William Blake)Find albums with this title" released in 1971, which remains criminally unreleased on CD to this very day. In 1980 Westbrook released another Blake related album called "The Westbrook Blake (Bright As Fire)Find albums with this title" and then in 1999 he released this studio version of "Glad DayFind albums with this title" as a 2CD album, which was followed by a live version “Glad Day LiveFind albums with this title”, filmed and recorded in 2008 and released in 2014 as a DVD / CD set. Ten of the twelve compositions included in the studio version are present on the live album. The poignant and truly revolutionary poetry of Blake challenged Westbrook to create some of his most magnificent work, combining the British traditions of Folk, Classical and Choral music with his Jazz inspirations. The result is one of the most inspiring Jazz & Poetry projects ever created. It offers a sublime balance between the lyrics and the instrumental parts, which compliment each other perfectly. The carefully selected group of musicians performing the music is absolutely perfect for the job. Mike Westbrook plays several deeply moving solo piano parts, as do all other musicians on their respective instruments. Steve Berry is equally proficient playing arco and rhythmic pulsations. The unusual instrumental setting works out magnificently. Minton and Kate Westbrook are as usual beautifully expressive, sensitive and elegant. The choir parts are delicate and modest, as required by this fragile sonic environment. In short this is simply a perfect piece of musical artistry from start to finish. For British Jazz lovers and Westbrook followers this is an absolute must of course. For music connoisseurs not familiar with his work (shame on you!) this is a perfect introduction to his musical world, accessible to every sensitive person on this planet.

Updated: 09/09/2024Posted: 09/09/2024

CD 2 Recommend To A Friend

MIKE WESTBROOK ~ GLAD DAY LIVE WESTBROOK 002CD (Barcode: 5060195515791) ~ UK ~ Jazz & Poetry Recorded: 2008 Released: 2014 This is a DVD / CD set presenting a live recording of the "Glad Day" Jazz & Poetry project, which combines the poems of celebrated British poet William BlakeFind albums by this artist with the music composed by British pianist / composer / bandleader Mike WestbrookFind albums by this artist. Filmed and recorded in concert in December 2008 at Toynbee Studios in London, the music was performed by vocalists Phil MintonFind albums by this artist and Kate WestbrookFind albums by this artist, Mike Westbrook on piano, accordionist Karen StreetFind albums by this artist, violinist Billy ThompsonFind albums by this artist, bassist Steve BerryFind albums by this artist and the London College of Music Chamber ChoirFind albums by this artist directed by Paul AyersFind albums by this artist. Most of the compositions were arranged by Adrian MitchellFind albums by this artist, and a couple of them by Kate Westbrook. The filming and recording of this material involved the lamented Jon HisemanFind albums by this artist. The material on the DVD and CD is identical except for one track on the CD which was re-recorded a day later. Westbrook´s association with the poetry of Blake goes back to the early days of his career, with the release of the legendary album "Tyger (A Celebration Of William Blake)Find albums with this title" released in 1971, which also involved Mitchell, and which remains criminally unreleased on CD to this very day. In 1980 Westbrook released another Blake related album called "The Westbrook Blake (Bright As Fire)Find albums with this title" and then in 1999 he released the studio version of "Glad DayFind albums by this artist" as a 2CD album. Ten of the twelve compositions included in the studio version are present on this live album. The poignant and truly revolutionary poetry of Blake challenged Westbrook to create some of his most magnificent work, combining the British traditions of Folk, Classical and Choral music with his Jazz inspirations. The result is one of the most inspiring Jazz & Poetry projects ever created. It offers a sublime balance between the lyrics and the instrumental parts, which compliment each other perfectly. The carefully selected group of musicians performing the music is absolutely perfect for the job. Mike Westbrook plays several deeply moving solo piano parts, as do Thompson and Street on their respective instruments. Berry is equally proficient playing arco and rhythmic pulsations. The unusual instrumental setting (accordion & violin) works out magnificently. Minton and Kate Westbrook are as usual beautifully expressive, sensitive and elegant. The choir parts are delicate and modest, as required by this fragile sonic environment. In short this is simply a perfect piece of musical artistry from start to finish. For British Jazz lovers and Westbrook followers this is an absolute must of course. For music connoisseurs not familiar with his work (shame on you!) this is a perfect introduction to his musical world, accessible to every sensitive person on this planet.

Updated: 10/10/2018Posted: 10/10/2018

DVD+CD 2 Recommend To A Friend

MIKE WESTBROOK ~ IN MEMORY OF LOU GARE WESTBROOK 002 (Barcode: 5024545821529) ~ UK ~ Jazz Recorded: 2010 - 2015 Released: 2018 This is a vey unique album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Uncommon OrchestraFind albums by this artist, which is a loving tribute to the orchestra´s member saxophonist Lou GareFind albums by this artist, who sadly died in 2017. The album presents nine live recordings by the orchestra, featuring extensive soloing by Gare, recorded between 2010 and 2015. The music is mostly composed by Westbrook except for one standard and one piece by Chris McGregorFind albums by this artist arranged by Westbrook. Seven of the recordings are extracts from longer pieces, focusing on the parts played by Gare. Being a Jazz musician, especially so in the framework of a Big Band or Jazz Orchestra can be frustrating as far as getting recognition and appreciation, not even mentioning "fame". Usually it is the bandleader who gets the recognition and whose name appears in the headlines and on album covers. Many thousands of unsung Jazz heroes, who played in Big Bands over the last Century, are completely unknown even to the most avid and dedicated Jazz fans. It takes someone like Mike Westbrook to understand this and try to pay tribute to one of the musicians who played in his band for many years, and who was blessed by extraordinary talent, which sadly was only marginally noticed beyond the small circle of "insiders". As the music present on this album proves beyond any doubt, Gare had a completely unique sound and improvisational approach, which was deeply rooted in the Jazz tradition yet at the same time was also completely unconventional. The wonderful amalgam of minimalism and modesty with fiery imagination and unprecedented skill, always expressed with elegance and grace, made Gare one of the best British saxophonists. As expected, the album is full of superb music, and the fact that most of the tracks are extracts doesn’t have any negative impact on the flow of the music and its coherency. The album includes detailed notes by Westbrook, describing each of the included tracks and which are informative and obviously express his love and appreciation towards Gare. Overall it is a genuine first class listening experience in addition to being a much deserved tribute to a musicians worth being remembered. Wholeheartedly recommended!

Updated: 12/07/2018Posted: 12/07/2018

CD 1 Digipak Recommend To A Friend

MIKE WESTBROOK ~ LIVE 1972 HUX 151 (Barcode: 682970001517) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 Released: 2017 This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released in 1973 as “LiveFind albums with this title” on the legendary CadillacFind albums on this label label as a five-tracks LP. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios. For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking. Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold CadillacFind albums by this artist band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.

Updated: 21/01/2023Posted: 21/01/2023

CD 1 Remastered Bonus Tracks Recommend To A Friend

MIKE WESTBROOK ~ LIVE 1972 (CADILLAC 50TH ANNIVERSARY EDITION) CADILLAC 001 (Barcode: 5020675000421) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 Released: 2023 This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released on LP in 1973 as “LiveFind albums with this title” and presented only five-tracks. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios. Although released previously in 2017 on the now defunct HUXFind albums on this label label, a copy of which is now impossible to find, this edition celebrates the 50th Anniversary of the legendary CadillacFind albums on this label label founded by John JackFind albums by this artist, as it was the first release on that label. It is absolutely delightful to see the British Jazz legacy being kept alive and the Cadillac label getting a second “life”. For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking. Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold Cadillac band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.

Updated: 06/01/2024Posted: 06/01/2024

CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

MIKE WESTBROOK ~ LONDON BRIDGE IS BROKEN DOWN BGO 0788 (Barcode: 5017261207883) ~ UK ~ Jazz-Classical Fusion Recorded: 1987 Released: 2008 The second phase of Mike WestbrookFind albums by this artist’s illustrious career, which was initiated around mid-1970s and continues to this day, can be characterized by his gradual shift from the big orchestral formats to much more intimate assemblages, centered around himself and his wife Kate WestbrookFind albums by this artist and including members from a steady core of musicians cooperating with them. Kate’s remarkable voice and even more remarkable personality added several new dimensions to the unique “Westbrook voicing” of musical ideas, which would become their trademark in years to come. Her extraordinary sensitivity, openness and passion for European literature and poetry and her ability to sing in French and German (in addition to English of course), combined with Mike’s sublime talent for composition, enabled them to create a vast body of work, which extends far beyond “music making” per se and transferred gradually into one of the most profound European expressions of Culture. Although deeply rooted in Jazz, their music encompasses many additional musical areas, ranging from cabaret and chanson to contemporary Classical music. Always meticulously researched and perfectly scored, the Westbrook projects are all masterpieces of contemporary Art, way beyond straightforward music creation. One can perhaps trace these tendencies to the Jazz & Poetry amalgamations common in the early 1960s, or even much earlier examples from Classical music, which combined musical ideas with literary sources. Mike and Kate are a complete cultural phenomenon; alas a radically rare one in our times, in complete contrast to most of the “musical“ ventures polluting our ears. The music included on this album is perhaps the most complex and ambitious project the Westbrooks have ever undertaken. Commissioned by the French Festival International de Jazz d’Amiens for the 1987 edition of the festival, it was premiered there and later recorded in Paris. The music is an extended work for two orchestras – Jazz and Symphonic – incorporating texts selected and written by Kate. The music and text were written and assembled over a period of four years (1983-1987) and inspired by the places, which the Westbrooks visited during their intensive touring voyages. The overall idea was to present a picture of Europe at the time, with its immense political, social and cultural complexity, focusing on four European Capitals (London, Prague, Berlin and Vienna) and the French Picardie Region. Westbrook’s Jazz “orchestra” was in fact a nonet, with him on piano, Kate on vocals, Chris BiscoeFind albums by this artist on saxophones and clarinet, Peter WhymanFind albums by this artist on saxophones, Graham RussellFind albums by this artist on trumpet and flugelhorn, Paul NiemanFind albums by this artist on trombone, Brian GoddingFind albums by this artist on guitar, Steve CookFind albums by this artist on bass and Tony MarshFind albums by this artist on drums. The Mike Westbrook Orchestra and Le Sinfonietta de PicardieFind albums by this artist were both conducted by Alexandre MyratFind albums by this artist. The album was originally released in 1988 on VirginFind albums on this label as a four LP set (three and a half to be exact), but disappeared almost immediately from the shelves. Kudos to BGOFind albums on this label for reissuing this masterpiece and exposing this music to new potential listeners, nothing deserves a wider recognition than this cultural treasure. Beyond essential!

Updated: 28/07/2023Posted:

CD 2 Slipcase Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ LONDON BRIDGE LIVE IN ZURICH 1990 WESTBROOK 011 (Barcode: 5052442022893) ~ UK ~ Jazz-Classical Fusion Recorded: 1990 Released: 2022 This is an archival live album by British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, which presents a performance of the orchestral suite “London Bridge Is Broken DownFind albums with this title” at the Zurich International Jazz Festival in 1990, three years after the suite was premiered 1987 at the French Festival International de Jazz d’Amiens and later recorded in a Paris studio. The 2CD album presents twelve tracks, two of which last for well over twenty minutes The lineup on this recording is somewhat different and includes Mike Westbrook on piano, Kate WestbrookFind albums by this artist on vocals and Mike Westbrook OrchestraFind albums by this artist with trumpeter Graham RussellFind albums by this artist, trombonist Paul NiemanFind albums by this artist, saxophonists Peter WhymanFind albums by this artist, Alan WakemanFind albums by this artist and Chris BiscoeFind albums by this artist, tuba player Andy GrappyFind albums by this artist, guitarist Brian GoddingFind albums by this artist, bassist Tim HarriesFind albums by this artist and drummer Peter FaircloughFind albums by this artist. The classical orchestra is the Docklands SinfoniettaFind albums by this artist conducted by Rupert BondFind albums by this artist. The musical content is almost identical to the studio recording, but naturally this live version offers the excitement, dynamics and natural differences between a studio recording and a live performance, which as expected is absolutely sensational. You can read my review of the studio album (by clicking on the link) for a detailed review of the music and its place in Westbrook’s extensive career. Overall, this is a brilliant piece of music, and in many respects a pinnacle in Mike Westbrook’s career as a composer and Kate Westbrook’s career as an interpreter of multilingual literary works within the Jazz idiom. The album is of course an absolute must in every serious British Jazz collection, and an essential part of Westbrook’s discography. Thanks for bringing this marvelous music out to light after thirty years of hibernation.

Updated: 28/07/2023Posted: 28/07/2023

CD 2 Digipak Recommend To A Friend

MIKE WESTBROOK ~ LOVE AND UNDERSTANDING: CITADEL / ROOM 315 SWEDEN `74 MY ONLY DESIRE 003 (Barcode: 5052442016687) ~ UK ~ Big Band Jazz Recorded: 1974 Released: 2020 This is an archival album, which finally brings back to life the original live recording of the “Citadel / Room 315Find albums with this title” suite by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with the Swedish Radio Jazz GroupFind albums by this artist featuring Westbrook on electric piano and British saxophonist John SurmanFind albums by this artist as the guest soloist. A studio version of the suite was recorded a year later by an all British lineup and released on RCAFind albums on this label. The album presents eleven tracks, all composed and arranged by Westbrook. The recording quality is absolutely marvelous. The sixteen members strong Swedish Radio Jazz Group included some of the finest Swedish / European musicians active at the time, including saxophonists Arne DomnerusFind albums by this artist and Lennart AbergFind albums by this artist, trumpeter Bertil LovgrenFind albums by this artist, pianist Bengt HallbergFind albums by this artist and others. A comparison with the British recording version, which of course is well known to all Westbrook followers, shows several distinct differences, especially as far as the overall sound, which here is somewhat more “traditional” and closer to the American Big Band tradition, which is not surprising considering the years-long Swedish Jazz tradition, very closely linked to the American tradition and the fact that many prominent American Jazz musicians lived in Sweden at the time. The British version, recorded by the young generation of musicians, who revolutionized the local Jazz scene completely and managed to create a distinct new Jazz dialect, is somewhat more daring and “subversive”, in the best possible way of course. Kudos to My Only DesireFind albums on this label Records for releasing this fabulous piece of music, which was dormant for so many years. All British Jazz fans are grateful, of course! Overall, this is a wonderful piece of British Jazz history, which deserves to be heard today, as it lost absolutely nothing of its power of expression and aesthetic values, fulfilling a missing link that many Westbrook fans can now consider as resolved. An absolute must have!

Updated: 02/02/2023Posted: 12/03/2022

CD 1 Mini-Sleeve Remastered Recommend To A Friend

MIKE WESTBROOK ~ LOVE SONGS VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.

CD 1 Remastered Bonus Tracks Recommend To A Friend

MIKE WESTBROOK ~ MAMA CHICAGO JAZZPRINT 139 (Barcode: 604388687824) ~ UK ~ Jazz Recorded: 1979 Released: 2007 This magnificent album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is a superb example of European Jazz at its best, combining the Jazz tradition with the European heritage. "Mama ChicagoFind albums with this title" is a Jazz cabaret, constructed and envisaged as a continuation of the European cabaret legacy, established by Kurt WeillFind albums by this artist and Berthold BrechtFind albums by this artist in the early 20th century. Westbrook wrote the music and the lyrics were written by his wife and faithful companion Kate WestbrookFind albums by this artist, a great connoisseur of the European literary tradition. The music is performed by a septet, which includes Westbrook on piano and tuba, Kate on vocals and piccolo flute, trumpeter Phil MintonFind albums by this artist, saxophonists Mick PageFind albums by this artist and Chris HunterFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist and drummer Dave BarryFind albums by this artist. As appropriate for a cabaret, it includes a series of songs, linked together by a theme, which is repeated several times in various forms. Overall it is absolutely stunning both on record and live, which I´ve been privileged to witness on several occasions. Kate´s vocal performances send a current down the listener´s spine time and time again and the instrumental passages, the arrangements and the atmosphere they inspire is spectacular, without being bombastic. This is definitely a masterpiece and another crown jewel in Westbrook´s life-time monument of achievements. Absolutely not to be missed!

CD 2 Recommend To A Friend

MIKE WESTBROOK ~ MARCHING SONGS VOL.1 & 2 RIGHTEOUS 23:12 (Barcode: 5013929981225) ~ UK ~ Jazz Recorded: 1969 Released: 2009 This magnificent piece of music by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is an iconic recording in the history of modern British Jazz. The huge band, which recorded this music, includes absolutely everybody who was anybody on the scene at the time: saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Malcolm GriffithFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist, drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist; these being only some of the 30 participants. The music is an extended suite (originally released on 2 LPs) with the main theme being an anti-war protest, as appropriate at the time when the Vietnam was in the center of everybody´s attention. The music was composed almost entirely by Westbrook, with a few sections composed by Surman. There is no point in explaining the significance of this music and its pioneering nature (which I have already done many times here), suffice to say that this is an absolute masterpiece in every respect and no decent Jazz record collection should exclude this historical milestone. Absolutely essential!

Updated: 10/03/2023Posted:

CD 2 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ METROPOLIS BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz Recorded: 1971 Released: 1999 If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!

CD 1 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ ON DUKE`S BIRTHDAY HATOLOGY 635 (Barcode: 752156063520) ~ UK ~ Jazz Recorded: 1984 Released: 2007 This is a long overdue reissue of the superb album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his orchestra, paying tribute to the genius of Duke EllingtonFind albums by this artist, the great American Jazz composer. In contrast to most tribute albums, Westbrook does not present his interpretations or new arrangements of Ellington´s music, but composes completely new music himself, which relates to the many complex aspects of "Ellintonia" such as harmony and melody, in spirit rather than literally to his music. As usual in Westbrook´s case, the music is outstanding, as are the performances by his orchestra members, which includes his wife and musical companion Kate WestbrookFind albums by this artist on flutes and voice, trumpeter Phil MintonFind albums by this artist, saxophonist Chris BiscoeFind albums by this artist, guitarist Brian GoddingFind albums by this artist, drummer Tony MarshFind albums by this artist, and others. Westbrook´s followers know exactly what to expect from him as he never fails to amaze and surprise, other might perhaps finally discover him, as he is one of those well kept secrets, which once discovered stay with you for life. Grab it!

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

MIKE WESTBROOK ~ PAINTBOX JANE WESTBROOK 010 (Barcode: 5024545977127) ~ UK ~ Jazz Recorded: 2017 Released: 2022 This is an album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, his wife vocalist / lyricist Kate WestbrookFind albums by this artist and a bunch of friends, collectively known as Westbrook & CompanyFind albums by this artist, which includes vocalists Martine WaltierFind albums by this artist and Billie BottleFind albums by this artist, actor Tim GoodwinFind albums by this artist, saxophonist Alan WakemanFind albums by this artist and bassist Marcus VergetteFind albums by this artist. It presents a musical play, with music by Mike Westbrook and libretto by Kate Westbrook, first performed in London in 2016 and recorded in the Temple Music Studios in 2017 by the lamented Jon HisemanFind albums by this artist, to be released only five years later. The album presents fifteen mostly relatively short tracks (but three of which last for about ten minutes each), all but one composed by Westbrook. The show presents a scene based around the great French painter Raoul DufyFind albums by this artist painting a portrait of Jane on the Nice promenade, when (as the description on the album’s booklet says): “a troupe of singers and instrumentalists enter into a spirited exchange with the painter about the nature of Art and his place in its history”. The music is absolutely exquisite and offers some of Westbrook’s most melodic and lyrical pieces ever, in most cases beautifully sung Kate. In other cases, the music serves as a background to the spoken texts by the vocalists / actors. As usual with the Westbrooks in action, the entire album is soaked in European aesthetics, which deals with Culture in all its aspects and manifestations, with an emphasis on painting in this case. The philosophical and existential issues touch upon in Kate’s libretto is a reoccurring in many different disguises in her literary work since many years. The intimate and minimalist instrumental settings of just saxophone / keyboards / bass manage to create a completely coherent soundtrack to the proceedings, with brilliant soloing by Wakeman and solid bass pulsations by Vergette, with Mike brilliantly providing the harmonic / melodic background to the entire extravaganza. As usual, this music is simply bigger than life in every aspect. Overall, this is another Masterpiece by the Westbrooks and their cohorts, absolutely exploding with brilliant music all over and superbly put together with the spoken word, singing and playing creating a magic carpet ride of multilayered stimuli. Absolutely not to be missed and a crucial piece of the Westbrooks puzzle, which seems to know no borders or limitations. Epic!

Updated: 02/02/2023Posted: 02/02/2023

CD 1 Digipak Recommend To A Friend

MIKE WESTBROOK ~ PARIS ASC 166 (Barcode: 607128998563) ~ UK ~ Jazz Recorded: 2016 Released: 2017 This is a solo piano album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist. It was captured live in Paris, beautifully recorded by the lamented Jon HisemanFind albums by this artist, and presents twenty relatively short pieces, most of which were composed by Westbrook, but a few standards and a couple of BeatlesFind albums by this artist songs are also included. The pieces are sub-divided into four cycles and an epilogue of sorts. Westbrook´s solo piano performances are a splendid opportunity to examine the alter ego of the orchestral Westbrook, which is by far more representative and dominant in his career. The dexterity and complexity which characterizes Westbrook orchestral universe is gone completely and the listener is exposed to the innermost "naked" and minimalistic Westbrook, toying with single notes and isolated chords as if he was reading a series of haiku poems. Even the most experienced Jazz listeners will need to make a serious effort to recognize the familiar melody lines within the notes created by Westbrook´s fingers touching the keyboard. But of course this music is not about playing melodies; it is a form of mysterious interpretation and creation of an atmosphere rather than actual delivery of the music per se. In other words Westbrook playing the piano just by himself delivers the music the way he feels and understands it, not necessarily the way it was originally written, even in the case of his own compositions. As everything in the sphere of haute culture this music is a combination of elegance and sophistication, which work on the intellectual "muscles", with emotional stimuli that touch the listener´s heart and soul. As such, the effect the music has on a listener is directly proportional to his openness and submission to the Artist´s dominion transmitted through the notes he produces on the instrument. Overall this is a wonderful package of pure delight, which demands total attention and openness but pays back with interest. Solo piano connoisseurs and the many Westbrook followers will find this album irresistible, and all I can do is to recommend it, not only to the Jazz diehards, but all listeners of unadulterated great music. A must!

Updated: 12/07/2018Posted: 12/07/2018

CD 1 Digipak Recommend To A Friend

MIKE WESTBROOK ~ STARCROSS BRIDGE HATOLOGY 754 (Barcode: 752156075424) ~ UK ~ Jazz Recorded: 2017 Released: 2018 This is a solo piano album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist. This album was recorded at the same venue in Paris, where Westbrook recorded his previous solo piano album "ParisFind albums with this title" eighteen months earlier, this time without any people in the audience. It presents fourteen pieces, grouped into three chapters and a postscript; some composed by Westbrook or co-composed by him and his wife Kate WestbrookFind albums by this artist, others coming from such diverse sources as The Beatles or familiar Jazz standards. The music was edited and mixed by the lamented Jon HisemanFind albums by this artist and offers a wonderfully detailed sound quality. Westbrook solo piano recordings, starting with the album "PianoFind albums with this title" recorded over four decades ago and now expanded by "Paris" and this album, are a wonderful opportunity to get acquainted with the most intimate side of Westbrook the pianist. His work with small and especially so with large ensembles are first and foremost a showcase of his compositional achievements and his role as a pianist is often overshadowed by the intensity of these works and perhaps also a tendency to put other instrumentalists (or vocalists) in the limelight. The solo piano recordings are therefore the most exposed instances of Westbrook´s piano playing and as such most revealing. The choice of material obviously reflects Westbrook´s admiration of Duke EllingtonFind albums by this artist and Thelonious MonkFind albums by this artist and of course his love for his wife and musical partner Kate Westbrook. In many respects, at least to me, this album is a reflection of his life and his musical path, seen in retrospect and expressed with extraordinary finesse and emotion. Age does this to you, grabbing you by the throat and forcing you to look back at your life and take an account of it. I can hardly imagine a more beautiful way to do this than what Westbrook manages to do here. The way Westbrook touches the keyboard is also quite extraordinary. The use of silence and pause makes all the difference and he is an absolute Master of timing, which results in the music being as much a consequence of the notes he plays as of the silent moments separating them. The "slow motion" effect he uses here so brilliantly achieves the same effect as watching a movement in slow motion – it allows a much higher resolution of the separate notes and their mutual relationships, which would not be possible when the notes follow each other in rapid progression. There is no doubt that Westbrook, despite his advanced age, is till very much a leading force of the British / European Jazz scene and his prolific and blissfully diverse recordings being released at a steady paste are constantly a source of musical Artistry of the highest caliber, for which we are all thankful. God Bless!

Updated: 03/11/2018Posted: 03/11/2018

CD 1 Mini-Sleeve Oversampling Recommend To A Friend

MIKE WESTBROOK ~ THE CORTEGE ENJA 9587 (Barcode: 063757958727) ~ UK ~ Jazz & Poetry Recorded: 1982 Released: 2011 This is a reissue of the monumental work by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his 17-piece Orchestra, recorded in 1982, which features some of the most important British Jazz musicians active at the time, many of them Westbrook´s cohorts many years before and after the recording of this masterpiece. This of course includes his lifetime partner vocalist Kate WestbrookFind albums by this artist, and among others guitarist Brian GoddingFind albums by this artist, trumpeter Phil MintonFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Chris BiscoeFind albums by this artist and bassoonist Lindsay CooperFind albums by this artist; in short a dream team by all respects. Originally released as a 3 LPs set it was remastered and released here as a double CD. "The CortegeFind albums with this title" is a concept album, related to the funeral procession and all it symbolizes, in this case a procession accompanied by music, like the customary New Orleans Jazz funeral which goes back to the cradle of the Jazz idiom, but not stopping there of course, neither conceptually not musically. The lyrics, which are incorporated into the concept, which are poems written by celebrated European poets: Arthur RimbaudFind albums by this artist, Hermann HesseFind albums by this artist, Frederico Garcia LorcaFind albums by this artist, Giuseppe Gioachino BelliFind albums by this artist, John ClareFind albums by this artist and Pentii SaarikoskiFind albums by this artist (included in the album´s booklet both in their original language and in English translations, when appropriate), present an additional layer to the conceptual approach, which presents a three part cycle of life / death / after(life), with all the philosophical, aesthetic and even theological aspects involved. Of course listeners interested only the musical layer of this complex work, are perfectly free to enjoy it as such in the fullest. Mike´s and Kate´s musical universe was always an amalgam of music and poetry in one way or another, and their approach to music as simply one facet of what we call Culture, being inseparable from its other manifestations, has been very consistent. Their familiarity with the literary world in many different languages and originating from all across Europe is truly phenomenal, and as an avid connoisseur of European Culture myself, I have always admired the Westbrooks for what they were doing. Since the Jazz & Poetry idiom, which this work and many other works by the Westbrooks belong to, is my specialty (bordering on obsession some may say) it is plainly obvious that I absolutely admire this album since I first heard it and unwaveringly continue to do so. In Westbrook´s prolific recorded legacy this album serves as a turning point in many respects; although some of the albums recorded before "The Cortege" already included literary references, like those dedicated to the work of William BlakeFind albums by this artist ("Tyger (A Celebration of William Blake)Find albums with this title" from 1971 and "The Westbrook Blake (Bright As Fire)Find albums with this title" from 1980), the inclusion of literary contents from this point forward was about to become almost a modus operandi, both for the large scale orchestral and more intimate projects. Blake, of course, is not missing from this album and a rendition of his eternal "Jerusalem" is included herein. It is fascinating to make a comparison of the orchestral arrangements present on this album with Westbrook´s early orchestral works from the late 1960s and early 1970s, which clearly depicts his ever developing palette as a composer / arranger as well as his shift towards less dominant orchestral sound, which is rarely used in its full might on this album with subtlety and allusion playing a much more significant role. In many respects "The Cortege" embodies the spirit of European Jazz; it includes a grain of the Jazz tradition, but expands the idiom dramatically, incorporating contemporary European Classical Music elements, Folklore, Rock, Cabaret, and a myriad of other musical and non-musical ingredients. This transformation could be described by a mathematical analogy of expanding a singularity (a point) into a multi-dimensional space. In retrospect this album is one of the most important European Jazz (and beyond) recordings, which to this day has very few, if any, equivalents and which serves (or rather should serve) as a model of human ingenuity in the world of Art, which is sadly extremely rarely followed by anybody these days. I can hardly imagine any serious European Jazz connoisseurs who miss this epic album in their collections. In case anybody does miss it, this can be easily rectified, as this remastered edition of the album is still available. Don´t dare to think twice about it!

Updated: 28/03/2016Posted: 28/03/2016

CD 2 Digipak Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz Recorded: 1968 Released: 2018 This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later. This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears). The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017. The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity. Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!

Updated: 02/02/2023Posted: 09/10/2018

CD 1 Mini-Sleeve Remastered Recommend To A Friend

MIKE WESTBROOK ~ WAXEYWORK SHOW JAZZPRINT 140 (Barcode: 604388696529) ~ UK ~ Jazz Recorded: 2007 Released: 2007 British composer / bandleader / musician Mike WestbrookFind albums by this artist is a celebrated figure on the local and international Jazz scene, well earned by over four decades of outstanding contributions to the development of European Jazz. His brilliant compositions and numerous splendid ensembles under his leadership are examples of the highest musical achievements. This album present a recent work by Westbrook, recorded live by his ensemble called "The Village BandFind albums by this artist", which is a brass sextet – an unusual setting in every respect. The players include Westbrook on euphonium, his wife Kate WestbrookFind albums by this artist on tenor horn and vocals, trumpeter Mike BrewerFind albums by this artist, trombonist Sam SmithFind albums by this artist and saxophonists Stan WillisFind albums by this artist and Gary BayleyFind albums by this artist. The album includes the musical suite, which gives it its title and six additional shorter pieces, which are arrangements of five classic Jazz / Blues tunes and one Westbrook original. As usual with Westbrook, the music is divine, the execution perfect and the overall effect stunning. He simply is a genius and everything he touches is pure gold. Wholeheartedly recommended!

CD 1 Recommend To A Friend

MIKE WESTBROOK ~ WESTBROOK-ROSSINI HATOLOGY 661 (Barcode: 752156066125) ~ UK ~ Jazz-Classical Fusion Recorded: 1986 Released: 2008 British pianist / composer / arranger / bandleader Mike WestbrookFind albums by this artist has been a most prominent figure on the European Jazz and Avant-Garde scene since the 1960s and his enormous contribution to music is immeasurable. His numerous recordings, varying in scale from solo piano to large orchestras have always been a source of inspiration and full of deeply aesthetic statements, often combining music with European literary legacy. This recording, which is somewhat unusual for Westbrook, finds him interpreting classical music, namely excerpts from operas by Italian composer Gioachino RossiniFind albums by this artist ("William Tell", "The Barber Of Seville", "Otello"), completely rearranging and altering the source and shaping it into a new mold, mixed with some additions of his own. The music is performed by a septet, which includes Westbrook on piano and tuba, his wife and faithful musical companion Kate WestbrookFind albums by this artist on vocals, piccolo and tenor horn, Lindsay CooperFind albums by this artist on soprano saxophone, Peter WhymanFind albums by this artist on alto saxophone, Paul NiemanFind albums by this artist on trombone, Andy GrappyFind albums by this artist on tuba and Peter FaircloughFind albums by this artist on drums. The overall effect is absolutely stunning, full of brilliant ideas, breathtaking performances and a dash of humor, which often characterizes Westbrook´s work. Stylistically the music covers everything from New Orleans marching bands to a New York loft Avant-Garde performance, with a truly remarkable fluidity and brilliance. This is a treat for true connoisseurs of madcap but genius music, intellectually challenging and culturally transcending the borders of time and space. A true masterpiece! The original release of this album was unfortunately unavailable for ages and the new edition is a godsend for music lovers.

Updated: 23/07/2019Posted:

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend

NORMA WINSTONE ~ IT`S LATER THAN YOU THINK PROVOCATEUR 1037 (Barcode: 5038491103721) ~ UK ~ Jazz Recorded: 2004 Released: 2006 British singer Norma WinstoneFind albums by this artist has been my favorite Jazz singer for almost 40 years now, ever since I heard her performing in the late 1960s in the midst of the burgeoning British Jazz scene at the time. I always followed her extraordinary career closely and of course collected all her recordings, which in retrospect constitute a massive body of marvelous music. At the peak of the British Jazz scene in the late 1960s – 1970s she sang with the best: Michael GarrickFind albums by this artist, Mike WestbrookFind albums by this artist, Michael GibbsFind albums by this artist, John SurmanFind albums by this artist and many others, contributing not only her extraordinary vocal performances but also her talent as a lyricist. With the decline of the local scene she continued on the European scene, both as a soloist and with the trio AzimuthFind albums by this artist (with her husband, pianist John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist). She is an enormously versatile performer, feeling at ease in any environment, from classic Jazz standards to Avant-Garde explorations. I always found her to be the most sensitive, highly musical and open-minded interpreter of both the music and the lyrics, which turn everything she touches into High Art. Happily for the music lovers, her talent and abilities seem to be untouched by time and she’s able to deliver her best up to this very day, which is well documented on this album as well. Accompanied by the splendid NDR Big BandFind albums by this artist (Northern German Radio Big Band resident in Hamburg), one of the best Jazz Big Bands in the world today, Norma delivers a wonderful set of songs, all brilliantly arranged by Colin TownsFind albums by this artist, who also conducted the band. The choice of material is fascinating and quite challenging as well, as Norma performs songs written by such dissimilar composers as Joni MitchellFind albums by this artist, Leonard CohenFind albums by this artist, Randy NewmanFind albums by this artist and Jaco PastoriusFind albums by this artist. Her highly personal delivery and the beautiful arrangements metamorphose these songs into completely new musical vistas, to the delight of any sensitive listener. The Big Band is used intelligently and skillfully, to serve as a perfect companion to her vocal delivery, without being overwhelming, in spite of its inherent might. The musicians are all virtuosi and highly experienced soloists, which is clearly evident from the instrumental solos, and include such renowned Jazz musicians as saxophonist Christof LauerFind albums by this artist and pianist (and my dear friend of Polish origin) Wladyslaw SendeckiFind albums by this artist. The recording and sound quality are stunning and resemble the sonic excellence of other European labels like ECMFind albums on this label Records. For me this is a great example of a perfect album – the music, the musicians and a voice of a Diva – what else can one ask for? Essential food for the soul.

Updated: 12/04/2019Posted:

CD 1 Essential Recommend To A Friend