Record Reviews

KEITH TIPPETT ~ THE NINE DANCES OF PATRICK O`GONOGON DISCUS 056 (Barcode: 5051078947426) ~ UK ~ Jazz Recorded: 2014 Released: 2016 This is an album by veteran and truly legendary British pianist / composer Keith TippettFind albums by this artist, recorded with his octet which also includes Italian trumpeter Fulvio SigurtaFind albums by this artist, saxophonists Sam MayneFind albums by this artist and James GardinerFind albums by this artist, trombonists Kieran McLeodFind albums by this artist and Rob HarveyFind albums by this artist, bassist Tom McCredieFind albums by this artist and drummer Peter FaircloughFind albums by this artist. Tippett´s wife, vocalist Julie TippettsFind albums by this artist, guests on one track. Apart from Sigurta, Fairclough and the leader of course, the other members of the octet are young players, graduates of RAM (Royal Academy of Music) who represent the new generation of British Jazz musicians. Keith Tippett was there at the very epicenter of the British Jazz revolution and emancipation almost form the very beginning. His unique approach to music, unrestrained chutzpah to ignore all restrictions and constant pursue of uncharted territory have characterized his musical creations over the years, moving in scope from solo piano works to music for large orchestras. He is also one of the very few British Jazz artists, who remained active, recorded ferociously and maintained his position in the vanguard of the British Jazz to this very day. As I am getting older the longing for the Golden Decade (1965-1975) of the British Jazz becomes notably more intense. Although I keep my ears close to the grapevine and follow what is happening on the British scene at all times, it seems to me that the spark of genius, the inventiveness and the joy of creation have all noticeably withered over time. Of course it is also possible that my personal perception of music has changed, or I am becoming senile and overwhelmed by nostalgic silliness, and yet the statistics are overwhelming: in my collection there are thousands of British Jazz albums recorded during (and around) the Golden Decade and only a few hundreds of albums recorded since. It that a coincidence? This album, however, is a ray of hope, which proves that not everything is lost and great music is still being made today. The overall character of this album, its concept and execution are all deeply rooted in the Golden Age tradition. The music smoothly incorporates composed music and improvised passages, it is melody based, but hides the melodic threads behind veils of multilayered arrangements and improvised parts, it incorporates folkloristic influences and it swings beautifully, but only occasionally; in short exactly the same characteristics that stood behind British Jazz some fifty years ago. As the album´s title suggests, Tippett re-examines and re-visits typical Irish motifs, some clearly audible other much more subtly concealed within the long suite-like composition. Although broken into separate tracks, the music on this album constitutes a complete, coherent and continuous entity, which can only be treated as a complete musical statement. There are plenty of great performances here, between the brilliant Tippett´s solo passages to the powerful octet statements. The dynamic range of this music keeps the listener in constant tension, trying to guess what the composer´s next move will bring. But as usual with Tippett, he is full of surprises, which means that there are no dull moments here. Is Tippett getting mellower in time? Perhaps this is the case, as this album is certainly more "listener friendly", melodic and simply wonderfully beautiful than most of his work so far. This attitude was quite surprising for me, but since it works brilliantly well with the more complex parts of this album, it makes me perfectly happy. Being a free spirit, musically or otherwise, and yet at the same time being able to communicate with a large audience is a rare and precious quality, and Tippett proves he´s got it all. Overall this is a brilliant, deeply moving piece of music, beautifully executed and standing up to the highest aesthetic echelons of British Jazz, established half a Century ago and still very much valid today. I can´t imagine any serious British Jazz connoisseur missing this album in his collection. Absolutely essential listening!

Updated: 02/01/2021Posted: 11/11/2017

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JULIE TIPPETTS & MARTIN ARCHER ~ ILLUSION DISCUS 131 (Barcode: 5051078993720) ~ UK ~ Avant-Garde Jazz Recorded: 2014 - 2021 Released: 2022 This is the fifth album by the British Jazz duo comprising of iconic vocalist / songwriter Julie TippettsFind albums by this artist and multi-instrumentalist / composer / DiscusFind albums on this label label owner Martin ArcherFind albums by this artist. The music was created over a period of six years since the release of the duo’s previous album, materializing two CDs worth of musical magic. The first CD, subtitled “Circle Of Whispers” presents thirteen songs performed by Tippetts and accompanied mostly by small ensembles between a duet and a quartet and in some cases including additionally a string trio. A long list of musicians take part in these recordings. The second CD, subtitled “Illusion Suite”, is a seven-part continuous suite, performed by the duo, a sextet of instrumentalist, a quintet of electronicists and a string trio. The music is quite different on these two CDs, which is a wonderful surprise. All the music is of course original and co-created by Tippetts and Arches (except in two cases). “Circle Of Whispers” is almost completely “well behaved”, presenting Tippetts singing lyrics (sometimes with overdubs) and rarely using vocalese. The songs have clearly defined melody lines, often bordering on Rock, some with a subtle and sublime Jazzy arrangements and others with an ambient / electronics background, brilliantly supported by Archer on keyboards, B. J. ColeFind albums by this artist on guitar, Laura ColeFind albums by this artist on piano and other excellent instrumentalists. Listeners familiar with Tippetts extensive recording career will be fondly reminded of her early (post Pop) solo career, with albums like “Sunset GlowFind albums with this title”. The entire album is absolutely fascinating from start to finish, and IMHO it is her strongest album in many years. Her vocal abilities are completely untouched by time and the creativity and imagination encapsulated in these songs are staggering. Hearing this music made me think that perhaps not all is lost in music yet. “Illusion Suite” is closer to the Avant-Garde side of the duo’s work in the past, with Tippetts still singing lyrics, but also using her voice (often overdubbed) in an instrumental capacity, singing extensive and not surprisingly breathtaking vocalese parts. The music is based on melodic themes, but is more open and improvised. One might define the suite as a concerto for multiple voices (sung by the same person) and an electro-acoustic ensemble. The excellent rhythm section of bassist Seth BennettFind albums by this artist and drummer Peter FaircloughFind albums by this artist manages to give the music a steady pulsating continuity, which helps the listen to follow the complex vocal and instrumental parts. Guitarist Anton HunterFind albums by this artist, trombonist George MurrayFind albums by this artist, vibraphonist Corey MwambaFind albums by this artist and trumpeter Charlotte KeeffeFind albums by this artist are in charge of the instrumental ornamentation, with Archer omnipresent keyboards, woodwinds and electronics creating the “wall of sound” background. This is, what I call, quite a journey… Overall, this is a brilliant piece of composing, performing, songwriting and everything else involved in creating a true “magic carpet ride”, which takes the listener places he probably never dreamt of. A most welcome comeback from Tippetts, which always leaves me waiting for more… Bless you and thanks for this gift of music!

Updated: 09/04/2022Posted: 09/04/2022

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MIKE WESTBROOK ~ LONDON BRIDGE LIVE IN ZURICH 1990 WESTBROOK 011 (Barcode: 5052442022893) ~ UK ~ Jazz-Classical Fusion Recorded: 1990 Released: 2022 This is an archival live album by British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, which presents a performance of the orchestral suite “London Bridge Is Broken DownFind albums with this title” at the Zurich International Jazz Festival in 1990, three years after the suite was premiered 1987 at the French Festival International de Jazz d’Amiens and later recorded in a Paris studio. The 2CD album presents twelve tracks, two of which last for well over twenty minutes The lineup on this recording is somewhat different and includes Mike Westbrook on piano, Kate WestbrookFind albums by this artist on vocals and Mike Westbrook OrchestraFind albums by this artist with trumpeter Graham RussellFind albums by this artist, trombonist Paul NiemanFind albums by this artist, saxophonists Peter WhymanFind albums by this artist, Alan WakemanFind albums by this artist and Chris BiscoeFind albums by this artist, tuba player Andy GrappyFind albums by this artist, guitarist Brian GoddingFind albums by this artist, bassist Tim HarriesFind albums by this artist and drummer Peter FaircloughFind albums by this artist. The classical orchestra is the Docklands SinfoniettaFind albums by this artist conducted by Rupert BondFind albums by this artist. The musical content is almost identical to the studio recording, but naturally this live version offers the excitement, dynamics and natural differences between a studio recording and a live performance, which as expected is absolutely sensational. You can read my review of the studio album (by clicking on the link) for a detailed review of the music and its place in Westbrook’s extensive career. Overall, this is a brilliant piece of music, and in many respects a pinnacle in Mike Westbrook’s career as a composer and Kate Westbrook’s career as an interpreter of multilingual literary works within the Jazz idiom. The album is of course an absolute must in every serious British Jazz collection, and an essential part of Westbrook’s discography. Thanks for bringing this marvelous music out to light after thirty years of hibernation.

Updated: 28/07/2023Posted: 28/07/2023

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MIKE WESTBROOK ~ WESTBROOK-ROSSINI HATOLOGY 661 (Barcode: 752156066125) ~ UK ~ Jazz-Classical Fusion Recorded: 1986 Released: 2008 British pianist / composer / arranger / bandleader Mike WestbrookFind albums by this artist has been a most prominent figure on the European Jazz and Avant-Garde scene since the 1960s and his enormous contribution to music is immeasurable. His numerous recordings, varying in scale from solo piano to large orchestras have always been a source of inspiration and full of deeply aesthetic statements, often combining music with European literary legacy. This recording, which is somewhat unusual for Westbrook, finds him interpreting classical music, namely excerpts from operas by Italian composer Gioachino RossiniFind albums by this artist ("William Tell", "The Barber Of Seville", "Otello"), completely rearranging and altering the source and shaping it into a new mold, mixed with some additions of his own. The music is performed by a septet, which includes Westbrook on piano and tuba, his wife and faithful musical companion Kate WestbrookFind albums by this artist on vocals, piccolo and tenor horn, Lindsay CooperFind albums by this artist on soprano saxophone, Peter WhymanFind albums by this artist on alto saxophone, Paul NiemanFind albums by this artist on trombone, Andy GrappyFind albums by this artist on tuba and Peter FaircloughFind albums by this artist on drums. The overall effect is absolutely stunning, full of brilliant ideas, breathtaking performances and a dash of humor, which often characterizes Westbrook´s work. Stylistically the music covers everything from New Orleans marching bands to a New York loft Avant-Garde performance, with a truly remarkable fluidity and brilliance. This is a treat for true connoisseurs of madcap but genius music, intellectually challenging and culturally transcending the borders of time and space. A true masterpiece! The original release of this album was unfortunately unavailable for ages and the new edition is a godsend for music lovers.

Updated: 23/07/2019Posted:

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