Record Reviews
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  | BROTHERHOOD OF BREATH ~ BREMEN TO BRIDGWATER
CUNEIFORM 182/183 (Barcode: 045775018225) ~ UK ~ Jazz
Recorded: 1971 - 1975 Released: 2004
This albums collects three concerts recorded by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist. The first recording captures the ensemble in its early days (1971) whereas the other two come from four years later (1975), towards the end of the life cycle of the first edition of the band, which came to its end with the death of trumpeter Mongezi FezaFind albums by this artist just a month after the last of these concerts was recorded. The collective lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Radu MalfattiFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist, Elton DeanFind albums by this artist, Bruce GrantFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist and Keith BaileyFind albums by this artist– drums. It is interesting to compare the development of the ensemble over this relatively short time period and see how well integrated musically and spiritually the ensemble really was. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
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  | BROTHERHOOD OF BREATH ~ ECLIPSE AT DAWN
CUNEIFORM 262 (Barcode: 045775026220) ~ UK ~ Jazz
Recorded: 1971 Released: 2008
This splendid recording by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist, captures the band at the Berliner Jazztage festival and presents the initial phase in their development as one of the most original and influential bands of the era. The lineup (which kept changing slightly over time) includes: Harry BeckettFind albums by this artist and Marc CharigFind albums by this artist – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums. The combination of Jazz, Free Improvisation and African music intermixed in a unique way creates a vibrant and challenging musical experience, which had no equal at the time. McGregor’s clever compositions are ideal vehicles for the individual and collective improvisations and the energy and fire this band has to offer transcends time and space, making it accessible to every connoisseur of good music on this planet. The music remains as valid and brilliant as it was at the time of the recording and its great to have it commercially released at last. Warmly recommended!
| | | CD 1 Recommend To A Friend |
  | BROTHERHOOD OF BREATH ~ TRAVELLING SOMEWHERE
CUNEIFORM 152 (Barcode: 045775015224) ~ UK ~ Jazz
Recorded: 1973 Released: 2001
The saga of the British ensemble Brotherhood Of BreathFind albums by this artist and their leader pianist / composer Chris McGregorFind albums by this artist stretches back in time and space to South Africa in the early-1960s, where McGregor founded the first mixed-race Jazz group in the country, the Blue NotesFind albums by this artist. For the Apartheid regime mixed-race groups were hardly a welcome activity and the group suffered many hardships and found it difficult to perform for the white public. In 1964 the group got permission to travel to Europe and eventually arrived in London, where they decided to stay. The Blue Notes played around UK initially as a sextet (McGregor – piano, Dudu PukwanaFind albums by this artist – alto sax, Nick MoyakeFind albums by this artist – tenor sax, Mongezi FezaFind albums by this artist – trumpet, Johnny DyaniFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums) and later as a quintet (after Moyake returned to SA). In spite of the fact that they were one of the most innovative and inspiring Jazz acts at the time, they never achieved proper recognition. The pioneering work of Jazz-World Fusion, with the emphasis on African music, which the group presented, was surely quite ahead of its time. By the early 1970s McGregor managed to form a large ensemble, combining the Blue Notes players with some of the most prominent British Jazz musicians of the time, which was called Brotherhood Of Breath. The resulting ensemble was surely one of the highlights of the British Jazz scene in the early to mid-1970s, offering an incredibly powerful stage act, which included a superb amalgam of modern Jazz, Free, Improvised Music and strong African music influence. The ensemble recorded but a few studio albums, but luckily many of their splendid concerts were recorded by radio stations and festivals, mostly around Europe, where they were always received warmly. This album documents a performance captured by the German Radio Bremen and is a superb example of what they were all about. The lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu Pukwana and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis Moholo – drums. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
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  | HUGH HOPPER ~ HOPPER TRINITY BOX
CUNEIFORM 240 (Barcode: 045775024028) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2007
2nd album by Hugh HopperFind albums by this artist (and the first release after he left Soft MachineFind albums by this artist), released originally on the tiny Norwegian Compendium label (same label that originally released Henry CowFind albums by this artist’s ConcertsFind albums with this title and other weird but wonderful music). Musically the album belongs very strongly to the Soft Machine experimental Jazz-Rock of the ThirdFind albums by this artist, FourthFind albums with this title, FiveFind albums with this title & SixFind albums by this artist period (when Hopper was still a member of the group). Hopper enlisted eight great musicians (Mark CharigFind albums by this artist, Elton DeanFind albums by this artist, Dave StewartFind albums by this artist, Gary WindoFind albums by this artist and others), all members of the flourishing Canterbury scene and UK Jazz circles (members in groups like Brotherhood Of BreathFind albums by this artist, GilgameshFind albums by this artist, Hatfield And The NorthFind albums by this artist, IsotopeFind albums by this artist, Keith TippettFind albums by this artist Sextet, etc), who make up the duos, trios, quartets and quintets that play on this album. He wrote all the music, except one track, which was composed by Ornette ColemanFind albums by this artist. This album is considered Hopper’s most consistent release ever and sounds as fresh today as when it was first recorded. For all Canterbury scene and SM fans this is an absolute must and it’s a great joy to see this album available again. Brilliant stuff!
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  | HARRY MILLER / ISIPINGO ~ FULL STEAM AHEAD
REEL RECORDINGS 012 (Barcode: 676868177927) ~ UK ~ Jazz
Recorded: 1975 - 1977 Released: 2008
Harry MillerFind albums by this artist brought over from his native South Africa a whole universe of music, which he and several of his South African musical cohorts injected into the British Jazz scene at a time of its greatest glory, not only musically but also socially, when it opened its arms and embraced any worthy influence, be it from India, Middle East, Far East or any other part of the crumbling Empire. Harry was always one of the most revered Masters of the bass and the warm tone and full body of his instrument ornamented countless recordings made by British bandleaders in the 1970s. However, Harry´s heart was always warmest to the amalgam of Free Improvised Jazz based on South African roots. His performances with the Brotherhood Of BreathFind albums by this artist and with his own roots ensemble IsipingoFind albums by this artist are clear evidence of the fact. Sadly Isipingo recorded just one album and therefore this new release, which presents a set of wonderful (mostly studio) recordings, all previously unreleased, is a true delight to every one of the many Harry´s fans around the globe. Made in cooperation with the Miller family label OgunFind albums on this label Records, run by his wife Hazel, this album is a heaven on earth in every respect – the music is delightful, the sound quality excellent and the historical value immeasurable. The lineup of the sextet changes slightly on the tracks present here, including saxophonist Mike OsborneFind albums by this artist, trumpeters Mark CharigFind albums by this artist and Mongezi FezaFind albums by this artist, trombonists Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Paul NeimanFind albums by this artist, pianists Stan TraceyFind albums by this artist, Keith TippettFind albums by this artist and Frank RobertsFind albums by this artist, Miller on bass and drummer Louis MoholoFind albums by this artist. The music, all composed by Miller, charges full steam ahead indeed, preserving absolutely all of its vitality and high spirited energy. This album deserves a well respected place in any serious British Jazz album collection and hopefully will be discovered by many new listeners, who missed this wonderful music when it was performed live, being one more testimony to the fact that Harry´s untimely death in 1983 was a tremendous loss for all music lovers.
| | Updated: 29/01/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | HARRY MILLER / ISIPINGO ~ WHICH WAY NOW
CUNEIFORM 233 (Barcode: 045775023328) ~ UK ~ Jazz
Released: 2006
Originally from South Africa, Harry MillerFind albums by this artist was one of the main forces on the UK jazz scene in the 1970s. He recorded and performed with all the major players during that period (John SurmanFind albums by this artist, CentipedeFind albums by this artist, Mike WestbrookFind albums by this artist, Keith TippettFind albums by this artist, Mike OsborneFind albums by this artist, King CrimsonFind albums by this artist, Julie TippettsFind albums by this artist, Alan SkidmoreFind albums by this artist and Chris McGregorFind albums by this artist´s Brotherhood Of BreathFind albums by this artist) and his contributions were very significant in the development on that wonderfully diverse and prolific period. He and his wife founded the legendary OgunFind albums on this label label, which released many of that period’s essential recordings and documented the scene probably more efficiently than any other UK label at the time. Miller’s sextet IsipingoFind albums by this artist (Nick EvansFind albums by this artist - trombone, Mongezi FezaFind albums by this artist - trumpet, Harry Miller - double bass, Louis MoholoFind albums by this artist - drums, Mike OsborneFind albums by this artist - alto sax and Keith TippettFind albums by this artist - piano) recorded only one studio album and therefore this high-quality recording from 1975 by Radio Bremen is an invaluable addition to both Miller’s discography and the overall documentation of this illustrious period in UK jazz. The music is somewhat similar to the output of Chris McGregor´s Brotherhood of Breath (as is the group’s lineup), which played a special kind of jazz strongly influenced by Africa music, called “kwela”. Isipingo is just a bit more on the jazzy side of things. For the many fans of 1970s UK jazz this is a must of course.
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  | MIKE OSBORNE ~ OUTBACK
FMR 007 (Barcode: 649849981349) ~ UK ~ Jazz
Recorded: 1970 Released: 1994
British saxophonist / composer Mike OsborneFind albums by this artist was an integral part of the modern Jazz scene in the late 1960s / 1970s, recording numerous albums as member of the most important ensembles at the time, led by Mike WestbrookFind albums by this artist, Harry BeckettFind albums by this artist, John SurmanFind albums by this artist and Chris McGregorFind albums by this artist (Brotherhood Of BreathFind albums by this artist). He was also the founding member of the momentous saxophone trio SOSFind albums by this artist with John Surman and Alan SkidmoreFind albums by this artist. A brilliant improviser, he was an absolute master of the alto saxophone with very few contenders. Stylistically Osborne tendencies were always oriented towards Free Jazz and he was one of the great pioneers of the genre in UK. Unfortunately his personal life was deeply disturbed by mental illness, which resulted in time spent on and off in mental institutions. By early 1980s the illness became so severe that he had to be institutionalized for life and never again played music. He died in 2007.
Although Osborne recorded quite a few albums as a sideman, his output as leader is very limited. This was his debut session as a leader, which took a lot of persuasion to materialize, as Osborne hated to be in the limelight. Released on the legendary TurtleFind albums on this label label (the first album to be recorded for the label, which was actually started to release this album), the album was a rare collector’s item for many years and the reissue is a blessing. The music consists of just two long tracks (which used to be the LP sides), performed by a quintet with Osborne on alto saxophone, Harry Beckett on trumpet, Chris McGregor on piano, Harry MillerFind albums by this artist on bass and Louis MoholoFind albums by this artist on drums (the rhythm section of Brotherhood Of Breath).
On both tracks the quintet states the theme and then ventures into extended free improvisation passages, with splendid long solos by Osborne and Beckett. The album is a classic example of European Free Jazz, capturing the atmosphere of the era, when music was created because musicians had something to say. Not easy music, but essential to all enthusiasts of the genre and a most important historical document.
Visitors' Comments
Christopher Brice
Odd that the CD cover itself credits "Mike Osbourne" so I had trouble looking up the recording date here (Wikipedia redirects Mike Osbourne to Mike Osborne)
| | Updated: 20/05/2016Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | ALAN SKIDMORE / UBIZO ~ UBIZO
PROVOCATEUR 1036 (Barcode: 5038491103622) ~ UK ~ Jazz-World Fusion
Recorded: 2002 Released: 2003
Following the recording of the sensational “The CallFind albums with this title” album, legendary British saxophonist / composer Alan SkidmoreFind albums by this artist reunited again with the South African ensemble AmampondoFind albums by this artist and created the group UbizoFind albums by this artist, adding a few other British Jazz musicians. This album documents the group’s music, which is a direct continuation of the tremendous success achieved on the previous album. This time the group presents a slightly different balance between Jazz and Folklore, as the “Jazz section” is strengthened by the addition of trumpeter Ingolf BurkhardtFind albums by this artist (from the NDR Big BandFind albums by this artist). Other players include Colin TownsFind albums by this artist (keyboards), Steve MellingFind albums by this artist (piano) and Arnie SomogyiFind albums by this artist (bass), who played on the previous album, and Stephen KeoghFind albums by this artist on drums. The music includes compositions by Skidmore, Towns and of course by members of Amampondo, as well as arrangements of traditional South African music. The overall balance between Jazz and Folklore is absolutely perfect, creating a superb Jazz-World Fusion, as it should be. British Jazz aficionados should remember Skidmore’s participation in Chris McGregorFind albums by this artist’s Brotherhood Of BreathFind albums by this artist some 30 years earlier, which also blended South African music and Jazz. It is quite interesting to compare this recording with the BOB ones and observe the process of maturity and refining that occurred in the meantime. The raw power and wildness (in search of musical and not only freedom) is replaced here by moderation and sophistication. Yes, we are all getting older, no doubt, but this does not affect Skidmore’s playing, which is exceptional, like always. His tone and improvisational skills are a symbol of (spiritual) youth and his Coltranesque explorations remain equal to none. I only hope Skidmore will continue to record his superb music for many years to come. Delightful!
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