Record Reviews
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  | KEVIN AYERS ~ HYDE PARK FREE CONCERT 1970
REEL RECORDINGS 002 (Barcode: 641444015627) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
After leaving the Soft MachineFind albums by this artist (of which he was a founding member) and recording the debut solo album (Joy Of A ToyFind albums with this title), guitarist / singer / composer Kevin AyersFind albums by this artist formed the Whole WorldFind albums by this artist band to record his second album (Shooting At The MoonFind albums with this title) and support its release by touring. This live recording captures the performance of Ayers and his band at the legendary London’s Hyde Park free concert, which had on the bill the most famous bands of the time performing in front of a 100,000 strong public – a record attendance to a rock venue in UK up to that time. Pink FloydFind albums by this artist performed their Atom Heart MotherFind albums with this title suite for the first time at that concert. Ayers and his cahoots, including David BedfordFind albums by this artist on keyboards, Lol CoxhillFind albums by this artist on saxophones, Mike OldfieldFind albums by this artist on bass and Robert WyattFind albums by this artist on drums, storm through a bunch of Kevin’s song with vengeance, as appropriate for such eclectic gig, and the whole set is captured exactly as it happened – a true piece of rock history. Coxhill’s brilliant contributions were always my favorite part of that particular band. The sonic quality might not be perfect, but considering this was a “field recording” done 37 years ago – who gives a damn? Priceless stuff!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | KEVIN AYERS ~ THE BBC SESSIONS 1970-1976
HUX 073 ~ UK ~ Canterbury Scene
Another splendid release from the BBC vaults presenting the extraordinary work of Canterbury hero Kevin AyersFind albums by this artist, spanning a period from his early Soft MachineFind albums by this artist days and later solo career. The list of musicians playing with Ayers on these sessions looks like a who’s who of early 1970’s Canterbury scene, Prog and Jazz combined: Robert WyattFind albums by this artist, Mike OldfieldFind albums by this artist, Mike RatledgeFind albums by this artist, Andy SummersFind albums by this artist, Hugh HopperFind albums by this artist, Lol CoxhillFind albums by this artist, David BedfordFind albums by this artist, Elton DeanFind albums by this artist, Archie LeggettFind albums by this artist, Ollie HalsallFind albums by this artist & Zoot MoneyFind albums by this artist. The music is as adventurous and quirky as his usual output, with often humorous lyrics and plenty of instrumental passages to spice it all. This material is of immense historical importance and opens many windows to the understanding of the simmering UK musical scene at the time. The sound quality is excellent as usual for all the BBC recorded material. A must to all Canterbury scene fans.
| | | CD 2 Remastered Recommend To A Friend |
  | KEVIN AYERS ~ WHAT MORE CAN I SAY…
REEL RECORDINGS 009 (Barcode: 641444032228) ~ UK ~ Canterbury Scene
Recorded: 1970 - 1971 Released: 2008
Canterbury scene founder (or at least one of the founders) Kevin AyersFind albums by this artist reveals here a bunch of his private recordings (demos, outtakes, etc.) from the early days of his solo career (after leaving Soft MachineFind albums by this artist), recorded mostly by himself (vocals, guitar, piano) and all written by himself. A few regular cohorts (David BedfordFind albums by this artist – organ, Mike OldfieldFind albums by this artist – bass, Robert WyattFind albums by this artist – drums) give a helping hand on occasion, but mostly this is Ayers by himself, demonstrating his amazing songwriting abilities and a unique delivery. This is a superb document of the early 1970s music, but also of the social climate and the care-free approach to life that characterized the bohemian scene Ayers was so much a part of. "Portrait of an Artist as a young man" is a very suitable description and this is not only a historical document but also a delightful trip down the memory lane, back to times long gone and much missed. The dedicated Ayers fans will of course be delighted to listen to this material, and considering the fact that none of it was ever heard before this is a Canterbury Holy Grail in many respects. Wholeheartedly recommended!
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  | DON SUGARCANE HARRIS ~ SUGAR CANE`S GOT THE BLUES
PROMISING MUSIC 44102 (Barcode: 602517545731) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2008
American violinist Don Sugarcane HarrisFind albums by this artist was one of the very few great Blues / Rock / Fusion artists playing the fiddle. He came to prominence as a member of the revolutionary John MayallFind albums by this artist’s BluesbreakersFind albums by this artist group and later as a member of Frank ZappaFind albums by this artist’s groups. This album, recorded live during the Berliner Jazztage Festival, presents Harris both as a leader and a participant in the legendary “Violin Summit” super-group, assembled by producer Joachim BerendtFind albums by this artist. The solo appearance is in fact an offshoot project of the “Violin Summit”, which was a series of recordings on the legendary MPSFind albums on this label label, which celebrated the role of the violin in Jazz, Blues, Jazz-Rock Fusion and Rock and produced probably the most interesting document of music by violinists in the late 1960s / 1970s. The “Violin Summit” projects were based on a concept of a rhythm section and a series of violinist playing solo and in various combinations. The 1971 version of “Violin Summit”, which produced the “New Violin SummitFind albums with this title” double album, included also such great violin players as Jean-Luc PontyFind albums by this artist (France), Michal UrbaniakFind albums by this artist (Poland) and Nipso BrantnerFind albums by this artist (Germany) – none of them is heard here – and a fantastic rhythm section consisting of the Norwegian guitarist Terje RypdalFind albums by this artist, German keyboardist Wolfgang DaunerFind albums by this artist, New Zealander (resident in UK at the time) bassist Neville WhiteheadFind albums by this artist and British drummer Robert WyattFind albums by this artist. On the solo night Rypdal is replaced by German guitarist Volker KriegelFind albums by this artist. Surrounded by such illustrious musicians, Harris plays his heart out, improvising more daringly than ever before, no doubt inspired by the incredible performances by his European partners, who were musically much more advanced that Harris’ usual American companions. Overall the album presents a great event captured for posterity, with some amazing musical moments documenting the formation of the European Jazz-Rock Fusion, which bridges between such distant genres as the Blues and Free Jazz with elegance and vision. Beautifully remastered and packaged, this album is definitely worth investigation and attentive listening.
| | | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | HATFIELD AND THE NORTH ~ HATFIELD AND THE NORTH (EXPANDED EDITION)
ESOTERIC 2139 (Barcode: 5013929723924) ~ UK ~ Canterbury Scene
Recorded: 1974 Released: 2009
1st album by the legendary Canterbury group Hatfield And The NorthFind albums by this artist, probably the most iconic and unsurpassed masters of the genre. Comprising of keyboardist Dave StewartFind albums by this artist, guitarist Phil MillerFind albums by this artist, bassist / vocalist Richard SinclairFind albums by this artist and drummer Pip PyleFind albums by this artist, with guests like reedman Geoff LeighFind albums by this artist (Henry CowFind albums by this artist), vocalist Robert WyattFind albums by this artist and others, they recorded what is considered to be the ultimate Canterbury masterpiece. The album represents everything that the genre stands for: brilliant melodies, strange harmonies, superb musicianship, quirk rhythmic patterns and a good dash of British humor. It is difficult to pinpoint why this album and its follow up turned out to be the genre´s icons, but the fact that they are the first thing that come to mind when Canterbury is mentioned speaks for itself. Whatever the reasons, this is an absolute classic album, which lost nothing of its intrinsic beauty and musical perfection over time. Absolutely essential!
| | | CD 1 Slipcase Remastered Bonus Tracks Essential Recommend To A Friend |
  | HUGH HOPPER ~ JAZZLOOPS / THE STOLEN HOUR
EXPLORE RIGHTS MANAGEMENT 029 (Barcode: 5060105499616) ~ UK ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2001 - 2004 Released: 2023
This is a reissue / remaster of two albums by the iconic British Jazz / Fusion / Prog / Avant-Garde bassist / multi-instrumentalist / composer Hugh HopperFind albums by this artist. Recorded between 2001 and 2004 the albums present collaborations with many invited musicians, like saxophonists Elton DeanFind albums by this artist, Didier MalherbeFind albums by this artist and Simon PicardFind albums by this artist, vocalist / pianist Robert WyattFind albums by this artist, drummers Pip PyleFind albums by this artist, John MarshallFind albums by this artist and many other musicians. “JazzloopsFind albums with this title” presents eleven tracks and “The Stolen HourFind albums with this title” twelve tracks, all originals by Hopper.
The music is mostly Free-Jazz / Improvised Music oriented, but based on steady hypnotic loops and monotonic rhythms, and kept in an Ambient / Industrial mood, creating a highly unusual atmosphere and a drone-like feel. The contrast between the saxophone improvisations and the rhythmic background offer a magic effect, which takes a while to get into, but keeps the listener in constant state of sonic intoxication.
Hopper, who was the omnipresent hero of the Canterbury scene and played in dozens different groups, like Soft MachineFind albums by this artist, IsotopeFind albums by this artist, GilgameshFind albums by this artist, Soft HeapFind albums by this artist and many others and recorded a long list of legendary albums, was also an avid Jazz musician and played with the best British Jazz musicians over the years.
His later years (he died in 2009) were dedicated to recording many projects with different musicians, which were mostly only released posthumously. His collected recorded legacy is truly monumental and he deserves to be remembered as one of the key figures of the British Rock and Jazz Avant-Garde.
Overall, this is a most welcome reissue album, which brings back to life two important albums by Hopper, which were all but gone from the market and deserve to be heard by the young generation of listeners, who most probably never heard of their existence. Warmly recommended for lovers of nontrivial challenging music.
| | Updated: 21/04/2023Posted: 21/04/2023 | CD 2 Remastered Recommend To A Friend |
  | MATCHING MOLE ~ LITTLE RED RECORD (EXPANDED EDITION)
ESOTERIC 2312 (Barcode: 5013929431249) ~ UK ~ Canterbury Scene
Recorded: 1972 Released: 2012
This is the 2nd and last album by Matching MoleFind albums by this artist, the seminal Canterbury ensemble formed by drummer Robert WyattFind albums by this artist, after he left Soft MachineFind albums by this artist. Although Wyatt was determined to start a solo career following his split with Soft Machine, Matching Mole was born and kept going for about a year, recording two legendary studio albums. Live performances and BBC radio recordings gave birth, decades later, to three albums, which consist of material from these sources and now the expanded editions of the two studio albums give us another two new CDs of Matching Mole material, all together 7 CDs worth of superb Canterbury stuff at its best. The lineup, which recorded this music, consisted of Wyatt, keyboardist Dave MacRaeFind albums by this artist, guitarist Phil MillerFind albums by this artist and bassist Bill MacCormickFind albums by this artist. MacRae contributed or co-contributed most of the music on this album, with Wyatt taking charge of occasional vocal parts and lyrics. The music lost absolutely nothing of its freshness and the wonderful weirdness, which characterizes most of Canterbury output. Of course the genre would fully blossom only shortly after Matching Mole would be no more and its members would form such legendary groups like Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist. This is music straight from heaven, for listeners inclined towards the more sophisticated end of the spectrum, combining complex improvisation and quirky rhythmic patterns, which have no parallel anywhere. Of course this kind of music should be kept alive at all costs and this new edition does the job just fine, with a crisp new remaster and plenty of previously unheard stuff to make every fan green from ear to ear. Essential stuff for body and soul!
| | | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | MATCHING MOLE ~ MATCHING MOLE (EXPANDED EDITION)
ESOTERIC 2311 (Barcode: 5013929431140) ~ UK ~ Canterbury Scene
Recorded: 1971 - 1972 Released: 2012
This is the eponymous debut album by British Canterbury / Prog / Jazz-Rock ensemble Matching MoleFind albums by this artist, formed in 1971 by drummer / vocalist Robert WyattFind albums by this artist, after being kicked out from Soft MachineFind albums by this artist due to "artistic differences" between him and the other Soft Machine members, mainly as to the shift of the group´s music towards Free Jazz / Improvised Music. In retrospect it turned out that fate was about to play a trick with Wyatt´s ideas, as Matching Mole was about to embark on an almost identical path as Soft Machine. Of course, again in retrospect, the listeners got to enjoy the music of two superb groups instead on one. The name Matching Mole was a pun on the French for of Soft Machine – "machine molle". Wyatt was joined by brilliant Canterbury keyboardist David SinclairFind albums by this artist, who about the same time left the legendary CaravanFind albums by this artist, guitarist Phil MillerFind albums by this artist (ex-DeliveryFind albums by this artist) and bassist Bill MacCormickFind albums by this artist. The group jammed in Wyatt´s garage for a few weeks and by the end of 1971 was already recording this debut album. Ridden by technical problems the recording took much longer than expected and the album was finally released in April 1972. A second keyboards player, Dave MacRaeFind albums by this artist, took part as a guest in the recording sessions, and by the time the album was released he formally replaced Sinclair, who decided to move on to other things. Wyatt wrote most of the music on this album, which also features his wonderfully eccentric vocals. Stylistically the music is all over the musical landscape of the time, with ambient, Jazz and Jazz-Rock Fusion elements dominating the proceedings, but Wyatt´s classic ballad "O Caroline" is also included. This wonderful extended version sheds a lot of light as to the album´s recording sessions with a plethora of previously unreleased outtakes, as well as a couple of BBC recordings made at the time. Of course this is absolutely classic stuff, which should be part of the eternal music legacy as well as an essential part of every serious music collection. An absolute must!
| | | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | MATCHING MOLE ~ ON THE RADIO
HUX 083 (Barcode: 682970000831) ~ UK ~ Canterbury Scene
Recorded: 1972 Released: 2006
Although Matching MoleFind albums by this artist existed for barely a year, they are still considered one of the most important Canterbury scene bands and their musical legacy achieved legendary status over the years. Formed in late 1971 by Robert WyattFind albums by this artist, who left Soft MachineFind albums by this artist dissatisfied with the Free Jazz phase the band he founded was going through at the time, this new band was much closer stylistically to the Soft Machine Jazz-Rock period, which recorded ThirdFind albums with this title. The original lineup included (apart from Wyatt) the ex-CaravanFind albums by this artist keyboards wizard Dave SinclairFind albums by this artist, bassist Bill MacCormickFind albums by this artist and guitarist Phil MillerFind albums by this artist. Pianist Dave MacRaeFind albums by this artist joined later, playing alongside Sinclair and when Sinclair left he stayed on as the resident keyboards player. The band recorded two excellent albums: the self-titled debut Matching MoleFind albums with this title and Little Red RecordFind albums by this artist. Following the band’s split by the end of 1972, Wyatt started his solo career and Sinclair and Miller went on to form Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist, the two most significant Canterbury bands ever. The CuneiformFind albums on this label label released two albums with live Matching Mole material in the 2000s (Smoke SignalsFind albums with this title and MarchFind albums with this title), but their BBC sessions reminded unreleased until now. This is the first time that the BBC sessions, recorded between January and April of 1972, can be heard by the numerous fans of the band, myself included. Both the quintet and the later quartet versions of the band can be heard. The music is of course phenomenal and needs no further recommendation, something any Canterbury fan around the globe will surely agree with.
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | STEVE MILLER / LOL COXHILL ~ MILLER/COXHILL COXHILL/MILLER / THE STORY SO FAR…OH REALLY?
CUNEIFORM 253/254 (Barcode: 045775025322) ~ UK ~ Canterbury Scene
Recorded: 1971 - 1974 Released: 2007
This extraordinary reissue project brings back to life the recording legacy the cooperation between of two of the legendary figures of the UK Avant-Garde scene: pianist Steve MillerFind albums by this artist and saxophonist Lol CoxhillFind albums by this artist. It spans the years 1971 to 1974 and includes the two albums they recorded together as well as additional live material by the duo, solo pieces by Miller and the group DeliveryFind albums by this artist of which they were both members. Except for the Delivery recordings, which was the prototype of the Canterbury scene to develop later into groups like CaravanFind albums by this artist, Soft MachineFind albums by this artist, Hatfield And The NorthFind albums by this artist and many more, most of the material is very experimental and Avant-Garde, which would characterize the direction Coxhill was to pursue later on, when he became an integral collaborator to the UK Free Jazz scene. Additional musicians include such Canterbury scene icons as Steve’s brother Phil MillerFind albums by this artist (guitar), Richard SinclairFind albums by this artist (bass), Pip PyleFind albums by this artist (drums), Robert WyattFind albums by this artist (percussion) and others. This is by no means easy listening stuff, but those music lovers, who are ready to make the special effort and undertake the intellectual challenge to penetrate this complex mesh of creativity, are in for a treat. The wonderful balance between Steve’s structured chord sequences and Coxhill’s ventures into deep space creates a deeply rewarding listening experience. This reissue offers a wonderful glance at the most fascinating years of musical development of the UK scene and a historic document of high importance. Kudos to the CuneiformFind albums on this label label for their efforts to preserve this music for eternity. Grab it!
| | Updated: 12/04/2019Posted: | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE IN PARIS 1970
VOICEPRINT 045 (Barcode: 604388704200) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2008
Although the early period of the legendary Canterbury band Soft MachineFind albums by this artist is relatively well documented on record, especially in the last decade when many live recordings of the band have been unearthed, cleaned up and released, video material was so far almost completely nonexistent. Therefore if there is a Holy Grail of Canterbury scene, and of course of Soft Machine, this is it! This footage, filmed by French TV at the Theatre de la Musique is not only a stellar visual experience but also a great sonic document due to the theatre´s superb acoustic. The band is at their most creative peak of course and what´s more the quintet lineup here, including Lyn DobsonFind albums by this artist on saxes and flute, existed for a mere few months and is almost undocumented on record. Elton DeanFind albums by this artist, Mike RatledgeFind albums by this artist, Hugh HopperFind albums by this artist and Robert WyattFind albums by this artist are the band´s backbone and of course everybody plays their hearts out in glorious harmony and high-spirited atmosphere. I don´t need to emphasize how great and groundbreaking this music is (as I have done repeatedly so many times already), so let´s just say that this is an essential piece of music history, which deserves a place in any serious music collection.
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  | SOFT MACHINE ~ DROP
MOONJUNE 023 (Barcode: 692287902322) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2008
Australian-born drummer Phil HowardFind albums by this artist stayed with Soft MachineFind albums by this artist just for five months, but his influence on the group´s transition into free improvisation music was tremendous. He recorded just one side of an LP with the group (the first side of "FifthFind albums with this title") and played quite a few gigs in UK and Europe with the band, which included also saxophonist Elton DeanFind albums by this artist (who brought Howard into Soft Machine as a replacement for the departing Robert WyattFind albums by this artist), keyboardist Mike RatledgeFind albums by this artist and bassist Hugh HopperFind albums by this artist. The European gigs included the legendary appearance at the most prestigious European Jazz Festival at the time, the Donaueschingen Musiktage, organized by Joachim BerendtFind albums by this artist.
Howard brought into the quartet a ferocious "wall of sound" technique, which drove the quartet to unprecedented peaks of improvised music, only roughly based on themes stated at the start of every tune, very much in the same pattern as all free jazz, which flourished at the time, following the pioneering explorations of John ColtraneFind albums by this artist, Eric DolphyFind albums by this artist and many others. Alas Howard´s days in the band were numbered, as the band was waiting for his replacement, John MarshallFind albums by this artist, to finish his previous engagement with Jack BruceFind albums by this artist. Sadly, following his departure from Soft Machine, very little was heard from this immensely talented drummer, which is a great pity. He can be heard on the Elton Dean´s debut solo album "Just UsFind albums with this title" (a must if you don´t have it yet!).
The music included here, all captured live during Soft Machine German tour, which followed the festival appearance, is a premiere example of their immense quality at that time, delivering some of European Jazz mightiest moments, definitely something that can be enjoyed not only by the dedicated fan base, but also by every Modern Jazz lover the world over. This is s brilliant document, which deserves slow and careful digestion with saliva drooling from one´s mouth, sure more than once. God bless the invention of a sound recorder!
| | Updated: 01/02/2016Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | SOFT MACHINE ~ FACELIFT
VOICEPRINT 233 (Barcode: 604388306725) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2002
Any previously unreleased material by the seminal British band Soft MachineFind albums by this artist is always a great source of joy to the band´s many fans all over the world, even if similar material exists on other studio and live recordings. By the time this live recording was made, the band, which comprised of saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist, made a dramatic transition from their initial psychedelic period into Jazz-Rock Fusion, with often bordered on Free Jazz. This recording, from April 1970, was made just prior to the band entering the studio to record their masterpiece "ThirdFind albums with this title" and following their six-night residency at the prestigious Ronnie Scott´s club in London. They were at one of their musical peeks, having played the material included on this album for quite some time, which of course allowed them to stretch out and take risks, as well as re-invent the music at a greater rate of freedom that is usually possible with new pieces. This explains why several of the pieces are expanded to last well over 10 minutes and one even over 20 minutes. Most of the music was composed by Ratledge, with Hopper contributing a few of his own pieces and one piece by Wyatt. There is no doubt that this was a very special night, as the level of interplay and inspiration is truly extraordinary, with some of the most adventurous improvisations ever achieved by these illustrious musicians. While playing this music, the band was literally changing the shape of music as known up to that point, clearly pointing towards uncharted territory. Definitely one of the great moments of early British Jazz, not be missed by anybody interested in Soft Machine or the period´s music. This album is often criticized for its poor sound quality; indeed it suffers from the primitive recording source, but honestly I think that every minute of this music is worth more that almost anything else recorded at the time, so poor sound quality or not, this is a treasure!
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  | SOFT MACHINE ~ FIFTH (EXPANDED EDITION)
SONY BMG 687290 (Barcode: 828768729021) ~ UK ~ Canterbury Scene
Recorded: 1971 - 1972 Released: 2007
5th album, which is also the first Soft MachineFind albums by this artist recording following Robert WyattFind albums by this artist’s departure from the group. Elton DeanFind albums by this artist enlisted the Australian drummer Phil HowardFind albums by this artist as Wyatt’s replacement. Howard played on Dean’s first album (Just UsFind albums with this title) recorded just a few month earlier and seemed a natural choice. However, after playing with the band for a few months in 1971 and then recording about half of the tracks on this album, the rest of the group felt that Howard’s free style didn’t feel completely right with their Jazz-Rock explorations and decided to look for a replacement. Fortunately they were able to enlist the absolutely best Jazz-Rock drummer on the UK scene at the time, John MarshallFind albums by this artist, who was a member of the fabulous Ian CarrFind albums by this artist’s NucleusFind albums by this artist. Marshall brought to the band not only his amazing technique, but also more importantly his inventiveness and stability, which would serve as the perfect basis for the other members’ improvisations. The band completed the rest of the tracks on this album with Marshall at the drum chair. No horn-section was employed on this album, but the double bass player Roy BabingtonFind albums by this artist was used again to strengthen the rhythm section and allow more freedom and space for Hopper’s explorations. The album includes shorter pieces (in contrast to the LP’s sidelong tracks of ThirdFind albums with this title and FourthFind albums by this artist), creating a much more concise and focused musical opus, surely one of the best SM ever recorded. Listening to this album today will perhaps restore for some listeners the full glory it deserves, which was often overlooked by critics and fans alike, which usually prefer the Third album. This beautiful new remaster improves the original sound tremendously and the bonus track (alas only one) is a gem. Absolutely essential!
| | | CD 1 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | SOFT MACHINE ~ FOURTH (REMASTERED)
SONY BMG 687291 (Barcode: 828768729120) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
4th album, which finds Soft MachineFind albums by this artist back in the quartet format with Elton DeanFind albums by this artist as the new permanent member. Following the direction set on the previous album, SM moved even further away from their original psychedelic direction into experimental Jazz-Rock, which was groundbreaking and innovative to the extreme and aeons ahead of its time. In similar fashion to the previous album, the band used a horn-section to utilize a much more powerful sound and limitless sonic possibilities, which included the creme de la creme of (then) contemporary and burgeoning young UK jazz scene, including Roy BabingtonFind albums by this artist – acoustic bass, Nick EvansFind albums by this artist – trombone, Mark CharigFind albums by this artist – cornet, Jimmy HastingsFind albums by this artist – saxes and Alan SkidmoreFind albums by this artist – saxes. This expanded ensemble recorded one of the most beautiful and most sophisticated albums of the era, which is completely timeless and inspiring to this very day. This new direction created some tension (to put it mildly) between the jazz oriented trio and the band’s original drummer Robert WyattFind albums by this artist, which led to Wyatt’s departure from the band by mid-1971 (to start Matching MoleFind albums by this artist), before the next album would be recorded. Therefore this was to be the last SM album to feature his extraordinary drumming skills. This beautiful new remaster finally (for the first time ever) gets rid of the muddy and hollow sound from which this album suffered badly, obscuring much of the music it contained. Absolutely essential!
Visitors' Comments
Christopher Brice
It´s great to hear this properly at last - I have been listening to it over and over again since I broke the seal last night!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | SOFT MACHINE ~ GRIDES
CUNEIFORM 230/231 (Barcode: 045775023021) ~ UK ~ Canterbury Scene
Recorded: 1970 - 1971 Released: 2006
The Soft MachineFind albums by this artist archives keep offering new treasures on a pretty regular basis, taking the fans by surprise time after time. This album offers a live recording in Amsterdam from October 1970 (with the classic lineup Elton DeanFind albums by this artist, Hugh HopperFind albums by this artist, Mike RatledgeFind albums by this artist and Robert WyattFind albums by this artist), shortly after the release of ThirdFind albums with this title. The material includes some of the material from Third and early versions of material from the forthcoming FourthFind albums with this title. As usual with SM, although we all heard these tunes before, they do play them quite dramatically differently each time, so there is no fear of redundancy. In addition, this time the sound quality is truly great. As if the newly discovered materiel was no enough, this release also includes a 20 minutes DVD filmed in 1971 by Radio Bremen (at the same day when the VirtuallyFind albums with this title album material was recorded, but a different set). This is the first ever SM DVD material, which of course should make all the SM fans ecstatic. Essential to all SM fans and Canterbury aficionados!
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  | SOFT MACHINE ~ LIVE AT THE HENIE ONSTAD ART CENTRE 1971
REEL RECORDINGS 014/015 (Barcode: 775020975323) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2009
This a live recording by the seminal UK band Soft MachineFind albums by this artist recorded in Norway at the very creative peak of the band´s outstanding career. Saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist perform two continuous, mostly improvised sets, each about 45 minutes long, which makes this particular album different from all the other Soft Machine live albums, where the band performs compositions previously recorded in the studio. In addition, the perfect sound quality of this recording, which was done professionally, is undoubtedly the best ever Soft Machine live recording sound captured on tape. In addition, this release is accompanied by a CD-ROM audio-visual documentary about the band and the circumstances of this recording, which is superbly done and highly educative. In short this is truly an outstanding musical document of great value, not only to the band´s fan base but to all enthusiast of British Jazz as well. A must and a feast to our ears!
| | | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | SOFT MACHINE ~ MIDDLE EARTH MASTERS
CUNEIFORM 235 (Barcode: 045775023526) ~ UK ~ Canterbury Scene
Recorded: 1967 - 1968 Released: 2006
Although the last decade witnessed an abundance of live Soft MachineFind albums by this artist releases, it is always welcome to discover yet another piece of the mysterious musical phenomenon that surrounded this band. Soon after the band was formed in 1966 and even before the first album was recorded they lost Daevid AllenFind albums by this artist and the remaining trio (Kevin AyersFind albums by this artist, Mike RatledgeFind albums by this artist and Robert WyattFind albums by this artist) carried on with their unique psychedelic sound and vision. The music contained on this album presents the band live at the legendary London’s Middle Earth club (the successor of the no less legendary UFO club). Two sessions, one from late 1967 and the other from early 1968, recorded by the experimental sound technician Bob WoolfordFind albums by this artist, remained completely forgotten for almost 40 years, to be recently unearthed by (or rather for) the owner of CuneiformFind albums on this label Records, who is a restless SM aficionado. Considering the sound quality of the original recording, some painstaking efforts have been made to restore this music to an audible quality and maintain the atmosphere of the original setting. The result is quite impressive and although the vocal parts are badly under-recorded the entire set has its magic, especially the sound of fuzz organ being pounded mercilessly during the extended instrumental improvisations. For the many SM fans, this is a unique document of the early days and a key factor in understanding the band’s development.
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ THE SOFT MACHINE (EXPANDED EDITION)
POLYDOR 532050 (Barcode: 600753205051) ~ UK ~ Canterbury Scene
Recorded: 1968 Released: 2009
1st album by the seminal UK band Soft MachineFind albums by this artist, which would in time become an icon of the Psychedelic era and a founding stone of the Canterbury genre. Guitarist Kevin AyersFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist and drummer Robert WyattFind albums by this artist were some of the most talented, inspired and prophetic musicians, who found themselves in the midst of a musical (and social) revolution, which would inspire generations to come. This timeless masterpiece is molten gold (or mercury) of ingenuity in every respect, full of zany ideas, typical British humor and futuristic (at that time) musical approach, based on freedom of expression and telepathic communication and interplay. Although "song based", this music was completely unconventional, in many respects ridiculing the popular music of the time. Ratledge brought a strong Jazzy feel into the mix, which would soon after dominate the group´s direction during the 1970s, causing Ayers to leave the group after this album was recorded and the tour that followed. Ratledge and Wyatt would recruit bassist Hugh HopperFind albums by this artist (who was the band´s roadie at the time) and the new lineup would record their second album and another masterpiece. In retrospect this music still sounds too good to be true and lost nothing of its power and inspiration. Only a handful of albums can feel that fresh over 40 years after they have been recorded, but this one is surely one of them. This new remastered and expanded edition adds two ultra-rare tracks recorded by the band a year earlier. An absolutely essential album and a must!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | SOFT MACHINE ~ THIRD (EXPANDED EDITION)
SONY BMG 687293 (Barcode: 828768729328) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
3rd album by Soft MachineFind albums by this artist, originally released as a double LP. Although basically a trio at this point (Robert WyattFind albums by this artist, Hugh HopperFind albums by this artist & Mike RatledgeFind albums by this artist) they use a horn-section to expand the sound of the band, which includes among others Elton DeanFind albums by this artist (soon to be a full time SM member) and Jimmy HastingsFind albums by this artist (brother of Pye HastingsFind albums by this artist from CaravanFind albums by this artist). The music is of course one of the most pivotal recordings of the era and widely accepted as one of the greatest epics of Prog and Canterbury music, with brilliant improvisations and incredibly strong writing. Almost entirely instrumental, with Wyatt`s occasional scatting, this album marks the band’s transition from early psychedelic pop / rock to Jazz-Rock and later eventually to free jazz. With constantly changing lineup the band managed in the span of just a few months, between late 1969 and early 1970, to create an entirely new genre in itself, as nothing else done by any other band would ever sound similar to Soft Machine (of that period). This music is as revolutionary and groundbreaking as the stuff Miles DavisFind albums by this artist was creating at the time on the other side of the pond, and equally brilliant. The beautiful new edition adds a full bonus CD, which contains a live recording at the Royal Alert Hall (August 1970), done by the BBC (a trademark of sonic quality), previously unreleased. An absolute masterpiece, beyond essential!
| | | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | ANNIE WHITEHEAD ~ THE GATHERING
PROVOCATEUR 1022 (Barcode: 5038491102229) ~ UK ~ Jazz
Recorded: 2000 Released: 2000
British trombonist / composer Annie WhiteheadFind albums by this artist earned her legendary status working on the local scene since the late 1970s in an incredible variety of settings, spanning everything from Pop & Rock and up to Free Jazz. Her amazing versatility and technical proficiency made her a most appreciated session musician and a reliable band member. Over the years she played practically with countless British Jazz players, both the older and newer generation. She started to lead her own ensembles since the mid-1980s. Her reputation spreads worldwide beyond the British Isles and she also played with many internationally renowned Jazz musicians. This album, her debut for the prestigious ProvocateurFind albums on this label label, finds her leading her own quintet, which includes the gifted keyboardist Steve LodderFind albums by this artist and veteran drummer Liam GenockeyFind albums by this artist. On one of the tracks the legendary Robert WyattFind albums by this artist adds his vocal and instrumental contributions. The music, mostly composed by Annie, covers a wide variety of styles, from Funk, World Music influences and contemporary Jazz. Performed with her usual fire and grace, and always technically brilliant, the album is a lovely portrait of Annie’s charm and abilities. Lovers of trombone will of course see this as a must, but any Jazz fan should find some aspects of this album to be both interesting and pleasurable. Worth investigating.
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  | ROBERT WYATT ~ …FOR THE GHOSTS WITHIN (LIMITED EDITION WITH DVD)
DOMINO 263 (Barcode: 5034202026365) ~ UK ~ Canterbury Scene
Recorded: 2010 Released: 2010
10th album by the great British musician Robert WyattFind albums by this artist, who seems to be able to re-invent himself time after time and remain a shining star now in the fifth decade of his glorious music-making career. This project, which is a collaboration with Israeli saxophonist Gilad AtzmonFind albums by this artist and violinist Ros StephenFind albums by this artist (both are credited equally with Wyatt as the album´s creators), presents a series of original composition as well as re-works of Jazz standards, exquisitely arranged, richly orchestrated and beautifully performed by the participating musicians, which include among others bassist Richard PryceFind albums by this artist and Stephen´s Sigamos String QuartetFind albums by this artist. This is a wonderfully weird music, brilliant and completely unpredictable, changing moods, tempi, colors and musical influences constantly. From Middle Eastern to Celtic, from Canterbury to Klezmer to Chamber, everything goes, but all in excellent form and taste. A true masterpiece of contemporary music, beyond genres, classification and time… What more need I say?
| | | CD+DVD 2 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ COMICOPERA
DOMINO 202 (Barcode: 5034202020226) ~ UK ~ Canterbury Scene
Recorded: 2007 Released: 2007
9th album by Robert WyattFind albums by this artist, which is yet another triumph in his outstanding career over the years, presenting an imaginary three-parts opera abut life and its unexpected aspects, craziness, absurd, love and so on. Supported by an incredible team of musicians from all over the world (UK, Brazil, Norway, Cuba, Colombia, Spain and Israel – bassist Yaron StaviFind albums by this artist and saxophonist Gilad AtzmonFind albums by this artist) Wyatt creates a continuous stream of relatively short tunes, many richly orchestrated, which is quite different from most of his previous works, which have been mostly intimate in their sound scope. The music is mostly composed by Wyatt, with a couple of tunes by Brian EnoFind albums by this artist and two folk songs used as well. Wyatt and his wife Alfreda BengeFind albums by this artist are responsible for most of the great lyrics, but a Garcia LorcaFind albums by this artist poem is also used, which exemplifies Wyatt´s deep love and appreciation of the Spanish and Ibero-American culture. The music, still very much typical Wyatt, has also another dimension to it at times, being more closely related to contemporary Classical, probably due to the orchestral arrangements. Overall it´s a complex work, which requires several listening sessions to truly appreciate it and is definitely some of the best music recorded lately in complete contrast to the surrounding overwhelming shallow output created nowadays. Brilliant stuff!
| | | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ CUCKCOOLAND
DOMINO 47 (Barcode: 5034202204725) ~ UK ~ Canterbury Scene
Recorded: 2002 - 2003 Released: 2008
8th album by Robert WyattFind albums by this artist, recorded six years after the last album (Wyatt seems to be keeping his followers purposely on the edge) and another minor masterpiece. Wyatt seems to have found finally the perfect formula for creating his unique music: using his wife´s poetry as lyrics and cooperating with Jazz (this time notably with two Israelis – saxophonist Gilad AtzmonFind albums by this artist and bassist Yaron StaviFind albums by this artist) and Rock veterans like Brian EnoFind albums by this artist, David GilmourFind albums by this artist and Phil ManzaneraFind albums by this artist. The political statements are still there, but less aggressive (not less painful or truthful of course), well even the most fierce revolutionaries get old in time. The music is fresh, vibrant, whimsical and magical, same as always and stimulating as ever. Of course Wyatt´s music never was intended for mass consumption and musical charts. It takes time and patience, as well as open-mindedness and musical liberalism in order to fully appreciate this kind of Art. Considering the fact that Wyatt has been at the center of musical activity for five decades, his position in the Pantheon is assured, regardless of what some critics may think about him and his music. This is beautiful, stimulating music, which shows that not everything in music is lost in the 21st Century!
| | | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ DONDESTAN (REVISITED)
DOMINO 44 (Barcode: 5034202204428) ~ UK ~ Canterbury Scene
Recorded: 1991 - 1998 Released: 2008
6th album by Robert WyattFind albums by this artist, which has a rather convoluted history: the album was recorded in 1991 (making it in fact Wyatt´s 5th album) and released at the time, but seven years later Wyatt remixed the album completely from the original tapes, following his disappointment with the original (haphazard) mix, which became sort of obsolete – hence the "revisited" in the title. Musically the album starts an uninterrupted streak of brilliant works, continued to this very day, with Wyatt finally finding a perfect balance between his extraordinary musical approach and political agenda. Wonderfully supported by his wife´s (Alfreda BengeFind albums by this artist) poetry used in addition to his own more politically oriented lyrics, balancing the radicalism, and musically supported by extraordinary musicians like former Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist, who also contributes one composition. Wyatt aims straight to the listener´s heart here, no prisoner taken. Lyrical at times, bitter and angry at others, he is always himself, delivering those heartbreaking vocals the way only he can do. His musical ideas never cease to amaze and overall this is a minor masterpiece, which definitely deserves repeated listening.
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  | ROBERT WYATT ~ EPS
DOMINO 46 (Barcode: 5034202204626) ~ UK ~ Canterbury Scene
Recorded: 1974 - 1998 Released: 2008
This beautiful Box Set includes all five EPs by Robert WyattFind albums by this artist, which includes material recorded over a long period of time from mid 1970s to late 1990s. None of this material was included on any of Wyatt´s original albums; instead it was partly released as EPs, a shorter and less "formal" form of release. That does not mean of course that the material is any less important or brilliant, it simply falls outside of the main flow of his albums. The first three EPs (subtitled "Bits", "Pieces" and "Work In Progress") include mostly material not written by Wyatt himself, but interpreted and accordingly altered by him. The fourth brings the soundtrack of the Avant-Garde film "The Animals´ Farm", a gruesome exposure of human cruelty towards animals. The fifth is a series of remixes taken from the original masters for the "ShleepFind albums with this title" album. Together they present Wyatt as an Artist who answers only to his heart´s call, ignoring trends and fashions, speaking out his mind and showing deep feelings. Some of this music is definitely not easy listening, but anybody familiar with Wyatt´s work over the years is quite used to his experimentation and bizarre musical methods. Nevertheless this is a powerful statement and an absolute must for any Wyatt fan, especially in view of the fact that most of these tracks are not available in any other form. Wholeheartedly recommended!
| | Updated: 12/04/2019Posted: | CD 5 Box Set Recommend To A Friend |
  | ROBERT WYATT ~ NOTHING CAN STOP US
DOMINO 42 (Barcode: 5034202204220) ~ UK ~ Canterbury Scene
Recorded: 1980 - 1982 Released: 2008
4th album by Robert WyattFind albums by this artist, released seven years after his previous offering and collecting songs he wrote and released as singles, creating a step by step compilation, which was released in its entirety on this album. Those years marked Wyatt´s increasing involvement with leftish politics and radical social views and his study of historical events and their sociological impact. Although seemingly separate, these songs collectively reflect Wyatt´s view of Western politics and its social injustice. Wyatt wrote only one of the songs on this album, the rest were carefully selected songs written by other songwriters, which thematically fit into the framework he wanted to present. Musically, the set is strangely coherent, with many fine musicians taking part in the recording and Wyatt´s voice being clear and hauntingly sad. Even if one does not agree with Wyatt´s political statements, this music is a great example of social and political awareness, as reflected in art, which should be respected and listened to. Surely Wyatt is one of the 20th Century more important troubadours and his quest for justice and impeccable musical integrity deserves respect and admiration. Definitely a mind-opener!
| | | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ OLD ROTTENHAT
DOMINO 43 (Barcode: 5034202204329) ~ UK ~ Canterbury Scene
Recorded: 1984 - 1985 Released: 2008
5th album by Robert WyattFind albums by this artist, his most radical political statement to date and also his most intimate release ever, as no other musicians are present on this album and Wyatt uses some synthesizers and drum machines to accompany his voice. Wyatt returns to writing his own material here, following a long period of covering other peoples´ songs. His somber, but distinctly clear and heartfelt voice is the focus of this recording musically, as appropriate for the purpose of conveying his message. In retrospect this is a very powerful statement, which sadly lost nothing in time as far as human misery and injustice are concerned, with the issues and geographical references changing but the issues at hand still predominantly the same. Wyatt intended to produce non-commercial music, and this is as non-commercial as it gets, which of course has nothing to do with its quality, which is beyond reproach. Difficult – yes, but important and worth revisiting!
| | | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ RUTH IS STRANGER THAN RICHARD
DOMINO 41 (Barcode: 5034202204121) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 2008
3rd album by Robert WyattFind albums by this artist, which presented the Canterbury hero with an incredible challenge to follow up the masterpiece he created with "Rock BottomFind albums with this title". Rather than continuing the deeply personal self-exploration, Wyatt chose to present a collection of material, which is a mixture of earlier compositions, some even preceding the Soft MachineFind albums by this artist days, some pieces written by other colleague-musicians and the rest being new material written especially for this album, all performed by a stellar cast, which includes former Matching MoleFind albums by this artist cohort Bill MacCormickFind albums by this artist on bass, saxophonist Gary WindoFind albums by this artist, Fred FrithFind albums by this artist on piano, Mongezi FezaFind albums by this artist on trumpet and a few other Avant-Garde musicians in his inner circle. Wyatt sings and plays piano, delivering his unique music with grace and the usual masterly mystique and heartbreaking emotional truth. Quite experimental and often bizarre, this album in retrospect reveals more of its incredible bold and futuristic vision than it did at the time of its release, once again proving that Wyatt was always decades ahead of time with his musical ideas. Brilliant stuff, which is worth both discovering and getting to know for the first time!
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ SHLEEP
DOMINO 45 (Barcode: 5034202204428) ~ UK ~ Canterbury Scene
Recorded: 1996 - 1997 Released: 2008
7th album by Robert WyattFind albums by this artist, which follows up the previous release in the path of returning to more conventional music making and musical cooperation with other musicians, mostly from the Avant-Garde and jazz circles, like guitarist Philip CatherineFind albums by this artist, saxophonist Evan ParkerFind albums by this artist, guitarist Paul WellerFind albums by this artist and others. Also the co-writing partnership with his wife Alfreda BengeFind albums by this artist, who contributes her poetic lyrics to Wyatt´s songs, seems to thrive, creating less radical political statements and more abstract vistas. The music is again (as in the early days of his career) a mixture of Jazz and Prog, which is something Wyatt´s fans are most comfortable with. Much more melodic, even if still melancholic at times, this is Wyatt´s greatest musical work in his second life – music phase. The six years his fans had to wait for this album were definitely worth waiting for, with a gentler (although still strongly outspoken) Wyatt delivering what he does best – personal, straight form the heart musical gems. A triumphant return to splendid form and a minor masterpiece!
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ SOLAR FLARES BURN FOR YOU
CUNEIFORM 175 (Barcode: 045775017525) ~ UK ~ Canterbury Scene
Recorded: 1972 - 2003 Released: 2003
Any new release bringing out historical material by Robert WyattFind albums by this artist is extremely important, and this one really deliveres. It includes two BBC sessions from 1972 and 1974, as well as a previously unheard and little known 1973 soundtrack for a short experimental film, two recent works with old collaborator Hugh HopperFind albums by this artist and finally a 2003 home demo of a new song that did not end up on Robert´s release CuckoolandFind albums with this title. Additionally, this CD includes a Quicktime movie of that 1973 film. A package that surely is a must for any Wyatt fan.
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  | ROBERT WYATT ~ THE END OF AN EAR
COLUMBIA 493342 (Barcode: 5099749334229) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 1998
1st album by drummer / keyboardist / singer / composer and one of the Canterbury movement founding figures, Robert WyattFind albums by this artist, recorded while he was still a member of Soft MachineFind albums by this artist. Sadly often overlooked, this revolutionary recording shows Wyatt´s visionary approach to music and his deep involvement with the UK Avant-Garde Jazz scene, which was approaching a peak of its development at the time. Overall this album is more radically Jazz oriented than the music created by Soft Machine at the time, which was still related to Rock roots and essentially an extension of the early Jazz-Rock Fusion efforts. The only Soft Machine member appearing on this album is saxophonist Elton DeanFind albums by this artist, who shared Wyatt´s passion for Jazz. The rest of the players are prominent UK Jazz musicians like bassist Neville WhiteheadFind albums by this artist, trumpeter Mark CharigFind albums by this artist, pianist Mark ElidgeFind albums by this artist and Canterbury legend Dave SinclairFind albums by this artist on organ. Wyatt composed all the music except one tune, which is a Gil EvansFind albums by this artist composition heavily arranged by Wyatt. Wyatt´s drumming on this album is spectacular, completely unique in his rhythmic approach and closely related in the form of collective improvisation to the expressions of his partners. One can only imagine how Wyatt´s involvement with the British Avant-Garde Jazz scene would have developed, if not for the tragic accident, which cut short his drumming career. Therefore this album becomes even more historically important, presenting that aspect of the man´s genius. For listeners acquainted with Wyatt´s later years, this album should be quite a revelation, although probably a much tougher musical challenge. In retrospect this album remains as essential document of an era, when breaking musical barriers was completely acceptable and music was making giant steps towards a new horizon. This is a visionary work in every respect, which should be cherished and returned to periodically, to be re-discovered. A must for any serious music lover!
| | Updated: 12/04/2019Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
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