Record Reviews

ANAT FORT ~ A LONG STORY ECM 1994 (Barcode: 602517014169) ~ ISRAEL ~ Jazz Recorded: 2004 Released: 2007 This is the first album on the prestigious ECM label by Israeli pianist / composer Anat FortFind albums by this artist and her second release to date. Fort is the first Israeli musician to release an album on ECM. The album was recorded in NY with a formidable quartet, which includes American Jazz players: clarinetist Perry RobinsonFind albums by this artist, bassist Ed SchullerFind albums by this artist and drummer Paul MotianFind albums by this artist, presenting a set of original compositions / improvisations by Anat, who manages to create her own musical universe, unique and distinct from any other music made on this planet, quite an accomplishment for any musician today. Somewhere between modern Jazz, contemporary Classical music, late 19th Century Romanticism and Eric Satie´s Minimalism, the music of Anat Fort is like an impressionist painting, full of melancholy and lyricism and yet sparkling with color and emotion. Her music is always receptive to the listener´s mood, enabling him to discover a different facet every time he listens attentively. It sounds great in early mornings and late at night, being invigorating and soothing at the same time. Of course there is also Anat, the player, gently caressing the keyboard and masterfully applying pressure, when necessary. And yet the album is not an easy listening experience, especially at the first attempt. As all good Art, it requires attentive and repetitive listening, slowly breaking the barrier of assimilating with the listener´s perception. It sneaks on you slowly, doing deeper and deeper ever time, until you are completely hooked, left helpless and fully exposed to its beauty. What bliss! In retrospect I prefer her next album "And IfFind albums with this title", which was recorded with her regular trio. Uninhibited by the presence of strong personalities she is able to express herself more fully on that album, which is all for the best. But personal preferences aside, this is still a formidable album and I can´t imagine any serious music lover not falling in love with this album eventually, even if it takes some effort. Therefore I urge everybody to give it a try, as you surely won´t regret it in the long run. Music of this quality is too rare to be left unnoticed! Visitors' Comments Christopher  Brice Thanks for the Introduction, Adam! I loved this at first play, and it has been playing on and off for the last 24 hours, getting better and better (apart from the one short ocarina section). Quite different from my other favourite piano quartets and trios on ECM, but it still has that special ECM clarity and delicacy of sound. Paul Motian is very restrained, almost as if in awe (which is not an emotion I normally associate with him), and of course he gets it just right. I have been waiting for an opportunity to hear Ed Schuller and he was worth the wait. When Adam recommended Anat I chose the this album because of Paul and Ed but now I´m hooked - Adam says "And If" is even better so I´m off to join the waiting list.

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DOM MINASI ~ THE VAMPIRE`S REVENGE CDM 1006 (Barcode: 616892693727) ~ USA ~ Jazz Recorded: 2005 Released: 2006 This momentous masterpiece by US guitarist / composer Dom MinasiFind albums by this artist is one of the most ambitious large scale Avant-Garde recordings I’ve come across since the turn of this Century. Although large scale Avant-Garde projects flourished in European Jazz in the late 1960s / 1970 (Keith TippetFind albums by this artist and his CentipedeFind albums by this artist ensemble, Mike WestbrookFind albums by this artist’s Orchestra and many others), the complexity, cost and logistics involved with such projects basically doomed the prospects for such recordings over time with the cultural climate and openness for such endeavors virtually disappearing. Therefore, before even examining the music as such, one must take one’s hat off to Minasi for pulling it all together. The album presents a concept Free Jazz suite, inspired by the writings of Ann RiceFind albums by this artist, to which Minasi was first exposed in the mid-1990s and since then was slowly building up his material for a large scale work on the subject of Vampires – one of the most mysterious and fascinating themes in our world of fantasy, legend and imagination. The last pieces of this complex work were completed just shortly before the recording actually took place. For the recording Minasi assembled a formidable gathering of his “regulars” - his trio members Ken FilianoFind albums by this artist on bass and Jackson KrallFind albums by this artist on drums, his DDTFind albums by this artist cellist Tomas UrlichFind albums by this artist, his singer wife Carol MennieFind albums by this artist, his quartet member saxophonist Mark WhitecageFind albums by this artist and his former quartet member saxophonist Blaise SiwulaFind albums by this artist. In addition he enlisted some of the most prominent names on the US Avant-Garde scene like Borah BergmanFind albums by this artist on piano, Perry RobinsonFind albums by this artist on clarinet and others. A total of 22 musicians participated in the recording sessions for this album, including the conductor Byron OlsonFind albums by this artist, who conducted the immensely complex big ensemble pieces. Describing the music is a task beyond any lingual skills – it is meant to be listened to rather that written about after all. I’ll only say that there is so much music here that it will take even the most experienced listener several listening sessions to start digesting this immense work. Moving between quiet contemplative moments and crescendos of expressionist power, the music tells a story, which each listener might interpret differently, but none can stay indifferent to. Even the most experienced Free Jazz and Avant-Garde listeners will find innovation and exploration of uncharted territory here, which in today’s music is such a rare commodity. It’s demanding, overwhelming, complex and intricate and at the same time communicative and deeply moving. A brilliant piece of modern music, which although known to few, constitutes a ray of hope in contemporary music, symbolizing the pursuit of new horizons by the few musicians, who still care about expanding them. Amazing stuff!

Updated: 12/04/2019Posted:

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WACLAW ZIMPEL ~ STONE FOG FOR TUNE 0009 (Barcode: 5902768701098) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the debut recording by the quartet led by Polish Jazz clarinetist / composer Waclaw ZimpelFind albums by this artist with his countryman pianist Krzysztof DysFind albums by this artist and two German musicians: bassist Christian RamondFind albums by this artist and drummer Klaus KugelFind albums by this artist. The album presents eight compositions named using lines from poems by the US poetess Laura Winter. Three of the compositions are credited to Zimpel and the remaining five are group compositions. Despite his young age (he was 29 years old when this music was recorded) Zimpel is already considered as one of the most important upcoming Free Jazz / Improvised Music figures on the European scene. In the scope of the last decade he managed to cooperate with many first-class musicians from Poland and abroad, play many concerts and record quite a few albums as a leader and as sideman, most of which were received enthusiastically by the critics. The clarinet, Zimpel´s "weapon of choice", is sadly a much neglected instrument in contemporary music, Avant-Garde and Improvised Music included, and therefore his contributions are especially important, keeping the clarinet tradition alive. Except for the older generation clarinet Giants, like American Perry RobinsonFind albums by this artist, Israeli Harold RubinFind albums by this artist, French Louis SclavisFind albums by this artist, Italian Gianluigi TrovesiFind albums by this artist and a handful of others, Zimpel´s young voice is a fresh breath of air in this particular niche. As to the music on this album, I find it slightly less exciting personally in comparison to his earlier recordings with ensembles like UndividedFind albums by this artist or HeraFind albums by this artist. Not that this album lacks anything in quality and power of expression, but perhaps it is less based on incorporating World Music motifs, which Zimpel excels at. This album firmly belongs to the "traditional" Free Jazz / Improvised Music milieu, if the word "traditional" applies at all in such cases. But regardless of my personal preferences, this is excellent music from start to finish, performed with passion and masterly ability, by all four musicians involved. The rhythm section provides exceptional backing, moving swiftly between almost swing to free form, Dys on piano spreads layers of twisted harmonic structures and Zimpel, as usual, plays the role of the of Hamelin´s Pied Piper, snake charmer and a Hassidic Klezmer, all in one. Most connoisseurs of Free Jazz will find this music very interesting and aesthetically enchanting. The album was released by a new Polish label called For TuneFind albums on this label, which seems to be specializing in "unconventional" musical projects, like this one. All the releases on the label have a distinct graphic design, which appears to be copying the early ECMFind albums on this label, Hat HutFind albums on this label and other Avant-Garde labels following this path. Polish Avant-Garde Jazz fans know that this label is of course not the first of its kind, but the more the merrier. There is always place for good music and I wish the label a lot of success.

Updated: 12/10/2024Posted:

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