Record Reviews

AMALGAM ~ ANOTHER TIME FMR 116 (Barcode: 649849981615) ~ UK ~ Jazz Recorded: 1976 Released: 2003 5th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Steve HaytonFind albums by this artist, bassist Pete CowlingFind albums by this artist and drummer Liam GenockeyFind albums by this artist, which marks the beginning of the second phase of Amalgam, which is characterized by the dual saxophone – guitar frontline. The music is written entirely by Watts, who after the departure of drummer John StevensFind albums by this artist became the group´s main composer. This album was originally released on the tiny German independent VinylFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and electric bass the sound of the band changes completely, with a distinct Fusion feel, but the dexterity and obvious genius are still the same as always. This is probably the most accessible Amalgam album ever recorded and young listeners, ignorant of the band´s Improvised Music roots should be able to enjoy it immensely. This is still a classic, although a different cup of tea altogether. Brilliant stuff!

CD 1 Recommend To A Friend

AMALGAM ~ INNOVATION FMR 119 (Barcode: 649849981592) ~ UK ~ Jazz Recorded: 1974 Released: 2003 3rd album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup includes the legendary drummer John StevensFind albums by this artist, pianist Keith TippettFind albums by this artist, bassists Kent CarterFind albums by this artist and Lindsay CooperFind albums by this artist and conga player Terri QuayeFind albums by this artist. The music includes four compositions by Stevens and one by Watts, all of which are excellent vehicles for the extended improvisations. This album was originally released on the tiny independent TangentFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. In many respects this album is quite different from most of the ensemble´s output, as it includes a piano, which was not usually included in the lineup, mellowing the overall sound. Tippett plays wonderfully of course and his contribution is most valuable. Overall this is yet another example of the wonderful forces at work during a most illustrious period in British Jazz. A classic of the genre and a must for any Free Jazz / Improvised Music buff!

CD 1 Recommend To A Friend

AMALGAM ~ PLAY BLACKWELL & HIGGINS FMR 146 (Barcode: 649849982353) ~ UK ~ Jazz Recorded: 1972 - 1973 Released: 2004 2nd album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a trio, including the legendary drummer John StevensFind albums by this artist and bassists Ron HermanFind albums by this artist and Jeff ClyneFind albums by this artist. As the title suggests, Amalgam play tribute to two almost anonymous heroes of the American Jazz revolution, drummers Ed BlackwellFind albums by this artist and Billy HigginsFind albums by this artist, both of which played on the pioneering recordings by Ornette ColemanFind albums by this artist and contributed their share in expanding the Jazz horizons. The music is recorded live and both extended compositions included here are by Stevens. This album was originally released on the tiny independent AFind albums on this label label, owned by Watts, and was unavailable for many years, which is now rectified by this CD issue. The performances are inspired and fiery, proving how advanced the British scene was at the time. Watts´ saxophone work summarizes the development of the instrument in the hand of geniuses like Coleman, Albert AylerFind albums by this artist and John ColtraneFind albums by this artist. Overall this is yet another example of the wonderful forces at work during a most illustrious period in British Jazz. A true classic of the genre and a must for any Free Jazz / Improvised Music buff!

CD-R 1 Recommend To A Friend

AMALGAM ~ PRAYER FOR PEACE FMR 096 (Barcode: 649849981417) ~ UK ~ Jazz Recorded: 1969 Released: 2002 Legendary debut album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist and including the legendary drummer John StevensFind albums by this artist. Both Watts and Stevens were also founding members of the Spontaneous Music EnsembleFind albums by this artist (SME), which was in some respect the alter ego of Amalgam, whereas SME concentrated on freely Improvised Music, Amalgam used more structured themes, mostly pre-composed, as the basis for their expanded Jazz improvisations. In many respects Amalgam and SME lineups, musical directions and intentions overlapped and the collective recorded legacy of these two groups is an icon of some of the most daring and wonderfully adventurous music ever recorded. This initial lineup of Amalgam was a trio, including the superb bassist Jeff ClyneFind albums by this artist, who is replaced on the title track of this album by another British bass legend Barry GuyFind albums by this artist. The album was originally released on the TransatlanticFind albums on this label label and for many years was on of the most sought-after Jazz collector´s items. The music is absolutely stunning from start to finish and what makes this album so special is the inclusion of three versions of the same tune ("Judy´s Smile"), so brilliantly different from each other, that they are a classic example of the gift of improvisational ability. An absolute classic of the genre and a must for any Free Jazz / Improvised Music buff!

Updated: 11/04/2025Posted:

CD 1 Recommend To A Friend

BOB DOWNES / OPEN MUSIC ~ CROSSING BORDERS REEL RECORDINGS 011 (Barcode: 676868177828) ~ UK ~ Jazz Recorded: 1978 - 1979 Released: 2008 British flautist / saxophonist / composer Bob DownesFind albums by this artist and his Open MusicFind albums by this artist ensemble (a constantly changing group of musical cohorts) were always one of the most interesting acts on the British Jazz scene in the late 1960s / 1970s. Downes participated in many of the pivotal recording made at the time by other bandleaders, but in parallel always led his own ensemble which played the music he composed. His ability to combine melody and Free Improvisation into a unique amalgam was always his forte and his recordings are great examples of the limitless musical efforts, which are typical of the period. This release presents an album, previously unreleased, featuring compositions inspired by a 1973 South American tour, recorded several years later with a great cast of musicians: guitarist Brian GoddingFind albums by this artist, trombonist Paul RutherfordFind albums by this artist, bassists Barry GuyFind albums by this artist, Mark MeggidoFind albums by this artist and Paul BridgeFind albums by this artist and drummers Dennis SmithFind albums by this artist and John StevensFind albums by this artist – all of which are exemplary representatives of the British Jazz scene at its peak. Considering the fact that this music is previously unheard, it seems such a shame it laid hidden from our ears for so long, but as usual all is well that ends well, so here it is finally for us to savor. Downes´ fans need no encouragement to grab this album instantly, but British Jazz fans not familiar with his output should definitely investigate, especially in view of the fact that the melody lines and his amazing flute virtuosity make the improvised passages "easier on the ear" for less experienced listeners.

CD 1 Digipak Recommend To A Friend

BOB DOWNES / OPEN MUSIC ~ OPEN MUSIC (DREAM JOURNEY) ESOTERIC 2189 (Barcode: 5013929728929) ~ UK ~ Jazz Recorded: 1970 Released: 2010 Flautist / composer Bob DownesFind albums by this artist is one of the most creative and innovative figures on the British Jazz scene, with a wide scope of cross-genre contributions from contemporary Classical Music via Jazz and Jazz-Rock to Free Jazz and Improvised Music. Downes was an integral part of the late 1960s / early 1970s revolution, that emerged in British and European Jazz, emancipating it from years of American influence and domination, and participated in numerous seminal recordings made during that period. His many activities were usually executed under the loosely defined umbrella name of Open MusicFind albums by this artist, which varied from a trio to a large ensemble and as the name suggests was completely free from any stylistic or genre restrictions. After recording several albums for mainstream record labels in his early days, Downes created his own record label, called OpenianFind albums on this label Records, on which he releases his projects, being one of the first musicians to do so. By the early 1980s Downes moved to Germany, where he lives and continues his work today. This incredible album presents Downes as a composer of "serious" contemporary music, with the entire first side of the original vinyl album dedicated to a suite intended for a ballet performance, called "Dream Journey". In fact this album was intended to be entitled "Dream Journey", but the title never appeared on the album´s artwork and therefore it is referred to as "Open Music" (which was of course the ensemble´s name). The rest of the music consists of shorter pieces, the final of which is entitled "Electric City" – a name of another album Downes was working on at the same time. The list of participating musicians is awe inspiring, with some of the most illustrious musicians on the scene at the time, like trumpeter Henry LowtherFind albums by this artist, saxophonist John WarrenFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bassist Harry MillerFind albums by this artist, drummer John StevensFind albums by this artist and many others. The music, although difficult at times, is breathtaking and captivating. The virtuosic performances are ample expressions of the underlying musical currents and once immersed in the magic sound, the listener is completely absorbed and mesmerized. They don´t make music like this any more, that´s for sure. Brilliant stuff!

CD 1 Oversampling Remastered Recommend To A Friend

SPLINTERS ~ INCLUSIVITY JAZZ IN BRITAIN 26 (Barcode: 5060774190258) ~ UK ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2021 This is an archival 3CD album by British Jazz supergroup SplintersFind albums by this artist, which presents two live recordings, both from 1972, the first at the legendary London 100 Club (on CD 1 and 2) and the second from the opening night at the (then) newly opened Grass Roots club (on CD 3). The music was captured on cassettes and was carefully restored to today’s standard as far as possible. The 100 Club material was previously released in part by the Reel RecordingsFind albums on this label label in 2009 as “Split The DifferenceFind albums with this title”, and is here presented in its full form and the Grass Roots material is previously unreleased. The album is released in a lavish LP sized book format, and includes beautiful photographs by Jack KirbyFind albums by this artist and extensive essay by Simon SpillettFind albums by this artist – an obvious work of love and dedication, which is the modus operandi of the Jazz In BritainFind albums on this label label. The Splinters collective is truly unique in every sense, but the most striking trait of this ensemble is the meeting of generations, united by the inner urge to express their musical ideas as expressively and unrestrictedly as humanly possible. Three of the protagonists of this session, pianist Stan TraceyFind albums by this artist (b. 1926), who appears on CD 1 and 3 only, drummer Phil SeamenFind albums by this artist (b. 1926) and saxophonist Tubby HayesFind albums by this artist (b. 1935) were already British Jazz legends at the time of this recording, with years of experience and established careers to their credit. All were immensely influential on the then growing up generation of the British New Wave of rebellious young players, who wished to emancipate the music they played from the restrictions of strict Jazz forms, patterns and rhythmical uniformity established since the genre´s conception and developed during its first half century in the USA. Tracey, Seamen and Hayes were the necessary missing link between the Jazz tradition and the gradual but revolutionary development that occurred in British Jazz from the mid-1960s on. Surprisingly, Tracey and Seamen, both older than Hayes, proved to be the more adventurous, shunning from nothing and keeping their sensitivity completely up to date. Tracey fully embraced Free Jazz and Improvised Music and Seamen was active not only in the Jazz area, but also took part in early Jazz-Rock, Rock and even early World-Jazz activities, mainly through his faithful pupil and protégé Ginger BakerFind albums by this artist. Hayes remained somewhat more "conventional", expanding his Bebop approach with some freedom, but remaining firmly within the established parameters. Perhaps the future might have proved differently, but Hayes died prematurely just a year after this music was recorded. The rest of the "crew" captured here: saxophonist Trevor WattsFind albums by this artist (b. 1939), who taped this music and was the initiator behind Splinters, trumpeter Kenny WheelerFind albums by this artist (b. 1930), bassist Jeff ClyneFind albums by this artist (b. 1937) and drummer John StevensFind albums by this artist (b. 1940), were the (not necessarily chronologically, but definitely spiritually) young Lions spearheading British Jazz into a new direction. The idea behind this session was to provide an open and most importantly completely free of any pre-conceptions environment for the musicians to express their ideas. Overall, as with much contemporary Jazz at the time, the idea of free flow and mutual respectful listening is the core of creation here. The music consists of long improvised pieces, with no strict melody lines, but full of very "melodic" playing, which makes perfect sense musically. This is group improvisation at its best, full of musical interplay and mutual inspiration respectful of each other´s "moment" and bearing at each particular instant. In many respects this is a classic "textbook" recording, which could be used as a perfect demonstration of what group improvisation really is. As someone must have said sometime: "you can´t plan lovemaking", this music, although unplanned, is a pure work of love. Beyond essential!

Updated: 07/12/2021Posted: 07/12/2021

CD 3 Digibook Remastered Essential Recommend To A Friend

SPLINTERS ~ SPLIT THE DIFFERENCE REEL RECORDINGS 013 (Barcode: 775020938328) ~ UK ~ Jazz Recorded: 1972 Released: 2009 The Canadian Reel Recordings label does it again! Following a series of splendid British Jazz archival releases, which expose many previously unheard musical creations during the Golden Age of British Jazz, this addition to its catalogue is perhaps the most sensational and revealing. Obviously the feverish activity, that characterized this unprecedented period, produced a vast amount of groundbreaking music, which unfortunately was only partially captured on tape. Therefore unearthing another piece of that wonderful puzzle is always exciting and educational. The SplintersFind albums by this artist collective is truly unique in every sense, but the most striking trait of this ensemble is the meeting of generations, united by the inner urge to express their musical ideas as expressively and unrestrictedly as humanly possible. Three of the protagonists of this session, recorded live at the legendary 100 Club, London´s primary Jazz dungeon for many years, pianist Stan TraceyFind albums by this artist (b. 1926), drummer Phil SeamenFind albums by this artist (b. 1926) and saxophonist Tubby HayesFind albums by this artist (b. 1935) were already British Jazz legends at the time of this recording, with years of experience and established careers to their credit. All were immensely influential on the then growing up generation of the British New Wave of rebellious young players, who wished to emancipate the music they played from the restrictions of strict Jazz forms, patterns and rhythmical uniformity established since the genre´s conception and developed during its first half century in the USA. Tracey, Seamen and Hayes were the necessary missing link between the Jazz tradition and the gradual but revolutionary development that occurred in British Jazz from the mid-1960s on. Surprisingly, Tracey and Seamen, both older than Hayes, proved to be the more adventurous, shunning from nothing and keeping their sensitivity completely up to date. Tracey fully embraced Free Jazz and Improvised Music and Seamen was active not only in the Jazz area, but also took part in early Jazz-Rock, Rock and even early World-Jazz activities, mainly through his faithful pupil and protégé Ginger BakerFind albums by this artist. Hayes remained somewhat more "conventional", expanding his Bebop approach with some freedom, but remaining firmly within the established parameters. Perhaps the future might have proved differently, but Hayes died prematurely just a year after this music was recorded. The rest of the "crew" captured here: saxophonist Trevor WattsFind albums by this artist (b. 1939), who taped this music and was the initiator behind Splinters, trumpeter Kenny WheelerFind albums by this artist (b. 1930), bassist Jeff ClyneFind albums by this artist (b. 1937) and drummer John StevensFind albums by this artist (b. 1940), were the (not necessarily chronologically, but definitely spiritually) young Lions spearheading British Jazz into a new direction. The idea behind this session was to provide an open and most importantly completely free of any pre-conceptions environment for the musicians to express their ideas. As with much contemporary Jazz at the time, the idea of free flow and mutual respectful listening is the core of creation here. The music consists of two long (47 and 30 minutes) improvised pieces, with no strict melody lines, but full of very "melodic" playing, which makes perfect sense musically. This is group improvisation at its best, full of musical interplay and mutual inspiration respectful of each other´s "moment" and bearing at each particular instant. In many respects this is a classic "textbook" recording, which could be used as a perfect demonstration of what group improvisation really is. As someone must have said sometime: "you can´t plan lovemaking", this music, although unplanned, is a pure work of love. Beyond essential!

Updated: 07/12/2021Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

SPONTANEOUS MUSIC ENSEMBLE ~ QUESTION AND ANSWER RHYTHM AND BLUES 068 (Barcode: 5060331752431) ~ UK ~ Free Jazz / Improvised Music Recorded: 1966 Released: 2021 This is an archival release, which presents early recordings by the pioneering British Free Jazz / Improvised Music outfit, called Spontaneous Music EnsembleFind albums by this artist (a.k.a. SMEFind albums by this artist), fronted by drummer / composer John StevensFind albums by this artist, which also includes saxophonist Trevor WattsFind albums by this artist, trombonist Paul RutherfordFind albums by this artist and Australian bassist Bruce CaleFind albums by this artist. The album presents eight tracks recorded live at a pub, as well as an Q&A session with the musicians, and additionally four trio tracks (less Rutherford), recorded a couple of months later at an unknown studio. The sound quality is a bit rough around the edges, but surely good enough to express the atmosphere and the magic of the music. The album’s booklet with text by Simon SpillettFind albums by this artist, gives a wide historic perspective of the circumstances surrounding the music. Soon after Stevens formed the SME with Watts and Rutherford, the group begun a residency at the Little Theatre Club, and soon after recorded their debut album. The recordings on this album originate from just few months later on and are some of the earliest SME musical documents. Over the years the entire British (as well as many European improvisers) Avant-Garde Jazz scene took part in SME activities, making it one of the most formidable British / European foci of the genre. A plethora of SME lineup existed up to the untimely death of Stevens in 1994. Britain was definitely somewhat behind the burgeoning American Avant-Garde Jazz scene, which started in the late 1950s, and therefore what was considered as Free Improvisation in UK was much gentler and less radical than what was happening across the pond. The music played here still offers some basic themes, which are then improvised on, and the music more often than not still swings, at least to those listeners who can recognize that swing in Stevens’ drumming. Watts, improvising bravely and with unlimited expressionism, is only of the verge of becoming the Master Improviser he would become a few years later. Rutherford manages to raise some brows, being perhaps the most virtuosic performer at that point of time. Overall this is certainly a very important document as far as the British / European Avant-Garde history is concerned, and the fact that this music suddenly pops up five and half decades later is a major discographical event. Surely this will be of interest to many British Jazz fans around the globe and make many of them grateful for being able to enjoy it.

Updated: 19/06/2021Posted: 18/06/2021

CD 2 Recommend To A Friend

JOHN STEVENS ~ AT THE PLOUGH `79 FMR 215 (Barcode: 649849982766) ~ UK ~ Jazz Recorded: 1979 Released: 2007 British drummer John StevensFind albums by this artist was one of the great heroes of the local scene and a great pioneer of the European Free Jazz / Improvised Music. Together with such distinguished British improvisers as Kenny WheelerFind albums by this artist, Evan ParkerFind albums by this artist, Paul RutherfordFind albums by this artist, Trevor WattsFind albums by this artist, Derek BaileyFind albums by this artist and Barry GuyFind albums by this artist, Stevens laid the foundations of the modern British Jazz revolution in the mid 1960s, when he started his Spontaneous Music EnsembleFind albums by this artist (SME), which he led for many years. SME recorded extensively through the 1970s, when the Improvised Music movement was at its peak. Later on he also recorded with many other European improvising musicians from the continent and continued to record for small independent labels. Stevens died in 1994 (at the age of 54) and left an immense legacy of recorded music, as well as a crucial contribution to the development of the Jazz Art Form. This live recording at the legendary London pub “The Plough”, which served as the meeting place of the Improvised Music scene in the 1970s, captures the John Stevens Trio with saxophone giant Mike OsborneFind albums by this artist and superb young (at the time) bassist Paul RogersFind albums by this artist. The set was recorded on a portable tape machine, which means that the sound quality is limited, but it does not affect the intensity and the brilliance of the music. The trio performs three Osborne originals and three interpretations of Jazz standards, which of course get quite a work-over. All three musicians are simply brilliant and the fans of this music should be grateful it was preserved for posterity, especially in view of the rather limited availability of live material by Osborne. Great to have this lost treasure rediscovered and available for all of us to enjoy. A gem!

CD 1 Digipak Recommend To A Friend

MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz Recorded: 1968 Released: 2018 This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later. This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears). The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017. The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity. Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!

Updated: 02/02/2023Posted: 09/10/2018

CD 1 Mini-Sleeve Remastered Recommend To A Friend