Record Reviews

AMANCIO D`SILVA ~ KONKAN DANCE VOCALION 8420 (Barcode: 765387842024) ~ UK ~ Jazz-World Fusion Recorded: 1974 Released: 2006 Guitarist / composer Amancio D`SilvaFind albums by this artist was born in Goa, India and arrived in London in 1967, where he was immediately absorbed by the burgeoning local Jazz scene. Similarly to many other musicians, who arrived in the ex-Empire’s Capital from the colonial countries (but mostly from India), D`Silva was already “armed” with a vast musical tradition of his native county. The liberal cultural atmosphere of the London scene and the openness to other cultural influences where a major factor in creating a cultural amalgam between the Western Jazz tradition and the Eastern musical treasures. Several players practiced the new Jazz-World Fusion direction, like the John MayerFind albums by this artist / Joe HarriottFind albums by this artist ensemble with the revolutionary Indo-Jazz FusionsFind albums with this title recordings. Although D`Silva participated in a wide variety of sessions, his unique guitar voice always included a subtle Eastern undertone. However, on his solo recording projects, where his own compositions were mainly featured, this influence was much more apparent. He recorded five brilliant solo albums, of which this was the last. For some strange reason the last album was never released at the time and this is the first time this great music can be heard, which of course is a reason to celebrate, as anything recorded by this brilliant musician is an important heritage and a document of the era. The musicians participating in this recording come from the ranks of legendary British Jazz scene: Don RendellFind albums by this artist – saxophone, Stan TraceyFind albums by this artist – piano and Alan BranscombeFind albums by this artist – flute, vibes and electric piano. A sitar and two tabla players add the Indian flavor to the music, which flows beautifully like a river of sound in an enchanted garden. Absolute must!

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MICHAEL GARRICK ~ BIG BAND HARRIOTT JAZZ ACADEMY 10 (Barcode: 5036098005080) ~ UK ~ Jazz Recorded: 2004 Released: 2004 Jamaican by birth, British saxophonist / composer Joe HarriottFind albums by this artist was one of the brightest stars of early European modern Jazz scene. Harriott moved to Britain in 1951 and soon became one of the most prominent saxophone players in the country. Initially a Bebop player, Harriott soon moved away from the traditional approach to Jazz and started experimenting with Free Form Jazz, being one of the pioneers of Free Jazz in Europe. Tragically and prematurely dead at the age of 44 (in 1973), Harriott’s immense contribution to British and worldwide Jazz was sadly recognized only many years after his passing. He recorded relatively few solo albums, but each of those is a true masterpiece. In the mid-1960s he was a member of British pianist / composer Michael GarrickFind albums by this artist’s superb quintet, recording several groundbreaking albums with him. He was also a great pioneer of the World-Jazz Fusion and a co-founder of the Indo-Jazz ensemble with violinist / composer John MayerFind albums by this artist. Harriott was not only a great musician, but also a very insightful, open-minded individual. He was resentful for the disregard towards European (or rather any non-US) Jazz by American critics and music lovers, which the following quote clearly demonstrates: “I would like to see Jazz grow and absorb all other idioms and not be treated as if it were an isolated Art Form… I also have a pet hate that one couldn’t think for oneself unless one emigrated to a place like the United States.” On his gravestone the following epitaph is engraved: “Parker? There’s them over here can play a few aces too…” Michael Garrick of course never forgot neither Harriott nor his exquisite music. This album is a greatest homage one musician can pay to another – revitalize his music and bring it again to the attention of those, who might have never heard it. Garrick says about this album in his liner notes: “This is not so much Joe Harriott revisited as Joe Harriott reborn, re-embodied into a broader dimension.” The album includes twelve Harriott compositions, lovingly scored and arranged by Garrick for a Jazz Big Band, which includes some of the best Jazz players in the British Isles, including veteran drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist. The last track is a special requiem composed by Garrick in Harriott’s memory. Harriott’s brilliant music indeed sounds reborn here and although transformed, it retains the free spirit originally intended by the composer. A brilliant and essential album!

CD 1 Essential Recommend To A Friend

JOE HARRIOTT ~ CHRONOLOGY LIVE 1968-69 JAZZ IN BRITAIN 09 (Barcode: 5060774190241) ~ UK ~ Jazz Recorded: 1968 - 1969 Released: 2021 This is an archival album by the British saxophonist / composer Joe HarriottFind albums by this artist. The album presents five tracks by Harriott’s quintet with trumpeter Kenny WheelerFind albums by this artist, pianist Pat SmytheFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Bill EydenFind albums by this artist and two tracks recorded with the Harry South Big BandFind albums by this artist, which included many of the top British Jazz players of the time. One of the tracks is a Harriott original and another is a Wheeler original and the rest are standards. Although Harriott passed like a comet over the British Jazz firmament, he was certainly a key figure, a sage and a pioneer, light-years ahead of most of his peers. His own original Free Jazz ideas, some of the earliest on the global Jazz timeline, were so advanced and unique that even the shortsighted American Jazz clique recognized them as revolutionary and Harriott was the first British Jazz musician to receive a five-star review in the US DownBeat magazine. His first two albums, including the iconic “Free FormFind albums with this title” (1960), were also released in the US, followed by two UK releases: “AbstractFind albums with this title” (1962) and “MovementFind albums with this title” (1963), a threesome that defined the British Jazz emancipation. His involvement in the pioneering Jazz-World Fusion with John MayerFind albums by this artist, which resulted in the “Indo-Jazz Fusions” recordings was another glorious achievement. The music present on this album is one of the latest evidence of his recording career, which completely ceased by 1970, and his last years, ridden by illness remain tragically silent until his death in 1973. By the late 1960s Harriott returned to play conventional, Bebop based music, often with some Caribbean influences, which is what we can hear here. He is still a brilliant saxophonist by all means, and his performances, as well as those of his quintet members and the Big Band, are all definitely worth hearing, albeit by far less exciting than his earlier work. Although the recordings are mono, the sound quality is acceptable and allows the listener to enjoy the music in full. Kenny Wheeler does steal the show here and there, as expected. Considering the fact that this music was previously unreleased, this is a worthy edition to Harriott’s recorded legacy. This CD release, made following an earlier LP release of this material, is a step in the right direction, which means that the people behind the Jazz In BritainFind albums on this label listen to our voices and are not completely blinded by the vinyl hype. Good work Guys!

Updated: 24/07/2021Posted: 24/07/2021

CD 1 Digipak Recommend To A Friend

JOE HARRIOTT / JOHN MAYER ~ INDO-JAZZ FUSIONS 1 & 2 EMARCY 538048 (Barcode: 731453804821) ~ UK ~ Jazz-World Fusion Recorded: 1967 - 1968 Released: 1998 These brilliant recordings are one of the first ever attempts to combine jazz with ethnic music (in this case traditional Indian music) and the result is truly stunning and innovative, sounding as fresh today as the day they were made. Joe HarriottFind albums by this artist was an exceptionally gifted improviser, sadly dead at a very young age. 2 LPs on 1 CD. An absolute treasure.

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JOE HARRIOTT / JOHN MAYER ~ INDO-JAZZ SUITE RHINO 081227960148 (Barcode: 081227960148) ~ UK ~ Jazz-World Fusion Recorded: 1966 Released: 2013 This is a reissue of one of the most groundbreaking and revolutionary British Jazz albums, a debut recording by the ensemble that comprised of Jazz and Classical Indian Music players, which resulted in the birth of Jazz-World Fusion. The Jazz players, led by legendary saxophonist / composer Joe HarriottFind albums by this artist, a pioneer of British Free Jazz and again here of the British World-Jazz Fusion, included also trumpeter Eddie BlairFind albums by this artist (although most sources say Kenny WheelerFind albums by this artist, but I have the original LP), pianist Pat SmytheFind albums by this artist, bassist Rick LairdFind albums by this artist (although most sources say Coleridge GoodeFind albums by this artist, but I have the original LP) and drummer Allan GanleyFind albums by this artist. The Indian players included violinist / harpsichord player / composer John MayerFind albums by this artist, sitar player Diwan MotiharFind albums by this artist, tambura player Chandrahas PaigankarFind albums by this artist and tabla player Keshav SatheFind albums by this artist. The double quintet (or tentet) is completed by Classical flautist Chris TaylorFind albums by this artist. Together the ensemble performs four original compositions, all by Mayer. I have already written extensively about this music so I´ll only reiterate that it is completely unique, insanely ahead of its time and heroically pioneering, combining two idioms that seemed to be completely separated from each other. Thanks to Mayer´s superb compositions and his understanding of European music, he was able to amalgamate the Jazz improvisations and the Indian ragas and other traditional forms, despite the disparity in melody, harmony and above all rhythmic patterns between these two idioms. The result is simply divine and honestly, despite many attempts to replicate this amalgam by other musicians over the time, nothing sounds as natural, elegant and aesthetically perfect as this music. It is worth to ponder why this seemingly impossible blend worked out so well; the answer of course requires the understanding of the cultural and social atmosphere that existed in Britain in the mid-1960s, but especially so in London, which became the cultural center of the world with musicians from the British Commonwealth flooding the London scene and bringing with them their own musical traditions: Caribbean, Indian, African and others. All these cultures were embraced and absorbed without reservations of phobias, a natural, voluntary multiculti music being created in the process in Pop, Rock and Jazz. The music on this album and the further recordings by the [AJoe Harriott and John Mayer Double Quintet} are a wonderful example of that brief, but enchanted period of the British Music history. This album is an absolutely essential recorded document of the development of British and later European Jazz, which deserves to be listened to and studied by every music student in the world. This is music of everlasting value and its message of human tolerance, acceptance and unity is a beacon of hope, especially in the Dark Age we are living in now.

Updated: 20/05/2016Posted: 16/05/2016

CD 1 Essential Recommend To A Friend

JAUBI ~ NAFS AT PEACE ASTIGMATIC 017 ~ PAKISTAN ~ Jazz-World Fusion Recorded: 2019 Released: 2021 This is an album by Pakistani Jazz-World Fusion quartet JaubiFind albums by this artist, which consists of guitarist Ali Riaz BaqarFind albums by this artist, sarangi player Zohaib Hassan KhanFind albums by this artist, drummer Qammar AbbasFind albums by this artist and tabla player Kashif Ali DhaniFind albums by this artist. The quartet is expanded to a sextet with the addition of Polish Jazz keyboardist Marek PedziwiatrFind albums by this artist (a.k.a. LatarnikFind albums by this artist), a member of Polish ensembles EABSFind albums by this artist and BlotoFind albums by this artist, and British flautist / saxophonist Edward CawthorneFind albums by this artist (a.k.a. TenderloniousFind albums by this artist), who also recorded with EABS. The album presents seven tracks recorded in Lahore, six composed by Baqar and one by Pedziwiatr. Some additional recordings were done in Oslo, involving the Vox Humana Chamber ChoirFind albums by this artist, which appears on the opening track. The music is, as expected, an amalgam of traditional Indian Music elements and Jazz, which of course has its origins back as far as mid-1960s, both in American Jazz (John ColtraneFind albums by this artist of course, but not only) and British Jazz (John MayerFind albums by this artist and others) and European Jazz. The music created by the expanded Jaubi ensemble is similar in some ways to the many earlier attempts, but is also unique, being far more open to listeners, who have little experience with Indian music, as well as younger listeners, who prefer more melodic, accessible, somewhat trance-like auras, which do not involve heavy, complex improvisation, and offers instead a natural melodic flow. This does not mean that the album does not offer splendid soloing, which it certainly does. Both Pedziwiatr and Cawthorne offer some impressive soloing, especially on the final track dedicated to Coltrane and obviously inspired by “A Love Supreme”. Since the original Jaubi quartet involves only two traditional Indian instruments (sarangi and tabla), a priori their sound is not dominated by traditional Indian Music, which can be pretty daunting to Western listeners, and as this album perfectly shows, same like using exotic spices in food, moderation is the wiser solution. The album’s artwork and promo materials offer many references to the spiritual / religious references of this music, namely to the Koran spirituality and the concept of Nafs (from nafas), which became popular in the West with the growing popularity of the New Age in the late 20th Century. Personally I prefer to hide behind my skepticism, as this music is way more appropriate to enjoy and have fun rather than meditation or contemplation of one’s state of their soul. Oh well… Overall this is a wonderful album, extremely listenable and with the delicate smell of mystique and Indian spices, offers a superb musical trip, which is a pleasure to listen to. Well put together and offering some great melodic compositions as well as superb performances, this album is truly addictive. Not to be taken too seriously of course, just relax and flow with the music wherever it takes you – satisfaction guaranteed!

Updated: 01/07/2021Posted: 01/07/2021

CD 1 Digipak Recommend To A Friend

SLAWOMIR KULPOWICZ / SHUJAAT KHAN ~ LIVE POLSKIE RADIO 1250 (Barcode: 5907812242503) ~ POLAND ~ Jazz-World Fusion Recorded: 2006 Released: 2013 This is the fourth installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own. Kulpowicz visited India for the first time in 1978, when he was a member of the Zbigniew Namyslowski quartet, which played at the Jazz Yatra in Bombay. At the time he met and befriended a young sitar player Shujaat KhanFind albums by this artist, a descendant of the legendary Khan dynasty of sitar players since hundreds of years. That friendship lasted for almost thirty years as long as Kulpowicz was alive. They played together many times in Poland and abroad. In 1984 Khan visited Poland and recorded a live album with Kulpowicz for the PoljazzFind albums on this label label. The last time they played together was in 2006, when Khan visited Poland again, bringing with him the tabla player Arunangshu ChaudhuryFind albums by this artist. Kulpowicz invited the legendary Polish electric bassist Krzysztof ScieranskiFind albums by this artist and the four played together the music presented on this album, which was recorded live at Warsaw Philharmonic Hall. Considering the fact that European (including Jazz) and Indian music exist on almost completely separate planes, the amalgamation of the two is extremely difficult to achieve. Except for a very few earlier attempts, most importantly the John MayerFind albums by this artist / Joe HarriottFind albums by this artist Indo-Jazz FusionsFind albums by this artist from the late 1960s / early 1970 and the John McLaughlinFind albums by this artist´s ShaktiFind albums by this artist a decade later, which were groundbreaking and musically just right, most of the other attempts resulted in failures. The music included on this album proves again, that the power of music transcends not only cultural borders but also thousands of years of musical tradition, enabling conversations between musicians originating seemingly from worlds apart. The album comprises of just three extended pieces, two of which are about half an hour long and the third a quarter of an hour in duration. Named simply "songs", they are improvisations on melodic themes composed by Kulpowicz, performed wonderfully and in perfect harmony by all four musicians. Khan voices the melody at the onset of each piece and then the musicians take extensive solos in turn, with the full quartet returning to the melodic theme several times between the solos. Kulpowicz plays superbly and his solos are simply outstanding statements in the John Coltrane tradition, emphasizing the close relationship between Coltrane´s music and the Indian influences, which are often difficult to be discovered in his music, but come to wonderful realization when performed by Kulpowicz. There is so much passion in his playing that one suspect that his premonition as to his fate was already hunting him. Khan, who since the early meeting with Kulpowicz achieved a Masterly status in Indian music, is an obvious sitar virtuoso and his solos are also breathtaking. Chaudhury and Scieranski, although a priori destined to fulfill a less dominant role in this music, perform both splendidly and their contributions are invaluable. Scieranski especially is to be prized, as his elegant and delicate bass tones manage to keep a perfect balance with his partners and the music which usually exist without the bass foundation so typical in European music. The music is beautifully recorded and has an outstanding sound quality, especially in view of the fact that it is a live recording. Musically it is one of the finest examples I have ever come across of cross-cultural amalgam that work naturally as "God intended". An absolute must to World-Music enthusiasts and all connoisseurs of great music, regardless of genre, geography or cultural affiliation. Respect!

CD 1 Digipak Remastered Recommend To A Friend

JOHN MAYER ~ DHAMMAPADA VOCALION 8414 (Barcode: 765387841423) ~ UK ~ Jazz-World Fusion Recorded: 1976 Released: 2006 Violinist / bandleader / composer John MayerFind albums by this artist was born in India, where he started his musical studies. In the early 1950s he arrived in London to study at the Royal Academy of Music and later on was absorbed by the local scene, being one of the true pioneers in merging the Eastern and Western musical traditions, practically inventing the Jazz-World Fusion genre. In the late 1960s / early 1970s Mayer co-led an ensemble with saxophonist Joe HarriottFind albums by this artist, which recorded a series of revolutionary albums called Indo-Jazz FusionsFind albums with this title, which to this day are the absolutely best examples of the genre. Unfortunately with Harriott’s death in 1973 the ensemble disbanded. This album is an absolute sensation, as it presents a suite commissioned and recorded in 1976, but previously never released. A group of musicians, including some of the best Jazz players at the time (Henry LowtherFind albums by this artist – trumpet, Tony CoeFind albums by this artist – sax and clarinet and others) and players of Eastern instruments like tabla, sitar, koto, etc., directed by Mayer recorded this marvelous music, which goes beyond incorporating Jazz and Indian music, but also includes Korean and Japanese motifs. The music is absolutely breathtaking and the thought of it being hidden for almost 30 years is truly outrageous. Fortunately we can all enjoy it now, and as usual better late than never seems to be appropriate. I can’t recommend this album enough, as it is a true masterpiece and should touch the heart of every music lover on this planet. Essential!

CD 1 Remastered Essential Recommend To A Friend

JOHN MAYER ~ ETUDES / RADHA KRISHNA FIRST HAND 01 (Barcode: 5060051618222) ~ UK ~ Jazz-World Fusion Recorded: 1969 - 1971 Released: 2008 This magnificent album finally brings back to life two great recordings by the legendary violinist / composer John MayerFind albums by this artist, a pioneer of Jazz-World Fusion. Mayer’s revolutionary ensemble, called Indo-Jazz FusionsFind albums by this artist, recorded four superb albums in the 1960s, which were first of a kind attempts to combine Jazz with Indian music. EtudesFind albums with this title, recorded in 1969, was the fourth and last album in this series, and although recorded without the participation of saxophonist Joe HarriottFind albums by this artist (another legendary British Jazz figure), who was a co-leader of the ensemble for several years, it is a direct continuation of the work done on the first three albums. The new ensemble includes some of Britain’s best Jazz musicians at the time: Mayer - violin, Chris TaylorFind albums by this artist – flute, Ian HammerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – saxophone & clarinet, Pat SmytheFind albums by this artist – piano, Coleridge GoodeFind albums by this artist – bass and John MarshallFind albums by this artist – drums with three musicians playing traditional Indian instruments – sitar, tanpura & tabla. The music offers a slightly different overall structure, as it resembles a classical suite in five movements (Rondo, Capriccio, Serenade, Toccata & Saraband), utilizing structures used often in Classical music. Mayer was of course classically trained and a master of cross-pollination between genres. The overall effect of the music is absolutely stunning, still fresh and moving as it was at the time of the recording. Radha KrishnaFind albums with this title, recorded a couple of years later with a similar lineup expanded by a string trio and singers, is a further step into showcasing Mayer’s work as a composer of contemporary Classical music, which he will develop in the years to come. Based on an ancient love story from the Hindu mythology, the two parts suite flows gently and beautifully presenting the characters and the events with musical themes. Although more classically oriented, it still uses the Jazz elements, especially in the solos performed by the players. This is a beautiful piece of music, which should be enjoyed by every true music lover. Having two such wonderful recordings together on one album is a true blessing for which we should be grateful to John’s son Jonathan MayerFind albums by this artist, who released this album on his new record label. I can not think of a better tribute he could have paid to his father’s memory. A double masterpiece!

CD 1 Remastered Recommend To A Friend

JOHN MAYER / INDO-JAZZ FUSIONS ~ INJA FMR 069 ~ UK ~ Jazz-World Fusion Recorded: 2000 Released: 2000 British violinist / composer John MayerFind albums by this artist invented the fusion between Jazz and traditional Indian music in the 1960s, when he and the brilliant saxophonist Joe HarriottFind albums by this artist co-led an ensemble, which recorded a series of groundbreaking albums which fused the two musical genres, being one of the pioneers of Jazz-World Fusion. Unfortunately the ensemble ceased to exist when Harriott died tragically in 1973. From that time on Meyer continued his work mainly in the field of Classical music, but by the end of 1990s he formed a new ensemble called Indo-Jazz FusionsFind albums by this artist and recorded with them a series of superb albums until his death in 2004. The ensemble was a nonet and included Mayer on violin and eight young but extremely talented musicians, with his son Jonathan MayerFind albums by this artist on sitar, Harjinda MataruFind albums by this artist on tabla, James McDowallFind albums by this artist on flute, Carlos Lopez-RealFind albums by this artist on saxophone, David SmithFind albums by this artist on trumpet, Simon ColamFind albums by this artist on piano, David FosterFind albums by this artist on bass and Andrew BrattFind albums by this artist on drums. Mayer wrote most of the fantastic music performed by the ensemble, but the great Kenny WheelerFind albums by this artist composed the title track of this album. The music is a direct continuation of the stuff the Mayer-Harriott group was doing, missing of course Harriott’s virtuosity, but nevertheless still formidable. Mayer’s beautiful melodies are perfect vehicles for the improvised passages and solos by the ensemble’s members and everything falls into place just flawlessly. One can hardly imagine a better cross-pollination between cultures and we should all be grateful to Mayer for pursuing this wonderful dream. Delightful!

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JOHN MAYER / INDO-JAZZ FUSIONS ~ SHIVA NATARAJ KING OF DANCE FMR 086 (Barcode: 649849981301) ~ UK ~ Jazz-World Fusion Recorded: 2001 Released: 2001 British violinist / composer John MayerFind albums by this artist invented the fusion between Jazz and traditional Indian music in the 1960s, when he and the brilliant saxophonist Joe HarriottFind albums by this artist co-led an ensemble, which recorded a series of groundbreaking albums which fused the two musical genres, being one of the pioneers of Jazz-World Fusion. Unfortunately the ensemble ceased to exist when Harriott died tragically in 1973. From that time on Meyer continued his work mainly in the field of Classical music, but by the end of 1990s he formed a new ensemble called Indo-Jazz FusionsFind albums by this artist and recorded with them a series of superb albums until his death in 2004. This album was unfortunately the last he recorded with this ensemble before he died. The lineup is identical to the one, which recorded the beautiful INJAFind albums with this title, and again a British Jazz veteran contributes one of the compositions on this album, this time saxophonist Stan SultzmannFind albums by this artist. The music is as beautiful and perfect as anything Mayer ever touched - a great example of Jazz-World Fusion and a must for all lovers of cross-cultural inspirations. Mayer’s fans need no further inducement to grab this one ASAP.

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IRENE SCHWEIZER ~ JAZZ MEETS INDIA PROMISING MUSIC 44114 (Barcode: 602527326238) ~ SWITZERLAND ~ Jazz-World Fusion Recorded: 1967 Released: 2010 This extraordinary album is one of the earliest Jazz-World Fusion excursions, in general and Jazz / Indian music in particular, preceded mainly by the British recording with the Joe HarriottFind albums by this artist / John MayerFind albums by this artist ensembles. This meeting, conceived by the legendary producer Joachim BerendtFind albums by this artist and originally released on the MPSFind albums on this label label, brings together the trio led by the Swiss pianist / composer Irene SchweizerFind albums by this artist, with bassist Uli TrepteFind albums by this artist and drummer Mani NeumeierFind albums by this artist with an Indian trio led by sitar player Dewan MotiharFind albums by this artist, tabla player Keshav SatheFind albums by this artist and tambura player Kusum ThakurFind albums by this artist. Two guest musicians are also present: trumpeter Manfred SchoofFind albums by this artist and saxophonist Barney WilenFind albums by this artist. Contrary to the above mentioned British encounters, which were more about improvising on Indian melodic themes, this meeting is based on Free Jazz, which makes everything much more intense and complex, but also interesting of course. Considering the fact that this music was conceived and recorded 45 years ago emphasizes Berendt´s visionary approach to music and his pivotal role in the development of European Jazz. This is not easy-listening material, but open-minded people will find this fascinating for sure. Not available for decades, this new edition is a momentous event for non-mainstream music. Not to be missed!

CD 1 Mini-Sleeve Slipcase Oversampling Remastered Recommend To A Friend

TEAK PROJECT ~ TEAK PROJECT FIRST HAND 02 (Barcode: 5060051618239) ~ UK ~ Jazz-World Fusion Recorded: 2006 Released: 2008 A debut recording by the UK acoustic Jazz-World Fusion trio The Teak ProjectFind albums by this artist, consisting of Jonathan MayerFind albums by this artist – sitar (son of legendary violinist / composer John MayerFind albums by this artist, one of the pioneers of Jazz-World Fusion), Justin QuinnFind albums by this artist – guitar and Neil CraigFind albums by this artist – tabla. As the instrumentation suggests, their music is related to Indian music, but not predominantly so. The compositions, contributed by all three members, are well structured and mostly lyrical, using well the delicate balance between the instruments. They explore various ethnic motifs and contemporary musical ideas and the music is obviously performed with joy of exploration. This is not “easy” music, as it requires serious attention, but it is richly rewarding, full of beautiful moments and suitable for repeated listening. Since the sitar is seldom used today as a leading instrument, it’s a pleasure to be able to enjoy the sound of the sitar, especially when it is so well recorded as on this album. These young, but open-minded musicians have a lot to offer us and hopefully they will continue to record more of their splendid music soon. Warmly recommended.

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VARIOUS ARTISTS ~ AND DID THOSE FEET… JAZZ IN BRITAIN 52 ~ UK ~ Jazz Recorded: 1971 - 1980 Released: 2023 This archival 2CD album accompanies the book by Duncan HeiningFind albums by this artist of the same title, published by the inexorable Jazz In BritainFind albums on this label label / publishing house, which continues, to the delight of all British Jazz lovers, to bring to light previously unreleased or long forgotten gems from the depths of private archives. The book, subtitled “Six British Jazz Composers”, presents biographies of six pivotal British Jazz figures and the album brings music illustrating their vast achievements. All the music was previously unreleased and all originates from BBC broadcasts. CD1 presents recordings by Michael GarrickFind albums by this artist from 1972, Michael GibbsFind albums by this artist from 1971 and Barry GuyFind albums by this artist from 1971. CD2 presents recordings by John MayerFind albums by this artist from 1972, Keith TippettFind albums by this artist from 1971 and Mike WestbrookFind albums by this artist from 1980. The collective lineup of the musicians performing herein is a magnificent compendium of the who’s who of the British Jazz scene at its most dramatic development period. All the music, except that by Westbrook, originates from the early 1970s, and Westbrook’s activity at that time was also absolutely essential, which means that the editors of this album did not have access to any of his early 1970s material, which would have fitted perfectly. The lineups include an intimate trio, two septets and three large ensembles, and stylistically it moves between delicate lyrical compositions, via orchestral works, Jazz-World Fusion experiments and Free Jazz / Avant-Garde explorations, all this happening at the same time slot, which portrays the British Jazz scene perfectly. I vividly remember the abundance of talent and feverish activity at the time, which meant that selecting an event to go to was often an impossible choice. This album also emphasizes the importance and incredible support by the BBC to the development of music (Jazz but also Rock) at the time. None of this music herein would be available to us today if not for those regular broadcasts and the sublime recording quality of those guys in white coats… Overall, this is a tremendous piece of British Jazz history, absolutely essential to all the fans, and of course a perfect companion to the book, which is also wholeheartedly recommended! British Jazz forever!

Updated: 19/12/2023Posted: 19/12/2023

CD 2 Mini-Sleeve Remastered Recommend To A Friend