Record Reviews

ANTHONY BRAXTON ~ CHARLIE PARKER PROJECT HATOLOGY 612 (Barcode: 752156061229) ~ USA ~ Jazz Recorded: 1993 Released: 2004 This is a long overdue reissue of the legendary album by American musician / composer / bandleader Anthony BraxtonFind albums by this artist, one of the most iconic figures of the late 20th Century Free Jazz and Avant-Garde music scene and probably the most important Jazz pioneer in the post John ColtraneFind albums by this artist era. The album captures a live recording of the Braxton´s sextet in Switzerland and Germany, with him playing saxophones and clarinet, accompanied by saxophonist Ari BrownFind albums by this artist, trumpeter Paul SmokerFind albums by this artist, pianist Misha MengelbergFind albums by this artist, bassist Joe FondaFind albums by this artist and drummers Han BenninkFind albums by this artist and Pheeroan AkLaffFind albums by this artist (each playing on one of the two CDs). The music is a loving tribute to Bee Bop and includes mostly compositions by the genre´s pioneer Charlie ParkerFind albums by this artist with three tunes by Dizzy GillespieFind albums by this artist and one each by Tadd DameronFind albums by this artist and Miles DavisFind albums by this artist. Braxton re-visits Bee Bop with respect and love, but of course applies his completely unique interpretation of the music, which is, as usual, completely breathtaking. The level of virtuosity in interplay is simply astounding and this album surely deserves an honorable place in any serious Free Jazz collection. The intercontinental meeting of improvising forces and talents works beautifully, soaring to previously undiscovered heights. This is an absolutely essential example of Free Jazz, for those who are connoisseurs of the genre, which is not to be missed, especially for the second time around.

Updated: 12/04/2019Posted:

CD 2 Mini-Sleeve Oversampling Remastered Recommend To A Friend

MICHAEL GARRICK ~ POETRY AND JAZZ IN CONCERT VOCALION 8416 (Barcode: 765387841621) ~ UK ~ Jazz & Poetry Recorded: 1964 - 1966 Released: 2006 The love affair between the two Art Forms: Jazz music & Poetry, goes back to the late 1950s, when American writers / poets of the Beat Generation (Jack KerouacFind albums by this artist, Allen GinsbergFind albums by this artist and others) discovered the “intellectual proximity” between their writing and the process of creating Jazz music, as represented by the founding Fathers of Bee Bop (Charlie ParkerFind albums by this artist, Dizzy GillespieFind albums by this artist and others). However, although the poets were frequent patrons of the burgeoning NY Jazz club scene, actual poetry readings combined with Jazz performances were pretty rare and sporadic. Only when the Jazz & Poetry concept crossed over the Atlantic to Britain (and later the rest of Europe) the movement reached a full swing and enjoyed immense popularity with the poets, musicians and the audiences. The intellectual crowds in London and the rest of Britain attended Jazz & Poetry concerts in huge numbers through the early and mid-1960s, but towards the end of the decade the enthusiasm diminished. British poet Jeremy RobsonFind albums by this artist and pianist / composer Michael GarrickFind albums by this artist were largely responsible for the movement’s popularity. Garrick, a graduate in English Literature, had a great sensitivity to the literary works and managed to compose music, which suited the words perfectly. This album, released originally in 1964 as two separate LPs (Vol.1 & 2) documents a typical Jazz & Poetry concert. Recorded “live” in a studio, the applause and the audience’s reaction to the poetry faithfully reproduce the atmosphere of a performance hall. The Jazz quintet (Garrick – piano, Joe HarriottFind albums by this artist – sax, Shake KeaneFind albums by this artist – trumpet, John TaylorFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums) provides the music and four poets (Adrian MitchellFind albums by this artist, Dannie AbseFind albums by this artist, Jeremy Robson and Laurie LeeFind albums by this artist) read their poems, creating a wonderfully intellectual encounter, where the sum of the two Arts is actually better than their individual contribution. This new addition adds an ultra-rare EP of Jazz & Poetry recorded a couple of years later, featuring the Michael Garrick quintet (with Ian CarrFind albums by this artist – trumpet and Coleridge GoodeFind albums by this artist – bass replacing their respective counterparts in the earlier quintet) and Jeremy Robson, called Before Night/DayFind albums with this title. This is a timeless masterpiece and an everlasting food for sensitive souls – brilliant!

Updated: 01/01/2016Posted:

CD 2 Remastered Bonus Tracks Recommend To A Friend

DIZZY GILLESPIE ~ 20TH AND 30TH ANNIVERSARY MPS 4029759115540 (Barcode: 4029759115540) ~ USA ~ Jazz Recorded: 1968 Released: 2016 This is a reissue of an album by American trumpeter / composer / bandleader Dizzy GillespieFind albums by this artist, which was his only album for MPSFind albums on this label and which was produced by the legendary Joachim BerendtFind albums by this artist. Gillespie, one of the Godfathers of Bebop, leads the incredible Reunion Big Band, which includes some of the best American Jazz musicians of the period, like trumpeters Jimmy OwensFind albums by this artist and Dizzy ReeceFind albums by this artist, trombonist Curtis FullerFind albums by this artist, saxophonists James MoodyFind albums by this artist and Sahib ShihabFind albums by this artist and many others. The album was recorded live at the Berlin Philharmonic during the concert that opened the 1968 edition of the annual Berlin Jazz Festival. The album presents six compositions, four of which were composed or co-composed by Gillespie. The music is the epitome the Bebop sub-genre in every respect, but here it gets expanded into the Big Band environment, which has a spectacular effect. The tight and catchy Bebop compositions are arranged into mini-suites with full blown orchestrations and lengthy solos, creating a continuous ecstatic up-tempo frenzy. The album is full of great individual statements and the Big Band plays like a perfectly oiled mean Jazz machine, which takes no prisoners. The overall result is a classic Jazz album, which marks the peak of the Bebop sub-genre, which means that any subsequently recorded Bebop albums are basically redundant and derivative. The original liner notes by Berendt tell the story of the album and its historic background, including what the two anniversaries mean, and as everything else written by Berendt are a great fun to read. Superbly recorded, this is an archetypal Jazz recording, which deserves to be a part of every serious Jazz collection. It´s great to have it back in circulation. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted: 06/12/2016

CD 1 Mini-Sleeve Remastered Recommend To A Friend

DIZZY GILLESPIE ~ POLISH RADIO JAZZ ARCHIVES VOL.25 POLSKIE RADIO 2057 (Barcode: 5907812249793) ~ USA ~ Jazz Recorded: 1965 Released: 2016 This is the twenty-fifth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The tracks presented here were recorded live on December 7, 1965 during the eighth Jazz Jamboree Festival in Warsaw. The Dizzy GillespieFind albums by this artist Quintet included also saxophonist / flautist James MoodyFind albums by this artist, pianist Kenny BarronFind albums by this artist, bassist Chris WhiteFind albums by this artist and drummer Rudy CollinsFind albums by this artist. Of the seven tracks five are original compositions by Gillespie, one is by Moody and one is by Brazilian Godfather of Bossa Nova Antonio Carlos JobimFind albums by this artist. The Quintet plays a superb set, with Gillespie, the Godfather of Bee Bop, expanding the basic Jazz lines with World Music elements, being one of the earliest pioneers of Jazz-World Fusion. His love of Cuban and other Latin music motifs made him one of the great propagators of Latin Jazz. All the members of the Quintet are of course top class musicians. Especially interesting is the young Barron at the piano, later to become one of the great American pianists of all time. The historic importance of this album is to emphasize the crucial role that the Jazz Jamboree Festival in Warsaw played for the entire Jazz scene behind the Iron Curtain. It was the only opportunity for the thousands of musicians and hundreds of thousands of fans living in the Socialist Countries to hear top Western Jazz musicians. The picture of the thick crowd in front of the Sala Kongresowa in Warsaw, trying desperately to get in, is something I will remember as long as I live. The yearning for Jazz was a yearning for Freedom, an expression of individuality and a window of hope in those long dreary years of the Socialist Regime. Therefore the Jazz Jamboree is something way beyond just a music festival, it should be remembered as a symbol of struggle for Freedom, and this is how the people organizing it envisaged it. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 03/10/2016Posted: 03/10/2016

CD 1 Digipak Remastered Recommend To A Friend

PAUL GONSALVES ~ HUMMING BIRD VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz Recorded: 1970 Released: 2005 American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.

Updated: 14/08/2021Posted:

CD 1 Remastered Recommend To A Friend

BARTLOMIEJ OLES / TOMASZ DABROWSKI ~ CHAPTERS FENOMMEDIA 012 (Barcode: 5907604327128) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 Trumpet / drums duo recordings are a very special chapter in Jazz history and they include some fascinating interplays recorded over time by American Jazz musicians, such as the legendary Don CherryFind albums by this artist / Ed BlackwellFind albums by this artist or Max RoachFind albums by this artist / Dizzy GillespieFind albums by this artist recordings. Some American / European trumpet / drums duos are also worth mentioning, such as the Leo SmithFind albums by this artist / Gunter SommerFind albums by this artist, Dave DouglasFind albums by this artist / Han BenninkFind albums by this artist or Bill DixonFind albums by this artist / Tony OxleyFind albums by this artist, documented on their respective recordings. On the contemporary Polish Jazz scene this relatively rare pairing of instruments seems to be quite favorable, with such excellent examples like Wojciech JachnaFind albums by this artist / Jacek BuhlFind albums by this artist, Artur MajewskiFind albums by this artist / Kuba SucharFind albums by this artist and others. Trumpeter / composer Tomasz DabrowskiFind albums by this artist already has one trumpet / drums album under his arm, recorded with the American drummer Tyshawn SoreyFind albums by this artist and now he joins the brilliant drummer / composer Bartlomiej OlesFind albums by this artist in a new trumpet / drums duo, captured on this album. Bartlomiej Oles is of course known to all Polish Jazz connoisseurs as half of the Oles Brothers rhythm section, which in time achieved a legendary status as one of the best modern Jazz rhythm sections around, but this album focuses on his work as composer. Of the ten pieces presented on this album, Oles composed eight, and co-composed one with Dabrowski, with the remaining piece, which closes the set, being a Thelonious MonkFind albums by this artist composition. In comparison to the trumpet / drums albums listed in the opening paragraph, this recording is definitely the most lyrical and deeply melodic of them all. Oles demonstrated his lyricism and love of melody over the years in the numerous compositions he contributed to the vast Oles Brothers recorded legacy. Additionally, his treatment of the drums as a melodic instrument has always been his particular trademark, as he almost never simply sets a rhythm but rather plays the drums in par with his musical partners in various ensembles. The intimacy of just two instruments is an ideal opportunity to place these compositional and performance qualities at the center of the listener´s attention. Dabrowski, whose meteoric rise to fame is fully justified, seems to be an ideal partner aiding Oles to achieve his goals. His virtuosic attack, combined with the intrinsic lyricism, turn his trumpet into a seemingly unlimited tool able to express an enormously diverse set of emotions, from whisper to shout, anger to joy, despair to mellow melancholy. Playing side by side with Oles, who is of course more experienced and mature, pushed Dabrowski really hard to reach and than cross his limits, which resulted in the best performance of his life so far. Oles managed to catalyze and crystallize Dabrowski´s unique style and mannerism, molding them into a perfect musical entity. There is so much music on this album that a true comprehension and appreciation of it requires several listening sessions even for the most experienced music lovers. Peeling off the layers of aesthetic and emotional essence captured herein by these two Masters is a delightful and rewarding experience. There is no doubt that this is a monumental achievement in every sense and a model of lofty, almost spiritual communication between an Artist and his audience. Personally I have a deep satisfaction from the fact that I have always considered these two musicians as representatives of what is best about Polish Culture in general and Polish Jazz in particular: honesty, consistency and a proper usage of a God given talent. Thank you both for such a wonderful gift!

Updated: 02/01/2017Posted:

CD 1 Recommend To A Friend

ARTURO SANDOVAL ~ DEAR DIZ CONCORD 33020 ~ CUBA ~ Jazz Recorded: 2011 Released: 2012 This is a wonderful tribute album to the legendary trumpeter / composer Dizzy GillespieFind albums by this artist, one of the Godfathers of Bebop and Jazz most important innovators. This loving project is executed by Cuban trumpeter / composer Arturo SandovalFind albums by this artist, who always considered Diz as a father figure. Sandoval expressed his gratitude to the man is his book "Dizzy Gillespie – The Man Who Changed My Life" and this album is in many respects an extension of this book. Diz of course helped Sandoval to escape from Cuba and move to the US and later in the process of establishing a name for himself on the US scene. Sandoval selected ten Jazz standards, nine of which were composed or co-composed by Diz and added a song especially written by him for this album. All the music was arranged in contemporary fashion, using many different settings, utilizing an orchestra and even a string quartet. The players are simply the crème de la crème of the American scene and the special guests / soloist include many legendary Jazz giants, such as vibraphonist Gary BurtonFind albums by this artist, organist Joey DeFrancescoFind albums by this artist, saxophonist Bob MintzerFind albums by this artist and many more. All this music is obviously timeless, but hearing it in these beautiful arrangements and in contemporary sonic setting gives them a new dimension and sounds simply marvelous. I can´t imagine any Jazz connoisseur not enjoying this music, even if it is somewhat retro oriented. After all this is a tribute to the sublime Jazz tradition, which still sound as perfect as it did decades ago. Brilliant!

CD 1 Recommend To A Friend

VARIOUS ARTISTS ~ JAZZ ON VOGUE SONY 887254437727 (Barcode: 887254437727) ~ USA ~ Jazz Recorded: 1947 - 1957 Released: 2013 This incredible Box Set collects 35 early Jazz albums released on the legendary French Jazz labels: Disques VogueFind albums on this label founded in 1947 and its subsidiary SwingFind albums on this label, which was originally established in Paris in 1937 by Charles DelaunayFind albums by this artist and passed to Vogue in 1948. The music was recorded during the first post WWII decade (1947-1957) and features both American Jazz artists, who visited France or lived in France at the time as well as European Jazz artists. Paris was at the time the European Jazz center, which corresponded splendidly with its status as the European intellectual center, which produced dramatic and groundbreaking developments in European Philosophy, Plastic Arts, Cinema, Literature and of course music. Most of these albums were originally released on 10-inch LPs, which had a time limit under half an hour, and therefore they are arranged here to span over 20 CDs, each well over an hour long. The music was beautifully remastered and sounds remarkably fresh and vibrant. The list of the performers reads like a who´s who of American Jazz at the time: Dizzy GillespieFind albums by this artist, Roy EldridgeFind albums by this artist, Sidney BechetFind albums by this artist, Mary Lou WilliamsFind albums by this artist, Lee KonitzFind albums by this artist, Lionel HamptonFind albums by this artist, Clifford BrownFind albums by this artist, Jimmy RaneyFind albums by this artist, Oscar PettifordFind albums by this artist, Gerry MulliganFind albums by this artist, Thelonious MonkFind albums by this artist, Roy HaynesFind albums by this artist, Lalo SchifrinFind albums by this artist and many others. The Europeans (French and Belgian in this case) are represented by Django ReinhardtFind albums by this artist, Martial SolalFind albums by this artist, Bobby JasparFind albums by this artist, Henri RenaudFind albums by this artist, Rene ThomasFind albums by this artist, Andre HodeirFind albums by this artist, Barney WilenFind albums by this artist and many others. Stylistically the music spans quite a wide range of Jazz sub-genres, from New Orleans via Swing, Bee Bop, Cool and Early European Modern Jazz. Of course all of it is absolutely classic stuff as far as Jazz history is concerned and is essentially timeless. The most astonishing discovery, in retrospect, is the fact that the European musicians at that early stage already hold their ground opposite the Americans, showing early signs of a much more open-minded approach and a will to step beyond the American dominated Jazz conventions of the time. Many of these albums were never before released on CD; some of them are ultra-rare collectors´ items since decades. For example the three early Martial Solal releases (collected on CD number 6) are absolutely stunning examples of modern European piano trio recordings, which is decades ahead of its time, as are several other albums in this set. This is an essential collection for any serious Jazz connoisseur, which covers a huge void in many record collections. This box is worth its price (which is very reasonable) in gold and should serve as an example of how reissue projects should be produced. An absolute must!

Updated: 26/01/2019Posted:

CD 20 Mini-Sleeve Box Set Remastered Recommend To A Friend