Record Reviews

DIZZY GILLESPIE ~ POLISH RADIO JAZZ ARCHIVES VOL.25 POLSKIE RADIO 2057 (Barcode: 5907812249793) ~ USA ~ Jazz Recorded: 1965 Released: 2016 This is the twenty-fifth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The tracks presented here were recorded live on December 7, 1965 during the eighth Jazz Jamboree Festival in Warsaw. The Dizzy GillespieFind albums by this artist Quintet included also saxophonist / flautist James MoodyFind albums by this artist, pianist Kenny BarronFind albums by this artist, bassist Chris WhiteFind albums by this artist and drummer Rudy CollinsFind albums by this artist. Of the seven tracks five are original compositions by Gillespie, one is by Moody and one is by Brazilian Godfather of Bossa Nova Antonio Carlos JobimFind albums by this artist. The Quintet plays a superb set, with Gillespie, the Godfather of Bee Bop, expanding the basic Jazz lines with World Music elements, being one of the earliest pioneers of Jazz-World Fusion. His love of Cuban and other Latin music motifs made him one of the great propagators of Latin Jazz. All the members of the Quintet are of course top class musicians. Especially interesting is the young Barron at the piano, later to become one of the great American pianists of all time. The historic importance of this album is to emphasize the crucial role that the Jazz Jamboree Festival in Warsaw played for the entire Jazz scene behind the Iron Curtain. It was the only opportunity for the thousands of musicians and hundreds of thousands of fans living in the Socialist Countries to hear top Western Jazz musicians. The picture of the thick crowd in front of the Sala Kongresowa in Warsaw, trying desperately to get in, is something I will remember as long as I live. The yearning for Jazz was a yearning for Freedom, an expression of individuality and a window of hope in those long dreary years of the Socialist Regime. Therefore the Jazz Jamboree is something way beyond just a music festival, it should be remembered as a symbol of struggle for Freedom, and this is how the people organizing it envisaged it. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 03/10/2016Posted: 03/10/2016

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MICHAL URBANIAK ~ JAZZ LEGENDS 1 UBX 1013 (Barcode: 5905912551907) ~ POLAND ~ Jazz-Rap Fusion Recorded: 1980 Released: 2014 This is a reissue of the album by Polish Jazz violin virtuoso / composer / bandleader Michal UrbaniakFind albums by this artist, originally released in the US in 1981 as "Music For Violin & Jazz QuartetFind albums with this title" and credited to the one time ensemble called NY5Find albums by this artist, which included Urbaniak and four distinguished American Jazz musicians: guitarist Ted DunbarFind albums by this artist, pianist Kenny BarronFind albums by this artist, bassist Buster WilliamsFind albums by this artist and drummer Roy HaynesFind albums by this artist. The album was released on the short-lived JAMFind albums on this label (Jazz America Marketing) label, founded by Richard SpringFind albums by this artist, and was the label´s first release with catalogue number 001. The album was produced by the legendary Jazz producer Michael CuscunaFind albums by this artist. The album was recorded on December 17 & 18, 1980 following a week´s residency by the quintet at the renowned NY Village Vanguard club, where the music was polished live and readied to be recoded. The album presents eight tracks, three of which are original compositions by Urbaniak and five are standards For Urbaniak, who arrived in NY from Poland in 1973, this album was an important milestone in his life-long quest to be recognized as a bona fide Jazz musician by his American idols and playing and recording with such luminaries was definitely a seal of approval. Although he recorded a stream of revolutionary albums earlier on, both in Poland and in the US, he was playing a unique Jazz-World Fusion / Funk, which was brilliant but not exactly recognized as "pure" American mainstream Jazz as such. Therefore this album was practically his first mainstream Jazz recording, symbolizing Urbaniak becoming a part of the "pack", or at least his hope to achieve that status, which in retrospect proved to be an impossible dream. Listening to this album from a forty years perspective proves a few interesting aspects. Urbaniak was at his peak an absolutely amazing violin player, way better that any other violinist on the US scene at the time. His technique, impeccable aesthetics, superb groove and Swiss clock precision timing, combined with a natural feel for Jazz, improvisation and harmony set him apart from other Jazz musicians on the NY scene. He was also an absolutely brilliant composer, which is why his original compositions on this album are way more interesting than the rest of the material. As for the contributions by the quartet; well they are exactly what one would expect from highly experienced and professional players – they do their job. They keep time, they solo adequately and they play the same way they have been playing always, regardless what gig was on, in short they play American Jazz. Despite the effort, Urbaniak, even on this album, stays faithful to his basic instincts. The Polish melancholy, the childhood melodies and the European aesthetics are all still there for all see (and hear). Thank God for that! Not surprisingly the original album sold poorly and was ignored by American media, soon to be deleted from the market. It is great to see it reissued by Urbaniak on his own UBXFind albums on this label label, as it surely deserves to be remembered and enjoyed!

Updated: 14/06/2020Posted: 14/06/2020

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