Record Reviews

JOHN TAYLOR / CREATIVE JAZZ ORCHESTRA ~ EXITS AND ENTRANCES OH NO! 1001 (Barcode: 5017771113025) ~ UK ~ Free Jazz / Improvised Music Recorded: 1997 Released: 2001 This is an album by legendary British pianist / composer John TaylorFind albums by this artist recorded with the Creative Jazz OrchestraFind albums by this artist, which for this recording was a septet comprising of saxophonists Julian ArguellesFind albums by this artist and Andy SchofieldFind albums by this artist, clarinetist Iain DixonFind albums by this artist, trombonist Liam KirkmanFind albums by this artist, tuba player Oren MarshallFind albums by this artist, guitarist David ChevallierFind albums by this artist and drummer Steve ArguellesFind albums by this artist. The album presents nine original compositions, all by Taylor. The music was commissioned by the Creative Arts Orchestra and the album was produced by the orchestra´s founder Nick PurnellFind albums by this artist, who also released this album on his own label Oh No!Find albums on this label, which turned out to be the only album released by that label. The music is a wonderful modern Jazz, based on Taylors themes but very open to improvisations by the orchestra, which often develop into conversations between duos, trios and quartets within the octet and come together to the full octet lineup only during the conclusions of the pieces. The bass parts, which are replaced by the tuba, change the entire rhythm section perception and leave the main rhythmic concept of the pieces to be driven by the drums. In many respects this album is one of the most open / improvised recordings by Taylor, who is usually associated with the typical British long melodic processions. There is till plenty of that in the music, but it is much more fragmented and loosely associated, which for lovers of Improvised Music is absolutely delightful. In retrospect this is one of the least known recordings by Taylor, which of course is criminally unjustified. At the time this music was recorded British Jazz almost entirely said farewell to Free Jazz / Improvised Music, which characterized the genre just a couple of decades earlier, and is a superb reminder of the fact, that Avant-Garde music can be not only extraordinary inventive but at the same time also insanely beautiful. Overall this is a wonderful album, which presents Taylor at his very best both as a pianist and even more so as a composer. Surrounded by some of the best British players at the time, Taylor managed to produce a monumental piece of ensemble music, which lost absolutely nothing of its power and beauty over time. For his many fans, as well as connoisseurs of British Jazz and collectors, this is a true marvel!

Updated: 12/04/2019Posted: 02/04/2019

CD 1 Recommend To A Friend

MIKE WALKER ~ ROPES MADHOUSE 002 (Barcode: 5029385847661) ~ UK ~ Jazz-Classical Fusion Recorded: 2016 Released: 2019 This is the second album by British Jazz guitarist / composer Mike WalkerFind albums by this artist. It presents a suite for Jazz quintet and string orchestra, originally commissioned for the Manchester Jazz Festival and debuted there in 2008. The studio version, recorded several years later, features a core quintet which includes American drummer Adam NussbaumFind albums by this artist and British saxophonist Iain DixonFind albums by this artist, pianists Les ChisnallFind albums by this artist or Gwilym SimcockFind albums by this artist, bassists Steve WattsFind albums by this artist or Steve RodbyFind albums by this artist and several other musicians as well as the twenty two piece Psappha StringsFind albums by this artist orchestra. The album´s eight tracks include the three-part Ropes suite and five additional tracks, all composed and arranged by Walker, except for the closing track which was co-composed by him and Chisnall. The music is a beautifully lyrical Jazz-Classical Fusion, which goes way beyond the "Jazz with strings" idiom by amalgamating the string orchestra deep within the music´s concept, and making it an integral part of the entire essence of the project. The Jazz improvisations are all carefully kept within the melodic and harmonic outline of the pieces, often pretty minimalist and serene, but always exquisitely expressive. The participating instrumentalists are all Masters of their trade and their respective contributions are all elegant, tasteful and respectful, as appropriate for such a delicate and complex endeavor. Dixon, who is the main soloist, sounds absolutely delicious both on clarinet and soprano saxophone, Walker´s guitar parts are certainly up to par with his reputation and the pianists lay down an excellent harmonic foundation as well as tasteful soli. The string orchestra is excellently mixed with the Jazz ensemble, exactly prominent enough to be a part of the music but without dominating it. Considering the fact how rare Jazz and string music collaborations are these days, this is a superb reminder of the potential such projects have to offer, and how these can be carried out without crossing over into the terrible kitsch they sometimes turn into. Overall this is a splendid album from start to end, full of great music and excellent performances, which should satisfy all true music connoisseurs, who are open to atypical, but highly rewarding experimentation. This is British / European Jazz at its usual, highly aesthetic and challenging best, which is of course wholeheartedly recommended!

Updated: 17/04/2019Posted: 17/04/2019

CD 1 Mini-Sleeve Recommend To A Friend

DICK WALTER / JAZZCRAFT ENSEMBLE ~ SECRET MOVES ASC 029 (Barcode: 5029716002929) ~ UK ~ Jazz Recorded: 1998 Released: 1999 This is a wonderful and criminally little known album by the British composer / arranger Dick WalterFind albums by this artist recorded with the Jazzcraft EnsembleFind albums by this artist, a gathering of eleven top British Jazz musicians and five guest stars, which collectively read like the who´s who of British Jazz at the closure of the previous Millennium. The ensemble, conducted by Walter, included trumpeter Derek WatkinsFind albums by this artist, flugelhornist Henry LowtherFind albums by this artist, French horn player Richard BissillFind albums by this artist, valve trombonist Pete BeachillFind albums by this artist, tuba player Oren MarshallFind albums by this artist, saxophonists Phil ToddFind albums by this artist, Steve BuckleyFind albums by this artist and Iain DixonFind albums by this artist, pianist Nikki IlesFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Paul ClarvisFind albums by this artist. The guests were: vocalist Norma WinstoneFind albums by this artist, flautist Stan SultzmannFind albums by this artist, baritone saxophonist Alan BarnesFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist and finally guitarist John ParricelliFind albums by this artist. The album presents fifteen relatively short pieces, five of which are original compositions by Walter and the rest are carefully selected Jazz standards and one BeatlesFind albums by this artist song, all exquisitely arranged by Walter. Each and every one of these pieces is an absolute gem, perfectly rounded and complete like a mini-suite, representing all the best in British / European Jazz: delicate aesthetics, superb taste, intelligence and deep understanding of music. This album is one of the most perfect examples of large ensemble Jazz ever recorded and should be a schoolbook example of Jazz arrangement. The music is also beautifully performed by these Master musicians, who contribute perfect ensemble playing as well as beautiful soli, all relatively concise due to the album´s timing limitations, but nevertheless perfectly rounded and expressive. Altogether these seventy two minutes of music round up almost everything there is to say in a mainstream Jazz ensemble format. I have no idea how this nugget managed to slip under my radar for so many years; better late than never is the only solace. The music brings so many memories and associations about British Jazz and its history, that listening to it for the first time was a deeply emotional experience for me. Repeated listening sessions revealed the depth of the arrangements and the incredible craft involved in making it. It is a true masterpiece in every respect. I can hardly imagine a proper British Jazz collection being complete without this album being part of it, and therefore grab a copy as long as it is still available. You can thank me later on, after you have listened to it ;)

Updated: 24/01/2023Posted: 15/04/2019

CD 1 Essential Recommend To A Friend