Record Reviews

MILES DAVIS ~ AT CARNEGIE HALL: THE COMPLETE CONCERT COLUMBIA 65027 (Barcode: 5099706502722) ~ USA ~ Jazz Recorded: 1961 Released: 1998 It’s good to see that record companies sometimes are able to get a grip and correct the mistakes of the past. ColumbiaFind albums on this label has certainly tried its best to do justice to the magnificent recorded legacy of Miles DavisFind albums by this artist and this album is a part of that effort. This album assembles the complete Miles Davis Quintet / Gil EvansFind albums by this artist Orchestra concert recorded on May 19, 1961 at the Carnegie Hall, putting everything at the original recording order without editing or dubbed applause (the music included here was previously available on two separate albums: Miles Davis At Carnegie HallFind albums with this title and More Music From The Legendary Carnegie Hall ConcertFind albums with this title). This album is of course a perfect companion to the sublime Columbia 6 CDs Box Set The Complete Columbia Studio RecordingsFind albums with this title, especially as the concert was the first time Miles performed with the Gil Evans Orchestra live. 1961 marked an extremely busy and productive year for Miles. Following the departure of John ColtraneFind albums by this artist and Bill EvansFind albums by this artist, the “first” legendary Miles Davis Quintet was history and Miles quickly organized a new Quintet, which was to be his vehicle for an interim period of about two years, until the “second” legendary Quintet was to rise like a phoenix and take Jazz places never dreamt about. The “interim” Quintet included excellent and experienced players: Hank MobleyFind albums by this artist – saxophone, Wynton KellyFind albums by this artist – piano, Paul ChambersFind albums by this artist – bass and Jimmy CobbFind albums by this artist – drums (the last two were remaining members from the “first” Quintet). These players followed their leader with skill and devotion, creating some of the best modern jazz on record. Just one month before this concert the Quintet recorded a magnificent live album In PersonFind albums with this title (which is now available as a 4 CDs Box Set In Person Friday And Saturday Nights At The Blackhawk, CompleteFind albums with this title). The studio album Someday My Prince Will ComeFind albums with this title was recorded just a couple of months before the Carnegie concert recording. The next (and last) studio recording with Gil Evans (Quiet NightsFind albums with this title) was just months ahead. Looking back at this period it becomes plainly evident that Miles was already “miles ahead” in his mind, looking for a new vehicle and a new direction, which would commence shortly with the formation of the new Quintet and the groundbreaking new album ahead (Seven Steps To HeavenFind albums with this title). That of course makes this music no less magnificent, as Miles was destined to be “in transition” for the duration of his entire career. It remains here, recorded for posterity, for us mortals to enjoy (almost 46 years later), loosing absolutely nothing of its relevance and eternal beauty. Miles of course was one of the very few artists, who made a statement with every note they played. As such, these notes are a source of inspiration and joy for those who love this music. Essential!

Updated: 26/01/2019Posted:

CD 2 Oversampling Remastered Essential Recommend To A Friend

MILES DAVIS ~ CHRONICLE: THE COMPLETE PRESTIGE RECORDINGS 1951-1956 PRESTIGE 025218440028 (Barcode: 025218440028) ~ USA ~ Jazz Recorded: 1951 - 1956 Released: 1987 This is a monumental 8CD Box Set, which collects all the recordings by iconic American trumpeter / composer / bandleader Miles DavisFind albums by this artist, recorded for PrestigeFind albums on this label Records between January 17, 1951 and October 26, 1956. The Box Set includes 94 tracks, recorded during 17 sessions, with 34 different musicians, presented exactly in the sequence they were recorded. All the music was remastered for this CD edition of the Box Set from 1987, which was initially released in analogue form in 1980 as a 12LP Box Set. Considering the fact that there is an endless amount of commentary about this music already written, I’ll only state some personal remarks here. This Box Set presents the formative Davis’ period, during which he was looking for his personal form of expression. He crossed and zig-zagged Jazz genres with ease, be it Cool, Bebop, Hard Bop, or whatever, just in order to find the sound that represented him regardless of how it was classified. Playing with musicians, who were deeply rooted in one specific genre or idiom made him often uneasy and kept him searching. On the last three CDs of this Box Set we can hear the Davis’ First Great Quintet, with saxophonist John ColtraneFind albums by this artist, pianist Red GarlandFind albums by this artist, bassist Paul ChambersFind albums by this artist and drummer Philly Joe JonesFind albums by this artist. The quintet was a turning point, as far as Davis was concerned, when his found his very own voice for the first time, largely inspired by Coltrane of course. Following the move to ColumbiaFind albums on this label and eventually with the formation of the Second Great Quartet in 1964, Davis would become completely liberated from the formal stylistic definitions, creating music that was first and foremost his own and beyond any existing style, often coercing critics to invent new style labels to fit his music. During my conversations with Davis, he often stressed that the tendency of many American Jazz musicians to cling to Bebop as the basis of their music, simply holds them back from developing further (he was, of course, using somewhat less politically correct vocabulary, when making his observations). Davis’ Prestige period, although producing a vast amount of great music, as evident from what is included herein, was a transitional phase, which only towards its end managed to crystalize Davis’ musical personality, and which eventually would lead towards higher planes. Overall, this Box Set is an essential piece of American Jazz history, which summarizes the first half of the 1950s probably better than most other recordings of that period. As far as Miles Davis is concerned, it is but a taster of his full might, which will explode about a decade later, but nevertheless it is a classic part of the puzzle, which every Jazz fan should be familiar with.

Updated: 03/02/2024Posted: 03/02/2024

CD 8 Box Set Remastered Essential Recommend To A Friend

MILES DAVIS / JOHN COLTRANE ~ THE COMPLETE COLUMBIA RECORDINGS 1955-1961 COLUMBIA 90922 (Barcode: 827969092224) ~ USA ~ Jazz Recorded: 1955 - 1961 Released: 2004 This is the 1st chapter in the ColumbiaFind albums on this label’s epic series of Miles DavisFind albums by this artist Box Sets, which is a monumental reissue project of recordings by the most important Jazz musician of the 20th century. Recorded between October 1955 and March 1961 the music includes everything Miles recorded for Columbia with his legendary first quintet and sextet. John ColtraneFind albums by this artist, Cannonball AdderleyFind albums by this artist and Hank MobleyFind albums by this artist on saxes, Bill EvansFind albums by this artist, Red GarlandFind albums by this artist and Wynton KellyFind albums by this artist on piano, Paul ChambersFind albums by this artist on bass and Philly Joe JonesFind albums by this artist and Jimmy CobbFind albums by this artist on drums are the protagonists on these legendary sessions, creating this heavenly music, under the Master’s spiritual leadership. The music included here appeared on the albums: ’Round About MidnightFind albums with this title, MilestonesFind albums with this title, Kind Of BlueFind albums with this title and Someday My Prince Will ComeFind albums with this title, as well as on numerous compilation albums released later. There is little that I need to say about the music herein, as almost every Jazz lover is acquainted with at least the “Kind Of Blue” album, being the most widely sold Jazz recording of all times. The combination of the geniuses of Miles and Trane turn these sessions into a fundamental and quintessential Jazz experience, which serves as a model for all generations of Jazzman to come. Both of them were constantly on a spiritual quest to expand both their performing skills, taking them beyond the humanly possible, as well as crossing musical planes uncharted and visionary. Although created by humans, this music is worthy of Gods and should it have happened a few thousands of years earlier, it would be probably heard on the mount Olympus. I simply can’t imagine anybody not owning this music and listening to it repeatedly, as it is timeless and everlasting. Beyond essential!

Updated: 26/01/2019Posted:

CD 6 Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend

MILES DAVIS / JOHN COLTRANE ~ THE FINAL TOUR: THE BOOTLEG SERIES VOL.6 COLUMBIA 889854483920 (Barcode: 889854483920) ~ USA ~ Jazz Recorded: 1960 Released: 2018 This is the 6th installment of the "Bootleg Series" recordings by American trumpeter / composer Miles DavisFind albums by this artist, released by ColumbiaFind albums on this label Records. It presents a document of the last tour by the legendary first Miles Davis Quintet, which included saxophonist John ColtraneFind albums by this artist, pianist Wynton KellyFind albums by this artist, bassist Paul ChambersFind albums by this artist and drummer Jimmy CobbFind albums by this artist. The live recordings, captured during the quintet´s European Tour organized by Norman GranzFind albums by this artist, who was the most important American Jazz impresario between the 1940s and 1960s and a notable record producer, include two concerts in Paris on March 21, 1960, two concerts in Stockholm on March 22, 1960 and one concert in Copenhagen on March 24, 1960. A short Miles Davis interview is also included. This is the first legitimate commercial issue of this material; numerous earlier bootlegs of the same material have been flooding the record market for years. After spending five years with Davis, Coltrane was feeling restless and tired of the setup and during this tour he informed Davis that he will be leaving the quintet upon its return from the European Tour captured here. Coltrane´s feverish move forward was already taking him away from the music played by the quintet, which although brilliant in every way was stuck in the Bebop and Cool traditions, in favor of more Free oriented music, which was already evident on his recording as a leader on AtlanticFind albums on this label Records ("Giant StepsFind albums with this title" was recorded almost a year before the music here was captured) and later on the revolutionary albums on Impulse!Find albums on this label Records, which changed the Jazz idiom forever. Davis would change his approach to music only about four years later with the formation of the second Miles Davis Quintet, which will also have a major influence on the future of Jazz, namely by developing the Jazz-Rock Fusion. Coltrane´s playing, as captured here, is simply Godly in every respect. It marks clearly the direction he was moving into and his lengthy explorations and often atonal squeaks and long convoluted solos are in complete contrast to Davis´ and the rest of the quintet members´ playing, which at times is a bit embarrassing in its simplicity. The audiences seem to have no problem whatsoever with Coltrane´s explorations and he is enthusiastically cheered after each solo, which is hardly surprising as Scandinavian musicians and audiences (same goes for the rest of Europe, including behind the Iron Curtain) at the time were already slowly moving forwards the next phase of the Jazz history. The music is a mixture of Davis originals and standards and we get four versions of Davis´ classic "So What" and two versions of "All Blues", all ranging between ten and fifteen minutes in duration, as well as three versions of Bronislaw KaperFind albums by this artist´s "On Green Dolphin Street", all about fifteen minutes long and two versions of Richard CarpenterFind albums by this artist´s "Walkin´", also about fifteen minutes each. This means of course that the Davis / Coltrane connoisseurs are able to compare and analyze the differences in the soloing on each of the repeated tunes, and of course those are quite dissimilar to each other. Undoubtedly this music is a tremendous document of its era and marks the peak of the American Jazz tradition, but at the same time it is as well a sign of an end of that era. Sadly the American Jazz tradition would get stuck more or less in that gear for the next decades, with no significant development in sight, except for Free Jazz / Improvised Music spearheaded by Coltrane and Fusion spearheaded by later Davis ensembles, which were about to peak a decade or so later and from then on would be as dormant as the traditional American Jazz. Of course for Davis / Coltrane lovers this is absolutely essential material and a must have in their collections. Even if people already own the bootlegged releases of this material, this new remastered and beautifully packaged release and the included booklet are definitely worth the price of this set. Essential stuff!

Updated: 31/12/2024Posted: 20/05/2018

CD 4 Digipak Remastered Essential Recommend To A Friend

THELONIOUS MONK ~ THE COMPLETE BLUE NOTE RECORDINGS BLUE NOTE 724383036325 (Barcode: 724383036325) ~ USA ~ Jazz Recorded: 1947 - 1958 Released: 1994 This superb Box Set contains all the music recorded by the legendary American pianist / composer Thelonious MonkFind albums by this artist for the no less legendary Blue NoteFind albums on this label label. It includes his first sessions as a leader, recorded between 1947 and 1952, a later guest appearance with Sonny RollinsFind albums by this artist (1957) and a live recording with John ColtraneFind albums by this artist (1958). This music was released originally on 78 rpm records, 10-inch LPs, 12-inch (normal) LPs and finally on CDs. This box includes the complete remastered material presented in chronological order and adds many previously unreleased bonuses and an excellent booklet with background information. This music, although recorded at the formative years of Bebop, is distinctly "different" from the Bebop "mainline" and often quite "out there", as Monk´s idiosyncratic compositions and unique playing technique made him stand out already at the very early stages of his career. Fellow musicians would often put Monk and his music in a separate niche, most of them admiring his mind-boggling and often outlandish ideas. Monk´s complete disregard of conventions and visionary approach to music is one of Jazz greatest mysteries. Today, over six decades after this music was recorded, no other musician was able to come even close to Monk´s weird note sequences and harmonies, pauses and rhythmic hiccups, long arpeggios and single notes, in short complete individuality, as rare as bird´s milk. Some even speculate as to his alien origin in lack of a better explanation of his unparalleled genius. The music comprises mostly of Monk´s original compositions, many of which were destined to become Jazz standards and some standards, which often sound quite unusual after receiving the famous Monk treatment. Monk is accompanied by some of the most iconic Jazz figures, like drummer Art BlakeyFind albums by this artist, vibraphonist Milt JacksonFind albums by this artist, trumpeter Kenny DorhamFind albums by this artist bassist Paul ChambersFind albums by this artist and many others. This box is not only full of great music but also an excellent document of Jazz history. Piano Jazz connoisseurs should definitely include this in their "must have" list, but most avid Jazz lovers will find it fascinating and even essential. Although Monk´s later output is better known, this period is by no means less significant and in many respects, especially as far as revolutionizing Jazz composition, is perhaps even more momentous. Buy or die!

Updated: 26/01/2019Posted:

CD 4 Box Set Remastered Bonus Tracks Recommend To A Friend

MARIAN PAWLIK ~ OLD BASS LINE NOT ON LABEL (Barcode: 5907222318409) ~ POLAND ~ Jazz Recorded: 2017 Released: 2018 This is the debut album as a leader by veteran Polish bassist / composer Marian PawlikFind albums by this artist, renowned as a member of the legendary Polish Jazz-Rock ensemble DzambleFind albums by this artist, which recorded just one cult album "Wolanie O Slonce Nad SwiatemFind albums with this title". This album, recorded in a quartet setting, finds Pawlik in the company of the young generation Polish Jazz players: pianist Kuba PluzekFind albums by this artist, saxophonist Bartlomiej NoszkaFind albums by this artist and drummer Michal HellerFind albums by this artist. The album presents nine tracks, five of which are originals: two by Pawlik and three by Pluzek and four are by celebrated Jazz bassists: two by Paul ChambersFind albums by this artist and one each by Ron CarterFind albums by this artist and Oscar PettifordFind albums by this artist. The music was excellently recorded and the up-front bass presence is a delight to the many enthusiast of the instrument. As the album´s title suggests, it is primarily a tribute to the double bass, its heroes and history, and as a result the music is mostly within the boundaries of American Bebop tradition, albeit the majority of it was composed by the Polish members of the quartet. There is no doubt that the three compositions by Pluzek are the most interesting musical endeavors, even if they are still closely related to the Bebop spirit, as they offer typical twists and turns Pluzek often employs in his compositions, which make the cognoscenti smile. The music is executed perfectly, with a lot of soloing space offered to the leader, who obviously displays first-class technique and feel for the music. Noszka and Pluzek solo extensively as well, always according to what is expected in this kind of music. Heller keeps the time like clockwork and stays mostly in the shadows. Personally I find this kind of music uninteresting, but listeners who still listen to Bebop should be able to enjoy this music and since this is an opportunity to listen to a legendary musician still in great form, it is a source of joy.

Updated: 10/12/2018Posted: 10/12/2018

CD 1 Digipak Recommend To A Friend