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  | AGA TAURA CONFAB / ENRICO RAVA ~ EL CONVIDADO
SVART / MONDO 381 (Barcode: 6430065589419) ~ ARGENTINA ~ Jazz-World Fusion
Recorded: 1975 Released: 2019
In June of 1975 Italian trumpeter / composer Enrico RavaFind albums by this artist recorded his debut album for the prestigious German ECMFind albums on this label label, entitled "The Pilgrim And The StarsFind albums with this title", which upon its release later that year kick-started his solo career. The album was recorded with an international lineup of ECM stable musicians: American guitarists John AbercrombieFind albums by this artist (who also released his ECM debut the same year) and a marvelous Scandinavian rhythm section consisting of Swedish bassist Palle DanielssonFind albums by this artist and Norwegian drummer Jon ChristensenFind albums by this artist.
A trumpet virtuoso and an exceptionally gifted composer, Rava established himself on the international scene during the entire decade earlier, playing and recording with the elite of Avant-Garde Jazz players of that period both in Europe and in America, which included Steve LacyFind albums by this artist, Roswell RuddFind albums by this artist, Charlie HadenFind albums by this artist, Don CherryFind albums by this artist, Argentinean Gato BarbieriFind albums by this artist (during his stint in Italy), Lee KonitzFind albums by this artist and others. By the early 1970s Rava embraced a more melodic approach to Jazz and started to cooperate with Fusion musicians, a path common to many of his European contemporaries. This led to his participation in the recording of the seminal Jazz-Rock opera "Escalator Over The HillFind albums with this title" by Carla BleyFind albums by this artist as well as the recording of the little known album for the legendary German MPSFind albums on this label label called "Katcharpari RavaFind albums with this title", where he played vis-à-vis Abercrombie and which, when first heard by ECM owner Manfred EicherFind albums by this artist, led to inviting them both to record for ECM in the first place.
What led Enrico Rava to take part in the recording of the obscure album you are holding in your hand, which took place in December of 1975 in Buenos Aires, the Capital of Argentina, you ask? Well it turns out Rava had some family in Buenos Aires, which he was visiting at the time and which is hardly surprising considering the fact that most of Argentina´s inhabitants are descendants of European ethnic groups, with more than 55% of them having Italian origins. Therefore being Italian and having family in Argentina is a highly probable outcome. Quite accidently, Rava already visited Buenos Aires almost a decade earlier, when playing there with the Steve Lacy quartet. A performance by that quartet recorded in Buenos Aires in November of 1966 was released as the album "The Forest And The ZooFind albums with this title" on the ESPFind albums on this label label.
The rest of the story, however, is pure Jazz "improvisation". Upon learning that Rava is in town, local Jazz aficionados swiftly decided to size the day and hook him up with local musician and record an album. It is difficult to know today if Rava and the Argentineans realized that he was already under ECM contract and they needed to ask Eicher to give them permission to make this recording, which was highly unlikely he would. But considering South American attitude towards rules and regulations nobody probably cared too much about it, which of course in retrospect should make us thankful.
The team selected to accompany Rava, named as "Aga Taura ConfabFind albums by this artist", included three Argentinean Jazz musicians: pianist Fernando GelbardFind albums by this artist, bassist Adalberto CevascoFind albums by this artist and drummer Nestor AstaritaFind albums by this artist and an Argentinean Folk percussionist Farias GómezFind albums by this artist, who also contributed vocalese parts. Although less experienced and with no international exposure at the time, they stood their ground formidably and performed alongside Rava without any inferiority complex. Of the five tunes on the album, four are performed by the quintet, where Gelbard plays the Fender Rhodes electric piano, and one is a duet consisting of Rava and Gelbard, who plays acoustic piano. Not surprisingly Rava´s performances are the absolute pinnacle of the session, encompassing different styles and approaches moving between melodic lyricism and Free Form explorations. He knowingly pays tribute to his idols: Miles Davis and Chet Baker, but avoids copying any explicit phrasing and crafts his distinctly own voice.
The spontaneous recording session lasted for a few hours, just long enough to capture five tracks totaling in about forty two minutes of music. The sound quality of the recording turned out to be better than one might expect, with clear, crispy tone and excellent separation, which suited the music perfectly. The music includes a Rava original, which appears only on this album, a standard, a composition by the Brazilian composer João DonatoFind albums by this artist, a composition by Argentinean saxophonist / composer Horacio BorraroFind albums by this artist and finally a composition by the quintet´s percussionist Farias Gómez – a mixed bag which offers a strong World Music influence and plenty of opportunities for the musicians to show their chops.
In retrospect this is definitely a piece of music that deserves to be revisited, not only for nostalgic reasons, but primarily as a historical document of the period, as well as proof of the fact that music knows no boundaries. Due to its rarity the original LP release is a highly sought after collectors item to Jazz aficionados all over the world, not only connoisseurs of Enrico Rava, but also enthusiasts of early Jazz-World Fusion.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 22/05/2020Posted: 22/05/2020 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | GATO BARBIERI ~ THE THIRD WORLD
SONY 25758 (Barcode: 743212575828) ~ ARGENTINA ~ Jazz-World Fusion
Recorded: 1969 Released: 2009
This is an absolutely stunning early album by Argentinean Jazz saxophonist / composer Gato BarbieriFind albums by this artist. Barbieri left his homeland in 1962, settling first in Europe, where he worked with local as well as American musicians, who resided in Europe due to a much more open and receptive cultural climate there. Barbieri also worked closely with movie directors composing scores for several films. In 1968 he recorded finally his first album as a leader, called "In Search Of The MysteryFind albums with this title", released by the legendary ESPFind albums on this label label in NY. A year later he recorded this album, which was released on no less legendary Flying DutchmanFind albums on this label label, founded and initially owned by the great producer Bob ThieleFind albums by this artist, which released some of the most impressive, interesting and revolutionary Jazz music in the late 1960s and early 1970s by artists from many corners of the world, who could not find a label to release their music on. The lineup if extremely impressive and includes bassist Charlie HadenFind albums by this artist, pianist Lonnie Liston SmithFind albums by this artist, drummer Beaver HarrisFind albums by this artist, trombonist Roswell RuddFind albums by this artist and percussionist Richard LandrumFind albums by this artist. The music is one of the earliest examples of World Music influenced Jazz, with Barbieri incorporating his unique amalgam of South American melody lines and rhythmic approach, all originating from his native Argentina (yes, the Tango), Brazil and other sources. All these elements are presented in a Free Jazz framework, where collective improvisation is the dominant means of expression. Barbieri´s brilliant playing is the focal point of course, with his extended surges of tenor saxophone fluctuating with seemingly endless energy and passion. Obviously strongly influenced by John Coltrane, Barbieri produces a "total" wall of sound, which requires the listener to open up completely and absorb the influx of many parallel sources of sound and create his own impressions. Of course this all makes perfect sense, once properly grasped and turns out to be truly prophetic music. Barbieri´s later recordings would become somewhat less intensive and he would return to melody as well, but his brilliant playing would always be a beacon of total dedication and an example of masterly and brilliantly executed music. Absolutely stunning stuff!
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | GIORGIO GASLINI ~ THE COMPLETE REMASTERED RECORDINGS ON DISCHI DELLA QUERCIA
CAM JAZZ 5001 (Barcode: 8052405140708) ~ ITALY ~ Jazz
Recorded: 1976 - 1985 Released: 2013
This superb Box Set collects all the recordings by legendary Italian pianist / composer / bandleader Giorgio GasliniFind albums by this artist, released on his own Dischi Della QuerciaFind albums on this label label. The set includes eleven albums featuring various Gaslini´s ensembles (quartet, quintet, sextet and octet) as well as his duos with American musicians like Roswell RuddFind albums by this artist, Eddie GomezFind albums by this artist and Anthony BraxtonFind albums by this artist.
Gaslini (who died in 2014) was one of the pillars of modern Italian Jazz, recorded dozens of albums and led countless ensembles during his career that spanned almost seven decades. In parallel to his Jazz activities he also composed music for cinema and contemporary Classical Music. He was one of the few Italian musicians known outside of his country and a tireless and prolific Jazz propagator in his country. In retrospect he is one of the Godfathers of European Jazz.
Gaslini played modern Jazz, which often stood on the verge of Free, always challenging the boundaries of the genre, as can be heard well on the albums included here. His ensembles were always a breeding ground for generations of young Italian musicians, like the ones found here: Gianni BedoriFind albums by this artist, Gianluigi TrovesiFind albums by this artist, Daniele Di GregorioFind albums by this artist and many others.
This music is an absolute must to all European Jazz enthusiasts, and the fact that it is available again is pure joy. Gaslini was a genius composer and pianist and his legacy must be preserved and studied by the new generation of Jazz musicians.
Remastered, mini-sleeved and with a great bargain price – this Box Set is an absolute must for any serious Jazz collector.
Side Note
The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label.
The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented.
However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty.
These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!
| | Updated: 12/04/2020Posted: | CD 11 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | STEVE LACY ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE
CAM JAZZ 1033 (Barcode: 8052405141385) ~ USA ~ Avant-Garde Jazz
Recorded: 1976 - 1993 Released: 2014
This superb Box Set collects recordings by the American saxophonist / composer Steve LacyFind albums by this artist on the Black SaintFind albums on this label and Soul NoteFind albums on this label labels. It is the second such collection, this time dedicated to quartet, quintet, sextet and octet recordings, following the previous Box Set with solo, duo and trio recordings. It includes nine albums (one a 2CD set): "TricklesFind albums with this title" with trombonist Roswell RuddFind albums by this artist, bassist Kent CarterFind albums by this artist and drummer Beaver HarrisFind albums by this artist, "RevenueFind albums with this title" with saxophonist Steve PottsFind albums by this artist, French bassist Jean-Jacques AvenelFind albums by this artist and drummer John BetschFind albums by this artist, "TroubleFind albums with this title" with Potts, Swiss vocalist / violinist Irene AebiFind albums by this artist, Carter and drummer Oliver JohnsonFind albums by this artist, "RegenerationFind albums with this title" with Rudd, Dutch pianist Misha MingelbergFind albums by this artist, Carter and Dutch drummer Han BenninkFind albums by this artist, "Change Of SeasonFind albums with this title" (*) with trombonist George LewisFind albums by this artist, Mangelberg, Dutch bassist Arjen GorterFind albums by this artist and Bennink, "Dutch MastersFind albums with this title" (*) with Lewis, Mangelberg, Dutch cellist Ernst ReysegerFind albums by this artist and Bennink, "The CondorFind albums with this title" with Potts, Aebi, pianist Bobby FewFind albums by this artist, Avenel and Johnson, "The CryFind albums with this title" (2CD) with Aebi, saxophonist Tina WraseFind albums by this artist, harpsichord player Petia KaufmanFind albums by this artist, accordionist Cathrin PfeiferFind albums by this artist, Avenel and percussionist Daniel GioiaFind albums by this artist and finally "VespersFind albums with this title" with Potts, Aebi, saxophonist Ricky FordFind albums by this artist, French horn player Tom VarnerFind albums by this artist, Few, Avenel and Betsch. Most of the music is by Lacy, except the albums dedicated to the music of other great composers like Thelonious MonkFind albums by this artist and Herbie NicholsFind albums by this artist.
Lacy is considered as one of the most influential and prominent American Jazz personalities and a great master of the soprano saxophone. He started his career as a Dixieland player but quickly moved into Bebop and later on Avant-Garde idioms. He was also one of the first American Jazz musicians who discovered European Jazz and understood its importance. He visited Europe in the 1960s and moved to live in Paris in 1970, where he spent his entire life, returning to the US only a couple of years before his death. He left a most impressive recorded legacy of well over a hundred albums.
The music is absolutely timeless, and offers a perfect glance at Lacy´s diversity as a composer and player. It is also a unique document of European Jazz, as most of his albums involved European musicians playing side by side with their Americans partners. For serious Jazz connoisseurs this Box Set is a pure delight and an absolute must!
The albums marked with (*) were also included in other Box Sets of this series.
Side Note
The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label.
The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented.
However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty.
These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!
| | Updated: 15/05/2020Posted: 15/05/2020 | CD 10 Mini-Sleeve Box Set Remastered Recommend To A Friend |
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