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  | MICHAEL GIBBS ~ NONSEQUENCE
PROVOCATEUR 1027 (Barcode: 5038491102724) ~ UK ~ Jazz
Recorded: 2001 Released: 2001
British composer / arranger / bandleader Michael GibbsFind albums by this artist is one of the pillars of modern British Jazz. His outstanding 1970s recordings serve as musical milestones in the development of Jazz and Jazz-Rock Fusion composition and his bands of the period, which always included some of the best players on the scene, are remarkable achievements remembered and cherished to this very day. After the decline of the British Jazz scene Gibbs returned to the US, where he concentrated on teaching and composing works for many different media (TV, cinema, performances and concerts) in a variety of musical genres, including of course Jazz and contemporary Classical Music. Although many of his compositions were released as soundtrack albums, he recorded only three “real” / dedicated Jazz albums in the last 30 years. Therefore his new album on ProvocateurFind albums on this label Records is a major event and a delight for his many fans and admirers. The album presents an ambitious project involving a recording on two continents (Hamburg and New York) by two big ensembles (the NDR Big BandFind albums by this artist in Hamburg and a specially assembled band in NY), presenting music mostly written by Gibbs with just a few of his unique arrangements of compositions by other composers. The NY band includes some of the most illustrious names on the contemporary Jazz scene, like Lew SoloffFind albums by this artist and Randy BreckerFind albums by this artist (trumpet), Chris HunterFind albums by this artist and Alex FosterFind albums by this artist (saxophone), Hiram BullockFind albums by this artist (guitar) and Steve SwallowFind albums by this artist (bass) among others. The NDR Big Band includes many marvelous players, but most notably saxophonist Christof LauerFind albums by this artist and pianist Wladyslaw SendeckiFind albums by this artist. The music is everything one might expect from Gibbs – marvelously melodic, beautifully crafted, devilishly cleverly arranged and superbly executed by both ensembles. Gibbs skillfully gets the best out of the big band setting, using the incredible dynamics it allows for and interposing multi-layered harmonic and rhythmic structures against each other to achieve an incredibly dramatic effect. Several excellent solo parts ornament the album like cherries on a cake and the different moods and tempi never allow for even a brief dull moment. The music reflects perfectly the composer’s versatility and open-mindedness, which have always been his forte. This is one refreshing and delightful musical experience that I’d hate my friends to miss; so nothing else remains to be said other that recommending this album wholeheartedly. You won’t regret it!
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  | MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991
DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion
Recorded: 1991 Released: 2018
This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions.
Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts.
Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him.
This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish.
The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.
| | Updated: 29/05/2018Posted: 22/05/2018 | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
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