Record Reviews

AALTONEN, HELASVUO, HAUTA-AHO, VESALA / EDWARD VESALA ENSEMBLE ~ JAZZ LIISA VOL. 17 & VOL. 18 SVART 100 (Barcode: 6430065583516) ~ FINLAND ~ Avant-Garde Jazz Recorded: 1973 - 1974 Released: 2018 The two "Jazzstudio" broadcasts compiled on this CD focus on the iconic figure of drummer / composer / bandleader and Godfather of modern Finnish Jazz, Edward VesalaFind albums by this artist, who is probably the most famous Finnish Jazz musician outside of his native country. Born in 1945, Vesala was active on the local Jazz scene since the late 1960s and until his tragically premature death in 1999 at the ridiculous young age of 54. His premiere recording was the little known album "NykysuomalaistaFind albums with this title" (Contemporary Finnish) from 1969 and the full debut "NanaFind albums with this title" came a year later. In 1972 he took part in his first ECMFind albums on this label album, the Jan Garbarek´s "TriptykonFind albums with this title" and soon after recorded his debut album for the label "Nan MadolFind albums with this title". He recorded five more albums for ECM and also participated on albums by Polish trumpeter Tomasz StankoFind albums by this artist. On the whole he left an impressive recorded legacy, including releases on his own LeoFind albums on this label Records. The first session presents the Edward Vesala trio, with bassist Teppo Hauta-AhoFind albums by this artist and pianist Esa HelasvuoFind albums by this artist on one track composed by him and then with saxophonist Juhani AaltonenFind albums by this artist (who replaces Helasvuo) on two tracks, both composed by Vesala. Whereas the first track is still pretty conventional, the two other tracks are mostly freely improvised and explode with energy and spontaneous exploration as appropriate for Avant-garde at its best. The second session presents the Edward Vesala EnsembleFind albums by this artist, a collection of top Finnish Jazz improvisers at the time: trumpeter Simo SalminenFind albums by this artist, trombonist Mircea StanFind albums by this artist, saxophonists Juhani Aaltonen, Paroni PaakkunainenFind albums by this artist and Pentti LahtiFind albums by this artist, bassist Teppo Hauta-Aho, electric bassist Make LievonenFind albums by this artist and Antero HonkanenFind albums by this artist who added some electronic effects on one track. This lineup is very similar to the lineup that recorded the a.m. ECM debut a few months after this session was recorded. They play three stacks, all by Vesala, all of which were later recorded for that album. In addition a short interview with Vesala in also present, in Finnish of course, which makes it sadly accessible only to Finnish speaking audience. (A transcript in English would have been most welcome). The music is spectacular and breathtaking, a true Avant-garde masterpiece combining composed and group-improvised parts, mystic Nordic moods and brilliant performances by these excellent musicians. These versions of the material are quite different from the recorded versions, which makes this session especially valuable. These two sessions are some of the most important documents of Finnish Jazz and are definitely among the strongest releases in the entire Jazz Liisa series. Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 28/06/2020Posted: 19/06/2020

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STANISLAW ALEKSANDROWICZ ~ RELATIVITY THEORY AKADEMIA MUZYCZNA POZNAN 1-04 ~ POLAND ~ Jazz Recorded: 2021 Released: 2022 This is the debut album as a leader by young Polish Jazz drummer / composer Stanislaw AleksandrowiczFind albums by this artist, recorded with his quintet which also includes saxophonists Maciej KocinskiFind albums by this artist and Wojciech BraszakFind albums by this artist, trumpeter Patryk RynkiewiczFind albums by this artist and Italian bassist Flavio GullottaFind albums by this artist. Before releasing this album Aleksandrowicz took part in several recordings featuring musicians from the Poznan Jazz scene, by ensembles like Kwasny DeszczFind albums by this artist, AnomaliaFind albums by this artist and Unleashed CooperationFind albums by this artist, all of which are excellent achievements on their own. The album presents a six-part suite composed by the leader. The music is somewhat resembling the modern Jazz movement that characterized the revolutionary Polish Jazz development in the 1960s, spearheaded by the Godfathers of the movement like Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist. The long tracks, based on sketchy melodic themes and dedicated mostly to both individual and group improvisation, almost but not quite Free, driven by strong pulsations by the rhythm section, all these create a déjà vu sensation of some early Polish Jazz albums of the period. Of course this does not mean that Aleksandrowicz is trying to copy that music, but rather refer to it respectfully, with his own personal flavors. The pianoless quintet, with three horns at the helm and a highly dynamic rhythm section behind them creates a unique sound on the contemporary Polish Jazz scene, managing splendidly to overcome the lack of a harmonic instrument. Much credit goes to Gullotta, who succeeds to create a perfect background on which the horns can weave their improvisations and allows Aleksandrowicz to ornament the music with his percussive inventions, rather than keep time. The music keeps the listener at a constant state of hypnotic attention, moving from one part of the suite to another smoothly and coherently. The concept of the quintet as an ensemble, rather than a collection of individuals, is achieved in full and the result sounds as organic as one might expect from any ensemble performing music together. As it often happens, drummers can be surprisingly interesting composers, way beyond the “bloke with sticks” image, which this album proves beyond any doubt. Overall, this is a splendid debut effort, consolidating the position of Aleksandrowicz as one of the young Polish Jazz musicians, who deserve to be watched and followed. So far everything associated with his name proved to be highly deserving, and one can only wish him many further successes.

Updated: 25/09/2022Posted: 25/09/2022

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APOSTOLIS ANTHIMOS ~ 50 – LIVE IN NOSPR NOT ON LABEL (Barcode: 5903068122774) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2021 Released: 2021 This is a 2CD album by Polish Jazz / Fusion guitarist / drummer / composer Apostolis AnthimosFind albums by this artist, recorded live at the fabulous NOSPR concert hall in Katowice, celebrating his 50 years of musical activity. The music was recorded by a core quartet with keyboardist Piotr MatusikFind albums by this artist, saxophonist Olaf WegierFind albums by this artist and bassist Robert SzewczugaFind albums by this artist and guests: French trumpeter Erik TruffazFind albums by this artist, Polish DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) and Dutch drummer Yoran VroomFind albums by this artist. The album presents eighteen tracks, including a repeated (six times) theme called “For 50 Years”, all composed by the leader. Although primarily know as a founding member of the legendary Polish Prog / Fusion group SBBFind albums by this artist, Anthimos cultivated a solo career in parallel to his career with SBB, recording solo albums and participating in recording of many albums by various Polish and international artists / groups, constantly shifting between Jazz, Fusion and Rock. Although usually associated with playing guitar, he is also an accomplished drummer. The album reflects all the virtues Apostolis has to offer, as a guitarist, drummer and above all as a composer. The highly melodic and yet beautifully structured tunes are perfect vehicles for the musicians to show their chops and create a smooth continuity and highly pleasant and absorbing music. The inclusion of Truffaz adds a wonderful Jazz layer to these proceedings and are a fond reminder of Anthimos’ work with Tomasz StankoFind albums by this artist. Apostolis is a highly imaginative guitarist, which of course is evident throughout his entire career, and has a unique sound, which amalgamates many different elements, including his affinity to Greek music, a highly developed Jazz sensibility and the Rock elements, creating together one of the most distinguished European Fusion voices. Overall, this is a wonderful Fusion album that no fan of the genre should miss in his collection, with great music and brilliant guitar playing rarely met elsewhere. Highly recommended!

Updated: 17/12/2021Posted: 17/12/2021

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APOSTOLIS ANTHIMOS TRIAS ~ COME TOGETHER METAL MIND 0836 (Barcode: 5907785041288) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2022 Released: 2023 This is the debut album by the Polish Fusion trio led by guitarist / composer Apostolis AnthimosFind albums by this artist, with bassist Robert SzewczugaFind albums by this artist and drummer Krzysztof DziedzicFind albums by this artist. Although the trio exists since the early 2000s, this is their debut recording. The album presents ten original compositions, nine of which were composed by Anthimos (one with a little help from The BeatlesFind albums by this artist) and one was co-composed by all three members of the trio. The music is everything one would expect from a contemporary Fusion act, which has experienced and talented members and manages to avoid the usual traps, which most Fusion ensembles are unable to get free off. There are no trivial melodic ditties, which serve as vehicles for senseless guitar doodling, but rather excellent coherent compositions, which are played with great sensitivity and not one needless note to spare. Anthimos enjoys a revered status on the Polish scene after playing with Czeslaw NiemenFind albums by this artist, Tomasz StankoFind albums by this artist and SBBFind albums by this artist, all legendary figures on the Polish Jazz, Fusion and Prog scenes, but his guitar playing keeps evolving and never sticks to repeating old clichés. I have had as opportunity to hear him play recently live with SBB and it was an exhilarating experience. Szewczuga is a great bass player, very melodic and imaginative and his pulsations fill the aural space with a worm, highly supportive harmonic layers, which fit like a glove to the guitar leads. Dziedzic in very energetic, but also restrained player, who never tries to dominate the proceedings, but pushes the music firmly forward. Overall, this is an excellent Fusion album, offering some first class tunes and splendid instrumental work, without sounding like another copy of endless Fusion albums one might have heard in the past. But it is also a great fun to listen to, all the way through. Highly recommended!

Updated: 21/08/2023Posted: 21/08/2023

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BAGLAND ~ CIRKEL JAEGER COMMUNITY MUSIC 030 (Barcode: 5707471059821) ~ DENMARK ~ Jazz Recorded: 2018 Released: 2019 This is the third album by the Danish quintet BaglandFind albums by this artist led by trumpeter / composer Jakob SorensenFind albums by this artist with guitarist Alex JonssonFind albums by this artist, keyboardist Mathias JaegerFind albums by this artist, bassist Frederik SakhamFind albums by this artist and drummer Frej LesnerFind albums by this artist. The album presents nine original compositions (one repeated twice as the intro and outro), seven of which were composed by Sorensen and one each by Jaeger and Sakham. The music is a type of spacey Nordic melodic Jazz, based on beautiful melodic lines and executed with a rather minimalistic approach, which leaves a lot of breathing space and creates a very atmospheric ambience, somewhat resembling the work of Polish Jazz Master Tomasz StankoFind albums by this artist. The music, in spite of its seemingly modest exterior, is in fact very diverse and offers a wide palette of melodies, harmonies and sounds, which are wonderfully coherent and emotionally effective. The album has a natural flow taking the listener from one tune to another as if time has stopped. Sorensen has an excellent tone and his solo parts are all brilliantly executed, but all the rest of the quintet members also offer superb level of musicianship and unique instrumental abilities, especially so Jonsson on guitar, who plays some amazing and highly unusual guitar parts, as well as Jaeger, who is able to play romantic piano parts and spice the music with synthesized sounds. The rhythm section is also excellent, providing a solid and steady pulse which enables the soloist to express their parts with amicable support. Overall this is a fascinating album from start to end, often surprising and always fresh, proving that the young Scandinavian / European Jazz scene is moving forward constantly. Highly recommended to connoisseurs of modern European Jazz, and of course trumpet buffs, which should have a field day with this album!

Updated: 09/06/2019Posted: 09/06/2019

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CONRAD BAUER ~ LIVE IM VOLKERSCHLACHTDENKMAL EDEL CONTENT 4029759080565 (Barcode: 4029759080565) ~ GERMANY ~ Jazz Recorded: 1988 Released: 2012 This is a reissue (first time on CD) of the astounding album by the Avant-Garde East German trombonist / composer Conrad BauerFind albums by this artist, which was recorded live at the Monument to the Battle of the Nations in Leipzig and which presents Bauer playing solo trombone and performing four original compositions he wrote. The unique sonic environment of the location, which includes a natural delay and echo, create an almost supernatural effect, similar to the famous solo recordings made inside the Taj Mahal by flautist Paul HornFind albums by this artist and trumpeter Tomasz StankoFind albums by this artist. Bauer, an absolute virtuoso of the trombone, utilizes the magic environment to create a series of incredible sonic sculptures, which sound like absolutely nothing else in this world. His ability to create such a variety of different sounds from the seemingly limited instrument is simply miraculous and it transforms the trombone in his hands into full fledged improvising instrument by no means inferior to the other brass instruments. Bauer, who was one of the pioneering East German improvisers, recorded with many diverse ensembles, from Jazz-Rock (FezFind albums by this artist) to Improvised Music (SynopsisFind albums by this artist) and others. Following the unification of Germany Bauer continues to be a prominent member of the German Improvised Music scene. In the historic perspective this recording was made a year and a half and released less than a year before the Berlin Wall was finally dismantled, marking the end of the DDR. This means that this was one of the last Jazz albums released in the DDR. In retrospect one just can´t stop wondering how such daring and unconventional music was recorded and released by the most oppressive East European State. This is an absolute essential listening to all trombone players, trombone lovers and of course open-minded listeners who like to take risks in order to make new discoveries. Brilliant stuff! Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems. Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!

Updated: 12/04/2019Posted: 14/05/2016

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BIZARRE PENGUIN ~ ACIDO DOMINGO EASTRINGS 0003 (Barcode: 196400420262) ~ POLAND ~ Avant-Garde Jazz Recorded: 2020 Released: 2021 This is the debut album by Polish Avant-Garde Jazz trio Bizarre PenguinFind albums by this artist comprising of drummer Tomasz KoperFind albums by this artist, bassist Maciej SadowskiFind albums by this artist (who also plays synthesizers) and trumpeter Dawid LipkaFind albums by this artist, who recorded already several albums together under various monikers. The album presents five compositions, all uncredited and assumed to be co-composed by the trio members. Although recorded in the midst of the pandemic, with the musicians not able to see each other and interact visually, which is almost imperative in Improvised Music, the album offers a remarkable musical coherence, often not found on conventionally recorded albums. These musicians obviously managed to develop an unusual rapport between them, which already produced some exceptional recordings like “NecrosofiaFind albums with this title”, “MurmursFind albums with this title” or “Jazz Dla ZwierzatFind albums with this title” (the last two on Sadowski’s record label EastringsFind albums on this label Records), which is also prevailing on this superb recording. The music manages to combine acoustic and electronic auras perfectly, offering Improvised Music which is beautifully melodic and lyrical, and yet completely unusual and unpredictable. Lipka’s sublime trumpet playing, closely resembling Tomasz StankoFind albums by this artist during his early experimental phase, is absolutely stunning and irresistible. Koper and Sadowski support layer upon layer of complex rhythmic patterns, both acoustic and electronic, as well as wall of sound effects, creating wonderfully powerful sound vistas. The music moves between contemplative excursions and energetic soul-drenching exchanges, which keep the listener completely mesmerized. I had the album on “repeat” mode for quite a while, before being able to clear my head and write these lines, as admittedly it’s been quite a while since I heard any music of such power of expression. Overall, this is definitely one of the very best, and perhaps the best Polish Improvised Music album I have had the pleasure to listen to in 2021, especially so in view of the rather dull and weak output in that area on the local scene, which sadly seems to be completely lost lately. These musicians seem to have a “golden touch” and hopefully will produce much more great music when the world gets back to normal. Hats off and thank you for this extraordinary music!

Updated: 04/01/2022Posted: 04/01/2022

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BLOTO ~ EROZJE ASTIGMATIC 013 ~ POLAND ~ Jazz-Funk Fusion Recorded: 2018 Released: 2020 This is the debut album by Polish quartet BlotoFind albums by this artist, which is a classic "Son of Godzilla" type of offshoot of the popular EABSFind albums by this artist ensemble, comprising of keyboardist Marek PedziwiatrFind albums by this artist (a.k.a. LatarnikFind albums by this artist), saxophonist Olaf WegierFind albums by this artist (a.k.a. Ksiaze SaxoniiFind albums by this artist), bassist Pawel StachowiakFind albums by this artist (a.k.a. Wuja HZGFind albums by this artist) and drummer Marcin RakFind albums by this artist (a.k.a. Cancer GFind albums by this artist). The quartet and its music are a result of an incidental gathering of these musicians in a studio, during a short break in the EABS tour, which resulted in a spontaneous recording session undertaken without any preparation whatsoever. The well oiled EABS PR machine as well as the contemporary sound and attitude managed to create a stir on the local market and even the COVID-19 pandemic did not manage to halt the viral reaction. The album presents ten tracks, which were cut from the ninety minutes of music that was recorded, lasting just above forty minutes. The music is indeed fresh, vibrant and a great fun to listen to, but it is not that much different from the improvised passages played during EABS live performances, which of course is not very surprising. Hypnotic groove, synthesizer soundscapes, dynamic rhythms and almost Free Jazz solos on top are a well oiled formula that EABS perfected over time and this session basically offers nihil novi sub sole. The album´s title and the PR material allude to a parallelism between this album and the iconic recording "KorozjeFind albums with this title" by Polish Jazz legends Andrzej KurylewiczFind albums by this artist and Tomasz StankoFind albums by this artist. Personally I find nothing in common between these two albums and the unnecessary references to the Polish Jazz history are more damaging than useful. EABS are not like any of the Polish Jazz past icons, and they don´t need to be. They are an excellent ensemble living in a different era and playing music that has five decades of additional musical influences to absorb, which they indeed do all the time. Overall this album offers many great moments and an ambience that brings young generation of listeners closer to Jazz, which by itself is a great success. It is first and foremost oriented towards the wide circle of the EABS fans base, but being less visceral that the EABS albums, it also appeals to new listeners, which again is a good thing. These guys are excellent musicians and they still have a lot of youthful enthusiasm and creativity, so let´s enjoy them as long as that lasts. Is it Jazz?... Frankly, my dears, I don´t give a damn!

Updated: 20/06/2020Posted: 20/06/2020

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GRAHAM COLLIER ~ HOARDED DREAMS CUNEIFORM 252 (Barcode: 045775025223) ~ UK ~ Jazz Recorded: 1983 Released: 2007 This extraordinary album contains a previously unreleased recording of Graham CollierFind albums by this artist’s Big Band performance of his suite “Hoarded Dreams”. The music was commissioned by the Arts Council of Great Britain (UK Government body that over the years faithfully supported UK Jazz scene and provided endless opportunities for UK musicians to compose and record) for the 1983 edition of the Bracknell Jazz Festival. For the occasion Collier assembled a spectacular Big Band (including 19 musicians), which he conducted. The players are a multi-national creme de la creme of European Jazz, with such distinguished names as Tomasz StankoFind albums by this artist (Poland), Juhani AaltonenFind albums by this artist (Finland), John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist (UK), Manfred SchoofFind albums by this artist (Germany), etc. This awesome personnel ensures that the performance is truly stellar, with soaring solos and endless display of virtuosity and collective interplay. The brilliant music, suiting elegantly and perfectly the purpose of providing solo space for such a broad group of instrumentalist proves again that Collier is undoubtedly one of the true Giants composers of Modern Jazz of the caliber of Charles MingusFind albums by this artist. Absolutely stunning! See also the Garahm Collier album released on Jazzis Records

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TOMASZ DABROWSKI ~ S-O-L-O: 30TH BIRTHDAY / 30 CONCERTS/ 30 CITIES BAREFOOT 049 (Barcode: 5707471044834) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 As the title suggests this is a solo trumpet album by Polish Jazz trumpeter Tomasz DabrowskiFind albums by this artist, which celebrates his 30th Birthday and a world tour which spanned thirty cities in twelve countries over a period of six months. The music, recorded in a Copenhagen church, consists of ten original compositions, all by Dabrowski, entitles simply Part I to Part X. Although only thirty years old, Dabrowski de facto dominates the Polish Jazz scene (and the Danish Jazz scene as well, since he lives in Denmark) as one of the top trumpet players in Europe, as documented by his prolific recording activity. Stylistically Dabrowski continues the tradition of Tomasz StankoFind albums by this artist, who forty years earlier was also in his early thirties and emerged as a dominating figure on the European Jazz scene. Dabrowski shares several mannerisms, which characterize Stanko´s stylistic approach, but he managed very early on to establish his own language and modernize his technique, which sets him clearly apart from Stanko´s role model. Solo albums are of course the most difficult pieces of Art to defend their validity and artistic value. The nakedness of a single instrument and the obvious limitations which such performance creates are often insurmountable, balanced only by the limitless freedom they offer. Especially so in the case of a solo trumpet performance, which due to the lack of harmonic support makes the task of improvisation even more difficult. Listening to this album blows all the theories apart, since Dabrowski obviously is no way limited by these circumstances, au contraire he proves that the difficulties simply stimulate him to try harder and go further. I have always been an admirer of people, who dare, and this album, above all proves that daring and challenging what we know is the key to create incredible pieces of art and push the envelopes of our aesthetics even further into new realms of creativity. Such eye-openers (or ear-openers in this case) happen only really rarely, but when they do they have a tremendous impact on our perception of music. It is very difficult to estimate how much of this creative eruption is "premeditated" (i.e. planned ahead and rationally constructed) and how much is simply inspired by "higher powers" of talent and genius. Regardless of what the answer might be, this is an extraordinary piece of music, which has very few equals. There is no doubt that this is one of the most important trumpet albums recorded in the last few years, something that belongs to the Pantheon of Jazz trumpet as an incredible example of human ingenuity and limitless power of expression. Perhaps it is good that albums like that one are so rare and far between; this makes their impact even more impressive and lets us keep things in the right perspective. Absolutely essential!

Updated: 12/05/2016Posted: 12/05/2016

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TOMASZ DABROWSKI ~ TOM TRIO ILK 193 (Barcode: 5706274003871) ~ POLAND ~ Jazz Recorded: 2011 Released: 2012 This is the debut album as a leader by the young (28) and upcoming Polish Jazz trumpeter Tomasz DabrowskiFind albums by this artist, resident in Denmark since several years. In spite of his young age Dabrowski managed to gain quite a lot of experience and exposure, playing with many Polish and later Danish Jazz musicians and recording an impressive number of albums as co-leader and sideman. This album was recorded in the difficult trumpet trio format, with Danish bassist Nils Bo DavidsenFind albums by this artist and drummer Anders MogensenFind albums by this artist. The music comprises of eleven original compositions, all by the leader. The overall atmosphere of this recording is close to European Free Jazz, although the melodic motifs in most of the compositions are clearer than in most Free from recordings. The resulting music is an interesting amalgam of typical Polish melancholy and lyricism combined with the wonderful Scandinavian virtuosity of stress-free improvisation. The music is interesting, intelligent and provides an ideal vehicle for the trio to express themselves and demonstrate their individual and collective skills. The balance between the melodic content and the freedom, both harmonic and rhythmic, proves that these are both bright and experienced players. The album is very much an ensemble effort, as all three musicians contribute equally to the result as a whole. Dabrowski plays some very tasty trumpet phrases, which are clearly influenced by the Godfather of Polish Jazz trumpet Tomasz StankoFind albums by this artist, but manage to eschew any attempt of copying the Master, forming an individual voice, which will surely further develop in the future. The bassist is spectacular and provides not only the necessary balance and camaraderie to the other trio members, but actually drives the music forward. The level of his technical proficiency and more importantly incredible Jazz feeling is simply astounding. The drummer completes the trio, playing rather less than more, which is a commendable quality, adding some imaginative icing to the cake, staying away from boring rhythmic patterns and skillfully adding his delicate touches. The album is definitely a first class achievement and an excellent debut effort, which does justice to the leader´s abilities and hopefully will serve as an introduction to a long and successful recording career. It is unquestionably one of the best debut albums I heard this year. Now that Dabrowski got me hooked, I will eagerly await his next effort. In the meantime I can only hope that this album gets to as many listeners worldwide, as it truly deserves. Brilliant stuff!

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TOMASZ DABROWSKI ~ TOMASZ DABROWSKI & THE INDIVIDUAL BEINGS APRIL 093 (Barcode: 5709498109329) ~ POLAND ~ Avant-Garde Jazz Recorded: 2021 Released: 2022 This is the debut album by Polish (resident in Denmark) trumpeter / composer Tomasz DabrowskiFind albums by this artist and his new septet called Individual BeingsFind albums by this artist, which also includes Danish saxophonist Fredrik LundinFind albums by this artist and Norwegian drummer Knut FinsrudFind albums by this artist and Polish saxophonist Irek WojtczakFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist, bassist Max MuchaFind albums by this artist and drummer Jan MlynarskiFind albums by this artist. Several members of the septet utilize also electronic. The album presents eight tracks, all by the leader. The music is a brilliant example of modern European Jazz, which borders on Avant-Garde, and witch beautifully combines tradition with modernism, melody with freedom and diverse rhythmic approaches, creating a hypnotic journey through the listener’s mind. Dabrowski plays homage to the iconic Polish trumpeter Tomasz StankoFind albums by this artist on several layers, playing on an instrument that belonged to him, coining the name of the ensemble from a Stanko quote from his biography, but most importantly by being inspired by Stanko’s approach to Jazz composition in his most interesting period between 1970s and 1990s. The septet members are all highly experienced musicians with impressive individual careers under their belts, which of course enables a high density of imagination and expression, which the septet is able to use while creating this music. The constantly changing dialogues and individual soloing are all superbly weaved and the music engulfs the listener completely. The double drums provide the possibility of polyrhythmic time scales and multifocal pulsations, which are highly unusual and fascinating. Although everything Dabrowski recorded in the last ten years or so since he arrived on the scene – an astounding number of forty albums as a leader / co-leader and sideman – he still manages to innovate and reinvent himself time after time, constantly pushing the boundaries. He always seems to be able to inspire his fellow musicians to follow him in his quests. Overall, this is a stunning, highly unusual album full of wonderful music, atmospheric tension and beautiful aesthetics, which hold the listener mesmerized for the duration. It also serves as a great example of contemporary international musical collaboration which borderless Europe can offer to its young generation. Wholeheartedly recommended!

Updated: 16/02/2022Posted: 16/02/2022

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PIOTR DAMASIEWICZ ~ MNEMOTAKSJA FOR TUNE 0028 ~ POLAND ~ Jazz Recorded: 2009 Released: 2014 This is the debut album by the Polish Jazz quartet led by trumpeter / composer Piotr DamasiewiczFind albums by this artist, which also includes saxophonist Gerard LebikFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Wojciech RomanowskiFind albums by this artist. The music was conceived and created around 2008 / 2009, when the quartet played and rehearsed inside the Baptist Church in the center of Wroclaw, and where it was also eventually recorded live but without audience. It was available as an obscure private edition in a CD-R version and finally got its long overdue formal release, after a careful remix and sonic improvement by the excellent For Tune label. The album consists of ten original compositions, nine of which are by Damasiewicz and one by Garbowski. There is no doubt that Damasiewicz manages to establish a well deserved position as one of the top young Polish Jazz trumpeters on the contemporary scene, which is not by any means self-understandable considering the truly fierce competition and incredible flow of talent in that area. It is worth to compare this album with the trio recording Garbowski and Damasiewicz made at about the same time, called "ElementsFind albums with this title", which to some extent has a similar atmosphere. Stylistically the album sounds quite "retro", resembling the glorious moments when modern Polish Jazz was at the first peak of its aesthetic and artistic development, led by the Godfathers of the genre like Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist and others. The compositions are very much in the same mood as the music played then: romantic, minimalistic, delicate and full of lyricism and intrinsic melancholy. The same elements that made that music created half a Century ago completely eternal and outside of the time scale, are at work here as well. This music might have been made any time between the 1960s and now and would have fitted perfectly, being simply aloof from fads and fashions. The performances are also exceptional in every respect, both individually and collectively. Everything is kept in a relaxed, but disciplined mode, with conversation between the musicians being kept at the epicenter. The solos are inconspicuous, emerging slowly from the melodic heads, gently prompted by the superb rhythm section, which demonstrates an incredible affinity towards the music at all times, being as much creative as the two horns every step of the way. Garbowski has already an established record as one of the leading Polish Jazz bassists, but Romanowski, who also cooperates with another superb Polish Jazz trumpeter, Artur MajewskiFind albums by this artist, is a true discovery herein. Overall this is definitely one of the strongest and most significant statements on the Polish Jazz scene in the last decade, even though Damasiewicz has moved on in the meantime towards more improvised music beyond any stylistic conventions. Even if this album should remain as his only contribution to modern Polish Jazz in the true sense of the Jazz tradition, it will still be a remarkable achievement. This is also one of the most remarkable albums in the fast growing catalogue of the For Tune label, certainly from a historic perspective. Undoubtedly this is an album every true connoisseur of Jazz will cherish in his collection and return to repeatedly.

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PIOTR DAMASIEWICZ / POWER OF THE HORNS ~ POLSKA ASTIGMATIC 011 (Barcode: 5902860142300) ~ POLAND ~ Jazz Recorded: 2018 Released: 2019 This is the second album by Polish trumpeter / composer Piotr DamasiewiczFind albums by this artist and his Power Of The HornsFind albums by this artist ensemble and their first studio recording. It features a nonet version of the ensemble which also includes saxophonists Maciej ObaraFind albums by this artist, Adam PindurFind albums by this artist and Gerard LebikFind albums by this artist, trombonist Pawel NiewiadomskiFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassists Ksawery WojcinskiFind albums by this artist and Jakub CywinskiFind albums by this artist and Australian born drummer Samuel HallFind albums by this artist. The album presents four (one in two parts) original compositions, all by Damasiewicz. The debut album "AlamanFind albums with this title", recorded live in 2012 (i.e. six years earlier), was the first release of the now legendary For TuneFind albums on this label Records label, and created quite a stir at the time. It was recorded by an eleven-piece version of the ensemble, which included only five of the musicians present on this new recording and presented just three expanded tracks, characterized by extensive improvisations. The raw power of the horns and super-sized rhythm section combined with the youthful excitement associated with the occasion managed to create some magic moments, which the recording certainly reflected, but which did not prove to have a long-lasting value. In retrospect the status of "…one of the most captivating albums in the history of Polish jazz…" is certainly a hype rather that an objective statement. The new album is a complete about face and presents perfectly well-behaved, modern mainstream Jazz, with smooth performances but limited level of enthusiasm. Of course this is a perfectly legitimate approach; considering the time that passed since the debut; maturity, age and experience certainly have their influence. Yet Damasiewicz seems to cling to the past by including on this album older material, like the title tune which originates from 2014 and even one composition already presented on the debut, which perhaps indicates a shortage of new material. But regardless of the past connections, the music on this album is based on rather basic melodic elements, repeated continuously with little variations, except for the ensemble dynamics. The "wall of sound" approach of the debut is now replaced by a more chamber like approach typical of Polish Jazz from the 1960s, and a retro sound and ambience. Damasiewicz dedicates the compositions on the album to the Godfathers of Polish Jazz: Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist and Tomasz SzukalskiFind albums by this artist and to his teacher Piotr WojtasikFind albums by this artist, all of whom obviously influenced his musical path, which is well reflected within the music on this album, and which, as already stated, often ventures into the climates invented and developed by his Mentors and which characterize Polish Jazz or at least its early days. The album´s title seems to suggest that the music on this album is the continuation of that magic "Polishness" that Polish Jazz offers at its core; a daring statement by all means, which will be judged by history alone. The individual performances by the leader and the ensemble members are, as expected, highly professional, but if not for the excellent, as always, contributions by Wania, who in the period separating these two recordings made one giant step after another, the music would have became almost banal, a déjà vu of sorts. Considering the astonishing level of the musicianship on the Polish Jazz scene, something more spectacular would have been needed in this music to become "…sublime and unique…". The album´s liner notes, from which all the above quotes are taken, is fascinating, full of hints, allegories and references – definitely worth reading!

Updated: 22/12/2019Posted: 22/12/2019

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KRZESIMIR DEBSKI / TADEUSZ SUDNIK ~ BORELLO AUDIO CAVE 2023/011 ~ POLAND ~ Jazz-Ambient Fusion Recorded: 2021 Released: 2023 This is an album by the duo of legendary Polish Jazz musicians: violinist / composer Krzesimir DebskiFind albums by this artist and keyboardist / electronic music pioneer / wizard Tadeusz SudnikFind albums by this artist. The album presents four lengthy tracks, all co-composed by the participants. The first track includes a few phrases by another Polish Jazz legend, trumpeter Tomasz StankoFind albums by this artist, recorded during a telephone conversation between him and Sudnik, shortly before his death, and the track is dedicated to his memory. The music floats somewhere between Improvised Music, Ambient, Classical Music and Jazz, and eschews any attempt of categorization. Debski offers his expressive violin virtuosity, while Sudnik frames the atmospheric background, harmonies and rhythms, using a wide array of electronic devices and synthesizers. The outcome is quite beyond verbal description and requires to be listened to attentively and patiently, probably more than once, before the music really sinks in. Although Debski is mostly associated since many years with Classical Music, his improvising abilities prove to be still potent and challenging, fondly reminding the heydays of the legendary String ConnectionFind albums by this artist. Sudnik, although mostly in the shadows, following his appearances in ensembles led by Stanko, remains an innovator and dreamer, always busy with crossing borders. My visit last year in his flat in Warsaw was truly an eye opener and he has a huge collection of unreleased music, which hopefully will be revealed in time. Together, they are able to create music, which transcends genres and is wholly mesmerizing. Overall, this is a demanding, but highly rewarding piece of cross-genre music, by two Masters of their trade, which deserves to be discovered by all true music lovers, who are constantly searching to expand their horizons. Of course it can be easily embraced as a highly original example of the “Art of the Duo”. Wholeheartedly recommended!

Updated: 23/10/2023Posted: 23/10/2023

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PIOTR FIGIEL ~ PIOTR GAD 102 (Barcode: 5903068120411) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1971 Released: 2019 This is a reissue of the debut album by Polish Jazz keyboardist / composer Piotr FigielFind albums by this artist, which was largely overlooked at the time of its release and later became a highly sought-after collector´s item. The album was recorded by Figiel playing the Hammond organ and with an excellent team of musicians that included guitarist Dariusz KozakiewiczFind albums by this artist, bassist Marian SiejkaFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. Legendary Polish Jazz figures: trumpeter Tomasz StankoFind albums by this artist and saxophonist / flautist Janusz MuniakFind albums by this artist guest each on one track, and no less prominent vocal group BemibekFind albums by this artist guests on two tracks. The rest of the team (mostly brass players) remains anonymous, as the exact details about the session disappeared into the void. The original album presents nine tracks, seven of which were composed by Figiel, one is an arrangement of a Classical composition by Frederic ChopinFind albums by this artist and finally one is by Wojciech PietowskiFind albums by this artist, who was the sound engineer recording the album and a prominent composer. This reissue adds two alternate takes as bonus tracks. The music is absolutely brilliant, from start to finish, incorporating early Progressive Rock and Fusion explorations, soaked in the sublime sound of the Hammond organ – somewhere between Procol HarumFind albums by this artist and Jimmy SmithFind albums by this artist. Figiel´s original composition are grandiose, wonderfully melodic and full of sublime lyricism, and his treatment of the Chopin piece puts most of the countless attempts by Polish Jazz musicians to something similar completely to shame. This is undoubtedly one of the greatest Polish Jazz / Fusion hidden gems and GADFind albums on this label Records deserves the gratitude of all Polish Jazz fans for bringing it back to life. It is had to believe that music recorded five decades ago can be so up to date and fresh, completely timeless and aesthetically perfect. Hearing is believing in this case… Of all the wonderful reissues on GAD Records this is definitely one of my all time favorites!

Updated: 09/03/2020Posted: 09/03/2020

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MACIEJ FORTUNA ~ AT HOME FM 009 (Barcode: 888174080475) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the fourth album by the Polish Jazz trumpeter / composer Maciej FortunaFind albums by this artist, who emerges as one of the leaders of the local scene in the second decade of the 21st Century. His prolific activity as a player and recording artist is unprecedented and his rapid development as a musician and composer, as documented by his frequent recordings, is simply astounding. This album is a "home" recording in a trio format, with the same lineup that recorded Fortuna´s previous album "SahjiaFind albums with this title", which features the brilliant and by now veteran bassist Piotr LemanczykFind albums by this artist and the excellent drummer Krzysztof GradziukFind albums by this artist (of RGGFind albums by this artist fame). The material includes eleven original compositions, seven of which are by the leader and the remaining four (which are parts of a four-piece suite, the first of which features vocals by Marta PodulkaFind albums by this artist) are credited to the trio. Following a period of touring together, this trio is a prime example of team cooperation and collective effort, which results in the outcome being much more than a sum of its parts. One should hardly look at this music as a leader with a supporting rhythm section; on the contrary Fortuna puts his ego away in order to construct a unit, which performs as one. Obviously there is also plenty of superb soloing here, as appropriate for a Jazz recording; Lemanczyk plays way beyond a typical role required by a bassist; his lyricism and sublime feel of harmony create a whole layer of background sounds parallel to trumpet lines, Gradziuk hardly ever keeps time per se, using his kit as a melodic environment and less so as a rhythmic tool and Fortuna is of course phenomenal as a soloist, with a beautiful tone and breathtaking arpeggios. His playing is changing over time to become similar to the great Jazz trumpeters of the past, even somewhat similar to early Tomasz StankoFind albums by this artist, but much more polished technically. The most important characteristic of the wonderful music presented here is its minimalism and modesty. There is so much lyricism and melancholy in Fortuna´s compositions that they become probably the most genuine extensions of the Polish Jazz legacy that first started in the 1960s. It´s not a conscious attempt to play "retro" oriented music, au contraire it is completely up to date, and yet, at least for me, it carries on the tradition more than most other Polish Jazz ensembles do at the moment. There is also more freedom here than in Fortuna´s earlier recordings, without loosing any of the coherence and clarity his music is blessed with. This melody based Free Jazz is after all the ideal mixture of everything Jazz is all about: a perfect marriage of discipline and liberty. This is a remarkable album by all standards and it is a pleasure to follow the development of such talented Artists, who are like a tree bearing better and better fruit year after year. There is nothing else one can do but raise one´s hat in salute and hope for the next harvest. God bless you guys for sharing this music with us.

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MACIEJ FORTUNA ~ JAZZ FROM POLAND VOL. 1 FM 012 (Barcode: 5903240365050) ~ POLAND ~ Jazz Recorded: 2013 Released: 2015 This is a beautiful album by leading Polish Jazz trumpeter Maciej FortunaFind albums by this artist, recorded with his acoustic quartet, which also includes pianist Krzysztof DysFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Since the album is intended as a tribute to the great Polish Jazz composers, it presents seven compositions by prominent Polish Jazz figures, such as Krzysztof KomedaFind albums by this artist (two compositions), Zbigniew SeifertFind albums by this artist (three compositions), Janusz MuniakFind albums by this artist (one composition) and Maciej SikalaFind albums by this artist (also one composition); these four representing three generations of post-WWII modern Polish Jazz musicians / composers. In the liner notes of this album Fortuna mentions the dilemma, which many Polish Jazz musicians struggle with, whether to play Jazz according to the well defined formula originally defined by the American Jazz precursors or play original music with different influences and tendencies, like those characteristic of Polish Jazz for example. This album is his answer, clearly pointing towards the originality and individual search rather than repeated replication of past formulae. Although Fortuna and his cohorts treat the compositions with a great amount of freedom and individuality, the spirit of this wonderful music, its intrinsic Polish melancholy and lyricism, are well preserved and brought from the past to contemporary musical environment. As usual on all albums by Fortuna, his trumpet performances are the focal point of the music. His virtuosic and almost superhuman abilities keep surprising his listeners with each new release and one wonders how far can he still travel from here. The three musicians playing with Fortuna on this album are also incredible by any standard. The young Dys emerges in the last couple of years as one of the leading contenders for the narrow pedestal of top Polish Jazz pianists and the rhythm section does a phenomenal job to keep up with these two "crazy" Geniuses, keeping the music swinging and pulsating, even in its most free form manifestations. Almost on every album by Fortuna that I reviewed over the years I couldn´t stop myself from drawing some parallels between Fortuna and Tomasz StankoFind albums by this artist. On this album these parallels are stronger and more obvious that ever before, especially in view of the fact that Stanko played in Komeda´s ensembles and is subconsciously always associated with his music. Hearing Fortuna playing Komeda immediately brings Stanko to mind, and with deep satisfaction I can say that Fortuna bears the torch without any inferiority complexes. This is a second edition of this album, which was initially released as a limited private edition and is now released on the open market, which of course means that it should be immediately grabbed by every Polish Jazz fan, as albums of this quality do not pop in the open very often.

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MACIEJ FORTUNA ~ LOST KEYS FM 002 ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is the debut album as a leader by Polish Jazz trumpeter Maciej FortunaFind albums by this artist, recorded with his quartet, which comprises of pianist Przemyslaw RaminiakFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and American drummer Frank ParkerFind albums by this artist. Fortuna has been one of the recognized talents on the local Jazz scene for a few years and this recording serves as the "formal" act of entering the major league of Polish Jazz musicians. The quartet performs nine original compositions, seven of which are credited to all four band members; of the two remaining one is by the pianist and the other by the bassist. The music fits perfectly the modern Jazz mainstream, but is very interesting and aesthetic, with beautiful melodic themes and perfect arrangements. The execution is also absolutely first class, from start to finish. Most solos are performed (not surprisingly) by the leader and the pianist, but the rhythm section is firmly present throughout, playing confidently, accurately and with a lot of imagination. Pianist Raminiak is definitely one of the best among the young generation of Polish Jazz players, which erupted in the last couple of years forcing its way towards the top and his other recordings (with his RGGFind albums by this artist trio) are all worth investigating. As to the leader, his playing is both beautiful and perfect in every respect, with great sense of melody and technical proficiency. Stylistically Fortuna is still distilling and purifying his personal and unique voicing, with his many influences even now quite apparent – mostly Miles DavisFind albums by this artist and other American Bop players, but also several notable Europeans. Of course every young Polish trumpeter is expected to follow and is judged by comparison to the mentor of Polish trumpet – Tomasz StankoFind albums by this artist, which of course is not fair and quite absurd. Even if Fortuna should in the future lean more towards less structured music, his voice and sound will be his own, so let´s give him a fair chance. It definitely sounds as we´ll hear quite a lot about him in the future. This is definitely a brilliant debut album, which should make all the participating musicians proud. Wholeheartedly recommended!

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MACIEJ FORTUNA / KRZYSZTOF DYS ~ TROPY FM 011 (Barcode: 888174340111) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 This is the debut recording by the Polish Jazz duo comprising of trumpeter / composer Maciej FortunaFind albums by this artist and pianist Krzysztof DysFind albums by this artist. Fortuna is a relatively new arrival on the local scene, but his prolific and outstanding achievements in the last few years are so impressive, that he immediately emerged as a serious candidate to become a member in the very exclusive club of top Polish Jazz musicians. Dys, with a slightly longer presence on the scene is primarily known as a member of the wonderful SoundcheckFind albums by this artist quartet. The album includes seven original compositions all co-composed by the duo, and was recorded inside a church, which adds a wonderful ambience to the recording. From the opening notes of this album, any listener familiar with the Polish Jazz scene is immediately transferred a few decades into the past, when the Polish Jazz scene was majestically emerging in the late 1960s as one of the most important Jazz World centers. A young trumpeter named Tomasz StankoFind albums by this artist was one of the great hopes of that scene and in years to come he evolved into one of the top World Jazz Masters. Fortuna´s playing evokes exactly the same feelings and emotions, which early Stanko recordings stirred then. The same vibrato, staccato, tone and even melodic motifs are present here, with the same intensity, expressiveness and brilliance. Also the unusual setting of a trumpet / piano duo has been utilized by Stanko some thirty years earlier on the album "KorozjeFind albums with this title" recorded with pianist Andrzej KurylewiczFind albums by this artist. Of course the tonal similarity does not imply, not even in the slightest, that this is a form of replication or copying pre-existing music. On the contrary, this music, in spite of the fact that it brings up fond memories of great music from the past, is completely and utterly original. Fortuna and Dys, who emerges as a wonderful co-creator, manage to create a world of their own, where the combination of the two spirits turns out to become greater that the sum of its ingredients. The music portrays a rare affinity between musicians who shift lead responsibilities between themselves, compliment each other with great sensitivity, respect each other´s space and individuality and above all communicate. Consequently this is not only an example of great music but also a living proof of camaraderie and musical co-existence of the highest level. This album is surely one of the strongest releases on the Polish Jazz scene in 2013 and a candidate to the "classic" status in the days to come. It is also probably the strongest statement made so far by Fortuna, although all his recordings to date are simply excellent. I´d even go as far as saying that I wish Maestro Stanko would return to playing music like this one… This album is an absolute must to every Polish / European Jazz connoisseur!

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MACIEJ GARBOWSKI ~ ELEMENTS NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is the debut album by the Polish Jazz bassist Maciej GarbowskiFind albums by this artist, known to followers of the Polish Jazz scene as one third of the RBBFind albums by this artist trio. The album is a bold statement in every respect: it is recorded live and by an unconventional (trumpet / bass / drums) trio with young Polish trumpeter Piotr DamasiewiczFind albums by this artist and Swedish drummer Jon FaltFind albums by this artist. The album comprises of a continuous suite of mostly improvised music, which includes some composed motifs by Garbowski and Damasiewicz, sometimes used only in part and sometimes quoted in full. These motifs serve as points of reference in the continual conversation between the musicians, which is obviously spontaneous but seems to have a sense of almost telepathic consistency. Although separated into six tracks on the album, this is definitely one piece of music, mood and celebration of freedom. The technical proficiency of these young musicians is simply astounding and their ability to generate alternative sounds on their respective instruments is awe-inspiring. Damasiewicz and his trumpet, which at times remind us of Don CherryFind albums by this artist and Tomasz StankoFind albums by this artist, taking the absolutely best lessons from both, is simply phenomenal. Hopefully his future recordings will give us more glimpses of his talent, since judging by this recording he is definitely heading in the right direction. Garbowski and his bass are virtuosic and enormously sensitive in this difficult setting, gluing the music together and supplying the anchor to stability, without restricting it in any sense. Falt and his drums, which are already familiar to Jazz connoisseurs from his work with pianist Bobo StensonFind albums by this artist, is the icing on the cake, ornamenting the music with delicate caressing touches on the cymbals or energetic full-kit explosions, al done with taste and elegance. Overall this is a brilliant piece of Free Jazz, perfectly executed and full of inspired, serious music, which easily compares to the best recordings of this type done anywhere else in the world. If the future fate of Polish Jazz (and European Jazz in general) is in the hands of young musicians like these three, the older generation can rest assured that it is in good hands indeed. Polish Jazz fans should definitely seek out this gem as soon as possible. Brilliant stuff!

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IN-FORMATION ~ IN-FORMATION TRIO POLSKIE RADIO 1248 (Barcode: 5907812242480) ~ POLAND ~ Jazz Recorded: 1981 Released: 2013 This is the second installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own. Following the demise of The Quartet, Kulpowicz founded a new ensemble, which he called In-Formation. Over time several different versions of In-Formation existed, including a duo, the basic piano trio, presented here, quartet and even sextet. In retrospect the trio proved to be the most successful incarnation of the group. It included bassist Witold SzczurekFind albums by this artist (a.k.a. Vitold RekFind albums by this artist) and legendary drummer Czeslaw BartkowskiFind albums by this artist. The same trio also served as the rhythm section of the Tomasz Stanko quartet in the early 1980s, recording with him two most impressive albums: "Music 81Find albums with this title" and "A I JFind albums with this title" (both recorded at the same session). In-Formation recorded two albums for the PoljazzFind albums on this label label, the second of which is partly (three tracks) also included here. The rest of the album (five more tracks) originates in two radio sessions recorded earlier in the same year. All the music was composed by Kulpowicz and is a direct continuation of his John Coltrane / McCoy TynerFind albums by this artist influenced style presented earlier by The Quartet. Of course the trio´s music is much less intense sonically than the quartet´s massive sound, but not less complex or spiritually evolved. Kulpowicz carries, as expected, most of the load, producing his usual vamped chords and dense cadenzas of amazing fluency and virtuosity. The rhythm section supports him splendidly, with Rek emphasizing the melody riffs and Bartkowski providing the swinging drive carrying the music in fast forward most of the album´s duration. The piano trio, which is the ultimate Jazz showcase, was quite a neglected Art form at the time this music was recorded. Therefore these recordings are even more special, as there was no other parallel outfit on the Polish Jazz scene at the time. Of course the piano trio would triumphantly return and re-appear on the Jazz scene later on, including of course the local Polish scene, but at that particular time In-Formation trio was completely unique. This album is not only a great example of the Jazz piano trio Art, but also a very important document of the development of the Polish Jazz scene. Of course it´s an absolute must have for all Polish Jazz connoisseurs and collectors, but every piano trio buff around the globe should find this quite a treat. Great stuff!

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JACHNA / CICHOCKI / UROWSKI / KRAWCZYK ~ THE RIGHT MOMENT REQUIEM 099 ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by a Polish Jazz quartet comprising of trumpeter Wojciech JachnaFind albums by this artist, pianist Jacek CichockiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Mateusz KrawczykFind albums by this artist. The quartet performs nine original compositions: three by Cichocki, two each by Urowski and Jachna and another two co-composed by all four members of the quartet. Saxophonist Wojciech Piorkowski guests on one track. The music is a typical contemporary modern Polish Jazz, somewhat more "conventional" than what one might expect from such names as Jachna and Urowski, but nevertheless excellent. This musical environment serves as a perfect opportunity to hear Jachna play more melodically than on most of his recordings, showing one more of his excellent qualities as a trumpeter. The atmosphere of this recording and the music bring a fond memory of the modern Polish Jazz period of the 1960s, especially the revolutionary Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist recordings. All the tunes herein have the same melancholic touch of Polish lyricism, which was so archetypal of that period, and which makes them sound quite "retro". It is difficult to say if this effect was intentional, but regardless of the actual intentions, the "spiritual" similarity is very apparent. The performances are, as expected, excellent from start to finish and although Jachna´s trumpet is the most evocative instrument, all four members of the quartet are superb instrumentalist and the quartet plays together like a dream, even when the music gets to be complex and demanding. Cichocki, whom I have not heard earlier, is especially impressive as a newcomer and I certainly hope to hear a lot more of him in the future. Overall this is a superb album, which definitely stands among the best achievements of the current year, even if it is not especially innovative or groundbreaking. Such music continues a tradition that is worth preserving invigorates it and refreshes it with new creative powers. These still relatively young musicians are already the main creative power of the Polish Jazz scene, and the next generations are already puffing on their necks. These are good times for Polish Jazz and it´s great to be alive while they last!

Updated: 28/05/2020Posted:

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JACHNA / TARWID / KARCH ~ SUNDIAL FOR TUNE 0039 (Barcode: 5902768701418) ~ POLAND ~ Jazz Recorded: 2013 - 2014 Released: 2014 This is the debut album by Polish Jazz trio fronted by trumpeter / composer Wojciech JachnaFind albums by this artist with two very young newcomers to the scene, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents seven original compositions, one of which is repeated twice and another three times, producing ten tracks all together. The music includes individually composed pieces, others which are co-composed by Jachna and Tarwid and still others co-composed by all three members of the trio. In the last decade Jachna has been slowly, but firmly establishing his position as one of the top Polish Jazz trumpet players. His work with the Sing Sing PenelopeFind albums by this artist ensemble and his duets with drummer Jacek BuhlFind albums by this artist belong to some of the most impressive achievements of Polish Jazz during the last decade, which after all is densely populated in the trumpet department. In time he developed a unique voicing on both trumpet and flugelhorn, which for old people like me constantly bring fond reminiscences of the early days of Tomasz StankoFind albums by this artist. Jachna is not imitating Stanko nor is he trying consciously to sound like him, but his way of phrasing and the "dirty", coarse tone are simply so characteristic, that the immediate resemblance is unavoidable. The two youngsters share common music studies in Denmark, where hordes of young and talented Polish Jazz players go to polish their knowledge and chops, but most importantly they evidently share their talents and passion for music. Tarwid, who has been called a musical prodigy after winning several piano competitions at a ridiculous young age, proves that he is no gimmick and his piano work certainly fills the heart with hope for days to come. Karch, who studied with Polish Jazz drumming icon Czeslaw BartkowskiFind albums by this artist, is also quite a hot potato, as the music herein firmly confirms. Together the trio is definitely one of the freshest and most impressive new ensembles on the Polish Jazz scene and this debut emerges as one of the most striking recordings released in Poland this year. Everything that makes Polish Jazz so unique and outstanding is reflected on this album: a search for new ways to express emotions, a complete freedom from conventions, a disregard towards obvious and boring musical methodology and at the same time a deep respect towards the music´s profound tradition and aesthetics. As always, the fact that music of such magnitude can be produced by musicians of such remarkably young age is nothing short of astounding. The true depth of this music can be fully appreciated only if one takes a much broader view of it, beyond the Jazz conventions. It is no less relevant as a component of improvised chamber music, an imaginary ambient soundtrack or any other open minded musical exploration, which is genre free and at the same time cross-genre. Over the last decade I have invested a lot of emotions and hopes into Jachna´s music and it makes me extremely happy that he was able to come up with this culminating work, which was unquestionably worth waiting for. His choice of partners and his persistency finally came into fruition, which should make him and his companions tremendously proud. Chapeau to all the Young Lions!

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WOJCIECH JACHNA ~ EMANACJE MULTIKULTI MPI 043 (Barcode: 5907529223536) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2015 Released: 2018 This is a solo trumpet album by Polish Jazz trumpeter / composer Wojciech JachnaFind albums by this artist. The album examines the relationship between sound and space and was recorded in several locations around Jachna´s home town of Bydgoszcz, like the Synagogue and the Water Tower, and other locations with a specific architectural design, which influences the acoustics. The album presents fourteen relatively short improvisations on themes, mostly composed by Jachna (eight tracks). Guitarist Jakub ZiolekFind albums by this artist guests on one track, which was composed by Ornette ColemanFind albums by this artist. For several years now Jachna has been consistently paving his way towards the top of the Polish Improvised Music / Jazz trumpet scene, obviously influenced by the two major / celebrated Polish Jazz trumpet figures, sadly both not with us any more: his hometown hero Andrzej PrzybielskiFind albums by this artist and of course Tomasz StankoFind albums by this artist. It is not surprising therefore that a composition by each of these two great musicians is present next to each other on the album. Also present is a composition by the godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist. As a result Jachna seems to pay tribute to the Masters, recognizing their influence, along with his own contributions, which mark his own path. The music was recorded three years before the album´s release, which means that Jachna released several albums after this music was recorded, allowing us a glimpse into the past. The sound of the trumpet reflected by the acoustics of the various architectural structures is a lonely journey, minimalist and introvert, but full of emotion and beauty, which should keep all Improvised Music enthusiasts perfectly happy. Jachna has a rare talent to express his emotions and musical ideas clearly and effectively, which is even more powerful in the solo setting. This album is a document of an experiment, which proves that Jachna is at all times searching for new ways to express his music. Overall this is an unusual and interesting album, which is definitely worth investigating by Polish Jazz, Improvised Music and trumpet connoisseurs the world over.

Updated: 05/01/2019Posted: 05/01/2019

CD 1 Mini-Sleeve Recommend To A Friend

THOMAS JADERLUND AMAZING ORCHESTRA ~ THOMAS JADERLUND AMAZING ORCHESTRA CAPRICE 22045 (Barcode: 7391782220452) ~ SWEDEN ~ Free Jazz / Improvised Music Recorded: 1994 Released: 1997 This is an album by the European septet called Amazing OrchestraFind albums by this artist led by Swedish saxophonist Thomas JaderlundFind albums by this artist which also includes Polish trumpeter Tomasz StankoFind albums by this artist, Swiss guitarist Christy DoranFind albums by this artist, Norwegian tuba player Stein-Erik TafjordFind albums by this artist, American (of Slovenian roots) accordionist Guy KlucevsekFind albums by this artist, Swedish cellist and bassist Svante HenrysonFind albums by this artist and Swedish drummer Jonny AxelssonFind albums by this artist. The 2CD album presents twenty one compositions, all composed by the septet members with about half of them by Jaderlund. The music in an eclectic amalgam of styles and genres, which include European Folklore, Fusion, Jazz, Free Jazz and Improvised Music. Some of the pieces are pre-composed, others are spontaneously improvised in the studio. Overall this album offers well over two hours of a musical kaleidoscope, which keeps evolving and changing all the time, full of surprises and unexpected developments. The septet does not play as one ensemble at all times and the performances move between solos, duos, trios, etc. which of course creates another element of constant transformation. The individual performances are of course stellar, as expected from musicians of this class, which of course ensures that the listener is never bored. For the Polish Jazz fans the presence of Tomasz Stanko on this album should be of interest, as this album is pretty obscure and almost never mentioned in his discographies. Overall this album is a wonderful example of the versatility and openness of the European Jazz scene and a collection of musical wonders definitely worth investigating!

Updated: 23/09/2018Posted: 23/09/2018

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SLAWOMIR JASKULKE ~ FILL THE HARMONY PHILHARMONICS BCD 04 (Barcode: 5906881885031) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2004 Released: 2004 This is the third album by Polish Jazz pianist / composer Slawomir JaskulkeFind albums by this artist, which presents a five parts suite for piano trio and chamber orchestra of the Jazz-Classical Fusion variety. The additional trio members are bassist Slawomir KurkiewiczFind albums by this artist, one of Polish Jazz most renowned bassists (Simple Acoustic TrioFind albums by this artist, Tomasz StankoFind albums by this artist), and drummer Krzysztof DziedzicFind albums by this artist. The orchestral parts are performed by the Hanseatica Chamber OrchestraFind albums by this artist. Vocalist Mika UrbaniakFind albums by this artist is featured on one track. The music was composed by Jaskulke, who was twenty four years old at the time. This ambitious project, undertaken by such a young musician, is quite extraordinary by any standard. Although Jazz and Classical music have been previously combined with various degree of success, this attempt is certainly quite different from all the others, employing musical devices, themes and arrangements often contrasting and seemingly clashing with other, like the vocal Rap part in the midst of a fragment performed by the strings. The Jazz trio interludes move in and out of the orchestral accompaniment, as do the solo piano parts. The overall structure does not seem to follow any of the pre-ordained Classical musical configurations, and Jaskulke appears to be using the orchestra as a tool rather than a point of reference. Although free-structured, the music maintains a melodic backbone, which re-appears both in the orchestral and the trio parts. The listener might find this music quite difficult to absorb, certainly during the initial listening phases, since things seldom continue for a period of time long enough to begin to sound "familiar". There is a sense or urgency and unrest, which is reminiscent of music composed for suspense movies. But listeners willing to listen patiently and repeatedly will eventually embrace the entire piece, finding its intrinsic logic. The Classical parts are obviously influenced by contemporary composers and a well trained might hear traces of George GershwinFind albums by this artist, The French Modernists and of course the Polish avant-gardists (Krzysztof PendereckiFind albums by this artist & Co.). Polish composer / pianist Frederic ChopinFind albums by this artist presides as well, if not bodily then surely spiritually. Stylistically this hodge-podge might need some polishing and sorting out, but give the guy a break; after all he is only twenty four… Regardless if one enjoys this music or not, it surely deserves to be appreciated for its aesthetic merits, its audacity and its innovation. Perhaps it is a bit over the top, but people who don´t dare don´t get there. Personally I quite like it and wholeheartedly recommend it to music aficionados, who are after the less obvious yet more rewarding game.

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JAZZBALTICA ENSEMBLE / DAVID MURRAY ~ BALTIC SUITE GOWI 05 ~ POLAND ~ Jazz Recorded: 1992 Released: 1993 This is a relatively little known album recorded live by a large assembly of Jazz musicians from several countries situated around the Baltic Sea, called JazzBaltica EnsembleFind albums by this artist, directed by American saxophonist / composer David MurrayFind albums by this artist. The music was recorded during the second JazzBaltica Festival held in Germany. The ensemble included some of the absolutely top-notch Jazz players from the Baltic countries, such as Polish trumpeter Tomasz StankoFind albums by this artist, Swedish bassist Anders JorminFind albums by this artist, Finnish drummer Jukkis UotilaFind albums by this artist and many others. Another American taking part in the ensemble is tuba player Howard JohnsonFind albums by this artist, who very often plays with European Jazz musicians. The music is a suite arranged for a large ensemble / Big Band, which comprises of several earlier compositions by Murray, which were reworked anew and incorporated into a coherent suite. The music is a wonderful example of a Big Band setting, which allows for a series of expanded improvisations by all the participants, either individually or in small groups, accompanied by the entire ensemble. Although clear melodic themes are stated periodically, most of the music is freely improvised and allows for a large degree of individual expression. The solos are all exceptional, which is not surprising considering the incredible level of the musicians involved. Although directed by Murray, this is typically European Jazz, with its relaxed and even somewhat melancholic ambience and sophisticated solos, which open up and explore new sonorities well beyond the standard Big Band arrangements. Several of these solo excursions depart beyond the thematic framework of the pieces, which build up this suite, being completely free spirited and spontaneously created, which is a norm as far as European Big Bands are concerned. Overall this is a superb piece of large ensemble music, exquisitely performed and worthy of an honorable place among other similar efforts of European Jazz. For Tomasz Stanko aficionados, like myself, this is simply a must, especially since so few people know about this album!

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KAZIMIERZ JONKISZ ~ TIRITAKA (POLISH JAZZ VOL.62) MUZA 1062 (Barcode: 5907783420627) ~ POLAND ~ Jazz Recorded: 1980 Released: 2007 This is an excellent album by a Polish Jazz quintet, led by veteran drummer Kazimierz JonkiszFind albums by this artist (ex-Zbigniew NamyslowskiFind albums by this artist quintet). The quintet´s two soloists are: the young brilliant violinist Krzesimir DebskiFind albums by this artist (shortly before he formed his own group String ConnectionFind albums by this artist, which would dominate the Polish scene in the first half of the 1980s) and saxophonist Andrzej OlejniczakFind albums by this artist, who fronted the most important Polish groups in the 1970s like Extra BallFind albums by this artist and Sun ShipFind albums by this artist. They are joined by pianist Janusz SkowronFind albums by this artist (also future member of String Connection and later for many years with Tomasz StankoFind albums by this artist) and a young bassist Andrzej LukasikFind albums by this artist. Of the six tracks on the album, five were composed by Debski, who already at that time was a most promising composer in addition to his virtuoso violin performances. Packed with talent and great music, this is a superb example of modern Polish Jazz at its best and one of the strongest albums in the legendary Polish Jazz series. The harmonizing between the violin and soprano saxophone creates an unbelievable sound, which has very few parallels on record. This is a must to all Polish Jazz lovers and anybody interested in European Jazz in general.

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ANNA MARIA JOPEK / BRANFORD MARSALIS ~ ULOTNE AMJ 001 (Barcode: 5906395769315) ~ POLAND ~ Jazz Recorded: 2015 - 2017 Released: 2018 Every new release by the Polish Diva Anna Maria JopekFind albums by this artist is a celebration of Culture and a major musical event on an international scale, especially so when it involves a revered Jazz superstar like saxophonist Branford MarsalisFind albums by this artist. Jopek, famous for her consistent independent Artistic vision, managed to create her own universe, where she does not need to compare or compete with the rest of the world, which enables her complete freedom of expression and self-determination, which only very few Artists worldwide were able to achieve over time. Recording an album with Marsalis was a dream, which Jopek held on to since the time she heard him playing with StingFind albums by this artist, which of course was a huge influence on every true music lover at the time. The incredible chemistry that Sting and Marsalis demonstrated was an extremely tall order to follow, but Jopek never eschewed a challenge and this album proves that the realization of that dream was indeed worthwhile waiting for. The album was recorded during two separate recording sessions, twenty one months apart, which considering the busy schedule that Jopek and Marsalis are both entangled in, is not as surprising as it might sound. The somewhat esoteric group of musicians includes percussionist Mino CineluFind albums by this artist, pianists Krzysztof HerdzinFind albums by this artist (who was also in charge of arrangements and conducting) and Marcin WasilewskiFind albums by this artist, multi-instrumentalist Piotr NazarukFind albums by this artist, bassist Robert KubiszynFind albums by this artist and Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Polish Folklore Guru Maria PomianowskaFind albums by this artist guests on one track. The album presents ten tracks on the "formal" first CD and four additional tracks (one of which is an alternate version of a track on the album) on the "bonus" second CD. The songs are mostly originals, written by Jopek or co-written with her spouse Marcin KydrynskiFind albums by this artist, one song is by Herdzin, one by Tomasz StankoFind albums by this artist (see below), one by Andrzej ZielinskiFind albums by this artist (SkaldowieFind albums by this artist) and one by Harry KandelFind albums by this artist with the rest being originally traditional Polish Folklore songs. Musically the album marks a return to Jopek´s established modus operandi, which combines Polish Folklore and original songwriting, spiced with Jazzy arrangements and of course dominated by her highly original expressionism. The music is deeply soaked in Polish lyricism and melancholy and her decision to sing in the Polish language emphasizes these elements even further. Marsalis plunges into this Slavic environment with vigor and determination, as if Eastern European sensitivities were his second nature, which is quite remarkable. It proves not only his openness and ability to embrace diverse Cultures, but also his incredible musicality, which enables him to feel completely at home in this Slavic musical setting. It also proves, perhaps more importantly, that music is universal, as is human soul, and ethnic boundaries can be crossed and amalgamated on the collective plane. Jopek, Marsalis and all the musicians involved in the recording of this album are of course veteran professionals in addition to their individual Artistic abilities, which results in the music being perfectly and incredibly sensitively executed. This music requires total dedication and every single note played by every musician at every given moment must be precisely articulated to achieve the desired effect. Luckily this team rises to the challenge admirably. The delicate and wonderfully written string arrangements performed by the Atoms add a superbly "angelic" aura to the overall sound and the folkloristic elements by Nazaruk spice the proceedings splendidly. Marsalis plays a series of breathtaking solos throughout the album, exactly as expected of course and Jopek, as always, manages to create goose bumps all over the listener´s body regardless if she sings lyrics or awe-inspiring vocalese. When selecting the material for this album, Jopek requested the permission of Tomasz Stanko to use his beautiful ballad "A Farewell To MariaFind albums with this title", originally used in the soundtrack of a movie of the same name, as she was sure Marsalis would be able to embrace the lyricism of this incredible melody and create a marvelous solo while performing it. She was right of course and this track is definitely one of the highlights of this album, and at the same time it constitutes a mournful tribute to Stanko, who passed away before the album was released. Another interesting piece is the excellent arrangement of the classic Harry Kandel (born in Lwow) Klezmer tune "A Night In The Garden Of Eden", which features Jopek´s hair-raising vocalese. Of course Klezmer music has always been an integral part of the Polish Folklore tapestry, in which the Jewish contribution was invaluable. Overall this album is a Masterpiece from start to finish, which is no news to the numerous Jopek´s fans. There is not one moment on this album, which is not inspirational and eloquent, heartwarming and heartfelt. Both deeply Polish and at the same time universally appealing this music knows no stylistic or Cultural boundaries. It is beautiful and sensitive and at the same time deeply emotional, soul-searching and introspective. In short, this album delivers everything one expects to hear when Great Artists are involved. Thank you, as always, my Dear!

Updated: 08/12/2018Posted: 08/12/2018

CD 2 Digipak Recommend To A Friend

WOJCIECH KAROLAK ~ EASY! (POLISH JAZZ VOL.81 DELUXE) MUZA 1081 (Barcode: 5907783420818) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1974 Released: 2005 This relatively little known but excellent album presents Polish Jazz keyboardist / composer / arranger / bandleader Wojciech KarolakFind albums by this artist in a relaxed atmosphere and in company of the crème de la crème of the Polish Jazz musicians of the period that he cooperated with on many occasions before. The idea was to present a less complex / sophisticated music performed by top Jazz players, but in retrospect the result surely surpassed all the intensions and expectations and this is definitely some of the best of his work. Recorded at a time when the Jazz-Rock Fusion in Poland was rapidly developing and achieving the peak of its creativity, spearheaded by Michal UrbaniakFind albums by this artist and his group, of which Karolak was a member. It is hardly surprising therefore that this album includes many of the characteristics of the early 1970s Polish Fusion, which of course in term was strongly influenced by the pioneering and groundbreaking work done by Miles DavisFind albums by this artist at the time, which served as a model to the entire worldwide music community. Although perhaps more melodic than the Urbaniak´s recordings, this album has plenty of innovative moves, like the usage of early synthesizers, electric piano and of course his organ, excellent brass arrangements on some tunes and superb soloing by the musicians involved, which include trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, drummer Czeslaw BartkowskiFind albums by this artist and many others. Karolak composed seven of the eight tracks on this album with one track being contributed by the great Jan Ptaszyn WroblewskiFind albums by this artist. Lovers of Polish Jazz should be rejoiced by the fact that this album was reissued as part of the extended legendary Polish Jazz series. A must!

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WOJCIECH KAROLAK ~ POLISH RADIO JAZZ ARCHIVES VOL.34 POLSKIE RADIO 2377 (Barcode: 5907812242374) ~ POLAND ~ Jazz Recorded: 1977 - 2010 Released: 2021 This is the thirty-fourth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings of that period. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The music on this album presents radio recordings of live performances by one of the Godfathers of Polish Jazz, pianist / organist / composer Wojciech KarolakFind albums by this artist, who sadly departed this year (June 2021), paying tribute to his artistry. Karolak was active on the scene since the late 1950s and his music embraced diverse genres, which included in addition to Jazz, also Blues, Rock and Fusion. The album presents nine tracks recorded between 1977 and 2010 and are a rather incidental collection spanning his various activities. Karolak composed or co-composed six of these tracks. The first two tracks, recorded in 1987, feature the trio Time KillersFind albums by this artist, where Karolak played organ and synthesizer, which also included saxophonist Tomasz SzukalskiFind albums by this artist (departed in 2012) and drummer Czeslaw BartkowskiFind albums by this artist. The next three tracks, recorded in 1985, also feature Time Killers performing three original tunes by Karolak from their only LP. Next track, recorded in 2010, features a duo with Karolak on piano and bassist Zbigniew WegehauptFind albums by this artist (departed 2012). Next track, recorded in 1977, features a trio with Karolak playing organ, trumpeter Tomasz StankoFind albums by this artist (departed 2018) and Bartkowski. Next track, recorded in 1983, features a quartet with Karolak playing piano, trumpeter Henryk MajewskiFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist (departed 2016) and drummer Tadeusz FederowskiFind albums by this artist (departed 2018). The last track, recorded in 1992, features a trio with Karolak playing organ, Szukalski and drummer Jose TorresFind albums by this artist. The fact that six of the nine musicians playing on this album are no longer with us is a sad reminder of the phenomenon of the first generation of the Polish Jazz scene disappearing. The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers liner notes, albeit those could have been better, considering the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.

Updated: 25/02/2023Posted: 22/12/2021

CD 1 Digipak Remastered Recommend To A Friend

MANU KATCHÉ ~ NEIGHBOURHOOD ECM 1896 (Barcode: 602498698150) ~ FRANCE ~ Jazz Recorded: 2004 Released: 2005 First recording on the legendary ECMFind albums on this label label by French / African (born in Ivory Coast) drummer / composer Manu KatchéFind albums by this artist, who established his international career in the 1980s when he played with Peter GabrielFind albums by this artist, StingFind albums by this artist and many others Rock stars. However, his true vocation is Jazz, as this spectacular album shows. Accompanied by a dreamy team of musicians: Norwegian saxophonist Jan GarbarekFind albums by this artist and legendary Polish trumpeter Tomasz StankoFind albums by this artist with two young players from his quartet - pianist Marcin WasilewskiFind albums by this artist and bassist Slawomir KurkiewiczFind albums by this artist; Katché presents ten original compositions, all written by him. The music is brilliant from start to finish, superbly performed by all the participants with Katché´s drumming, as unusual as it is for Jazz, adding a new dimension. African rhythms and pulsations play a major role in Katché´s drumming, but they are not aggressive and overly dominating, which is all for the best. Altogether this is a superb piece of music, full of heavenly moments and surprises. An absolute must! Visitors' Comments Christopher  Brice The playing, recording and production are outstandingly good, including the interplay between these wonderful musicians; but I have to say that the composition is not as interesting as we would expect on a Stanko or Garbarek album Christopher  Brice Something keeps drawing me back to this album despite the partly negative comment above, and I have even been tempted to try MK´s later Playground; This album really does have a special sound, but those little repetitive parts do irritate.

CD 1 Slipcase Recommend To A Friend

KLAN ~ LIVE FINLAND 1972 GAD 039 (Barcode: 5901549197501) ~ POLAND ~ Progressive Rock Recorded: 1972 Released: 2016 This is a sensational archive live recording by the legendary Polish Prog group KlanFind albums by this artist, recorded during their performance in Finland, which sees here the light of day for the first time forty four years later. The album´s booklet tells the story of this performance and the surrounding circumstances contributing to the establishment of the unique lineup of Klan which is heard here, which includes only one original member of Klan, leader guitarists / songwriter Marek AlaszewskiFind albums by this artist, who adopted guitarist Tomasz JaskiewiczFind albums by this artist (from Czeslaw NiemenFind albums by this artist´s backing group) and a formidable rhythm section consisting of bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, both members of the top Avant-Garde Polish Jazz ensemble at the time, led by trumpeter Tomasz StankoFind albums by this artist. Together they perform five original songs, all written by Alaszewski, which are expanded into lengthy instrumental improvisations. The resulting music is one of the most unique phenomena of the period, and considering the fact that it was a one time only event, which makes it even more important, this album becomes a major discovery. It amalgamates Prog-Rock, Jazz-Rock, Avant-Rock and Free Jazz and completely obliterates any boundaries between musical idioms and symbolizes artistic freedom, which was one of the characteristics of the period, when open-mindedness and acceptance ruled, also behind the Iron Curtain. The individual performances, especially those by Suchanek and Stefanski are absolutely stunning. Suchanek plays several brilliant solos and his pulsations all along, which are basically Jazz-based, are a superb example how Jazz and Rock rhythmic patterns can ideally coexist. Stefanski, who had a bit more Rock experience, adds his Jazz skills and drives the quartet forcefully forward, also performing some great solo parts. Both guitarists stay within the Rock territory, although the rhythm section really pushes them to improvise the whole time, much more extensively than under the unusual Rock circumstances. Although the sound quality of this recording is somewhat limited, even after very careful remastering process, the importance of it as a piece of Polish / East European Rock & Jazz history is invaluable. Therefore it is highly recommended to all listeners interested in music made behind the Iron Curtain. Of course anybody following the development of Progressive music in the broad meaning of the idiom should find this most interesting. As usual our thanks to the GADFind albums on this label Records label for unearthing and releasing this piece of history, which would have been most probably lost if not for their efforts.

Updated: 12/04/2019Posted: 06/05/2016

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ ASTIGMATIC (POLISH JAZZ VOL.05) POWER BROS 00163 (Barcode: 5906295856030) ~ POLAND ~ Jazz Recorded: 1965 Released: 1998 This music, encapsulated for eternity in a piece of plastic, is one of the great milestones of human Culture, an ultra-rare eruption of human genius. Recorded by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, this is definitely the most important piece of music recorded in Eastern Europe, which changed the face of Culture far beyond what most people realize. Universally accepted as a model and artistic / aesthetic climax by generations of Jazz musicians in Komeda´s native Poland and far beyond the country borders, this modern Jazz recording influenced innumerable minds and prompted endless artistic processes. The album includes just three pieces of music: the title track; "Kattorna", which was a theme in the soundtrack of a movie by the Danish director Henning CarlsenFind albums by this artist; and "Svantetic", a tune dedicated to the Swedish poet Svante ForsterFind albums by this artist, Komeda´s friend. The quintet included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, German bassist Gunter LenzFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. Playing in every possible grouping, from solo to a full quintet, these brilliant and inspired musicians manage to achieve a whole, which is so much more than a sum of its parts. The result goes way beyond soloing, improvising, interplaying and exchanging ideas; it is a sort of group creation, which builds upon the basic structures, which are the mesmerizing Komeda´s melodies and soaring infinitely towards a musical heaven. There is everything here: melody, harmony, freedom and structure, rhythm and space, all simultaneously represented without conflicting and fighting for supremacy. Such harmonious music-making is indeed very rare and therefore priceless. One might wonder how this wonderful music happened in Poland of all places. Well the reasons for this are numerous and complex, but of course genius knows no geographical limitations and catalyzed by the fertile intellectual background of the 1960s Poland, struggling with Socialist regime and longing for Freedom, Jazz became an escape route, which in this case found its true vocation. Of course the fact that Stanko and Namyslowski were (and thank God still are) exceptionally gifted musicians helped to materialize the potential of Komeda´s music. One might as well look into Komeda´s fascination (and adoration) of the music and life of John ColtraneFind albums by this artist, who served as a beacon and a model in the composer´s path to inner enlightenment. And yet Komeda did not succumb to Coltrane´s (or indeed the entire American Free Jazz movement) ideas blindly and unconditionally, as did many of his peers. He decided to incorporate the struggle for Freedom, which was a central scheme in Coltrane´s philosophy (both musical and personal) with his deep European cultural roots and heritage, building his very personal bridge between Cultures. This is why his music works so well, regardless if it´s a concert played in a Jazz club or a movie soundtrack. It is simply transcending stylistic or circumstantial limitations, as any higher level of Art is able to do. The fact that this music was created almost fifty years ago is a sad reminder of how little progress (if any) we managed to achieve since. In face of this fact we should cherish the great achievements of our Culture and keep them close to our hearts. This is definitely one of those great achievements, so let´s treat it accordingly. Absolutely essential! Enhanced CD with CD-ROM contents!

CD 1 Remastered Essential Recommend To A Friend

KRZYSZTOF KOMEDA ~ ASTIGMATIC (POLISH JAZZ VOL.05) MUZA 905 ~ POLAND ~ Jazz Recorded: 1965 Released: 2004 This music, encapsulated for eternity in a piece of plastic, is one of the great milestones of human Culture, an ultra-rare eruption of human genius. Recorded by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, this is definitely the most important piece of music recorded in Eastern Europe, which changed the face of Culture far beyond what most people realize. Universally accepted as a model and artistic / aesthetic climax by generations of Jazz musicians in Komeda´s native Poland and far beyond the country borders, this modern Jazz recording influenced innumerable minds and prompted endless artistic processes. The album includes just three pieces of music: the title track; "Kattorna", which was a theme in the soundtrack of a movie by the Danish director Henning CarlsenFind albums by this artist; and "Svantetic", a tune dedicated to the Swedish poet Svante ForsterFind albums by this artist, Komeda´s friend. The quintet included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, German bassist Gunter LenzFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. Playing in every possible grouping, from solo to a full quintet, these brilliant and inspired musicians manage to achieve a whole, which is so much more than a sum of its parts. The result goes way beyond soloing, improvising, interplaying and exchanging ideas; it is a sort of group creation, which builds upon the basic structures, which are the mesmerizing Komeda´s melodies and soaring infinitely towards a musical heaven. There is everything here: melody, harmony, freedom and structure, rhythm and space, all simultaneously represented without conflicting and fighting for supremacy. Such harmonious music-making is indeed very rare and therefore priceless. One might wonder how this wonderful music happened in Poland of all places. Well the reasons for this are numerous and complex, but of course genius knows no geographical limitations and catalyzed by the fertile intellectual background of the 1960s Poland, struggling with Socialist regime and longing for Freedom, Jazz became an escape route, which in this case found its true vocation. Of course the fact that Stanko and Namyslowski were (and thank God still are) exceptionally gifted musicians helped to materialize the potential of Komeda´s music. One might as well look into Komeda´s fascination (and adoration) of the music and life of John ColtraneFind albums by this artist, who served as a beacon and a model in the composer´s path to inner enlightenment. And yet Komeda did not succumb to Coltrane´s (or indeed the entire American Free Jazz movement) ideas blindly and unconditionally, as did many of his peers. He decided to incorporate the struggle for Freedom, which was a central scheme in Coltrane´s philosophy (both musical and personal) with his deep European cultural roots and heritage, building his very personal bridge between Cultures. This is why his music works so well, regardless if it´s a concert played in a Jazz club or a movie soundtrack. It is simply transcending stylistic or circumstantial limitations, as any higher level of Art is able to do. The fact that this music was created almost fifty years ago is a sad reminder of how little progress (if any) we managed to achieve since. In face of this fact we should cherish the great achievements of our Culture and keep them close to our hearts. This is definitely one of those great achievements, so let´s treat it accordingly. Absolutely essential!

CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend

KRZYSZTOF KOMEDA ~ ASTIGMATIC IN CONCERT POWER BROS 00173 ~ POLAND ~ Jazz Recorded: 1965 Live recordings by the Krzysztof KomedaFind albums by this artist Quintet at the Jazz Jamboree festival in Warsaw and Montmartre club in Copenhagen. The quintet just recorded his composition "Astigmatic", as well as the music to the film "Kattorna", and these recordings provide us with a glimpse at the live versions of these compositions. With Michal UrbaniakFind albums by this artist and Tomasz StankoFind albums by this artist and two different rhythm sections. Enhanced CD with CD-ROM contents!

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KRZYSZTOF KOMEDA ~ BALLET ETUDES / BREAKFAST AT TIFFANY`S POWER BROS 00155 ~ POLAND ~ Jazz Recorded: 1962 - 1963 These 1962-1963 recordings present Krzysztof KomedaFind albums by this artist´s compositions for theatre. Same as with his fantastic film music, these expressive and wonderfully lyrical works are extreamly beautiful and intelligent at the same time. Performed by the cream of Polish jazz players, including Tomasz StankoFind albums by this artist, Michal UrbaniakFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist a.m.o. Enhanced CD with CD-ROM contents!

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KRZYSZTOF KOMEDA ~ BARIERA – SOUNDTRACKS FROM JERZY SKOLIMOWSKI / JANUSZ NASFETER MOVIES POWER BROS 00199 (Barcode: 5906295856429) ~ POLAND ~ Jazz Recorded: 1965 - 1966 Released: 2009 Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtrack of the movie "Bariera (Barrier)" by the director Jerzy SkolimowskiFind albums by this artist and the soundtrack of the movie "Niekochana (Unloved)Find albums by this artist" by director Janusz Nasfeter. Brilliant stuff!

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KRZYSZTOF KOMEDA ~ CRAZY GIRL POWER BROS 00165 (Barcode: 4011550716521) ~ POLAND ~ Jazz Recorded: 1960 - 1964 Released: 1998 This album collects early recordings by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz. Recorded live at the Warsaw Jazz Jamboree festival in 1960 (five tracks) and 1961 (eight tracks) it captures Komeda in the transition period when his abilities as a piano player / bandleader and most importantly composer come to full fruition. His ability to compose haunting melody lines and create a lyrical atmosphere is already clearly evident. These are basically piano trio recordings with bassists Adam SkorupkaFind albums by this artist and Roman DylagFind albums by this artist and drummers Andrzej ZielinskiFind albums by this artist and Leszek DudziakFind albums by this artist. The great Swedish saxophonist Bernt RosengrenFind albums by this artist joins the trio on six tracks and US guitarist Jimmy GourleyFind albums by this artist joins them on two tracks. Four tracks included here were included in the soundtrack of the Roman PolanskiFind albums by this artist movie "Knife In The Water". The last track on the album was recorded during Jazz Jamboree 1964 by the legendary Komeda quintet, which included at that time trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, playing the composition "Sophia´s Tune" Komeda dedicated to his wife Zofia. The music includes mostly Komeda originals (just four standards are played), which are of course all heavenly. The excellent recording quality and the lack of applause make this album sound like a studio recording. This is an absolutely vital piece of music history, which is a must to any connoisseur of modern Jazz, and Polish Jazz in particular. A must! Enhanced CD with CD-ROM contents!

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KRZYSZTOF KOMEDA ~ JUTRO PREMIERA – SOUNDTRACKS FROM JANUSZ MORGENSTERN / EDWARD ETLER MOVIES POWER BROS 00201 (Barcode: 5906295856436) ~ POLAND ~ Jazz Recorded: 1962 - 1964 Released: 2009 Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtrack of the movie "Jutro Premiera (Opening Tomorrow)" by director Janusz MorgensternFind albums by this artist and two soundtracks to documentaries "Kraksa (Crash)" / "Okolice Peronow (Near The Station)" by director Edward EtlerFind albums by this artist. Brilliant stuff!

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KRZYSZTOF KOMEDA ~ KATTORNA – SOUNDTRACKS FROM HENNING CARLSEN MOVIES POWER BROS 00189 (Barcode: 5906295856375) ~ POLAND ~ Jazz Recorded: 1964 - 1967 Released: 2009 Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtracks of three movies: "Kattorna (Kittens)", "Sult (Hunger)" and "People Meet And Sweet Music Fills The Heart" by Danish director Henning CarlsenFind albums by this artist. Komeda´s incredible talent as a film composer was discovered by the Scandinavian film makers and other intellectuals and Komeda spent considerable periods of time in Scandinavia in the mid-1960s, which was unprecedented for any Polish musician. Unfortunately the music for the first film directed by Carlsen, which Komeda composed the music for: "Hvad Med Os (What About Us)" is not included on this album and was not released to date. Komeda was also supposed to compose the music for a fifth film by Carlson, but his tragic death prevented this from happening. The music from "Kattorna", in a different version, can be also found on the legendary "AstigmaticFind albums with this title" album by Komeda. Brilliant stuff!

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KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.02 – MUZYKA BALETOWA I FILMOWA – CZESC PIERWSZA POLSKIE RADIO 1862 (Barcode: 5907812248628) ~ POLAND ~ Jazz Recorded: 1959 - 1963 Released: 2014 This is the second installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. Recorded between 1959 and 1963 this volume collects only original music that Komeda composed for ballet and cinema and performed with his groups during the 1961 edition of the Jazz Jamboree festival in Warsaw (one track), the 1962 edition (four tracks) and 1963 edition (one track). The remaining two tracks are radio studio recordings. The music includes the following compositions: "Ballet Etudes", written by Komeda to be performed by a Jazz ensemble accompanying ballet dancers, which had its premiere during the 1962 Jazz Jamboree with dancers from the Warsaw Opera, theme from the film "Innocent Sorcerers" directed by Andrzej WajdaFind albums by this artist and the monumental music from the debut full length film "Knife In The Water" directed by Roman PolanskiFind albums by this artist. As any Polish Jazz enthusiast knows, this is the cradle of modern Polish Jazz and includes some of its most defining moments, as well as the essence of Komeda, the composer. The list of the musicians participating in these recordings reads like the who´s who of early modern Polish Jazz: vocalist Wanda WarskaFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassists Roman DylagFind albums by this artist, Adam SkorupkaFind albums by this artist, Jan ByrczekFind albums by this artist and Maciej SuzinFind albums by this artist, drummers Leszek DudziakFind albums by this artist, Czeslaw BartkowskiFind albums by this artist and Tadeusz FederowskiFind albums by this artist and percussionist Jozef GawrychFind albums by this artist. Three Swedish musicians also participate: saxophonist Bernt RosengrenFind albums by this artist, trombonist Eje ThelinFind albums by this artist and drummer Rune CarlssonFind albums by this artist. Overall this is a collection of brilliant music, superbly performed, which is an absolute revelation to anybody who loves Jazz. It is a fundamental piece of every decent Jazz record collection. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase. Dates, places and lineups are faithfully included and even personal liner notes by young Polish Jazz critics are present, but there is no in-depth background material about Komeda and his music, however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once.

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KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.04 – SOPHIA`S TUNE POLSKIE RADIO 1864 (Barcode: 5907812248642) ~ POLAND ~ Jazz Recorded: 1963 - 1964 Released: 2014 This is the fourth installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. Recorded in 1963 and 1964 during the sixth and seventh edition of the seminal Jazz Jamboree Festival in Warsaw, this collection showcases the legendary Komeda Quintet, which in many respects was the quintessential vehicle, which presented Komeda´s music at its pinnacle. The quintet included, besides Komeda of course, trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, who play on both dates, and bassist Maciej SuzinFind albums by this artist who plays on the 1963 date and Janusz KozlowskiFind albums by this artist who plays on the 1964 date. The album includes only five compositions, all originals by Komeda, which get an extended treatment which stretches around seventeen minutes for three of the tunes, twelve minutes for the fourth and six minutes for the tune which gives the album its titles, dedicated to Komeda´s wife Zofia. This is obviously some of the most important Jazz music recorded in Poland during the early days of modern Polish Jazz, but also some of the most important European Jazz, which was shaping out at the time as a new wave of independent thinking, based on American Jazz tradition, but expanding the known realm with new ideas and European legacy, melancholy, folklore and other prominent factors, which eventually were to create a completely new genre altogether. Komeda´s outstanding ability to weave beautiful melodies, combined with the virtuosity of his quintet´s members, reach unprecedented emotional and aesthetic levels, which to this day can hardly be matched. This music is a cradle of modern European Jazz, ultra modern and even Avant-Garde at the time, which almost completely rebels against American mainstream Jazz, simply doing whatever feels right, in complete disregard of conventions and stylistic limitations. The tunes develop almost spontaneously, often from a riff or a chord sequence, which hints of the melodic theme, which is often developed later on and sometimes remains hidden behind the chord changes and is never actually stated in full. The rhythmic patterns change several times during each tune, often without warning. Such dramatically novel approach is amazingly bold even today, almost fifty years later. Overall this is a collection of excellent Jazz music, superbly performed, which is an absolute delight to anybody who loves Jazz. It is a fundamental piece of every decent Polish Jazz record collection, especially in the case of the younger generation of listeners, which is just getting acquainted with the enormous legacy of Polish Jazz. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase. Dates, places and lineups are faithfully included and even personal liner notes by Polish Jazz critic Maciej NowotnyFind albums by this artist are present, but there is no in-depth background material about Komeda and his music, however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once.

Updated: 12/04/2019Posted:

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KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.05 – MUZYKA BALETOWA I FILMOWA - CZESC DRUGA POLSKIE RADIO 1865 (Barcode: 5907812248659) ~ POLAND ~ Jazz Recorded: 1961 - 1964 Released: 2015 This is the fifth installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. Eight of the ten tracks on this album were recorded between 1961 and 1964 during the forth to seventh edition of the seminal Jazz Jamboree Festival in Warsaw, this collection showcases legendary Komeda ensembles (quintet / trio), which in many respects were the quintessential vehicles, which presented Komeda´s music at its pinnacle. Two additional tracks were recorded in the Polish Radio Studio, both featuring vocals, the second of which is especially interesting as it presents an early recording by vocalist Urszula DudziakFind albums by this artist. The musicians, besides Komeda of course, include top Polish Jazz musicians at the time: trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist, bassists Maciej SuzinFind albums by this artist and Roman DylagFind albums by this artist, drummer Czeslaw BartkowskiFind albums by this artist, vocalist Wanda WarskaFind albums by this artist and others, as well as Swedish musicians: saxophonist Bernt RosengrenFind albums by this artist and drummer Rune CarlssonFind albums by this artist. The music is of course selected to reflect Komeda´s involvement with composing music for cinema, theatre and ballet. A few bonus tracks are also added, which are not connected with the above, but present rarely heard Komeda´s recording. Overall this is a collection of excellent Jazz music, superbly performed, which is an absolute delight to anybody who loves Jazz. It is a fundamental piece of every decent Polish Jazz record collection, especially in the case of the younger generation of listeners, which is just getting acquainted with the enormous legacy of Polish Jazz. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase. Dates, places and lineups are faithfully included and even personal liner notes by Polish Jazz critic Filip KosinskiFind albums by this artist are present, but there is no in-depth background material about Komeda and his music, however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once.

CD 1 Digipak Slipcase Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.06 – MUZYKA FILMOWA ORAZ JAZZ I POEZJA POLSKIE RADIO 1938 (Barcode: 5907812249380) ~ POLAND ~ Jazz Recorded: 1965 - 1967 Released: 2016 This is the sixth installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. The first part of the music included here originates in the Polish Radio recording session from 1967, which presents the Komeda Quintet with trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Roman DylagFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. The quintet performs four original Komeda compositions. The second part was recorded live during the 1965 Jazz Jamboree Festival and features the Komeda Quartet with Stanko, bassist Janusz KozlowskiFind albums by this artist and Carlsson. The quartet performs two original Komeda compositions. Three of the quintet tracks can be associated with the Polish Jazz & Poetry movement, the last quintet track and the first quartet track are both examples of cinematic music Komeda created for movie soundtracks and the last bonus track is a live performance of Komeda´s most famous tune "Astigmatic", which gave the title to his groundbreaking debut album. The Komeda Quintet present on this album recorded an entire album in the Jazz & Poetry idiom, which was produced by the legendary Joachim Berendt. That album called "Meine Susse Europaische HeimatFind albums with this title" was released in West Germany and became in time one of the most iconic Jazz & Poetry recordings in Polish and European Jazz. All of the music on this album is of course some of the most prophetic and revolutionary European Jazz ever recorded, and as such deserves to be a part of every decent music library on this planet. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase. Dates, places and lineups are faithfully included and even personal liner notes by Polish Jazz critic Roch SicinskiFind albums by this artist are present, but there is no in-depth background material about Komeda and his music, however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once.

Updated: 05/07/2016Posted: 05/07/2016

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KRZYSZTOF KOMEDA ~ KRZYSZTOF KOMEDA W POLSKIM RADIU VOL.07 – LITANIA POLSKIE RADIO 1939 (Barcode: 5907812249397) ~ POLAND ~ Jazz Recorded: 1967 Released: 2016 This is the seventh installment in a new series of albums launched by the Polish Radio, which presents radio recordings by the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist. Komeda is of course the most familiar name associated with Polish Jazz and his legacy is of crucial importance to Polish and European Jazz. Considering the fact that Komeda´s studio recordings are relatively scarce, the radio recordings are in fact the main source of his recorded legacy, as they include among others the Jazz Jamboree festival appearances by Komeda and his various ensembles over the years. The music presented here is part of the very last recordings made by Komeda before his death, all done in October 1967, which was a very busy time for him just before he left Poland for the US on December 17, 1967 and returned already in a comatose state following his tragic accident in October 1968. Between October 7 and October 10, 1967 the Komeda Quintet with trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Roman DylagFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist recorded in Baden Baden, Germany the seminal album "Meine Susse Europaische Heimat: Dichtung Und Jazz Aus PolenFind albums with this title", which was produced by my Friend and Mentor Joachim BerendtFind albums by this artist. The album was originally planned to be recorded in May 1967, and most sources state this as the recording date, but due to Komeda´s illness the recording was in fact postponed and took place as stated above. This album created a great stir behind the Iron Curtain and presented openly Polish Jazz and Polish Poetry to the Western public for the first time. Dylag, who was living in Sweden at the time, and Carlsson arrived in Germany from Sweden invited especially for this recording and continued together with the rest of the Quintet (riding two cars) to Warsaw, where the Komeda Quartet (Quintet less Namyslowski) played a concert on October 14, 1967 during the Jazz Jamboree Festival. The concert included Komeda´s extended composition "Night Time, Day Time Requiem" dedicated to the memory of John ColtraneFind albums by this artist, composed shortly after Coltrane´s death in July 1967, which is included here. Immediately following the Jazz Jamboree appearance, most probably on October 16 or 17, 1967, the Quintet recorded a session at the Polish Radio studio, which included six tunes, including "Litania" and another version of "Night Time, Day Time Requiem", both of which are included here. The other four tunes were already included on the previous album of this series The Quartet also recorded a concert for the Polish Television, which also presents "Night Time, Day Time Requiem" and a mega rare interview with Komeda conducted by Polish Jazz critic and broadcaster Roman WaschkoFind albums by this artist. Considering the fact that Dylag and Carlsson had visas to stay in Poland for just one week, and left Poland immediately before the visas expired, it is certain that all the music recorded in Poland was recorded within that particular week. The music reflects beautifully the development of Komeda as a pianist / composer / bandleader in the last period of his activity. Coltrane´s death had an immense influence on Komeda, who was a great admirer of the American Giant and followed his path of discovery closely. The piece dedicated to Coltrane is spiritually the closest piece of Polish Jazz music to the music of Coltrane during his latest period. It is fascinating to compare the two versions of "Night Time, Day Time Requiem"; the earlier live version, played by the Quartet, is masterly performed but still not fully emotionally developed, while the emotional elements erupt on the second version, recorded just days later by the Quintet. Therefore this album is certainly one of the most important Komeda albums, catching Komeda at his absolute peak as a composer with the magnificent "Litania" and performer with the music dedicated to Coltrane. The recordings are splendidly restored and remastered and nicely packaged in an elegant digipak / slipcase, but there is no in-depth background material about Komeda and his music; however considering the plentitude of published material and several excellent books on the subject, an intelligent listener can easily bridge the knowledge gap. The only small reservation one might have is the fact that these recordings have been already released many times, more or less legally on the somewhat untamed Polish music market, which means they is already owned by the serious Polish Jazz collectors, probably more than once. Side Note: On the album´s liner notes the two versions of "Night Time, Day Time Requiem" are listed in reverse order to the order they actually appear on the CD. Also the recording date of the studio version of "Night Time, Day Time Requiem" is listed as 1968, which is not possible as stated above.

Updated: 05/04/2024Posted: 02/10/2016

CD 1 Digipak Slipcase Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ MEINE SUSSE EUROPAISCHE HEIMAT: DICHTUNG UND JAZZ AUS POLEN ANEX 401 (Barcode: 5907513047957) ~ POLAND ~ Jazz & Poetry Recorded: 1967 Released: 2012 This is not just an album; for people who love Polish Jazz and Polish Culture, this is a monumental piece of Art and History… And for Polish Jazz this is probably the most important recording ever made, surely as far as international exposure of Polish Jazz is concerned. This album was devised, planned and eventually completed thanks to the efforts of Joachim BerendtFind albums by this artist, a German writer, critic, producer (and my dear personal Friend and Mentor), one of the most important figures on the European Jazz scene during its formative years. Berendt, a devoted intellectual, was an enthusiastic supporter of early multi-media collaborations involving Jazz, especially in the Jazz & Poetry realm, fell in love with Polish Jazz from the moment he heard it during the groundbreaking second Sopot Jazz Festival in 1957, which he attended accompanying a delegation of German Jazz players. The plans to make this album were planted in his mind then and there, but unfortunately the Iron Curtain, the invisible great divide splitting Europe in two during the Cold War era, was stronger than the goodwill of the people who wanted to make it happen. It took a whole decade until Berendt was able to invite pianist / composer Krzysztof KomedaFind albums by this artist and his group, which included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Roman DylagFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist, to his SWF radio studio in Baden-Baden to finally record the music. In parallel Berendt invited the German translator Karl DedeciusFind albums by this artist, who was the most important and pioneering translator of Polish and Russian literature and poetry into the German language, to select and translate the poems, which were to be combined with Komeda´s music and recited by actor Helmut LohnerFind albums by this artist. Dedecius made a brilliant job, obviously a labor of lave for him, both as a translator and editor, selecting twenty four poems by Polish poets, many of which were at the time relatively obscure and politically "problematic" for the Socialistic regime. In retrospect two of these poets: Wislawa SzymborskaFind albums by this artist and Czeslaw MiloszFind albums by this artist were eventually to be awarded the Nobel Prize in literature – not a bad guess indeed. By the time this album was recorded Komeda was of course already the undisputed Godfather of modern Polish Jazz, as well as a world-famous composer of film music, most notably those directed by Roman PolanskiFind albums by this artist, but also many others. His quintet was one of the best European Jazz ensembles at the time, which of course is clearly evident on this recording. Komeda´s themes are perfect companions to the poems, full of lyricism and deep emotions, expressive and often quite free form, enabling the soloists to expand the basic structure into improvised passages. The album was originally released in West Germany by EMI / ColumbiaFind albums on this label in 1967 and the original vinyl is a super-rare collectors´ item. This new edition adds as bonus tracks three of the themes used on the original album, recorded in extended instrumental versions by the same quintet, which are of course sensational. The album is beautifully packaged in a book-like digipak, which includes the original liner notes by Berendt and many splendid photographs. The texts (both Polish and the German translations) of the poems are unfortunately not included (except one), which is a pity, but obtaining all the copyrights was probably too much of a nightmare. An extended essay about this album should have also been appropriately written. The fact that this album was not available (at least in a proper form) for forty five years is a shame and this new edition falls under "better late than never" category. Polish Jazz connoisseurs should of course be delighted, finally being able to savor this timeless piece of Art. I can´t imagine any serious Polish Jazz enthusiast not having this album in their collection. I think I can see the late Joachim Berendt smiling, somewhere in the "higher sphere", seeing his brain-child resurrected…

Updated: 29/12/2023Posted:

CD 1 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

KRZYSZTOF KOMEDA ~ MOJA BALLADA POWER BROS 00161 ~ POLAND ~ Jazz Recorded: 1961 - 1967 This album presents mostly Krzysztof KomedaFind albums by this artist´s film music recorded between 1961 and 1967 and includes music from Roman PolanskiFind albums by this artist´s "Knife In The Water" and music to animated films. A great showcase of Komeda´s sensitivity as a composer and his special feel for the film industry and its needs. With Tomasz StankoFind albums by this artist, Michal UrbaniakFind albums by this artist. Enhanced CD with CD-ROM contents!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ NIGHTIME, DAYTIME REQUIEM POWER BROS 00159 ~ POLAND ~ Jazz This recordings from 1967 present the Komdeda sextet at its prime with Tomasz StankoFind albums by this artist, Michal UrbaniakFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist - probably the best Polish jazz ensemble of all times. The title track is Komeda´s homage to John ColtraneFind albums by this artist after his tragic death and the rest are from the legendary recording which presented Polish jazz to the world for the first time. Enhanced CD with CD-ROM contents!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ PRAWO I PIESC – SOUNDTRACKS FROM JERZY HOFFMAN / EDWARD SKORZEWSKI MOVIES POWER BROS 00203 (Barcode: 5906295856443) ~ POLAND ~ Jazz Recorded: 1964 - 1965 Released: 2009 Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtrack of the movie "Prawo I Piesc (The Law And The Fist)" by directors Jerzy HoffmanFind albums by this artist / Edward SkorzewskiFind albums by this artist, two soundtracks to animated movies "Sztandar (Standard)" / "Rondo (Roundabout)" by director Miroslaw KijowiczFind albums by this artist and the soundtrack to the movie "Pingwin (The Penguin)" by director Jerzy Stefan StawinskiFind albums by this artist. Brilliant stuff!

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KRZYSZTOF KOMEDA ~ PRZERWANY LOT – SOUNDTRACKS FROM LEONARD BUCZKOWSKI MOVIES POWER BROS 00205 (Barcode: 5906295856450) ~ POLAND ~ Jazz Recorded: 1963 - 1964 Released: 2009 Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtracks of two movies "Smarkula (Chit Of A Girl)" and "Przerwany Lot (The Broken Flight)" by director Leonard BuczkowskiFind albums by this artist. Brilliant stuff!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ ROMAN TWO POWER BROS 00169 ~ POLAND ~ Jazz Live recordings from 1965 at the Montmartre club in Copenhagen. Krzysztof KomedaFind albums by this artist´s quintet with Michal UrbaniakFind albums by this artist and Tomasz StankoFind albums by this artist perform an extended version (over 25 minutes long) of one of Komeda´s most famous compositions "Crazy Girl". The composer and his musiciand were at the peak of their power at these concerts. Enhanced CD with CD-ROM contents!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ SOPHIA`S TUNE POWER BROS 00167 (Barcode: 4011550716729) ~ POLAND ~ Jazz Recorded: 1965 Released: 1998 This album presents a live recording by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, recorded live at the Copenhagen Montmartre Jazz club. At that time Montmartre was one of the most important European Jazz venues and had the privilege of hosting the crème de la crème of worldwide Jazz performers, which testifies as to Komeda´s reputation in Scandinavia. The quintet also includes trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist, Danish bassist Bo StiefFind albums by this artist and drummer Simon KopelFind albums by this artist. They perform three original Komeda compositions, one of which ("Svantetic") gets an expanded treatment of over 20 minutes. The same composition was recorded later the same year as part of the legendary "AstigmaticFind albums with this title" album. The remaining two compositions are: "Repetition", which was recorded a couple of years later on the also legendary "Meine Susse Europaische Heimat" album of Jazz and Polish poetry (produced by Joachim BerendtFind albums by this artist) and "Sophia´s Tune" dedicated to Komeda´s wife Zofia. The performances are absolutely stunning as this is European Jazz at its absolute peak, eons ahead of its time and light-years ahead of anything else played at the time. Stanko´s trumpet, already at that time, prophesizes the fact that he will have no competitors, as we can witness now, almost 50 years later. Komeda´s music is so completely enthralling and engulfing that is remains completely untouched by time, resistant to fads and fashions and intrinsically timeless. This time capsule, which we are lucky to be able to listen to, is a Godsend. Absolutely essential! Enhanced CD with CD-ROM contents!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ WHAT`S UP MR. BASIE POWER BROS 00171 ~ POLAND ~ Jazz Recorded: 1963 Live recording of Krzysztof KomedaFind albums by this artist´s Quintet at the Warsaw Jazz Jamboree, with Michal UrbaniakFind albums by this artist and Tomasz StankoFind albums by this artist. The title track was composed for the Dannish film "What About Us" directed by Henning CarlsenFind albums by this artist. Also included is the composition "II", which is of course the Roman sign for the digit 2 and was called "Roman Two" as a joke. Enhanced CD with CD-ROM contents!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ WYROK – SOUNDTRACK FROM JERZY PASSENDORFER MOVIE POWER BROS 00197 (Barcode: 5906295856412) ~ POLAND ~ Jazz Recorded: 1962 Released: 2009 Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtrack of the movie "Wyrok (The Sentence)" by the director Jerzy PassendorferFind albums by this artist. Brilliant stuff!

CD 1 Remastered Recommend To A Friend

KRZYSZTOF KOMEDA ~ LIVE IN BLED 1965 GAD 279 (Barcode: 5903068125096) ~ POLAND ~ Jazz Recorded: 1965 Released: 2023 The archival material presented on this album is a highly important document of the Eastern European Jazz scene, which thrived behind the Iron Curtain in the 1960s. It sheds light not only on the pioneering work of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, but also on the entire Jazz scene that managed to exist against all odds under the Socialist Regime, including the presence of Jazz clubs, festivals, concerts and even recordings released by the State owned record labels. The music, which is all previously unreleased, was recorded in June 1965 at the 6th edition of the International Jazz Festival in former Yugoslavia, one of the Eastern Bloc countries that boasted a booming music scene and was considered as the most liberal and Western oriented country behind the Iron Curtain. The festival, which was inaugurated in 1960, was held at the picturesque Slovenian town of Bled, and was one of the biggest such festivals, hosting both local and international Jazz musicians. Polish Jazz musicians were a permanent feature of the festival, including the Polish quartet led by pianist Andrzej KurylewiczFind albums by this artist with singer Wanda WarskaFind albums by this artist in 1962, the quintet / trio led by pianist Andrzej TrzaskowskiFind albums by this artist in 1963 and the Polish Jazz QuartetFind albums by this artist in 1964, before the concert by Komeda and his quintet in 1965. The lineup of the quintet included, alongside Komeda, trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and the performance consists of just two extended pieces: “Kattorna” (17:20) and “Svantetic” (21:32), both composed by Komeda and both appearing on his Polish debut album “AstigmaticFind albums with this title”, recorded some six months later and released as part of the legendary “Polish Jazz” series, an album which is often considered as the most iconic Polish Jazz recording of all time. For every Komeda follower, the comparison between this recording and the “Astigmatic” album is absolutely called for and unavoidable. The obvious differences are as follows: the three different musicians present on the studio recording: saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Gunter LentzFind albums by this artist and drummer Rune CarlssonFind albums by this artist, the much shorter versions of the compositions (7:20 and 15:50 respectively) and last but not least the spontaneity and sense of Freedom prevailing on this recording, as opposed to the tension and rigidity present on the studio recording. This, combined with the much better sound quality this recording offers, results simply in a much more striking version of “Astigmatic”, which of course is a sensational discovery, considering the fact that this music was hidden in the vaults for almost sixty years. The individual performances by the musicians are also quite different. Stanko is way fierier, Komeda soloes more extensively, and the Polish rhythm section of Dylag / Dabrowski is absolutely more inventive and interesting than the German / Swedish one, in short, again, this recording is simply a superior version of “Astigmatic”. Listeners less familiar with Komeda and his musical world, will find here a musician / composer fascinated with the revolutionary Jazz developments, which happened across the Atlantic, mostly those involving the prophetic work of John ColtraneFind albums by this artist. Komeda, perhaps like no other East European Jazz musician, managed to amalgamate the African spirituality, which obsessed Coltrane in the last feverish period of his life, with the European spirituality of lyricism and romanticism, creating a new form of expression, which although existed for a relatively brief period of time, managed to upturn and revolutionize Polish Jazz forever and overflow the borders of his country across the whole of Europe. Every new piece of recorded material by Komeda, which reveals a previously unknown window into his creativity and Art, is a true Holy Grail of European Jazz. But when it is as significant as the music presented here, it becomes an instant classic and a true treasure of Jazz history, important not only to Polish Jazz but to the entire Jazz universe, being a guiding light, which no true Jazz enthusiast can afford to miss. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 21/02/2024Posted: 21/02/2024

CD 1 Remastered Recommend To A Friend

VLATKO KUCAN QUARTET & TOMASZ STANKO ~ LIVE AT PALO-PALO TRUE MAZE 9803 ~ BOSNIA & HERZEGOVINA ~ Free Jazz / Improvised Music Recorded: 1991 Released: 1998 This is a live album by a quartet led by Bosnian (living in Germany) saxophonist / composer Vlatko KucanFind albums by this artist, with German trombonist Michael DannerFind albums by this artist and American (also living in Germany) bassist Jay OliverFind albums by this artist and drummer Bill ElgartFind albums by this artist. The quartet in expanded to a quintet with the addition of the great polish trumpeter Tomasz StankoFind albums by this artist. The album was recorded at the Palo-Palo club in Hannover in 1991 and released only seven years later. It presents six tracks, two each by Kucan and Oliver, one standard and one by a German Free Jazz trombonist / composer Heinz-Erich GodeckeFind albums by this artist. Three of the tracks are over twelve minutes in duration and two are about nine minutes in duration, as appropriate for the event. The music is typical European Free Jazz / Improvised Music impromptu meeting, and despite the fact that he rhythm section is in Fact American, after playing for many years with European musicians they embraced to more sophisticated approach of careful interplay and developed rather than energetic explosions, which characterize American music of that idiom. The melodic themes are stated at the opening of each tune and returned to following each of the highly improvised passages, and there is plenty of space for all the musicians to express themselves individually, as well as offer some excellent group improvising and interplays in duets, trios, etc. In short, the music is well organized and eschews the chaotic mayhem, which Improvised music often falls into. For Polish Jazz fans and Stanko followers, this album is a true blast, as it presents some of the finest Free style blowing by Stanko, which he was mostly avoiding on his albums as a leader by that time. This album is rather unknown on the Polish scene, at least I haven’t seen much references to it in Stanko related writings, so it’s about high time to get acquainted with it. Overall, this is a blast of well-tamed Free Jazz / Improvised Music artistry by some excellent musicians, which is definitely worth to be heard, especially due to the presence of Stanko on this album. Not easy to get hold of, but definitely worth it!

Updated: 07/04/2024Posted: 07/04/2024

CD 1 Digipak Recommend To A Friend

LESZEK KULAKOWSKI ~ KOMEDA VARIATIONS FOR TUNE 0148 (Barcode: 5906395808632) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2019 Released: 2020 This is an album by veteran Polish pianist / composer / arranger / bandleader Leszek KulakowskiFind albums by this artist. It presents a live concert recording of Kulakowski´s arrangements of film music by the Godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist, for a Symphony Orchestra. These arrangements were originally written by Kulakowski in 2001 and performed the same year by the Lodz PhilharmonicFind albums by this artist with the participation of the brilliant Polish Jazz trumpeter Tomasz StankoFind albums by this artist as a soloist. Almost twenty years later the concert was repeated and recorded, this time with slightly changed arrangements featuring a Jazz quartet with Kulakowski on piano, bassist Adam KowalewskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist, and the sadly departed Stanko replaced by three trumpeters: Piotr WojtasikFind albums by this artist, Tomasz DabrowskiFind albums by this artist and German Christoph TitzFind albums by this artist, playing with the Sinfonia BalticaFind albums by this artist Philharmonic Orchestra, directed by Radoslaw DronFind albums by this artist. The genius film music by Komeda is of course a wonderful subject matter, and in Kulakowski´s hands (or rather mind) it metamorphoses into its Classical form gracefully and "willingly", proving the greatness of both the composer and the arranger. The transformation sounds absolutely naturally and manages to bring to light many aspects of the original compositions, which often remain hidden in their Jazz interpretations. Although the arrangements may appear bold and "invasive" in some ways, they are absolutely justified and artistically coherent. The performances are also absolutely brilliant from start to finish. The balance between the orchestra and the quartet is perfect all along the way and the focus on the trumpet soli is holding the internal tension and creates a superb continuity, which keeps the listener mesmerized. Having three trumpeters, each with his idiosyncratic approach, adds another layer of diversity to the entire project. Kulakowski spices the proceedings with his superb piano solos, full of delicate touches and melancholic twists. It is a well known fact that Komeda´s music has been abused and mistreated many times by Polish Jazz musicians, thinking that by playing his music they would be automatically immune from criticism. It gives me a great joy to see (and hear) Komeda treated with respect and love, and mastery and imagination, which he truly deserves, like in this case. Overall this album is an instant classic, a must have by Polish Jazz fans and Komeda admirers all over the world and a sublime example of Polish / European Jazz ingenuity, which does hesitate to reach boldly beyond the obvious. Well done my Friend!

Updated: 22/12/2020Posted: 22/12/2020

CD 1 Recommend To A Friend

LESZEK KULAKOWSKI ~ WITKACY NARKOTYKI SOLITON 1227 (Barcode: 5903684232277) ~ POLAND ~ Jazz & Poetry Recorded: 2021 Released: 2022 This is an album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, which presents a live recording of a spectacle, featuring music composed by Kulakowski and texts written by the Polish writer / poet / painter WitkacyFind albums by this artist (a.k.a. Stanislaw Ignacy WitkiewiczFind albums by this artist). The participants comprise of Kulakowski, who plays electronic keyboards rather than piano, vocalist Jorgos SkoliasFind albums by this artist, trumpeter Tomasz DabrowskiFind albums by this artist, guitarist Marcin WadolowskiFind albums by this artist, bassist Konrad ZolnierekFind albums by this artist, drummer Sebastian FrankiewiczFind albums by this artist and actor Jerzy KarnickiFind albums by this artist, who narrates the texts. The album presents seven tracks and is beautifully packaged with an informative booklet, which also includes all the texts, as well as Witkacy’s paintings. Witkacy’s literary / philosophical / artistic heritage remains to be controversial and more often than not misinterpreted since the day it was conceived and published, and the state of affairs did not change much during the last century. Many of the subjects touched upon by Witkacy in his works, like sex, drugs and social relationships remain a taboo in Poland to this very day, despite the superficial openness and modernism. Therefore, his artistry is often treated as scandalous and sensational, rather than prophetic and educational. This is not the first attempt to interpret Witkacy’s “aura” within the Polish Jazz setting of course. In the mid-1980s iconic Polish trumpeter / composer Tomasz StankoFind albums by this artist made a groundbreaking recording inspired by Witkacy’s legacy, which also related to the subject of drugs, which of course was a household issue among many Jazz musicians, not only on the west side of the Iron Curtain. The trumpet duos between Stanko and Andrzej PrzybielskiFind albums by this artist are certainly some of the Polish Jazz highlights of that period. Dabrowski’s parts on this album serve as a bridge between that momentous album and this new creation. But Kulakowski managed to create a completely new and original approach herein in every respect. The music is highly melodic, with clearly defined themes, the Funky, Fusion oriented rhythmic background makes the music sound contemporary and vigorous. The synthesizers suit this environment way better than acoustic piano, and Kulakowski certainly made the right choice here. Wadolowski’s guitar fits the scenario perfectly as well as the round and pulsating bass parts. But the greatest asset of this album are the vocal / vocalese parts by Skolias, who is as demonic and fascinating as only humanly possible. Overall, this is an important, courageous attempt to interpret Witkacy and his legacy, highly original and moving, and beautifully performed, especially considering the fact that this is a live recording, which offers a superb sound quality. Kulakowski never ceases to re-invent himself, and despite the fact that I know him and his music for so many years, he still manages to surprise me time after time. Hats off, Maestro!

Updated: 22/02/2022Posted: 22/02/2022

CD 1 Digipak Recommend To A Friend

SLAWOMIR KULPOWICZ ~ PRIVATE BALET MUSIC POLSKIE RADIO 1249 (Barcode: 5907812242497) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2003 Released: 2013 This is the third installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own. The turn of the Millennium found Kulpowicz as a refined Artist, with years of experience and success already credited to his impressive list of achievements. He was moving away from the traditional Jazz milieu and getting closer to contemporary Classical forms as well as experimenting with World Music influences. This solo piano recital, recorded live, which presents fourteen of his original compositions, is a portrait of a mature performer and composer, who has a complete control over his instrument as well as the ability to create moods and paint musical vistas with an astonishing ease and elegance. Kulpowicz was interested in contemporary Classical music from an early age and although the first phase of his career concentrated on Jazz, the next one was quite different. He composed several pieces, which served as music for ballet and turned out to be a remarkable successful. The music on this album bridges these two phases, as the music clearly shows deep love and respect of the Jazz tradition, but the form is much closer to Classical style, in which these beautiful pieces could be considered as fragments of a suite (in this case an imaginary ballet suite) or other short forms like impressions, variations, etc. Regardless how this music is categorized, the level of amalgamation between Jazz and Classical music achieved here is simply exceptional. Of course solo piano music is often quite difficult and demanding. Less experienced listeners may lack the concentration and dedication required in order to truly appreciate this music in full. This kind of music usually demands repeated listening sessions in order to discover its beauty, elegance and sophistication. On the other hand such investment is usually very well rewarded, as one might expect also in this case. Therefore this music should be taken seriously and relatively gradually, but eventually it will certainly hit the right cords. Wholeheartedly recommended!

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SLAWOMIR KULPOWICZ / SHUJAAT KHAN ~ LIVE POLSKIE RADIO 1250 (Barcode: 5907812242503) ~ POLAND ~ Jazz-World Fusion Recorded: 2006 Released: 2013 This is the fourth installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own. Kulpowicz visited India for the first time in 1978, when he was a member of the Zbigniew Namyslowski quartet, which played at the Jazz Yatra in Bombay. At the time he met and befriended a young sitar player Shujaat KhanFind albums by this artist, a descendant of the legendary Khan dynasty of sitar players since hundreds of years. That friendship lasted for almost thirty years as long as Kulpowicz was alive. They played together many times in Poland and abroad. In 1984 Khan visited Poland and recorded a live album with Kulpowicz for the PoljazzFind albums on this label label. The last time they played together was in 2006, when Khan visited Poland again, bringing with him the tabla player Arunangshu ChaudhuryFind albums by this artist. Kulpowicz invited the legendary Polish electric bassist Krzysztof ScieranskiFind albums by this artist and the four played together the music presented on this album, which was recorded live at Warsaw Philharmonic Hall. Considering the fact that European (including Jazz) and Indian music exist on almost completely separate planes, the amalgamation of the two is extremely difficult to achieve. Except for a very few earlier attempts, most importantly the John MayerFind albums by this artist / Joe HarriottFind albums by this artist Indo-Jazz FusionsFind albums by this artist from the late 1960s / early 1970 and the John McLaughlinFind albums by this artist´s ShaktiFind albums by this artist a decade later, which were groundbreaking and musically just right, most of the other attempts resulted in failures. The music included on this album proves again, that the power of music transcends not only cultural borders but also thousands of years of musical tradition, enabling conversations between musicians originating seemingly from worlds apart. The album comprises of just three extended pieces, two of which are about half an hour long and the third a quarter of an hour in duration. Named simply "songs", they are improvisations on melodic themes composed by Kulpowicz, performed wonderfully and in perfect harmony by all four musicians. Khan voices the melody at the onset of each piece and then the musicians take extensive solos in turn, with the full quartet returning to the melodic theme several times between the solos. Kulpowicz plays superbly and his solos are simply outstanding statements in the John Coltrane tradition, emphasizing the close relationship between Coltrane´s music and the Indian influences, which are often difficult to be discovered in his music, but come to wonderful realization when performed by Kulpowicz. There is so much passion in his playing that one suspect that his premonition as to his fate was already hunting him. Khan, who since the early meeting with Kulpowicz achieved a Masterly status in Indian music, is an obvious sitar virtuoso and his solos are also breathtaking. Chaudhury and Scieranski, although a priori destined to fulfill a less dominant role in this music, perform both splendidly and their contributions are invaluable. Scieranski especially is to be prized, as his elegant and delicate bass tones manage to keep a perfect balance with his partners and the music which usually exist without the bass foundation so typical in European music. The music is beautifully recorded and has an outstanding sound quality, especially in view of the fact that it is a live recording. Musically it is one of the finest examples I have ever come across of cross-cultural amalgam that work naturally as "God intended". An absolute must to World-Music enthusiasts and all connoisseurs of great music, regardless of genre, geography or cultural affiliation. Respect!

CD 1 Digipak Remastered Recommend To A Friend

ANDRZEJ KURYLEWICZ / TOMASZ STANKO ~ KOROZJE POLJAZZ / ANEX 218 (Barcode: 5907513047476) ~ POLAND ~ Jazz Recorded: 1983 Released: 2009 Two icons of Polish Jazz: pianist / composer Andrzej KurylewiczFind albums by this artist and trumpeter / composer Tomasz StankoFind albums by this artist combine forces on this superb album presenting an unusual setting of piano / trumpet duets. This intimate meeting of Giants is full of beautiful interplays and intelligent music, effortlessly overcoming the limitations of the absence of a rhythm section. The music, although pre-composed is basically improvised on the spot, based mostly on the intimate dialog between these two outstanding musicians. The album requires attentive listening and probably repeated listening sessions to be completely understood, but after all this is typical of all great music. Enthusiasts of Polish Jazz will find this album an integral part of their collection and all lovers of modern Jazz should definitely try it out. Superb stuff!

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HENRYK MISKIEWICZ / SIMPLE ACOUSTIC TRIO ~ LYRICS GRAMI 002 ~ POLAND ~ Jazz Recorded: 2000 Released: 2001 This is an excellent album by veteran Polish Jazz saxophonist / composer Henryk MiskiewiczFind albums by this artist, accompanied here by the best Polish piano trio called at the time of the recording Simple Acoustic TrioFind albums by this artist, which consists of pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. There is a family connection of course as Michal is Henryk´s son. The quartet performs seven tunes, four of which are original compositions by the leader, one by Wasilewski, one is a standard and the remaining one is by the US composer Maria SchneiderFind albums by this artist. Neither Miskiewicz nor Simple Acoustic Trio needs any introductions to people familiar with the Polish Jazz scene; Miskiewicz has been active on the scene since the early 1970s and over time played in several important ensembles like Sun Ship and was member of groups led by many of the leading Polish Jazz musicians as well as leader of his own groups. Simple Acoustic Trio are commonly recognized as the leading Polish piano trio, propelled to fame as the rhythm section on the seminal ECMFind albums on this label recordings by trumpeter Tomasz StankoFind albums by this artist and now recording for ECM on their own. Therefore there are no surprises here as far as the level of performances, which are simply spotless. Miskiewicz plays some great lyrical lines and the support from the trio is simply phenomenal, inventive and daring in some aspects but always solid and within the boundaries specified as the albums motto: music as a device to tell a story in a non-verbal setting. All the compositions selected for this album, original or not, fit the bill perfectly and the overall result is a prime example of intelligent modern mainstream Jazz, which remains fresh and moving in complete disregard of the passing time. This is definitely an album no Polish Jazz music collector will be able to skip in their collection and a great example of how mainstream Jazz can remain valid and artistically sound today. Highly recommended!

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MONGREL ~ TASKENSPILL LOSEN 131 (Barcode: 7090025831317) ~ NORWAY ~ Jazz Recorded: 2014 Released: 2014 This is the debut album by young Norwegian Jazz quartet MongrelFind albums by this artist, which comprises of trumpeter Thomas Husmo LitleskareFind albums by this artist, pianist Johan LindvallFind albums by this artist, bassist Stian Andreas Egeland AndersenFind albums by this artist and drummer Tore FlatjordFind albums by this artist. The album presents eleven original compositions by Litleskare, Lindvall and Andersen. The music is modern European mainstream, which is melody based but also open to less constrained improvisation and rhythmic freedom. For such young composers the music is remarkably mature and open minded and perfectly blends the Jazz tradition with contemporary trends. Surprisingly it is not deeply rooted in Scandinavian Jazz, with its dark melancholy, but rather tends to be more passionate and expressive. All four musicians play splendidly, with Litleskare drawing most of the attention as the front man, but in fact the music is a well coordinated group effort and everybody gets an opportunity to show his chops. The trumpet sound is somewhat similar to Don CherryFind albums by this artist or Tomasz StankoFind albums by this artist, two great Masters of the instrument, which of course means that Litleskare learns from the best. Lindvall is very melodic and plays beautiful passages both as a soloist and accompanist. The rhythm section is perfectly able to keep steady time, when necessary, but also is equally proficient when the music ventures into Free territory, with Andersen providing a steady support for the music to move on and Flatjord gracefully adds his polyrhythmic ornamentations. Overall this is a remarkable debut album, which again points out that these young European Jazz musicians are here to take the music into the future, preserving the tradition and expanding the genre, saving it from stagnation. The quartet fully justified the high hopes raised by this album by releasing a sophomore album ("Thick As ThievesFind albums with this title") two years later, which is also excellent. Wholeheartedly recommended!

Updated: 26/11/2016Posted: 26/11/2016

CD 1 Mini-Sleeve Recommend To A Friend

MONGREL ~ THICK AS THIEVES LOSEN 148 (Barcode: 7090025831485) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2016 This is the second album by Norwegian Jazz quartet MongrelFind albums by this artist, which comprises of trumpeter Thomas Husmo LitleskareFind albums by this artist, Japanese (resident in Norway) pianist Ayumi TanakaFind albums by this artist, bassist Stian Andreas Egeland AndersenFind albums by this artist and drummer Tore FlatjordFind albums by this artist. The album presents nine original compositions, five by Litleskare, three by Andersen and one credited to all four members of the quartet. The music is a typical modern European Jazz, based on melodic themes which serve as vehicles for improvisations by the quartet members. It is open to excursions into more free territory, but retains a well behaved orderly manner, even at the most spontaneous eruptions. Although not a typical moody Scandinavian Jazz, the music is still mostly melancholic, introvert and reflective. The compositions develop slowly towards a climatic ending, which in turn is followed by a delicate quiet introduction to the next composition. But strong melodies and excellent, sensitive execution turn the music into a most enjoyable listening experience. Litleskare is a formidable trumpet player, who uses a rough, somewhat "dirty" tone, similar to that of the great Polish Master Tomasz StankoFind albums by this artist. His solos are all perfect examples of minimal coolness, and with the amicable support by the quartet members, he manages to achieve an effect of a veteran pro, despite his young age. Tanaka is a wonderfully romantic pianist, and her solos are true bliss; sadly she does not get the exposure she deserves, as more presence on her part could have made this album even better than it already is. The rhythm section does a wonderful job from start to finish, being right there behind the soloists, and managing the sometimes tricky twists and turns the music takes with taste and elegance. Overall this is another superb release on the Norwegian LosenFind albums on this label Records, which proudly presents the new generation of the country´s Jazz talents, for which we can only be grateful. The only minor point of criticism about this album is its duration (under forty minutes) which is disappointing, especially in view of the quality of the music. We want more next time ;)

Updated: 09/05/2016Posted: 09/05/2016

CD 1 Digipak Recommend To A Friend

LESZEK MOZDZER ~ KOMEDA ACT 9516 (Barcode: 614427951625) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 Polish pianist / composer Leszek MozdzerFind albums by this artist enjoys a superstar status in his country and his albums are listened to not only by the hardcore Jazz enthusiasts, but by a wide music-loving audience, which otherwise avoids listening to Jazz recordings. Mozdzer keeps changing his stylistic and aesthetic approach to music in general and Jazz in particular, expanding the boundaries of the genre, often quite dramatically, with excursions into ambient, neo-romanticism and new age, which of course results in much broader circles of potential listeners. But in spite of his chameleonic nature, his abilities as a piano player are beyond reproach: he is a virtuosic and exceptional player in every sense. The instrument seems to surrender itself completely to him and his hands on the keyboard often make an impression of belonging to a superhuman four-armed Shiva. This album finds Mozdzer interpreting the music of another Polish Jazz Legend, pianist / composer Krzysztof KomedaFind albums by this artist. He performs eight of the better known Komeda´s compositions, alone at the piano, which for him is a well-proven setting. He successfully repeats his dazzling achievements, with deeply personal rendition of Komeda´s legacy, which surely will again find many enthusiastic listeners and overall acclaim. However, as much as I like Mozdzer as a musician and this album as a showcase of superb solo performance, I must admit that his interpretation of Komeda´s music is in my opinion completely misguided. As far as I understand Komeda and his work, it is all about essence and spirit, almost minimalistic in nature, allowing for the intellectual interpretation to fill the gaps and build upon the skeletal outlines. Traditionally, Polish Jazz musicians interpreting Komeda, tried to stick to the basics, for what they were: pure essence, with Komeda´s cohort Tomasz StankoFind albums by this artist leading the way as prominently evident in his recordings of Komeda´s music. Mozdzer almost completely covers up Komeda´s brilliant simplicity by dressing the music with layer upon layer of musical adornments and trinkets, which overwhelm the listener, but suffocate the essence. But again, that is only my opinion, which I´m sure will be quite different from what most people think. All things considered, this is still a grand solo piano album!

Updated: 01/12/2021Posted:

CD 1 Digipak Recommend To A Friend

LESZEK MOZDZER ~ PIANO ARMS 01 (Barcode: 5907445298007) ~ POLAND ~ Jazz Recorded: 1997 Released: 2004 This is a solo piano album by Polish pianist / composer Leszek MozdzerFind albums by this artist, one of the most famous Polish Jazz musicians worldwide with a distinguished legacy of playing with top Polish (Tomasz StankoFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist, Michal UrbaniakFind albums by this artist) and international (Pat MethenyFind albums by this artist) Jazz musicians. On this album Mozdzer presents twelve solo piano pieces, seven of which are his original compositions, two are standards and the rest are his interpretations of Classical or folk music. With his classical training and seemingly impressive technique, his performances are way to flashy to be considered seriously. No wander this album was the best selling Jazz album in Poland.

Updated: 01/12/2021Posted:

CD 1 Gold Recommend To A Friend

JANUSZ MUNIAK ~ PLACEBO POLJAZZ / ANEX 325 (Barcode: 5907513047803) ~ POLAND ~ Jazz Recorded: 1982 Released: 2009 Polish saxophonist / composer / bandleader Janusz MuniakFind albums by this artist was one of the most important Polish Jazz figures during the early post WWII period, which flourished in the 1960s / 1970s. He was part of the emerging revolutionary movement of Polish Jazz, where he played along such legendary pioneers as Andrzej TrzaskowskiFind albums by this artist, Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist. Since the late 1970s Muniak leads his own groups and records as a leader. This is his second album as a leader and since then he continued to record a plethora of albums over the years, both as a leader and sideman. He also owns his own Jazz club in Krakow, called "U Muniaka", which is one of the oldest continuously active Jazz venues in the country. This album presents Muniak in a quartet setting, with pianist Wojciech PuszekFind albums by this artist (playing the Fender Rhodes electric piano), bassist Andrzej CudzichFind albums by this artist and drummer Krzysztof ZawadzkiFind albums by this artist. They perform four lengthy originals, all by Muniak, which allow for extended improvisations, mostly by the leader. The presence of the electric piano sets the overall ambience of this recording, pushing it slightly towards Jazz-Rock Fusion, but the leader keeps the situation in check and well within the modern mainstream bounds. Muniak´s performances on both the soprano and tenor saxophones are first rate as are those by the rhythm section, creating together some excellent, but not very innovative modern Jazz, which most Jazz listeners should enjoy. Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.

CD 1 Digipak Remastered Recommend To A Friend

JANUSZ MUNIAK ~ QUESTION MARK (POLISH JAZZ VOL.54) MUZA 1054 (Barcode: 5907783420542) ~ POLAND ~ Jazz Recorded: 1978 Released: 2007 This is the debut album as a leader by the great Polish saxophonist / composer Janusz MuniakFind albums by this artist, one of the forefathers of modern Polish Jazz. His legacy includes the membership in such legendary Polish ensembles as those led by Andrzej TrzaskowskiFind albums by this artist, Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist as well as leading his own groups. He is accompanied here by his quintet, which includes pianist Pawel PerlinskiFind albums by this artist, guitarist Marek BlizinskiFind albums by this artist, bassist Andrzej DechnikFind albums by this artist and drummer Jerzy BezuchaFind albums by this artist, all excellent players themselves. Muniak has a completely unique, natural style of improvisation, which is passionate and highly expressive, putting him somewhat aside in a class of his own besides the other distinguished Polish saxophonists, like Zbigniew NamyslowskiFind albums by this artist for example. His compositions incorporate beautifully Polish folklore and the Jazz tradition, often unintentionally, but always brilliantly. This is on of the strongest albums in the legendary Polish Jazz series, which is a very high distinction by any standard. This is a must to lovers of Polish and Eastern-European Jazz and a timeless masterpiece.

CD 1 Digipak Remastered Recommend To A Friend

WLODZIMIERZ NAHORNY ~ JEJ PORTRET GAD 006 (Barcode: 5901549197051) ~ POLAND ~ Jazz Recorded: 1965 - 1970 Released: 2013 This is a reissue of an album recorded by the saxophonist / flautist / pianist / composer Wlodzimierz NahornyFind albums by this artist, one of the Godfathers of modern Polish Jazz, who is still active on the local scene. This particular album presents the lyrical side of Nahorny, which is quite different from his Jazz activities, but not really surprising considering his diversity and affinity to different music genres, as demonstrated for example by his association with the Blues-Rock group BreakoutFind albums by this artist, which happened at the same period this album was recorded. The concept behind this album was to present Nahorny as an instrumentalist playing piano, saxophone and flute and supported by a large orchestra conducted by another Polish Jazz legend: Jan Ptaszyn WroblewskiFind albums by this artist. The material, which comprised of a selection of Polish Pop songs popular at the time, was carefully arranged by three arrangers: Wroblewski, Tomasz StankoFind albums by this artist and Tomasz OchalskiFind albums by this artist, who also contributed one original composition each, as did Nahorny himself. The resulting material was a mixture or some excellent lyrical songs written by some of the best Polish songwriters at the time and some melodic Jazz compositions composed for the occasion. Although obviously a commercial enterprise, this album was still pretty serious music making, with sophisticated, elegant and clever arrangements, superb solos by Nahorny and excellent music, which sounds quite impressive forty and change years later. This reissue adds six bonus tracks, all of which are radio recordings done by Nahorny between 1965 and 1970, which also reflect his involvement with the lighter side of Jazz, rather than the Avant-Garde Jazz he was mainly associated with at the time. All the music was beautifully remastered and the sound is really excellent. Considering the fact that this album appears here on CD for the first time and is by itself a pretty extraordinary episode on the local scene, this album is an important piece of modern Polish Jazz history and should be considered as a part of every serious music collection of the genre. Of course it is also a great fun to listen to. Wholeheartedly recommended!

Updated: 12/04/2019Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

MAREK NAPIORKOWSKI ~ UP! V 002 (Barcode: 5903111377014) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 Although this is only his fourth album as a leader, Polish guitarist / composer Marek NapiorkowskiFind albums by this artist is one of the most recorded artists on the local scene, being probably the most in-demand session guitarist since many years, which resulted in him taking part in over 140 different albums so far. He played and recorded with many world famous musicians and literally with everybody who is anybody on the local Polish scene; people like Tomasz StankoFind albums by this artist and Anna Maria JopekFind albums by this artist, to mention just two extremely different environments, which emphasize his legendary diversity and chameleonic ability to suit every musical milieu. This is by far his most ambitious project so far, which involves eight of his original compositions arranged for a Jazz ensemble and a nine-piece chamber ensemble. The Jazz players are saxophonist Adam PieronczykFind albums by this artist, bass clarinet player Henryk MiskiewiczFind albums by this artist, pianist Krzysztof HerdzinFind albums by this artist, bassist Robert KubiszynFind albums by this artist and American drummer Clarence PennFind albums by this artist. Herdzin was also the man in charge of the arrangements, orchestration and conducting the chamber ensemble, turning him in many respects into the most significant contributor to this album alongside Napiorkowski. The result is a sophisticated Jazz-Classical Fusion, based on solid melodies and featuring many excellent guitar solos, which floats between energetic up-tempo moods and gentle melancholic themes. Although the individual tunes are not related per se, the overall ambience and atmosphere of the album turns it into a kind of orchestral suite for chamber orchestra and Jazz soloists. The guitar work on this album, both in the acoustic and the electric tonalities, is simply brilliant and for me the best ever achieved by Napiorkowski. Rather than trying to prove his ability as a player, which is already established anyway, Napiorkowski really concentrates on playing music, the essence that so often tends to be forgotten in favor of flashy emptiness. Herdzin, the Polish musical Wizard of Oz, once again manages to sprinkle his magic all over this music, both as a pianist and of course as the man behind the ornamentation, which makes this music spark and sizzle. Luckily he found the way of balancing the basic Jazz contents and the chamber enhancements, keeping them both intact and coexisting alongside each other rather than mixing them into an undistinguishable mesh, which happens, unfortunately, way to often in such situations. Herdzin is probably the only person on the local scene who can pull this off. Some listeners might have a problem to identify with this music, which often happens when an Artist changes his established path in search of new means of expression. Perhaps this will be either too Jazzy or not Jazzy enough for some? One can never satisfy everybody and it´s preferable that the Art prevails rather than the attempt to be liked by everyone. This album is a statement by a mature, self-aware musician, who presents his vision, hoping that other can share it with him. I certainly hope many will do so!

CD 1 Slipcase Recommend To A Friend

MAREK NAPIORKOWSKI / ARTUR LESICKI ~ CELULOID V 009 (Barcode: 5903111377076) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the fifth album as a leader (or co-leader in this case) by Polish guitarist / composer Marek NapiorkowskiFind albums by this artist, one of the most respected musicians on the local scene. This time Napiorkowski teams up with another Polish guitarist / composer Artur LesickiFind albums by this artist, and as a duo they deliver a series of wonderful tunes, dedicated, as the title suggests, to the Polish Cinema and the music associated with Polish Cinematic Art. The album´s nine tracks feature music from six classic Polish movies (or TV series), composed by such luminaries as Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Wojciech KilarFind albums by this artist, Andrzej KurylewiczFind albums by this artist and others, directed by no less iconic figures such as Roman PolanskiFind albums by this artist, Andrzej WajdaFind albums by this artist and others. Both Napiorkowski and Lesicki contribute one original composition each, with the title tune (by Napiorkowski) repeated twice. The intimate and delicate duet setting creates a truly magical atmosphere, with the perfect balance between the acoustic and touches of electric sound, melody and improvisation, lyricism and inspiration. In fact this is definitely one of the best guitar duo albums I had the pleasure to listen to ever since I can remember. It is a perfect example of a case when two musicians simply amalgamate into one completely symbiotic and integral musical unit. Although obviously at some moments one of the players does play the lead and the other accompanies him, interchangeably of course, they are at all times simply one instrument, producing a coherent and fused soundscape. The music selections as well as the original compositions are all beyond reproach and the affectionate and intelligent treatment applied by the musicians awards everything such great music deserves: respect, love and personal involvement. Although seemingly basic and simple, the resulting music is full of intricacies that can be revealed only by very attentive and open-minded listening, which this exquisite album truly deserves. It is such a pleasure to see Napiorkowski move forward and try new things on his musical path. Compared to the complexity and sophistication of his previous album "Up!Find albums with this title" the intimacy and modesty of this album might appear as strikingly different, and yet Napiorkowski manages to preserve the quality and total dedication in full, regardless of the external form of his work. There are but a few musicians around with such class. In short this is simply a gem of an album, which enchants and uplifts spiritually from the very first to the very last note delivered. Superb sound quality and production turn it into a superb aesthetic treasure, which should not leave any listener unmoved. Hats off to both magicians!

CD 1 Slipcase Recommend To A Friend

NIEMEN ~ ON STAGE 1970 / 1972 GREEN TREE 170 (Barcode: 4015689001701) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1970 - 1972 Released: 2018 This is an archival album, which presents live recordings by the greatest Polish Rock / Fusion musician of all times, vocalist / keyboardist / songwriter Czeslaw NiemenFind albums by this artist. Two of the tracks were recorded during the 1970 Jazz Jamboree Festival in Warsaw and three other at the 1972 National Festival of Polish Song in Opole. Niemen was at the time at the absolute peak of his artistic creativity as well as at the top of his immense popularity. Four of the tracks time at about ten minutes and one at almost twenty minutes, and all offer extended instrumental improvisations by some of the best Polish Rock and Jazz musicians active at the time. The 1970 tracks feature organist Jacek MikulaFind albums by this artist, guitarist Tomasz JaskiewiczFind albums by this artist, bassist Janusz ZielinskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist as well as a vocal trio and an ensemble comprising of top Polish Jazz musicians: saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, violinists Michal UrbaniakFind albums by this artist and Zbigniew SeifertFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The 1972 tracks feature the core of what was to become the most famous Polish Fusion band SBBFind albums by this artist: bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist and two great Polish Avant-Garde Jazz musicians: bassist Helmut NadolskiFind albums by this artist and trumpeter Andrzej PrzybielskiFind albums by this artist. The music is absolutely stunning, as expected, and even the dubious sound quality of these recordings is not able to spoil the unadulterated pleasure this music is still able to generate almost fifty years after it was initially performed. Niemen was always light years ahead of his contemporaries on both sides of the Iron Curtain, and the fact that he remains still relatively anonymous beyond Eastern Europe, despite his revolutionary contributions and pioneering spirit, is a crying shame. It is a great pity that the entire legacy of Niemen´s recordings made outside of Poland and many of his live recordings remain unreleased and are available only unofficially, like all the Green TreeFind albums on this label titles. His third Box Set, which was to include all these treasures, remains sadly an unfulfilled dream. For all Polish Rock / Fusion enthusiasts as well as for the numerous Niemen fans this is an essential piece of his discography, which is definitely worth having, despite its technical flaws.

Updated: 07/09/2019Posted: 07/09/2019

CD 1 Recommend To A Friend

NOVI ~ RIEN NE VA PLUS (POLISH JAZZ VOL.82 DELUXE) MUZA 1082 (Barcode: 5907783420825) ~ POLAND ~ Jazz Recorded: 1973 Released: 2005 This is a reissue of the fourth album by the sensational vocal quartet NOVIFind albums by this artist, which was one of the greatest Polish Jazz acts in the 1970s. Continuing the tradition of Jazz vocal groups like the French Les Double SixFind albums by this artist and The Swingle SingersFind albums by this artist, NOVI expanded the borders further on into more experimental areas and used more instrumental backing, provided the best Polish Jazz musicians at the time. The quartet was led by singer / arranger / composer Bernard KawkaFind albums by this artist and included also the incredible female vocalist Ewa WanatFind albums by this artist and two additional male vocalists Janusz MychFind albums by this artist and Waldemar ParzynskiFind albums by this artist. Together they created beautiful vocal harmonies of exceptional sophistication and unique style, unparalleled to this day. The performed a mixture of original material, mostly composed by Kawka, and standards or contemporary Pop material, but the incredible arrangements turned everything into a distinctive NOVI vocal signature. On this specific album they are accompanied by an all-star band, led by saxophonist Jan Ptaszyn WroblewskiFind albums by this artist, which includes such luminaries as saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, guitarist Marek BlizinskiFind albums by this artist, pianist Wlodzimierz NahornyFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and many others. This is definitely one of the climax moments of the Polish Jazz in the 1970s and an absolute must for every vocal jazz connoisseur! Side Note: This is one of those Polish Jazz albums, released by the Polskie Nagrania / MuzaFind albums on this label label, which should have been released as part of the legendary "Polish Jazz" series at the time, but somehow never made it. From the historic perspective it definitely deserved to be a part of that series and this was partially corrected by this edition, as it is one of the items in the expanded "Polish Jazz Deluxe" series of reissues.

Updated: 13/10/2016Posted:

CD 1 Digipak Remastered Recommend To A Friend

NURT ~ NURT KAMELEON 27 ~ POLAND ~ Classic Rock Recorded: 1972 Released: 2013 This is the criminally long-overdue reissue of the only album recorded by the legendary Polish Rock group NurtFind albums by this artist. Founded in Wroclaw in 1970 by guitarist / vocalist / composer Aleksander MrozekFind albums by this artist, it also included bassist Kazimierz CwynarFind albums by this artist, drummer Ryszard SrokaFind albums by this artist and vocalist Waldemar DomagalaFind albums by this artist. By the end of 1971 Domagala was replaced by Roman RunowiczFind albums by this artist, who was previously a member of the no less legendary group Romuald I RomanFind albums by this artist. The group performed extensively in the early 1970s but managed to record only one eponymous studio album in 1972 for the State owned MuzaFind albums on this label label and several Radio recording sessions, which are now available on a companion CD to this reissue. In retrospect it is clear that Nurt were surely one of the top Polish Rock acts in the early 1970, surely as good as NiemenFind albums by this artist, SBBFind albums by this artist and BreakoutFind albums by this artist and in many respects even more adventurous. Their music amalgamated some Blues influences, but basically was all about early Hard Rock, Psychedelia and early Jazz-Rock Fusion. The fact that Polish Jazz legend, trumpeter Tomasz StankoFind albums by this artist, participates on the album´s extended central composition, which incorporates Free Jazz passages, speaks for itself. Stanko´s contributions are of course nothing short of spectacular. The excellent lyrics by their resident writer Andrzej KuryloFind albums by this artist were another aspect of the group´s high quality output. The album is full of great instrumental passages by the lead guitar, accompanied by the unique sound of the fuzz bass guitar, which gave the group a sound unlike any of their contemporaries, and superb dynamic drumming. The album is not much different from the best efforts by groups active at the time in Western Europe or USA. In spite of the fact that this music was recorded about four decades ago, it is still full of that magic that characterized that period and its music. It lost absolutely nothing of its charm over time. Remastered and with informational liner noted based on the memories of the band members, this is a proper tribute to a legend, which should not be forgotten. These memories tell a tale of how this music was created against all odds: censorship, animosity and oppression of the Socialist Regime and its bureaucracy - a miracle by all means. Kudos to the KameleonFind albums on this label label for bringing this music back to circulation.

CD 1 Remastered Recommend To A Friend

NURT ~ THE COMPLETE RADIO SESSIONS 1972-1974 KAMELEON 28 ~ POLAND ~ Classic Rock Recorded: 1972 - 1974 Released: 2013 This album collects all the material recorded for the Polish Radio by the legendary Polish Rock group NurtFind albums by this artist. Founded in Wroclaw in 1970 by guitarist / vocalist / composer Aleksander MrozekFind albums by this artist, it also included bassist Kazimierz CwynarFind albums by this artist, drummer Ryszard SrokaFind albums by this artist and vocalist Waldemar DomagalaFind albums by this artist. By the end of 1971 Domagala was replaced by Roman RunowiczFind albums by this artist, who was previously a member of the no less legendary group Romuald I RomanFind albums by this artist. The group performed extensively in the early 1970s but managed to record only one eponymous studio album in 1972 for the State owned MuzaFind albums on this label label, which is now available on a companion CD to this release, and two Polish Radio recording sessions: one before the recording of the album (February 1972) and the other over two years later (May 1974), both present herein. In retrospect it is clear that Nurt were surely one of the top Polish Rock acts in the early 1970, surely as good as NiemenFind albums by this artist, SBBFind albums by this artist and BreakoutFind albums by this artist and in many respects even more adventurous. Their music amalgamated some Blues influences, but basically was all about early Hard Rock, Psychedelia and early Jazz-Rock Fusion. The fact that Polish Jazz legend, trumpeter Tomasz StankoFind albums by this artist, participates on the studio album and other Jazz musicians take part in these sessions speaks for itself. The excellent lyrics by their resident writer Andrzej KuryloFind albums by this artist were another aspect of the group´s high quality output. The album is full of great instrumental passages by the lead guitar, accompanied by the unique sound of the fuzz bass guitar, which gave the group a sound unlike any of their contemporaries, and superb dynamic drumming. The circumstances surrounding these Radio sessions were much more relaxed than the studio album recording sessions, and therefore the music presented here is much more similar to how the band sounded on stage at the time. The first session includes six tracks, which were later included on the studio album, and one mostly improvised piece that was not included on the album. The second session includes material composed later, after the album was recorded. Remastered and with informational liner noted based on the memories of the band members, this is a proper tribute to a legend, which should not be forgotten. These memories tell a tale of how this music was created against all odds: censorship, animosity and oppression of the Socialist Regime and its bureaucracy - a miracle by all means. Kudos to the KameleonFind albums on this label label for bringing this music back to circulation.

CD 1 Remastered Recommend To A Friend

O`LEARY / STANKO / HART ~ LEVITATION LEO 445 (Barcode: 5024792044528) ~ IRELAND ~ Free Jazz / Improvised Music Recorded: 2000 Released: 2005 This is an album by an international Jazz / Improvised Music trio led by Irish guitarist / composer Mark O`LearyFind albums by this artist with legendary Polish trumpeter Tomasz StankoFind albums by this artist and no less legendary American drummer Billy HartFind albums by this artist. The album presents fourteen original compositions, seven of which are by O`Leary and seven are credited to all three members of the trio. The music, at least in the pieces composed by O`Leary, is based on pre-composed melody lines, which are then expanded by the trio into improvised statements, as appropriate for the Free Jazz / Improvised Music idiom. Since there is very little melodic content per se, the music is mostly about the process of conversation developing between the three musicians. O´Leary uses mostly series of single note barrages and arpeggios, produced by his guitar, which does not employ and electronic devises except for reverb, resulting in very clear and precise statements. His fiery soloing might even appeal to open-minded Fusion fans. Stanko, as usual, uses his "dirty" / hoarse tone, which balances very effectively against the guitar. Hart does everything except playing time, which of course is self explanatory under these circumstances. Overall this is an interesting album of Improvised Music, which includes many excellent statements by the trio members and is especially valuable to the many fans of the late Tomasz Stanko, since this album is rarely mentioned in his discographies. Definitely worth investigating!

Updated: 22/09/2018Posted: 22/09/2018

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MACIEJ OBARA ~ UNLOVED ECM 2573 (Barcode: 602557645620) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017 This is the fourth album by the Polish Jazz saxophonist / composer Maciej ObaraFind albums by this artist and his international quartet, which also features Polish pianist Dominik WaniaFind albums by this artist and Norwegian rhythm section: bassist Ole Morten VaganFind albums by this artist and drummer Gard NilssenFind albums by this artist. It is the first studio recording by the quartet, as the three previous albums, all released on the Polish For TuneFind albums on this label label, were live recordings. It is of course also the first album by the quartet released on the German ECMFind albums on this label label. The album presents seven tracks, six of which are original compositions by Obara and one (the title track) is a relatively infrequently recorded composition by the Godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist. The music was recorded at the legendary Rainbow Studio in Oslo with Jan Erik KongshaugFind albums by this artist in charge of the sonic quality. Obara´s numerous earlier recordings, including the three albums with the quartet present here, established his position on the Polish Jazz scene as a restless explorer, a rebel and a fearless avant-gardist, who constantly pushed the borders of contemporary Polish / European Jazz. These recordings were uncompromising, adventurous, soaked in free-form and Avant-Garde expressionism, and yet deeply rooted in the Jazz idiom´s tradition. The fact that this is a studio recording, as already mentioned above, and taking into account the decisive role of Manfred EicherFind albums by this artist, ECM´s supreme boss, who assumed the role of "musical producer" on this album, were obviously bound to have an effect on the outcome, but probably nobody could have imagined how dramatic the transformation was about to become. The album is clearly divided into two sections (sort of A / B sides of an LP), with the first section (first four tunes) presenting deeply melancholic and introvert music, nicely rounded melodically and harmonically, but alas somewhat pale and monotonous, and the second part (last three tunes) being more ambitious and vibrant, but still not up to par with Obara´s earlier recordings. Gone is the fire and brimstone and the Obara heard on this album is all gentleness and sweetness, delicately uttering lovable notes, who seems to have lost completely the identity he worked for years to establish. Is this the next stage of development for Obara and his quartet? Quite possibly, but his old identity will be sadly missed. But not everything is lost as far as this album is concerned. Wania manages to escape unspoiled and his work here is as brilliant as always, pure genius in fact. When he solos the music suddenly comes alive and sparks are flying. His brief interludes move elegantly into free-form, albeit briefly, finding the way back within a few bars. In many respects this album is as much Wania´s triumph as it is Obara´s underachievement. Sadly Wania´s brilliant work is not enough to save the album from the lethargic flow of "nice notes". The rhythm section is also excellent proving that playing in a much more relaxed environment is still within their capability and can be done intelligently and excitingly. And of course the sound quality is as heavenly as one might expect. I am deeply saddened by the fact that this, obviously flagship recording by Obara, turned out to be less than I´d have hoped for. I can only hope that everything will turn for the better in the future. Side Note: I have to admit that I was completely and utterly flabbergasted by the mass hysteria on the Polish Jazz scene surrounding the fact that this album was released on ECM. It is true that Obara is only the third Polish Jazz leader to have his album released by ECM (preceded by Tomasz StankoFind albums by this artist and Marcin WasilewskiFind albums by this artist), but what does it really mean? Firstly it means that Manfred Eicher is simply not familiar enough with the burgeoning Polish Jazz scene and its world class talented musicians. If he was familiar with them, he would have surely invited some of them to record for his label, especially in view of the fact that dozens of Polish Jazz albums released by small independent Polish labels are way more interesting and meaningful than most of ECM releases in the last couple of decades. Secondly it means that ECM is still considered by many people as a leading recording label, whereas in fact it lost its legendary status and influence many years ago. As pioneering and groundbreaking as the label was in the first couple of decades of its existence, bringing up scores of Jazz musicians to the attention of music connoisseurs, the label´s impact and leadership vastly diminished in time. Just ask yourself how many albums in the ECM catalogue do you know / own that were recorded in the 1970s / 1980s and how many albums you know / own that were recorded since 2000? Do the same with a list of recording artists who released albums on ECM in these two periods? The statistics are abundantly clear. And lastly it means that Polish Jazz scene is completely consumed with the inferiority complex that has always haunted it, looking somewhere else for excellence and example rather than paying tribute to its own Artists and showing them the appreciation they really deserve. Many Polish Jazz fans are still convinced that only Afro-American musicians can play Jazz and everything happening at home is secondary and meaningless, whereas in fact that is completely contrary to the truth.

Updated: 12/04/2019Posted: 30/11/2017

CD 1 Slipcase Recommend To A Friend

HILDEGUNN OISETH ~ TIME IS COMING LOSEN 142 (Barcode: 7090025831423) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the fourth album by the female Norwegian trumpeter Hildegunn OisethFind albums by this artist recorded in a quartet setting with pianist Espen BergFind albums by this artist, bassist Mats EilertsenFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. Oiseth plays trumpet, flugelhorn and the bukkehorn (Billy goat horn, an instrument going as far back as the Vikings). The album presents eight original compositions, two each by Oiseth, Berg and Eilertsen, one by Johansen and the remaining one by yoiker (Google it up!) / musician Frode FjellheimFind albums by this artist. The album was recorded at the celebrated Rainbow Studio in Oslo and engineered by the legendary Jan Erik KongshaugFind albums by this artist. The music is a wonderful Scandinavian flavored European Jazz, heavily influenced by folkloristic touches and deeply reflective. A trumpet quartet is one of the greatest minimalistic Jazz entities, and when it is at its best, it has but little competition. Although the music was composed by five separate individuals, it is beautifully cohesive and creates an amalgamated atmosphere of unity and aesthetic beauty, elegance and consistency. Oiseth´s playing is in many respects comparable to that of the Polish trumpet Master Tomasz StankoFind albums by this artist, emphasizing the expression rather than technical perfection. The slightly "dirty" tone, seemingly unstable during the vibrato notes, unites Oiseth with Stanko, which of course is meant as a compliment here. The bukkehorn parts, which sound a bit like oboe, are simply delightful and introduce another layer in the wondrous structure of this music. But of course the three other members of the quartet also contribute invaluably; Berg is the melodic essence, Eilertsen holds all the elements together with his pulsations and Johansen ornaments the proceedings delicately and sparingly, like only best of drummers do. This album offers the listener a spiritual experience, simply by overflowing all the senses, if allowed to do so. We can of course hear it, but it also touches our hearts, we can almost smell it, see the colors it paints in our mind and taste it in our mouth, not to mention the exhilaration of our intellect. It´s been a while since I heard music of such quality. This album easily stands shoulder to shoulder with the best European Jazz achievements released by the top record labels, like ECMFind albums on this label, both as far as the music quality is concerned and of course also as far as the recording quality, which in this case comes from the same source. It´s great to have labels like LosenFind albums on this label Records producing music of such quality, which make us all both proud and happy.

Updated: 13/02/2016Posted: 13/02/2016

CD 1 Mini-Sleeve Recommend To A Friend

OSSIAN ~ OSSIAN (FEATURING TOMASZ STANKO) MILO 109 (Barcode: 5907513047223) ~ POLAND ~ Progressive Rock Recorded: 1978 Released: 2006 2nd album by the great Polish Prog group OssianFind albums by this artist (a.k.a. OsjanFind albums by this artist), which was one of the first East European groups to embrace World Music influences and incorporate them into their highly improvised music. Founded in 1971 by multi-instrumentalists Jacek OstaszewskiFind albums by this artist (flutes and percussion) and Tomasz HolujFind albums by this artist (tabla and percussion), the band was later expanded to include Milo KurtisFind albums by this artist (trombita and percussion, who is of Greek origin), creating some of the most adventurous and mind-blowing music, which of course at the time was truly pioneering and eons before its time. Later incarnations of the group were further expended to include additional musicians. The group´s music consists of long (usually well over 10 minutes) contemplative and largely improvised pieces, performed solely on acoustic instruments. Deeply emotional and drawing its inspiration from the Far East, Middle East, India and Polish Folklore, this is definitely one of the most wonderfully strange musical experiences one can get exposed to. This album was recorded with the trio including Kurtis and features the great Polish Jazz trumpeter Tomasz StankoFind albums by this artist (who plays on side B of the original LP), who invited the group to record an impromptu session for the Polish Radio, sharing with them his love of improvisation and mysterious music. A must to all brave-hearted music lovers!

CD 1 Digipak Recommend To A Friend

GARY PEACOCK ~ VOICE FROM THE PAST - PARADIGM ECM 1210 (Barcode: 731451776823) ~ USA ~ Jazz Recorded: 1981 Released: 1990 This great album by US bassist / composer Gary PeacockFind albums by this artist is a milestone achievement in his extensive career. Recorded with an all star quartet with Polish trumpeter Tomasz StankoFind albums by this artist, Norwegian saxophonist Jan GarbarekFind albums by this artist and his life-long partner drummer Jack DeJohnetteFind albums by this artist, the album presents six extended pieces, all composed by Peacock, beautifully executed by the participants. In retrospect this is one of the pivotal albums, which summarize the 1970s, which was perhaps the most creative period for Free Jazz, expanding upon the seeds planted a decade earlier by the pioneers of the genre. Most Jazz musicians in the 1980s were to return to the "roots", with modern mainstream experiencing a remarkable renaissance. But this album is still very much rooted in the Free Jazz tradition, with creative group improvisation and telepathic interplay are the main ingredients. Stanko´s input is simply breathtaking, which confirms the fact that he was at that time at one of his creative peaks. But all the musicians play incredibly well and the session displays creative fire of rare magnitude. In retrospect this is definitely on of the strongest albums of that period, sadly rarely mentioned as such. Brilliant stuff! Visitors' Comments Christopher  Brice Wonderful album indeed - Peacock is somewhat reminiscent of Barre Phillips on this (eg, Mountainscapes, w/John Surman). For me it is completely timeless, and does not sound like a throw-back to the 70s or any other specific time.

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TADEUSZ PREJZNER ~ SPACER BRZEGIEM MORZA GAD 046 (Barcode: 5901549197600) ~ POLAND ~ Jazz Recorded: 1972 Released: 2016 This is a reissue, first time on CD, of a cult Polish Jazz album, which presents music performed by an ensemble conducted by composer Tadeusz PrejznerFind albums by this artist, which included some of the top Polish Jazz musicians of the day, like vocalist Ewa WanatFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, pianist / saxophonist Wlodzimierz NahornyFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, guitarist Janusz SidorenkoFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and a nine piece string section. The ensemble performs thirteen original compositions, five of which were composed by Prejzner, two each by Stanko, Nahorny and Jan Ptaszyn WroblewskiFind albums by this artist and two more by other Polish composers. The music is an attempt to create a "lighter", more relaxed music, with strong ties to Jazz but which a wide range of listeners might enjoy – in short an early form of Smooth Jazz. However, as usual with Polish attempts of such projects, the result is quite spectacular and hardly deserves the dubious reputation of Smooth Jazz. Considering the status of the musicians involved as well as the fact that Polish Jazz musicians did not develop the chaltura (look it up) attitude yet, the resulting music is simply wonderful in every respect. Not only are the compositions beautifully melodic and anything but trivial, but also the execution is stunning and includes many first rate solos which would make any Jazz album proud. Overall this is a wonderful obscure gem, which deserves to be remembered, which is why GADFind albums on this label Records decided to bring it back to life, which is as usual highly appreciated.

Updated: 18/01/2017Posted: 18/01/2017

CD 1 Remastered Recommend To A Friend

ANDRZEJ PRZYBIELSKI ~ DE PROFUNDIS FENOMMEDIA 011 (Barcode: 5907604327111) ~ POLAND ~ Jazz Recorded: 2010 Released: 2011 Recently deceased Polish trumpeter / composer Andrzej PrzybielskiFind albums by this artist was without a doubt one of the greatest Polish Jazz musicians of all times. This fact is known only to a very small group of "insiders", familiar with his playing and his role in history of Polish Jazz, mostly on the Avant-Garde scene, but nevertheless is an undeniable fact. Przybielski was a genius in every respect. His eccentric personality, erratic behavior, alcohol and drug abuse, lack of basic life and organizational skills have placed him on the outskirts of society and only when on stage or in a recording studio his figure would be surrounded by a divine aura and his trumpet would utter some of the most profound sounds ever produced by a human. It´s hardly surprising that his recorded legacy is truly pitiful and a "career" spanning over 50 years did not produce even one proper recording as a leader. I feel especially lucky in this case, as Przybielski did play on my "The Book Of JobFind albums with this title" production, contributing another small document of his amazing talents. In the last decade of his life Przybielski was associated with the Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Barlomiej Brat OlesFind albums by this artist, Poland´s most formidable Free Jazz rhythm section. This album features a live trio performance by Przybielski with the Oles Brothers, recorded in April 2010 (10 months before his death). They perform five pieces, three of which are credited to Przybielski and the other two to the trio. The music is perfectly suited for the extended improvisations by all the participants, which are the basis of this music. The recording and sound qualities are very good, which adds greatly to the overall effect. The level of musicianship is of course phenomenal and this album ranks among the best Free Jazz albums recently recorded that I happened to listen to. Every moment is simply breathtaking, every sound just right, every note magnificent. Having said that, the fact that Przybielski is no longer with us makes me franticly regret the fact that more such music was not recorded. This is an absolute must and all those Tomasz StankoFind albums by this artist fans out there, please listen to this music and discover his unknown soul brother. Brilliant!

Updated: 12/04/2019Posted:

CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ PRZYBIELSKI ~ SESJA OPEN NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2005 Released: 2011 The fact that this is the only recording session as a leader by the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist is truly shocking, especially since it was only released recently following his tragic and untimely death in February 2011. Although Przybielski took part as a sidemen in numerous Polish Jazz recordings, his tragic life story ridden by a plethora of personal issues (mental instability, drug addiction, sociopathic behavior and reclusion) is equivalent to the amount of misfortune found in a Greek Tragedy, making him a rare bird and an outsider, known almost exclusively only by other Polish Jazz musicians. And yet, he was a true musician´s musician, as his genius was usually appreciated only by those, who were able to understand how great his talent truly was. In retrospect Przybielski had only one peer on the Polish scene, the great Tomasz StankoFind albums by this artist, even if their respective careers were so diametrically different. Przybielski´s tone, phrasing, speed and inventiveness, clarity, consistency and versatility are so amazing, that (again in retrospect) his existence is not only Polish Jazz best ever kept secret, but a phenomenon worthy of a worldwide attention. This album, recorded almost by accident, was supposed to present Przybielski´s regular quartet led by him in the last years of his life with vibraphonist Karol SzymanowskiFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist. However the vibraphonist could not take part in the session and was replaced at the last moment by saxophonist Yuriy OvsyannikovFind albums by this artist. The recording consists of eight original compositions by Przybielski, brilliantly executed by the quartet, mostly in a Free Jazz mood, but with clearly stated melodic themes and completely coherent rhythmic support, which keeps it well inside the realm of music most Jazz enthusiasts are able to enjoy. Of course "hearing is believing" in this case, so until you do you have to take my word for it – but it probably will be one of the best Jazz trumpet performances you ever experienced. Of course one mustn´t miss Przybielski´s "De ProfundisFind albums with this title" with the Oles BrothersFind albums by this artist (also released posthumously). I personally take a huge pride in the fact that Przybielski played on my production of "The Book Of JobFind albums with this title", which gave me the personal delight to watch him play at first hand. The album was released by a foundation, dedicating the proceeds to a production of a multimedia album about the life and Art of Andrzej Przybielski – only 500 copies of this album were pressed (´nuff said!).

CD 1 Recommend To A Friend

QUARTET ~ THE QUARTET POLJAZZ / ANEX 302 (Barcode: 5907513047575) ~ POLAND ~ Jazz Recorded: 1978 Released: 2009 The QuartetFind albums by this artist was formed by the rhythm section of Zbigniew NamyslowskiFind albums by this artist´s so called "third quartet", i.e. pianist Slawomir KulpowiczFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, with the addition of saxophonist Tomasz SzukalskiFind albums by this artist, one of Poland´s all-time greatest Jazz musicians and a spectacular player of rare quality. Although Szukalski naturally dominated the sound of the ensemble, it was Kulpowicz who was the spiritual leader and the sole composer of all the original material they performed. Spiritually the music was soaked in the John ColtraneFind albums by this artist legacy, with Szukalski playing lengthy "wall of sound" solos, supported passionately by the rhythm section, with Kulpowicz vamping a la McCoy TynerFind albums by this artist, Jarzebski delivering virtuosic bass parts and Stefanski raising all hell behind it all, which engulfed the overall effect with incredible power and overwhelming strength of expression, similar in character to the Coltrane late period recordings. In spite of the fact that The Quartet was undoubtedly the most important Polish Jazz ensemble in the late 1970s, their recorded legacy is truly pitiful and includes this live album recorded in 1978 and their sole studio album, recorded in Finland in 1979 and released by the tiny independent Finnish label LeoFind albums on this label Records (which released also two albums by Tomasz StankoFind albums by this artist from the same period). Therefore the double CD full of superb archival radio and concert recordings by this ensemble, also entitled simply "The QuartetFind albums with this title", released in 2013 by Polskie RadioFind albums on this label is an absolute marvel and a must have for every Polish / European Jazz connoisseur. Following the ensemble´s breakdown in mid-1980, the Polish Jazz scene will never again experience this kind of music, so close in spirit, sound and emotion to the epicenter of Modern Jazz created by Coltrane. The Quartet´s brief three and a half years period was the closest ever moment in which Polish Jazz would become very close to American Jazz of a decade earlier, both in spirit and in practice. The Quartet somehow managed to put aside the omnipresent Polish melancholy and lyricism, which dictates most of the unique music created under the Polish Jazz banner. Usually, when Polish Jazz musicians try to imitate their idols from across the pond, they fail rather miserably, with The Quartet being the only exception, which proves the rule. Young Polish Jazz musicians should study this music note by note – this is universally sublime document of human expression, freedom and power of creation, which happens rarely. Inspired by Coltrane´s music, this creation sparks a life of its own, which stands shoulder to shoulder with the original, without any inferiority complexes whatsoever. It is not a copy of the source; it is a thankful gratitude for the inspiration itself. Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.

CD 1 Digipak Remastered Recommend To A Friend

QUARTET ~ THE QUARTET POLSKIE RADIO 1246-1247 (Barcode: 5907812242466) ~ POLAND ~ Jazz Recorded: 1977 - 1979 Released: 2013 This is the first installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own. The Quartet was formed by the rhythm section of Zbigniew Namyslowski´s so called "third quartet", i.e. pianist Slawomir Kulpowicz, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, with the addition of saxophonist Tomasz SzukalskiFind albums by this artist, one of Poland´s all-time greatest Jazz musicians and a spectacular player of rare quality. Although Szukalski naturally dominated the sound of the ensemble, it was Kulpowicz who was the spiritual leader and the sole composer of all the original material they performed. Spiritually the music was soaked in the John Coltrane legacy, with Szukalski playing lengthy "wall of sound" solos, supported passionately by the rhythm section, with Kulpowicz vamping a la McCoy TynerFind albums by this artist, Jarzebski delivering virtuosic bass parts and Stefanski raising all hell behind it all, which engulfed the overall effect with incredible power and overwhelming strength of expression, similar in character to the Coltrane late period recordings. In spite of the fact that The Quartet was undoubtedly the most important Polish Jazz ensemble in the late 1970s, their recorded legacy is truly pitiful and includes one live album recorded in 1978 and released by the PoljazzFind albums on this label label (reissued by the AnexFind albums on this label label) and their sole studio album, recorded in Finland in 1979 and released by the tiny independent Finnish label LeoFind albums on this label Records (which released also two albums by Tomasz Stanko from the same period). Therefore this double CD full of superb radio and concert recordings by The Quartet is an absolute marvel and a must have for every Polish / European Jazz connoisseur. Following the ensemble´s breakdown in mid-1980, the Polish Jazz scene will never again experience this kind of music, so close in spirit, sound and emotion to the epicenter of Modern Jazz created by Coltrane. The Quartet´s brief three and a half years period was the closest ever moment in which Polish Jazz would become very close to American Jazz of a decade earlier, both in spirit and in practice. The Quartet somehow managed to put aside the omnipresent Polish melancholy and lyricism, which dictates most of the unique music created under the Polish Jazz banner. Usually, when Polish Jazz musicians try to imitate their idols from across the pond, they fail rather miserably, with The Quartet being the only exception, which proves the rule. Young Polish Jazz musicians should study this music note by note – this is universally sublime document of human expression, freedom and power of creation, which happens rarely. Inspired by Coltrane´s music, this creation sparks a life of its own, which stands shoulder to shoulder with the original, without any inferiority complexes whatsoever. It is not a copy of the source; it is a thankful gratitude for the inspiration itself. Bringing this music out of the vaults is commendable, although keeping it in the vaults for so long was simply criminal. Such treasures of the Polish Cultural heritage should be exposed in all their glory. Hopefully the people in charge of the Polish Radio archives realize that.

CD 2 Digipak Remastered Recommend To A Friend

ENRICO RAVA ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1002 (Barcode: 8024709111326) ~ ITALY ~ Jazz Recorded: 1972 - 1994 Released: 2010 This superb Box Set collects all the albums recorded by the legendary Italian trumpeter / composer Enrico RavaFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. Rava needs no introduction to any serious Jazz connoisseur; suffice to say that from the early days of the European Jazz he was always there on the frontier lines, expanding the genre and breaking new ground tirelessly. Over the years he played with the greatest Jazz players from all over the world and served as a teacher to generations of young Italian and other European Jazz musicians. His virtuosic playing and excellent compositions are always a source of great musical joy. Rava is often compared to his Polish soul brother trumpeter / composer Tomasz StankoFind albums by this artist and their both share the incredible European sensitivity and sense of melody, which set them apart from their American counterparts. The musicians playing on these five albums include: saxophonist Pietro TonoloFind albums by this artist, pianist Franco D`AndreaFind albums by this artist, bassist Giovanni TommasoFind albums by this artist, drummer Tony OxleyFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonist Gianluigi TroveriFind albums by this artist and many others. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 03/07/2020Posted:

CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend

S.P.P.T. CHALTURNIK ~ CHALTURNIK (POLISH JAZZ VOL.95 DELUXE) MUZA 1095 (Barcode: 5907783420955) ~ POLAND ~ Jazz Recorded: 1974 Released: 2007 This wonderful album is the debut recording by the S.P.P.T. ChalturnikFind albums by this artist ensemble, invented, founded and led by saxophonist / composer / bandleader Jan Ptaszyn WroblewskiFind albums by this artist. As the title suggest, the idea behind this ensemble is all about humor in Jazz, a relatively rare attitude in modern Jazz but something quite common in traditional Jazz. The ensemble consisted of the crème de la crème of the Polish Jazz scene: saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, tuba player Zdzislaw PiernikFind albums by this artist, pianist Jan JarczykFind albums by this artist (replaced by Tomasz OchalskiFind albums by this artist on two tracks), bassist Bronislaw SuchanekFind albums by this artist and drummer Jerzy BezuchaFind albums by this artist, with the leader playing saxophone and a "mouth synthesizer" (i.e. a comb) and contributing four of his original compositions. The rest of the music comes from various sources, including even one theme by Tomasz StankoFind albums by this artist (obviously a tongue in cheek towards modern Jazz). Although the humorous approach to the music is easily detected, the perfect performances and the wonderful arrangements turn this album a true gem. These great musicians prove, beyond a shadow of a doubt, that sometimes it pays to take a slightly relaxed approach to music. Great stuff!

CD 1 Digipak Remastered Recommend To A Friend

S.P.P.T. CHALTURNIK / POLISH RADIO JAZZ STUDIO ORCHESTRA ~ S.P.P.T. CHALTURNIK / POLISH RADIO JAZZ STUDIO ORCHESTRA POLJAZZ / ANEX 312 (Barcode: 5907513047674) ~ POLAND ~ Jazz Recorded: 1973 - 1975 Released: 2009 The material presented on this album originates from two separate LPs released by the PoljazzFind albums on this label label, each contributing one side of the original LP. The logic behind it is that the original Poljazz releases often included two sides of completely unrelated material, artificially combined for a variety of reasons, mostly economic. These two sides of two separate LPs are connected by the central personality behind the music, the Polish Jazz saxophonist / composer / arranger / bandleader Jan Ptaszyn WroblewskiFind albums by this artist. Wroblewski was the founder and leader of the band S.P.P.T. ChalturnikFind albums by this artist, which was formed in order to present Jazz with a humorous and tongue in cheek attitude, featuring well known standards as well as original material by the leader. The band included the absolute crème de la crème of the Polish Jazz scene: saxophonists Janusz MuniakFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and Tomasz SzukalskiFind albums by this artist, keyboardist Wojciech KarolakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The wonderful arrangements and whimsy performances are all brilliant, especially in view of the fact that they show that Jazz doesn´t have to be treated always so seriously. Wroblewski was also the director of the Polish Radio Jazz Studio OrchestraFind albums by this artist during the years 1968-1978, which was one of the most important incubators and places of refuge for the young Polish Jazz musicians under the Socialist regime, providing them with a steady income. The orchestra performs a very ambitious piece of music composed by the young pianist Jan JarczykFind albums by this artist called "A Double Concerto For Five Soloists And Orchestra", which features as soloists top Polish Jazz players of the time: violinist Zbigniew SeifertFind albums by this artist, saxophonist Tomasz Szukalski and Janusz Muniak and trumpeter Tomasz StankoFind albums by this artist. Legendary American drummer Stu MartinFind albums by this artist also participates in the recording. The music is a very interesting example of early Orchestral Jazz works, which combine contemporary Classical techniques with Free Jazz improvisation. Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.

CD 1 Digipak Remastered Recommend To A Friend

RAFAL SARNECKI ~ THE MADMAN RAMBLES AGAIN FRESH SOUND 381 (Barcode: 8427328423816) ~ POLAND ~ Jazz Recorded: 2010 Released: 2011 This is the 2nd album by the excellent Polish guitarist / composer / arranger Rafal SarneckiFind albums by this artist, following his outstanding debut released a couple of years earlier. Sarnecki manages to repeat the same level of freshness and quality, but the new album is different in many ways, mostly due to the fact that Sarnecki lived in NY for some time, absorbing some of the Big Apple´s influences, which are evident in the brass arrangements, Latin rhythms and overall sound of the recording. But fortunately this amalgamation of American influences did not replace his European roots, which remain intact, especially in his superb compositions. He composed seven of the eight tracks on the album and included one standard, same as last time. His musical cohorts consist partly of the same excellent musicians who recorded the debut album: pianist Pawel KaczmarczykFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummers Lukasz ZytaFind albums by this artist (on six tracks) and Pawel DobrowolskiFind albums by this artist (on two tracks) (all five are members of the pianist´s Audiofeeling BandFind albums by this artist), strengthened by a brass section: US saxophonist / flautist Lucas PinoFind albums by this artist and trumpeter Jerzy MalekFind albums by this artist. Percussionist Jose Manuel Alban JuarezFind albums by this artist (despite the name he´s Polish) guests on two tracks. The sextet format allows Sarnecki to develop a much richer orchestration and complex arrangements for his superb compositions, which he does beautifully, carefully avoiding overdoing it, which is a rare and commendable approach. The performances are of course stellar and these young musicians bring a wide smile on veterans´ (like me) faces, seeing that Jazz has a future after all. What I particularly admire about Sarnecki is his ability to eschew the Fusion trap – he manages to keep this album 100% Jazz, which is extremely rare for guitar albums these days. The album was released on the Spanish Fresh SoundFind albums on this label label, which releases albums by young and promising Jazz musicians from all over the world, giving them a chance of international exposure, an admirable policy deserving support. Polish Jazz legend Tomasz StankoFind albums by this artist gives Sarnecki some warm compliments on the album´s cover, and I´m only happy to concur with his opinion – this is definitely a great piece of music, which deserves repeated listening and an honorable place on the shelves of Polish Jazz discography. Wholeheartedly recommended!

CD 1 Recommend To A Friend

SBB ~ ANTHOLOGY 1974-2004 METAL MIND 001 (Barcode: 5907785025936) ~ POLAND ~ Progressive Rock Recorded: 1974 - 2002 Released: 2004 This stupendous Box Set, released to celebrate the 30th anniversary of the legendary Polish Jazz-Rock / Fusion group SBBFind albums by this artist, is an attempt to present the entire recorded legacy of the band, as know at the time of the release. Later on two additional Box Sets and other releases unearthed more of their recordings, so this box is by far not a "complete recordings" collection. The band was formed in 1971 in the southern Polish province of Upper Silesia and consisted of bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. They called themselves Silesian Blues BandFind albums by this artist and started to perform locally. By the end of that year Skrzek was approached by Poland´s leading Rock personality, Czeslaw NiemenFind albums by this artist, to join his new group formed in order to fulfill the international contract Niemen signed with CBSFind albums on this label Europe. Eventually Anthimos and Piotrowski also joined the band and the trio stayed with Niemen for about a year and a half, recording several albums with him, including the two albums released outside Poland: "Strange Is This WorldFind albums with this title" and "Ode To VenusFind albums with this title". By mid-1973 they left Niemen´s group, shorten their name to SBB and the rest is history. From 1974 on SBB became the leading Polish Rock / Prog / Fusion band, recording a series of revolutionary albums and changing the face of music not only in their native country but in the entire Eastern European world living behind the Iron Curtain. SBB were also well known outside of Eastern Europe and in the span of the thirty years documented by this Box Set performed extensively in Western Europe and the USA as well. There is no doubt that their music influenced entire generation of Eastern European musicians, who had limited access to music made in the West and therefore SBB served for them as a musical role model for years. This Box Set included twenty two CDs, which can be separated into several sub-groups. First there are the studio albums vs. the live recordings, which are the majority. Then there is the output by the original trio in the years 1974-1980 vs. the later recordings after the group was reactivated in 1991 and played with different drummers (Miroslaw MuzykantFind albums by this artist, Paul WerticoFind albums by this artist). As far as the music is concerned, in retrospect one must admit that there was not that much change over the years, except perhaps for the fact that the group somewhat lost its steam in due process. Obviously the early recordings are the most groundbreaking, adventurous, inspired and therefore interesting. Both in the studio and live the early recordings are full of improvisation, which often borders with Avant-Garde Rock and exhibits strong Jazz / Fusion influences. The sessions with guest Jazz musicians like Tomasz StankoFind albums by this artist, Tomasz SzukalskiFind albums by this artist, Andrzej PrzybielskiFind albums by this artist and others are among the highlights in this Box Set. In time, and especially after the re-activation, the music turned more Rock oriented, and the added vocals did not help to make it more interesting. All the musicians involved are of course superb instrumentalists and there is plenty of great solos (guitar especially), but the magic is definitely lost. There is also a problem of the same material being included repeatedly, although in different versions, but still basically the same. In contrast to Jazz, where each performance of the same tune can be completely different from every other, it does not happen here and a sizeable part of the music included here seems redundant to a degree. In retrospect perhaps it would have been wiser to split this box into two separate boxes, one with the early material, which is divine and another with the later stuff, which would be for the die hard fans only. Overall this box includes some of the most important music made in Eastern Europe during the formative years of Rock history, and as such is invaluable. The size and contents of this limited edition Box Set might appear to be a bit megalomanic, but is lovingly excused by most.

Updated: 12/04/2019Posted:

CD 22 Mini-Sleeve Box Set Oversampling Remastered Bonus Tracks Recommend To A Friend

SBB ~ SIKORKI (LIMITED EDITION) METAL MIND 0340 (Barcode: 5907785026230) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1973 - 1975 Released: 2006 The legendary Polish Prog / Fusion group SBBFind albums by this artist needs little introduction to the avid Prog / Fusion fans the world over. Now in its fifth decade of activity, the group already established a unique position on the music scene, which can be rivaled only but a chosen few. Their prolific studio and live recordings include dozens of albums, each and every one of which is a meaningful musical experience of unrepeated intensity and depth and a display of dazzling virtuosity. This album is especially interesting, since it offers recordings made by the original lineup of the group – bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist - for the Polish Radio with top guest musicians from the Polish Jazz scene: trumpeter Tomasz StankoFind albums by this artist (on 3 tracks), trumpeter Andrzej PrzybielskiFind albums by this artist (on 1 track), saxophonist Tomasz SzukalskiFind albums by this artist (on 3 tracks). Absolutely stunning stuff and a true must for any serious music connoisseur. Side Note: Limited Edition of 1,000 copies only.

CD 1 Digipak Oversampling Remastered Recommend To A Friend

PIOTR SCHMIDT ~ TRIBUTE TO TOMASZ STANKO SJ 038 (Barcode: 5912596066696) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is an album by Polish Jazz trumpeter / composer / bandleader / entrepreneur Piotr SchmidtFind albums by this artist, recorded in a quartet setting with pianist Wojciech NiedzielaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents twelve compositions, eight of which are credited to all four members of the quartet, two were composed by Schmidt and one each were composed by Krzysztof KomedaFind albums by this artist and Bartosz PieszkaFind albums by this artist. The death of the Polish / European Jazz icon, trumpeter / composer / bandleader Tomasz StankoFind albums by this artist, in June of 2018, marked an end of a chapter, or rather an end of an era in European Jazz. Although in recent years many of the most prominent representatives of post WWII European Jazz sadly departed, Stanko was in many respects more than most an epitome of modern European Jazz and his life and career exemplified the most important characteristics of the idiom. His relentless search of uncharted territory, complete disregard of fads and fashions, his open-mindedness and chameleonic, often extremely dramatic changes in his stylistic approach to Jazz and above all his aesthetics, with reminded uncompromising till the very end, were all also often characteristic of many other leading European Jazz Masters, who managed to create an entirely new form of the Jazz essence, completely free of the limitations and shackles enslaving the genre in the past. Tributes are a tricky business, especially so in the case of iconic figures, which were active for decades and managed to produce not only a rich legacy of recorded music, but more importantly were constantly groundbreaking and innovative. How can a "tribute" album express a respectful and artistically coherent picture of an icon? It takes a lot of courage and determination to attempt a tribute recording, which will be meaningful and offer some intrinsic value beyond being just a reflection of the light of a Giant, with the possibility of failure always lurking in the background. Considering the fact that Stanko´s legacy was to a large extent involved with Avant-Garde, Improvised Music and Free Jazz, whereas Schmidt consistently dedicates his career to more mainstream manifestations of the Jazz idiom, always emphasizing melody, harmony, ambience and lyricism, the first reaction to the idea of Schmidt recording a Stanko tribute might be that of disbelief and surprise. But Schmidt already proved to be a mastermind of invention in the past and this time he has surely outdone himself, by finding an ingredient of Stanko´s legacy that fits like a glove to his own modus operandi. As a result Schmidt, rather than creating a "general" tribute to Stanko, decided to put the spotlight on the gentler side of the Stanko´s heritage – Stanko the charmer, the balladeer, the weaver of heartbreakingly beautiful melodies, in short Stanko the Gentle Giant. The resulting concept presents an album full of beautiful, melodic, lyrical Jazz, which strongly resembles that gentle side of Stanko that we all love, but at the same time is completely original as far as the music itself is concerned. The atmosphere and ambience of the album are wonderfully coherent and the music flows serenely penetrating directly the very soul of the listener. The decision of not using and specific tunes composed by Stanko, but creating instead music that "might have been composed" by him is of course brilliant in every respect. The quartet performing the music is ideal for the task. Garbowski and Gradziuk played with Stanko in the recent years and know his music intimately, and their position as one of the leading Polish Jazz rhythm sections is fully justified. They add the ingredients of space and freedom to the quartet´s playing, which is exactly what this music needs to make it completely unwavering and related to Stanko´s musical spirit. Niedziela is beautifully romantic and expressive, with each and every note he plays being exactly what is needed to make the overall sound perfect. Schmidt plays delightfully as well, rather sparingly and delicately, again exactly right for what this music needs. At times, with the eyes closed, his trumpet sounds exactly like Stanko´s, but obviously Schmidt is not trying to imitate Stanko´s playing but, as the entire album does, reproduce the very Stankoish ambience and spirituality. Overall this is a wonderfully executed and cleverly planned piece of music, which achieves the ambitious goal assigned to it in full. It is also a textbook example of what "tribute" albums should sound like, as well as a wonderful example of a bridge over a chasm of the infamous generation gap, which enables a smooth transition of the heritage from one generation to another. Polish Jazz at its best!

Updated: 02/10/2022Posted: 23/11/2018

CD 1 Slipcase Recommend To A Friend

JACQUES KUBA SEGUIN ~ LITANIA PROJECT ODD SOUND ~ CANADA ~ Jazz Recorded: 2012 Released: 2014 This is the third album by Canadian (of Polish origin) trumpeter / composer Jacques Kuba SeguinFind albums by this artist, recorded in a quintet lineup which features the Polish violinist Adam BaldychFind albums by this artist and Canadian musicians: pianist Jonathan CayerFind albums by this artist, bassist Frederic AlarieFind albums by this artist and drummer Kevin WarrenFind albums by this artist. They perform seven original compositions, five by Seguin and two by Baldych. Musically the material is all over the place; starting with an obvious wink towards the music of the legendary Polish Jazz trumpeter Tomasz StankoFind albums by this artist - the album´s title and opening track are dedicated to him - it moves towards contemporary Classical, Blues and Modern Jazz, but doest not sit really in place in any specific style, which sometimes works fine but in this case is just chaotic. There are some nice melodies, but overall the music simply goes nowhere. Even the two tunes by Baldych, who usually writes excellent music, in this case, although better than the rest, are still way below his usual standard. The performances are even more problematic. The trumpet and violin unisono sound is really dissonant and even painful at times, as if both are out of tune; as a result the combination of these two instruments is hard to swallow. Although all five musicians are highly skilled professionals, the overall result simply falls apart. There are problems with tempi, hesitation and basic lack of togetherness, which is essential in a small ensemble setting. Seguin and Baldych play several impressive solos, but those are hardly enough to save the day. Some of the a.m. problems might be the result of a very problematic recording sound quality, which is harsh and unpleasant, badly balanced and seriously damaging the listening experience. This is a classic example of an album which has a tremendous potential and turns out to be a failure. Good intentions don´t cut it this time.

CD 1 Mini-Sleeve Recommend To A Friend

ZBIGNIEW SEIFERT ~ NORA GAD 001 (Barcode: 5901549197006) ~ POLAND ~ Jazz Recorded: 1969 - 1970 Released: 2010 This wonderful album collects all the existing recordings by the early Jazz quartet led by Polish violinist / saxophonist / composer Zbigniew SeifertFind albums by this artist, a world class virtuoso who was unfortunately taken away from this world by the ever-so-cruel cancer at the ridiculous age of 32. Seifert discovered Jazz while being a student at a music high school, where he studied classical music. Immediately stricken by Jazz, he started to live a double life, continuing his degree studies as a classical violinist and in parallel playing and later leading his own Jazz quartet. Seifert almost immediately moved into modern Jazz, even ultra-modern at the time, as his immediate model would be the late period John ColtraneFind albums by this artist. Seifert´s hypersensitive and well trained ears were able to follow Coltrane´s convoluted music note by note, thus enabling him to absorb his style. In order to emphasize the separation between his classical violin training Seifert played the alto saxophone exclusively at the early stages of his career, returning to the violin only much later, a move which gained him his international recognition and success, cut short soon after by his untimely death. By the end of the 1960s Seifert was a permanent member in the Tomasz StankoFind albums by this artist quintet, Poland´s pioneering Free Jazz outfit at the time, as well as leading his own quartet with pianist Jan JarczykFind albums by this artist, bassist Jan GonciarczykFind albums by this artist and drummer Janusz StefanskiFind albums by this artist (who was also a member of the Stanko quintet). The quartet never recorded an album for the "Polish Jazz" series, but three of their performances were recorded by the Polish Radio and are presented on this album: The 1969 concert at the Jazz nad Odra Festival and the 1969 and 1970 concerts at the Jazz Jamboree Festival – all together eight tracks, only two of which (taken from the 1969 JJ) were previously released on record in a various artists compilation entitled "New Faces In Polish JazzFind albums with this title" (Polish Jazz Vol. 20). Seifert composed five of the tunes, Jarczyk one and the other two are standards. The music is just sensational, mostly almost Free, with long and well developed solos by Seifert and Jarczyk, with superb backing by the rhythm section. That kind of music would fit perfectly well anywhere in the world at that time, but taking into account the fact it comes from Poland, a country deep beyond the Iron Curtain with minimal exposure to the latest trends and under a Socialist regime, which does not tolerate artistic deviance, it is an absolute miracle. The historic importance of these recordings is invaluable, especially since the quartet wasn´t able to secure a proper studio recording in a reality when the only record company on the market was state owned and run by party officials. Thank God for the Polish Radio archives and the initiative to compile and release this album. Although "too little too late" applies here, so does "better this than nothing". I´ll add that in order to fully appreciate this music in proper historic perspective and its meaning in the history of Polish (and Eastern European) Jazz, I´d recommend reading the recently published Zbigniew Seifert excellent biography entitled "Man of the Light", by Aneta NorekFind albums by this artist – alas this privilege is limited to people who can read Polish (unless the book gets translated into English, which it truly deserves). In the meantime savor this fantastic music, as it lost nothing of its intensity over time. A must to all Polish Jazz lovers!

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NICOLAS SIMION ~ TRANSYLVANIAN DANCE TUTU 888 164 (Barcode: 4015728881646) ~ ROMANIA ~ Jazz Recorded: 1994 Released: 1995 This is an album by Romanian (resident in Germany) Jazz saxophonist / composer / bandleader Nicolas SimionFind albums by this artist, recorded in a quartet setting with legendary Polish trumpeter Tomasz StankoFind albums by this artist, American bassist Ed SchullerFind albums by this artist and drummer Victor JonesFind albums by this artist. The album presents nine tracks, all of which are original compositions by Simion, with Jones adding lyrics on one track. This is the second cooperation between Simion and Stanko, which includes also the “Dinner For Don CarlosFind albums with this title”, “Viaggio ImaginarioFind albums with this title” and “Unfinished SquareFind albums with this title” albums. For Polish Jazz fans and collectors these albums are absolutely essential. The music is a brilliant example of modern European Jazz, based on excellent compositions by the leader, with clear hints of Romanian Folklore and Gypsy music. All the instrumentalists have plenty of opportunity to solo and the ensemble work is also first class. For Stanko followers, the album offers some of his best performances from the mid-1990s, same as on the three a.m. albums. Overall, this is a superb piece European Jazz, with strong ties to Jazz-World Fusion and first class instrumental work by all the participants. Sadly, the album is rarely mentioned and is often omitted from discographies, despite its innovative music and excellent sound quality, which makes listening to it a real treat. Grab a copy as long as those are to be found!

Updated: 01/02/2024Posted: 01/02/2024

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NICOLAS SIMION ~ UNFINISHED SQUARE 7DREAMS 106 (Barcode: 6421966000080) ~ ROMANIA ~ Jazz Recorded: 1996 Released: 2009 Romanian saxophonist / composer Nicolas SimionFind albums by this artist is one of the very few Jazz musicians from his native country to win an international recognition, which is a pity, as the Romanian scene has an interesting history and produced over the years many talented musicians. Due to the fact that Simion left Romania in 1988, living first in Austria and now in Germany, he managed to build an impressive career over the years, producing a substantial and impressive body of music. Upon his arrival in Austria, Simion became a part of the Austrian / German modern Jazz scene, playing and recording with many distinguished Jazz musicians active on that scene at the time. He recorded a series of excellent albums as a leader for the German TutuFind albums on this label label in the 1990s, which featured such distinguished Jazz players like Polish trumpeter Tomasz StankoFind albums by this artist, American bassist Ed SchullerFind albums by this artist and many others. In the mid 1990s Simion composed music for a ballet called "Unfinished SquareFind albums with this title", which was to be performed by a Jazz combo and a full orchestra accompanying the dancers. The work was performed just once in August of 1996 and a month later Simion selected fragments of that ballet music and arranged them for a small Jazz ensemble, comprising of the usual cohorts he was playing with at the time, which recorded the music. In addition to Simion, Stanko and Schuller, the ensemble also included German trombonist Nils WogramFind albums by this artist, American drummer / percussionist Jamey HaddadFind albums by this artist and Austrian keyboardist Andreas MayerhoferFind albums by this artist. Another great Polish trumpeter, Piotr WojtasikFind albums by this artist, is featured on the last track only. The album comprises of nine tracks, which can be viewed as parts of a continuous suite. The music, although melody based, is mostly freely expanded by lengthy improvisations, with long and impressive solos by the leader and Stanko and stretches of group improvisations. There is a certain tension and profound spiritual magnetism present throughout the work, which enhances the listener´s overall impression. As usual with such music, it requires attentive listening and open-minded approach, but eventually becomes deeply rewarding. The performances are stellar, with Stanko blowing his magic notes like fakir charming a snake, Simion playing his heart out spreading clusters of convoluted tones and the rest of the team supporting and contributing their own elements, creating a mind-blowing, massive and often overwhelming wall of sound. This album is simply one more piece of the puzzle, which presents the strength and beauty of the European Jazz scene and its ability to produce works of profound artistic impact and aesthetic value. Why this music remained unreleased for thirteen years beats me, but finally available, should be a feast for all connoisseurs of modern Jazz. Brilliant stuff!

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NICOLAS SIMION ~ VIAGGIO IMAGINARIO TUTU 888 192 (Barcode: 4015728881929) ~ ROMANIA ~ Jazz Recorded: 1995 Released: 1999 This is an album by Romanian (resident in Germany) Jazz saxophonist / composer / bandleader Nicolas SimionFind albums by this artist, recorded in a quartet setting with legendary Polish trumpeter Tomasz StankoFind albums by this artist, American bassist Ed SchullerFind albums by this artist and drummer Peter PerfidoFind albums by this artist. Austrian trombonist Christian MuthspielFind albums by this artist, American bass guitarist Angus ThomasFind albums by this artist and percussionist Jamey HaddadFind albums by this artist guest on selected tracks. The album presents nine tracks, all of which are original compositions by Simion. This is the third cooperation between Simion and Stanko, which includes also the “Dinner For Don CarlosFind albums with this title”, “Transylvanian DanceFind albums with this title” and “Unfinished SquareFind albums with this title” albums. For Polish Jazz fans and collectors these albums are absolutely essential. The music is a brilliant example of modern European Jazz, based on excellent compositions by the leader, with clear hints of Romanian Folklore and Gypsy music. All the instrumentalists have plenty of opportunity to solo and the ensemble work is also first class. For Stanko followers, the album offers some of his best performances from the mid-1990s, same as on the three a.m. albums. Overall, this is a superb piece European Jazz, with strong ties to Jazz-World Fusion and first class instrumental work by all the participants. Sadly, the album is rarely mentioned and is often omitted from discographies, despite its innovative music and excellent sound quality, which makes listening to it a real treat. Grab a copy as long as those are to be found!

Updated: 01/02/2024Posted: 19/09/2023

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SIMPLE ACOUSTIC TRIO ~ HABANERA NOT TWO 712 ~ POLAND ~ Jazz Recorded: 1999 Released: 2000 This is the 4th album by the Polish Jazz ensemble Simple Acoustic TrioFind albums by this artist, which consists of pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Of the eight tracks on this album five were composed by Wasilewski, one by Kurkiewicz, another by the Polish Jazz legend Tomasz StankoFind albums by this artist, who employed the trio as his rhythm section for several years and finally the title track by Spanish composer Miguel BlancoFind albums by this artist. Recorded just before the trio recorded the three seminal albums for the ECMFind albums on this label label with Stanko (as his sidemen), this album is definitely a turning point, which marks their arrival at the level of musical champions, paralleled only by very few other Jazz musicians in general and piano trios in particular. This was also their last album to be released on a Polish label, as they were about to be enlisted to the ECM roster as a trio in the days that followed. Personally I love this transitory album and in many respects it is my favorite album by the trio, as it finds them completely mature and fully developed on one hand and still enthusiastic, hungry and burning on the other. As a result this album includes some of their best performances, which are full of elegance, virtuosity and sophistication, but at the same time are more relaxed and less constrained than their future work. Of course these are marvelous and devilishly talented musicians, so everything they do tends to be both perfect and beautiful, but these last glimpses of their youth and innocence are truly precious to me. Whichever way one looks at this album, it remains a milestone of Polish Jazz, a superb opener for the 21st Century European Jazz and a must in any decent record collection. Since the ensemble managed to become an integral part of the history of Jazz piano trio, this album becomes an essential piece of the infinite puzzle called Jazz, which we love so much. Essential stuff!

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SIMPLE ACOUSTIC TRIO ~ KOMEDA GOWI 22 (Barcode: 786497137329) ~ POLAND ~ Jazz Recorded: 1995 Released: 1995 Polish Jazz musicians are well aware of the enormous contribution made to modern Jazz in their country by the Genius pianist / composer Krzysztof KomedaFind albums by this artist, the Godfather of modern Polish Jazz. Therefore they play tribute to the great man quite often, either by including his compositions or dedicating entire albums to Komeda´s music. This is one of such album, recorded by the great Polish Jazz trio, called Simple Acoustic TrioFind albums by this artist, led by pianist Marcin WasilewskiFind albums by this artist with bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. This is the trio´s debut album. If these names seem somewhat familiar to you, no wander, as they are also the members of the superb Polish quartet let by the legendary trumpeter Tomasz StankoFind albums by this artist, which recorded three albums for the ECMFind albums on this label label. In fact the trio now records for ECM as well. So now with everything in place, there is little need to expand much further here, as people familiar with the Stanko recordings already know this is one of the best piano trios in the world and everything they touch turns to instant musical gold. This album is no different and every Jazz fan on this planet should enjoy it greatly and with Komeda´s music present, things just can´t get much better. Wholeheartedly recommended!

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SIMPLE ACOUSTIC TRIO ~ TRIO ECM 1891 (Barcode: 602498206324) ~ POLAND ~ Jazz Recorded: 2004 Released: 2005 This is the debut album on the legendary ECMFind albums on this label label by the great Polish Jazz trio, called Simple Acoustic TrioFind albums by this artist, led by pianist Marcin WasilewskiFind albums by this artist with bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. If these names seem somewhat familiar to you, no wander, as they were also the members of the superb Polish quartet led by the legendary trumpeter Tomasz StankoFind albums by this artist, which recorded three albums for ECM. However, the ECM recording is far from being the trio´s recording debut, as they have been active on the local scene in Poland a whole decade earlier and recorded several brilliant albums already. Always in top form, sensitive and technically perfect, these musicians are pillars of the new generation of Polish Jazz and their music is a true inspiration. The thirteen pieces presented on this album come from a variety of sources, from Pop to Classical music and about half of the material was composed or co-composed by the trio members. This is one of the best piano trios in the world and everything they touch turns to instant musical gold. This album is no different and every Jazz fan on this planet should enjoy it greatly. Wholeheartedly recommended!

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JANUSZ SKOWRON ~ POLISH RADIO JAZZ ARCHIVES VOL.35 POLSKIE RADIO 2322 (Barcode: 5907812243319) ~ POLAND ~ Jazz Recorded: 1981 - 1998 Released: 2022 This is the thirty-fifth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings of that period. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The music on this album presents radio recordings of live performances by one of the most prominent Polish Jazz musicians, keyboardist / composer Janusz SkowronFind albums by this artist, who sadly departed recently (February 2019), paying tribute to his artistry. Skowron was active on the scene since the early 1980s and his music embraced diverse environments, playing Jazz and Fusion. The album presents eleven tracks recorded between 1981 and 1998 and are a rather incidental collection spanning his various activities. Skowron composed three of these tracks. The first track, recorded in 1981, features the quartet led by drummer Kazimierz JonkiszFind albums by this artist, where Skowron played piano, which also included violinist Krzesimir DebskiFind albums by this artist and bassist Andrzej LukasikFind albums by this artist. Next track, recorded in 1982, features one of Poland’s most important Fusion groups String ConnectionFind albums by this artist, which also included Debski. Next track, recorded in 1985, features Skowron’s own band, which includes bassist Zbigniew WegehauptFind albums by this artist (departed 2012). Next track, recorded in 1985, features the quartet led by trumpeter Tomasz StankoFind albums by this artist (departed 2018), which includes drummer Tadeusz FederowskiFind albums by this artist (departed 2018). Next track, recorded in 1987, features the FreelectronicFind albums by this artist band also led by Stanko, which includes synthesizer player Tadeusz SudnikFind albums by this artist. Next track, recorded in 1990, features the quartet led by saxophonist Zbigniew NamyslowskiFind albums by this artist (departed in 2022). Next track, recorded in 1991, features also the Zbigniew Namyslowski quartet. Next two tracks, recorded in 1992, feature the quartet led by trumpeter Piotr WojtasikFind albums by this artist, which includes saxophonist Tomasz SzukalskiFind albums by this artist (departed 2012). Next track, recorded in 1995, features the reunited String Connection group. The last track, recorded in 1998, features a duo of Skowron and Tomasz Stanko. The fact that six of the musicians playing on this album are no longer with us is a sad reminder of the phenomenon of the first generation of the Polish Jazz scene disappearing. The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers bi-lingual liner notes, fitting the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.

Updated: 25/02/2023Posted: 25/02/2023

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JOZEF SKRZEK ~ JOZEF SKRZEK POLSKIE RADIO 2420-2421 (Barcode: 5907812247744) ~ POLAND ~ Pop & Rock Recorded: 1974 - 2022 Released: 2022 This is a 2CD collection of radio recordings by Polish Rock bassist / keyboardist / vocalist / composer / bandleader Jozef SkrzekFind albums by this artist, founder of the legendary SBBFind albums by this artist trio and one of Poland’s most renowned musical figures. CD 1 presents eight tracks recorded between 1974 and 2015, two of which feature SBB with guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. Legendary trumpeter Tomasz StankoFind albums by this artist plays on one track and saxophonist Tomasz SzukalskiFind albums by this artist plays on two tracks. Four of the tracks are solo keyboards performances by Skrzek. CD 2 presents an eleven-part suite performed on solo piano from 1998 and one additional track performed on solo keyboards from 2022. The music reflects Skrzek’s activity over the years, mostly as a solo performer, which is somewhat less documented as his activity with SBB, which is covered by dozens of albums, mostly recorded live. As much as I appreciate Skrzek’s contribution to Polish Rock, Blues-Rock and Jazz-Rock Fusion during the early years of his feverish artistic development, the later solo keyboards era somehow seems to me less exciting, often moving into Ambient / Electronic music, which I never felt fully attached to. Of course this is only my very personal feeling and there is no doubt that he is still an important composer and activist on the Polish scene. Overall, this is a nice collection of Skrzek’s solo activity, which should be highly interesting to his many fans in Poland and around the globe. The excellent bi-lingual booklet by Michal WilczynskiFind albums by this artist, the owner of the GADFind albums on this label label, which released many albums by SBB and Skrzek, tells the story behind the music and offers some great photographs of the Maestro. This is definitely something worth pursuing for Skrzek completists.

Updated: 02/04/2023Posted: 02/04/2023

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JOZEF SKRZEK / TOMASZ SZUKALSKI ~ AMBITUS EXTENDED METAL MIND 0540 (Barcode: 5907785030459) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1981 Released: 2008 This is a reissue of the album recorded by the duo that brought together two legendary musicians: founder and leader of SBBFind albums by this artist, bassist / keyboardist Jozef SkrzekFind albums by this artist and one of the Giants of Polish Jazz, saxophonist Tomasz SzukalskiFind albums by this artist, who came to fame as member of ensembles led by Tomasz StankoFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist. Skrzek and Szukalski played together on and off since the mid 1970s but in the tense pre-Martial Law period (1980-1981) the duo recorded this album and several other projects together and performed live quite often. This remastered edition of the album was expanded by six previously unreleased live tracks, recorded shortly before the recording of the original album material. The music was co-composed by Skrzek and Szukalski and mostly improvised on pre-conceived melodic motifs, and features extensive soloing by Szukalski and wonderful keyboards work by Skrzek. Stylistically it moves between Blues, Fusion, Progressive Rock and Jazz, always beautifully harmonic and deeply moving. Szukalski was the absolute Master of melodic improvisation, like his idol Ben WebsterFind albums by this artist, and had no equals on the Polish scene at that time (or even to this very day). His untimely death was a great loss for Polish / European Jazz. In spite of its minimalistic scope and approach, the album is full of absolutely thrilling musical ideas and virtuosic performances, and remains to this very day a milestone achievement of Polish Jazz / Fusion / Blues-Rock history. This reissue brings back to life a piece of Polish music history and is of course a must have for Polish music fans / collectors.

Updated: 07/05/2018Posted: 07/05/2018

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SKUBISZ / LEMANCZYK COOPERATION ~ STORIES ABOUT LIFE AND LOVE AFRO VIBE 004 ~ POLAND ~ Jazz-Rap Fusion Recorded: 2022 Released: 2022 This is the debut album by Polish ensemble Skubisz / Lemanczyk CooperationFind albums by this artist, which comprises of rapper Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist), bassist / composer Piotr LemanczykFind albums by this artist, trumpeter Tomek NowakFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist. DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) appears as a guest musician and plays synthesizers. The album presents nine tracks, eight of which are original compositions by Lemanczyk with texts by Skubisz and one is a composition by iconic Polish Jazz trumpeter Tomasz StankoFind albums by this artist and saxophonist Janusz MuniakFind albums by this artist with text by Skubisz, dedicated to Stanko. Listeners familiar with the Polish Jazz scene are already familiar with the Jazz-Rap Fusion recordings by Eskaubei & Tomek Nowak QuartetFind albums by this artist, which are clear predecessors of this album and include contributions by Nowak and Dlugosz. The format is very similar, but the brilliant compositions by Lemanczyk and his virtuosic electric bass performances take everything one notch higher. Skubisz, as usual, expresses his unequivocal opinions about the problems and circumstances of contemporary life, including fears and angers caused by politics, human stupidity and the ocean of excrements we all need to swim in, keeping our nose just above the surface, in order to survive. I have always admired his honesty and clear vision of reality, especially since his statements are intelligent and penetrating, rather than being rude and vile. Words of truth are definitely stronger than profanities. Nowak plays some excellent trumpet parts on this album, and being the main soloist he sets the entire mood of the music. The Jazz-Rap Fusion requires a very delicate balance between the spoken parts and the music, which this ensemble is able to maintain for the entire duration. Lemanczyk contributes the pulse, like a heartbeat, which keeps this music alive. It is worth to listen to this album several times, each time concentrating on the separate contributions by the participants, apart for listening to the album as a whole; especially Lemanczyk’s bass lines, which are Masterful, the trumpet solos and of course the texts. Overall, this is a most welcome return to the Jazz-Rap Fusion idiom by Skubisz, who is as always accompanied by excellent musicians, creating some relevant social criticism and life observations, which are not easy to hear but nevertheless absolutely necessary to keep one’s sanity. Kudos for keeping up the good work!

Updated: 13/10/2022Posted: 13/10/2022

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STANKO – MAKOWICZ UNIT ~ STANKO – MAKOWICZ UNIT FEATURING CZESLAW BARTKOWSKI B.FREE 6097 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1975 Released: 2016 This is a reissue of the little known album by the Polish Jazz ensemble Stanko – Makowicz UnitFind albums by this artist, released originally by a small independent German label JGFind albums on this label Records. It is one of the two albums this ensemble recorded, the other one being the eponymous album released by the legendary Polish label PoljazzFind albums on this label, which to this day was not reissued on CD. On this album the ensemble is a trio with Tomasz StankoFind albums by this artist on trumpet, Adam MakowiczFind albums by this artist on electric piano and Czeslaw BartkowskiFind albums by this artist on drums, whereas the Poljazz album was recorded by a quartet with Pawel JarzebskiFind albums by this artist on bass. Both albums have a completely different set of tunes on them. On this album the ensemble performs seven tunes, two each by Stanko and Makowicz, one credited to all three members of the ensemble and the remaining two being standards one each by John ColtraneFind albums by this artist and Miles DavisFind albums by this artist. The album´s artwork does not specify the date or place of the recording, except for stating that it was recorded in 1975, same as the Poljazz album. Since there is no applause one can assume it is a studio recording. Chronologically this album was recorded shortly before Stanko recorded his first album for ECMFind albums on this label ("BalladynaFind albums with this title" recorded December 1975), which was the jumpstart of his international career. The music is typical of Stanko´s mid 1970s period, which marked his beautiful amalgamation of melody and Free Jazz excursions, dominated by his "dirty" hoarse sound, which was his trademark for many years. Makowicz, who was one of the leading pianists on the Polish scene at the time, before he left for the US, was an ideal partner for Stanko in this particular setup, using the electric piano he embraced while being a member of the Michal UrbaniakFind albums by this artist´s Fusion groups. Bartkowski, also a leading figure on the Polish scene, was a Master drummer and felt perfectly comfortable in any stylistic setting, supports the duo amicably. Although the recording quality and the overall sound of this album is not as good as one might have hoped for, it is definitely perfectly acceptable, in contrast to what some "critics" wrote about this album over time. The same, or even more strongly, is valid as far as the musical contents and the playing are concerned, which are absolutely superb. This is one of the most intimate Stanko recordings ever, and his trumpet playing is leading the music boldly and authoritatively. In retrospect this is a tremendous piece of history of the Polish / European Jazz and of course of Stanko´s contribution to the genre, as the leading Free Jazz trumpeter of the period. For Polish Jazz connoisseurs and Stanko followers this album is an absolute must have of course.

Updated: 28/04/2018Posted: 28/04/2018

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TOMASZ STANKO ~ A FAREWELL TO MARIA (SOUNDTRACK) GOWI 12 ~ POLAND ~ Jazz Recorded: 1993 Released: 1994 This is an album by legendary Polish Jazz trumpeter Tomasz StankoFind albums by this artist, which presents the music used as a soundtrack of an obscure Polish TV movie "A Farewell To MariaFind albums with this title", directed by Filip ZylberFind albums by this artist. The music is performed by a large cast of top Polish Jazz musicians, like saxophonist Tomasz SzukalskiFind albums by this artist, keyboardist Janusz SkowronFind albums by this artist, bassists Andrzej CudzichFind albums by this artist and Adam CegielskiFind albums by this artist, drummer Cezary KonradFind albums by this artist and others, as well as a string quartet. The album comprises of thirteen relatively short tracks, which appear within the film. The music is a wonderful example of the strength of Stanko the composer and is based around the leitmotif, which is, as always, a heartwrenching ballad that Stanko masterly created. But the album also includes several additional melodic and improvised pieces, which create a diverse and fascinating musical experience. In contrast to many soundtrack albums, this one works perfectly well by itself, detached from the cinematic layer. The performances are all top notch, again as expected, and in many respects this album firmly belongs to the mainstream of Stanko´s recorded heritage. It´s a great pity that this album so little known by Stanko´s fans and the fact that it is impossible to find a copy of this album is a crying shame. Grab it if you can find it!

Updated: 18/07/2017Posted: 18/07/2017

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TOMASZ STANKO ~ A I J POLONIA 103 ~ POLAND ~ Jazz Recorded: 1982 Released: 1997 This magnificent album by Polish trumpeter / composer Tomasz StankoFind albums by this artist includes the rest of the music recorded at the same session, which produced the superb "Music 81Find albums with this title" album. As with all great and prophetic Jazz Masters, Stanko´s music was evolving constantly and by the time this session was recorded in 1982, he was ready to leave behind the Avant-Garde / Free Jazz / experimental music, which dominated his first period (late 1960s to late 1970s) and gradually move forward towards new things, which would include mostly Jazz-Rock Fusion and Jazz-Electronic experiments, which of course were all as advanced and adventurous as anything else he made earlier. That second period, which lasted roughly the whole decade of the 1980s, is well documented by the albums released during that time, each and every one of them indisputably a masterpiece in retrospect. This interim session between Stanko´s first and second period is especially interesting, as in many respects it both summarizes the first period and clearly leads the way towards the next. The music is surprisingly "straight-forward" (if such description is at all possible in connection with Stanko´s music) and conventional. Performed by a classic quartet with pianist Slawomir KulpowiczFind albums by this artist, bassist Vitold RekFind albums by this artist and the fabulous drummer Czeslaw BartkowskiFind albums by this artist, it moves stylistically somewhere between John ColtraneFind albums by this artist´s early 1960´s quartet and Miles DavisFind albums by this artist second quintet, mixing clear melody lines with complex improvisations. The performances are absolutely stellar, with Stanko´s trumpet shredding the air, beautiful and extremely sensitive piano work a la McCoy TynerFind albums by this artist, strong and steady bass and virtuosic drumming, which not only drives the music forward but also adds endless flamboyant ornamentations. Of course in retrospect we know now that Stanko was to return to a similar format a decade and so later with his superb quartet, but at the time this music was completely unprecedented on the Polish scene. There are very few Jazz albums worldwide, which come close to the perfection and vision of the music herein, therefore this is definitely an absolute must for any serious Jazz connoisseur, Polish Jazz collector and anybody with a pair of open ears. Beyond essential!

Updated: 12/04/2019Posted:

CD 1 Slipcase Essential Recommend To A Friend

TOMASZ STANKO ~ BALLADYNA ECM 1071 (Barcode: 602517775978) ~ POLAND ~ Jazz Recorded: 1975 Released: 2008 This is a debut recording on the ECMFind albums on this label label by legendary Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory, and the first album by any Polish artist on that label. Stanko´s association with ECM continues now into its fourth decade. The music, recorded by an international quartet, which features also the great Polish saxophonist Tomasz SzukalskiFind albums by this artist, British bass Giant Dave HollandFind albums by this artist and Finnish Master-drummer Edward VesalaFind albums by this artist, is one of the greatest recording of modern European Jazz in the 1970s. Stanko, who was a member of the first Polish modern Jazz group, led by his Mentor pianist / composer Krzysztof KomedaFind albums by this artist, continued the tradition of cooperating with players from other European countries, whenever possible at those troubled times. His cooperation with Szukalski and Vesala continued for several years and they recorded several albums together, including the phenomenal "TwetFind albums with this title", recorded a year before this album, with bassist Peter WarrenFind albums by this artist in place of Holland. The music is mostly oriented towards Free Jazz, but Stanko´s intrinsic sense of melody and immense lyricism overpowers the free form and becomes the leading force, pushing the music effortlessly and magically into a mystic plane, full of sounds and intermitting silences, which create a gentle, deeply emotional vistas. The interplay between all the quartet members is simply incredible and the resulting music sounds as if created by one collective body and mind. This is undoubtedly on the finest moments of Jazz ever recorded and an essential piece of music, timeless and everlasting! Visitors' Comments Christopher  Brice I definitely agree with Adam`s "essential" label on this one. But look out for Stanko`s "From the Green Hill" with John Surman and others - even better IMHO

CD 1 Mini-Sleeve Essential Recommend To A Friend

TOMASZ STANKO ~ BALLADYNA – THEATER PLAY COMPOSITIONS GOWI 16 (Barcode: 786497093526) ~ POLAND ~ Jazz Recorded: 1994 Released: 1994 This little-known album by Polish trumpeter / composer Tomasz StankoFind albums by this artist contains the music he wrote for the theatre performance of the tragedy "Balladyna" written by Polish playwright Juliusz SlowackiFind albums by this artist. Not to be confused with Stanko´s pivotal album also entitled "BalladynaFind albums with this title", recorded almost two decades earlier and released on ECMFind albums on this label. The album presents the complete theatre soundtrack for the play, consisting of 23 tracks ranging in length between half a minute to over five minutes. The central theme is repeated many times in different renditions, arrangements, tempi and instrumentations, creating a beautiful and often chilling atmosphere. The music stands on it´s own as a completely valid piece of music, which can be enjoyed separately from the theatre performance it was intended for. The performers include Stanko´s quartet members: pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist, as well as saxophonist Tomasz SzukalskiFind albums by this artist, vocalist Ewa WanatFind albums by this artist and percussionists Piotr WolskiFind albums by this artist and Zbigniew BrysiakFind albums by this artist. In retrospect this is an important piece of Stanko´s recorded legacy, similarly to his other soundtrack compositions, which show his rare ability to write wonderful atmospheric music. This is a must to all Stanko connoisseurs, although deleted since many years with (so far) no prospects for a reissue.

CD 1 Recommend To A Friend

TOMASZ STANKO ~ BLUISH POWER BROS 00113 ~ POLAND ~ Jazz Recorded: 1991 Sensational trio recording by Polish trumpetter Tomasz StankoFind albums by this artist with a superb Scandinavian rhythm section (Arild AndersenFind albums by this artist - bass & Jon ChristensenFind albums by this artist - drums). Stanko is undoubtedly one of the most original musicians in modern jazz and his virtuoso playing and unusual tone approach to the instrument are breathtaking. Stanko recorded with numerous jazz giants from all over the world, but especially with Scandinavian players, including Edward VesalaFind albums by this artist from Finland.

CD 1 Recommend To A Friend

TOMASZ STANKO ~ C.O.C.X. POLONIA 088 (Barcode: 5904542687888) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1983 Released: 2008 This great album by Polish trumpeter / composer Tomasz StankoFind albums by this artist marks his entry into the second period of his career, which is an almost complete about face in comparison to his earlier work, which was mostly associated with Free Jazz. During the next decade (1980s) Stanko will record primarily with young musicians, often associated with Rock rather than with Jazz, creating a unique (as always) brand of Jazz-Rock Fusion. This album, recorded in a quartet setting with guitarist Apostolis AnthimosFind albums by this artist (of SBBFind albums by this artist fame), bassist Witold SzczurekFind albums by this artist and percussionist Jose TorresFind albums by this artist, presents a series of beautiful melodies, which are performed in a pretty straight-forward manner, with Stanko and Anthimos exchanging licks and improvising on top of a steady rhythm section work. Hardcore Free Jazz / Avant-Garde enthusiasts might find this music "strange" and simplistic, but honestly it is far from being trivial at any point. It is simply different, and Stanko, as an artist, should be without doubt allowed some slack to move forward and change direction, same as Miles DavisFind albums by this artist and others did. His trumpet playing is a s virtuosic as always, and nothing beats Stanko playing a ballad – absolutely nothing! At the time of its release the album was received coldly and reluctantly by most of the local critics, who used the weathered "going commercial" arguments, without truly understanding the nature of the change. In retrospect this album is a valuable addition to Stanko´s musical heritage, which has very few competitors. Brilliant stuff!

Updated: 12/04/2019Posted:

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ CHAMELEON METAL MIND 0401 (Barcode: 5907785027404) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1982 Released: 2006 This album´s title is perhaps the most concise and precise description of its contents. With the 1970s behind him Polish trumpeter / composer Tomasz StankoFind albums by this artist takes a sharp turn off the path he followed previously as the leader of the local Free Jazz / Avant-Garde scene and as other musicians before him (or like a chameleon) entered the world of Jazz-Rock Fusion. The album was recorded in Athens in 1982 and reminded unreleased until 1989 (by that time Stanko was already moving to the next phase of his career), when it was finally released by a small independent Greek label. But chronologically this is the first recording of Stanko´s 1980s "new" style, preceding "C.O.C.X.Find albums with this title". The setting is a trio with guitarist Apostolis AnthimosFind albums by this artist (of SBBFind albums by this artist fame), who also plays bass, drums and percussion and young keyboardist Janusz SkowronFind albums by this artist, who uses the electronic devices to create beautiful sound vistas. The music is (as always with Stanko) absolutely stunning and quite different from his earlier work. Here we can hear the "easier" or happier side of Stanko, with almost cheerful melody lines and relatively simple rhythmic approach. Let´s make no mistake however; this is still Stanko at his best, with his unmistakable personal way of making music, virtuosic blowing and genius musical concept, all this in a slightly more accessible wrap up. Of the eleven tracks on the album seven were composed by Stanko and four are credited to the trio, as much of the music was actually created on the fly in the studio. In retrospect this is definitely one of the most memorable Stanko albums and an absolute must to all his numerous fans. Just grab it! Visitors' Comments Christopher  Brice Stanko does play beautifully on this album, and as a budding completist I don´t actually regret buying the album, but I have to say that the other instrumentation often leaves a lot to be desired, being more Pop (and occasionally TV-Schmaltz) than Jazz-Rock

Updated: 12/04/2019Posted:

CD 1 Digipak Recommend To A Friend

TOMASZ STANKO ~ DARK EYES ECM 2115 (Barcode: 602527112664) ~ POLAND ~ Jazz Recorded: 2009 Released: 2009 Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. Following the last three brilliant recordings with his all-Polish quartet in the early to mid 2000s and then three years of silence, Stanko returns with this recording of a completely new group comprising of young Scandinavian musicians: Finnish pianist Alexi TuomarilaFind albums by this artist, Danish guitarist Jakob BroFind albums by this artist, Danish bassist Anders ChristensenFind albums by this artist and Finnish drummer Olavi LouhivuoriFind albums by this artist. Obviously rejuvenated by the presence of these young and talented players, Stanko presents his new energetic music as well as paying tribute to his Mentor Krzysztof KomedaFind albums by this artist by including two of his compositions into the set. There is no need to say much more here, as Stanko is already well beyond criticism with his magic touch and incredible talent. He shows no signs of age and anything produced by him is pure gold. Although the album does not break any new ground musically, one can hardly hold this against Stanko, who just keeps perfecting what he does best, and as a result allows us to drink from his seemingly perpetually full cup. Brilliant stuff!

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ EGZEKUTOR (SOUNDTRACK) UNIVERSAL 044001434723 (Barcode: 044001434723) ~ POLAND ~ Jazz Recorded: 2001 Released: 2001 Polish trumpet virtuoso / composer Tomasz StankoFind albums by this artist is universally recognized as one of world´s top Jazz musicians since many years. However, his contributions as composer of music for cinema is somewhat lesser known, which is a pity. Stanko´s work in that area started way back to the early 1970s, but even earlier, when he was a member of the legendary Krzysztof KomedaFind albums by this artist ensemble, he already became intimate with the art of writing for cinema from his mentor, who was one of the greatest soundtrack creators ever, mostly known for his work for Roman PolanskiFind albums by this artist. It is therefore understandable that Stanko´s music for films would become heavily influenced by Komeda´s approach, which culminates with this soundtrack, written to a brilliant film by Polish director Filip ZylberFind albums by this artist. In fact this is the second time Stanko contributes the soundtrack to a film by Zylber, with "A Farewell To MariaFind albums with this title" being the predecessor to this one. Stanko is accompanied by some impressive players on this album, most notably by singer Justyna SteczkowskaFind albums by this artist, who contributes some breathtaking vocalese parts. Also present are Janusz SkowronFind albums by this artist on synthesizer, Slawomir KurkiewiczFind albums by this artist on bass, Michal MiskiewiczFind albums by this artist on drums, and Zbigniew BrysiakFind albums by this artist on percussion, as well as a string quartet. But Stanko´s trumpet dominates this music completely and overwhelmingly, when it plays completely solo or is accompanied by other instruments. Stanko´s virtuosity and magic sound are truly magnificent and supported by the atmospheric and often melancholic melodic motifs, the overall effect is simply stunning. It is a rare occasion when a soundtrack stand alone as a full fledged Jazz album, and this is a superb example of this being the case. I can only say that every Stanko fan should try and listen to this album, even if finding it today, only 10 years after it was released, is virtually impossible. The album was released as a double set with a CD and DVD Audio (Surround Sound) version of the music, which present different mixes of the same music. An absolute must!

CD+DVD 2 DVD-A Recommend To A Friend

TOMASZ STANKO ~ FROM THE GREEN HILL ECM 1680 (Barcode: 731454733625) ~ POLAND ~ Jazz-World Fusion Recorded: 1998 Released: 1999 Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. This album, perhaps the most atypical one ever recorded by Stanko so far, presents his music somewhat away from the usual Jazz setting, with strong contemporary Classical and World Music influences. Not only the music, but also the choice of the musicians participating in this recording, is quite different from everything he attempted before. British saxophone Giant John SurmanFind albums by this artist, Argentinean bandoneon player Dino SaluzziFind albums by this artist, American violinist Michelle MakarskiFind albums by this artist, Swedish bassist Anders JorminFind albums by this artist and Norwegian drummer Jon ChristensenFind albums by this artist create an amazing amalgam of sounds and musical ventures, travelling along Stanko´s vision. Of the fourteen relatively short pieces on this album nine were composed by Stanko, two by his Mentor Krzysztof Komeda and three by Surman. The overall effect is like a strange and enchanted sound voyage, which moves around the globe oblivious of borders and distances. Although quite demanding and less glamorous than other Stanko albums, it is full of beauty and charm and definitely worthy of admiration, like everything Stanko ever recorded. Superb stuff! Visitors' Comments Christopher  Brice Who would have thought that an accordion (OK, bandoneon) could be a major enhancement of a Stanko album or a Surman album? But it is - and Messrs S&S are a fabulous partnership.

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ JAZZMESSAGE FROM POLAND B.FREE 6098 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2016 This is a reissue of a relatively obscure album by the Polish Jazz icon Tomasz StankoFind albums by this artist, released originally by a small independent German label JGFind albums on this label Records. The album was recorded by the first quintet Stanko formed as a leader, shortly after the death of the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, with whom Stanko recorded extensively for years. The quintet included the best Polish Jazz musicians at the time: violin virtuoso Zbigniew SeifertFind albums by this artist, flautist / saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. This album is one of three albums this quintet recorded, following the legendary "Music For KFind albums with this title" (from 1970) and proceeding "Purple SunFind albums with this title" (from 1973, with Hans HartmannFind albums by this artist on bass instead of Suchanek), also originally released on a small German label CaligFind albums on this label Records. The album was recorded live and presents just three extensive pieces, the longest almost half an hour in duration. The pieces are credited to Muniak / Stanko, Seifert and Stanko respectively. The music is a brilliant example of early European Free Jazz / Improvised Music, which illustrates the differences between the American approach to Free Jazz and the European Free Jazz aesthetic, with is much more settled and sophisticated already at this early stage. It also shows the development of Stanko and the members of his quintet and their involvement with Free Jazz, proving to be a major step forward from what they played together on their debut album. All the musicians are prominently featured on the album, which in spite of the fact that it was recorded live, offers a crystal clear sound quality and allows the individual instruments to be perfectly audible. Seifert is spiritually closest to Stanko´s explorations and proves to be also an equally brilliant instrumentalist, being able to transform the John ColtraneFind albums by this artist inspirations into the European sphere of aesthetics, which Stanko is pursuing as well. Muniak also contributes very valuable input and the rhythm section offers an exquisite mixture of free time and discipline, which holds this music brilliantly together. In retrospect this is a milestone recording and an essential piece of Polish / European Jazz history, which is worth its weight in gold and should be a part of every serious European Free Jazz collection!

Updated: 22/04/2018Posted: 22/04/2018

CD 1 Digipak Recommend To A Friend

TOMASZ STANKO ~ LADY GO… METAL MIND 0644 (Barcode: 5907785033467) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1984 Released: 2009 This is the second recording in the series of Jazz-Rock albums created by the great Polish trumpeter / composer Tomasz StankoFind albums by this artist in the 1980s. Following "C.O.C.X.Find albums with this title" and preceding "Peyotl - WitkacyFind albums with this title", it is definitely the most melodic and "straight-forward" album Stanko ever recorded, with a set of superb melodies, which are great fun to listen to. Of course in Stanko´s case, simplicity means perfection and there is no compromise whatsoever with his usual standard of both performance and composing excellence. Recorded with guitarist Apostolis AnthimosFind albums by this artist (of SBBFind albums by this artist fame), who also plays drums here, bassist Witold SzczurekFind albums by this artist and percussionist Tomasz HolujFind albums by this artist, this is a beautiful example of Stanko´s versatility and his ability to rejuvenate and reinvent himself every decade or so. Absolutely brilliant stuff! Side Note: Individually numbered limited edition.

Updated: 30/04/2022Posted:

CD 1 Digipak Remastered Recommend To A Friend

TOMASZ STANKO ~ LEOSIA ECM 1603 (Barcode: 731453169326) ~ POLAND ~ Jazz Recorded: 1996 Released: 1997 Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. Despite his advanced age, his powers as a player and composer seem to be ever growing and in contrast to Miles DavisFind albums by this artist, with whom he is often compared (a comparison, which in most cases makes no sense whatsoever) he still retains the position of the main soloist on his albums and his compositions are more detailed intricate than ever and as much melodically and harmonically advanced as always. This incredible album, dedicated to his late Mother, finds Stanko again in the company of Swedish musicians: pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and surprisingly in first-time cooperation with British drummer Tony OxleyFind albums by this artist – probably the greatest living drummer on this planet, who unfortunately records ever so rarely. Stanko´s compositions on this album are more melodic and lyrical than usual, perhaps in view of the fact that he intentionally wished to concentrate on melody here. The quartet is perfect together, with Stenson and Jormin fitting the bill perfectly, being both extremely melodic players themselves. Oxley, as usual, is simply outstanding, ornamenting the music with his idiosyncratic approach to rhythm and the role of percussion in Jazz, but keeps his outbursts well in the overall framework of the music. This is phenomenal music, some of the best ever made on this planet, and if anyone tells you differently, he´s simply deeply confused. An absolute must!

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ LITANIA – MUSIC OF KRZYSZTOF KOMEDA ECM 1636 (Barcode: 731453755123) ~ POLAND ~ Jazz Recorded: 1997 Released: 1997 Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. Anybody familiar with the history of European Jazz is of course aware of the fact that Stanko was a member of the early modern Polish Jazz group led by his Mentor pianist / composer Krzysztof KomedaFind albums by this artist, one of world´s most important Jazz personalities, a Godfather of Polish Jazz and a phenomenal composer, in retrospect perhaps one of the greatest composers in Jazz history. Stanko´s musical personality was obviously formed and shaped by his association with Komeda, a fact that he often openly admits. Although Stanko occasionally paid homage to Komeda on his recordings over the years, it was only a matter of time until Stanko would produce a full-scope project as a tribute to Komeda´s music (and Komeda the man), and this is it. Stanko carefully arranged a series of composition by Komeda, ranging from his early works to his latest ones, and presents them here, performed by a septet comprising of Scandinavian musicians. Of course this is not a coincidence, as Komeda´s music was first recognized and acknowledged as exceptional outside his native country in Scandinavia (Sweden in particular), Poland´s northern neighbors, where Komeda performed during his lifetime, played and recorded with local musician and befriended many of them. The lineup includes Swedish saxophonists Bernt ResengrenFind albums by this artist (a veteran player of Komeda´s generation) and Joakim MilderFind albums by this artist, pianist Bobo StensonFind albums by this artist, bassist Palle DanielssonFind albums by this artist, and Norwegian drummer Jon ChristensenFind albums by this artist and guitarist Terje RypdalFind albums by this artist (present on three tracks only). Since I´ve already written extensively about Komeda´s music, I will only say that these performances manage both to preserve the original beauty and depth of it, as well as transform is successfully into the present Jazz idiom, with grace, intelligence and deep respect. The performances are stellar from start to finish, the solos breathtaking, the rhythm session imaginative, yet solid like a rock – in other words this is perfect in every sense one can associate with music. This is a worthy and fitting tribute to the great Genius by the best and most sensitive musicians around and an absolute must in any music library, regardless of genre preferences. Beyond essential!

CD 1 Slipcase Essential Recommend To A Friend

TOMASZ STANKO ~ LIVE AT THE MONTREUX JAZZ FESTIVAL 1987 POLONIA 254 ~ POLAND ~ Jazz-Rock Fusion Recorded: 1987 Released: 2000 This live recording at the Montreux Jazz Festival is the last of the glorious 1980s albums by the polish trumpet virtuoso / composer Tomasz StankoFind albums by this artist and his FreelectronicFind albums by this artist ensemble, here consisting of keyboardists Janusz SkowronFind albums by this artist and Tadeusz SudnikFind albums by this artist and bassist Witold SzczurekFind albums by this artist. Stanko is in top form and in a great mood, which is evident by the happy atmosphere captured herein. His trumpet soars to incredible heights and the brilliant improvisations chase one another. In retrospect this is a perfect moment captured for posterity, just before the ever-changing Stanko would embark on yet another musical journey with the onset of the 1990s. The 1980s Stanko´s Jazz-Rock period was about to be abandoned and replaced by a return to the Jazz tradition and the new (again) Stanko, which would capture worldwide audiences with his ECMFind albums on this label recordings. But the 1980s period firmly remains as one of Stanko´s most productive and expressive periods and this album is an integral part of that legacy. A must to every Stanko fan!

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ LONTANO ECM 1980 (Barcode: 602498773802) ~ POLAND ~ Jazz Recorded: 2005 Released: 2006 Legendary Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory, is definitely still in top form. This is the third album with his all Polish quartet, which includes brilliantly talented young Polish Jazz musicians: pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Although separated from his quartet members by decades (chronologically), Stanko is in perfect harmony with them, mentally, keeping his youthfulness, energy and creativity. Compared to Miles DavisFind albums by this artist, who played progressively less and less during his late period, Stanko is still the main soloist in his groups, with his unique tone and expressionism untouched by age. His music remains majestic, mystical and deeply penetrating, as always, and this album is again a superb addition to his magnificent legacy. Absolutely brilliant stuff and a must to any serious Jazz aficionado!

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ MATKA JOANNA ECM 1544 (Barcode: 731452398628) ~ POLAND ~ Jazz Recorded: 1994 Released: 1995 Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. Despite his advanced age, his powers as a player and composer seem to be ever growing and in contrast to Miles DavisFind albums by this artist, with whom he is often compared (a comparison, which in most cases makes no sense whatsoever) he still retains the position of the main soloist on his albums and his compositions are more detailed intricate than ever and as much melodically and harmonically advanced as always. This incredible album, finds Stanko again in the company of Swedish musicians: pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and surprisingly in first-time cooperation with British drummer Tony OxleyFind albums by this artist – probably the greatest living drummer on this planet, who unfortunately records ever so rarely. This is the first of the two albums Stanko recorded with this quartet. The album is dedicated to the Polish film director Jerzy KawalerowiczFind albums by this artist, whose film "Matka Joanna Od Aniolow" (1961) was a groundbreaking masterpiece of the Polish post-WWII cinema. The music was composed mostly by Stanko, but also co-composed by the quartet members and includes one composition by Oxley. This is one of the last albums, on which Stanko´s compositions are very sparse and the music is mostly freely improvised. The quartet is perfect together, with Stenson and Jormin fitting the bill perfectly, being both greatly gifted players. Oxley, as usual, is simply outstanding, ornamenting the music with his idiosyncratic approach to rhythm and the role of percussion in Jazz, but keeps his outbursts well in the overall framework of the music. This is phenomenal music, some of the best ever made on this planet, and if anyone tells you differently, he´s simply deeply confused. An absolute must!

CD 1 Recommend To A Friend

TOMASZ STANKO ~ MUSIC 81 (POLISH JAZZ VOL.69) MUZA 969 ~ POLAND ~ Jazz Recorded: 1982 Released: 2004 Probably the most famous Polish musician worldwide, Tomasz StankoFind albums by this artist, acheived a legendary status as a virtuoso trumpet player of the same maginutude as Miles DavisFind albums by this artist. An original member of the legendary Kszysztof KomedaFind albums by this artist Quintet and a founding father of Polish Jazz, Stanko never allowed himself to become stagnant and his ever evolving musical style has been at the very front of modern jazz since 4 decades. This album presents him in the best form, playing with young musicians (except drummer Czeslaw BartkowskiFind albums by this artist - another veteran) and as usual playing his wonderful compositions, which range from minimalistic fiffs to beautifully lyrical melodies. A true gem!

CD 1 Digipak Oversampling Remastered Recommend To A Friend

TOMASZ STANKO ~ MUSIC FOR K (POLISH JAZZ VOL.22) MUZA 922 ~ POLAND ~ Jazz Recorded: 1970 Released: 2004 This album is Tomasz StankoFind albums by this artist`s tribute to his mentor Krzysztof KomedaFind albums by this artist shortly after his tragic death. A stellar cast of polish virtuosi, including the violin genious Zbigniew SeifertFind albums by this artist, play some of the most advanced and intelligent music so characteristic of European jazz. This music gets better and better with time.

CD 1 Digipak Oversampling Remastered Recommend To A Friend

TOMASZ STANKO ~ MUSIC FOR K (POLISH JAZZ VOL.22) POWER BROS 00131 ~ POLAND ~ Jazz Recorded: 1970 This album is Tomasz StankoFind albums by this artist`s tribute to his mentor Krzysztof KomedaFind albums by this artist shortly after his tragic death. A stellar cast of polish virtuosi, including the violin genious Zbigniew SeifertFind albums by this artist, play some of the most advanced and intelligent music so characteristic of European jazz. This music gets better and better with time.

CD 1 Recommend To A Friend

TOMASZ STANKO ~ PEYOTL - WITKACY POLONIA 037/038 (Barcode: 5904542687307) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1984 - 1986 Released: 2004 This is probably the most significant recording by Polish trumpeter virtuoso / composer Tomasz StankoFind albums by this artist, surely at least among his Polish recordings before his later ECMFind albums on this label period. Following Miles DavisFind albums by this artist, Stanko switched to Jazz-Rock Fusion (albeit a decade later) and his 1980s output with his FreelectronicFind albums by this artist ensemble is radically different from the Free Jazz he played in the 1970s. This double album consists of one studio recording and one live recording, both expressing Stanko´s power as a performer and a composer to the max. The studio album, which was compiled over a period of two years, presents music composed by Stanko at the period when he was experimenting with hallucinogens and was deeply influenced by the writings of the Polish mystic / philosopher / Avant-Garde artist WitkacyFind albums by this artist (Stanislaw Ignacy Witkiewicz), who was also an early experimenter with drugs. Text excerpts from Witkacy´s book about drugs are recited and closely incorporated into the fascinating music, which floats over a repetitious hypnotic vamp and layers of electronic keyboard sounds. The highlight of this album is undoubtedly the inclusion of a second genius trumpet player, Andrzej PrzybielskiFind albums by this artist, who exchanges licks with Stanko in a brilliant manner. The fact that Stanko invited Przybielski to participate in this recording is a testimony of how highly he regarded his unbelievable talent. Other musicians participating in these recordings are: keyboardists Janusz SkowronFind albums by this artist and Tadeusz SudnikFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist, bassist Witold SzczurekFind albums by this artist, and drummer Zbigniew BarysiakFind albums by this artist. The recitation is by the great actor Marek WalczewskiFind albums by this artist. In retrospect the fact that this music was recorded almost 30 years ago seem incomprehensible, as it so much more advanced that almost any music done these days. Stanko´s genius definitely reaches here one of its great peaks, which luckily for us was captured for posterity. Sadly this album is probably little known by his worldwide fan base, as it is very difficult to find, which of course is a shame. If one must own just one Stanko album, this is it, at least as far as I´m concerned. Absolute unadulterated genius!

Updated: 12/04/2019Posted:

CD 2 Essential Recommend To A Friend

TOMASZ STANKO ~ POLIN MHZP 001 (Barcode: 2052538267767) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014 Polin, the Museum of the History of Polish Jews, commissioned this album from Polish Jazz trumpeter / composer Tomasz StankoFind albums by this artist as part of the celebrations connected with the opening of the permanent exhibition of the museum. The album comprises of five original compositions by Stanko, performed by a quintet, which in addition to Stanko includes American musicians: saxophonist Ravi ColtraneFind albums by this artist, pianist David VirellesFind albums by this artist, bassist Dezron DouglasFind albums by this artist and drummer Kush AbadeyFind albums by this artist, or in short the Ravi Coltrane Quartet. Virelles is also a member of Stanko´s New York Quartet. This is not the first time Stanko cooperates with a museum, as he also wrote music for the Warsaw Uprising Museum back in 2005 (see the "Wolnosc W SierpniuFind albums with this title" album). However, in contrast to that occasion, where the music can be contextually connected to the tragic Warsaw Uprising of 1944, the current album seems to have absolutely no connection whatsoever, neither to Jews, not their 1,000 years long history in Poland and certainly not to the cataclysmic epilogue of that history. Therefore the entire circumstance of this commission somehow misses the point completely. The actual music, judged on its own merits, is of course what one might expect from a musician / composer of Stanko´s standing, i.e. professional, beautifully played and well recorded. Sadly not much more can be said about it, as Stanko seems to have run out of steam as a composer and mostly recycles ideas used previously, distancing himself from the unique rough sound and Polish melancholy, which characterized his music for decades, simply to embrace American mainstream, which leaves ambition, challenge and exploration to others. There are some traces of genius and thrill, but alas they remain just traces. Of course this is still a beautiful Jazz album, timing just under forty minutes and full of nice melodic and inoffensive music, which sounds great when played in the background, but disappears like an early morning mist by noon. For people, who grew up listening to Stanko, the Icon, this is less than they probably expected?

CD 1 Mini-Sleeve Recommend To A Friend

TOMASZ STANKO ~ PURPLE SUN MILO 003 (Barcode: 5907513047230) ~ POLAND ~ Jazz Recorded: 1973 Released: 2006 Brilliant early album by Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the founding fathers of modern Polish and European Jazz and one of the most important Jazz pioneers in music today. The album was recorded in Germany and originally released on LP by the tiny private CaligFind albums on this label label, being unavailable for 33 years, so this reissue is a true blessing. The album was recorded by Stanko´s quintet, which comprises of the violin virtuoso Zbigniew SeifertFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, German bassist Hans HartmannFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, and is a superb example of revolutionary modern European Jazz. The album is full of brilliant solos and telepathic group interplay with endless climaxes which go right down the listener´s spine. This is European Jazz at its best, with intelligent music and virtuosity predominant at every step of the way. I can´t imagine any serious fan of modern Jazz not wanting this album in their collection. Brilliant stuff!

CD 1 Digipak Remastered Recommend To A Friend

TOMASZ STANKO ~ ROBERTO ZUCCO POLONIA 059 ~ POLAND ~ Jazz Recorded: 1995 Released: 1996 This is a relatively little known brilliant album by Polish virtuoso trumpeter / composer Tomasz StankoFind albums by this artist, presenting one of the numerous soundtracks Stanko created for stage and cinema. This soundtrack was used for the Polish production of the theatre play "Roberto Zucco" by Bernard-Marie Koltés, based on the life of infamous Italian serial killer Roberto Succo. The music, which as usual with Stanko´s work, stands alone perfectly when removed from the stage context, consists of sixteen relatively short pieces performed by a quintet, quartet or on solo trumpet. Thirteen of these pieces are composed by Stanko and the remaining three are variations on the famous standard "Blue Velvet", of which two include vocal parts by singer Dorota MiskiewiczFind albums by this artist. This is an ultra rare opportunity to hear Stanko performing a standard, which he almost never does. Other players include pianist Andrzej JagodzinskiFind albums by this artist, keyboardist Janusz SkowronFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist, drummer Michal MiskiewiczFind albums by this artist and percussionist Zbigniew BarysiakFind albums by this artist. Overall, as always with Stanko, this music is powerful and delicate simultaneously, simply making you wish it just wouldn´t stop. This is of course an absolute must to any Stanko acolyte / collector and a great proof of Stanko´s versatility as a composer. Brilliant stuff!

CD 1 Recommend To A Friend

TOMASZ STANKO ~ SOUL OF THINGS ECM 1788 (Barcode: 044001637421) ~ POLAND ~ Jazz Recorded: 2001 Released: 2002 Legendary Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory, is definitely still in top form. This is the first album with his all Polish quartet, which includes brilliantly talented young Polish Jazz musicians: pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Although separated from his quartet members by decades (chronologically), Stanko is in perfect harmony with them, mentally, keeping his youthfulness, energy and creativity. Compared to Miles DavisFind albums by this artist, who played progressively less and less during his late period, Stanko is still the main soloist in his groups, with his unique tone and expressionism untouched by age. His music remains majestic, mystical and deeply penetrating, as always, and this album is again a superb addition to his magnificent legacy. Absolutely brilliant stuff and a must to any serious Jazz aficionado! Visitors' Comments Christopher  Brice Label this one "Essential"!

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ SUSPENDED NIGHT ECM 1868 (Barcode: 602498112441) ~ POLAND ~ Jazz Recorded: 2003 Released: 2004 Legendary Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory, is definitely still in top form. This is the second album with his all Polish quartet, which includes brilliantly talented young Polish Jazz musicians: pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Although separated from his quartet members by decades (chronologically), Stanko is in perfect harmony with them, mentally, keeping his youthfulness, energy and creativity. Compared to Miles DavisFind albums by this artist, who played progressively less and less during his late period, Stanko is still the main soloist in his groups, with his unique tone and expressionism untouched by age. His music remains majestic, mystical and deeply penetrating, as always, and this album is again a superb addition to his magnificent legacy. Absolutely brilliant stuff and a must to any serious Jazz aficionado!

CD 1 Slipcase Recommend To A Friend

TOMASZ STANKO ~ TALES FOR A GIRL, 12 POLONIA 046 ~ POLAND ~ Jazz Recorded: 1991 Released: 1995 With the 1980s over, Polish trumpeter / composer Tomasz StankoFind albums by this artist enters the next decade with another pivotal recording, which marks yet another about face change with the return to "classic" Jazz, as defined by Stanko´s unique talent. This incredible album is basically a solo trumpet recording, an extremely bold and difficult project for the artist, which truly emphasizes his genius in full. Accompanied only by keyboardist Janusz SkowronFind albums by this artist, who produces layers of atmospheric background, Stanko blows with full might presenting thirteen brilliantly concise pieces of music, which are simply mind-blowing. His virtuosity as a performer is demonstrated here perhaps more vividly than on any other Stanko album, certainly any of his previous recordings up to that one. His lyricism and incredible power of expression are overwhelming and the totality of his music is unparalleled. Although solo recordings (in Jazz or other types of music) are usually quite difficult for the less experienced listener, this album is so powerful that is able to mesmerize any listener sensitive to music. This album is the mark every other trumpet album should be measured against, a work of pure genius and an absolutely essential piece of Art in any sense of this word. Stunning!

CD 1 Slipcase Essential Recommend To A Friend

TOMASZ STANKO ~ TOO PEE NEW EDITION 87025 (Barcode: 614511738224) ~ POLAND ~ Jazz Recorded: 1993 Released: 2005 This is a reissue of the album originally released under the title "Suite TalkFind albums with this title" on the ITMFind albums on this label label, which captures the wonderful meeting between the Polish Jazz trumpet virtuoso / composer Tomasz StankoFind albums by this artist and two German Jazz players: reedman Michael RiesslerFind albums by this artist and bassist Manfred BründlFind albums by this artist. The trio performs a set of eight original compositions in a wonderful atmosphere of mutual respect, conversation and above all listening to each other. Stanko´s "sharp" trumpet and Riessler´s "soft" bass clarinet harmonize beautifully, with Bründl´s bass providing the pulsating rhythmic support. These players are all completely open to every musical possibility, that the music they make is a magnificent expression of freedom, without being chaotic or messy. After all this is Free Jazz and Improvised Music, but with an openness towards melody and self-imposed restriction toward form. Stanko is in top form, with renewed energies, which characterize his early 1990s output, revitalized and as always exceptionally creative. It´s excellent to have this superb album back in circulation and anybody who missed it the first time around should definitely avoid the same mistake again. Brilliant stuff!

CD 1 Recommend To A Friend

TOMASZ STANKO ~ TWET (POLISH JAZZ VOL.39) MUZA 0939 ~ POLAND ~ Jazz Recorded: 1974 Released: 2004 This monumental album by Polish Jazz trumpeter / composer Tomasz StankoFind albums by this artist in one of the most important releases on the legendary Polish Jazz series, which means it´s a truly stellar performance. It captures perfectly the soul of Stanko´s 1970s Free Jazz period, which culminated just a year later with the recording of the legendary "BalladynaFind albums with this title" album for ECMFind albums on this label, in almost identical lineup. Similarly to his Mentor, Krzysztof KomedaFind albums by this artist, Stanko always tried to work with musicians from other countries, even when the bureaucracy of the Socialist regime made it quite difficult. Like Komeda before him, he worked with musicians from the neighbor Scandinavian countries, finding a close friend and partner in the free-spirited Finnish legendary drummer Edward VesalaFind albums by this artist. Young Polish saxophonist Tomasz SzukalskiFind albums by this artist was given the position previously held by such giant musicians as Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist, which testifies to Stanko´s high confidence in him. The quartet was completed by the great American bassist Peter WarrenFind albums by this artist, who lived at the time in Europe and participated actively in the incredible European Jazz scene of that period. The album includes five pieces, credited to all four musicians and obviously largely improvised, with some limited preconceived melody lines barely audible under the surface. The unedited, "live in the studio" recording perfectly reflects the atmosphere of the session, with Free blowing and intense interplays, enthusiastically encouraged by Vesala´s howls and cries in the background. This is definitely a magic moment, captured for posterity on this recording, which has very few parallels, and therefore is so incredibly important. Stanko´s fans will of course find plenty of his superb trumpet performances here, which are second to none. Any European Jazz connoisseur, Polish Jazz enthusiast or Stanko aficionado must absolutely have this album!

CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend

TOMASZ STANKO ~ TWET (POLISH JAZZ VOL.39) POWER BROS 33860 ~ POLAND ~ Jazz Recorded: 1974 Released: 1986 This monumental album by Polish Jazz trumpeter / composer Tomasz StankoFind albums by this artist in one of the most important releases on the legendary Polish Jazz series, which means it´s a truly stellar performance. It captures perfectly the soul of Stanko´s 1970s Free Jazz period, which culminated just a year later with the recording of the legendary "BalladynaFind albums with this title" album for ECMFind albums on this label, in almost identical lineup. Similarly to his Mentor, Krzysztof KomedaFind albums by this artist, Stanko always tried to work with musicians from other countries, even when the bureaucracy of the Socialist regime made it quite difficult. Like Komeda before him, he worked with musicians from the neighbor Scandinavian countries, finding a close friend and partner in the free-spirited Finnish legendary drummer Edward VesalaFind albums by this artist. Young Polish saxophonist Tomasz SzukalskiFind albums by this artist was given the position previously held by such giant musicians as Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist, which testifies to Stanko´s high confidence in him. The quartet was completed by the great American bassist Peter WarrenFind albums by this artist, who lived at the time in Europe and participated actively in the incredible European Jazz scene of that period. The album includes five pieces, credited to all four musicians and obviously largely improvised, with some limited preconceived melody lines barely audible under the surface. The unedited, "live in the studio" recording perfectly reflects the atmosphere of the session, with Free blowing and intense interplays, enthusiastically encouraged by Vesala´s howls and cries in the background. This is definitely a magic moment, captured for posterity on this recording, which has very few parallels, and therefore is so incredibly important. Stanko´s fans will of course find plenty of his superb trumpet performances here, which are second to none. Any European Jazz connoisseur, Polish Jazz enthusiast or Stanko aficionado must absolutely have this album!

CD 1 Remastered Essential Recommend To A Friend

TOMASZ STANKO ~ W PALACU PRYMASOWSKIM POLJAZZ / ANEX 219 (Barcode: 5907513047483) ~ POLAND ~ Jazz Recorded: 1982 Released: 2009 Brilliant album by Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the founding fathers of modern Polish and European Jazz and one of the most important Jazz pioneers in music today. The album includes just two lengthy compositions, the first performed by Stanko´s quintet, which comprises of the violin virtuoso Zbigniew SeifertFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, and the second a solo trumpet performance, which is a rarity in his repertoire and a stunning display of his craftsmanship. The album is full of brilliant solos and telepathic group interplay with endless climaxes which go right down the listener´s spine. This is European Jazz at its best, with intelligent music and virtuosity predominant at every step of the way. I can´t imagine any serious fan of modern / Free Jazz not wanting this album in their collection. Brilliant stuff!

CD 1 Digipak Remastered Recommend To A Friend

TOMASZ STANKO ~ WISLAWA ECM 2304/05 (Barcode: 6025371377256) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 I always try to write about albums as soon as possible after they arrive on my desk and then dwell a while in my CD player. Usually these immediate reflections about music turn out to be accurate, as far as I am concerned, and when I read them later, sometimes years later, my initial opinion remains unchanged. This album is a very special and unusual case, as I´ve let almost a year pass by since I´ve heard this music for the first time, holding my tongue. Polish trumpeter / composer Tomasz StankoFind albums by this artist has been (and still is) one of my absolute top Artists for decades and my admiration towards his music lasted unshaken for all that time… until this album. When I heard it for the first time my initial reaction was a kind of disappointment, which of course I found quite shocking and improbable. Therefore I decided not to write a review for the time being. In the time that passed since, I´ve listened to the album repeatedly and also heard this music live. During the three years that passed between the time he recorded his previous album ("Dark EyesFind albums with this title") with a Scandinavian band and the recording of this album, Stanko deepened his ties with New York, taking a permanent residence there and establishing a new quartet, which he calls the New York Quartet. It comprises of himself and three American musicians: pianist David VirellesFind albums by this artist (aged 29 at the time of the recording, of Cuban origin, who arrived in NY in 2009), bassist Thomas MorganFind albums by this artist (aged 31, an upcoming bass player who took part in recording of no less than five albums for ECMFind albums on this label in 2012 alone) and drummer Gerald CleaverFind albums by this artist (aged 49, an established artist on the US scene). This is the first time for Stanko, to play with an all-American band, as all his previous recordings involved either Polish musicians or other European (mostly Scandinavian) musicians. This new direction, which was obviously deliberate, made s tremendous impact on the music of course. The album is dedicated to the memory of the great Polish poetess and Nobel Prize Laureate Wislawa SzymborskaFind albums by this artist, who sadly passed away shortly before this album was recorded. Stanko knew Szymborska personally and even worked with her on occasion, accompanying the readings of her poetry. Her poetry inspired much of the music present on this album, as Stanko states in the liner notes. The album´s music, which consists of twelve original compositions, all by Stanko, fills two CDs, with six tracks on each CD, and the album was recorded in NY. Stanko´s aficionados will find the music pretty much familiar; brief beautiful melodic themes, which are Stanko´s trademark, are usually stated at the beginning of each tune and than the quartet explores these themes via a series of lengthy improvised passages, featuring individual solos and returning back to the melody either by mid-time or just at the very end of each piece. This formula works for Stanko (and numerous other Jazz players) since many decades and one does not change horses in the middle of a race. Of course this formula works fine only if the musicians involved have a statement to make; otherwise the improvised passages tend to get somewhat less exciting. One must admit that Stanko plays superbly on this album, definitely as good as he always did. His tone can be piercing like a spear, or delicate as a butterfly´s wings, lyrical and even romantic. More importantly he plays a lot, which of course is a benevolent treat, since on some of his recordings his net input is much more modest. Several of his passionate solos on this album are some of his best ever. His melodies are also simply brilliant, as always, but the duration of the entire album tends to create a feeling of sameness, sort of a déjà vu, as if the same melodic theme was already used more that once earlier on, which is definitely a very weird feeling. The American quartet members are all fine musicians, no question about it. But their contributions on this album are honestly extremely limited. None of them, especially the pianist, rise in the slightest to the statue of the Master, even if the potential is there. Virelles is a splendid player, as evident live and on his other recordings, and in retrospect it is a great pity his contribution here is quite pale. The rhythm section does the job, but none of their efforts are exciting for the entire duration of the album, which takes some of the joy out of the potential pleasure of listening to this album. One might speculate that if this album was recorded a year later, after this material was performed repeatedly live by the quartet, the results might have been quite different. The big question hidden behind this album is: does Jazz have a Nationality? Stanko´s music has been a symbol of European Jazz for decades. It impersonates the European individuality, elegance, sophistication, thousands of years of Cultural heritage and (for good and for bad) the European singularity. Is it that Stanko wishes to leave all that behind him and try something else, i.e. play American Jazz? Or perhaps he hopes to teach the Americans to play European Jazz? Or may be he wants to create a Euro-American Jazz amalgam? Or simply he thinks that Jazz is completely unrelated to geography? Surely only he can answer any of these questions. Recording an album involves a series of decisions, and obviously some decisions ware made when this album was recorded. The result is simply the effect of these decisions. For anybody else recording an album of such quality would have been a momentous occasion, but sadly for Stanko this is just a very good album, or a magnificent failure, if I may say so. Nevertheless my love and admiration towards Stanko and his music remain unshaken.

CD 2 Slipcase Recommend To A Friend

TOMASZ STANKO ~ WOLNOSC W SIERPNIU FIRE 001 (Barcode: 5907587611009) ~ POLAND ~ Jazz Recorded: 2005 Released: 2005 This magnificent album by Polish trumpeter / composer Tomasz StankoFind albums by this artist includes the music commissioned by the Warsaw Uprising Museum, which accompanies the permanent exhibition. The heroic and tragic struggle to free the Polish Capital from the Nazi occupation in August of 1944 is to this very day a pivotal episode of modern Polish history, in many respects unresolved (morally and politically) to this very day. The bold decision to bestow the task of composing the music played at the museum upon Poland´s most distinguished Jazz composer is surely unusual and highly commendable. Stanko, of course, had little trouble to produce a masterpiece, which consists of a six-piece suite for Jazz combo and string orchestra. The participants are all Polish Jazz heroes, starting with the members of Stanko´s regular quartet at the time: pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Additional players include Stanko´s veteran partners: keyboardist Janusz SkowronFind albums by this artist, saxophonist Tomasz SzukalskiFind albums by this artist and guitarist Apostolis AnthimosFind albums by this artist (who plays only percussion here). Another old friend, keyboardist Wojciech KarolakFind albums by this artist, is responsible for the string orchestra arrangements, played by the Polish Radio String Orchestra. The music, as always with Stanko, is absolutely breathtaking, from start to finish, performed brilliantly by all the musicians involved. Stanko´s trumpet, with its distinctive and unique sound, soars vigorously and caresses gently, both with the same magic quality only he seems to be able to produce. Overall, this is definitely one of the finest Stanko´s later period albums and an essential peace of European Jazz. An absolute must! Side Note: It´s a great pity that this album as now out of print and absolutely impossible to find. A repress is desperately in order!

CD 1 Digipak Essential Recommend To A Friend

TOMASZ STANKO QUINTET ~ WOODEN MUSIC I ASTIGMATIC 020 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2022 This is an archival live album by the iconic Polish Jazz trumpeter / composer / bandleader Tomasz StankoFind albums by this artist and his legendary first quintet, which also included saxophonist / flautist Janusz MuniakFind albums by this artist, saxophonist / violinist Zbigniew SeifertFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The music was recorded by Radio Bremen on June 15, 1972 and presents six tracks with uncredited music, entitled simply pieces 1-6. The sound quality, clarity and separation of this recording is better than any other album recorded by this quintet, live or in the studio. The album includes a 32 pages bi-lingual booklet presenting historical background about the quintet and the music and photographs. Stanko formed the quintet in 1968 following his departure from the Krzysztof KomedaFind albums by this artist quintet, and it soon became Poland’s most important, searching and pioneering ensemble on the early 1970s. The quintet activity, which lasted until 1973, marked the first period of Stanko’s career as a leader and his extensive explorations of the Free Jazz / Improvised Music idiom. The quintet performed and recorded more often in Western Europe, especially in Germany, than in Poland and as a result also recorded more albums there than at home. The collective discography of the quintet includes the legendary “Music For KFind albums with this title” (Poland 1970), “Jazzmessage From PolandFind albums with this title” (Germany 1972), “Purple SunFind albums with this title” (Germany 1973), “W Palacu PrymasowskimFind albums with this title” (Poland 1973 / Side A only) and now this album and its successor “Wooden Music IIFind albums with this title”, not yet released at the time of writing. The album, in addition to the fabulous music of course, offers a highly interesting glance at the European Jazz scene at the time and presents the Polish Jazz contribution to the European emancipation from the American domination, in creating a completely new Jazz aesthetics. Other interesting aspects of the music are the hair-raising virtuosity of Seifert, who left the saxophone and concentrated totally on the violin, revolutionizing the violin’s position in Jazz, or the brilliant contributions by Suchanek, who is the absolute centerpiece of the quintet, without whom this music would never sound as coherent as it does here or the sublime polyrhythmic drumming by Stefanski, who was a superb Master of the trade. Overall, this is a brilliant addition to the Polish Jazz discography, nothing short of a holy grail, considering it took half a Century for the music to be discovered and released. Polish Jazz owes a huge gratitude to the German radio stations and record labels, which recorded the music at a time when recording in Poland was extremely limited and many treasures, such as this one, would have never been preserved for eternity. This is an essential piece of European Jazz discography and an album deserving an honorable place in any serious record collection.

Updated: 19/01/2023Posted: 19/01/2023

CD 1 Digipak Remastered Recommend To A Friend

BOBO STENSON ~ VERY EARLY DRAGON 304 (Barcode: 7391953003044) ~ SWEDEN ~ Jazz Recorded: 1986 Released: 1997 This is an expanded reissue / remaster of the third album by the great Swedish pianist / composer Bobo StensonFind albums by this artist, recorded in a classic piano trio format with bassist Anders JorminFind albums by this artist and drummer Rune CarlssonFind albums by this artist. Originally released in 1987, this CD edition adds three bonus tracks not present on the LP. The album presents nine tracks, one of which is an original composition by Stenson and another by Jormin, and the rest are standards. The music is absolutely delightful, classic Jazz piano trio setting and modern mainstream repertoire, emphasizing the talents of three Giant musicians. Stenson is one of the great European romantics, whose music can be followed on the impressive series of recordings for the ECMFind albums on this label label, starting with his debut album from 1971 and the latest one (at the time of writing) released in 2023. Stenson released only two albums as a leader outside of his ECM recordings, this one being one of them. Jormin is one of my favorite Jazz bassist, a true virtuoso and a brilliantly sensitive player, with an impressive recording legacy both as a leader and member of groups led by Charles LloydFind albums by this artist and Tomasz StankoFind albums by this artist. Carlsson, one of Sweden’s Jazz Godfathers, known to be the drummer of choice by many American Jazz musicians, who played often in Sweden on the 1960s and 1970s. He is also known to Polish Jazz followers as a member of the early groups led by Krzysztof KomedaFind albums by this artist. Overall, this is an excellent Jazz piano trio album, which shows the Swedish / European Jazz at its best, and is a delightful musical experience from start to finish. Piano trio buffs will be absolutely smitten by this music, especially if they were not previously exposed to the early years of Stenson. Wholeheartedly recommended!

Updated: 03/08/2023Posted: 03/08/2023

CD 1 Remastered Bonus Tracks Recommend To A Friend

BRONISLAW SUCHANEK / DOMINIK WANIA ~ SKETCH IN BLUE NOT ON LABEL (Barcode: 786851249323) ~ POLAND ~ Jazz Recorded: 2008 Released: 2008 This beautiful bass / piano duo album presents a meeting between two generations of great Polish Jazz players. Veteran bassist Bronislaw SuchanekFind albums by this artist was one of the most prominent players on the Polish modern Jazz scene, playing with top names, like Tomasz StankoFind albums by this artist (see the groundbreaking legendary “Music For KFind albums with this title” album). He left Poland during the turbulent years of Socialist regime, first to Sweden and later to USA, where he lives now. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Wladyslaw SendeckiFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. Dominik WaniaFind albums by this artist is a Polish pianist, with an impressive list of musical achievements in spite of his young age. Wania traveled to Boston, to get his Masters degree in music and there he met Suchanek. This album is a result of their musical cooperation. Both players are virtuoso performers on their respective instruments and their cooperation is in perfect sync, creating great exchange of ideas and interplay. Both musicians contribute equally to the compositional content, each of them by writing four compositions and one composition being co-authored. There are some superb melodies here and of course great performances from start to finish, full of sensitivity and intelligence, typical European Jazz at its best. Wholeheartedly recommended!

CD-R 1 Recommend To A Friend

SUDNIK / MAJCHRZAK / CZAJKOWSKA ~ TRIANGLE AUDIO CAVE 2022/007 (Barcode: 5908298549513) ~ POLAND ~ Avant-Garde Jazz Recorded: 2021 - 2022 Released: 2022 This is the debut album by Polish Avant-Garde trio, which comprises of electronics performer / composer Tadeusz SudnikFind albums by this artist, bass guitarist Krzysztof MajchrzakFind albums by this artist and vocalist / pianist / flautist India CzajkowskaFind albums by this artist. The album presents eleven original compositions / performances co-credited to all three members of the trio. The music, or rather improvised soundscapes, were created live during several recording sessions and finally edited into this album. It combines several quite distinct idioms, such as Electronic / Ambient Music, improvised vocalese, almost Funky bass pulsations, and others, which somehow work together splendidly, creating a magical journey in space / time continuum, which inspires the listener to connect the dots rather than suggests specific directions. All three participants, each in his / her specific field, are consistent innovators and pioneers, with impressive achievements under their respective belts. Sudnik (born 1955) created a plethora of brilliant electronic works in his “Studio of Impossible Sounds” and is well remembered for his work with Tomasz StankoFind albums by this artist, during Stanko’s most experimental period. Majchrzak (born 1954), who lives in Paris, is one of the Godfathers of Polish / European Jazz-Rock Fusion and one of the best electric bassist on the Polish scene. Czajkowska (we don’t disclose Ladies’ age) has been a pioneer of the Polish Avant-Garde Music scene since the break of the new Millennium (and even slightly earlier), with some truly impressive works to her credit. In short this trio is an immense conglomerate of creative powers. Together, they manage to create a tapestry of sounds, which has a coherent flow and effect, even if it eschews conventional perceptions of melody, harmony and rhythm. Although innovative and pioneering, the sound weaving delivers a clear message, which is not abrasive, cacophonic or alienating, which happens with Avant-Garde music way too often. It is a sort of sonic Zen meditation, atmospheric vibration and intellectual love-making, all in one. Overall, this is obviously not for everybody, or even only for very selected audiences, who will find the patience and openness to submit to this music, but at the same time it certainly is one of the most daring, unique and challenging pieces of music the Polish scene produced this year (2022). Kudo to Audio CaveFind albums on this label Records for releasing this obviously non-commercial piece of musical Art, which is highly appreciated. The brave-hearted listeners are in for a real rewarding treat. Thank you for the music, my Friends!

Updated: 05/11/2022Posted: 05/11/2022

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TADEUSZ SUDNIK ~ TADEUSZ SUDNIK & HIS FRIENDS IN ART AUDIO CAVE 2017/001 (Barcode: 5905669566223) ~ POLAND ~ Avant-Garde Jazz Recorded: 1986 - 2005 Released: 2017 This is an archival release by Polish keyboardist / composer / electronic music pioneer Tadeusz SudnikFind albums by this artist, which presents nine tracks recorded between 1986 and 2005 with the participation of some of top Polish Jazz musicians, like trumpeter Tomasz StankoFind albums by this artist, saxophonist Adam PieronczykFind albums by this artist and Aleksander KoreckiFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist and others, including the Polish Avant-Garde legend Andrzej MitanFind albums by this artist. Sudnik is listed as co-composer of all the tracks, except the piece with Stanko. The music presents a wide scope of stylistic influences, but clearly points out the tremendous input Sudnik contributed to the development of electronic music as well as Polish Jazz and other genres. His membership in Stanko´s group FreelectronicFind albums by this artist in the 1980 and his work on such albums as "Peyotl - WitkacyFind albums with this title" or "Live At The Montreux Jazz Festival 1987Find albums with this title" are major contributions to the genre. On the album Sudnik utilizes live computer generated sounds, producing amazing and always perfectly suited music to accompany the friends he plays with. The album is full of great melodies, mystical sound vistas, exciting dialogues and a plethora of highly unusual, but highly aesthetic musical statements. Overall this is a superb career spanning overview, which presents Sudnik as a major electronic pioneer, full of ideas and stylistic diversity, which is rarely present in electronic music, which tends to be more concerned with electronics than with music. For Polish Jazz followers, this is a must have item, which enables a glance at a much lesser known areas of the genre´s activities. Electronic music connoisseurs should also find this fascinating, and much different from the usual output found within the genre. Wholeheartedly recommended!

Updated: 12/04/2019Posted: 05/07/2018

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SUN SHIP ~ AQUARIUM LIVE NO.5 POLJAZZ / ANEX 303 (Barcode: 5907513047582) ~ POLAND ~ Jazz Recorded: 1978 Released: 2009 Excellent live recording in the legendary Warsaw Jazz club "Aquarium" by the Polish Jazz quartet Sun ShipFind albums by this artist, formed by keyboardist Wladyslaw SendeckiFind albums by this artist following his departure from the great Fusion band Extra BallFind albums by this artist, which he also co-founded some years earlier. Sendecki, as well as his three companions: saxophonist Zbigniew JaremkoFind albums by this artist, bassist Witold SzczurekFind albums by this artist and drummer Marek StachFind albums by this artist are all representatives of the second generation of the Polish Jazz scene, well educated and experienced musicians, who grew up in the shadow of their mentors like Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and others, carrying the great tradition of Polish Jazz further into the future. Somewhat tired of playing Fusion, which was the predominant style of the early 1970s, Sun Ship returns to modern Jazz based on solid melodic compositions and improvisational skill of the band members. The use of synthesizers in addition to the acoustic piano is the only "leftover" from the Fusion days, and most of the music is acoustic. Sendecki´s keyboard wizardry is plainly obvious and his fluid technique and great sense of melody are truly exquisite. Brilliant stuff!

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WISLAWA SZYMBORSKA / TOMASZ STANKO ~ HERE ZNAK 9788324019250 (Barcode: 9788324019250) ~ POLAND ~ Jazz & Poetry Recorded: 2009 Released: 2012 This phenomenal album presents a live recording of a momentous occasion, which pairs the Polish Nobel Laureate, poetess Wislawa SzymborskaFind albums by this artist and Poland´s most renowned Jazz musician, trumpeter Tomasz StankoFind albums by this artist, which took place on the 27th of January, 2009 in Krakow Opera. During the concert Szymborska recited poems from her last book of poetry published while she was still alive (she died almost exactly three years later) entitled "Here" ("Tutaj" in Polish). In between the poems Stanko improvised on solo trumpet a series of themes, inspired by her poems. Of course the seeds of Stanko´s album "WislawaFind albums with this title", dedicated to Szymborska and her poetry, recorded three years later, were planted right there and then during this concert. In 2012 the Polish publishing house Znak published a bilingual edition of "Here", with Polish and English versions of the poems, translated by Clare Cavanagh. That edition includes also this CD with the recording of the concert. This CD is not available separately and is only available with the book. Polish Jazz and Polish Poetry have been closely related since many decades. Polish poets, musicians and other Artists and Intellectuals always constituted the fertile soil of Polish Culture, even during the dark days of the Socialist Regime, or perhaps especially then. The Jazz & Poetry phenomenon has been documented on Polish Jazz records many times over the last decades, and this album is a significant addition to that splendid tradition. As Szymborska teasingly states at the opening of the concert, she was there on the stage entirely by mistake, since she came simply to listen to the trumpet… This is not the place to write extensively about Szymborska´s poetry, which of course is absolutely marvelous and perhaps the most intelligently minimal piece of Polish poetry ever. Her poems, which I adore for so many years, have always been pearls of wisdom, which reveal new layers of perception every time I read them. It takes time for these poems to sink deeply into one´s psyche, and therefore hearing them being recited by the author is a shattering experience. Sadly this experience is only available to listeners who speak the Polish language, although the book which comes with this CD does, as stated above, includes also the English translations of these poems. Stanko´s music does not need any translation of course, and speaks clearly and universally. These solo trumpet improvisations, which are all absolutely brilliant, have a life of their own, regardless of the fact that they were created vis-a-vis the recitation. Stanko is focused, powerful and yet lyrical and mystical, playing brilliantly as only he can, leaving the listeners simply breathless. Of course this is also an extra-rare opportunity to hear Stanko perform on his own, which reveals new facets of his complex artistic persona. This album is something way beyond being just a piece of plastic, which contains a frozen memory of an event. It symbolizes the epitome of Polish Culture and is a National Treasure in every respect. If it was up to me, a copy of this book and the CD would have a place in every Polish household; alas these are just poetic dreams… If you can get a copy of this, don´t dare to think twice!

Updated: 16/02/2016Posted: 02/01/2016

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CECIL TAYLOR ~ MUSIC FROM TWO CONTINENTS FSR 2021/16 (Barcode: 5904441617009) ~ USA ~ Free Jazz / Improvised Music Recorded: 1984 Released: 2021 This is archival album recorded live in 1984 at the annual Jazz Jamboree festival in Warsaw. It presents an international ensemble led by American pianist / composer Cecil TaylorFind albums by this artist and ten additional players, both Americans and Europeans (hence the title), which includes Polish trumpeter Tomasz StankoFind albums by this artist, Italian trumpeter Enrico RavaFind albums by this artist, German trombonist Conrad BauerFind albums by this artist, American saxophonists Jimmy LyonsFind albums by this artist and Frank Wright Jr.Find albums by this artist, Danish saxophonist John TchicaiFind albums by this artist, American bassoonist Karen LyonsFind albums by this artist, German bass clarinetist / vibraphonist Gunter HampelFind albums by this artist, American bassist William ParkerFind albums by this artist and drummer Henry MartinezFind albums by this artist. The album presents one continuous track lasting for almost sixty-two minutes. The music is spontaneously improvised by the eleven members of the ensemble, based on directions / ideas put forward by the leader. It has little variation in tempo and intensity and offers a brilliant example of group improvisation, which in this case is performed by some of the leaders of the genre, all assembled on one stage at the same time. There are many extensive solo fragments performed by individual musicians, supported in the background by the ensemble members, as well as solos played concurrently by several musicians, with Taylor and the rhythm section playing continuously. For listeners not familiar with Free Jazz / Improvised Music all this might of course sound like a complete chaos, which has no meaning whatsoever, but a trained ear is able to hear both the group dynamics and the individual contributions, which are often stellar. Improvised Music requires certain “brainwaves” activity, which only some humans are equipped with. The fact that this music was recorded in Warsaw and that Stanko was invited to take part in the concert speaks volumes about how highly Poland and Polish musicians were regarded at the time by the international scene, despite the fact that it was still deeply behind the Iron Curtain. Stanko of course proves that he is able to stand shoulder to shoulder both with the other Europeans and the Americans. Overall, this is an important document of the genre and the Polish Jazz scene at the time. The music was of course recorded by the Polish Radio, which recorded all Jazz Jamboree concerts, and the fact that it was dug out and released by the FSRFind albums on this label label, means that those radio archives are terribly neglected.

Updated: 31/01/2022Posted: 31/01/2022

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CECIL TAYLOR ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE CAM JAZZ 1007 (Barcode: 8024709114129) ~ USA ~ Jazz Recorded: 1979 - 1986 Released: 2010 This superb Box Set collects all the albums recorded by the legendary American pianist / composer Cecil TaylorFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. Taylor needs no introduction to any serious Jazz connoisseur; suffice to say that his prolific output epitomizes the idioms of Free Jazz / improvised Music far more than any of his contemporaries. The music ranges in format from orchestra to solo piano performances and includes the legendary duets with drummer Max RoachFind albums by this artist. Other musicians playing on these four albums (one double) include: trumpeters Enrico RavaFind albums by this artist and Tomasz StankoFind albums by this artist, saxophonists Jimmy LyonsFind albums by this artist, John TchicaiFind albums by this artist and Gunter HampelFind albums by this artist, bassist William ParkerFind albums by this artist, drummer Steve McCallFind albums by this artist and others. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector. Side Note The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label. The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented. However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty. These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!

Updated: 12/04/2020Posted:

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.12 POLSKIE RADIO 1632 (Barcode: 5907812246327) ~ POLAND ~ Jazz Recorded: 1963 Released: 2014 This is the twelfth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents recordings made in 1963 during the sixth Jazz Jamboree festival in Warsaw. The majority of the material, i.e. thirteen of the seventeen tracks, is performed by Dutch vocalist Rita ReysFind albums by this artist (who died a few months ago in July 2013) accompanied by a trio led by her husband pianist Pim JacobsFind albums by this artist with guitarist Wim OvergaauwFind albums by this artist and Pim´s brother bassist Ruud JacobsFind albums by this artist. In addition one instrumental track by the trio is also included. The remaining three tracks are performed by the top Polish Jazz musicians at the time: two by vibraphonist / composer Jerzy MilianFind albums by this artist accompanied by the Krzysztof KomedaFind albums by this artist trio with bassist Maciej SuzinFind albums by this artist and drummer Leszek DudziakFind albums by this artist; the last track is by the Komeda quintet, with saxophonist Michal UrbaniakFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassist Maciej Suzin and drummer Czeslaw BartkowskiFind albums by this artist. All the tracks are Jazz standards except for the last one, which is a Komeda composition. Reys performs a set of classic vocal material, comprising of popular songs known to all Jazz listeners. Her singing is beautifully expressive, but not virtuosic and copying mannerisms from American vocal Jazz stars. She also has a slight foreign accent, but definitely passable. The accompaniment is elegant and supportive, with Pim´s piano playing being truly exceptional. The guitar plays sadly only a few solo spots, and when not soloing it is mostly hidden in the recording balance; as a result is seems Reys is accompanied mostly by a piano / bass duo only. Overall this is a fine presentation of mainstream Jazz vocals, nothing spectacular but a nice document of the moment in time. The Milian tracks are also rather pale, well performed and all, but again nothing special. Komeda plays some great piano phrases, which are always delightful and the rhythm section is doing its job as expected. The Komeda quintet is obviously the most interesting track herein with a typical beautiful melody line only he could weave and the quintet playing along splendidly. One may wonder why these three tracks were selected as the "filler" for this album, as both ensembles (Milian´s and Komeda´s) played full sets, which would be very interesting in their entirety. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.14 POLSKIE RADIO 1664 (Barcode: 5907812246648) ~ POLAND ~ Jazz Recorded: 1963 Released: 2014 This is the fourteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents the third volume of recordings made in 1963 during the sixth Jazz Jamboree festival in Warsaw. In contrast to the two earlier volumes, this one presents only Polish Jazz musicians, and therefore is by far the most interesting and enlightening of the three. In many respects this album is a comprehensive review of the Polish Jazz scene at the time and presents the early days of the modern Polish Jazz at its pivotal stage of forming its own identity, as far as sound, atmosphere, character and unique stylistic aesthetics are concerned. The album includes just six tracks, by four different ensembles, playing expanded compositions, three of which cross the fifteen minutes duration time, a clear signal of creativity and improvisational freedom typical of modern Jazz. The ensembles are: Zbigniew NamyslowskiFind albums by this artist (saxophone) quartet with pianist Wlodek GulgowskiFind albums by this artist, bassist Tadeusz WojcikFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist (one track), Andrzej TrzaskowskiFind albums by this artist (piano) quintet with saxophonists Zbigniew Namyslowski and Michal UrbaniakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist (here misspelled as Julian) and drummer Adam JedrzejowskiFind albums by this artist (two tracks), Alek MusialFind albums by this artist (trumpet) quintet with vibraphonist Ryszard KruzaFind albums by this artist, pianist Wlodzimierz NahornyFind albums by this artist, bassist Wieslaw DamieckiFind albums by this artist and drummer Bogdan JopekFind albums by this artist (one track) and finally Krzysztof KomedaFind albums by this artist (piano) quintet with trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal Urbaniak, bassist Maciej SuzinFind albums by this artist and drummer Czeslaw Bartkowski (two tracks). Of the six compositions three are standards and three are originals, one by Trzaskowski and two by Komeda. Stylistically the music is quite similar, ranging from more traditionally based modern Jazz in case of the Namyslowski and Musial tracks to more advanced characteristic Polish Jazz material in case in of the music by Trzaskowski and finally most dramatically in the music by Komeda, which is already eons ahead of its time. The two Komeda tracks are the epitome of modern Polish / European Jazz, which clearly show a mature approach free of the restrictions imposed by the American Jazz tradition. These tracks are alone worth the price of the entire album, but of course the rest of the material is also quite excellent. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 02/12/2016Posted:

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.20 POLSKIE RADIO 1872 (Barcode: 5907812248727) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015 This is the twentieth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The ten tracks collected here were recorded during the seventh Jazz Jamboree Festival, which took place between October 24 and 26 1964 in Warsaw. The music was performed by four different ensembles, which are: a quartet led by the German brothers Rolf KuhnFind albums by this artist on clarinet and Joachim KuhnFind albums by this artist on piano with Polish rhythm section consisting of bassists Tadeusz WojcikFind albums by this artist or Juliusz SandeckiFind albums by this artist (here misspelled as Julian) and drummer Andrzej DabrowskiFind albums by this artist (four tracks), a trio led by Hungarian bass virtuoso Aladar PegeFind albums by this artist with Polish pianist Wojciech KarolakFind albums by this artist and drummer Andrzej Dabrowski (also four tracks), a quintet led by Polish pianist / composer Andrzej TrzaskowskiFind albums by this artist with trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Jacek OstaszewskiFind albums by this artist and drummer Adam JedrzejowskiFind albums by this artist (one track only) and finally a trio led by Dutch pianist Pim JacobsFind albums by this artist with his brother Ruud JacobsFind albums by this artist on bass and guitarist Wim OvergaauwFind albums by this artist (also one track only). Most of the music consists of standards and the only original material is one piece by Rolf Kuhn and the only track by the Trzaskowski quintet, which was composed by Stanko and which is absolutely the best and most interesting track on this album. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 02/12/2016Posted:

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.22 POLSKIE RADIO 1874 (Barcode: 5907812248741) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015 This is the twenty-second installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The ten tracks collected here were recorded during the seventh Jazz Jamboree Festival, which took place between October 24 and 26 1964 in Warsaw. This is the third part of the Jazz Jamboree 1964 recordings. The music was performed by four different ensembles, which are: the Italian Flavio Ambrosetti All StarsFind albums by this artist (five tracks), led by saxophonist Flavio AmbrosettiFind albums by this artist with trumpeter Franco AmbrosettiFind albums by this artist, Swiss pianist George GruntzFind albums by this artist, Polish bassist Tadeusz WojcikFind albums by this artist and Swiss drummer Pierre FavreFind albums by this artist and three Polish Jazz ensembles, Krzysztof KomedaFind albums by this artist Quintet (one track) with trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, Polish Jazz QuartetFind albums by this artist (two tracks) led by saxophonist Jan Ptaszyn WroblewskiFind albums by this artist with pianist Wojciech KarolakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist Quartet (two tracks) with pianist Wlodek GulgowskiFind albums by this artist, bassist Tadeusz Wojcik and drummer Czeslaw Bartkowski. This is by far the most interesting of the three volumes of the Jazz Jamboree 1964 recordings, as it presents the modern Polish Jazz about to explode into modernism, which will shape its destiny for generations to come. Stanko, Urbaniak, Wroblewski, Bartkowski are still active on the Polish scene, fifty years latter, carrying the fire which was first sparkled around the time these recordings were made. The Ambrosetti set is also interesting, as it allows a glance at two legendary Jazz figures: Gruntz and Favre, at their early days. Most of the music performed on this album is original. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 08/07/2020Posted:

CD 1 Digipak Remastered Recommend To A Friend

VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.31 POLSKIE RADIO 2076 (Barcode: 5907812244149) ~ POLAND ~ Jazz Recorded: 1966 Released: 2018 This is the thirty-first installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The tracks presented here were recorded live in October 1966 during the ninth Jazz Jamboree Festival in Warsaw and are the third volume of a collection of tracks from that event. The first four tracks present the American violinist / vocalist Stuff SmithFind albums by this artist, accompanied by an ad hoc trio which included Czech (at that time) pianist Jan HammerFind albums by this artist, Swedish bassist Kurt LindgrenFind albums by this artist and Italian drummer Franco ManzecchiFind albums by this artist. The quartet performs four standards and the entire set is rather unimpressive to say the least. Smith died shortly after this appearance and these ware among his last recordings. The next track presents a quartet led by Swedish trombonist Eje ThelinFind albums by this artist with French saxophonist Barney WilenFind albums by this artist (mistakenly listed as Wilen Barney), Swedish bassist Palle DanielssonFind albums by this artist (misspelled as Danielsen) and American drummer Billie BrooksFind albums by this artist. The quartet performs one lengthy (almost half an hour long) just about entirely improvised piece of Free Jazz, which at the time was considered quite Avant-Garde, but portrays the rapid development of European Jazz at the time, catching up with the Free Jazz developments in the US. The next track presents a quartet co-led by two USSR Jazz musicians: guitarist Nicolai GrominFind albums by this artist and saxophonist Georgy GaranianFind albums by this artist, with bassist Adolf SatanowskiFind albums by this artist and drummer Aleksander GoretkinFind albums by this artist (all the Russian names are misspelled). The quartet performs one original composition by Gromin, kept in the mainstream Jazz idiom. The next and last and most interesting track presents a Polish / Czech quintet comprising of trumpeter Tomasz StankoFind albums by this artist, saxophonist Jan Ptaszyn WroblewskiFind albums by this artist, pianist Jan Hammer, bassist Jacek BednarekFind albums by this artist and drummer Grzegorz GierlowskiFind albums by this artist. The quintet performs one original composition by Stanko, brilliant and typical of the era, which is an absolute cherry on top of the entire album and reflects the strength of the Polish Jazz scene at the time. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 12/04/2019Posted: 01/05/2018

CD 1 Digipak Remastered Recommend To A Friend

VARIOUS ARTISTS ~ TRIBUTE TO ANDRZEJ PRZYBIELSKI VOL.2 SJP 004 ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is second volume of the wonderful project which pays tribute to the great Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist, who died in 2011. Six relatively young but already established Polish Jazz trumpeters: Maciej FortunaFind albums by this artist, Marcin GawdzisFind albums by this artist, Wojciech JachnaFind albums by this artist, Tomasz KudykFind albums by this artist, Piotr SchmidtFind albums by this artist and Maurycy WojcinskiFind albums by this artist and a rhythm section comprising of guitarist Jakub KujawaFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist perform five pieces, three of which are original compositions by Przybielski, one is a long improvised piece (over half an hour in duration) and the last is the bugle call of Bydgoszcz, the home town of Przybielski. A DVD filmed during the premiere of the first volume of this album is also included. The music is of course a continuation of the content of the first album and readers wishing to read more about the historical background and Przybielski´s contribution to Polish Jazz are invited to read my review of that album and other albums by Przybielski. By a weird coincidence I am writing these words just a few days following the death of Tomasz StankoFind albums by this artist, the Polish Jazz Colossus. The many parallels, stylistically and otherwise, and of course great differences between these two trumpeters is one of the most fascinating stories of Polish Jazz, definitely worth a book on the subject. Beyond the music per se, these two albums are an important glimpse into Polish Jazz history and an effort to bring Przybielski into the awareness of the Polish Jazz fans, which he sadly almost completely missed during his lifetime. They also show the will of the young generation of Polish Jazz players to continue the tradition and remember the idiom´s heroes. For Polish Jazz fans this is definitely something they should have in their collections. Hats off to all the people who contributed to this project and made it happen.

Updated: 01/08/2018Posted: 01/08/2018

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EDWARD VESALA ~ NORDIC GALLERY ECM 1541 (Barcode: 731452329424) ~ FINLAND ~ Jazz Recorded: 1993 - 1994 Released: 1994 This is the last ECMFind albums on this label album by the great Finnish drummer / composer Edward VesalaFind albums by this artist, recorded a few years before his untimely death in 1999. Vesala was one of the great forefathers of the extraordinary Finnish Jazz scene, which started to develop in the 1960s, as well as one of the great figures of European Jazz, as collaborator with musicians from many European countries, like the Polish trumpeter Tomasz StankoFind albums by this artist for example. In the last years prior to his death Vesala led an ensemble called Sound & FuryFind albums by this artist, comprised of young Finnish players, which is present on this album. Several additional musicians are also present, including the legendary bassist Pekka SarmantoFind albums by this artist. The music, all written by Vesala, is as usual based on Finnish folklore and mixes in Jazz improvisation, contemporary Classical idioms, World Music and Avant-Rock. This is definitely not easy music, but its Nordic serenity and intrinsic beauty are captivating. Warmly recommended to the more adventurous listeners!

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