Record Reviews

APOSTOLIS ANTHIMOS ~ THEATRO SKIATHOS 001 (Barcode: 5901549197181) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1999 Released: 2014 This is a reissue of the second album by Polish (of Greek ancestry) guitarist / composer Apostolis AnthimosFind albums by this artist, recorded live with a quartet, which includes Polish (also of Greek ancestry) vocalist Jorgos SkoliasFind albums by this artist and two Greek musicians: bassist Christos PapadopoulosFind albums by this artist and drummer Stefanos DymitriouFind albums by this artist. For this reissue the original album was remastered and extended by two bonus tracks, which were recorded a few months later and are studio versions of two of the live tracks on the original album. Anthimos composed three of the six tunes on the album, Papadopoulos composed one and the remaining two are Pop / Rock standards. Stylistically the album presents an amalgam of Jazz-Rock Fusion with some ethnic / World Music elements and traces of Blues. Anthimos, who is well-known as a member of the legendary Polish group SBBFind albums by this artist, presents here a much gentler and relaxed side of his playing, which is much Jazzier than most of the stuff he played with SBB. His guitar work is always a pleasant experience and on this album he delivers some truly moving grooves. Some SBB fans might find the guitar work on this album surprising, but in all honesty it is in many respects more interesting than his contributions on SBB material, which tends to be extremely repetitive, especially in view of the seemingly limitless number of live albums released by the band. Skolias contributes his impressive vocal parts, which are a mixture of English lyrics and improvised vocalese, fitting the raw format of this music perfectly. The rhythm section is solid and very attentive to the soloists, driving the music forcefully, but unobtrusively. Overall the quartet swings and rocks wonderfully, and the album is a joy to listen to, provided one takes it for what it is; a live gig that is supposed to be fun. The album was released on a new label, owned by Anthimos, called SkiathosFind albums on this label, which will hopefully serve as a platform for more reissues / archival releases involving him. Considering the fact that this album, released originally by a small semi-legal Polish label, has been out of print for many years, this reissue is definitely a right and welcome move.

CD 1 Remastered Bonus Tracks Recommend To A Friend

BESTER QUARTET ~ BAJGELMAN. GET TO TANGO ANAKLASIS 013 (Barcode: 5907795209739) ~ POLAND ~ Jazz-World Fusion Recorded: 2020 Released: 2020 This is an album by Polish Jazz ensemble Bester QuartetFind albums by this artist, led by accordionist / composer / bandleader Jaroslaw BesterFind albums by this artist, with violinist Dawid LubowiczFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Ryszard PalkaFind albums by this artist. The ensemble was expanded for this album to include three top Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Dorota MiskiewiczFind albums by this artist and Jorgos SkoliasFind albums by this artist. Trumpeter Michal BylicaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist guest on most of the tracks. The album presents ten tracks, one instrumental and nine songs, all composed by the Jewish / Polish violinist / composer / songwriter / bandleader Dawid BajgelmanFind albums by this artist, with words (originally in Yiddish, except for one in Polish) by himself and other lyricists. This studio recording is a documentation of a special concert originally performed in 2018 as part of the anniversary commemorating the liquidation of the Lodz Ghetto in 1944, with was devised and produced by Miron ZajfertFind albums by this artist. The album was released by the prestigious Polish AnaklasisFind albums on this label label as part of its “Revisions” series. Jaroslaw Bester was one of the first Polish musicians to accept the challenge of treating seriously the Jewish Music created in Poland during the centuries of Jewish presence on the Polish soil. Sadly, most of the attempts to deal with Jewish Music border between kitsch and chaltura, but Bester managed consistently to avoid falling into this trap over the years. He founded the Cracow Klezmer BandFind albums by this artist in 1997, which later morphed into the Bester Quartet, with a long series of successful recordings to his credit. Following the initial period of focus on the Klezmer tradition, he expanded his vision to include other musical traditions, especially the tango, which became his passion in more recent years. Jewish Music and tango come together hand in hand on this album, since the secular Jewish Music in Poland, during the period between the two great wars, was fascinated with the tango as well. The life’s story of Dawid Bajgelman is easily divided between his meteoric career before WWII, which found him as a highly successful composer and songwriter, with his songs performed by the most popular Polish singers at the time, but in parallel his massive composing legacy for local Jewish cultural life in Lodz, at the time the second biggest urban Jewish community after Warsaw, and of course his activity in the Lodz Ghetto during the Holocaust period, which came to the end with his tragic death in Auschwitz, cynical and absurd, just a few days after the camp’s liberation. His songs, written in the ghetto, are some of the most expressive manifestations of the horror and misery of that time. Although Bester’s role on this album seems somewhat less illustrious than on his other recordings, limited to arrangements and leadership of the project, he does an absolutely splendid job herein. The music is brilliantly executed by all the participants, the recording offers a high quality sound and the entire project offers a deeply moving aesthetic experience. The vocalists are amongst the finest Polish Jazz Artists, quite different from each other in every possible sense, and yet they manage to cooperate perfectly when singing duets or trios, in addition to their solo parts. They also manage to handle the Yiddish lyrics reasonably well, but the four texts translated into Polish and the original Polish lyrics are of course as perfect as one might expect from such pros. The vocalese, although used sparingly, is also just right. The instrumental parts are all superbly done, with the new lineup of the Bester Quartet reaching a level of coherence higher than ever before. The trumpet is a nice touch, building an imaginary bridge to the original sound of these songs. Overall, this is a beautiful album, full of heartbreaking nostalgia and a proper, wonderfully conceived and executed tribute to the great contribution of the Polish / Jewish composer Dawid Bajgelman to the Polish Culture, one of so many so often forgotten Polish Jews, who shaped contemporary Polish identity, whether one likes it or not. My personal thanks to Miron Zajfert, who shares my passion of exposing our proud legacy, and of course to all the participants, who are amongst my favorite Polish musicians. May the Force be with you!

Updated: 17/02/2023Posted: 17/02/2023

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EL GRECO ~ SING CUCKOO INSPIRAFON 02 (Barcode: 5903111259006) ~ POLAND ~ Jazz & Poetry Recorded: 2011 Released: 2013 This is the debut album by Polish ensemble El GrecoFind albums by this artist, led by keyboardist / composer Joachim MencelFind albums by this artist, which also includes vocalist Jorgos SkoliasFind albums by this artist, DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) who performs turntablism, bassist Andrzej SwiesFind albums by this artist and Austrian drummer Harry TanschekFind albums by this artist. The album includes ten tracks, eight of which are songs and the remaining two instrumental pieces. The eight songs are all composed by Mencel to lyrics by Polish poets (five of the songs, naturally sung in Polish) and literary texts in English (the remaining three, sung in English). One of the instrumentals is a group composition and the remaining one is by Gil EvansFind albums by this artist. This is obviously quite an ambitious project, well within the Jazz & Poetry realm, which seems to be a favorite of the Polish music scene. However, contrary to many splendid efforts in this area this album leaves me quite cold. It´s quite difficult to pinpoint the exact reasons for my opinion, but somehow the mixture of complex, sophisticated poetry with the rather simplistic music does not work for me. Anybody engaging in the poems of Cyprian Kamil NorwidFind albums by this artist must be aware of their masterly interpretation by the legendary NiemenFind albums by this artist or more recently by Stan BorysFind albums by this artist and in comparison the versions presented here seem to be quite pale. The music seems to be by and large based on blues themes, with a modernistic rhythm patterns emphasized by the turntablism. There is a limited space for serious improvisation and the atmosphere is more of an alterative Rock album than a Jazz album, which of course might be just what the ensemble (or the leader) wanted to achieve. The only thing that makes this album enjoyable as far as I´m concerned is the truly excellent work by Andrzej Swies, who emerges as the star of this particular project and without whom this music simply wouldn´t work at all. As usually the attempt to sing in English proves to be fatal. Overall this is not a bad album and many people will probably enjoy it, but I just can´t seem to be able to warm up towards it. Mea culpa!

Updated: 31/01/2017Posted:

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GREEN REVOLUTION ~ REWOLUCJA ZIELONA GAD 203 (Barcode: 5903068123030) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 1987 - 1988 Released: 2022 This is an archival album by the Polish Fusion / Funk / Brass Rock ensemble Green RevolutionFind albums by this artist, led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist and including vocalist Jorgos SkoliasFind albums by this artist, trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonists Marek KazanaFind albums by this artist and Michal KulentyFind albums by this artist, guitarist Krzysztof SzmigieroFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist and Zbigniew HeflichFind albums by this artist. The album presents five compositions, all by Konikiewicz, who also wrote the lyrics to four of the tracks and programmed the drum machines. One track uses lyrics written by Polish poet Miron BialoszewskiFind albums by this artist. The album was previously unreleased and was the second album recorded by the ensemble, which was active between mid-1980s and mid-1990s. The album symbolizes the musical philosophy of Konikiewicz, which completely disregards fads and fashions, ready to incorporate every possible genre and style, as long as it is honest and bullshit free, which of course ostracized him from the Polish Jazz mainstream / establishment, a fact which never seemed to worry him too much or influence his modus operandi. The list of musicians participating in the album’s creation is a wonderful collection of “strange birds”, mostly from the Polish Avant-Garde underground, which flourished at the time, all of which were brilliant musicians destined to remain in the shadows. It took many years to earn them the proper recognition, which in some case is still much belated. The music, despite its complexity and multilayered density, is remarkably accessible and enjoyable to a wide audience, incorporating Funk, Fusion, Reggae and even some early Rap with Jazz, sometimes as advanced as Free Jazz. Fused together it all makes perfect sense and offers a great listening experience, and must have been a blast when performed live on stage. All the players offer some great soli, and the Brass players are of course legendary, which makes every note they recorded a valuable addition to their rather limited recorded legacy. Konikiewicz, who at any given time was involved in several musical projects in parallel, continued his activity over the years to come, often against the stream, but always true to himself, creating a lot of remarkable music over time, which in the last years is finally being given the attention it deserves. This unknown gem of Polish Jazz history is long overdue to see the light of day, but completely relevant and fresh today – highly recommended!

Updated: 27/04/2022Posted: 27/04/2022

CD 1 Remastered Recommend To A Friend

WALDEMAR KNADE ~ STORIES NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz Recorded: 2022 Released: 2023 This is an album by Polish violist / keyboardist / composer Waldemar KnadeFind albums by this artist, recorded with some long-time musical friends mostly from the Polish Avant-Garde Jazz and Rock scene, such as vocalist / lyricist Jorgos SkoliasFind albums by this artist, clarinetist Jerzy MazzollFind albums by this artist, guitarist Lukasz FijalkowskiFind albums by this artist, drummer Cezary KonradFind albums by this artist, bassists Michal RybkaFind albums by this artist and Bogdan MizerskiFind albums by this artist, vocalist Ewelina WizentasFind albums by this artist and turntablist DJ Paulo B.O.K.Find albums by this artist The album presents seventeen relatively short tracks, all composed and some co-composed by Knade and the participating musicians, with the vocal tracks featuring lyrics mostly written by Skolias. The music is a fabulous atmospheric / ambient trip, full of mysticism and emotional tension, with subtle melodic themes, which are often more subconscious than actually specifically stated. Jazz, theatrical recitation, ambient electronic music and some Funky pulsations are all amalgamated into a diabolic / angelic magic potion, which the listener is treated to while submitting his mind to the music. There are many instrumental gems spread along the way, with Mazzoll improvising sublimely on bass and metal clarinets and Knade fiddling away enchantingly, and with divine vocal practices by Skolias and Wizentas, which are no less that blood curdling. Whether deeply religious or profoundly atheistic, which of course is entirely up to the listener, this music is simply way too engaging to be ignored emotionally. I see so often the phrase “spiritual music” being endlessly abused and misused by music critics, but in this case this is simply no other but spiritual music. I find it truly inspirational, encouraging and even life / sanity saving to see that people still engage in creating music like this today, when crawling through musical slime is the norm. Listening to this music is simply a deeply healing experience. Overall, this is an exceptional, highly spiritual piece of Avant-Garde Jazz, performed by some of the best Polish Jazz and Avant-Garde musicians, which delivers a fresh, exhilarating and completely unique aural experience of epic proportions. I am eternally grateful to all the participant and proud to be able to call some of them my Friends. I can only hope this music could be heard by every person on this crazy planet.

Updated: 08/04/2023Posted: 08/04/2023

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LESZEK KULAKOWSKI ~ WITKACY NARKOTYKI SOLITON 1227 (Barcode: 5903684232277) ~ POLAND ~ Jazz & Poetry Recorded: 2021 Released: 2022 This is an album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, which presents a live recording of a spectacle, featuring music composed by Kulakowski and texts written by the Polish writer / poet / painter WitkacyFind albums by this artist (a.k.a. Stanislaw Ignacy WitkiewiczFind albums by this artist). The participants comprise of Kulakowski, who plays electronic keyboards rather than piano, vocalist Jorgos SkoliasFind albums by this artist, trumpeter Tomasz DabrowskiFind albums by this artist, guitarist Marcin WadolowskiFind albums by this artist, bassist Konrad ZolnierekFind albums by this artist, drummer Sebastian FrankiewiczFind albums by this artist and actor Jerzy KarnickiFind albums by this artist, who narrates the texts. The album presents seven tracks and is beautifully packaged with an informative booklet, which also includes all the texts, as well as Witkacy’s paintings. Witkacy’s literary / philosophical / artistic heritage remains to be controversial and more often than not misinterpreted since the day it was conceived and published, and the state of affairs did not change much during the last century. Many of the subjects touched upon by Witkacy in his works, like sex, drugs and social relationships remain a taboo in Poland to this very day, despite the superficial openness and modernism. Therefore, his artistry is often treated as scandalous and sensational, rather than prophetic and educational. This is not the first attempt to interpret Witkacy’s “aura” within the Polish Jazz setting of course. In the mid-1980s iconic Polish trumpeter / composer Tomasz StankoFind albums by this artist made a groundbreaking recording inspired by Witkacy’s legacy, which also related to the subject of drugs, which of course was a household issue among many Jazz musicians, not only on the west side of the Iron Curtain. The trumpet duos between Stanko and Andrzej PrzybielskiFind albums by this artist are certainly some of the Polish Jazz highlights of that period. Dabrowski’s parts on this album serve as a bridge between that momentous album and this new creation. But Kulakowski managed to create a completely new and original approach herein in every respect. The music is highly melodic, with clearly defined themes, the Funky, Fusion oriented rhythmic background makes the music sound contemporary and vigorous. The synthesizers suit this environment way better than acoustic piano, and Kulakowski certainly made the right choice here. Wadolowski’s guitar fits the scenario perfectly as well as the round and pulsating bass parts. But the greatest asset of this album are the vocal / vocalese parts by Skolias, who is as demonic and fascinating as only humanly possible. Overall, this is an important, courageous attempt to interpret Witkacy and his legacy, highly original and moving, and beautifully performed, especially considering the fact that this is a live recording, which offers a superb sound quality. Kulakowski never ceases to re-invent himself, and despite the fact that I know him and his music for so many years, he still manages to surprise me time after time. Hats off, Maestro!

Updated: 22/02/2022Posted: 22/02/2022

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LION VIBRATIONS ~ LION VIBRATIONS & FRIENDS V 005 (Barcode: 5903111377052) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2014 Released: 2014 This is a wonderful album by veteran Polish Reggae ensemble Lion VibrationsFind albums by this artist recorded with guests, which presents an ambitious and completely unique amalgam of Reggae and Jazz. The ensemble members, many of which are familiar names on the Polish Jazz scene as well, and their guests perform eleven songs, ten of which are Jazz standards, some of them with new lyrics in Polish, and one is an original song. Beautifully and cleverly arranged these songs preserve the Reggae rhythmic patterns, but become a synthesis of Jazz, Funk and Soul, which is very rarely heard anywhere else. The list of participating guests includes some of the top Polish Jazz & Pop names, like vocalists Jorgos SkoliasFind albums by this artist, Kamil BednarekFind albums by this artist, Natalia NiemenFind albums by this artist and others, saxophonist Piotr BaronFind albums by this artist (his son and daughter in law are members of the ensemble) and bassist Wojtek MazolewskiFind albums by this artist. The album is full of fabulous instrumental solos and not too shabby vocals and altogether is a wonderful example of intelligent and sophisticated music that is also brilliant fun to listen to. Thanks to the excellent arrangements, the familiar standards sound completely natural in the Reggae setting, which is perhaps the album´s greatest success. Albums like these are great examples of the cross genre approach, which is able to achieve superb results and prove again and again that music knows no borders and talent and dedication are what matters. This album should be accessible to the majority of musical audiences, regardless of the age brackets and people who are able to open up to unusual ideas will have a great time listening to it. Excellent idea and perfect execution!

CD 1 Slipcase Recommend To A Friend

OLES BROTHERS & JORGOS SKOLIAS ~ MAGGID FENOMMEDIA 013 (Barcode: 5907604327135) ~ POLAND ~ Jazz-World Fusion Recorded: 2015 Released: 2016 This is the second album by the Polish trio comprising of brothers Marcin OlesFind albums by this artist, who plays bass and Bartlomiej OlesFind albums by this artist, who plays drums, collectively known as Oles BrothersFind albums by this artist, and vocalist Jorgos SkoliasFind albums by this artist. The trio is also referred to as SefardixFind albums by this artist, a name they adopted from the title of their debut album together, recorded four years earlier. The album continues to pay tribute to the Sephardic Jewish culture, by using several Ladino songs originating in the Judeo-Spanish tradition, but also using Greek, Balkan and other Mediterranean sources. All the songs were selected, arranged and transcribed for double bass by Marcin Oles, except for one song which was composed by him. All of the lyrics are traditional except for three cases where Skolias wrote Greek lyrics. Although the trio is seemingly limited to use just the rhythm section to accompany the vocals, in fact Marcin´s bass and Bartlomiej´s drums and percussion instruments create a full orchestral accompaniment, with both the bass and the drums also playing the melodic parts. Together with the vocals the full sound of the trio is incredibly expressive and lacks absolutely nothing. The virtuosic instrumental parts and the extraordinary vocals are completely unique and breathtaking. The music offers not only a respectful treatment of the tradition but also a very up to date arrangement and execution, creating a masterpiece of Jazz-World Fusion, with has very little competition. It is the instrumental minimalism and the vocal mannerism and theatrics which work together so well, creating this powerful result. Skolias is a completely one of its kind vocal artist, who feels perfectly at ease singing vocals or improvising vocalese, with his deep hoarse baritone, which is simply charming. There is nobody else on the Polish scene remotely close to Skolias and his great talent gets here a full exposure, like almost never before. The Oles Brothers refuse to stick to the role of Poland´s most formidable Jazz rhythm section and keep producing incredibly diverse music both individually and as a team. Sefardix, which is just one of their multifaceted activities, is certainly one of the most impressive. The long wait for this album certainly paid off in full. This is one of the most impressive Jazz-World Fusion albums ever recorded in Poland, which is known for the incredibly high level of musical output. This is a kind of album which should sell millions of copies all around the world, in an ideal world; alas we don´t live in an ideal world… An absolute must, don´t even dare to think twice!

Updated: 02/01/2017Posted: 10/03/2016

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OLES BROTHERS & JORGOS SKOLIAS ~ SEFARDIX FOR TUNE 0013 (Barcode: 5902768701135) ~ POLAND ~ Jazz-World Fusion Recorded: 2011 Released: 2013 The Sephardic Jewish Culture, with its heavenly beautiful music, poetry and above all personal warmth must be one of world´s best kept and deepest secrets, especially so in Eastern Europe, which was dominated for centuries by the Ashkenazi Jewish way of life and of course Ashkenazi Jewish Culture. In Poland, which was the center of Eastern European Jewish life in pre-Holocaust period, Sephardic Jews (like my Family) were an oddity and in most cases lost their roots along the way, adopting the Yiddish language and the Ashkenazi customs and forgetting the Ladino language and the Sephardic traditions. But of course Sephardic Jews and their Culture continued to thrive in Greece, Turkey, North Africa and in the Holy Land. For centuries Jews lived in two parallel universes with almost no contact between these two cultural spheres. But absurdly the monsters, who brought the Holocaust on the Jewish People, managed to pay no attention to any such cultural differences; the Greek Jewish community, mostly from the ancient town of Salonika, found themselves in cattle wagons on their way to Auschwitz before the horror was over. Apparently Ashkenazi and Sephardic Jews burned much in the same way. This album, created by Poland´s most revered Jazz rhythm section: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, collectively known as Oles BrothersFind albums by this artist, with vocalist Jorgos SkoliasFind albums by this artist, obviously of Greek origin, pays homage to the Sephardic Culture, based on traditional Ladino and Greek songs, except for one piece which is an original composition by Bartlomiej Oles, adopted and re-invented by the trio. All the texts were translated / transformed into the Greek language and Skolias performs them mixing many vocal techniques, from declamation, vocalese, chanting, whistling, murmuring and up to almost straightforward singing, always marvelously. The album creates a wonderful atmosphere of intimacy and minimalism, which engulfs the listener slowly but insistently, breaking cultural barriers by its immediacy and intrinsic charm. I have no idea if this charm works as well on people who have never been exposed to this kind of music, and I hope it does, since the overall effect is simply magical. Skolias takes this music into further areas, like Greek Rebetiko, mainly due to his idiosyncratic expressionism, which emphasizes the affinity of all Middle Eastern cultures. Oles Brothers prove again their outstanding ability to keep their open-minded approach, regardless of the stylistic circumstances. Marcin plays some heartbreaking bow passages and amazing plucking solos and Bartlomiej plays percussion as if he was born on the desert planes of North Africa. By all means this is one of the most original albums recorded in Poland since many years, a bold statement which is not afraid to take risks and break new ground. The idea for this project was initiated by Miron ZajfertFind albums by this artist, the artistic director of the New Jewish Music Festival in Warsaw, who deserves much credit, as does the For Tune label for recording and releasing this music, saving it for posterity. Jewish Culture connoisseurs are definitely grateful!

Updated: 02/01/2017Posted:

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SKOLIAS & BESTER ~ REBETIKO POLONIKO FOR TUNE 0142 (Barcode: 5906395808564) ~ POLAND ~ World Music & Folklore Recorded: 2018 Released: 2019 This is a wonderful album by two Polish musicians: charismatic vocalist Jorgos SkoliasFind albums by this artist (obviously of Greek origin) and accordion virtuoso Jaroslaw BesterFind albums by this artist. As the album´s title suggests it offers somewhat polonized versions of traditional Greek Rebetiko songs. The album presents twelve tracks, eleven of which are of traditional origin and one is an original instrumental composition by Bester. I have no idea how many listeners in Poland have been exposed to Rebetiko, or even any other kind non-popular Greek music, but for me this album is a true feast for the ears. Outside of Greece, Israel is probably the most likely place on earth to hear Rebetiko on a daily basis, on the radio or on stage in the small tavernas in Jaffa, where the majority of Israelis of Greek origin made their homes. Rebetiko and its Cultural, historical, social and musical significance is so vast and diverse that it requires years of study to be comprehended properly. But since the music of our Mediterranean neighbors is so close to our hearts, even without being a music scholar this music can be, and in fact is dearly loved here. Of course the accordion is not the immediate instrument associated with Rebetiko; the bouzouki is the absolute monarch of the genre and great Masters of the instrument are much loved and cherished in Greece, often way more than Pop stars. Bester steps boldly into the challenging circumstances involved in this recording and his adaptation of the Rebetiko atmosphere is truly superb. Rather than trying to imitate the original sound, he takes the music to his familiar neighborhood of Polish Folklore and Hassidic Music, creating the "Rebetiko Poloniko" atmosphere which the album´s title hints to. Bester´s accordion playing exposes the unlimited possibilities of the instrument on the one hand and his incredible sensitivity and musicality on the other hand. Skolias handles the traditional Rebetiko in his own idiosyncratic way, again not imitating the famous Masters of the idiom, but creating a new approach which mixes the Greek origins with Blues and other European vocal traditions. The resulting vocal delivery masterfully emphasizes the universality of music. His version of Rebetiko might raise some brows in a Piraeus taverna, but will surely be embraced for its evident honesty and intrinsic beauty. Overall this is a beautiful album, from start to end, which should touch any true music lover, even if this is his first encounter with Rebetiko magic. Congratulation to both musicians for the courage and vision needed to tackle such an ambitious project and deep thanks for the album´s emotional value.

Updated: 19/07/2019Posted: 18/07/2019

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JORGOS SKOLIAS / PIOTR RACHON ~ FREE V 014 (Barcode: 5903111377137) ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2018 This is the debut album by Polish duo comprising of vocalist Jorgos SkoliasFind albums by this artist and pianist Piotr RachonFind albums by this artist. The album presents ten original compositions, spontaneously created during the recording session and credited to both participants, with the "lyrics" credited to Skolias. The album was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with the expected superb sound quality. From the very onset of the music it becomes immediately obvious that this album is unlike anything one might have come across before. As the album´s title suggests, this music is completely free from any preconceptions and genre limitations. Skolias and Rachon let themselves to be led by their respective instincts and the telepathic rapport they manage to establish during the session´s duration. They are clearly listening to each other very carefully, and yet they take turns in pushing the music from one plane to another, moving forward and backwards and sideways constantly. Despite the seemingly directionless aura, the music is perfectly coherent and even "organized" and "melodic" most of the time, certainly in the abstract gist of these idioms. With Skolias using almost completely unconventional vocal techniques, Rachon sticks to almost conventional chords and scales, keeping the overall result "in check", which helps to avoid havoc and confusion. Both players are of course equally inventive at all times. Skolias uses his voice in a multilayered and multidirectional manner, utilizing single words and phrases, Multilanguage and gibberish, natural and distorted vocals and harmonized vocal effects, screams and whispers, in short an amazing array of human-produced natural and unnatural effects, which only he is capable of creating. Rachon skillfully and incredibly sensibly manages to insert his piano sounds to harmonize perfectly with the barrage of sounds produced by Skolias, creating a symbiotic whole. In fact describing this music in words is an a priori futile effort, and listening to it is the only proper way to treat it. Having said that, one must admit that this music is so extraordinary and Avant-Garde that it can be considered groundbreaking, certainly as far as Improvised Vocal Music is concerned. The Giant Step taken by Skolias from his Rock, Blues and Jazz roots towards this revolutionary modus operandi is astonishing in its boldness and ingenuity. Although I have always considered Skolias as a superbly talented and multifaceted artist, this time he truly managed to knock my socks off! Hats off to you my Friend!

Updated: 12/04/2019Posted: 19/11/2018

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JORGOS SKOLIAS / ANTONIS SKOLIAS ~ KOLOS HEVHETIA 0101 (Barcode: 8588005257428) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2016 This is a wonderful duo album by Polish vocalist / composer Jorgos SkoliasFind albums by this artist and his son Antonis SkoliasFind albums by this artist, who sings and plays drums and percussions. Together they perform nine original songs, all co-composed by the father / son team, which feature lyrics in the Greek language. Three of the songs have lyrics by the Greek poet Konstantinos Petrou KavafisFind albums by this artist, who lived in Alexandria, Egypt, and who is now recognized as one of the finest Modern Greek poets. Another four songs originate in songs Jorgos remembers from his childhood. Jorgos Skolias is one of several musicians active on the Polish scene, who belong to the Polish Greek community, members of which arrived in Poland as political refugees escaping the persecutions following the end of the civil unrest in Greece after WWII and the defeat of the communists in 1949. Poland, a "young" socialist country at the time, opened its doors to the Greek exiles and they became integrated within the Polish society, producing such great musicians as Apostolis AnthimosFind albums by this artist, Milo KurtisFind albums by this artist, Konstanty JoriadisFind albums by this artist and others. The album is a bold statement of originality; featuring just vocals and percussion where the limitations seem insurmountable, and yet the duo manages to create a fully fledged bona fide magical musical environment, which seems completely natural and misses nothing. Of course Jorgos Skolias is a phenomenal vocalist, a fact known to all his followers since many years, who is able to use his vocal chords in ways nobody else tried before. His ability to create wordless vocalese is a class in itself and he is able to carry a melody like an entire set of instrumentalists. In some ways this album is another facet of his work with the Oles Brothers and their trio called Sefardix, which features vocals supported solely by a rhythm section, which also works out fabulously. It is quite impossible to label this music stylistically, and perhaps this quality is one of its strengths. There are Folkloristic elements here, but also improvisation, Rocky rhythms, Jazz & Poetry manifestations and a whole bunch of other elements, all beautifully amalgamated into a musical experience, which is fascinating from start to finish. Skolias manages to create aesthetic tension and his deep throaty voice has simply no parallels. Kudos to Jan SudzinaFind albums by this artist and his fabulous HevhetiaFind albums on this label label for releasing this music, which has no chance in a commercial environment in spite of its intrinsic values; this tribute to the Greek and in fact the entire Mediterranean group of cultures shows the diversity of the European Culture and the magnificent ingenuity of musicians, who are able to completely ignore imaginary boundaries. This is definitely a unique gem, which will award its listeners a stunning experience, full of surprises and delightful thrills.

Updated: 12/04/2016Posted: 12/04/2016

CD 1 Mini-Sleeve Recommend To A Friend

MILOSZ SKWIRUT ~ ROAD MOVIES NOT ON LABEL ~ POLAND ~ Jazz-World Fusion Recorded: 2019 Released: 2019 This is the debut EP album (under half an hour of music) by young Polish Jazz bassist / composer Milosz SkwirutFind albums by this artist, recorded with several other young Polish Jazz musicians like pianist Katarzyna PietrzkoFind albums by this artist, keyboardist Dominik BienczyckiFind albums by this artist, guitarist Marcin HilarowiczFind albums by this artist, drummer Maksymilian OlszewskiFind albums by this artist, percussionist Lukasz KurzydloFind albums by this artist, vocalist Susanna Jara-MaleckaFind albums by this artist and veteran vocalist Jorgos SkoliasFind albums by this artist, who appears on one track. The album presents five original compositions, all by Skwirut. The cinematic term "road movie" refers to the genre which tells a story of a person leaving home and venturing on a journey of discovery, which often changes the hero´s perspective of life and shapes his character. The strong World Music influences, which are reflected in Skwirut´s music, are the analogy to a virtual journey into different cultures, with the compositions serving as mini-soundtracks of that imaginary journey´s chapters. The music is based on strong melodic motifs, which are then ornamented by World Music rhythms and an atmosphere of mysticism and exoticism, crated by the vocalese and synthesizer parts and Skwirut´s use of arco. All the participants do a truly splendid job, which suits the intended atmosphere of the music ideally. As expected the vocals by Skolias are one of the highlights of this offering. The album is obviously just a glimpse at Skwirut´s abilities as a composer and a player, rather than a full-fledged musical offering, for which we have still to wait. But this glimpse is certainly fascinating and intriguing enough to create an anticipation of things to come. Considering the fact that Jazz-World Fusion is not a very popular and strongly present idiom on the contemporary Polish Jazz scene, especially that exploring World cultures beyond the Slavic sources, this music is a breath of fresh air. In short, this is a very nice introduction to the musical world of Milosz Skwirut, which offers great compositions and excellent playing by his cohorts, rising high hopes for his future ventures!

Updated: 03/07/2019Posted: 03/07/2019

CD 1 Mini-Sleeve Recommend To A Friend

ROBERT SWISTELNICKI ~ PIOSENKI MILOSNE WCZESNEJ POSTKOMUNY I POZNEGO KAPITALIZMU I SJ 075 (Barcode: 5905489720409) ~ POLAND ~ Jazz & Poetry Recorded: 2022 - 2023 Released: 2023 This is an album by Polish multi-instrumentalist / songwriter Robert SwistelnickiFind albums by this artist, featuring five top Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Jorgos SkoliasFind albums by this artist, Natalia KordiakFind albums by this artist, Wojciech MyrczekFind albums by this artist and Klara CloudFind albums by this artist (a.k.a. Sylwia Klara ZasempaFind albums by this artist) and instrumentalists: Swistelnicki on piano, vibraphonist Marcin PaterFind albums by this artist, trumpeter Pawel PalcowskiFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and guitarist Pawel UrbanskiFind albums by this artist. Several additional musicians participate on selected tracks. The album presents fifteen tracks, with all lyrics and most compositions by Swistelnicki, except three composed by Palcowski and one by Piotr BudniakFind albums by this artist. The concept is obviously a Jazz & Poetry presentation, although the music floats all over the place, from Blues via mainstream Jazz and a few almost Avant-Garde pieces. The vocal and instrumental performances are all as good as one might expect from these highly experienced singers and talented young musicians, but the scope might have been miscalculated to a degree, especially in comparison to Swistelnicki’s debut album “PiosenkiFind albums with this title”, which is way more coherent. There is simply way too much going on here musically, which combined with the complex and often vague lyrical layer, makes this album difficult to embrace, certainly on the first attempt. Of course one should appreciate the complexity of pulling such a project off. The somewhat murky sound quality does not help as well. Since the Jazz & Poetry idiom is by far one of my favorites, I pondered at length why this specific album failed to win my immediate approval, listening to it repeatedly several times. There is absolutely nothing wrong with it per se, but the abundance of musical ideas, which don’t have a clear continuity of focus is probably what causes my reservations. Also, it is difficult to hear clearly the lyrics, which in a project like this are an absolutely essential ingredient. A booklet with the lyrics might have saved the day perhaps, but alas it is not included. On the positive side, the trumpet playing by Palcowski is nothing short of sensational and the soul-shaking vocals by Skolias are simply exquisite. Overall, this is a highly ambitious Jazz & Poetry project, excellently sung and played by talented musicians, which should be very interesting to the Polish aficionados of the idiom. It is probably a matter of personal taste to decide if it fulfills all the potential expected from such a gathering of distinguished Polish Jazz Artists.

Updated: 30/10/2023Posted: 30/10/2023

CD 1 Digipak Recommend To A Friend

TIE BREAK ~ TIE BREAK (BOX SET) NOT ON LABEL ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 1984 - 1995 Released: 2014 This incredible Box Set is a long overdue tribute and homage to Tie BreakFind albums by this artist, one of Poland´s most important ensembles in the country´s modern music history, a cult phenomenon known mostly only to insiders and a cradle of the Polish rebellious musical underground, which kept the flame of uncompromised Artistic expression burning for decades, while the rest of the scene was drowning in opportunistic nothingness and anticultural shite. Of course analyzing the importance of Tie Break is impossible without explaining the political, social, economic and historical background of Poland during the period spanning about three decades from the early 1970s to the late 1990s, which is the period when the ensemble was active in one form or another. However, as usual, a scope of a music review is definitely way too limited to even attempt such a challenging task, therefore my references to these subjects will be naturally limited. It is important to remember that these were the most tumultuous years for the Polish People, and amongst them Polish Artists, which saw a gradual but dramatic transformation from the darkest pits of Socialist Regime to a free Democratic society, a process of unparalleled National trauma and Social upheaval. Tie Break hails from Czestochowa, a provincial Polish town (which happens to be the birthplace of my Father), famous as one of Poland´s most important religious centers, with the Pauline Monastery of Jasna Gora and its Black Madonna painting drawing millions of Catholic pilgrims every year from the world over. Even during the darkest times of the Socialist Regime the town kept being flooded by pilgrims, to the dismay of the ruling party officials. In order to change the town´s image a huge steel mill and other industrial enterprises were constructed in the area, which caused a rapid expansion of the town (and of course massive pollution). In retrospect Czestochowa had its share of unholy activities, with dozens of Beat and Rock groups active in the city since the late 1960s, and the early days of Tie Break are largely a result of this background, leading to the formation of the ensemble in the late 1970s. Music was, after all, a most popular method of escapism for young people living at the time on both sides of the Iron Curtain. The need to escape reality was as strong in the case of deep economic depression in the West as it was in the case of oppressive ideology in the East. The group went through many personnel changes during its early days, but eventually the core crystallized around four musicians: trumpeter Antoni GralakFind albums by this artist, saxophonist Mateusz PospieszalskiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Marcin PospieszalskiFind albums by this artist. The booklet accompanying this Box Set lists twenty three musicians, who cooperated with the ensemble for various periods of time over the years. The music of Tie Break was a completely unique and immediately recognizable amalgam of Rock, Funk, Jazz, Avant-Garde and World Music influences, which was light-years ahead of its time and kept developing constantly during the time of its existence. In parallel to their activities with Tie Break, the ensemble members also took part in other revolutionary enterprises on the local scene, like the legendary Free CooperationFind albums by this artist ensemble or the Young PowerFind albums by this artist ensemble, and appeared under different monikers playing more Rock oriented material, such as the SvoraFind albums by this artist group with vocalist Stanislaw SojkaFind albums by this artist or the WooBooDooFind albums by this artist group. And yet in spite of their obvious talents and brilliant music-making the musicians of Tie Break and the ensemble itself were left to vegetate on the very outskirts of the local scene, with obvious animosity and dislike from almost everybody connected to the music scene: media, record labels, press and even fellow Jazz musicians, especially those mainstream veterans who felt threatened by their innovative and uncompromising approach to music. Tie Break had to wait for over ten years to record their debut album, the eponymous live album recorded in 1988 and released a year later, and recorded only four proper albums altogether during their career. Although their music was mostly instrumental, they used sometimes lyrics in an imaginary gibberish language. Their fourth and last album was an outstanding Jazz & Poetry project, which featured the great vocalist of Greek origin, Jorgos SkoliasFind albums by this artist, singing poems written by the priest / poet Jan TwardowskiFind albums by this artist. Listening to the music of Tie Break brings on in retrospect the obvious influences that shaped the ensemble´s creations: first and foremost the improvisational freedom of John ColtraneFind albums by this artist, which seems to be the most significant ingredient linking the ensemble members, but there are also obvious shades of the late Miles DavisFind albums by this artist bands with their heavy Funk, as well as contemplative Indian music, tribal chants and other folkloristic elements. And of course above all there is the omnipresent spice of craziness, madness, artistic folly and zaniness, which turn the music from being just great into being divine. Some music critics credit Tie Break for being precursors of Yass, but personally I don´t support this line of thought. Yass was motivated mainly by protest and revolt against old ways (of Jazz), whereas Tie Break were simply inventing new Jazz in a most positive way they could think off, in complete disregard of commercialism, opportunism and fads of fashion, as appropriate for true anarchists, and as most anarchist they never achieved fame and fortune, but they managed to expand the borders of our culture more than most others, for which they deserve our eternal gratitude. This Box Set includes remastered versions of the four Tie Break albums and three additional CDs with archive and radio recordings by Tie Break, Svora and WooBooDoo. Beautifully packaged and accompanied by a gorgeous booklet with original artwork and in-depth interviews with Tie Break members, this is obviously a labor of love and finally a much deserved retrospective of one of Poland´s most meaningful musical contributors. This is an absolute must to any serious Polish Jazz or Polish Culture connoisseur.

Updated: 12/04/2019Posted:

CD 7 Digipak Box Set Remastered Bonus Tracks Essential Recommend To A Friend