Record Reviews

AN ON BAST / MACIEJ FORTUNA ~ LIVE FM 010 (Barcode: 888174021560) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the second album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes ten tracks which were composed and conceived by the duo, all recorded live on two different occasions. The last track is a tribute to the memory of the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist, who died in February 2011. This album continues the direction set up by the duo´s debut album, which combines electronic / synthesized ambient vistas with trumpet solos stating the melodic elements of the music. Although not completely innovative, this music differs from most similar projects since it involves a virtuosic player like Fortuna, who is capable of lengthy and complex improvisations, keeping a clear tone and superb fluency at all times. Although this music is not very easy to listen to, requiring maximal attention blended with fruitful imagination, it speaks to a wider population of listeners than the very limited Jazz audience. Ambient / electronic music gained quite a following in the last decades and therefore there is a good chance this music might be appealing to them as well. Of course the trumpet parts played by Fortuna are the focus of this music, as the melodic sounds he produces are what the human ear is used to, much more so than the ambient sounds in the background. And yet an experienced listener quickly discovers the symbiotic relationship between these two layers, which enables the existence of one only in the presence of the other. The combined sound is dense, engaging and aesthetically pleasing, even at its darkest moments. The fact that Fortuna is engaged in this project in parallel to his numerous other, mostly Jazz oriented activities proves his diversity as an artist and his open-mindedness, which is often quite limited among other players. Overall this is a project that deserves to be heard and praised for bridging the cross-genre gaps and exploring uncharted territory. This is definitely worth investigating, especially for the more adventurous listeners, who are willing to take certain risks in order to gain new experiences.

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AN ON BAST / MACIEJ FORTUNA ~ LIVE (LIMITED EDITION) FM 008 (Barcode: 888174021560) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the second album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes ten tracks which were composed and conceived by the duo, all recorded live on two different occasions. The last track is a tribute to the memory of the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist, who died in February 2011. This album continues the direction set up by the duo´s debut album, which combines electronic / synthesized ambient vistas with trumpet solos stating the melodic elements of the music. Although not completely innovative, this music differs from most similar projects since it involves a virtuosic player like Fortuna, who is capable of lengthy and complex improvisations, keeping a clear tone and superb fluency at all times. Although this music is not very easy to listen to, requiring maximal attention blended with fruitful imagination, it speaks to a wider population of listeners than the very limited Jazz audience. Ambient / electronic music gained quite a following in the last decades and therefore there is a good chance this music might be appealing to them as well. Of course the trumpet parts played by Fortuna are the focus of this music, as the melodic sounds he produces are what the human ear is used to, much more so than the ambient sounds in the background. And yet an experienced listener quickly discovers the symbiotic relationship between these two layers, which enables the existence of one only in the presence of the other. The combined sound is dense, engaging and aesthetically pleasing, even at its darkest moments. The fact that Fortuna is engaged in this project in parallel to his numerous other, mostly Jazz oriented activities proves his diversity as an artist and his open-mindedness, which is often quite limited among other players. Overall this is a project that deserves to be heard and praised for bridging the cross-genre gaps and exploring uncharted territory. This is definitely worth investigating, especially for the more adventurous listeners, who are willing to take certain risks in order to gain new experiences.

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ARTRA ~ KRONIKI MIEJSKIE STUDIO METROPOLIS 002 ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2018 This is the debut album by the Polish Avant-Garde Jazz trio ArtraFind albums by this artist which comprises of trumpeter / clarinetist Witold PopielFind albums by this artist, percussionist Leszek GapskiFind albums by this artist and vocalist Joanna SwirskaFind albums by this artist. The music, recorded live, is a continuous improvised piece later divided into six tracks, with the vocal parts overdubbed later on in the studio. No compositional credits are stated on the album´s artwork (created by Popiel, who is also a renowned graphic Artist and painter) and therefore are assumed to belong to the musicians involved. Popiel´s involvement with the Polish Avant-Garde Jazz goes back to 1972, when he was active with the legendary ensemble Grupa W SkladzieFind albums by this artist (with Milo KurtisFind albums by this artist, Andrzej PrzybielskiFind albums by this artist and others) and in 1973 he formed Artra with Gapski, which was re-activated over forty years later, leading to the recording of this album. The music presents two distinct layers: the improvised conversation between Popiel and Gapski, and the overdubbed vocals, which come from the Polish folklore tradition, both musically and stylistically. The amalgam of these two layers creates a new musical landscape, which intends to reflect the City Chronicles ("Kroniki Miejskie" in Polish) of the Warsaw urban space. The overall effect of the music is very powerful and striking, full of emotions and intricate exchanges, enhanced by electronics and sound effects and elevated to a higher level with the vocal parts. The album proves that Avant-Garde Jazz is still alive and kicking in Poland, although mostly hidden from the public eyes. It is quite different from the Free Jazz / Improvised Music scene, which is pretty strong in Poland since the turn of the Millennium, as it moves beyond purely musical concepts into interaction with other Art Forms, philosophy and social awareness, as it always did, since it was initiated by the Hippie generation in the early 1970s. The album offers a generous dose of deep musical experiences, virtuosic performances and bold Artistic statements, which hit the listener right between his ears. Not for everybody, but open-minded listeners should have a field day with this music, which deserves repeated listening sessions. Thank God that music like this is still being made today!

Updated: 12/04/2019Posted: 15/09/2018

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JACEK BEDNAREK ~ INDEX (SOUNDTRACK) GAD 186 (Barcode: 5903068122750) ~ POLAND ~ Soundtracks Recorded: 1977 Released: 2021 This is an archival album by Polish Jazz bassist / composer Jacek BednarekFind albums by this artist, which presents the music he scored for the film “Index”, originally due to be released in 1977 but finally released only in 1981. Bednarek composed the music and performed the soundtrack all by himself using the bass, celesta and several other instruments. The album presents nine tracks which appeared originally in the film and one bonus track, which is an alternative version of the opening track. The music, although extremely minimalist and concentrated, stands wonderfully not only the test of time, but also the test of being listened to outside of the cinematic context. Despite the fact that the music offers some melodic themes, it is also very unusual and modern in its approach, bordering on Avant-Garde. It completely suits the other musical activities of Bednarek, who was also part of the Polish Avant-Garde scene, playing with the legendary trumpeter Andrzej PrzybielskiFind albums by this artist. Bednarek’s tragically premature death in 1990 robbed Polish Jazz of one of its great heroes, before he was able to make a much more significant mark on the scene. Apart from this soundtrack, Bednarek composed also another soundtrack to a film by the same director, called “Kung-Fu”. Overall, this album is a great tribute to one of the unsung heroes of Polish Jazz, which the listeners are able to enjoy thanks to the continuous efforts by Michal WilczynskiFind albums by this artist and his GADFind albums on this label Records, which gradually builds up an incredible music library of Polish Cultural Heritage, without any public / government support – a monumental labor of love and dedication.

Updated: 14/02/2022Posted: 14/02/2022

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CUSTOM TRIO ~ BACK POINT NOT TWO 736 ~ POLAND ~ Jazz Recorded: 2000 - 2001 Released: 2002 This is the second album by the Polish Custom TrioFind albums by this artist, which consists of saxophonist Krzysztof KapelFind albums by this artist, bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist – Poland´s most respected Free Jazz rhythm section). Saxophonist Maciej SikalaFind albums by this artist guests on one track. In between the recording of their debut album and this one, the trio also recorded a couple of albums with the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, one of them live with a different saxophonist (Janusz SmykFind albums by this artist). The album includes eight original compositions, five of which were composed by Bartlomiej Oles and the remaining three by Marcin Oles. For people familiar with the previous recordings by the Custom Trio will find this album quite surprising, as it is much more "docile" then any of their former work. The music is low-key, contemplative and very melodic, the rhythm section is relaxed and almost "conventional" and the saxophone improvisations, which are the focus of the album, although very Free Jazz in spirit, are all non aggressive and rounded. The overall sound and ambience of the album are very Coltranesque, which of course brings this album to a much wider potential audience, well beyond the Free Jazz buffs and into the modern mainstream. The individual statements are of course exceptional, especially those by Kapel, who emerges on this album as one of the most able Polish Jazz modernists. But of course the Oles Brothers firmly testify their amazing interplay and cooperation, which is as usual the driving force and solid ground upon which the saxophone solos are based. The album is full of virtuosity from start to finish and should satisfy even the sternest Jazz connoisseurs. It is a pity this album is rarely mentioned among the best Polish Jazz recordings originating from the first post Millennium decade, as it truly deserves. What a pity they did not continue to record any more such wonderful music.

Updated: 02/01/2017Posted:

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CUSTOM TRIO / ANDRZEJ PRZYBIELSKI ~ FREE BOP POLONIA 226 ~ POLAND ~ Jazz Recorded: 1999 Released: 2000 This is probably the best album recorded by the recently deceased Polish trumpet virtuoso / composer Andrzej PrzybielskiFind albums by this artist, who remains largely unknown to most Jazz aficionados even in his native country. An eccentric and outsider, Przybielski was blessed with an incredible talent, which unfortunately was recognized only by very few connoisseurs. This studio recording, obviously well planned and relaxed, allows the great trumpeter to relax fully and play his heart out to the fullest, accompanied by excellent musicians worthy of his company, which are called Custom TrioFind albums by this artist. The trio consists of saxophonist Krzysztof KapelFind albums by this artist and the Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist – Poland´s Free Jazz most notable rhythm section. Together as a quartet they perform nine original compositions, five of which were composed by Przybielski and the remaining four by Bartlomiej Oles. The performances are absolutely stellar and the album is one of the best Polish (and definitely not only Polish) Jazz albums ever recorded. As much as that sounds overblown, if you can listen to this music, you´ll be instantly convinced. Any other player placed opposite (or side by side) a genius like Przybielski is in a great danger of appearing pale. Luckily Kapel is capably to blow like only a few can, matching everything that Przybielski plays with a vengeance. This is simply unbelievable music, which stands easily opposite such legendary sessions as the early Ornette ColemanFind albums by this artist with Don CherryFind albums by this artist. In short this is essential Jazz, which can only be played by a very small group of exceptionally gifted players, which is definitely the case here. Brilliant!

Updated: 02/01/2017Posted:

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FREE COOPERATION ~ POLISH RADIO JAZZ ARCHIVES VOL.18 POLSKIE RADIO 1668 (Barcode: 5907812246686) ~ POLAND ~ Jazz Recorded: 1985 Released: 2014 This is the eighteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album is perhaps one of the most important pieces of the Polish Jazz legacy issued so far as a part of this series. It presents the cult Free CooperationFind albums by this artist ensemble, an informal gathering of top young Polish Jazz musicians active in the 1980s, which in retrospect turned out to be the next generation of the local scene, which carried on the tradition into the difficult next decade, after Poland finally received its political independence. The music of Free Cooperation was an eccentric amalgam of cross-genre explorations, moving between Reggae and Jazz-Rock, through the Jazz Big Band tradition and far out into collective improvisation and even some World Music influences. The music was composed by the ensemble´s members, like keyboardist Wojciech KonikiewiczFind albums by this artist, flautist / saxophonist Aleksander KoreckiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Wojciech CzajkowskiFind albums by this artist. Among the ensemble members we find the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, whose solos on this album are absolutely breathtaking. Other members include trumpeters Antoni GralakFind albums by this artist and Mariusz StopnickiFind albums by this artist, saxophonists Mateusz PospieszalskiFind albums by this artist and Marek KazanaFind albums by this artist, trombonist Bronislaw DuzyFind albums by this artist, electric bassist Marcin PospieszalskiFind albums by this artist, violinist Henryk GembalskiFind albums by this artist and drummers Michal ZduniakFind albums by this artist and Sarandis JuvanudisFind albums by this artist. Piotr BikontFind albums by this artist recited poetry, which accompanied some of the compositions. Listening to the music today, almost three decades after it was recorded, clearly points out how revolutionary and ahead of its time it was, not only as far as the local scene is concerned, but on the entire European Jazz scale. Free Cooperation came to the public attention thanks to their appearance at the 1985 Jazz Jamboree festival, which is documented here on one of the tracks; the other six tracks were recorded at the Polish Radio Studio in Poznan some months earlier. The ensemble was active between 1985 and 1988 and recorded two albums for the PoljazzFind albums on this label label, which are still waiting to be reissued, which is a true shame. In April 2014 the remaining members reactivated Free Cooperation playing a gig in a club in Krakow. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must. Side Note: In 1985 I returned to Poland for the first time after leaving the country in 1967, in order to record the now legendary "The Book Of JobFind albums with this title" project (follow the link to read the entire story). Andrzej Przybielski was one of the musicians participating in that project and he told me about Free Cooperation, which I than saw in person a few days after the recording was over on the stage of the Sala Kongresowa during the a.m. Jazz Jamboree performance, which of course left me flabbergasted. This album is therefore especially dear to my heart.

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GDANSK NECROPOLITAN ORCHESTRA ~ NECROSOFIA NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2019 This is a spectacular debut album by Polish Jazz duo behind the Gdansk Necropolitan OrchestraFind albums by this artist moniker: trumpeter / composer Dawid LipkaFind albums by this artist and bassist / composer Maciej SadowskiFind albums by this artist. The album presents eleven compositions / improvisations not credited specifically and therefore assumed as co-created by the duo members. The albums artwork is very secretive about the date and place of the recording, which offers an absolutely amazing sound quality and a unique ambience of a large empty room / hall resonating and creating wonderful overtones. Although seemingly limited by the scope of just two instruments, the music offers wonderful richness and depth of musical ideas, amalgamating elements of Classical Baroque Music, Avant-Garde Jazz, Chamber experiments and Ambient explorations, all perfectly matched together forming a marvelously striking and condensed kaleidoscope of sounds which penetrates the listener´s soul directly. It matches perfectly the two other albums released in 2019, which involve Sadowski and Lipka ("MurmursFind albums with this title" and "Jazz Dla ZwierzatFind albums by this artist"), both being among the most interesting Polish Jazz albums released in that year. This album completes an astounding "triptych" of rare quality and inventiveness. Lipka´s trumpet pyrotechnics fondly remind the work of lamented Andrzej PrzybielskiFind albums by this artist, both on the sound and emotional levels. Sadowski´s arco work and heartbreaking melancholy are absolutely dazzling. Together (and with the help of the hall´s ambience and some electronics) they are able to create an impressive wall of sound effect during the crescendo moments, but their intimacy is no less effective during the pianissimo passages. In fact the music they manage to create together is simply unparalleled by anything else that happened on the Polish scene in 2019. Overall this is nothing short of a masterpiece, an amazing piece of music, which should be definitely listened to together with the above mentioned two albums of the "triptych". If the phrase "future of music" has any meaning at all, this is as good a sample of it as one can hear here and now. I know, I know… prophesy has been given to the fools.

Updated: 10/01/2020Posted: 10/01/2020

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GEMBALSKI / IWANSKI / MAJCHRZAK / ZDUNIAK ~ 1999 HARMOLODIC ODYSSEY MTJ 11977 (Barcode: 5906409119778) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 1999 Released: 2020 This is an archival album by a Polish Jazz quartet comprising of violinist Henryk GembalskiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist, bassist Krzysztof MajchrzakFind albums by this artist and drummer Michal ZduniakFind albums by this artist. The album presents five lengthy improvised pieces, co-credited to the participating musicians. The music was recorded live and waited for over twenty years to be finally released. It is dedicated to the memory of Zduniak, who sadly passed in 2006. Polish political martyrology created the “cursed soldiers” idiom to commemorate the lesser known heroes of the struggle for independence, but many Polish Culture champions, who acted over the years on the margins of the Polish post WWII State sanctioned mainstream Culture never won the proper recognition, neither collectively as a movement nor individually as fighters for intellectual freedom. Polish Jazz is of course no different. In parallel to the Jazz activities overseen by the State recognized Polish Jazz Society, which controlled the local scene with an iron fist, many less conformist Jazz musicians managed to create their own, mostly Avant-Garde oriented facet of Polish Jazz, which enjoyed many creative peaks. People like Andrzej MitanFind albums by this artist, Andrzej PrzybielskiFind albums by this artist and many others were almost completely anonymous on the Polish Jazz scene for decades, and even today are known only to a handful of hardcore specialists. The musicians on this album also belong to the league, which operated mostly on the outskirts of the Polish Jazz mainstream, taking part in ensembles like LabiryntFind albums by this artist, Tie BreakFind albums by this artist, Free CooperationFind albums by this artist and others, playing exactly what they wanted to, regardless if it fit any “party line” or not, and often suffering the consequences. The music is a mixture of Fusion and Avant-Garde, or Avant-Garde Jazz-Rock Fusion, which is a wonderful amalgam of the four individual voices, with diverse stylistic accents, which creates a forceful statement, losing nothing of its intensity and innovation over time. Between Gembalski, who represents the Free Jazz approach, Iwanski, who is a Rocker at heart, Majchrzak, who is a Fusion kicks-ass and Zduniak, who is simply a brilliant drummer beyond classification, the music is a highly concentrated exchange of individual soloing and ensemble playing, which although demanding, is unique and superbly uplifting, with energies equaling an erupting volcano. Overall this is excellent document of the lesser travelled path of Polish Jazz, that rightfully deserves to be a part of the documented history of the genre. Good to see it finally available and hopefully more of such hidden gems will float to the surface. It would be a Cultural crime to have this music doomed as forgotten.

Updated: 30/03/2021Posted: 30/03/2021

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GREEN REVOLUTION ~ REWOLUCJA ZIELONA GAD 203 (Barcode: 5903068123030) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 1987 - 1988 Released: 2022 This is an archival album by the Polish Fusion / Funk / Brass Rock ensemble Green RevolutionFind albums by this artist, led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist and including vocalist Jorgos SkoliasFind albums by this artist, trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonists Marek KazanaFind albums by this artist and Michal KulentyFind albums by this artist, guitarist Krzysztof SzmigieroFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist and Zbigniew HeflichFind albums by this artist. The album presents five compositions, all by Konikiewicz, who also wrote the lyrics to four of the tracks and programmed the drum machines. One track uses lyrics written by Polish poet Miron BialoszewskiFind albums by this artist. The album was previously unreleased and was the second album recorded by the ensemble, which was active between mid-1980s and mid-1990s. The album symbolizes the musical philosophy of Konikiewicz, which completely disregards fads and fashions, ready to incorporate every possible genre and style, as long as it is honest and bullshit free, which of course ostracized him from the Polish Jazz mainstream / establishment, a fact which never seemed to worry him too much or influence his modus operandi. The list of musicians participating in the album’s creation is a wonderful collection of “strange birds”, mostly from the Polish Avant-Garde underground, which flourished at the time, all of which were brilliant musicians destined to remain in the shadows. It took many years to earn them the proper recognition, which in some case is still much belated. The music, despite its complexity and multilayered density, is remarkably accessible and enjoyable to a wide audience, incorporating Funk, Fusion, Reggae and even some early Rap with Jazz, sometimes as advanced as Free Jazz. Fused together it all makes perfect sense and offers a great listening experience, and must have been a blast when performed live on stage. All the players offer some great soli, and the Brass players are of course legendary, which makes every note they recorded a valuable addition to their rather limited recorded legacy. Konikiewicz, who at any given time was involved in several musical projects in parallel, continued his activity over the years to come, often against the stream, but always true to himself, creating a lot of remarkable music over time, which in the last years is finally being given the attention it deserves. This unknown gem of Polish Jazz history is long overdue to see the light of day, but completely relevant and fresh today – highly recommended!

Updated: 27/04/2022Posted: 27/04/2022

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GRUPA W SKLADZIE ~ GRUPA W SKLADZIE TRZECIA FALA 002 ~ POLAND ~ Jazz Recorded: 1972 - 2012 Released: 2013 This is the second installment in a new series of archival releases / reissues, initiated and piloted by Lukasz StrzelczykFind albums by this artist under the Trzecia FalaFind albums on this label moniker. The purpose of this series is to expose, showcase and most importantly document for posterity the early Polish Avant-Garde music movement, which rests almost completely buried by the tides of time, mostly forgotten and criminally neglected. The fact that this music was created at all is a miracle, considering the circumstances surrounding its birth. The Socialist Regime was naturally quite suspicious and often outright offensive towards "antisocial elements", as artists not following the regime directives were often referred to. The importance of having this music available is a momentous achievement and a vital effort to preserve the Polish cultural heritage, which unfortunately suffers from chronic neglect. Therefore it is encouraging to see that the Polish Ministry of Culture and National Heritage supports this wonderful effort. The albums in this series are pressed in very limited volumes, so an immediate purchase is highly recommended. This album presents, for the first time on record (as hard as it is to believe), music recorded by the pioneering ensemble Grupa W SkladzieFind albums by this artist, which was active in the early 1970s and most recently reactivated in 2012. Over time the accidental / fortuitous lineups of the group included a long list of participants. The founding members: vocalist / multi-instrumentalist Milo KurtisFind albums by this artist, saxophonist / flautist Andrzej KasprzykFind albums by this artist and guitarist / painter / photographer Jacek MalickiFind albums by this artist, were later supplemented by some of Poland´s legendary Jazz musicians, such as pianist Andrzej BiezanFind albums by this artist, bassist Helmut NadolskiFind albums by this artist, trumpeter Andrzej PrzybielskiFind albums by this artist, drummer Wladyslaw JagielloFind albums by this artist and many others. The wonderfully researched booklet accompanying this album presents the history of the group, which of course has missing parts due to some facts being lost in the mist of oblivion over time (unfortunately the text is in Polish and has only a brief synopsis in English). The interconnections between Avant-Garde music and other Art Forms, which are of course inseparable, are also well reflected in the text. There are also many wonderful photographs and a plethora of biographical information, which constitutes a first-class document of great importance. The salvaged music, which consists of six tracks, presents mostly recordings from the 1970s, with one exception (on the last track) which was recorded by a reunion lineup of the group in 2012. The recording dates and exact personnel are all rather vague, but the music certainly makes a point on its own right, showing the early / pioneering efforts by Polish Avant-Garde / improvised music scene, which will reach its first artistic peak about a decade later (by the mid 1980s). Stylistically the music utilizes many of the devices characterizing early Avant-Garde, such as sound collages, accidental noise, usage of sound producing objects and novel approach to vocal techniques. The intuitive expression seems to be a guiding force, which of course can be associated with the need to transfer the lack of freedom of speech into a freedom of nonverbal expression, a transference often used by Artists operating under oppressive regimes. In retrospect the boldness and far-reaching artistic vision of the people involved with creating this music is truly astounding. Considering the relative isolation of the Polish scene from developments taking place across the Iron Curtain, its achievements are in every respect equally revolutionary and daring. There is no doubt that the currently flourishing Polish Avant-Garde scene, which is obviously a leading contender on a world scale, has its roots in these underground acts of wonderful "madness", performed decades earlier by these pioneers. For serious fans of Polish Culture this album is an iconic event, closing one of the many gaps still existing in the beautiful tapestry, which is Polish Music. Hopefully many such events will follow in the future!

Updated: 12/04/2019Posted:

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JANUSZ YANINA IWANSKI ~ YANINA FREE WAVE MTJ 10934 (Barcode: 5906409109342) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 This is an excellent album by veteran Polish Rock and Jazz guitarist / composer Janusz Yanina IwanskiFind albums by this artist, recorded with a quintet which also includes saxophonists Lukasz KluczniakFind albums by this artist (alto) and Marek PospieszalskiFind albums by this artist (soprano and tenor), bassist Marcin LamchFind albums by this artist and drummer Przemyslaw PacanFind albums by this artist. The album comprises of six original compositions, five of which were composed by Iwanski and one is a group composition. Three of the compositions are quite extensive and last between eleven and sixteen minutes. The last track on the album is dedicated to the memory of the great Polish trumpeter Andrzej PrzybielskiFind albums by this artist, who died shortly before the album was released and with whom Iwanski played in the past. The music is a unique cross-genre amalgam, which moves between Jazz-Rock Fusion, ambient / atmospheric improvised stretches and quite Free passages with the guitar and both saxophones improvising simultaneously. A strong melodic presence is felt throughout the entire duration, moving between the foreground and the background of whatever is happening in the course of the performance. Overall the album is mostly Free Jazz oriented and most of the time the group improvisation is the focus, although several simpler and more lyrical moments also materialize. Regardless of any attempts to categorize this music, it is quite elusive and listening to it is the only proper way to deal with it. The individual instrumental performances are all quite excellent, as all these musicians are obviously highly talented. Iwanski plays some superb guitar licks, which one expects to find only on albums by the top guitar players around. His tone is fairly unusual and clear and his work will surely make many guitar freaks extremely happy. Both saxophonists play with passion and conviction, both able to play unisono or play against each other like fighters in a ring. The rhythm section does a perfect job, keeping the music right on track. The bass is solid and steady and the drums strongly present and almost as aggressive as the soloists, which is exactly what this music needs. It´s a pity this album found only a limited audience, as it truly deserves to be heard by a lot of people, who listen to the different sub-genres of Jazz, as there is something for everybody herein. As all good music this is not easy-listening by any standard, but will definitely grow on the listener with consecutive listening sessions. Therefore people looking for challenging, innovative and highly absorbing new musical vistas should check this album out as soon as possible and as long as it can be found on the market, before it disappears into the great limbo, where all good music seems to be sucked into these days. Great stuff!

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WOJCIECH JACHNA ~ EMANACJE MULTIKULTI MPI 043 (Barcode: 5907529223536) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2015 Released: 2018 This is a solo trumpet album by Polish Jazz trumpeter / composer Wojciech JachnaFind albums by this artist. The album examines the relationship between sound and space and was recorded in several locations around Jachna´s home town of Bydgoszcz, like the Synagogue and the Water Tower, and other locations with a specific architectural design, which influences the acoustics. The album presents fourteen relatively short improvisations on themes, mostly composed by Jachna (eight tracks). Guitarist Jakub ZiolekFind albums by this artist guests on one track, which was composed by Ornette ColemanFind albums by this artist. For several years now Jachna has been consistently paving his way towards the top of the Polish Improvised Music / Jazz trumpet scene, obviously influenced by the two major / celebrated Polish Jazz trumpet figures, sadly both not with us any more: his hometown hero Andrzej PrzybielskiFind albums by this artist and of course Tomasz StankoFind albums by this artist. It is not surprising therefore that a composition by each of these two great musicians is present next to each other on the album. Also present is a composition by the godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist. As a result Jachna seems to pay tribute to the Masters, recognizing their influence, along with his own contributions, which mark his own path. The music was recorded three years before the album´s release, which means that Jachna released several albums after this music was recorded, allowing us a glimpse into the past. The sound of the trumpet reflected by the acoustics of the various architectural structures is a lonely journey, minimalist and introvert, but full of emotion and beauty, which should keep all Improvised Music enthusiasts perfectly happy. Jachna has a rare talent to express his emotions and musical ideas clearly and effectively, which is even more powerful in the solo setting. This album is a document of an experiment, which proves that Jachna is at all times searching for new ways to express his music. Overall this is an unusual and interesting album, which is definitely worth investigating by Polish Jazz, Improvised Music and trumpet connoisseurs the world over.

Updated: 05/01/2019Posted: 05/01/2019

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PIOTR KOMOSINSKI / JERZY MAZZOLL ~ PORY… VINTAGE 002 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2023 - 2024 Released: 2025 This is an album by a duo of Polish Jazz musicians: bassist / composer Piotr KomosinskiFind albums by this artist and bass clarinetist Jerzy MazzollFind albums by this artist. Both musicians play several other instruments and three guest musicians appear on selected tracks. The album presents thirteen tracks, all composed by Komosinski, and the album title (“Seasons”) and the track titles refer to the passing thirteen months over which this music was gradually recorded in home studios. The music is based on a seemingly simplistic concept, where Komosinski plays a series of basic melody lines and rhythmic bass pulsation and Mazzoll improvises on top of these. This simplicity works out like a dream and the resulting music is absolutely divine, combining atmospheric vistas, contemplative soundscapes, lyrical chants and prayers, which progress gently and naturally from one track to another. The ornamentations added by the guest musicians (viola / piano / vibraphone) are non-intrusive and melt organically with the content created by the duo. As I have already repeatedly stated in my reviews, Mazzoll is a class by himself, completely incomparable to any other Polish Jazz / Avant-Garde improviser and the most impressive revelation for me, since I heard Andrzej PrzybielskiFind albums by this artist, who was a phenomenon on a similar level. Every sound he plays is always perfectly uttered and fits the one before and the one following, as if they were genetically compatible. His performances here simply re-state his obvious Genius and listening to him playing is like watching Picasso painting. But it is Komosinski who carries the music, instigates it and keeps it moving forward in a coherent flow, which is no less important in order to create the resulting music we are hearing, and therefore his contribution to this music is equally essential. The two of them are a perfect incarnation of the “Art of the Duo” phenomenon and the music is a wonderful amalgam of contrasts between the bass lines and the Free Improvisations, which in Mazzoll’s case are also completely melodious, at least in my ears. Overall, this is a phenomenal album, which offers a combination of deeply spiritual, soul-wrenching music, heart-beat pulsations which keep it progressing on a firm basis and abstract improvisations, which still make perfect sense. What a bliss… Thank you my Friends for being!

Updated: 18/02/2025Posted: 18/02/2025

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LESZEK KULAKOWSKI ~ WITKACY NARKOTYKI SOLITON 1227 (Barcode: 5903684232277) ~ POLAND ~ Jazz & Poetry Recorded: 2021 Released: 2022 This is an album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, which presents a live recording of a spectacle, featuring music composed by Kulakowski and texts written by the Polish writer / poet / painter WitkacyFind albums by this artist (a.k.a. Stanislaw Ignacy WitkiewiczFind albums by this artist). The participants comprise of Kulakowski, who plays electronic keyboards rather than piano, vocalist Jorgos SkoliasFind albums by this artist, trumpeter Tomasz DabrowskiFind albums by this artist, guitarist Marcin WadolowskiFind albums by this artist, bassist Konrad ZolnierekFind albums by this artist, drummer Sebastian FrankiewiczFind albums by this artist and actor Jerzy KarnickiFind albums by this artist, who narrates the texts. The album presents seven tracks and is beautifully packaged with an informative booklet, which also includes all the texts, as well as Witkacy’s paintings. Witkacy’s literary / philosophical / artistic heritage remains to be controversial and more often than not misinterpreted since the day it was conceived and published, and the state of affairs did not change much during the last century. Many of the subjects touched upon by Witkacy in his works, like sex, drugs and social relationships remain a taboo in Poland to this very day, despite the superficial openness and modernism. Therefore, his artistry is often treated as scandalous and sensational, rather than prophetic and educational. This is not the first attempt to interpret Witkacy’s “aura” within the Polish Jazz setting of course. In the mid-1980s iconic Polish trumpeter / composer Tomasz StankoFind albums by this artist made a groundbreaking recording inspired by Witkacy’s legacy, which also related to the subject of drugs, which of course was a household issue among many Jazz musicians, not only on the west side of the Iron Curtain. The trumpet duos between Stanko and Andrzej PrzybielskiFind albums by this artist are certainly some of the Polish Jazz highlights of that period. Dabrowski’s parts on this album serve as a bridge between that momentous album and this new creation. But Kulakowski managed to create a completely new and original approach herein in every respect. The music is highly melodic, with clearly defined themes, the Funky, Fusion oriented rhythmic background makes the music sound contemporary and vigorous. The synthesizers suit this environment way better than acoustic piano, and Kulakowski certainly made the right choice here. Wadolowski’s guitar fits the scenario perfectly as well as the round and pulsating bass parts. But the greatest asset of this album are the vocal / vocalese parts by Skolias, who is as demonic and fascinating as only humanly possible. Overall, this is an important, courageous attempt to interpret Witkacy and his legacy, highly original and moving, and beautifully performed, especially considering the fact that this is a live recording, which offers a superb sound quality. Kulakowski never ceases to re-invent himself, and despite the fact that I know him and his music for so many years, he still manages to surprise me time after time. Hats off, Maestro!

Updated: 22/02/2022Posted: 22/02/2022

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ANDRZEJ KURYLEWICZ / WANDA WARSKA / NIEMEN ~ MUZYKA TEATRALNA I TELEWIZYJNA MUZA 842 (Barcode: 5907783498428) ~ POLAND ~ Jazz Recorded: 1971 Released: 2006 Since the day this album was released I´ve always cherished it as one of the greatest albums ever recorded. Undoubtedly my Polish background, my love of the Polish Culture and my ability to understand the lyrics / poetry has something to do with the fact that this album is so meaningful to me, but honestly I believe that any music connoisseur in the world should be moved by this extraordinary music and performances. The music, composed by pianist / composer Andrzej KurylewiczFind albums by this artist, one of Poland´s musical icons and a precursor of Polish Jazz, was originally written for theatre and television and is presented here in a special arrangement for a string orchestra and Jazz combo, featuring two of Poland´s most extraordinary vocal talents: Wanda WarskaFind albums by this artist and NiemenFind albums by this artist. The Jazz combo consists of the composer on piano, trumpeter Andrzej PrzybielskiFind albums by this artist, bassist Jacek BednarekFind albums by this artist and drummer Wladyslaw JagielloFind albums by this artist. The lyrics are all based on Polish poetry, mainly works of the great Polish poet Cyprian Kamil NorwidFind albums by this artist. Warska, the leading interpreter of Polish poetry and faithful performer of the music composed by Kurylewicz, is a superbly sensitive singer blessed by an angelic voice and extraordinary theatrical sensitivity. Niemen is of course Poland´s all time greatest musical genius known worldwide for his achievements, but his appearance on this album is one of the highlights of his career. Niemen´s "obsession" with Norwid´s poetry comes here to an ideal fruition and his vocal parts are simply breathtaking. Although not strictly a Jazz album, the album´s music has a distinct Jazzy character and falls easily into the extended definition of the genre. Overall this is a masterpiece of rare beauty, perfect in every sense, everlasting and always inspiring. An absolute must in every respect!

CD 1 Digipak Remastered Essential Recommend To A Friend

ZBIGNIEW LEWANDOWSKI ~ ZBIGNIEW LEWANDOWSKI GAD 121 (Barcode: 5903068120770) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1983 Released: 2020 This is a reissue of the debut album by Polish Jazz drummer / composer / bandleader Zbigniew LewandowskiFind albums by this artist, originally released on the legendary PoljazzFind albums on this label label. The music was recorded in 1983 during two sessions separated by several months, with two lineups. The first lineup was a quintet which included alongside Lewandowski also iconic trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Piotr BaronFind albums by this artist, guitarist Pawel ScieranskiFind albums by this artist and bass guitarist Krzysztof ScieranskiFind albums by this artist. The second lineup was extended to an octet and included also saxophonist Andrzej OlejniczakFind albums by this artist, second bass guitarist Mieczyslaw JureckiFind albums by this artist and percussionist Jose TorresFind albums by this artist. The original LP presented six tracks but this remastered edition was expanded by two additional tracks from the first session, previously unissued. All the compositions were by the musicians participating in the recording except for one standard. The music, influenced by the revolutionary work of Miles DavisFind albums by this artist, has a distinct Fusion tinge, but is very far from an attempt to copy the great Master. Przybielski, aged thirty-nine at the time of the recording, was already Poland´s most idiosyncratic Jazz musician and trumpet Genius. He displays the full range of his abilities, and the fact that the music is Fusion oriented, offers a rare opportunity to hear him in that specific idiom, rather than within his "usual" Avant-Garde environment. His performances on this album are amongst the most extensive documents of his playing, including his weird sense of humor. In retrospect this album emphasizes the devastating loss Polish Jazz suffered with his untimely death in 2011. I had the immense luck and pleasure to produce the album "The Book Of JobFind albums with this title", just a couple of years after this recording was made, which also featured Przybielski at his absolute best. Baron, only twenty-two years old at the time, also contributes wonderfully to the album´s overall ambience, offering his compositions, most of the arrangements and excellent soloing. The rest of the players were already more experienced and their professionalism and obvious talents are clearly evident in the resulting music. Overall this is a momentous recording, perhaps one of the most important Polish Jazz albums from the 1980s, and beyond. Polish Jazz / Fusion fans should be grateful to GADFind albums on this label Records for resurrecting this gem and saving it from oblivion. Brilliant stuff!

Updated: 23/09/2020Posted: 23/09/2020

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ANDY LUMPP TRIO / ANDRZEJ PRZYBIELSKI ~ MUSIC FROM PLANET EARTH NABEL 4687 (Barcode: 4011471468721) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 2000 Released: 2000 This is an album by German pianist / composer Andy LumppFind albums by this artist, recorded with his trio: bassist Heinrich ChastcaFind albums by this artist and drummer Stefan HoelkerFind albums by this artist and with the legendary Polish trumpeter Andrzej PrzybielskiFind albums by this artist. The album presents a live (but without an audience) recording of twelve improvised pieces, co-credited to all the four participating musicians. This is the first of the two albums recorded by the same quartet on the German NabelFind albums on this label Records label. The music is a typical European Free Jazz / Improvised Music setting, which develops slowly and allows for the interaction between the musicians to build up step by step, creating a cohesive and coherent musical expression. The music is mostly subdued and somewhat melancholic, exposing fragments of melodic themes and regular rhythms, which quickly dissolve into the next chapter of the improvisation. The individual performances are all excellent and show the great respect and comradeship between the players, which allows for solo, duo, trio and quartet passages, all worked out in real time. For Free Jazz / Improvised Music connoisseurs this is an instant classic. Przybielski plays some incredible phrases here and his superb dynamics, power of expression and genius are captured here for posterity. The album is a very important part of Przybielski´s relatively limited discography, being one of the very few recordings capturing him with musicians coming from outside of Poland and also one of the recordings with a very high recording quality, which enables proper presentation of the incredibly diverse range of sounds produced by him. Overall this is an excellent album in the Free Jazz / Improvised Music idiom, definitely worth seeking out and for Polish Jazz collectors this is an absolute must!

Updated: 14/02/2022Posted: 14/02/2022

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ANDY LUMPP TRIO / ANDRZEJ PRZYBIELSKI ~ MUSICA EX SPIRITU SANCTO NABEL 4694 (Barcode: 4011471469421) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 2001 Released: 2002 This is an album by German pianist / composer Andy LumppFind albums by this artist, recorded with his trio: bassist Heinrich ChastcaFind albums by this artist and drummer Stefan HoelkerFind albums by this artist and with the legendary Polish trumpeter Andrzej PrzybielskiFind albums by this artist. The album presents a live recording of an eight-part musical improvisation, recorded in a monastery. All the music is co-credited to the four musicians participating in the recording. This is the second of the two albums recorded by the same quartet. The music is a typical European Free Jazz / Improvised Music conception, which develops slowly and allows for the interaction between the musicians to build up step by step, creating a cohesive and coherent musical expression. The music is mostly subdued and somewhat melancholic, exposing fragments of melodic themes and regular rhythms, which quickly dissolve into the next chapter of the improvisation. The individual performances are all excellent and show the great respect and comradeship between the players, which allows for solo, duo, trio and quartet passages, all worked out in real time. For Free Jazz / Improvised Music connoisseurs this is an instant classic. Przybielski plays some incredible phrases here and his superb dynamics, power of expression and genius are captured here for posterity. The album is a very important part of Przybielski´s relatively limited discography, being one of the very few recordings capturing him with musicians coming from outside of Poland and also one of the recordings with a very high recording quality, which enables proper presentation of the incredibly diverse range of sounds produced by him. Overall this is an excellent album in the Free Jazz idiom, definitely worth seeking out and for Polish Jazz collectors this is an absolute must!

Updated: 14/02/2022Posted: 02/05/2017

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ANDRZEJ MITAN / GRZEGORZ ROGALA ~ KIEDY UMIERA CZLOWIEK / PODNIESIENIE TRZECIA FALA 001 ~ POLAND ~ Jazz Recorded: 1983 Released: 2013 This DVD is another reminder of the fact that Polish Avant-Garde is alive and kicking and from time to time also takes a look back at its fascinating roots. The legendary figure of Andrzej MitanFind albums by this artist, which re-appears in the limelight from time to time, mostly completely unexpectedly, is always full of surprises. This time Mitan produces a multi-media project combining music and cinematography (or video-art), resulting in this debut release on a new Polish label called Trzecia FalaFind albums on this label, headed by a young Art enthusiast Lukasz StrzelczykFind albums by this artist. Back in the mid-1980s, when Poland was in its most depressing period, both politically and culturally, Polish Avant-Garde was enjoying a renaissance of sorts, taking advantage of the state of confusion that the Socialistic Regime was in due to the eminent collapse of the system already clearly apparent and as a result with a laxer censorship in place. Andrzej Mitan, who always believed in doing things rather than talking about them, released in 1984 a series of very bold musical statements by Avant-Garde musicians as five independently pressed LPs under the Alma ArtFind albums on this label moniker, which also presented outrageous and innovative packaging designed by Avant-Garde artists, including for example a barb-wired LP sleeve. Those five albums have become record collector´s Holy Grail due to the fact that only 1000 copies of each album were pressed, reaching today astronomical prices on the collector´s market. In 1987 four more albums appeared in a similar effort. This DVD uses part of the first of these legendary album as the musical layer, combining it with a video-art by Polish experimental artists Grzegorz RogalaFind albums by this artist, who utilizes a technique called time stretching, which in this case takes a 3 seconds long fragment of video and stretches it to last for about seven minutes, which produces an almost still like picture with barely visible change. The combination of the tension induced by the video and the dramatic musical background produce together a powerful statement, which is also quite unique. The music, which was recorded during the 1983 Jazz Jamboree in Warsaw (organized shortly after the Martial Law in Poland was lifted and obviously symbolizing an eruption of liberty), is performed by many Polish Avant-Garde legends, like bassist / leader Helmut NadolskiFind albums by this artist, vocalist Andrzej Mitan, pianist Andrzej BiezanFind albums by this artist (who died shortly after the recording), trumpeter Andrzej PrzybielskiFind albums by this artist and others, appearing under the moniker of Jubileuszowa Orkiestra Helmuta NadolskiegoFind albums by this artist. In retrospect it becomes clearly evident that these nine albums released by Mitan in the 1980s are extremely important documents of Polish Jazz and Polish Avant-Garde and absolutely have to be made available again, the sooner the better. Considering the fact that this DVD was also released as a numbered limited edition of 100 copies, it is by now as impossible to get as those legendary albums.

Updated: 12/04/2019Posted:

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NIEMEN ~ ON STAGE 1970 / 1972 GREEN TREE 170 (Barcode: 4015689001701) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1970 - 1972 Released: 2018 This is an archival album, which presents live recordings by the greatest Polish Rock / Fusion musician of all times, vocalist / keyboardist / songwriter Czeslaw NiemenFind albums by this artist. Two of the tracks were recorded during the 1970 Jazz Jamboree Festival in Warsaw and three other at the 1972 National Festival of Polish Song in Opole. Niemen was at the time at the absolute peak of his artistic creativity as well as at the top of his immense popularity. Four of the tracks time at about ten minutes and one at almost twenty minutes, and all offer extended instrumental improvisations by some of the best Polish Rock and Jazz musicians active at the time. The 1970 tracks feature organist Jacek MikulaFind albums by this artist, guitarist Tomasz JaskiewiczFind albums by this artist, bassist Janusz ZielinskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist as well as a vocal trio and an ensemble comprising of top Polish Jazz musicians: saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, violinists Michal UrbaniakFind albums by this artist and Zbigniew SeifertFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The 1972 tracks feature the core of what was to become the most famous Polish Fusion band SBBFind albums by this artist: bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist and two great Polish Avant-Garde Jazz musicians: bassist Helmut NadolskiFind albums by this artist and trumpeter Andrzej PrzybielskiFind albums by this artist. The music is absolutely stunning, as expected, and even the dubious sound quality of these recordings is not able to spoil the unadulterated pleasure this music is still able to generate almost fifty years after it was initially performed. Niemen was always light years ahead of his contemporaries on both sides of the Iron Curtain, and the fact that he remains still relatively anonymous beyond Eastern Europe, despite his revolutionary contributions and pioneering spirit, is a crying shame. It is a great pity that the entire legacy of Niemen´s recordings made outside of Poland and many of his live recordings remain unreleased and are available only unofficially, like all the Green TreeFind albums on this label titles. His third Box Set, which was to include all these treasures, remains sadly an unfulfilled dream. For all Polish Rock / Fusion enthusiasts as well as for the numerous Niemen fans this is an essential piece of his discography, which is definitely worth having, despite its technical flaws.

Updated: 07/09/2019Posted: 07/09/2019

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OLES BROTHERS / ANTONI GRALAK ~ PRIMITIVO FOR TUNE 0118 (Barcode: 5906395808212) ~ POLAND ~ Jazz-World Fusion Recorded: 2016 Released: 2016 This is the debut album by Polish Jazz trio comprising of bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist) and trumpeter Antoni GralakFind albums by this artist, known as member of such Polish cult ensembles as Free CooperationFind albums by this artist, GraalFind albums by this artist, YesheFind albums by this artist, Tie BreakFind albums by this artist and Young PowerFind albums by this artist. The album presents ten pieces, three of which are based on traditional folkloristic motifs, one is a collective improvisation, two are composed by Gralak, one is composed by Bartlomiej Oles, one is co-composed by Marcin Oles and Gralak and two are compositions by others. The music, as the title suggests, is a very fascinating journey exploring early, or so called "primitive" music, which naturally deals with basic human emotions, like sadness and joy, as reflected in contemporary musical environment of Jazz and Improvised Music. The folkloristic themes originate mostly from Africa - the cradle of Man – but venture also as far as Tibet and Mexico. The modus operandi in these sessions relays completely on the ability of the three musicians to converse and express their "primitive" emotions towards each other, based on whatever thematic sub-context was chosen for each of the pieces. This cooperation with Gralak takes the Oles Brother back in time to the period when they cooperated closely with another Polish trumpet legend, Andrzej PrzybielskiFind albums by this artist, who died six years ago (in 2011). Therefore the setting of trumpet accompanied only by a rhythm section is not a new concept to them. Gralak, accidently (or maybe not) shows many similarities in his playing and general attitude towards music to those displayed by the late Przybielski. Even the tone of his trumpet brings immediate fond memories of Przybielski´s work. In any case it´s great to see the older generation of Polish Jazz Trumpet School alive and kicking. This album is very intimate and does not pretend to dazzle or swap anybody off their feet. It does however propose a serious re-examination of what the essential elements of music are and what can be considered as superficial worthless deception that often pretends to be the real thing. Oles Brothers have always taken their music seriously, and this time is no different. Listeners willing to explore new (albeit in fact very old) territory will find this album fascinating in every respect: the musical choices, the candor of the attitude and of course the perfection of execution. Fans of the trumpet should expect a revelation, and if this is the first album they hear with Gralak on it, they will surely try to find his other work. Overall wholeheartedly recommended, as usual with Oles Brothers projects, when buying an album is completely risk-free!

Updated: 03/02/2017Posted: 03/02/2017

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ANDRZEJ PRZYBIELSKI ~ ABSTRACT NOT TWO 761 ~ POLAND ~ Jazz Recorded: 2003 Released: 2005 This is the first album recorded by Polish Avant-Garde Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist with the fantastic rhythm section of Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, and a unique document of the genius of Przybielski at work. The sessions, completely spontaneous and unplanned, capture on the spot improvisations by the trio, based of sketchy melodies and somewhat chaotic instruction given to the two "youngsters" by the legendary player seconds before the music starts. The relaxed atmosphere of this sessions and apparent good mood of the leader (the tape keeps running when he makes his little jokes) results in some of the best moments of Przybielski´s playing ever, full of energy, Godly inspiration and great talent. Unfortunately with Przybielski´s untimely death in February 2011, all we have lest are his rather scarce recordings, which should be cherished for generations to come. It´s interesting to compare this recording with the posthumously released "De ProfundisFind albums with this title", recorded by the same trio, some seven years apart. Some of the music on both recordings originated in the same themes, but is completely different of course. This music is an absolute treasure in every respect and one can only hope that more people will discover this music, now saved for posterity. Absolute must to all Avant-Garde Jazz connoisseurs!

Updated: 12/04/2019Posted:

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ANDRZEJ PRZYBIELSKI ~ DE PROFUNDIS FENOMMEDIA 011 (Barcode: 5907604327111) ~ POLAND ~ Jazz Recorded: 2010 Released: 2011 Recently deceased Polish trumpeter / composer Andrzej PrzybielskiFind albums by this artist was without a doubt one of the greatest Polish Jazz musicians of all times. This fact is known only to a very small group of "insiders", familiar with his playing and his role in history of Polish Jazz, mostly on the Avant-Garde scene, but nevertheless is an undeniable fact. Przybielski was a genius in every respect. His eccentric personality, erratic behavior, alcohol and drug abuse, lack of basic life and organizational skills have placed him on the outskirts of society and only when on stage or in a recording studio his figure would be surrounded by a divine aura and his trumpet would utter some of the most profound sounds ever produced by a human. It´s hardly surprising that his recorded legacy is truly pitiful and a "career" spanning over 50 years did not produce even one proper recording as a leader. I feel especially lucky in this case, as Przybielski did play on my "The Book Of JobFind albums with this title" production, contributing another small document of his amazing talents. In the last decade of his life Przybielski was associated with the Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Barlomiej Brat OlesFind albums by this artist, Poland´s most formidable Free Jazz rhythm section. This album features a live trio performance by Przybielski with the Oles Brothers, recorded in April 2010 (10 months before his death). They perform five pieces, three of which are credited to Przybielski and the other two to the trio. The music is perfectly suited for the extended improvisations by all the participants, which are the basis of this music. The recording and sound qualities are very good, which adds greatly to the overall effect. The level of musicianship is of course phenomenal and this album ranks among the best Free Jazz albums recently recorded that I happened to listen to. Every moment is simply breathtaking, every sound just right, every note magnificent. Having said that, the fact that Przybielski is no longer with us makes me franticly regret the fact that more such music was not recorded. This is an absolute must and all those Tomasz StankoFind albums by this artist fans out there, please listen to this music and discover his unknown soul brother. Brilliant!

Updated: 12/04/2019Posted:

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ANDRZEJ PRZYBIELSKI ~ SESJA OPEN NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2005 Released: 2011 The fact that this is the only recording session as a leader by the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist is truly shocking, especially since it was only released recently following his tragic and untimely death in February 2011. Although Przybielski took part as a sidemen in numerous Polish Jazz recordings, his tragic life story ridden by a plethora of personal issues (mental instability, drug addiction, sociopathic behavior and reclusion) is equivalent to the amount of misfortune found in a Greek Tragedy, making him a rare bird and an outsider, known almost exclusively only by other Polish Jazz musicians. And yet, he was a true musician´s musician, as his genius was usually appreciated only by those, who were able to understand how great his talent truly was. In retrospect Przybielski had only one peer on the Polish scene, the great Tomasz StankoFind albums by this artist, even if their respective careers were so diametrically different. Przybielski´s tone, phrasing, speed and inventiveness, clarity, consistency and versatility are so amazing, that (again in retrospect) his existence is not only Polish Jazz best ever kept secret, but a phenomenon worthy of a worldwide attention. This album, recorded almost by accident, was supposed to present Przybielski´s regular quartet led by him in the last years of his life with vibraphonist Karol SzymanowskiFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist. However the vibraphonist could not take part in the session and was replaced at the last moment by saxophonist Yuriy OvsyannikovFind albums by this artist. The recording consists of eight original compositions by Przybielski, brilliantly executed by the quartet, mostly in a Free Jazz mood, but with clearly stated melodic themes and completely coherent rhythmic support, which keeps it well inside the realm of music most Jazz enthusiasts are able to enjoy. Of course "hearing is believing" in this case, so until you do you have to take my word for it – but it probably will be one of the best Jazz trumpet performances you ever experienced. Of course one mustn´t miss Przybielski´s "De ProfundisFind albums with this title" with the Oles BrothersFind albums by this artist (also released posthumously). I personally take a huge pride in the fact that Przybielski played on my production of "The Book Of JobFind albums with this title", which gave me the personal delight to watch him play at first hand. The album was released by a foundation, dedicating the proceeds to a production of a multimedia album about the life and Art of Andrzej Przybielski – only 500 copies of this album were pressed (´nuff said!).

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ANDRZEJ PRZYBIELSKI ~ TREN ZALOBNY MULTIKULTI 017 (Barcode: 5907529223178) ~ POLAND ~ Jazz Recorded: 2008 - 2009 Released: 2011 This is the third posthumous release (in a few months) by the great Polish Avant-Garde trumpeter / composer Andrzej PrzybielskiFind albums by this artist, which is about as many albums as he released under his name during his entire life. This sad statistic once more reminds us that Art should be appreciated preferably while the Artist is still with us rather than when he´s gone. But, "better late than never", which is a solace for the fools, applies nevertheless. This album collects the recordings (both live and studio) Przybielski made with two young musicians: bassist Jacek MazurkiewiczFind albums by this artist and drummer Pawel OsickiFind albums by this artist, which were one of his last projects. The music is quite different from the acoustic trio performances with the Oles BrothersFind albums by this artist, as it also includes some electronically generated sound layers, vocal parts (with Przybielski´s distinctive voice) and other effects, which expand the scope significantly. In many respects this is a lesser known side of Przybielski´s activity, although he was involved with many innovative projects his entire life, some of which lied well beyond the Jazz idiom. Of course the music is brilliant and challenging as always in his case and attentive and open-minded listeners should find here an unusual and most rewarding musical experience. The album is an overwhelming proof of Przybielski´s versatility and complete disregard of conventions and limitations, which makes his untimely death even more tragic, as he definitely was one of very few of his class. Modern Avant-Garde Jazz lovers rejoice!

Updated: 12/04/2019Posted:

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ANDRZEJ PRZYBIELSKI / CUSTOM TRIO ~ ANDRZEJ PRZYBIELSKI & CUSTOM TRIO POLONIA 273 ~ POLAND ~ Jazz Recorded: 2001 Released: 2001 This is the second album by legendary Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist with the Custom TrioFind albums by this artist, which consists of saxophonist Janusz SmykFind albums by this artist, bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist – Poland´s most respected Free Jazz rhythm section). The music was recorded live at a coffee house in Bydgoszcz, a town where Przybielski lived and which is an important center of Polish Free Jazz / Improvised Music activity. They perform seven original compositions, all composed by Przybielski except one co-composed with Tymon TymanskiFind albums by this artist, another legendary Polish Jazz figure and the pioneer of Yass. Sadly the sound quality is truly sub-standard, almost certainly captured on a portable cassette recorder, which hampers the otherwise sublime musical experience. The music is of course simply magnificent, presenting the essence of Free Jazz at its absolute apex, performed with flair and complete dedication. Przybielski is at top form and his solos soar straight to heaven. The young and relatively little known Smyk also plays like there is no tomorrow, standing firmly shoulder to shoulder with the Maestro. The fabulous rhythm section drives the entire vehicle forward ceaselessly with outstanding energy and drive. In retrospect there are very few other Polish Jazz recordings of this kind, which can be considered similar in quality and importance. Just a decade after this recording was made Przybielski died, neglected, lonely and forsaken. His talent was never recognized and appreciated during his lifetime, his complex personality and behavioral abnormalities estranged him from society and of course the establishment. Like so many great Artists the recognition, albeit marginal, was absolutely too little, too late. Therefore this album is another important piece of the limited legacy Przybielski left us to remember him by and of course an essential piece of Polish Jazz history.

Updated: 02/01/2017Posted:

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ANDRZEJ PRZYBIELSKI & OLES BROTHERS ~ SHORT FAREWELL AUDIO CAVE 2021/001 (Barcode: 5908298549209) ~ POLAND ~ Avant-Garde Jazz Recorded: 2003 Released: 2021 This is an archival album presenting recordings made by the legendary Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist, with the superb rhythm section consisting of bassist Marcin OlesFind albums by this artist and his twin brother Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist). These recordings were considered lost for all these years until now, and after being miraculously recovered and restored, are presented here for the first time. The album presents eleven original compositions, one twelve minutes long and the others running from just under half a minute and up to about four minutes. Three of the compositions are credited to Przybielski, six to Oles Brothers, one to the trio and finally one to Bartlomiej Oles. Przybielski and Oles Brothers recorded together several times, going back to the turn of the Millennium. First they recorded two albums with the Custom TrioFind albums by this artist, which featured the Oles Brothers: “Free BopFind albums with this title” and “Andrzej Przybielski & Custom TrioFind albums with this title”. At the time the music included here was recorded (2003), they recorded the album “AbstractFind albums with this title” and some years later (2010) they recorded the album “De ProfundisFind albums with this title”. This album is of course a precious addition to their common recorded legacy and a historic document of the outmost importance. Przybielski, who died in 2011, was one of Polish Jazz most idiosyncratic figures, a fearless Avant-Gardist and a loner, who was rejected by the local Jazz mainstream and its establishment and as a result was offered relatively few opportunities to record and perform, always acting on the artistic fringe. His sublime technique allowed him to play with heartbreaking lyricism and uncompromising honesty, which sadly was recognized by but a few. I was extremely lucky and fortunate to meet and work with Przybielski during the recording of “The Book Of JobFind albums with this title” album, which left an immense impression on me at the time. It is great to see that Przybielski and his music are not forgotten and are preserved by those who knew and worked with him, carrying the legacy to the next generations. Projects, like this one, are beautiful examples of preservation of High Culture, especially in days when the world is being drowned is mindless excrements. For true fans of Polish Jazz and European Avant-Garde, this album, despite its short playing time, is an absolute must, of course, literally worth its weight in gold. It would be sacrilegious to treat this music as accidental “leftovers” and it deserves to be treated with love and respect. A great memorial gesture celebrating the tenth anniversary of Przybielski’s premature departure.

Updated: 11/03/2021Posted: 11/03/2021

CD 1 Digipak Remastered Recommend To A Friend

QUESTION MARK ~ LABORATORY QM 002 (Barcode: 5901448276925) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2010 Released: 2010 This is an album by Polish Progressive Rock / Jazz-Rock Fusion trio Question MarkFind albums by this artist, led by guitarist Boguslaw RaatzFind albums by this artist and including also bassist Jacek DolegaFind albums by this artist and drummer Marek MatuszewskiFind albums by this artist. Violinist / guitarist Robert BielakFind albums by this artist guests on most of the tracks and the legendary trumpeter Andrzej PrzybielskiFind albums by this artist guests on one track. The album presents twelve original instrumental compositions by the trio members, three of which are three-part mini suites. The music introduces some basic themes, which are then used as basis for extended instrumental improvisations, mostly by guitar and violin. The violin improvisations are more Jazz / Fusion oriented and the guitar improvisations are more Prog oriented, so the album is overall quite diverse and multifaceted. The rhythm section is very Rock oriented, which sets the rhythmic patters somewhat towards Heavy Rock, but not overwhelmingly so, which still leaves the instrumental improvisation to be the center of this music. The track with Przybielski is of course outstanding and one can only regret that the entire album was not recorder with him, which would have turned it into a remarkable album. But at least we can hear the amazing trumpet work on one track, which of course is good enough reason to have this album. Przybielski had the chameleonic ability to feel completely at ease in any musical environment, from extreme Avant-Garde to commercial Pop, and Fusion / Rock suited him as well as anything else, which is evident here. The violin work is also quite impressive and people interested in Fusion violin sound should find this album fascinating as well. This album is pretty obscure even on the Polish scene, so perhaps people reading these lines will make an effort to look it up now, as it is definitely worth investigating!

Updated: 12/04/2019Posted: 07/11/2016

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SBB ~ ANTHOLOGY 1974-2004 METAL MIND 001 (Barcode: 5907785025936) ~ POLAND ~ Progressive Rock Recorded: 1974 - 2002 Released: 2004 This stupendous Box Set, released to celebrate the 30th anniversary of the legendary Polish Jazz-Rock / Fusion group SBBFind albums by this artist, is an attempt to present the entire recorded legacy of the band, as know at the time of the release. Later on two additional Box Sets and other releases unearthed more of their recordings, so this box is by far not a "complete recordings" collection. The band was formed in 1971 in the southern Polish province of Upper Silesia and consisted of bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. They called themselves Silesian Blues BandFind albums by this artist and started to perform locally. By the end of that year Skrzek was approached by Poland´s leading Rock personality, Czeslaw NiemenFind albums by this artist, to join his new group formed in order to fulfill the international contract Niemen signed with CBSFind albums on this label Europe. Eventually Anthimos and Piotrowski also joined the band and the trio stayed with Niemen for about a year and a half, recording several albums with him, including the two albums released outside Poland: "Strange Is This WorldFind albums with this title" and "Ode To VenusFind albums with this title". By mid-1973 they left Niemen´s group, shorten their name to SBB and the rest is history. From 1974 on SBB became the leading Polish Rock / Prog / Fusion band, recording a series of revolutionary albums and changing the face of music not only in their native country but in the entire Eastern European world living behind the Iron Curtain. SBB were also well known outside of Eastern Europe and in the span of the thirty years documented by this Box Set performed extensively in Western Europe and the USA as well. There is no doubt that their music influenced entire generation of Eastern European musicians, who had limited access to music made in the West and therefore SBB served for them as a musical role model for years. This Box Set included twenty two CDs, which can be separated into several sub-groups. First there are the studio albums vs. the live recordings, which are the majority. Then there is the output by the original trio in the years 1974-1980 vs. the later recordings after the group was reactivated in 1991 and played with different drummers (Miroslaw MuzykantFind albums by this artist, Paul WerticoFind albums by this artist). As far as the music is concerned, in retrospect one must admit that there was not that much change over the years, except perhaps for the fact that the group somewhat lost its steam in due process. Obviously the early recordings are the most groundbreaking, adventurous, inspired and therefore interesting. Both in the studio and live the early recordings are full of improvisation, which often borders with Avant-Garde Rock and exhibits strong Jazz / Fusion influences. The sessions with guest Jazz musicians like Tomasz StankoFind albums by this artist, Tomasz SzukalskiFind albums by this artist, Andrzej PrzybielskiFind albums by this artist and others are among the highlights in this Box Set. In time, and especially after the re-activation, the music turned more Rock oriented, and the added vocals did not help to make it more interesting. All the musicians involved are of course superb instrumentalists and there is plenty of great solos (guitar especially), but the magic is definitely lost. There is also a problem of the same material being included repeatedly, although in different versions, but still basically the same. In contrast to Jazz, where each performance of the same tune can be completely different from every other, it does not happen here and a sizeable part of the music included here seems redundant to a degree. In retrospect perhaps it would have been wiser to split this box into two separate boxes, one with the early material, which is divine and another with the later stuff, which would be for the die hard fans only. Overall this box includes some of the most important music made in Eastern Europe during the formative years of Rock history, and as such is invaluable. The size and contents of this limited edition Box Set might appear to be a bit megalomanic, but is lovingly excused by most.

Updated: 12/04/2019Posted:

CD 22 Mini-Sleeve Box Set Oversampling Remastered Bonus Tracks Recommend To A Friend

SBB ~ LOST TAPES, VOL. 1 – STUDIO & LIVE RECORDINGS 1974-1978 METAL MIND 001 (Barcode: 5907785027046) ~ POLAND ~ Progressive Rock Recorded: 1974 - 1978 Released: 2005 In 2004 the Polish record label Metal MindFind albums on this label released a magnificent Box Set called "Anthology 1974-2004Find albums with this title", with contained 22 CDs of music by SBBFind albums by this artist - the most important Polish / East European Prog band active behind the Iron Curtain. These epic recordings changed the face of music as we know and influenced generations of musicians across the Soviet Empire and its satellite states, which makes that Box Set a well deserved tribute to the band and a superb document of enormous historical and aesthetic value. People interested to learn more about SBB should simply read the review of that release. The process of collecting the material for the anthology Box Set did not stop however with the box being released and somehow reanimated itself and kept going with additional previously unreleased material being uncovered continuously. This led to the release of two additional Box Sets, called "Lost TapesFind albums with this title", of which this is the first volume. The music included here was recorded during the first five years of SBB activity, which is by far the most interesting and dramatic. It covers a plethora of studio, radio and live recordings, all by the original lineup consisting of bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. By far the most interesting recording in this Box Set is the quintet meeting between SBB and the legendary trumpeter Andrzej PrzybielskiFind albums by this artist and bassist Helmut NadolskiFind albums by this artist, in short the lineup that recorded with NiemenFind albums by this artist, this time sans Niemen himself. Another very interesting recording is the album SBB recorded with Polish female vocalist Halina FrackowiakFind albums by this artist, which is the only occasion the group agreed to accompany a vocalist. These three Box Sets with SBB music contain hours of excellent music and invaluable retrospective of history, but to be completely fair they also raise the question about compilations such these being "the right thing to do". There is a lot of repetition here and not every moment is truly inspired; much of it might have been perhaps best left undiscovered. Of course the band has a wide fan base ready to swallow any new piece of music recorded by SBB, but some moral / ethical questions could be also raised about cynical exploitation and opportunism. That said it is for the individual fan to decide if he wants to purchase all three Box Sets or not. All three Box Sets are numbered limited editions of one thousand copies.

Updated: 26/08/2020Posted:

CD 9 Mini-Sleeve Box Set Oversampling Remastered Recommend To A Friend

SBB ~ LOST TAPES, VOL. 2 – STUDIO & LIVE RECORDINGS 1971-1979 METAL MIND 002 (Barcode: 5907785029156) ~ POLAND ~ Progressive Rock Recorded: 1971 - 1979 Released: 2006 In 2004 the Polish record label Metal MindFind albums on this label released a magnificent Box Set called "Anthology 1974-2004Find albums with this title", with contained 22 CDs of music by SBBFind albums by this artist - the most important Polish / East European Prog band active behind the Iron Curtain. These epic recordings changed the face of music as we know and influenced generations of musicians across the Soviet Empire and its satellite states, which makes that Box Set a well deserved tribute to the band and a superb document of enormous historical and aesthetic value. People interested to learn more about SBB should simply read the review of that release. The process of collecting the material for the anthology Box Set did not stop however with the box being released and somehow reanimated itself and kept going with additional previously unreleased material being uncovered continuously. This led to the release of two additional Box Sets, called "Lost TapesFind albums with this title", of which this is the second volume. The music included here was recorded during the first six years of SBB activity, before they disbanded in early 1980, which is by far the most interesting and dramatic. It covers a plethora of studio, radio and live recordings, all by the original lineup consisting of bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. By far the most interesting recording in this Box Set is the quintet meeting between SBB and the legendary trumpeter Andrzej PrzybielskiFind albums by this artist and bassist Helmut NadolskiFind albums by this artist, in short the lineup that recorded with NiemenFind albums by this artist, this time sans Niemen himself. Another very interesting recording is the meeting with Przybielski, captured on the last CD of this set. The opening CD of this set collects early recordings by SBB members, made before the group was formally founded. These three Box Sets with SBB music contain hours of excellent music and invaluable retrospective of history, but to be completely fair they also raise the question about compilations such these being "the right thing to do". There is a lot of repetition here and not every moment is truly inspired; much of it might have been perhaps best left undiscovered. Of course the band has a wide fan base ready to swallow any new piece of music recorded by SBB, but some moral / ethical questions could be also raised about cynical exploitation and opportunism. That said it is for the individual fan to decide if he wants to purchase all three Box Sets or not. All three Box Sets are numbered limited editions of one thousand copies.

Updated: 26/08/2020Posted:

CD 9 Mini-Sleeve Box Set Oversampling Remastered Recommend To A Friend

SBB ~ SIKORKI (LIMITED EDITION) METAL MIND 0340 (Barcode: 5907785026230) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1973 - 1975 Released: 2006 The legendary Polish Prog / Fusion group SBBFind albums by this artist needs little introduction to the avid Prog / Fusion fans the world over. Now in its fifth decade of activity, the group already established a unique position on the music scene, which can be rivaled only but a chosen few. Their prolific studio and live recordings include dozens of albums, each and every one of which is a meaningful musical experience of unrepeated intensity and depth and a display of dazzling virtuosity. This album is especially interesting, since it offers recordings made by the original lineup of the group – bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist - for the Polish Radio with top guest musicians from the Polish Jazz scene: trumpeter Tomasz StankoFind albums by this artist (on 3 tracks), trumpeter Andrzej PrzybielskiFind albums by this artist (on 1 track), saxophonist Tomasz SzukalskiFind albums by this artist (on 3 tracks). Absolutely stunning stuff and a true must for any serious music connoisseur. Side Note: Limited Edition of 1,000 copies only.

CD 1 Digipak Oversampling Remastered Recommend To A Friend

SING SING PENELOPE / ANDRZEJ PRZYBIELSKI ~ STIRLI PEOPLE – IN JAZZGA MONOTYPE 022 (Barcode: 5908310927084) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2008 Released: 2009 This phenomenal recording presents a somewhat unlikely cooperation between young Polish ensemble Sing Sing PenelopeFind albums by this artist and the dark prince of Polish Jazz Avant-Garde, genius trumpeter / composer Andrzej PrzybielskiFind albums by this artist (now sadly departed). Sing Sing Penelope, formed by Polish drummer / composer Rafal GorzyckiFind albums by this artist also includes brilliant trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist and bassist Patryk WeclawekFind albums by this artist. They recorded three albums since the mid-2000s, all of which are excellent, and this is their fourth release. Przybielski was a key figure on the Polish Avant-Garde scene since the 1960s, and his scarce, but mostly brilliant recorded legacy is a prime example of the Eastern-European Jazz at its most creative best. The music created by the young members of the ensemble and the veteran trumpeter is a wonderful surprise, completely unexpected not only due to the age and musical background differences but mainly because of the vibrancy and vitality of the result, which resembles the power and verve of the early electric Miles DavisFind albums by this artist ensembles. The sound is very modern and up to date, mostly up tempo and sometimes quite Rock oriented, but always within the Jazz aesthetic and always simply radiant. Of the seven composition presented on the album Przybielski is credited with three, another three are co-credited to him and the group and the last one is by the group. The most striking feature of the album is of course the double trumpet front line, which is simply phenomenal. Jachna already proved his ability as a player on several albums featuring his unique talents and playing alongside a genius such as Przybielski must have proven a unique inspiration, which is evident from the result. Przybielski himself simply plays beautifully all the way and this recording is definitely one of his best moments. As much as two saxophones lineups are very popular in Jazz, a two trumpets ones are almost inexistent, which is a great pity, as this recording proves beyond any doubt. But of course all the participants of this recording deserve to be praised, as everybody contributes towards the unprecedented success. Overall this is one of the strongest Polish Jazz albums recorded recently and a grand memorial to the talents of Andrzej Przybielski, who received almost no recognition before his untimely and tragic death. Definitely a must to every connoisseur of Polish and Eastern-European Jazz!

Updated: 12/04/2019Posted:

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STANISLAW SOJKA / ANDRZEJ PRZYBIELSKI ~ SZTUKA BLADZENIA POMATON 724352593828 (Barcode: 724352593828) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1999 Released: 2000 This is an album by the Polish duo which comprises of the vocalist / pianist / violinist Stanislaw SojkaFind albums by this artist and legendary trumpeter Andrzej PrzybielskiFind albums by this artist. Sojka does not perform any vocals on this album and appears only as pianist and violinist. The album, recorded during two sessions held a couple of months apart, presents fifteen relatively short freely improvised pieces, not credited on the album´s artwork and therefore assumed to be co-composed by the duo members. Sojka and Przybielski cooperated on several recording projects over the years. The music is obviously a result of searching for new forms of expression, especially as far as Sojka is concerned, since he is mostly associated with Blues and mainstream vocal Jazz, in complete contrast to Przybielski, who was always associated with the Avant-Garde Polish Jazz movement, although he could play brilliant melodic music as well, when required to do so. Therefore the effort to bridge between the natural environments of the two players is an impossible task and the result fails to create any relevant results. Sojka is completely lost in the Improvising Music idiom and Przybielski is just playing along. Przybielski plays some brilliant trumpet passages, but they are completely detached from the piano and violin parts created by Sojka and sound completely out of place. Although the album´s title promises the listener to discover the art of wandering, in fact he is sadly exposed to the failure of senseless wandering. Although every piece of recorded music by Przybielski is a treasure chest, this album is probably the weakest effort he was ever involved with and as a result it is only marginally interesting.

Updated: 12/04/2019Posted: 03/05/2017

CD 1 Recommend To A Friend

TOMASZ STANKO ~ PEYOTL - WITKACY POLONIA 037/038 (Barcode: 5904542687307) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1984 - 1986 Released: 2004 This is probably the most significant recording by Polish trumpeter virtuoso / composer Tomasz StankoFind albums by this artist, surely at least among his Polish recordings before his later ECMFind albums on this label period. Following Miles DavisFind albums by this artist, Stanko switched to Jazz-Rock Fusion (albeit a decade later) and his 1980s output with his FreelectronicFind albums by this artist ensemble is radically different from the Free Jazz he played in the 1970s. This double album consists of one studio recording and one live recording, both expressing Stanko´s power as a performer and a composer to the max. The studio album, which was compiled over a period of two years, presents music composed by Stanko at the period when he was experimenting with hallucinogens and was deeply influenced by the writings of the Polish mystic / philosopher / Avant-Garde artist WitkacyFind albums by this artist (Stanislaw Ignacy Witkiewicz), who was also an early experimenter with drugs. Text excerpts from Witkacy´s book about drugs are recited and closely incorporated into the fascinating music, which floats over a repetitious hypnotic vamp and layers of electronic keyboard sounds. The highlight of this album is undoubtedly the inclusion of a second genius trumpet player, Andrzej PrzybielskiFind albums by this artist, who exchanges licks with Stanko in a brilliant manner. The fact that Stanko invited Przybielski to participate in this recording is a testimony of how highly he regarded his unbelievable talent. Other musicians participating in these recordings are: keyboardists Janusz SkowronFind albums by this artist and Tadeusz SudnikFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist, bassist Witold SzczurekFind albums by this artist, and drummer Zbigniew BarysiakFind albums by this artist. The recitation is by the great actor Marek WalczewskiFind albums by this artist. In retrospect the fact that this music was recorded almost 30 years ago seem incomprehensible, as it so much more advanced that almost any music done these days. Stanko´s genius definitely reaches here one of its great peaks, which luckily for us was captured for posterity. Sadly this album is probably little known by his worldwide fan base, as it is very difficult to find, which of course is a shame. If one must own just one Stanko album, this is it, at least as far as I´m concerned. Absolute unadulterated genius!

Updated: 12/04/2019Posted:

CD 2 Essential Recommend To A Friend

STOL PANSKI ~ GADAJACE DRZEWO ZBIG 001 ~ POLAND ~ Jazz-World Fusion Recorded: 1996 Released: 1997 This is the only album by Polish Jazz ensemble Stol PanskiFind albums by this artist, led by guitarist / composer Zbigniew KunkowskiFind albums by this artist, which also featured trumpeter Andrzej PrzybielskiFind albums by this artist, flautist / saxophonist Janusz SmykFind albums by this artist, keyboardist Slawomir KulpowiczFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist, drummer Michal ZduniakFind albums by this artist, vocalist Joachim JankoFind albums by this artist, violinist Henryk GembalskiFind albums by this artist, saxophonist Aleksander KoreckiFind albums by this artist and several other players. Some of these players used to be a decade earlier members of the legendary ensemble Free CooperationFind albums by this artist. The album presents seven original compositions, all composed by Kunkowski and arranged by Kulpowicz. There is also a hidden / undocumented track, which follows the seventh tracks, which is a free improvised piece. Musically the album presents a fascinating amalgam of Jazz with Groove, Funk and World Music. Most of the music consists of a simple melody line played over a repetitive groove and serving as a background for extensive improvisations by the soloists. The main and most impressive soloist is of course the legendary trumpeter Andrzej Przybielski, who plays on this album some of the most coherent and beautiful solos in his entire career, which bridge between his free improvising tendencies and the melodic approach he uses here. Especially impressive are his muted trumpet parts, which easily compare to those played by Miles DavisFind albums by this artist. Since every note of the Przybielski legacy is utterly sacred, this album is an absolutely must to every follower of the Polish Jazz trumpet heritage. Overall this album is one of the hidden gems in the Polish Jazz discography, which disappeared from the shelves shortly after being released almost two decades ago and never reissued. True Polish Jazz fans should make every effort to get hold of a copy, at all costs.

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TIE BREAK ~ THE END AGORA 5903111494148 (Barcode: 5903111494148) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2014 - 2018 Released: 2019 This is an album by the legendary Polish ensemble Tie BreakFind albums by this artist, which features four founding members of the ensemble: trumpeter Antoni GralakFind albums by this artist, saxophonist Mateusz PospieszalskiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Marcin PospieszalskiFind albums by this artist and also American (resident in Poland) drummer Frank ParkerFind albums by this artist. The album presents nine tracks, all co-composed by the ensemble members, five of which also include lyrics which are chanted (rather than sung) by the ensemble in a Greek chorus manner. The music was recorded during three separate sessions between 2014 and 2018. Following the release of the marvelous "Tie Break (Box Set)Find albums with this title" in 2014, which summed up the ensemble´s output recorded between 1984 and 1995, it seemed that the fate of Tie Break was sealed, but apparently the protagonists thought otherwise and continued to make music together, which is collected here. Following this pattern, one might hope that the ominous title of this album is also only temporary, as Tie Break definitely has still more energy and creativity than most young contemporary ensembles. The music is, not surprisingly, completely unique; a zany mixture of Rock, Funk, Punk, World Music and Jazz worthy of epic Frank ZappaFind albums by this artist and his Mothers Of InventionFind albums by this artist proportions. This music is bolder than most contemporary Rock, Funkier that today´s Funk, way Punkish than anything in Punk history and still Free Jazzier than most. The overall sound of the ensemble manages to create a wall of sound effect, which allows every tiny detail of the multi-layered complexity to be heard clearly and distinctly. The music has elements of marching funeral bands, Balkan wedding music, Polish Folklore and countless other relations, which can only be discovered as a result of repeated listening sessions. In short there never was anything in the Polish music history close to Tie Break, and following this album, the gap becomes even deeper. Although the ingredients of which the music of Tie Break is made of is not Avant-Garde as such, the unique combination and the obvious "oppositional" attitude to everything mainstream is still deeply implanted in this music and it is obviously refusing to be tamed. The album pays tribute to all the numerous members of the ensemble over the years and other outside of the mainstream great Polish musicians like the lamented Andrzej PrzybielskiFind albums by this artist, including the founding member Krzysztof MajchrzakFind albums by this artist, whom I had the pleasure to meet a few weeks ago and reminiscence early days of the ensemble and many other things with. In short this is a brilliant piece of music, full of creativity, ingeniousness and pure joy, completely unique and striking, unconventional and as musically anti-establishment as music can be. I refuse to interpret the album´s title literally and already long for the next chapter in Tie Break´s journey! The End of boredom is definitely here!

Updated: 21/12/2019Posted: 20/12/2019

CD 1 Digipak Recommend To A Friend

TRIBUTE TO MILES ORCHESTRA ~ LIVE WARNER MUSIC POLAND 039842388922 (Barcode: 039842388922) ~ POLAND ~ Jazz Recorded: 1998 Released: 1998 This is the only album by Polish Jazz ensemble Tribute To Miles OrchestraFind albums by this artist (a.k.a. TTMOFind albums by this artist), led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist, which also featured trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Mariusz MielczarekFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist, drummer Radek MacinskiFind albums by this artist and percussionist (usually keyboardists) Piotr IwickiFind albums by this artist. The album, which was recorded live at the legendary Akwarium club in Warsaw, presents six compositions, five of which are by Miles DavisFind albums by this artist and one is by Konikiewicz (dedicated to Davis). Musically the album presents the style Miles Davis utilized during the last period of his career, when he switched to Warner Bros. and released the world shattering "TutuFind albums with this title", presenting a combination of Funk and electronic music, which at the time was as innovative as every other giant step Davis took during his career. The Polish Jazz musicians handle the Funk rhythmic challenge formidably and paraphrasing on the "white man can´t jump" - white man definitely can Funk! There are plenty of superb solos and passionate moments, as well as interesting arrangements of earlier Davis compositions transcribed into the Funky style. The remarkable bass playing, which is the basis upon which this music is built, is the core element of its success. But all the participants are contributing extraordinarily and the overall result is way beyond what one might expect. The most thrilling and astonishing facet of this album is the presence of trumpeter Andrzej Przybielski, who is ordinarily associated with the Free / Avant-Garde Polish scene. This is surely the most "conventional" recording that Przybielski ever took part in and his sound and imitation of the Miles Davis phrasing are simply marvelous. The invitation of Przybielski to participate on this album was a prophetic and bold move by Konikiewicz, who is therefore credited for showing us a face of the legendary trumpeter that we never knew about and is preserved here for posterity. There is no doubt that the idea behind this album was influenced by the two Miles Davis visits in Poland, in 1983 and in 1988 (I attended that concert), which are generally accepted as life changing experience for the Polish Jazz scene, both collectively as a community and individually as directly influencing the local musicians. The second visit, which happened shortly before Poland was finally released from the grip of the Socialist regime, was a symbol of a changing reality, which at the time was just around the corner (pun intended). The album suffers from some minor sound quality problems due to the recording conditions, but those are completely negligible in view of the musical contents and the historic significance of this album. The fact that this album disappeared from the shelves almost immediately after it was released and was never reissued is a crying shame.

Updated: 12/04/2019Posted:

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VARIOUS ARTISTS ~ THE BOOK OF JOB NOT ON LABEL ~ POLAND ~ Jazz Recorded: 1985 Released: 2007 The tale of "The Book Of JobFind albums with this title" project originates in 1981, when a group of Polish jazz musicians, actors and other intellectuals decided to stage a production based on one of the most dramatic biblical stories – the story of the sufferings God decided to put on Job to test his faith. To understand the context, one has to remember that at that time Poland was being torn apart by political and social upheaval, led by the Solidarnosc movement, in protest against the socialist regime. The political struggle included many strikes and demonstrations, some of which led to violent clashes with the police and people being shot or beaten to death. The biblical story of Job’s suffering seemed to many Poles as an allegory reflecting their situation. The project involved a musical suite written especially for the project and performed by top Polish jazz musicians, with fragments of text from the Book of Job being recited by actors. The premiere performance was presented during the 1981 Jazz Jamboree Festival in Warsaw, with further performances scheduled all over Poland. However, on December 13, 1981 the Martial Law was announced in Poland as a last resort to save the regime from crumbling and all art activities were put on hold, with tanks occupying the streets of Warsaw. It seemed that the project was dead after just one performance. The Martial Law was finally lifted in 1983 and it was only a question of time when the Soviet Block was about to disintegrate, but the socialist government stayed in power till the end of the decade. In 1985 I received a call from some musician friends in Warsaw, inviting me to come over and co-produce a recording of "The Book Of Job" as well as take part in the expanded multi-lingual version of the project, by reciting the text in Hebrew (in addition to Polish, German and English). As much as I understood the Polish background and circumstances surrounding the project, my interior motives to take part in the project were quite different. I always considered the Book of Job as the closest biblical allegory to the fate of the Jewish People with the Holocaust symbolizing Job’s sufferings and the birth of the State of Israel as the outcome. Therefore realizing this project in Poland, where most of the Holocaust took place seemed more that appropriate to me. I was very excited by the prospect, but the possibility to actually undertake the venture seemed utterly impossible. I left Poland in 1967 and never visited the country since. My Polish citizenship was taken away when I left Poland, and at the time (1985) Poland and Israel had no diplomatic relationships. Poland and all other Socialist countries severed they diplomatic ties with Israel following the 1967 Six Days War, which meant there was no Polish Embassy in Israel, where I could get a Polish visa. In general no Polish visas were issued to Israeli citizens, especially those of Polish origin. My Polish friends started to thread the winding path of Polish bureaucracy and for some strange and completely incomprehensive reasons the Polish Ministry of Foreign Affairs decided to grant me a visa for a few days, which I had to collect in Germany, something that was completely unheard off at the time. Finally in the bitterly cold late autumn (October) of 1985 I made the trip to Warsaw via Frankfurt and stepped on Polish soil for the first time in 18 years. I still remember the face of the Polish border police officer when I presented my Israeli passport at the Warsaw airport. I was of course a total nerve wreck, considering the fact that Poland was still very much a police state at that time, and constantly imagined that I could get arrested under any pretext at any given moment. For a few days I never stopped looking around trying to figure out if I’m being followed. Eventually the nervousness disappeared, mostly due to the warm reception I received from my friends, old and new alike. I flew to Krakow, where the production team and the musicians and actors assembled and we started rehearsing and then recording the music and the recitations. The recordings were done in a well-equipped studio, which was located behind the stage of the Teatr Stu. Everything went pretty smoothly and I stayed on for a couple of days to mix the tapes for the final master. After the production was over I went for a few days to visit Silesia, the southern, coal-mining part of Poland were I was born, and later on returned to Warsaw. I couldn’t take the master tapes with me, as these would surely be confiscated as illegal political unauthorized contraband, but I was promised they would be sent to me, as I planned to release them on my own JazzisFind albums on this label label, which I planned to start soon after. The producers also promised to release the album in Poland. A few days later I was back home in Israel and although I visited Poland many times later, I never heard about the project again. I lost contact with my Polish co-producers and although the tapes did land in my lap many years later, I left them untouched. Imagine my surprise when upon my recent visit to Poland a friend told me that the album was finally released just a few days before I arrived and even some reviews appeared in Polish papers (mentioning me) on the day I arrived. I was flabbergasted, angry for about 10 seconds (for not being consulted about this) and of course ecstatically happy to see this baby finally being born, after a 22 years long pregnancy. Especially so when I saw that the album was beautifully packaged in book format with splendid historical photographs (mine included, looking much younger of course). So much about the background of this album, and as to the contents, listening to it for the first time in so many years I must admit I’m more than proud to be associated with its creation. The music, performed by a wonderful septet of Polish jazz musicians, including Krzysztof ZgrajaFind albums by this artist – flute and piano, Andrzej PrzybielskiFind albums by this artist – trumpet, Zbigniew WegehauptFind albums by this artist – bass, Janusz TrzcinskiFind albums by this artist – drums, Mieczyslaw LitwinskiFind albums by this artist – sitar, Milo KurtisFind albums by this artist – percussion, Jew’s harp and trombita and Andrzej MitanFind albums by this artist – vocals, resembles in spirit the Miles DavisFind albums by this artist’ Bitches BrewFind albums with this title sessions, with plenty of space for solos performed over spacey / funky rhythmic patterns. The recitations are used as overlays, switching between the various languages, creating a dramatic collage effect over the music. Quite ambitious and far reaching in any respect and considering the fact that it was done 22 years ago, I’d say it was well ahead of its time. I suppose not everybody can enjoy this kind of creation as much as I do, but nevertheless it is a momentous piece of intellectual significance, cutting deeply into the listener’s soul, if listened to carefully and attentively.

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VARIOUS ARTISTS ~ TRIBUTE TO ANDRZEJ PRZYBIELSKI VOL.1 SJP 001 ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is a criminally overdue tribute album to the Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist (born 1944), who died in 2011, recorded by an ensemble which features six Polish Jazz trumpeters: Maciej FortunaFind albums by this artist (born 1982), Marcin GawdzisFind albums by this artist (1972), Wojciech JachnaFind albums by this artist (1976), Tomasz KudykFind albums by this artist (1976), Piotr SchmidtFind albums by this artist (1985) and Maurycy WojcinskiFind albums by this artist (1988), i.e. mostly members of the middle aged and young generation of the Polish Jazz scene. The ensemble also features a rhythm section which comprises of guitarist Jakub KujawaFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist. Together they perform four compositions by Przybielski and three collectively improvised pieces. The album also includes a conversation with Przybielski recorded in 2007 at the legendary Mozg club in Bydgoszcz, Przybielski´s home town, which also includes fragments of his performances. The recording and the release of this album was the initiative of Fortuna, who felt an obligation to document and commemorate Przybielski´s contribution to Polish Jazz, which is of course highly praiseworthy. However it is difficult to ignore the fact that Przybielski died a dissolute, lonely, sick, neglected and forgotten man, which left a huge black stain on the Polish Jazz scene. Not less significant is the absence on this album of the top Polish Jazz trumpeters of his generation, which painfully emphasizes the fact that Przybielski never received the recognition he so much deserved from his contemporaries and was mostly adored and respected by musician much younger than himself. His life´s story is a classic epos of Avant-Garde being denied recognition at its peak only to be recognized in the aftermath. Personally I had the pleasure of knowing Przybielski and working with him on several projects in the 1980s, being immediately convinced that he is the most interesting Polish Jazz trumpeter on the local scene at that time. My admiration for his work never ceased, being only rekindled following the tragic news of his death. With all respect to the actual music present on this album, which is very good, it is only secondary to the very existence of this project. Thanks and salutations are of course due to Fortuna and the many people who made this project possible and which, as the Vol.1 suggests, will be continued in the future. There are many fascinating moments on this album, some superb trumpet passages and solos, great group improvisations and so on. The musical concept is however a bit unclear, as far as I am concerned. Also the idea of six trumpeters playing together, as potentially interesting as it might appear is less effective in reality in my opinion. Perhaps a collection of pieces featuring prominently just one trumpeter or at most two, playing in turn might have been more effective? But these are just matters of personal taste. Of course all these trumpeters can play and they do play well, but as far as a tribute is concerned, the music is supposed to be spiritually convergent to the music of the subject to whom the tribute is dedicated, which, as already mentioned above, is not really apparent herein. But all things considered, this is a very important album, not only for its music but primarily for what it symbolizes, for its historical importance and for the example it sets. As such it is undoubtedly a major event and a great success!

Updated: 12/04/2019Posted: 15/11/2016

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VARIOUS ARTISTS ~ TRIBUTE TO ANDRZEJ PRZYBIELSKI VOL.2 SJP 004 ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is second volume of the wonderful project which pays tribute to the great Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist, who died in 2011. Six relatively young but already established Polish Jazz trumpeters: Maciej FortunaFind albums by this artist, Marcin GawdzisFind albums by this artist, Wojciech JachnaFind albums by this artist, Tomasz KudykFind albums by this artist, Piotr SchmidtFind albums by this artist and Maurycy WojcinskiFind albums by this artist and a rhythm section comprising of guitarist Jakub KujawaFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist perform five pieces, three of which are original compositions by Przybielski, one is a long improvised piece (over half an hour in duration) and the last is the bugle call of Bydgoszcz, the home town of Przybielski. A DVD filmed during the premiere of the first volume of this album is also included. The music is of course a continuation of the content of the first album and readers wishing to read more about the historical background and Przybielski´s contribution to Polish Jazz are invited to read my review of that album and other albums by Przybielski. By a weird coincidence I am writing these words just a few days following the death of Tomasz StankoFind albums by this artist, the Polish Jazz Colossus. The many parallels, stylistically and otherwise, and of course great differences between these two trumpeters is one of the most fascinating stories of Polish Jazz, definitely worth a book on the subject. Beyond the music per se, these two albums are an important glimpse into Polish Jazz history and an effort to bring Przybielski into the awareness of the Polish Jazz fans, which he sadly almost completely missed during his lifetime. They also show the will of the young generation of Polish Jazz players to continue the tradition and remember the idiom´s heroes. For Polish Jazz fans this is definitely something they should have in their collections. Hats off to all the people who contributed to this project and made it happen.

Updated: 01/08/2018Posted: 01/08/2018

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WITKACY TRIBUTE ENSEMBLE ~ WISTOSC RZECZY RG 109 ~ POLAND ~ Jazz & Poetry Recorded: 2020 - 2021 Released: 2022 When we think about “universality”, we intuitively mostly think in just three dimensions, but relating to WitkacyFind albums by this artist and his multi-disciplinary legacy, the most important thing is the fourth dimension, i.e. time. From the perspective of a Century, his philosophy, writing, Art theory, painting, photography and even composition are completely time unrelated, being as relevant, and perhaps more relevant today, than they were at the time of their creation, mostly due to the fact that Witkacy was simply way ahead of his contemporaries, in every possible dimension. The mysticism, sensationalism and misinterpretation of his Cultural legacy is usually a result of ignorance and a rigid attempt to fit his heritage into later time period norms and social frameworks, which of course are completely opposed to his transcendental free-spirited universe. Witkacy was not a drug-consumed hippie, as many would like to portray him, or a social misfit. He was a genius trapped within the restrains of mediocrity, stupidity and conformism, that rule this world. The person in charge of the concept behind this project is of course Boguslaw RaatzFind albums by this artist, who wrote most of the music, assembled the musicians and defined the ambitious boundaries and Artistic credo of this project. It offers a wealth of authentic works by Witkacy, carefully assembled and encrusted in the musical layer, creating a whole that is way beyond just a sum of its parts. This is of course not the first attempt to create a musical tribute to Witkacy; the pioneering album by Polish Jazz trumpeter / composer Tomasz StankoFind albums by this artist, recorded in 1986, called “Peyotl - WitkacyFind albums with this title”, is an obvious reference and the hypnotic trumpet duet of Stanko and Andrzej PrzybielskiFind albums by this artist on that album remains a classic of that era. A Nation is only as strong as its passion for its Cultural heritage. Thank God some people are still able to channel their energy into pursuing this motto. This album is certainly an evidence of exactly that. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 30/04/2022Posted: 30/04/2022

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YESHE ~ PIASTOWSKA 1 SONY 887654098221 (Barcode: 887654098221) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2010 Released: 2012 This is the second album by the Polish ensemble YesheFind albums by this artist, led by the legendary trumpeter / composer Antoni GralakFind albums by this artist, who was a member of such groundbreaking Polish ensembles as Free CooperationFind albums by this artist, Young PowerFind albums by this artist and Tie BreakFind albums by this artist and participated in countless other projects over the years, including leading his ensembles like GraalFind albums by this artist and Yeshe. This incarnation of Yeshe includes also guitarist Piotr PawlakFind albums by this artist and keyboardist Darek MakarukFind albums by this artist who is in charge of a plethora of electronic effects and sampling. The music, all original by Gralak, was recorded live and is dedicated to the Polish pioneering visual Artist Andrzej UrbanowiczFind albums by this artist. Stylistically the music presents a wide spectrum of contemporary musical trends and incorporates such diverse influences as Avant-Garde Jazz, electronic music, Techno, Industrial and World Music. The amalgamated result is a completely original and unique blend, which is fascinating and electrifying from start to finish. The basic formula presents Gralak improvising on top of an ambient / sampled background, which changes from track to track both rhythmically and conceptually. A trained listener will hear many citations form Indian and other Far Eastern Cultures, as well as samples of exotic instruments like sitar, tabla and a plethora of others. Gralak´s trumpet work is nothing short of brilliant and brings immediately memories of his Free Cooperation cohort Andrzej PrzybielskiFind albums by this artist, who is sadly no longer with us. Throughout the entire duration of this album Gralak improvises almost without a break, in a truly phenomenal form. This album is not only a rare musical gem, but also a wonderful example of completely boundless music, which crosses cultural, stylistic and time borders effortlessly and elegantly. It definitely deserves a much wider recognition that it actually has today. Brilliant stuff!

Updated: 12/04/2019Posted:

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ZIEMIA ~ ZIEMIA DNIEM NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2022 Released: 2022 This is the debut album by young Polish Jazz quartet ZiemiaFind albums by this artist (Earth in Polish), which comprises of bassist / violinist Jakub WosikFind albums by this artist, guitarist / clarinetist Oskar TomalaFind albums by this artist, trumpeter Mateusz ZydekFind albums by this artist and drummer Alan KapolkaFind albums by this artist. The album presents seven original compositions, four by Wosik and three by Tomala. The music is very difficult to categorize, partly based on melodic themes, but very open, bordering on free improvisation, moving into Fusiony / Bluesy stride and then suddenly swinging – in short an organized mayhem, which is one of my favorite approaches to modern Jazz, but which is also extremely hazardous in the long run, as it tends to get repetitious and loses focus easily. But Ziemia managed to stay focused this time and the result is one of the most innovative, uniquely sounding and highly stimulating albums released recently, especially in view of the fact that they don’t sound similar to any other ensemble on the local scene. Although the four band members contribute their very individual ideas and instrumental input, the music seems to be centered around the distinctive trumpet sound, which makes me personally very happy, as Polish Jazz has a great tradition of exceptional trumpeters, and seems now to be able to grow the next generation, closing the void created by deaths of Tomasz StankoFind albums by this artist and Andrzej PrzybielskiFind albums by this artist. The unisono trumpet / guitar parts are also some of the most intriguing effects on this album. The guitar, when playing at full might, is a tad too “electric” / “muddy”, but that is a very minor reservation on my part, and the delicate / quiet guitar parts are a full compensation. The rhythm section is every bit as strong as the two soloists, and without it this music would have not worked as splendidly as it does. The wonderful contrast between Wosik, who is a monument of stability and sanity with his wonderful bass lines, and Kapolka, who is the “hold me down before I hurt someone” frenzy and zany drummer, who is also able to keep time like clockwork, is absolutely charming. Overall, this is a brilliant album from start to finish, completely fresh, unusual, unlike anything else, free as a bird… of course all this is well beyond words and I’m just yapping… If this is what these guys can do on their debut album, I am even frightened to imagine what will come next? Absolutely stunning stuff!

Updated: 30/01/2023Posted: 29/01/2023

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