Record Reviews

CECIL TAYLOR ~ MUSIC FROM TWO CONTINENTS FSR 2021/16 (Barcode: 5904441617009) ~ USA ~ Free Jazz / Improvised Music Recorded: 1984 Released: 2021 This is archival album recorded live in 1984 at the annual Jazz Jamboree festival in Warsaw. It presents an international ensemble led by American pianist / composer Cecil TaylorFind albums by this artist and ten additional players, both Americans and Europeans (hence the title), which includes Polish trumpeter Tomasz StankoFind albums by this artist, Italian trumpeter Enrico RavaFind albums by this artist, German trombonist Conrad BauerFind albums by this artist, American saxophonists Jimmy LyonsFind albums by this artist and Frank Wright Jr.Find albums by this artist, Danish saxophonist John TchicaiFind albums by this artist, American bassoonist Karen LyonsFind albums by this artist, German bass clarinetist / vibraphonist Gunter HampelFind albums by this artist, American bassist William ParkerFind albums by this artist and drummer Henry MartinezFind albums by this artist. The album presents one continuous track lasting for almost sixty-two minutes. The music is spontaneously improvised by the eleven members of the ensemble, based on directions / ideas put forward by the leader. It has little variation in tempo and intensity and offers a brilliant example of group improvisation, which in this case is performed by some of the leaders of the genre, all assembled on one stage at the same time. There are many extensive solo fragments performed by individual musicians, supported in the background by the ensemble members, as well as solos played concurrently by several musicians, with Taylor and the rhythm section playing continuously. For listeners not familiar with Free Jazz / Improvised Music all this might of course sound like a complete chaos, which has no meaning whatsoever, but a trained ear is able to hear both the group dynamics and the individual contributions, which are often stellar. Improvised Music requires certain “brainwaves” activity, which only some humans are equipped with. The fact that this music was recorded in Warsaw and that Stanko was invited to take part in the concert speaks volumes about how highly Poland and Polish musicians were regarded at the time by the international scene, despite the fact that it was still deeply behind the Iron Curtain. Stanko of course proves that he is able to stand shoulder to shoulder both with the other Europeans and the Americans. Overall, this is an important document of the genre and the Polish Jazz scene at the time. The music was of course recorded by the Polish Radio, which recorded all Jazz Jamboree concerts, and the fact that it was dug out and released by the FSRFind albums on this label label, means that those radio archives are terribly neglected.

Updated: 31/01/2022Posted: 31/01/2022

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