Record Reviews

JOHN SURMAN ~ THE RAINBOW BAND SESSIONS LOSEN 105 (Barcode: 7090025831058) ~ UK ~ Jazz Recorded: 2006 - 2007 Released: 2011 This is an album which never was meant to be… Legendary Norwegian sound engineer Jan Erik KongshaugFind albums by this artist, owner of the revered Rainbow Studio in Oslo and a Jazz musician of his own eight, suggested to the British Jazz colossus John SurmanFind albums by this artist to use some spare time in his studio for a series of informal "just for fun" meetings between Surman and local Jazz musicians. These sessions, which continued for several months, were also recorded, although never intended to be released. Eventually, however, the result turned out to be simply too good to remain forgotten, and this album lets us hear this beautiful music after all. The detailed story of these sessions is described by Surman in the album´s liner notes. Surman used these sessions to revisit the early days of his career, reviving and restoring several octet arrangements originating in the late 1960s, which were only partly saved. He also contacted his life-time "soul-mate", the brilliant composer / arranger John WarrenFind albums by this artist, who sent a bunch of his music to be used as well. Finally, of the eight tracks included on the album, four are by Warren, two are by Surman, one is by the pioneering British Jazz educator and pianist Eddie HarveyFind albums by this artist, written originally for the celebrated saxophonist Mike OsborneFind albums by this artist, who was a member of Surman´s octet and the last is a Thelonious MonkFind albums by this artist classic arranged by the great British saxophonist / composer / arranger / bandleader Alan CohenFind albums by this artist. As a result this album is not only a fantastic piece of music, but also a fine tribute to the history of British Jazz. Surman plays on all tracks, baritone or soprano saxophones (solos on four tracks), as is most of the rhythm section; the rest of the musicians fluctuate between two lineups. The important lesson, however, is how excellent all these players are, although most of them are very little known outside of their own country, which tells how exceptional the Norwegian Jazz in particular and the European Jazz in general are. The music and particularly the arrangements have a wonderfully nostalgic tinge to them, and yet sound completely contemporary and up to date. Although paying tribute to the early days of the modern British Jazz scene, it also conveys a clear message that Jazz genres and conventions are only secondary in the face of universally superb music, masterfully composed, skillfully arranged and brilliantly performed, with zest, elegance and above all love of the subject matter. So even if this album was never meant to be, it definitely defeats the original intention of staying beneath the surface and turns out to be another masterpiece, as everything that Surman touches, now for over five decades. With the 70th Birthday Celebration behind him, Surman continues relentlessly to make his mark on the Jazz idiom, being one of its most impressive champions. Definitely worth getting and for the numerous Surman fans this is an absolute must!

Updated: 11/02/2016Posted: 11/02/2016

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JAN GUNNAR HOFF ~ FLY NORTH! LOSEN 119 (Barcode: 7090025831195) ~ NORWAY ~ Jazz Recorded: 2013 Released: 2014 This is the fourteenth recording as a leader by the celebrated Norwegian pianist / composer Jan Gunnar HoffFind albums by this artist, recorded in a quartet setting with Norwegian trumpeter Arve HenriksenFind albums by this artist, Swedish bassist Anders JorminFind albums by this artist and Danish (born in US) drummer / percussionist Marilyn MazurFind albums by this artist. The album presents ten original compositions, all by Hoff. Recorded at the legendary Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist, this album is the epitome of what is known as Scandinavian Jazz or Scandinavian Sound, popularized for decades by ECM Records. Characterized by slow, melancholic, introvert and minimalistic melody lines and delicate, rounded notes, that seem to be floating like leaves in the wind or flowers on the (icy) water, The Scandinavian Sound has many avid followers around the globe and honestly nobody even tries to mimic this unique phenomenon, not even the Chinese ;) Of course Scandinavian Sound is often criticized by (mostly American) Jazz fans and critics for being tedious and lacking the basic daring Jazz spirit of exploration and discovery. Sadly in some cases this is indeed true, but certainly the entire idiom is very far from that shortsighted criticism, and in many cases produces extraordinary music, full of intelligence and deep emotion, and proudly representing the multifaceted European Jazz. There is no doubt that this music, apart from being breathtakingly beautiful, is also very communicative. The ability of musicians to communicate with their audiences without compromising their artistic vision is often underestimated, and this album is a superb example of such a case. This music can be absorbed on many different levels, from the purely emotional to the deeply intellectual, with each of these levels having something magical to offer to the listener. Although the focus of the album is directed towards Hoff´s piano, which he plays with grace and virtuosity, the other members of the quartet also contribute enormously; Henriksen´s "flute-like" trumpet sound is absolutely unique and captivating, Jormin, who is one of my all times favorite bassists, plays marvelously and his long melodic lines are a balsam to the ears and finally Mazur is, as always, more ornamenting the proceedings with her delicate and wonderfully timed touches, rather than setting the rhythms. Overall this is an instant Scandinavian Sound classic, which was warmly received upon its release and surely will keep many listeners happy in years to come!

Updated: 08/03/2016Posted: 08/03/2016

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MIRAGE ENSEMBLE ~ MEMORY HAPPENS NOW LOSEN 128 (Barcode: 7090025831287) ~ NORWAY ~ Jazz-Rock Fusion Recorded: 2014 Released: 2014 This is the debut album by young Norwegian sextet called Mirage EnsembleFind albums by this artist, which comprises of guitarist Marius IglandFind albums by this artist, saxophonist Joakim BergstronningFind albums by this artist, trumpeter Magnus DragenFind albums by this artist, trombonist Lars SutterudFind albums by this artist, bassist Steinar GlasFind albums by this artist and drummer Jens NylandFind albums by this artist. The album present nine original compositions, seven of which were composed by Igland, one was co-composed by Glas and Nyland and one was composed by Dragen. The music is dominated by the presence of the brass section, which immediately creates a fond memory of the great Brass Rock bands of the late 1960s and early 1970s, like Blood, Sweat & TearsFind albums by this artist, ChaseFind albums by this artist, ChicagoFind albums by this artist, DreamsFind albums by this artist, IfFind albums by this artist and many others, less the vocals of course. There is a strong Jazz-Rock Fusion affinity, even if it´s less explicit here due to lack of guitar as a principal solo instrument. The general level of the compositions is very high and the tunes sound original and are very well structured, often consisting of several motifs within one composition. The instrumental performances by all the band members are professional and inspired, with most of the soloing done by the brass instruments and with less presence of the guitar, in spite the fact that the guitarist wrote most of the music. The guitar contributions are delicate and subtle, and serve more as the link between the brass and the rhythm sections. The rhythm section plays straightforwardly, but solidly, pushing the music forward at a steady pace, often more Rock than Jazz oriented. Overall this is an excellent and very promising debut album, which hopefully will be followed by more recordings in the future. Although not innovative or groundbreaking, this is a great reminder of Brass Rock, brought up do date by these young and talented musicians. Well done!

Updated: 28/11/2016Posted: 28/11/2016

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MONGREL ~ TASKENSPILL LOSEN 131 (Barcode: 7090025831317) ~ NORWAY ~ Jazz Recorded: 2014 Released: 2014 This is the debut album by young Norwegian Jazz quartet MongrelFind albums by this artist, which comprises of trumpeter Thomas Husmo LitleskareFind albums by this artist, pianist Johan LindvallFind albums by this artist, bassist Stian Andreas Egeland AndersenFind albums by this artist and drummer Tore FlatjordFind albums by this artist. The album presents eleven original compositions by Litleskare, Lindvall and Andersen. The music is modern European mainstream, which is melody based but also open to less constrained improvisation and rhythmic freedom. For such young composers the music is remarkably mature and open minded and perfectly blends the Jazz tradition with contemporary trends. Surprisingly it is not deeply rooted in Scandinavian Jazz, with its dark melancholy, but rather tends to be more passionate and expressive. All four musicians play splendidly, with Litleskare drawing most of the attention as the front man, but in fact the music is a well coordinated group effort and everybody gets an opportunity to show his chops. The trumpet sound is somewhat similar to Don CherryFind albums by this artist or Tomasz StankoFind albums by this artist, two great Masters of the instrument, which of course means that Litleskare learns from the best. Lindvall is very melodic and plays beautiful passages both as a soloist and accompanist. The rhythm section is perfectly able to keep steady time, when necessary, but also is equally proficient when the music ventures into Free territory, with Andersen providing a steady support for the music to move on and Flatjord gracefully adds his polyrhythmic ornamentations. Overall this is a remarkable debut album, which again points out that these young European Jazz musicians are here to take the music into the future, preserving the tradition and expanding the genre, saving it from stagnation. The quartet fully justified the high hopes raised by this album by releasing a sophomore album ("Thick As ThievesFind albums with this title") two years later, which is also excellent. Wholeheartedly recommended!

Updated: 26/11/2016Posted: 26/11/2016

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ALF HAGGKVIST ~ FOG LOSEN 133 (Barcode: 7090025831331) ~ SWEDEN ~ Jazz Recorded: 2014 Released: 2014 This is the third album by Swedish Jazz pianist / composer Alf HaggkvistFind albums by this artist and his trio with bassist Filip AugustsonFind albums by this artist and drummer Krister HaggkvistFind albums by this artist. Together they perform eleven original compositions, all by Alf Haggkvist, except for two harmonic structures based on well known standards. The music is a typical melodic modern mainstream Jazz with Nordic atmosphere full of melancholy and reflection. Dedicated to the Scandinavian weather, no wander the music is rather tranquil and subdued, but the melodic themes are all solid and the music flows gently, with occasional free form passages, which spice the proceedings. The trio plays very well together, with the rhythm section supporting the piano amicably and Augustson playing some excellent bass solos. There is not much place for surprises here and lovers of classic piano trio albums should find this album ideally suiting their milieu. On the other hand this album does not innovate or explore any new territory as far as mainstream Jazz is concerned, which of course is not something every album has to do. It is still a perfectly valid and solid piece of music, which Jazz connoisseurs should enjoy in full.

Updated: 22/11/2016Posted: 22/11/2016

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OLGA KONKOVA TRIO ~ THE GOLDILOCKS ZONE LOSEN 134 (Barcode: 7090025831348) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the fifth album by the piano trio led by Norwegian (born in Russia) pianist / composer Olga KonkovaFind albums by this artist, which also includes her husband bassist Per MathisenFind albums by this artist and British drummer Gary HusbandFind albums by this artist. The album presents eleven original compositions, ten of which were composed by Konkova and one is co-credited to all the trio members and is largely improvised.. Six of the compositions are parts of a suite, which name gave the album its title. From the very first notes on this album it´s pretty obvious that Konkova and her team mean "serious business" and have their very individual way to state it. The classic piano trio format, one of Jazz most archetypal settings, is perhaps the ideal environment to express the intricacies of the Jazz idiom, being just the right size on one hand, and not big enough to overcomplicate matters on the other. However, decades of piano trio´s history have shown a remarkable slow progress in the format, with many, often some of the absolutely best piano trios, sounding very alike, even when separated by decades from each other. Of course there are exceptions, but those are, as usual, an affirmation of the rule. Therefore this trio is a very pleasant surprise exactly due to the fact that it is simply different from most others. The difference is plainly in sight (or rather hearing) on many layers; first acoustically as the presence of an electric bass, which is able to create a dissimilar ambience to its acoustic counterpart, the presence of the Fender Rhodes behind the acoustic piano and the completely unique approach and understanding of the role of the drummer in a piano trio, all of which are present here, and second the melodic layer, which is also very inimitable, far away from conventional "song" oriented compositions, which in this specific case are like "movements", being of a much broader melodic and harmonic scope. These characteristics might cause some consternation at first to an unprepared listener, but shortly after the dust settles the intrinsic beauty of this music become apparent. Of course the individual contributions of the trio members are, as expected, wonderful. Konkova has a very individual touch and the piano notes she produces are very precisely and clearly stated, in contrast to many pianists who love the overly delicate touch, which produces a mushy sound. She is a sort of minimalist, stating exactly what she considers as absolutely essential and lets the listener´s mind to connect the dots. Mathisen is simply marvelous with his understanding and empathy towards the piano parts, playing along supporting the melody lines and stretching them when appropriate. His sensitivity and virtuosity are simply exceptional. Husband, who is sadly often underappreciated or misunderstood, plays perfectly here, also displaying brilliant sensitivity and smoothly moving between delicate rhythmic parts to a barrage of sound, whenever appropriate. Overall this is not only a very beautiful album, but at the same time a very interesting and unusual one, presenting a fresh approach to Jazz in general and the piano trio format in particular. Well done Lady and Gentlemen - absolutely wholeheartedly recommended!

Updated: 04/03/2016Posted: 04/03/2016

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ANDREAS LOVEN ~ NANGIJALA LOSEN 135 (Barcode: 7090025831355) ~ NORWAY ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by Norwegian pianist / composer Andreas LovenFind albums by this artist, recorded while he lived in South Africa, created in an intimate duo setting with local saxophonist Buddy WellsFind albums by this artist. Vocalist Spha MdlaloseFind albums by this artist is featured on a couple of tracks and contributed the lyrics to the song she performs. The album presents ten tracks, nine of which are original compositions by Loven and one is a composition by the Danish composer Bent Fabricius-BjerreFind albums by this artist. The music is beautifully melodic and lyrical, even melancholic at times, which is often the case with musicians originating in the Scandinavian countries. Loven did not yet immerse himself at this point into the riches of the South African ethnic experience, and therefore this music is still very much European, but it does show some subtle World Music influences. Loven plays wonderfully from start to finish, keeping the music swinging and floating gently. Wells adds his excellent saxophone contributions, playing fluidly and in perfect harmony with Loven, creating together in intimate, highly emotional aesthetic environments, which in often minimal sonically but full of graceful music. Obviously the "less is more" method wins again. The two vocal tracks are both excellent. Mdlalose sings a superb vocalese on one track and conventional lyrics on the other, and they are definitely like a proverbial cherry on top of the cake. I´d love to hear more from her. The album has a wonderful sound quality, warm and embracing, which will surely put a wide smile on the faces of people who enjoy exquisite Hi-Fi results, those in addition of course to the great musical contents. Overall this is a very impressive debut recording, which promises good things to come in the future. Delicate, gentle and highly aesthetic and of course warmly recommended!

Updated: 21/03/2016Posted: 21/03/2016

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SVELIA ~ TRANSITIONS LOSEN 136 (Barcode: 7090025831362) ~ SWEDEN ~ Free Jazz / Improvised Music Recorded: 2014 Released: 2015 This is the debut album by a young Swedish / Australian ensemble SveliaFind albums by this artist, which comprises of vocalist Casey MoirFind albums by this artist, trumpeter Reuben LewisFind albums by this artist, pianist Luke SweetingFind albums by this artist, bassist Johan MoirFind albums by this artist and drummer Aidan LoweFind albums by this artist. They perform eight original compositions / songs, most of which were composed by Casey Moir, who also wrote most of the lyrics, with the exception of two songs composed by Lewis, one by Johan Moir and one by Sweeting. The music is a surprisingly unusual blend of melodic themes performed in a very free / improvised setting, with a lot of space and breathing space, directed by Casey Moir´s incredible vocal parts and dominated by the complex music she composed. She is one of the very few female vocalist, who tries to continue and keep alive the wonderful vocal Jazz tradition, which was developed decades ago by such wonderful female vocalists as Jeanne LeeFind albums by this artist, Lauren NewtonFind albums by this artist, Urszula DudziakFind albums by this artist and a few others, and which has sadly almost no parallels in contemporary Jazz, even on the European scene. Casey Moir uses lyrics and vocalese, theatrical expression and on-the-fly vocal improvisations, which make the hair on the back of the listener´s neck to stand up, not only because she is so bizarre and fabulous, but mostly because she dares. The entire concept of this album and the overall impression it makes is truly amazing. But of course the vocalist is not alone out there and her companions all contribute magnificently to the overall success. Lewis plays some "nasty" trumpet parts, which would make Don Cherry smile, Sweeting delicately adds his free-Baroque ornamentations and the rhythm section, which plays anything but rhythm, completes the sound design by another dimension of freedom. Personally the more improvised the music gets, the better it gets and I don´t even dare to think what these musicians might come up with next; hopefully something even more daring and wonderfully weird than this gem of an album. Overall a stunning debut effort, which deserves praise not only for what it offers, but the sheer audacity and chutzpah, mixed with pure genius, which are so rare these days. Another great release on LosenFind albums on this label Records, which again makes me wonder where do you, Odd GjelsnesFind albums by this artist, find all these fantastic musicians?

Updated: 22/11/2016Posted: 22/11/2016

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ERIK THORMOD HALVORSEN ~ UPPERCASE LOSEN 138 (Barcode: 7090025831386) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the debut album by veteran Norwegian trumpeter / composer Erik Thormod HalvorsenFind albums by this artist, recorded in different quintet lineups with saxophonist Rune A. NicolaysenFind albums by this artist and pianist Freddy Hoel NilsenFind albums by this artist and several guitarists, bassist and drummers and a couple of guest musicians. The album presents eleven compositions, six of which are originals (four by Halvorsen and one each by Nicolaysen and Nilsen) and five are standards. All tracks are studio recordings except for the closing track which was recorded live. Halvorsen, a lifetime member of the excellent Norwegian Sandvika Storband (Big Band}, was 64 years old at the time this music was recorded. I have no idea why he had to wait so long to make this album but I am glad he finally did, as it is overall fabulous. The music is a straight-ahead mainstream Jazz, which is perfectly performed by all the participants, who display obvious sympathy towards the music and a great swinging groove. Funny enough, the original compositions on this album are honestly as good as the standards and its great to see that some people are still capable of composing a swinging Bebop tune, which makes the Jazz tradition alive again. There are many great solos on this album by those by the Irish guitarist Louis StewartFind albums by this artist are simply marvelous. Although not innovative or adventurous in any way, this is still a very good Jazz album, which many listeners around the world should be able to enjoy immensely and which plays a suitable homage to the mainstream Jazz tradition. I had a lot of fun listening to this music and I´m sure many others will share my feelings about it.

Updated: 06/03/2016Posted: 04/03/2016

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IVAN MAZUZE ~ UBUNTU LOSEN 139 (Barcode: 7090025831393) ~ NORWAY ~ Smooth Jazz Recorded: 2014 - 2015 Released: 2015 This is the third album by Mozambique born and resident in Norway saxophonist Ivan MazuzeFind albums by this artist, recorded with a quintet which also includes guitarist Jacob YoungFind albums by this artist, pianists Michael BlochFind albums by this artist or Sifiso MakalistaFind albums by this artist, bassist Peter NdlalaFind albums by this artist and drummer Frank PacoFind albums by this artist. The album presents twelve original tunes, ten of which were composed by Mazuze and two were co-composed by him and Bloch. The music, although obviously influenced by African, Caribbean and other World Music influences, is mostly Smooth Jazz oriented, with slick saxophone licks dominating the proceedings. The ethnic ingredients are mostly felt in the rhythmic layer of the music, and they are very "well behaved" if not to say tamed and become a flavor rather than the essence. As a result the music has mostly an entertaining value. Mazuze has a beautiful tone, especially on the soprano saxophone, and plays some nice flute solos. The accompanying musicians are all professionals; Young plays a few nice solos, but those do not step outside of the overall formula of this album, Ndlala has a great groove feel and the other just do what is expected of them. There is of course nothing wrong with staying on the easy side of the Jazz idiom and many listeners enjoy such music immensely, but it is definitely not for the core of Jazz connoisseurs. Overall this is a well played Smooth Jazz album with nice tunes which sounds best while driving a fast car on a California highway…

Updated: 17/02/2016Posted: 17/02/2016

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DAVID ARTHUR SKINNER ~ CUBISTIC BOOGIE LOSEN 140 (Barcode: 7090025831409) ~ UK ~ Jazz Recorded: 2015 Released: 2015 This is a solo piano album by British (resident in Norway) pianist / composer David Arthur SkinnerFind albums by this artist. It presents twelve pieces, four of which are original compositions by Skinner and the rest are standards, arranged by Skinner. On the album Skinner pays homage to "old Jazz", playing Stride, Swing and Boogie-woogie tunes, which have been either originally composed as such or skillfully adapted by Skinner to these early Jazz environments. The music is a mixture of good taste nostalgia with a dash of humor, and is a wonderful breath of fresh air in the crazy world we all live in. Skinner plays with elegance and typical British nonchalance, which makes the music sound less formal and limited than it might usually appear, which is doing it a great service. His own compositions blend perfectly into the standards and sound as good as the well-known pieces. Overall this album is a wonderful experience, fresh, entertaining and yet far from being trivial and most importantly doing a great service to the tradition, which gets often forgotten (if not obliterated). Keeping this music alive and kicking is in itself a good deed, and considering how well it is done it deserves our gratitude and admiration. Grab a bottle of good wine, dim the lights, relax and put this music on – it will transform you a Century back in time, when class and good taste ruled.

Updated: 11/03/2016Posted: 11/03/2016

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LIV HANNE HAUGEN ~ KEMEDU LOSEN 141 (Barcode: 7090025831416) ~ NORWAY ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2015 This is the debut album by Norwegian vocalist Liv Hanne HaugenFind albums by this artist, recorded with Norwegian trombonist Oystein BlixFind albums by this artist and two French musicians: keyboardist Thierry GiraultFind albums by this artist and guitarist Alain KawczakFind albums by this artist. Kristian Svalestad OlstadFind albums by this artist, who served as the recording engineer, guests on two tracks playing percussion. The album comprises of eleven tracks, nine of which are originals composed by the participating musicians with lyrics by Haugen. The other two tracks are traditional Sami yoik songs. Haugen, heavily influenced by the culture of the Arctic Sami people and their yoik vocal tradition, emerges as a highly original vocalist, freely merging distant musical idioms, which encompass Jazz, Alternative Rock and World Music. The resulting music played by the group is bold, innovative and very unique, which is pretty unusual these days, where individuality and experimentation become obsolete. The music is quite diverse, moving between melodic, ambient and improvised parts. The unusual instrumentation, with the trombone as a lead instrument, adds to the mystique and the wonderful weirdness which prevails over this music. But Haugen´s vocals are the most dominant factor which makes this music so wonderfully bizarre. She completely disregards any conventions whatsoever, using her voice to sing, howl, screech, scream, yell and whisper, whatever seems appropriate at a particular moment. Her wordless vocalese is hauntingly beautiful and extremely powerful. When all these factors are combined and intertwined into a tapestry of sounds, the result is simply overwhelming. This music grows on the listener very persistently and I personally had a hard tie taking the CD out of my player after listening to it repeatedly several times in a row. What a magical experience! Happy International Women´s Day to you Liv! This is definitely the boldest and most surprising album I have heard so far from the LosenFind albums on this label Records catalogue, and I have to salute the label´s owner Odd GjelsnesFind albums by this artist for his courage and vision that made him release this highly unusual, farsighted and non commercial music, against all odds. We need more culture loving people like you Odd!

Updated: 08/03/2016Posted: 08/03/2016

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HILDEGUNN OISETH ~ TIME IS COMING LOSEN 142 (Barcode: 7090025831423) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the fourth album by the female Norwegian trumpeter Hildegunn OisethFind albums by this artist recorded in a quartet setting with pianist Espen BergFind albums by this artist, bassist Mats EilertsenFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. Oiseth plays trumpet, flugelhorn and the bukkehorn (Billy goat horn, an instrument going as far back as the Vikings). The album presents eight original compositions, two each by Oiseth, Berg and Eilertsen, one by Johansen and the remaining one by yoiker (Google it up!) / musician Frode FjellheimFind albums by this artist. The album was recorded at the celebrated Rainbow Studio in Oslo and engineered by the legendary Jan Erik KongshaugFind albums by this artist. The music is a wonderful Scandinavian flavored European Jazz, heavily influenced by folkloristic touches and deeply reflective. A trumpet quartet is one of the greatest minimalistic Jazz entities, and when it is at its best, it has but little competition. Although the music was composed by five separate individuals, it is beautifully cohesive and creates an amalgamated atmosphere of unity and aesthetic beauty, elegance and consistency. Oiseth´s playing is in many respects comparable to that of the Polish trumpet Master Tomasz StankoFind albums by this artist, emphasizing the expression rather than technical perfection. The slightly "dirty" tone, seemingly unstable during the vibrato notes, unites Oiseth with Stanko, which of course is meant as a compliment here. The bukkehorn parts, which sound a bit like oboe, are simply delightful and introduce another layer in the wondrous structure of this music. But of course the three other members of the quartet also contribute invaluably; Berg is the melodic essence, Eilertsen holds all the elements together with his pulsations and Johansen ornaments the proceedings delicately and sparingly, like only best of drummers do. This album offers the listener a spiritual experience, simply by overflowing all the senses, if allowed to do so. We can of course hear it, but it also touches our hearts, we can almost smell it, see the colors it paints in our mind and taste it in our mouth, not to mention the exhilaration of our intellect. It´s been a while since I heard music of such quality. This album easily stands shoulder to shoulder with the best European Jazz achievements released by the top record labels, like ECMFind albums on this label, both as far as the music quality is concerned and of course also as far as the recording quality, which in this case comes from the same source. It´s great to have labels like LosenFind albums on this label Records producing music of such quality, which make us all both proud and happy.

Updated: 13/02/2016Posted: 13/02/2016

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NORDERVAL / HEIDEL / WERCHOWSKA ~ PARRHESIE LOSEN 145 (Barcode: 7090025831454) ~ NORWAY ~ Free Jazz / Improvised Music Recorded: 2015 Released: 2016 This is the debut album by the all female Improvising Music trio comprising of Norwegian vocalist Kristin NordervalFind albums by this artist, Norwegian flautist Ida HeidelFind albums by this artist and French pianist Nusch WerchowskaFind albums by this artist. Together they perform eleven spontaneously created pieces co-credited to all three trio members, the first four and the next seven pieces are grouped together into "song cycles". The music, although obviously improvised, has much closer ties to contemporary Classical Music than to Jazz, which for listeners used to Improvised Music originating from within the Jazz idiom, will sound pretty different to what they are used to. Nevertheless this is still very much Improvised Music, so stylistic or aesthetic differences are quite secondary. As all improvised Music, whatever is created during the actual making of the music on the spur of the moment is one thing and what is captured by the recording process to be than played back to a potential listener is something else entirely. It is not often that Improvised Music manages to survive the process of recording and creation of a sound sculpture that is suitable for repeated listening experiences later on. I am not sure if this album is one of the very few, which survive the transformation process as it is a completely individual experience. It works fine for me, but I suppose that I am in a tiny minority. Judging by the liner notes written by Norderval, these three brave ladies have not only a musical but also a social / political agenda, which makes perfect sense considering their attitude towards Art. Avant-Garde was after all always associated not only with Art but also with social / political movements. It is pretty difficult to hold a subversive, unconventional attitude towards Art and be a conservative socially unaware person. I disagree as to the definition given on the cover to the meaning of the album´s title; it is one of the possible definitions, but the Hebrew meaning of "Parrhesia" is "speaking (or doing something) in public", which is much more appropriate to the situation at hand. But I digress… As much as this music is unconventional, the actual use of the human voice is pretty standard, and far away from truly Avant-Garde vocal explorations, which occurred since the 1960s. Norderval sounds like an operatic singer most of a time, singing non-operatic music, but definitely not doing anything adventurous and innovative. The stuff Heidel and Werchowska play is also conventional as far as the sonic layer of their instruments is concerned. Only the combination of the voice and the two instruments and the ragged, scattered, shattered and fragmented melodic moments create the overall atmosphere of unexpectedness and tension. Overall this is a challenging, unusual and bold expression of musical ideas that is definitely worth exploring by the open-minded and brave-hearted listeners, who are tired of the sonic pollution that surrounds us all the time. Such music must be created, even if only in the scope of "free speech", which allows individuality and originality. The question if such music is supposed to be "pleasing" is a completely different issue.

Updated: 12/04/2019Posted: 17/05/2016

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KNUT RIISNAES ~ 2ND THOUGHTS LOSEN 146 (Barcode: 7090025831461) ~ NORWAY ~ Jazz Recorded: 2015 - 2016 Released: 2016 This is an album by veteran Norwegian saxophonist Knut RiisnaesFind albums by this artist, recorded in a classic quartet setting with pianist Anders AarumFind albums by this artist, bassist Jens FossumFind albums by this artist and drummer Tom OlstadFind albums by this artist. Together they perform eight compositions, three of which are originals by Aarum, one is an original by Riisnaes, one is a composition by the Norwegian pianist Dag ArnesenFind albums by this artist and three are standards. Six of the tracks are studio recordings and two are live recordings. The music is all well within the melodic mainstream Jazz idiom, but the original compositions are all first-rate and far from trivial, which results in the album being a wonderful piece of classic conventional Jazz, splendidly executed by the musicians involved. Riisnaes (born 1945), who has been present on the local scene since the 1960s and who participated in numerous recording sessions, released only very few albums as a leader and this album is an important addition to his recorded legacy. His central role as one of the Godfathers of Norwegian Jazz is of course duly noted and this album proves that he still hasn´t lost his chops and can swing and improvise very impressively, maintaining his lovely tone. The accompanying musicians are representatives of the younger Norwegian Jazz generations, all being well educated and skilled, like all the European Jazz musicians today. Aarum emerges not only as a very skillful pianist (he participated in countless recordings already) but also as a gifted composer, with his tunes being all as good as the well known standards. The rhythm section is also first rate and support s the leader and the pianist amicably and with obvious expertise. Although this album does not break any new ground, it proves that European Jazz musicians can perform Bebop oriented material at least as skillfully as the musicians across the pond, usually doing it much more elegantly and inventively. For connoisseurs of classic Jazz, who are not familiar with the Norwegian scene, this album is a beautiful introduction to what the Norwegians are capable of in that particular area. Warmly recommended!

Updated: 28/01/2017Posted: 28/01/2017

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MONGREL ~ THICK AS THIEVES LOSEN 148 (Barcode: 7090025831485) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2016 This is the second album by Norwegian Jazz quartet MongrelFind albums by this artist, which comprises of trumpeter Thomas Husmo LitleskareFind albums by this artist, Japanese (resident in Norway) pianist Ayumi TanakaFind albums by this artist, bassist Stian Andreas Egeland AndersenFind albums by this artist and drummer Tore FlatjordFind albums by this artist. The album presents nine original compositions, five by Litleskare, three by Andersen and one credited to all four members of the quartet. The music is a typical modern European Jazz, based on melodic themes which serve as vehicles for improvisations by the quartet members. It is open to excursions into more free territory, but retains a well behaved orderly manner, even at the most spontaneous eruptions. Although not a typical moody Scandinavian Jazz, the music is still mostly melancholic, introvert and reflective. The compositions develop slowly towards a climatic ending, which in turn is followed by a delicate quiet introduction to the next composition. But strong melodies and excellent, sensitive execution turn the music into a most enjoyable listening experience. Litleskare is a formidable trumpet player, who uses a rough, somewhat "dirty" tone, similar to that of the great Polish Master Tomasz StankoFind albums by this artist. His solos are all perfect examples of minimal coolness, and with the amicable support by the quartet members, he manages to achieve an effect of a veteran pro, despite his young age. Tanaka is a wonderfully romantic pianist, and her solos are true bliss; sadly she does not get the exposure she deserves, as more presence on her part could have made this album even better than it already is. The rhythm section does a wonderful job from start to finish, being right there behind the soloists, and managing the sometimes tricky twists and turns the music takes with taste and elegance. Overall this is another superb release on the Norwegian LosenFind albums on this label Records, which proudly presents the new generation of the country´s Jazz talents, for which we can only be grateful. The only minor point of criticism about this album is its duration (under forty minutes) which is disappointing, especially in view of the quality of the music. We want more next time ;)

Updated: 09/05/2016Posted: 09/05/2016

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STEINAR AADNEKVAM ~ FREEDOMS TRIO LOSEN 149 (Barcode: 7090025831492) ~ NORWAY ~ Jazz-World Fusion Recorded: 2015 Released: 2016 This is the fifth album by Norwegian guitarist / composer Steinar AadnekvamFind albums by this artist recorded in a trio setting with Brazilian bassist Rubem FariasFind albums by this artist and Mozambican drummer / vocalist Deodato SiquirFind albums by this artist. The album presents ten original pieces, composed individually or in twosomes by the trio members. The music, as might be expected, is a Jazz-World Fusion extravaganza with the three musicians exchanging soaring licks and virtuosic passages, based on the melodic themes, which open each song. The music has a strong Brazilian feel, as most of the pieces incorporate typical Brazilian rhythmic patterns and melodic lines, but other World Music influences can also be discovered, such as certain Gypsy, African or Cuban elements. The vocal parts are characterized by the falsetto register, often encountered in African and Brazilian singers, and play only a secondary role in this music, which is mostly instrumental. Aadnekvam plays the guitar very skillfully and has a clearly defined unique approach to his instrument, playing chords and individual notes with the same proficiency. Farias is an extraordinary bassist, playing some of the most impressive electric bass notes since Jaco Pastorius. Although overall interesting and even exciting, the album suffers form a slight overdose of intensity, which at certain moments seems to be just a bit over the top. Exchanging neck-breaking staccato of guitar and bass notes is more a Jazz-Rock Fusion thing from the 1970s than a multiculti effort recorded today. I suspect this music is much more effective live than on a record. But overall this is certainly an album which Jazz-World Fusion fans should check out and which they will probably enjoy immensely.

Updated: 21/03/2016Posted: 21/03/2016

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ELLEN BODTKER / JAN ERIK VOLD ~ SOMMEREN DER UTE LOSEN 150 (Barcode: 7090025831508) ~ NORWAY ~ Jazz & Poetry Recorded: 2015 Released: 2015 Anybody reading my reviews should be aware by now of my compelling sympathy towards the Jazz & Poetry idiom, which means that this album was at the focus of my attention even before I heard the first note, since it presents the celebrated Norwegian harpist Ellen BodtkerFind albums by this artist, who accompanies the fascinating lyric poet Jan Erik VoldFind albums by this artist, who recites his poetry. It also features trumpeter Arve HenriksenFind albums by this artist and percussionist Eirik RaudeFind albums by this artist. Together they perform eighteen pieces, twelve of which have music composed by Bodtker and three each composed by Henriksen and Raude. The album was recorded at the legendary Rainbow Studio in Oslo and was engineered by Jan Erik KongshaugFind albums by this artist. Vold´s flirt with Jazz goes way back to the early days of his literary career and he recorded already in the 1960s with the famous saxophonist Jan Garbarek and later on with many other famous Jazz musicians. For a fascinating glimpse of these early recordings please check out the Box Set: "Vokal – The Complete Recordings 1966–1977Find albums with this title" released in 2009. Of course the classically trained Bodtker does not play Jazz in the strict definition of the genre, but who cares. Her music, although often Classically influenced, is open enough to find a place well within the expanded boundaries of what we call "Jazz" these days, which is as it should be. She is among the very few harp players who can swing, so she´s definitely "our cup of tea". Of course Henriksen is a bona fide Jazz musician and his magical trumpet, which sounds like the fakir´s flute or an Akira KurosawaFind albums by this artist shakuhachi laced soundtrack, bonds the music with the centre of the Jazz experience. Raude, also classically trained, is obviously also open to all the various musical worlds, contributes his delicate and sympathetic touches sparingly but always right where they are needed. Vold recites his poetry in Norwegian, which of course limits the understanding of the actual meaning of his poetry to the Norwegian speaking audience, but as I always say poetry has the power to transcend the boundaries of language and his voice can be accepted as simply another acoustic aspect of this music, and his reciting as a kind of vocalese, for all those non-Norwegian speaking listeners. This album is a wonderful tribute to Vold´s poetry, and sonically a fascinating journey through the many facets of contemporary music, which blends and amalgamates genres, traditions and influences into the new European aesthetics of the 21st Century. Wholeheartedly recommended to the pursuers of non-trivial Cultural experiences!

Updated: 26/01/2019Posted: 16/02/2016

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MEDBOE / ERIKSEN / HALLE ~ THE SPACE BETWEEN LOSEN 151 (Barcode: 7090025831515) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the debut album by a trio of Norwegian musicians: guitarist / composer Haftor MedboeFind albums by this artist (who lives in Edinburgh, Scotland), pianist Espen EriksenFind albums by this artist and trumpeter Gunnar HalleFind albums by this artist. This trio is a sized-down version of a quintet, which features these musicians as well and which released a live album recently. This album presents seven original compositions, all by Medboe. The music was recorded at the renowned Castlesound Studios near Edinburgh and the resulting sound quality is spectacular. The music is strikingly melodic, with a clear emphasis on the beauty of melody and harmony, the two most basic elements of music, that strangely are almost completely absent from what is considered as music these days. Its relationship with Jazz is very subtle, more hinted that actually present up front. Although the parts are partly improvised, but the improvisation never actually leaves the basic melody from sight and leaves the motifs plainly audible. Although the music was composed by Medboe, his part in its performance is relatively limited. Most of the time the music is carried by the piano / trumpet duo, with the guitar, often heavily synthesized, enters for a brief statement or solo and then stays well in the background if at all present. This of course is by no means accidental and is obviously a part of the entire concept. The album´s title is therefore completely appropriate in relation to its contents. Few people realize of course, that playing very melodic and seemingly uncomplicated music and make it fascinating is infinitely more difficult than playing fierce displays of neck-breaking pseudo virtuosity. These musicians are simply masters of the "cool", where less means more and nothing is played which does not organically belong to the music. Obviously this music sounds Scandinavian, or even Nordic. The contemplative, melancholic and lyrical statements put forward by these musicians are inevitably a part of their collective consciousness, but the ability to be able to connect to this amazing music by people from outside their native Culture, means that they have the gift of making it completely universal. Overall this album if full of majestic, deeply moving music, which resonances in the listener´s mind for a long time after silence takes over. The minimalism, elegance, panache and yes, amazing talent of these musicians are a blessing in a world in which our species are losing the Titanic struggle for humanity. Thank you all for this gift of music!

Updated: 16/02/2016Posted: 16/02/2016

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ANDREAS LOVEN ~ DISTRICT SIX LOSEN 152 (Barcode: 7090025831522) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2016 This is the second album by Norwegian (currently residing in South Africa) pianist / composer Andreas LovenFind albums by this artist, recorded in a classic Jazz quartet setting with three native South African musicians: saxophonist Buddy WellsFind albums by this artist, (female) bassist Romy BrautesethFind albums by this artist and drummer Clement BennyFind albums by this artist. The album consists of nine original compositions, all by Loven. The album is dedicated to the Cape Town´s "District Six" community, which symbolized the spirit of possible coexistence in South Africa, but was demolished during the 1970s by the apartheid regime. The music is beautifully melodic and well within the mainstream Jazz idiom. Contrary to the expectations, it sounds very European, even Scandinavian most of the time, displaying only subtle African influences. This of course does not harm in any way the beauty of this music, but is simply, as mentioned above, somewhat unexpected. The most surprising element of this album is the exceptional level of playing displayed here. All four musicians play gracefully, elegantly and sympathetically towards each other. Loven plays the piano with gentle touches, full of lyricism and melancholy. Wells follows the great tradition of seductive saxophone, with long vibrato lines and heartbreaking charm, Brauteseth plucks the bass with sheer virtuosity and incredible feel of both melody and rhythm, and finally Benny keeps his pulsations well in the background in order not to disturb the overall delicate approach, and is more upfront only when it is completely appropriate, showing a remarkable respect so rarely met in drummers. To avoid any misunderstandings, the fact that this music is subtle and melodic does not mean that it is in any way trivial. These tunes are all excellently woven, structured and performed, and the tranquility, so rarely present in today´s music, is exactly what this music needs. In our daily hectic life pressured by the aggressive deafening media, music like this one is an oasis if sanity and tranquility. Fans of melodic, Scandinavian Jazz, should have a field day with this album, but basically there is so much excellent music herein that every Jazz connoisseur should be able to bond with it. Warmly recommended!

Updated: 11/02/2016Posted: 11/02/2016

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RUNE KLAKEGG & SCHEEN JAZZORKESTER ~ FJON LOSEN 153 (Barcode: 7090025831539) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2016 This is a beautiful album by Norwegian Jazz pianist / composer / arranger / bandleader Rune KlakeggFind albums by this artist, recorded with the Scheen JazzorkesterFind albums by this artist, a regional orchestra comprising of thirteen players, of which Klakegg is the artistic director and pianist. The album presents six original compositions by Klakegg and one arrangement of a standard. Vibraphonist Rob WaringFind albums by this artist, a long time musical associate of Klakegg, appears as a guest and fourteenth orchestra member and vocalist Nina GromstadFind albums by this artist guests on one track. The album was recorded at the legendary Rainbow Studio in Oslo, with Jan Erik KongshaugFind albums by this artist presiding at the console, which of course means that the sound quality and clarity is exceptional. The music includes a collection of compositions by Klakegg, which have been assembled for a concert celebrating his sixtieth anniversary, and were consequently recorded for this album. The exquisite arrangements turn this music into a typical European large ensemble musical journey, which is as close to musical bliss as one ever gets. I have always been a sucker for the Big Band / Orchestral sound and therefore this album is an immediate favorite. Although the arrangements include solos on some of the tracks, the name of the game is the ensemble work and sound, with delicate, multilayered intricacies, which are revealed during consecutive listening sessions. Of course the arrangements have some relationship to the legacy of Gil EvansFind albums by this artist and Maria SchneiderFind albums by this artist, but also European influences like George GruntzFind albums by this artist and Mathias RüeggFind albums by this artist come to mind. Most of the stunning melodic themes composed by Klakegg are melancholic and delightfully lyrical, with a certain touch of the Nordic elegance and majestic calmness. But the music on this album is full of internal dynamics and flows rapidly like the Norwegian streams originating in the ice caps. Having just returned from the magnificent Norwegian landscapes, this music invokes immediately the fresh memories and will probably remain associated with them forever. In many respects I could envisage this music as a soundtrack of a documentary about Norway´s spectacular beauty. For connoisseurs of Orchestral Jazz this album is an immediate classic, and as such deserves to be heard by as many people as possible. The elegance, modesty and discipline that this album presents is a model for all orchestral Jazz recordings and deserves to be taught at music academies as an example of good taste. Gorgeous stuff!

Updated: 12/08/2016Posted: 12/08/2016

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RONNINGS JAZZMASKIN ~ JAZZMASKIN! LOSEN 154 (Barcode: 7090025831546) ~ NORWAY ~ Jazz Recorded: 2014 Released: 2016 This is the debut album by the Norwegian / Swedish quartet Ronnings JazzmaskinFind albums by this artist, led by Norwegian drummer Truls RonningFind albums by this artist, which also includes Norwegian saxophonist Martin Myhre OlsenFind albums by this artist, Swedish saxophonist Petter KraftFind albums by this artist and Swedish bassist Egil KalmanFind albums by this artist. The album presents nine original compositions, five by Kraft, three by Olsen and one by Kalman. The music is an interesting Jazz cross-sub-genre hybrid, obviously rooted in the Bebop and Hard Bop traditions, but with a lot of space and freedom which allows for the music to explore modern improvisational patterns. The melodic base is still there, but it gets less emphasis in the overall group approach. The balance between the double saxophone front line and the rhythm section is very unique here, with the saxophonist playing with each other on one plane, and then with the rhythm section on another plane, with allows for quite a complex multi-conversational result, which is extremely effective. The unisono saxophone heads stating the melodic themes soon develop into individual solos and finally into a group improvisation, all within one tune, which is pure musical joy. Thanks to the different sound produced by the saxophonists (Olson playing alto and soprano and Petter playing tenor) the overall sound achieved by the quartet is much "bigger" and powerful, as well as diverse and interesting, than one might expect. The rhythm section is very strong and precise, which keeps the group result crispy and swinging like a metronome. Kalman is the bottom which glues the sound together and Ronning very energetically pushes the music forward. Together the quartet sounds like a well oiled mean music machine, which is unstoppable. It is great to hear another bunch of young (well, some younger than others) Jazz musicians keeping the Jazz tradition alive and up to date, not copying old patterns but inventing their own. Perhaps the Norwegian / Swedish blend is a good formula for Scandinavian Jazz ensembles, as it results in an ass-kicking quartet that does not try to play the so called Scandinavian Sound again. This music sounds much more like what other young European Jazz outfits are playing today all over the continent: invigorating music, free of inferiority complexes towards the Godfathers of this idiom from across the pond. This is another great album on the LosenFind albums on this label Records label, which keeps surprising the listeners time after time. Well done everybody!

Updated: 12/06/2018Posted: 11/03/2016

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OYSTEIN BLIX ~ CONDITIONS LOSEN 156 (Barcode: 7090025831560) ~ NORWAY ~ Jazz-Classical Fusion Recorded: 2015 Released: 2016 This is a very ambitious project by Norwegian trombonist / composer Oystein BlixFind albums by this artist, which presents a ten parts suite for trio and male choir, performed by Blix, guitarist Kristian Svalestad OlstadFind albums by this artist and drummer Aleksander KostopolousFind albums by this artist and the Mimas Male ChoirFind albums by this artist conducted by Ursa LahFind albums by this artist. Although the music includes the element of Jazz improvisation, especially emphasized by the trombone solo parts, the overall atmosphere of this work is influenced also by ingredients of contemporary Classical Music, particularly the choir parts, as well as those of ambient / electronic music. The resulting cross-genre amalgam is very effective and successfully points towards the contemporary music making path, which ignores genre boundaries and is free of traditional pre-conceptions. The trombone parts by Blix are all pure delight and their juxtaposition against the choir or ambient layers is simply marvelous. Olstad and Kostopolous contribute their respective parts with grace and taste. The acoustic ambience of the church where parts of the recording of this music took place adds also to the magic of the result. This album is highly recommended to listeners who are looking to expand their musical horizons and enjoy unconventional music vistas. This beautiful and deeply emotional music is certainly going to satisfy the true music connoisseurs. There are very few albums these days, which manage to present something new and unique, and this is definitely one of those few!

Updated: 11/08/2016Posted: 11/08/2016

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OLGA KONKOVA / JENS THORESEN ~ DECEMBER SONGS LOSEN 157 (Barcode: 7090025831577) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2016 This is the debut album by the Norwegian duo comprising of pianist Olga KonkovaFind albums by this artist and guitarist Jens ThoresenFind albums by this artist. As the title suggest they perform a set of eleven Christmas songs, some very well known and others less so. I usually approach Christmas albums with extreme caution, if at all, as the sad reality is that most of them are extreme kitsch, to say the least. However, this time I decided to keep an open mind (just kidding, I always keep an open mind) and I´m happy to say that I don´t regret it. Konkova and Thoresen are both experienced and highly sensitive musicians, as evident from their previous recordings, and their treatment of this "traditional" material is beautifully innovative and highly unusual, which of course changes the perspective by which this album must be looked upon. A wonderful mixture of tradition and modernism is the key element, superbly performed by the duo and creating a deeply moving sound experience. As every great duo performance, the telepathic conversations / communications between the two musicians are staggering, and sound-wise they sound like a one multi-voiced instrument. The acoustic sound of the piano and the electric sound of the guitar bled together perfectly thanks to the amazing recording quality which this album offers. The music was recorded by Thoresen in his own studio and the result is truly spectacular. The arrangements of the music takes it very far away from the source, often transforming it completely, making them unrecognizable, at least to the less experienced listener. Nevertheless even in their new embodiment the music manages to preserve the spirit of the original tunes, which again is pretty extraordinary. I don´t know if this is as much a compliment as it is intended, but this album sounds nothing like any other Christmas album I have ever heard, and in many respects is only spiritually / aesthetically connected to the Christmas spirit, rather than explicitly so. As such, it is a fully valid piece of music that stands on its own right. There is so much beauty, elegance and inner tranquility in this music, that it is perfectly suitable for every human spiritual Holiday, regardless of the specific religious context. Achieving such universal appeal can only be done by wholeheartedly dedicated musicians, as those present on this album. Overall this is a gem of an album, a piece of condensed spiritual experience, which transcends time and location and acts directly on the human heart.

Updated: 19/11/2016Posted: 19/11/2016

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MICHAEL AADAL ~ POMONA LOSEN 158 (Barcode: 7090025831584) ~ NORWAY ~ Jazz-Rock Fusion Recorded: 2016 Released: 2016 This is the third album by Norwegian guitarist / composer Michael AadalFind albums by this artist and his second release on the splendid Norwegian LosenFind albums on this label Records label. The album was recorded by a group consisting of six players, which also includes guitarist Anders Hofstad SorasFind albums by this artist (pedal steel guitar), saxophonist Andre KassenFind albums by this artist, keyboardist Ole-Bjorn TalstadFind albums by this artist, bassist Audun RamoFind albums by this artist and drummer Gunnar SaeterFind albums by this artist. The album presents nine original compositions, all by Aadal. The music is a unique amalgam of typical Scandinavian melancholy and Americana roots, i.e. Blues and Country influences, which of course means that the result is only marginally Jazz oriented. Nevertheless these are plenty of excellent solos by the group members, which keep the listener interested. Overall this music avoids specific genre definitions, which is part of its charm and accessibility, as it might be equally interesting to Jazz-Rock, Rock, Country and Pop listeners. The only problem with this album is its lack of compositional versatility, which causes all the tunes to sound a bit similar, especially as they are all low key, lyrical ballads. Of course this is a minor point, as the melodic content is really very likeable. Aadal´s guitar playing is the main focus of this album of course, although he allocates plenty of space for all the other members of the group to come forward into the limelight. The guitar sound is very round and soothing, which suits the atmosphere of the album perfectly. The steel guitar, saxophone and keyboards create layers of melodic support behind the leader and solo occasionally, not challenging the listener´s patience excessively. The rhythm section pushes the music gently ahead, with occasional outbursts of energy. Overall this is a pleasant instrumental album, which listeners from various musical backgrounds may enjoy equally, full of great melodies and a relaxed atmosphere, which is sometimes exactly what one needs in our hectic world.

Updated: 20/09/2016Posted: 20/09/2016

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DAG ARNESEN TRIO ~ PENTAGON TAPES LOSEN 160 (Barcode: 7090025831607) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2017 This album by veteran Norwegian pianist / composer Dag ArnesenFind albums by this artist and his classic piano trio with bassist Ole Marius SandbergFind albums by this artist and drummer Ivar ThormodsaeterFind albums by this artist marks a return to his Jazz roots, after a few years of exploring Norwegian Folk and folklore inspired Classical music. The trio presents eleven compositions, six of which are original compositions by Arnesen, three are standards, one is a traditional tune and one is by a fellow Norwegian composer Finn LudtFind albums by this artist. The music is very melodic and well within the mainstream Jazz idiom, but it incorporates many of the typical Nordic elements of melancholy and lyricism, which often characterize Norwegian Jazz. The original compositions by Arnesen carry over some of the qualities associated with the Norwegian Songs explorations, but their arrangements are more Jazzy. The trio performs the music with flair and elegance and a lot of solo space is given to the wonderful bass work by Sandberg and the drumming of Thormodsaeter, which is relatively rare in a trio setting, where the rhythm section is usually kept in the background. Arnesen improvises fluently and skillfully, which is of course expected, and his style is quite unique, playing many rapid progressions and arpeggios during the improvised parts. The trio produces a rather solid, strong sound, which keeps the listener at his toes at all times. Overall this is a very pleasant album, definitely quite different from the usual piano trio albums, due to the original material, the imaginative arrangements of the standards used and the unique performances by the trio. Piano trio fans and connoisseurs of mainstream European Jazz will definitely enjoy this music very much.

Updated: 10/09/2024Posted: 25/01/2017

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LORENZO DE FINTI ~ WE LIVE HERE LOSEN 162 (Barcode: 7090025831621) ~ ITALY ~ Jazz Recorded: 2015 Released: 2016 This is the fourth album by Swiss / Italian pianist / composer Lorenzo De FintiFind albums by this artist, recorded in a quartet setting with Cuban trumpeter Gendrikson MenaFind albums by this artist (Diaz) and Italian rhythm section: bassist Stefano Dall`OraFind albums by this artist and drummer Marco CastiglioniFind albums by this artist. It presents nine original compositions co-credited to De Finti and Dall`Ora, collectively called "Suite for Jazz Quartet". The music is modern acoustic Jazz, well within the mainstream idiom, based on lucid melodic themes, typical of European Jazz, beautifully performed by the quartet members, who are all highly professional players. The overall atmosphere is very ECMFind albums on this label like and enthusiasts of the Manfred EicherFind albums by this artist sound should have a field day with this album. The sound and recording quality are simply outstanding. Although there is plenty of European melancholy and fragile balance in this music, I personally fail to hear the alluded connection to Classical music; this is purely a Jazz album from start to finish. The instrumental work is consistently excellent, especially the trumpet parts, which display a remarkable clarity and sharpness. The music is dominated by the piano, but comes truly alive when the entire quartet is performing. The rhythm section is also exceptional, with the bass being a full partner in the melodic presentation and playing some breathtaking solo parts and the drums, as delicate and compassionate as they are, are unusually inventive and sophisticated at the same time. Personally the best moments of this album happen when the musicians let go of the composed patterns and improvise spontaneously, albeit briefly, but of course this is a matter of personal preferences. As much as I love the aesthetic beauty of this music, for me it lacks the element of surprise and unexpectedness, which I consider as essential ingredients of the idiom. But to put things in the right perspective, this is definitely a wonderful album for connoisseurs of mainstream melodic modern Jazz and should make most Jazz fans around the globe very happy. For people with high-end Hi-Fi equipment this is sonic heaven on earth!

Updated: 09/08/2016Posted: 09/08/2016

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GRAF / SMITH / MATHISEN ~ SUNRAIN LOSEN 163 (Barcode: 7090025831638) ~ NORWAY ~ Jazz-Funk Fusion Recorded: 2014 - 2015 Released: 2016 This is the debut album by the Norwegian Jazz-Funk Fusion trio led by veteran keyboardist (now living in the US) Haakon GrafFind albums by this artist with bass legend Per MathisenFind albums by this artist and drummer Erik SmithFind albums by this artist. The live recording presents nine original compositions, all by Graf. The CD is accompanied by a DVD, which presents another live recording of the trio captured six month earlier at the same Oslo club, which includes twelve tunes, also composed by Graf, about half of which also appear on the CD. Haakon produced many splendid recordings over the years and it is a real pleasure to see (and hear) him again in such splendid form as he is on this album. There is perhaps nothing revolutionary here, as far as Jazz-Funk Fusion is concerned, but the excellent tunes and superb execution are enough to make this album a great fun to listen to. This is the European form of Funk, which is elegant, well behaved and sophisticated, and which differs from the American form mostly emphasizing the Groove and less concerned with the finesse of the tunes and virtuosity of the players. Stylistically this music brings fond memories of the bellowed Brian AugerFind albums by this artist, who first developed the European branch of Jazz-Funk Fusion, bringing it to perfection. Graf´s handling of the keyboards is very similar to Auger´s and therefore the apparent similarity, but obviously Graf has his very own voice as is clearly demonstrated herein. Of course the stellar support Graf gets from his rhythm section brings this album to another level of perfection. Mathisen´s bass solos, especially those on the fretless bass, are spine chilling and he is cementing his position as one of the absolute top European electric bass players. Smith also emerges as a monster player with plenty of opportunities on this album to show his immense talent. This music might appear as a bit "old fashioned" conceptually, but what the heck – it is absolutely brilliantly played from start to finish and the fact that these three superb musicians play music that stylistically emerged half a Century ago but still sounds fresh and vibrant only proves that good music is absolutely timeless I had a great time listening to this album and watching the DVD and if you like European Jazz-Funk Fusion and great melodic Jazz, which makes your ass swing, grab this beauty ASAP. Satisfaction guaranteed!

Updated: 19/09/2016Posted: 19/09/2016

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SANDRA BOROY ~ SUS LOSEN 164 (Barcode: 7090025831645) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2016 This is the debut album by Norwegian vocalist / songwriter Sandra BoroyFind albums by this artist, recorded in a quartet setting with guitarist Jonas Dyrstad ValbergFind albums by this artist, bassist Guttorm Strande SyrristFind albums by this artist and drummer Jonatan Schanke EikumFind albums by this artist. The album presents six songs with lyrics in Norwegian and two wordless pieces, each repeated twice, altogether ten tracks, all composed and written by Boroy. After developing the material and perfecting her style for almost four years Boroy finally recorded this album, boldly stepping into the tough world of vocal music, perhaps the most difficult of all musical forms. It becomes immediately obvious after the music starts playing that she is not another young female in the endless stream of hopeless copycats trying to "make it" using a sexy voice or even worse her sexy look. This album is a profound statement of individuality and complete disregard of fads and fashions, simply putting on the table an honest package of compositions, lyrics and heartfelt execution. Sticking to lyrics in Norwegian is another important sign of honesty and candor, avoiding the usual trap of "broken English" that most starting vocalist fell into over and over again all over the world. The music fails an immediate attempt of classification; it is Jazzy, but not mainstream oriented, it displays the Scandinavian melancholy and lyrical approach, and yet differs from most other Scandinavian music, presenting a unique stylistic statement. Boroy´s usage of vocalese, both on the wordless tracks and during her solos within the songs, is where she sounds most interesting and promising, but her vocal delivery is definitely overall excellent. One of the basic assets of this album is the close cooperation between the vocals and the guitar, which accompanies her very closely, sometimes even unisono, creating an unusual atmosphere and an outlandish sound effect. The rhythm section also does a splendid job, staying often in the background and stepping in elegantly exactly when appropriate. The bass supports the melody line admirably, which is especially important when the vocals and guitar are busy with stating the complex melody lines. The drums are elegantly supporting the music, being often subdued, but on the wonderful vocals / drums duet track the drummer shows not only his skills as a player but more importantly his ability to listen. Overall this is an amazing debut album, especially so in the vocal department. With such talent and determination God only knows what these young musicians can achieve eventually. It´s one of those albums that make being a music critic a pleasure. Kudos to Odd GjelsnesFind albums by this artist for his vision to release this album on his superb LosenFind albums on this label Records label; most other labels would have rejected it for being "too ambitious" – what a world we are leaving in!

Updated: 21/09/2016Posted: 21/09/2016

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GINE GAUSTAD ANDERSSEN ~ HEIM LOSEN 165 (Barcode: 7090025831652) ~ NORWAY ~ Jazz-Pop Fusion Recorded: 2014 Released: 2016 This is the debut album as a leader by Norwegian vocalist / pianist / songwriter Gine Gaustad AnderssenFind albums by this artist, on which she is supported by a Norwegian / Swedish team of musicians: guitarist Carl Emil SvenssonFind albums by this artist, bassists Fredrik NilssonFind albums by this artist and Johannes LundbergFind albums by this artist, drummers Hermund NygardFind albums by this artist and Martin OhmanFind albums by this artist, trumpeter Arve HenriksenFind albums by this artist and saxophonist Thomas GustafssonFind albums by this artist. She performs eight songs, six of which are composed by her and feature her lyrics, one song features her lyrics to an Astor PiazzollaFind albums by this artist composition and one song is by Norwegian singer / songwriter Kari BremnesFind albums by this artist. The lyrics are in Norwegian and in English. The songs are all stunningly beautiful, intimate and lyrical and the vocalist performs them with a minimalistic accompaniment mostly of just guitar, bass and drums. On some songs her voice is multi-tracked to create a vocal harmony effect. The entire album is soaked in deep melancholy and introvert unfussiness, which is immensely effective, using a most convincing "more is less" modus operandi. Although not Jazz per se, this music is closely associated with the Jazz idiom, as it possesses an intrinsic feeling of Swing, and of course the presence of the Jazz musicians on board also makes a significant impact. Regardless of the labeling one might associate with this album, it is a true joy and I wish many more albums like that were recorded. Overall this is a very unique collection of gorgeous songs, performed by a great team of musicians and sung by the person who composed the material, in a most non-pretentious personal way, which makes the listener´s heart melt. Loved every minute if it! Well done!

Updated: 31/01/2017Posted: 31/01/2017

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ANDREA REA ~ IMPASSE LOSEN 166 (Barcode: 7090025831669) ~ ITALY ~ Jazz Recorded: 2015 Released: 2016 This is the third album by Italian Jazz pianist / composer Andrea ReaFind albums by this artist, recorded in a classic piano trio setting with bassist Daniele SorrentinoFind albums by this artist and drummer Marcello Di LeonardoFind albums by this artist. The album presents seven pieces, three of which are original composition by Rea, one is an original by Sorrentino, one is an arrangement of an Italian Pop song and two are standards. The music is mainstream modern Jazz, which is melody based but ventures into more adventurous territory, like most contemporary European Jazz, using the melody as a vehicle to explore more open harmonic and rhythmic structures. Both the original compositions and the arrangements of the compositions originating from outside the trio are all very solid and the album manages to generate a cohesive musical vista, which flows elegantly from one piece to another. The personal contributions are all very well executed, with the trio functioning organically as a unified music making organism. As usual in such circumstances, the piano is at the center of the listener´s attention, but the rhythm section supports the leader amicably and adds greatly to the flow and natural movement of the music. Rea manages with ease both the low key ballads and the up tempo numbers and his stylistic idiosyncrasies should make the connoisseurs of piano trio Jazz music very happy. Overall this is a pleasant and yet definitely not trivial album, which is accessible by listeners well outside of the hardcore Jazz enthusiasts and which should keep fans of piano trios very happy. Definitely worth investigation!

Updated: 30/01/2017Posted: 30/01/2017

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ASMUNDSEN & CO ~ PASTOR`N LOSEN 167 (Barcode: 7090025831676) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2017 This is an album by a Norwegian Jazz quintet called Asmundsen & CoFind albums by this artist, led by female bassist Tine AsmundsenFind albums by this artist, which also includes two further Norwegian Jazz veterans: saxophonist Vidar JohansenFind albums by this artist and pianist Rune KlakeggFind albums by this artist, and two younger players: trumpeter Magnus Aannestad OsethFind albums by this artist and drummer Terje EngenFind albums by this artist. The album is a tribute to the music of the legendary Norwegian pianist / composer Einar IversenFind albums by this artist, and the quintet performs eleven of Iversen´s beautiful original compositions, composed between 1999 and 2009, arranged by the quintet members. The music was recorded at the legendary Rainbow Studio in Oslo with Jan Erik KongshaugFind albums by this artist presiding at the console. The music is melodic mainstream European Jazz, based on solid compositions and flawless execution by the participating musicians. The quality of the tunes is consistently excellent and the harmonic approach is elegant and pleasant. Although not breaking any new ground, this music should satisfy all mainstream Jazz connoisseurs and is an excellent example of European musicians playing mainstream Jazz as good if not better than their colleagues across the pond. Combined with the superb sound quality, this is definitely something many Jazz listeners will love dearly. This album is also an important tribute to the history of Norwegian Jazz, and for people who follow the Nordic scene in general and Norwegian scene in particular it is a keystone recording as such.

Updated: 02/10/2017Posted: 02/10/2017

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NYPAN ~ STEREOTOMIC LOSEN 168 (Barcode: 7090025831683) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2017 This is a live recording by a quartet led by Norwegian guitarist / composer Oyvind NypanFind albums by this artist, with pianist Bernt MoenFind albums by this artist, Swedish bassist Egil KalmanFind albums by this artist and drummer Ole MofjellFind albums by this artist. The album presents eight original compositions, all by Nypan. This is Nypan´s fourth album and his second release on the excellent Norwegian LosenFind albums on this label Records. The music is typical guitar focused modern Jazz, which in spite of the fact that the musicians are Scandinavian, sounds very American, both stylistically and aesthetically. The compositions are melody based, but allow relative freedom, which includes some irregular rhythmic patterns and open structure. The melody stays basically well in the background, serving only as a vehicle for the guitar and less often also the piano to play their respective solos. The rhythm section seems to have some difficulties to follow the leader during the complex pieces and stays respectfully way in the background most of the time. When the music enters a Free Improvisation mode, it sort of falls apart. When a quartet plays a slow ballad or a straightforward swinging music, everything works well, but the music becomes corny. Overall, although the participants are all very experienced and skilled musicians, the album lacks coherence and clarity to make it an enjoyable listening experience. Some melodic guitar parts are able to hold water for a while, but at some point the magic is simply lost. Guitar freaks might find this album interesting, at least in part, although it is rather difficult to grasp as a whole. Good intentions that did not pay off this time…Of course only my very personal view.

Updated: 16/05/2017Posted: 16/05/2017

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SCHEEN JAZZORKESTER & AUDUN KLEIVE ~ POLITURPASSIARER LOSEN 169 (Barcode: 7090025831690) ~ NORWAY ~ Jazz-Classical Fusion Recorded: 2014 - 2015 Released: 2017 This is the second album by the Norwegian Scheen JazzorkesterFind albums by this artist on the LosenFind albums on this label Record label, and again it presents a wonderful piece of modern orchestral Jazz music. This time the featured Artist is the drummer / composer Audun KleiveFind albums by this artist, who presents parts of his extensive suite, commissioned by the orchestra. Sixteen relatively short fragments of the suite, which sadly is too long for a single CD, are performed by the orchestra, which of course features Kleive on drums and in total involves thirteen musicians. The music is obviously an amalgam of contemporary Classical Music and Jazz elements. It presents a plethora of short melodic themes, following in rapid succession, and intertwined into a tapestry of melody and rhythm, which keeps changing constantly. There is some place for improvised solos, although not as much as one would find in a small ensemble, since coordinating an orchestra requires discipline and pre-arranged foundations to keep everything in check. Although the music is quite complex, with multilayered rhythmic intricacies and odd meters, the overall impression the music creates is joyful and welcoming, which is somewhat unusual for Nordic music. In fact if I didn´t know better I´d guess this music originated perhaps from Eastern Europe or even entirely outside of Europe. In any case, unusual and unique as it is, the music is definitely a fresh and fascinating approach to orchestral Jazz in particular and orchestral music in general and as such of course deserves attention and even admiration. As already stated, there are relatively few solo parts on this album, as the performance concentrates on ensemble work and tight cooperation between the orchestra members. Therefore it is impossible to point out performances by specific musicians, and the listener should stay focused on the orchestral sound, which is what this album is all about. Since orchestral albums related to the Jazz idiom are a rare commodity in our times, as a result of fewer and fewer Jazz orchestras in existence, every album presenting this kind of music is a delight, especially when it is as good as this one. Since the Scheen Jazzorkester managed to produce two of such gems in rapid succession, I am already waiting for their next recording. Well done!

Updated: 27/01/2017Posted: 27/01/2017

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CHRISTER FREDRIKSEN ~ VIT LOSEN 170 (Barcode: 7090025831706) ~ NORWAY ~ Electronic & Ambient Recorded: 2016 Released: 2017 This is the third album by Norwegian guitarist / composer Christer FredriksenFind albums by this artist, and his first solo guitar album. He performs nine of his original compositions, all recorded live and without overdubs. This is definitely one of the most original albums I have come across lately, which boldly crosses genre borders and combines improvisation and ambient sonic explorations. Fredriksen leaves behind the conventional Jazz format of his two earlier albums and moves into new territory, which has very little to do with Jazz per se, and yet makes perfect sense to a Jazz listener, like me, since it develops the basic deep-rooted melodic themes changing them on the fly, which basically is what Jazz is all about. The overall sonic aura of the album is somewhat somber and contemplative, as appropriate for music originating in Norway, with the familiar Scandinavian lyricism, but also majestic and even a bit sacred at times, definitely not something one might expect from a solo electric guitar album. Overall this is an eye (ear) opener in many respects and for people who think they have already heard everything that can be done on a guitar, this album proves them wrong. Fans of Nordic / ambient music will find here everything they can hope for and guitar freaks will probably put the record on "repeat" for a while, to digest this unique concept. Well done indeed!

Updated: 03/02/2017Posted: 03/02/2017

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DAVID ARTHUR SKINNER ~ SKINNER PLAYS SKINNER LOSEN 171 (Barcode: 7090025831713) ~ UK ~ Jazz Recorded: 2016 Released: 2017 This is the second solo piano album on the Norwegian LosenFind albums on this label Records by the British, resident in Norway, pianist / composer David Arthur SkinnerFind albums by this artist. The album, as the title suggests, presents ten original compositions by Skinner, which he, according to the liner notes, treats as if they were standards not written by him. The album was recorded at the legendary Rainbow Studio in Oslo and was engineered Jan Erik KongshaugFind albums by this artist, with spectacular sonic result. The music presents a diverse stylistic kaleidoscope of Jazz related sub-genres, which Skinner skillfully applies to his compositions, creating a wonderful, witty and graceful piece of music, which is a true delight to listen to from start to finish. Although technically brilliant, Skinner´s playing is first and foremost about the feel and the soul of the music. His playful touch on the keyboard is simply magical. There is not much more one can say about this album, other than invite everybody to get hold of a copy and enjoy. There are no false pretenses here, no theatrics and no show-off – simply just music, a rare approach these days and therefore even more welcome. Connoisseurs of piano Jazz in general and solo piano recordings in particular should find this album irresistible, entertaining and educational all at once. For the second time in a row Skinner wins using simplicity and honesty, two skills rarely used in Art these days! Well done indeed!

Updated: 16/05/2017Posted: 16/05/2017

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ALF HAGGKVIST ~ BLUE SERGE LOSEN 172 (Barcode: 7090025831720) ~ SWEDEN ~ Jazz Recorded: 2016 Released: 2017 This is the second album on the Norwegian LosenFind albums on this label Records by the Swedish pianist / composer Alf HaggkvistFind albums by this artist; this time a solo piano album, which presents eight compositions, four of which are Haggkvist originals and four are well known standards. The music, both the original compositions and the treatment of the standards, are full of lyricism and typical Nordic stylistic idiosyncrasies, which aesthetically are much closer to Norwegian and Danish Jazz than to Swedish Jazz, which in turn is usually much closer to the American Tradition. In any case Haggkvist is obviously deeply rooted in European Jazz aesthetic, which also comes to full view in the open and even almost completely Free original pieces featured on this album (most appropriately entitled "Freely One" and "Freely Two"). The album presents a diverse spectrum of styles, which are more hinted than explicitly stated, which range from the early Ragtime / Boogie-woogie to the a.m. Free Jazz, with Haggkvist feeling completely at home with them all. His technique is spotless and his touch on the keyboard is caressing and sensuous, always right on the money. Overall this is a beautiful solo piano album, perfectly composed, executed and recorded, all up to the highest standards, which should more that satisfy even the sternest music connoisseurs. There is esthetical food for almost the entire Jazz listening audience, from standards to well organized Free Jazz, which is a very rare phenomenon on today´s record market, with Haggkvist being brilliantly cross-sub-genre perfect. Thank you Maestro for this little gem, which makes our world a tiny bit spiritually richer and emotionally happier!

Updated: 17/05/2017Posted: 17/05/2017

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TRONOSONIC EXPERIENCE ~ THE TRONOSONIC EXPERIENCE LOSEN 174 (Barcode: 7090025831744) ~ NORWAY ~ Jazz-Rock Fusion Recorded: 2016 Released: 2017 This is the debut album by the Norwegian Fusion quartet The Tronosonic ExperienceFind albums by this artist comprising of saxophonist Ole Jorgen BardalFind albums by this artist, guitarist Oyvind NypanFind albums by this artist, bassist Per Harald OttesenFind albums by this artist and drummer Ivar Loe BjornstadFind albums by this artist. The "live in the studio" recording presents seven original compositions, six of which were composed by Ottesen and one was co-composed by Bjornstad, Nypan and Ottesen. The total playing time of the album is just about thirty four minutes, more appropriate for an EP than a full album these days. The music floats between Heavy Metal Rock, Punk and Jazz-Rock Fusion, creating a forceful and dominating "wall of sound" experience. Based on melodic themes, the music is mostly improvised, with Bardal being the most Jazz oriented player, Nypan playing a Heavy Fusion guitar barrage, familiar from his other recordings, and the rhythm section stays within the Rock meters, with the heavy bass sound way up in the mix. The slow contemplative tracks are much more interesting than the mayhem created on the up-tempo Rocky numbers, which display a Punkish nonchalance and way too much distortion. The overall sound of the album is muddled and fuzzy, which of course is intentional. The quartet members are all highly professional musicians and their individual contributions are all satisfactory of course. Personally this not my cup of tea, but I imagine that many Rock and Fusion fans might find this record interesting or even fascinating. It is definitely worth investigating!

Updated: 04/10/2017Posted: 04/10/2017

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ANDREAS DREIER ~ BUT NOT FOR ME LOSEN 175 (Barcode: 7090025831751) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2017 This is the fourth album by Danish (resident in Norway) Jazz bassist Andreas DreierFind albums by this artist and the second recording with his trio which also includes Norwegian guitarist Bjorn SoliFind albums by this artist and Australian (resident in Rome) drummer Adam PacheFind albums by this artist. The album is a continuation of the previous trio recording (called "PoincianaFind albums with this title"), dedicated to a transcription for guitar trio of the piano trio recordings by Ahmad JamalFind albums by this artist, made in the late 1950s and early 1960s. The album presents nine tunes (one repeated twice), mostly well known standards with a couple of Jamal´s originals. The music is everything one might expect from the a.m. idea, i.e. swinging mainstream Jazz, focusing on the virtuosic guitar performances, amicably supported by the rhythm section and very well recorded. Classic guitar trio albums are very rare these days, so this album should bring a lot of joy to guitar Jazz connoisseurs everywhere on this planet. Soli plays fluently and with an obvious command of his instrument, sticking strictly to the Jazz tradition and successfully avoiding any excursions into Fusion territory, which is commendable. The rhythm section stays solidly in the background, doing its job elegantly, but without overshadowing the guitar parts, as appropriate for this situation. Musically the album does not offer anything adventurous, but that is exactly the concept – to reproduce the spirit of Jamal´s recording and retain the perfect swing and feel it offered at the time. For guitar Jazz enthusiasts this album is a must of course, a true case study of what classic Jazz guitar should sound and a showcase of its possibilities and charm. Its great to see that Jazz tradition is being cherished and kept alive, which is exactly what this album does.

Updated: 07/11/2017Posted: 07/11/2017

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AINA FRIDEN ~ UP HIGH LOSEN 176 (Barcode: 7090025831768) ~ NORWAY ~ Jazz Recorded: 2013 Released: 2017 This is the debut album by Norwegian vocalist Aina FridenFind albums by this artist recorded in a quintet setting with Swedish pianist Ulf Johansson WerreFind albums by this artist, who also plays trombone on one track, and the trio led by Norwegian guitarist / composer Frode KjekstadFind albums by this artist, with bassist Roger WilliamsenFind albums by this artist and drummer Hermund NygardFind albums by this artist. Together they perform nine songs, six of which are standards and three are originals composed by Kjekstad (two featuring lyrics by Friden). The music is mostly Swing / mainstream Jazz, a bit "retro" stylistically, but in the best possible meaning of the phrase. The arrangements are fresh and sparkling and the execution perfect in every way. The original compositions are every bit as wonderful as the standards. Friden´s interpretations of the songs are a bit limited and she does not venture beyond the typical role of a Swing singer or take any chances, but at the same time she does exactly what is right for this kind of evocative atmosphere. Her tone is pleasant, her pronunciation accurate and her emotional interpretations of the lyrics are just right without unnecessary theatrics. The instrumental parts are stunningly played by the quartet, with one great solo chasing another and rhythm section supporting the music amicably and keeping the time straight as an arrow. Both the piano and guitar parts are wonderful examples of great taste and elegance, with Kjekstad´s unique stylistic approach to the guitar being especially strikingly impressive. Overall this is a wonderful Swing vocal album, which should satisfy all vocal Jazz connoisseurs, breaking a few hearts here and there on the way. I had a great fun listening to this music and fond memories of times long gone swept my mind repeatedly. They don´t make music like this any more (or at least very rarely), so don´t miss this album if you are a romantic at heart. Wholeheartedly recommended!

Updated: 05/10/2017Posted: 05/10/2017

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SCHEEN JAZZORKESTER & JON OYSTEIN ROSLAND ~ TAMANOAR LOSEN 177 (Barcode: 7090025831775) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2017 This is the third album on the LosenFind albums on this label Records label by the twelve piece strong Norwegian ensemble called Scheen JazzorkesterFind albums by this artist, featuring the work of saxophonist / composer Jon Oystein RoslandFind albums by this artist, who is one of the orchestra´s members. The album presents ten compositions, which constitute a musical suite with a concept behind it, which is described in detail on the liner notes. The album was recorded at the legendary Rainbow Studio, with Jan Erik KongshaugFind albums by this artist presiding at the knobs, with the expected sensational sonic result. The music is a wonderful collection of compositions, which incorporate many diverse idioms amalgamated within an extraordinary Big Band / Orchestral Jazz environment. There are shades of World Music, contemporary Classical Music and of course Swing, exquisitely weaved together into a complex, but extremely elegant, coherent and beautiful musical world of its own. The orchestra performs the music with superb dedication and brilliant skills, even when the music is far for being straightforward. The dynamics of the entire ensemble and the individual solo parts are all beyond reproach, same as on the earlier albums by this ensemble. This music is the epitome of the European approach to Jazz, where the idiom´s tradition is there more "in spirit" rather than de facto, with a much liberal and universal treatment of the subject matter. As such it becomes multilayered and multi-genre, rich and highly developed. There is so much musical content in this music that only repeated listening session are able to expose all the intricacies. Overall this is a stunning (yet again) album, which places the Scheen Jazzorkester somewhere on the highest pedestal of the Jazz Big Band / Orchestra category. Hopefully this music will be able to reach a wider audience in time, as it deserves to be heard by all Jazz connoisseurs the world over. The ensemble´s work should also be taught in music schools, as a primary example of what can be achieved when a large group of musicians is at work in a symbiotic environment. Brilliant stuff!

Updated: 08/11/2017Posted: 07/11/2017

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FRODE KJEKSTAD ~ A PIECE OF THE APPLE LOSEN 178 (Barcode: 7090025831782) ~ NORWAY ~ Jazz-Soul Fusion Recorded: 2014 Released: 2017 This is an album by Norwegian guitarist / composer Frode KjekstadFind albums by this artist, recorded in a quartet setting with American saxophonist Eric AlexanderFind albums by this artist, organist Mike LeDonneFind albums by this artist and drummer Joe FarnsworthFind albums by this artist. The album presents nine tracks, four of which are original compositions by Kjekstad and five are standards. The music is a retro Soul / Blues / Jazz bordering on Smooth Jazz session, very well played but lacking challenge or innovation. Nevertheless it is a very enjoyable listen, especially due to Kjekstad´s excellent guitar work, which is definitely worth hearing. His style fits the musical environment of this album ideally and brings fond memories of some great Jazz guitar players from the 1950s and 1960s, like Barney KesselFind albums by this artist, Herb EllisFind albums by this artist and others. LeDonne´s organ work is also nothing short of pure bliss. The instrumentation featuring three lead instruments (organ, saxophone and guitar) opens up the soloing opportunities and creates a wonderful nostalgic warm sound, which is great fun to listen to, especially to the elders of the tribe like yours truly. Overall a very enjoyable and pleasurable album, which is accessible to a very wide Jazz and beyond audience, which presents superb instrumental work and successfully avoids the muzak trap, but remains open to people who listen to Jazz for fun!

Updated: 15/07/2017Posted: 15/07/2017

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DINO MASSA QUARTET ~ SUITE POUR LE PIANO (FOR JAZZ QUARTET) LOSEN 179 (Barcode: 7090025831799) ~ ITALY ~ Jazz Recorded: 2017 Released: 2017 This is an album by Italian pianist / composer Dino MassaFind albums by this artist, recorded in a quartet setting with saxophonist Nicola PisaniFind albums by this artist, bassist Luca GarlaschelliFind albums by this artist and drummer Alessandro RossiFind albums by this artist. It presents a four part suite for Jazz quartet, composed by Massa. The music incorporates elements of European Classical Music and European Jazz, based on firm melodic statements and steady rhythmic patterns, with just occasional deviations from predictable outlines. It is difficult to follow a coherent suite-like development in this music and therefore the title is probably more an allegory than a description. Massa is a very busy player and his long arpeggios and strong chords dominate the music. Pisani, who plays both the soprano and the baritone saxophones, contributes most of the melodic content and improvises extensively. The rhythm section supports the soloist amicably, with the bassist playing a few short solos on the way. Overall this is a nice, but not especially remarkable European Jazz album, which left me cold, perhaps due to the fact that the recording sound is rather dull and fails to express the details, which are always very important.

Updated: 15/07/2017Posted: 15/07/2017

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OLGA KONKOVA / JENS THORESEN ~ OLD SONGS LOSEN 181 (Barcode: 7090025831812) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2017 This is the second album by the fabulous Norwegian duo comprising of pianist Olga KonkovaFind albums by this artist and guitarist Jens ThoresenFind albums by this artist. Their debut album "December SongsFind albums with this title" presented their unique interpretations of Christmas songs and this time, as the title suggests, they present ten standards, re-arranged and adapted to the duo environment. It takes a lot of courage to play standards these days; after all one might think that everything conceivable was already done in that particular area of the Jazz idiom. Therefore, in most cases, when standards are performed by today´s musicians, especially those originating in the US, the highest symbol of awareness one might expect from the listener is a colossal yawn. However, listening to this music the attentive listener is swiped away into another dimension, where the music is a collection of intelligent and elegant hints, which probe the brain to find the familiar melodies and connect the dots. As all great duo albums, this music is all about the individualism and the dualism co-existing in perfect harmony and balance. Years of experience and mutual respect are helpful of course, but in the case of these two musicians it seems more like a symbiotic relationship and telepathic communication. Minimalistic, elegant and yet wonderfully expressive, this music is a balsam to our hearts, broken by the harsh realities of the world we live in. Perhaps this is a form of Western Nirvana? I recommend to all true Jazz connoisseurs to get a copy of this album and give it a close listen – you´ll never regret it and probably also never forget it. Thank you Olga and Jens for this superb gift of European haute culture and obvious Love of the Art of music! And thank you Odd GjelsnesFind albums by this artist for keeping the wonderful LosenFind albums on this label Records alive! Without you people life would be much more difficult…

Updated: 01/10/2017Posted: 01/10/2017

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NINA PEDERSEN ~ EYES WIDE OPEN LOSEN 184 (Barcode: 7090025831843) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2017 This is the third album by Norwegian (resident in Rome) Jazz singer / songwriter Nina PedersenFind albums by this artist, accompanied by the excellent piano trio consisting of pianist Pierpaolo PrincipatoFind albums by this artist, bassist Marco LoddoFind albums by this artist and drummer Giampaolo ScatozzaFind albums by this artist. Trumpeter Aldo BassiFind albums by this artist plays on a couple of tunes and saxophonist Paolo InnarellaFind albums by this artist plays on another two tracks. The album presents eight songs, seven of which are originals (music and lyrics in English) by Pedersen and one is by the wonderful duo of John SurmanFind albums by this artist and Karin KrogFind albums by this artist. The original songs are all beautifully woven by their author, with superb melodic themes and intelligent lyrics. They are all standard quality and the album flows smoothly from start to finish like a collection of well known tunes, which of course is a rare quality. The piano trio and guests play fabulously, supporting the vocalist amicably and adding occasional solos, all perfectly suiting the music. Bassi is especially imaginative during his parts on the two songs and I wish he would have played for the entire duration of the album. Pedersen has a wonderfully mature, dark and enticing voice, in some respects similar to that of Karin Krog herself, who wrote a short comment for the album´s liner notes, with which I agree completely. This is one of those albums, which do not try to be spectacular even for a moment, but deliver exactly what is appropriate within its scope: wonderful songs and perfect execution, full of heartfelt emotion, honesty and great taste, creating a first class aesthetic experience. Very well done!

Updated: 06/11/2017Posted: 06/11/2017

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CMC ENSEMBLE ~ CONTRA PUNCTA LOSEN 185 (Barcode: 7090025831850) ~ ITALY ~ Jazz-World Fusion Recorded: 2016 Released: 2017 This is an album by the Italian CMC EnsembleFind albums by this artist, comprising of music students led by their teacher / saxophonist Nicola PisaniFind albums by this artist. After the group won a contest for young musicians, a decision was made to record an album and two older musicians were invited to strengthen the lineup: the French tuba player Michel GodardFind albums by this artist and Italian trumpeter Marco SanniniFind albums by this artist. The young members of the ensemble are: vocalist Erica GagliardiFind albums by this artist, saxophonist / clarinetist Francesco CaligiuriFind albums by this artist, pianist Giuseppe SantelliFind albums by this artist, bassist Carlo CiminoFind albums by this artist and drummer Giacinto MaiorcaFind albums by this artist. The album presents ten original compositions, three by Pisani, two each by Godard and Sannini and one each by Santelli, Maiorca and Cimino. The music is quite versatile, displaying typical European Jazz characteristics, with strong melodic themes, influenced by Classical and Word Music. All the compositions are quite complex, using several melody lines and frequent tempo changes, odd meters and other tricks of the trade to make the music fascinating and unpredictable. The compositions by the students stand easily on the same level to those by their Masters. The performances are all heartfelt and enthusiastic, creating an ensemble sound rather than a group of individuals playing together. The use of vocalese as one of the instruments is very effective and creates a unique sound experience for the entire ensemble. Godard´s tuba is also a refreshing addition. Cimino is a great bass player, who manages to hold the ensemble together and Caligiuri´s baritone saxophone solos are one of the highlight of this album. This album is a great example of the vitality of the young generation of European Jazz musicians all over the Continent, which manages to find new ways of expression and to push the boundaries of the Jazz idiom constantly. Overall this is an unusual and interesting album, which is definitely worth of being investigated!

Updated: 11/02/2018Posted: 11/02/2018

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LOW-FLY QUINTET ~ STOP FOR A WHILE LOSEN 188 (Barcode: 7090025831881) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2017 This is the debut album by the Norwegian ensemble called Low-Flying QuintetFind albums by this artist, which features the vocalist Camilla TomtaFind albums by this artist, cellist Siri SnortheimFind albums by this artist, pianist Ole GjostolFind albums by this artist, Spanish (resident in Norway) bassist Uri SalaFind albums by this artist and drummer Skjalg LidsheimFind albums by this artist. The album presents ten songs, five of which are originals (music and lyrics) by Tomta and five are classic standards. The music is deeply rooted in early vocal Jazz tradition, going back to the days of Jazz clubs, vaudeville and burlesque in the 1930s, soaked in Blues and Soulful vocal delivery. The originals are not far away musically from the standards, which enables a coherent continuity between the songs and an overall consistent atmosphere the album successfully presents. The quintet has quite an unusual sound with the cello being the lead instrument, but it works surprisingly well. The piano and rhythm section are more "conventional" and accompany the vocals tastefully and amicably. The vocals are slightly "over the top", trying a bit too much to sound like the vocalists of the period, rather than present a contemporary personal interpretation, but they are well done and definitely manage to build up the intended atmosphere. Overall this is a tasteful vocal Jazz album, paying tribute to early vocal Jazz tradition and offers interesting instrumental accompaniment, and which should be enjoyed by vocal Jazz enthusiasts, especially in view of its originality.

Updated: 09/11/2017Posted: 09/11/2017

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ERIK THORMOD HALVORSEN ~ SOCIAL CALL LOSEN 189 (Barcode: 7090025831898) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2018 This is an album by veteran Norwegian trumpeter Erik Thormod HalvorsenFind albums by this artist, recorded in a classic sextet setting with British (resident in Norway) saxophonist Dave EdgeFind albums by this artist, pianist Freddy Hoel NilsenFind albums by this artist, guitarist Frode KjekstadFind albums by this artist, bassist Agnar AspaasFind albums by this artist and drummer Lars Erik NorumFind albums by this artist. A larger brass section is present on two of the tracks, creating a Big Band effect. Together they perform ten pieces, three of which are original compositions by Halvorsen and one by Aspaas, and the remaining six are standards. The music is classic mainstream Jazz, somewhere between Swing and Bebop, as if frozen in a time capsule going back to the 1940s, beautifully melodic and spiced with well behaved improvised solos full of lyricism and wonderful elegance. Of course one can wonder if playing this kind of Jazz is still relevant today, but in this specific case the music is a tribute to the Jazz tradition, heartfelt and unpretentious, and as such fully relevant, as classic today as what other people call Classical music. The performances and arrangements are all absolutely perfect, as expected from these professionals, with excellent solos and tight sextet playing. The music was superbly recorded and presents a clear, rounded sound, which is a delight to listen to and Hi-Fi enthusiasts´ heaven. Overall this is a delightful album for mainstream Jazz connoisseurs, which has everything this genre demands: great tunes, perfect band and beautiful playing. Well done!

Updated: 17/02/2018Posted: 17/02/2018

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AUDUN TRIO ~ RONDANE LOSEN 191 (Barcode: 7090025831911) ~ NORWAY ~ Smooth Jazz Recorded: 2017 Released: 2017 This is the debut album by young Norwegian Jazz piano trio called Audun TrioFind albums by this artist, which comprises of pianist Audun Barsten JohnsenFind albums by this artist, bassist Hakon Norby BjorgoFind albums by this artist and drummer Magnus Sefaniassen EideFind albums by this artist. It presents eight original compositions, six of which were composed by Johnsen and two co-composed by him. The music is very melodic, uncomplicated and unpretentious, bordering on Smooth Jazz, but at the same time it manages not to cross over to kitsch and maintains an aesthetic consistency which makes it definitely worthy of listening to. Johnsen uses a plethora of effective tricks of the trade, like dramatic chords, arpeggios and almost theatrical climaxes to keep things interesting, but again all within the limits of good taste. His playing is influenced by Classical music much more than by the Jazz tradition, but combined with the solid work by the rhythm section the result is entertaining. This is something for listeners who delight in the lighter side of the Jazz spectrum, which is easy to like and does not cause unnecessary headaches; great for cocktail parties and other social functions. It is also an interesting example of the diversity of the Jazz idiom.

Updated: 02/01/2018Posted: 02/01/2018

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SERGIO CASALE ~ SCIUSCIA LOSEN 192 (Barcode: 7090025831928) ~ ITALY ~ Soundtracks Recorded: 2013 Released: 2018 This is an album by veteran Italian flautist / saxophonist / composer Sergio CasaleFind albums by this artist dedicated to Italian cinematic music of the second half of the 20th Century. He is accompanied by clarinetist Antonio ArietanoFind albums by this artist and violist Sergio FanelliFind albums by this artist, and together they play eighteen compositions taken from soundtracks of cult Italian films by such illustrious directors like Pier Paolo PasoliniFind albums by this artist, Frederico FelliniFind albums by this artist, Michelangelo AntonioniFind albums by this artist, Vittorio De SicaFind albums by this artist and others. The music was composed by best Italian cinematic music creators, like Ennio MorriconeFind albums by this artist, Nino RotaFind albums by this artist, Alessandro CicogniniFind albums by this artist and others. The music is of course familiar to every Cultural human being on this planet, and as such it takes a lot of courage to tackle it in new way, as the attempt presented here. The trio led by Casale transforms the music into chamber, almost completely Classical music environment, very minimalistic and "clean", where absolutely every note counts and is clearly audible. At the first moment the music sounds a bit estranged, but very soon the listener is spellbound into this enchanted universe and completely enthralled by it. The familiar themes are transported into another dimension, which clearly points out how strong the original compositions are as far as harmonic structures and melodic perfection. This new chamber treatment, although pretty far removed from the original concept of the music, works beautifully on its own and is a delicious listening experience. Overall this is a bold and unexpected piece of music, which takes something many people are familiar with and transforms it into a new aesthetics, managing to preserve the beauty and the spirit of the original music. Listening to this music is a wonderful way to escape the frantic, chaotic everyday existence and absorb some pure unadulterated musical essence.

Updated: 06/04/2018Posted: 06/04/2018

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JAN GUNNAR HOFF ~ JAN GUNNAR HOFF GROUP FEATURING MIKE STERN LOSEN 196 (Barcode: 7090025831966) ~ NORWAY ~ Jazz-Rock Fusion Recorded: 2018 Released: 2018 This is an album by the excellent Norwegian trio led by pianist / composer Jan Gunnar HoffFind albums by this artist with bassist Per MathisenFind albums by this artist and drummer Audun KleiveFind albums by this artist, expanded to a quartet with the addition of the American guitar hero Mike SternFind albums by this artist. The album presents eight original compositions, five by Hoff and three by Stern (originating from his solo recordings). The music is superbly recorded and offers a spectacular sound quality and clarity. The music is a wonderfully melodic amalgam of Scandinavian moods, Fusion and Progressive Rock nostalgic vistas, which flows smoothly from one tune to the next like a gentle breeze over a fjord. The well crafted tunes are ideal vehicles for all the musicians to show their talents and the album offers an intimate opportunity to hear the individual performances by four first class musicians. Stern´s playing on this album deserves a special attention, as it is quite different from what can be heard on his numerous recordings to date. It seems to be much more delicate and gentler than before, perhaps an effect of the time passing by or just the atmosphere and the musicians involved in this project. One thing is sure; it is definitely some of the finest guitar artistry ever produced by Stern over time. Hoff is not only a prolific composer and recording artist but also a virtuoso keyboard player, able to create a palette of moods and sound vistas which are both intelligent and sophisticated and at the same time accessible to a large audience. His musical approach has a nostalgic (in the best meaning of the word) tinge to it, fondly resembling the great Prog / Rock / Fusion keyboardists of the late 1960s / early 1970s. Mathisen is a Monster bassist, considered as one of the top electric bass players today, who leads his own projects and is a renowned composer as well, being a great representative of Norwegian music worldwide. His playing on this album represents his gentler, more relaxed character, which personally is my favorite. Kleive is also a prolific Jazz artist and composer, very diverse but always right on the money. His performances here are a textbook example of supportive drumming without being obtrusive, full of grace and good taste. Overall this is a terrific piece of music, which keeps things simple and straight to the heart, full of great playing and superb melody lines, devoid of unnecessary pose, which sadly rules in music today. Wholeheartedly recommended!

Updated: 09/11/2018Posted: 09/11/2018

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DALIA FAITELSON ~ POWERED BY LIFE LOSEN 199 (Barcode: 7090025831997) ~ DENMARK ~ Jazz-World Fusion Recorded: 2017 Released: 2018 This is the eleventh album as a leader by Israeli (resident in Denmark) vocalist / guitarist / songwriter Dalia FaitelsonFind albums by this artist, since her debut released in 1994. On this album she is supported by the veteran Danish pianist Thomas ClausenFind albums by this artist, cellist Soma AllpassFind albums by this artist and drummer Anders ProvisFind albums by this artist. Bassist Fredrik DamsgaardFind albums by this artist and percussionist Ayi SolomonFind albums by this artist (born in Ghana) guest on selected tracks. The album presents eight original songs composed by and with lyrics written by Faitelson The music is a cross-genre amalgam of influences, including Pop, cabaret, World Music, Classical and marginally Jazz, with highly melodic contents very skillfully arranged for the rather unusual instrumentation present here. The cello, which is dominant on this album, creates a serene, almost chamber atmosphere on most of the tracks. The overall melancholic and somewhat somber feel is predominant. The compositions are all well put together and coherent, providing an excellent platform for the musicians to express their ideas. Faitelson has a limited vocal range, which forces her to use a very specific, almost half spoken word articulation, instead of singing in the classic meaning of the term, similar to chanson and cabaret singers rather than Pop of Jazz vocalists. Her singing in English is not very helpful either. But all things considered, her theatrical vocal expression is effective and very musical. In addition she also plays some great guitar licks, which sadly are not as dominant on this album as one would wish for. The performances by the members of the band are all brilliant, with heart melting cello parts by Allpass and superb piano parts by Clausen, who is the Jazz anchor or this album. All the musicians involved seem to have a great time playing here, which is evident by the final result. Overall this is an excellent album by a mature Artist, who knows exactly what she wants and where she is going. Her songs are beautifully woven and she delivers them in a very effective theatrical way, using top musicians at her side to complete the experience. Definitely recommended, especially for people outside of Denmark, who might not be familiar with her music. Toda raba!

Updated: 06/04/2018Posted: 06/04/2018

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ONUR AYMERGEN QUINTET ~ LUNAR LOSEN 265 (Barcode: 7090025832659) ~ TURKEY ~ Jazz Recorded: 2021 Released: 2023 This is an album by Turkish Jazz guitarist / composer Onur AymergenFind albums by this artist, recorded in a quintet setting with pianist Can CankayaFind albums by this artist, trumpeter Tolga BilginFind albums by this artist, bassist Apostolos SiderisFind albums by this artist and drummer Turgut Alp BekogluFind albums by this artist. The album presents eight original compositions, all by the leader. The music is wonderful modern European Jazz, which splendidly documents the incredibly high level of Turkish Jazz, which for some strange reason is one of the country’s best kept secrets, as it is relatively rarely heard outside of the country’s borders. The music is all based on melodic themes, all solid and elegantly weaved, but offers a lot of open space for improvisation and on one track even touches upon Free. Personally I’d prefer the music to reflect more Turkish folkloristic elements than it does, but that is of course the choice of the musicians and especially the leader. Aymergen is a very skilled guitar player, who eschews Fusiony doodling and plays wonderful phrases while improvising, excellently supported by the quintet members, all of which are also excellent musicians, easily comparable to their European colleagues. Cankaya plays some superb piano lines throughout, Bilgin keep relatively to the background, Sideris adds elegant and constructive bass pulsations and Bekoglu ornaments the music with very imaginative percussive work. Overall, this is quite a revelation to Jazz lovers not familiar with Turkish Jazz scene and a heaven on earth for guitar lovers, who can discover some highly unusual approach to the instrument, influenced by the Middle Eastern tradition of plucked string instruments like the saz and oud. Kudos to my Norwegian friend Odd GjelsnesFind albums by this artist, who manages to carry on with his wonderful LosenFind albums on this label Records label, continuously releasing a lot of exciting Jazz music from all over the world.

Updated: 05/04/2023Posted: 05/04/2023

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LORENZO DE FINTI ~ MYSTERIUM LUNAE LOSEN 268 (Barcode: 7090025832680) ~ ITALY ~ Jazz Recorded: 2021 Released: 2022 This is the third album on the Norwegian LosenFind albums on this label Records label by Italian pianist / composer Lorenzo De FintiFind albums by this artist, recorded in a quartet setting with trumpeter Alberto MandariniFind albums by this artist, bassist Stefano Dall`OraFind albums by this artist and drummer Marco CastiglioniFind albums by this artist. The album presents five original compositions, all co-composed by De Finti and Dall`Ora, one of which appears here in two versions: studio and live-in-the-studio. The music is highly melodic, with long, suite-like themes slowly developed by the instrumentalists, somewhat similar to the modus operandi of Progressive Rock in the early 1970s, but performed by acoustic instruments and featuring more improvisation. The omnipresent Italian proximity to Classical Music forms and sometimes bombastic expressionism always sounds great to those who love and appreciate that musical idiom, myself included. The music develops slowly and requires patience from the listener, which today is an asset not commonly present, but those who are willing to follow the pace of the music are richly rewarded by melancholic ventures, full of majestic themes, moving cadences and almost Baroque ornamentations. All four members of the quartet are seasoned instrumentalist, able to create the atmospheric vistas this music requires. Personally I especially love the superb bass parts by Dall`Ora, who is the most Jazz spirited player on this album, but as already stated all the performances as truly engaging. Overall, this is a beautiful album, especially for lovers of melodic / lyrical / melancholic Jazz, but also to listeners originating from Prog and Classical Music should be able to find this music fascinating. Definitely well done!

Updated: 18/10/2022Posted: 18/10/2022

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ANDRES THOR ~ HEREBY LOSEN 269 (Barcode: 7090025832697) ~ ICELAND ~ Jazz Recorded: 2021 Released: 2022 This is an album by Icelandic Jazz guitarist Andres ThorFind albums by this artist, recorded in a trio setting with French bassist Nicolas MoreauxFind albums by this artist and Icelandic drummer Magnus Trygvason EliassenFind albums by this artist. The album presents nine original compositions, all by the leader. The music is all strictly melody based and well within mainstream Jazz idiom. There is little, if any, Scandinavian feel associated with the music, so it lacks a specific identity and could have originated from anywhere. The melodies are round and somewhat lethargic, but listeners looking for a nice, relaxed, almost background music might enjoy it. The performances are professional, as expected, with the guitar being up front for the entire duration, with a solid acoustic bass backbone and amicable drumming. Thor knows his instrument obviously, playing some nice licks and changing the sound of his instrument between one piece and another, which adds some diversity. Overall, this is a pretty standard guitar trio album, with relaxed atmosphere and pleasant tunes, but not something that might turn one’s head. Guitar freaks might enjoy and appreciate the guitar sounds, but there is not much excitement otherwise.

Updated: 17/10/2022Posted: 17/10/2022

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EIK TRIO ~ TRUST LOSEN 276 (Barcode: 7090025832765) ~ NORWAY ~ Jazz Recorded: 2021 Released: 2023 This is the debut album by Norwegian Jazz Eik TrioFind albums by this artist, comprising of pianist / arranger Ole Fredrik NorbyeFind albums by this artist, vocalist Elisabeth KarstenFind albums by this artist and bassist John Borge AskelandFind albums by this artist. Saxophonist Bendik HofsethFind albums by this artist guests on three tracks and trumpeter Nils Petter MolvaerFind albums by this artist and accordionist Heine BuggeFind albums by this artist guest on one track each. The album presents ten tracks, all of which are arrangements of well-known standards. On the face of it, the album seems completely uninteresting: once more an album of standards that we all heard thousands of times before. Therefore, the surprise when the album starts to play is pretty shocking, as these standards have been metamorphosed in a completely unusual way, mostly by radically slowing the usual tempo at which they are usually performed, which offers a completely new impression. On their new form, the songs are beautifully performed by the trio, with the vocals sung in English with a slight foreign accent, which here becomes sort of cute, and superb piano accompaniment and steady, very delicate but perfectly accurate bass pulsations. The guests add a little glamor and atmosphere to the proceedings, but are not really necessary beyond adding some known names on the cover. Overall, this is a charming little album, delicate and cute but also exceedingly intelligent and unconventional, which for people who thought that they have already heard everything could come as a huge surprise. This is absolutely essential stuff for students and teachers of Jazz vocals. Well done and thanks to the LosenFind albums on this label label for releasing this little charming gem!

Updated: 05/04/2023Posted: 05/04/2023

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FREDERIK VILLMOW ~ MOMENTUM LOSEN 278 (Barcode: 7090025832789) ~ GERMANY ~ Jazz Recorded: 2022 Released: 2023 This is the third album by German (resident in Norway) drummer / composer Frederik VillmowFind albums by this artist, recorded in a quintet setting, with Norwegian musicians: pianist Olga KonkovaFind albums by this artist, saxophonists Gisle JohansenFind albums by this artist and Erlend Vangen KongtorpFind albums by this artist and bassist Julian HauglandFind albums by this artist. The album presents nine tracks, all of which are original compositions by the leader and the participating musicians. Two tracks are solo drums improvisations, one is a duo (drums / saxophone) improvisation and another two are trio (drums / piano / saxophone) improvisations, which leaves four fully composed ensemble pieces, including the title track, which are naturally the longest tracks on the album. The music is excellent modern Jazz, melody based to some extent but with a lot of breathing space and freedom, which allows the participants to improvise extensively. The music flows coherently from one track to the next, offering an interesting aural journey, spiced with excellent soloing. As it often happens with drummers’ albums, the level of composition is highly surprising, and this album follows the pattern. Although Villmow is an excellent drummer by all standards, his music goes far beyond just drumming skills, presenting a refined ensemble sound and complex flow of ideas. He is definitely in the center of the performances throughout, but his drumming is certainly not just a showoff of his abilities, but the driving force of the ensemble. The album offers a nice balance between the composed pieces and the solo / duo / trio improvisations, which is easier for the listener to follow than albums dedicated completely to Improvised Music, which can be overbearing. Overall, this is an excellent modern Jazz album, with great compositions and brilliant performances, full of excitement and intelligent exchange of ideas. It offers the European approach to Jazz at its best, and is not actually that much Nordic Jazz oriented, despite its origin. Most warmly recommended!

Updated: 13/05/2023Posted: 13/05/2023

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ALICE & THE MOUNTAIN ~ STRIPPED LOSEN 293 (Barcode: 7090025832932) ~ NORWAY ~ Pop & Rock Recorded: 2014 Released: 2024 This is an album by Norwegian singer / songwriter Silje KafjordFind albums by this artist, who uses the moniker Alice & The MountainFind albums by this artist, recorded in a duo format with pianist Bernt MoenFind albums by this artist. The album presents eight tracks, seven of which were composed by Kafjord and one co-composed with Moen. The lyrics (in English) are (assumably) by Kafjord. The music is as intimate and “naked” as possible, recorded live in the studio with an upright piano and natural echo, similar to home recordings done in the distant past (like the 1960s). This special approach creates a charming, albeit somewhat naïve atmosphere, and the music lacks dynamics. This combined with the somewhat limited melodic scope, make this album sound somewhat “primitive” in today’s standards. But the music is honest and heartfelt, and completely different from today’s studio trickery and artificial effects, and as such has its charm and natural beauty. Kafjord has a playful, almost childish approach to her vocal delivery, which again is charming in a way. Overall, this is a nice, and quite unusually simplistic sound-wise album in today’s standard, but the minimalism and directness are refreshing and surprisingly pleasant. For listeners, who like unusual Pop, singer / songwriter material sung with a slightly foreign accent, but charming anyway.

Updated: 07/09/2024Posted: 07/09/2024

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DAG ARNESEN TRIO ~ ICE BREAKING LOSEN 296 (Barcode: 7090025832963) ~ NORWAY ~ Jazz Recorded: 2023 Released: 2024 This is an album by Norwegian Jazz pianist / composer Dag ArnesenFind albums by this artist and his classic Jazz piano trio with bassist Magne ThormodsaeterFind albums by this artist and drummer Oyvind SkarboFind albums by this artist. The album presents nine tracks, all original compositions by the leader. The album offers superb sound and balance, in the best tradition of the Norwegian sound recording tradition. The music is seemingly a melodic mainstream Jazz, but offers unusual rhythmic setting and structural complexity, which requires attentive listening and offers a certain feeling of tension and unexpectedness, which brings the music above the predictable level of fluidity, making things much more interesting than what is expected from a typical entertaining Jazz piano trio album, many of which are flooding the record market. The level of performance is also excellent from start to finish, as expected from a veteran musician like Arnesen, and the rhythm section, which offers perfect support every step of the way. The trio maintains an excellent balance between the instruments and fluid dynamics, which make it sound completely synchronized and harmonized. Overall, this is a very interesting and quite unusual Jazz piano trio album, which is likeable from the very first touch on the keyboard, but requires active involvement from the listener to absorb the aesthetic intricacy of its contents. Wholeheartedly recommended to all acoustic Jazz piano trio lovers out there!

Updated: 10/09/2024Posted: 10/09/2024

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RUNAR NORSETT TRIO ~ ENDLESS JOURNEY LOSEN 298 (Barcode: 7090025832987) ~ NORWAY ~ Jazz Recorded: 2023 Released: 2024 This is an album by the Norwegian Jazz trio, led by pianist / composer Runar NorsettFind albums by this artist with bass guitarist Fredrik SahlanderFind albums by this artist and drummer Tobias Oymo SolbakkFind albums by this artist. American trumpeter Randy BreckerFind albums by this artist guests on three tracks and Italian (resident in US) saxophonist Ada RovattiFind albums by this artist (Randy’s wife) guests on two tracks. The album presents eight tracks, all originals by the leader. The music is highly melodic mainstream Jazz, energetic and Funky, definitely on the lighter side of the Jazz spectrum, but excellently played by all participants. The idea is obviously to have fun and play music, which can be enjoyed by a wide spectrum of Jazz listeners. Overall, this is a pleasant Jazz album, accessible to a wide audience and offering an enjoyable listening experience, which in these bleak days is not such a bad idea. Although originating from Norway, it sounds pretty close to American Jazz, and the presence of the guest musicians emphasizes that trend. Not really my cup of tea, but many Jazz lovers might enjoy this “easy on the ear” approach.

Updated: 04/09/2024Posted: 04/09/2024

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GARDEN ~ PILGRIM LOSEN 302 (Barcode: 7090025833021) ~ NORWAY ~ Jazz Recorded: 2023 Released: 2024 This is the debut album by the Norwegian trio GardenFind albums by this artist, which comprises of saxophonist / composer Mathias HagenFind albums by this artist, bassist Henrik Sandstad DalenFind albums by this artist and drummer Oystein Aarnes VikFind albums by this artist. A couple of guest musicians appear on selected tracks. The album presents eleven tracks, all original compositions by Hagen. The music is based on clear melody themes and mixes the typical Nordic melancholy and lyricism with other influences, like Folkloristic Mediterranean echoes and uneven rhythmic patterns, creating a fascinating fabric, which is delightful in its minimalism and captivating atmosphere. Hagen is an excellent improviser, who moves in and out of the melody lines with elegance and obvious skill. Dalen provides superb bass support, both highly melodic and precisely rhythmical and Vik stays delicately in the background, carefully adding his accents without disturbing the flow. Overall, this is quite unusual and moving effort, which stands out in its originality and ability to create music with the “less is more” attitude, but which offers a captivating listening experience, on one hand typically Nordic but also full of exotic little accents, making things really interesting. This is an excellent debut effort and a wonderful example of European Jazz ingenuity, which never ceases to surprise.

Updated: 03/09/2024Posted: 03/09/2024

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