Record Reviews

BRIDGES ~ BRIDGES WITH SEAMUS BLAKE AMP 008 (Barcode: 662578831013) ~ NORWAY ~ Jazz Recorded: 2016 Released: 2016 This is the debut album by Norwegian Jazz quartet BridgesFind albums by this artist, led by drummer Anders ThorenFind albums by this artist and also including trumpeter Hayden PowellFind albums by this artist, pianist Espen BergFind albums by this artist and bassist Ole Morten VaganFind albums by this artist. The quartet is joined by NY based (born in London, raised in Vancouver) saxophonist Seamus BlakeFind albums by this artist and together as a classic quintet they perform ten pieces, nine of which were individually or collectively composed by the quintet members. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist, with the usual spectacular sonic quality. The music is a superb example of modern European Jazz, with a tinge of Nordic melancholy, but nor really a typical Scandinavian outing, probably due to Blake´s presence. Based on firm melodic basis, the music allows enough space and freedom to appear airy and enables the individual players to express their statements. Three of the pieces are collective improvisations, with emphasizes the diversity and openness of the music. The individual performances are all first rate, which is hardly surprising from musicians of this statue. Blake delivers his velvety phrases, which are always right on the money, but he is not taking the centre of the stage on this album, which is by all means a collective effort. Powell plays some great trumpet lines, which are a delight and Berg masterly creates the harmonic layer upon the music smoothly flows on, throwing in a few breathtaking solos. The rhythm section is inventively supportive and deeply involved within the music, as usual with European Jazz, which sees the rhythm section as an integral part of the music making process. Overall this is a superb album from start to finish, which offers excellent music and superb execution, topped with fabulous sound quality. Jazz connoisseurs can hardly expect a better "deal" and therefore are wholeheartedly invited to check this album out at the first opportunity; satisfaction guaranteed! The album was released on a young Norwegian record label, called AMPFind albums on this label Music & Records, which is consistently releasing excellent productions since day one and is also wholeheartedly recommended to be followed.

Updated: 24/07/2017Posted: 24/07/2017

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HILDEGUNN OISETH ~ TIME IS COMING LOSEN 142 (Barcode: 7090025831423) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015 This is the fourth album by the female Norwegian trumpeter Hildegunn OisethFind albums by this artist recorded in a quartet setting with pianist Espen BergFind albums by this artist, bassist Mats EilertsenFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. Oiseth plays trumpet, flugelhorn and the bukkehorn (Billy goat horn, an instrument going as far back as the Vikings). The album presents eight original compositions, two each by Oiseth, Berg and Eilertsen, one by Johansen and the remaining one by yoiker (Google it up!) / musician Frode FjellheimFind albums by this artist. The album was recorded at the celebrated Rainbow Studio in Oslo and engineered by the legendary Jan Erik KongshaugFind albums by this artist. The music is a wonderful Scandinavian flavored European Jazz, heavily influenced by folkloristic touches and deeply reflective. A trumpet quartet is one of the greatest minimalistic Jazz entities, and when it is at its best, it has but little competition. Although the music was composed by five separate individuals, it is beautifully cohesive and creates an amalgamated atmosphere of unity and aesthetic beauty, elegance and consistency. Oiseth´s playing is in many respects comparable to that of the Polish trumpet Master Tomasz StankoFind albums by this artist, emphasizing the expression rather than technical perfection. The slightly "dirty" tone, seemingly unstable during the vibrato notes, unites Oiseth with Stanko, which of course is meant as a compliment here. The bukkehorn parts, which sound a bit like oboe, are simply delightful and introduce another layer in the wondrous structure of this music. But of course the three other members of the quartet also contribute invaluably; Berg is the melodic essence, Eilertsen holds all the elements together with his pulsations and Johansen ornaments the proceedings delicately and sparingly, like only best of drummers do. This album offers the listener a spiritual experience, simply by overflowing all the senses, if allowed to do so. We can of course hear it, but it also touches our hearts, we can almost smell it, see the colors it paints in our mind and taste it in our mouth, not to mention the exhilaration of our intellect. It´s been a while since I heard music of such quality. This album easily stands shoulder to shoulder with the best European Jazz achievements released by the top record labels, like ECMFind albums on this label, both as far as the music quality is concerned and of course also as far as the recording quality, which in this case comes from the same source. It´s great to have labels like LosenFind albums on this label Records producing music of such quality, which make us all both proud and happy.

Updated: 13/02/2016Posted: 13/02/2016

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