Record Reviews

NIKOL BOKOVA ~ ELEMENTS SOLEIL ET PLUIE 1001 (Barcode: 8785260877662) ~ CZECH REPUBLIC ~ Jazz Recorded: 2022 Released: 2022 This is the fourth album by Czech Jazz pianist / composer Nikol BokovaFind albums by this artist, recorded with a quartet, which includes also guitarist David DoruzkaFind albums by this artist, bassist Martin KocianFind albums by this artist and drummer Michal WierzgonFind albums by this artist. The album presents seven original compositions, all by Bokova. The music was recorded at the fabulous SONO Records studio, engineered by Jan ValaFind albums by this artist and Milan CimfeFind albums by this artist, with the usual spectacular sound quality. Coming from Classical Music, Bokova slowly developed her own unique musical universe over a period of just a few years, which offers a fascinating journey in the time / sound continuum. With her proceeding third album her stylistic preferences were crystalized, embracing the broadly defined Jazz idiom, but still very intensely rooted in Classical conventions. The meeting with Doruzka seems to be the decisive turning point, as he is probably the ideal interpreter of her melodic / harmonic approach, and his sublime guitar phrasing embodies her compositions perfectly. The music is deeply melancholic, almost mournful at times, bringing associations of black and white cinematic vistas, but not depressing, only deeply reflective. As such, the music demands attentive and intensive listening, which is ultimately very rewarding. Overall, this is a very distinctive musical experience, which despite its restrained nature is deeply penetrating and absorbing. The music is beautifully performed by the quartet and offers a truly spiritual encounter. It is great to see Bokova make such a rapid progress and, as always, to encounter Doruzka’s guitar magic. Thanks for the music Milady and good luck with your own label!

Updated: 24/02/2023Posted: 23/02/2023

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DYS / JORGENSMANN / MARCUS ~ ELEMENTS IN CANDOR FOR TUNE 0086 (Barcode: 5902768701869) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2014 Released: 2015 This is an album by a Jazz quintet fronted by Polish pianist Krzysztof DysFind albums by this artist, German clarinetist Theo JorgensmannFind albums by this artist and American clarinetist Michael MarcusFind albums by this artist, with a Polish rhythm section: bassist Andrzej SwiesFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. Together they perform thirteen original pieces, four composed by Marcus, three by Jorgensmann and one by Dys and the remaining five were co-composed by various combinations of the quintet members. Although based on some pre-composed phrases, the music is predominantly freely improvised and belongs to the radical Improvised Music idiom, which of curse is loved by a tiny group of enthusiasts but fails to reach a wider audience. Although the double clarinet front line has a wonderful potential of interplay between these two players, that potential is not realized herein and the music simply makes little if any aesthetic impact. As already stated many times, Improvised Music might make sense when listened to live, due to the emotional involvement and interaction between the players and the listeners, but only very rarely it is able to carry over that interaction into a recorded document, like an album. This album is a typical case where the music simply fails to communicate and remains remote and cold, as if the musicians were playing to each other, leaving the rest of the world outside. Even the fact that the clarinet is an instrument I truly love and the musicians involved have all made formidable recordings earlier on, this album simply does not cut it for me. Of course this is only my opinion and others might be able to enjoy this music. Dys, who is one of the most talented and important young Jazz musicians on the Polish scene plays very little on this album, which is another reason why this is a missed opportunity. If the whole album was anything like the last track, the story would have been completely different. Oh well, you can´t win them all.

Updated: 10/05/2016Posted: 10/05/2016

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MACIEJ GARBOWSKI ~ ELEMENTS NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is the debut album by the Polish Jazz bassist Maciej GarbowskiFind albums by this artist, known to followers of the Polish Jazz scene as one third of the RBBFind albums by this artist trio. The album is a bold statement in every respect: it is recorded live and by an unconventional (trumpet / bass / drums) trio with young Polish trumpeter Piotr DamasiewiczFind albums by this artist and Swedish drummer Jon FaltFind albums by this artist. The album comprises of a continuous suite of mostly improvised music, which includes some composed motifs by Garbowski and Damasiewicz, sometimes used only in part and sometimes quoted in full. These motifs serve as points of reference in the continual conversation between the musicians, which is obviously spontaneous but seems to have a sense of almost telepathic consistency. Although separated into six tracks on the album, this is definitely one piece of music, mood and celebration of freedom. The technical proficiency of these young musicians is simply astounding and their ability to generate alternative sounds on their respective instruments is awe-inspiring. Damasiewicz and his trumpet, which at times remind us of Don CherryFind albums by this artist and Tomasz StankoFind albums by this artist, taking the absolutely best lessons from both, is simply phenomenal. Hopefully his future recordings will give us more glimpses of his talent, since judging by this recording he is definitely heading in the right direction. Garbowski and his bass are virtuosic and enormously sensitive in this difficult setting, gluing the music together and supplying the anchor to stability, without restricting it in any sense. Falt and his drums, which are already familiar to Jazz connoisseurs from his work with pianist Bobo StensonFind albums by this artist, is the icing on the cake, ornamenting the music with delicate caressing touches on the cymbals or energetic full-kit explosions, al done with taste and elegance. Overall this is a brilliant piece of Free Jazz, perfectly executed and full of inspired, serious music, which easily compares to the best recordings of this type done anywhere else in the world. If the future fate of Polish Jazz (and European Jazz in general) is in the hands of young musicians like these three, the older generation can rest assured that it is in good hands indeed. Polish Jazz fans should definitely seek out this gem as soon as possible. Brilliant stuff!

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WOJCIECH JACHNA SQUAD ~ ELEMENTS AUDIO CAVE 2020/005 (Barcode: 5908298549025) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the debut album by the Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also guitarist Marek MalinowskiFind albums by this artist, keyboardist Jacek CichockiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Mateusz KrawczykFind albums by this artist. Four of these musicians (except for Malinowski) recorded already an album together five years earlier, called "The Right MomentFind albums with this title". The album presents seven original compositions, three composed by Jachna, two co-composed by all five members of the ensemble and one each by Cichocki and Malinowski. During the last decade (2010s) Jachna emerged as one of the leading representatives of the young (but rapidly maturing) Polish Jazz musicians, leading and taking part in many projects, which cover a diverse stylistic range between modern mainstream to advantageous avant-garde, managing to sound equally convincing regardless of the circumstances. The fact that his name appears on about thirty albums released during that period is no less than astonishing. This album seems to fall somewhere in the middle of the range, based on strictly composed and melodic themes on one hand, but being widely open to momentary free improvisation excursions. The addition of the guitar added new colors and influences like Blues and even Fusion, albeit subtle enough to be distinguishable primarily by a trained ear. The overall sound of the ensemble is brighter and spacier than on the a.m. album and noticeably more electric, with the addition of synthesizer and electric guitar sounds. Jachna´s trumpet parts, superb as always, seem to gradually gong more and more mellow and lyrical, loosing the rough edge that characterized his early days, which for me works all for the best. He is an absolute Master of minimalist expression and manages to create a remarkable amount of tension within relative brief solo parts. But the rest of the ensemble players all perform beautifully as well, emerging as ideal partners to the leader and contributing impressive soloing and collective performances and excellent rhythm section backbone support, which is inventive and contributes essentially to the entire musical fabric. It is truly satisfying to see Jachna and his partners evolving and exploring, continuously producing wonderful albums on the way. Overall this is a most impressive and deeply moving album, another great achievement for Jachna and his colleagues and a superb addition to his extensive recorded legacy. For all lovers of Polish / European Jazz this is an absolute must!

Updated: 28/05/2020Posted: 28/05/2020

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