Record Reviews

PIOTR BARON ~ JAZZ AT PRAGUE CASTLE MULTISONIC 310839 (Barcode: 741941083928) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This album presents a live recording by the great Polish Jazz saxophonist / composer Piotr BaronFind albums by this artist and his quintet, which also includes trumpeter Adam Milwiw-BaronFind albums by this artist (his son), pianist Dominik WaniaFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. The music was recorded at the beautiful Prague Castle, which holds Jazz concerts of the highest standard, which are also recorded and released on CD by the Czech MultisonicFind albums on this label label. The album includes only three expanded performances, two composed by Baron (both appeared on his superb last album "KaddishFind albums with this title") and one is an arrangement of a 14th century Polish Easter song. Two of the tracks are almost 30 minutes long and the third is almost 20 minutes long. The concert in introduced by the Czech President Vaclav KlausFind albums by this artist, who personally opens all the Jazz venues at the Castle – a lesson to be studied by all Presidents - in which he talks about the meeting between him and Piotr Baron, which led to the invitation to play at the Castle, and the special relationship between the Czech and Polish Jazz scenes over the years – a subject worthy of a book by itself. The music is deeply spiritual, as is all music made by Baron, reflecting his profoundly personal relation with belief (and not religion, as Baron surely demonstrates a cross-religion / one God approach). Accepting the model (spiritually and musically) of the great Godfather of spiritual Jazz, John Coltrane, Baron develops his music very much in the same direction, but uses his very own language and cultural affiliations, with his Polish roots being openly noticeable. This is Jazz with a true capital J, music of the highest caliber, which penetrates the listener´s heart and shakes his soul. It is absorbing and captivating, breathtakingly beautiful and intellectually intriguing, all at once. There is very little music of such quality being made these days, so this is even more impressive. Pianist Dominik Wania, who is definitely one of the best Polish Jazz pianists of the young generation, plays some amazing music here and I´m glad that Baron recognized his qualities and allowed him so much space and opportunity to express his amazing talent. But of course all these musicians play divinely, with the leader magically applying his charm, even when not playing. This music is way beyond recommendation – it is simply a crying shame that every true Jazz lover will probably not have an opportunity to immerse in its magic. If you can, count yourself lucky and blessed! Side Note This album is a part of the “Jazz Na Hrade (Jazz At Prague Castle)” series, released by the Czech MultisonicFind albums on this label label, which presents live recordings performed at various locations inside the charming Prague Castle, now the residence of the President of the Czech Republic. The series was initiated in 2004 by President Vaclav KlausFind albums by this artist, who often introduces the players himself on these albums, and symbolizes the respect and love of all things Cultural by the Czech People, including Jazz of course.

Updated: 16/03/2022Posted:

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DOMINIK BUKOWSKI ~ SIMPLE WORDS SOLITON 354 (Barcode: 5901571093543) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the fourth album as a leader by Polish vibraphonist / composer Dominik BukowskiFind albums by this artist, one of the most prolific and sought after musicians in his country, with an impressive record both as a leader and a sideman and certainly a great master of the neglected vibraphone. The album presents ten original compositions, all by Bukowski, performed by a quartet which also includes the Indonesian pianist Sri HanuragaFind albums by this artist, legendary bassist Piotr LemanczykFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Bukowski consistently produces excellent music showcasing both his talents as an instrumentalist and his abilities as a composer of witty, intelligent and beautifully melodic tunes, and this album is no different in any respect. The music flows seemingly effortlessly from the opening chords till the last note, full of lyrical statements, changing tempi and featuring many breathtaking solo spots. The decision to use the piano, which is a novelty as far as Bukowski´s groups are concerned, introduces a much broader harmonic spectrum and a more contemplative mood than his earlier albums, which featured reeds or brass. Of course vibes and piano have to be carefully balanced not to crash with each other, but this quartet manages to overcome this obstacle immaculately. The individual performances are, as expected, flawless and highly professional. Bukowski´s vibes are always right on, preserving the bells of heaven quality, which he manages to maintain for many years. The young and energetic pianist has an excellent technique and does a perfect job both accompanying the vibraphone parts, which is by far nor easy, and shines brightly on his own parts. Lemanczyk is, as always, simply divine, with his strong and precise virtuoso bass lines carrying the music on a magic carpet. Jarosz is always a solid player, keeping time and managing not to become too obtrusive in the delicate balance between the other members of the quartet. Overall this is another addition to Bukowski´s already sizeable and meaningful legacy, which just got expanded by another important jewel. It´s good to see that he manages to change and develop without loosing his basic qualities but not resting comfortably in one niche, which vibraphone players unfortunately often do. This is perhaps not revolutionary or highly innovative music, but it is perfect in what it does and should be treated as such. Hopefully we won´t have to wait another four years or more for the next project and album. As usual, respect Maestro!

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MACIEJ FORTUNA ~ JAZZ FROM POLAND VOL. 1 FM 012 (Barcode: 5903240365050) ~ POLAND ~ Jazz Recorded: 2013 Released: 2015 This is a beautiful album by leading Polish Jazz trumpeter Maciej FortunaFind albums by this artist, recorded with his acoustic quartet, which also includes pianist Krzysztof DysFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Since the album is intended as a tribute to the great Polish Jazz composers, it presents seven compositions by prominent Polish Jazz figures, such as Krzysztof KomedaFind albums by this artist (two compositions), Zbigniew SeifertFind albums by this artist (three compositions), Janusz MuniakFind albums by this artist (one composition) and Maciej SikalaFind albums by this artist (also one composition); these four representing three generations of post-WWII modern Polish Jazz musicians / composers. In the liner notes of this album Fortuna mentions the dilemma, which many Polish Jazz musicians struggle with, whether to play Jazz according to the well defined formula originally defined by the American Jazz precursors or play original music with different influences and tendencies, like those characteristic of Polish Jazz for example. This album is his answer, clearly pointing towards the originality and individual search rather than repeated replication of past formulae. Although Fortuna and his cohorts treat the compositions with a great amount of freedom and individuality, the spirit of this wonderful music, its intrinsic Polish melancholy and lyricism, are well preserved and brought from the past to contemporary musical environment. As usual on all albums by Fortuna, his trumpet performances are the focal point of the music. His virtuosic and almost superhuman abilities keep surprising his listeners with each new release and one wonders how far can he still travel from here. The three musicians playing with Fortuna on this album are also incredible by any standard. The young Dys emerges in the last couple of years as one of the leading contenders for the narrow pedestal of top Polish Jazz pianists and the rhythm section does a phenomenal job to keep up with these two "crazy" Geniuses, keeping the music swinging and pulsating, even in its most free form manifestations. Almost on every album by Fortuna that I reviewed over the years I couldn´t stop myself from drawing some parallels between Fortuna and Tomasz StankoFind albums by this artist. On this album these parallels are stronger and more obvious that ever before, especially in view of the fact that Stanko played in Komeda´s ensembles and is subconsciously always associated with his music. Hearing Fortuna playing Komeda immediately brings Stanko to mind, and with deep satisfaction I can say that Fortuna bears the torch without any inferiority complexes. This is a second edition of this album, which was initially released as a limited private edition and is now released on the open market, which of course means that it should be immediately grabbed by every Polish Jazz fan, as albums of this quality do not pop in the open very often.

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IMPROVISION QUARTET ~ ANONYM POLSKIE RADIO 2442 (Barcode: 5905610870560) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2020 Released: 2023 This is the second album by Polish Jazz Improvision QuartetFind albums by this artist, comprising of clarinetist Szymon KlimaFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Whereas their debut album from 2017 “Free-Folk-JazzFind albums with this title” presented their interpretations of Polish Folklore, this time they offer interpretations of Polish music by anonymous composers from the Medieval period. The album presents seven tracks, with three of the tracks credited to Wania, one to Klima, one to Kowalewski, one co-credited to Klima and Wania and finally one left uncredited, referring to the title. The music, although based on some melodic / composed themes, is mostly Freely improvised, leaving the challenge of identifying the original music to the listener, if need be. The performances are all, no surprisingly, phenomenal, and I personally have a great affinity to the clarinet playing by Klima, who is certainly one of the most underappreciated Jazz players on the Polish scene. Of course Wania is a magician whose piano parts keep the music wonderfully together, and the rhythm session drives it intelligently forward. This is “well organized” Free Jazz, which makes perfect sense for the entire duration, challenging the listener but staying coherent and brilliantly focused. It took a while for this music to be released, as it was recorded in the midst of the pandemic, but it makes me very happy to see it finally out. This is the first Jazz album featuring Klima released on a Polish label, since his previous recordings were released by the wonderful Slovak HevhetiaFind albums on this label label, now sadly dormant. If anyone deserves more exposure, it is definitely him, Chapeau bas to Polskie RadioFind albums on this label label for releasing this superb piece of music. Overall, this is a challenging but highly intelligent example of Polish Free Jazz, which deserves to be heard by all followers of the genre worldwide. Brilliant musicianship, musical depth and a true feast to the ears!

Updated: 08/12/2023Posted: 08/12/2023

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IMPROVISION QUARTET ~ FREE-FOLK-JAZZ HEVHETIA 0159 (Barcode: 8588005258227) ~ POLAND ~ Jazz-World Fusion Recorded: 2017 Released: 2017 This is the debut album by Polish ensemble called Improvision QuartetFind albums by this artist, which comprises of clarinetist Szymon KlimaFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. The album presents six improvisations based on Polish musical Folklore, arranged by the quartet. The album offers an unprecedented high quality recording sound, definitely one of the best I came across this year (2017). The music, as already mentioned above, consists of Free Form improvisations based on Polish Folklore songs, some of those being well known and others completely obscure. The quartet offers a remarkable ensemble work, which presents a coherent and clear artistic vision, consistently developed throughout the album, deeply rooted in Free Jazz / Improvised Music tradition, but also astonishingly minimalistic, focused and full of breathing space. There is a beautiful atmosphere of relaxation and complete lack of pressure to state anything beyond the necessary. In some respects this album is the continuation of the "Lutoslawski RetunedFind albums with this title" album recorded three years earlier, but the statements are much bolder and refined this time. The individual contributions by these virtuosi musicians are all absolutely brilliant from start to finish. The minimalistic approach allows for many solo / duo / trio and eventually also quartet statements, which expose each of the participants in complete "nakedness". Not surprisingly they all manage to come victorious from the challenging circumstances, which present to the listener some of the best moments these musicians ever put on record. Wania´s contributions are definitely stellar and for me personally probably they are his best playing ever so far. His wondrous ability to say so much with just a few touches of the keyboard is simply miraculous. But Klima, Kowalewski and especially Jarosz also contribute amazing moments, with the latter producing some of the most amazing percussive effects I had the pleasure to hear. This is definitely one of the finest hours of Polish Jazz in 2017, although it will probably not achieve the praise it deserves, as usual on the Polish scene, where often some pretty dismal albums get all the distinctions, prizes and attention. Well, life is not fair and people are stupid and deaf. This is an amazing album from start to finish, which redefines the contemporary Free Jazz idiom, again emphasizing the fact that sublime things in Jazz happen only in Europe. One needs to be born in Poland and suck the Polish Culture from one´s mother´s breast, to be able to play like that and create music like this one. Luckily the Art aesthetic is universal and anybody on this Earth of ours, with some soul and musical ears should be able to enjoy this music on the deepest level. Absolutely brilliant!

Updated: 03/11/2017Posted: 03/11/2017

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AGNIESZKA MACIASZCZYK ~ A BRIEF INSIGHT INTO LIFE SJ 082 (Barcode: 5905489721000) ~ POLAND ~ Jazz Recorded: 2024 Released: 2024 This is the 2nd album by Polish Jazz vocalist / composer Agnieszka MaciaszczykFind albums by this artist, recorded with the same quartet which recorded her debut six years earlier: pianist Michal CiesielskiFind albums by this artist, bassist Michal BakFind albums by this artist, drummer Przemyslaw JaroszFind albums by this artist and saxophonist / flautist Szymon LukowskiFind albums by this artist. Marta BuschmannFind albums by this artist adds backing vocals. The album presents eight tracks, four of which were composed by Maciaszczyk and the other four co-composed with Ciesielski. She wrote also all the lyrics. I have been very impressed by the debut album by Maciaszczyk, and this new outing preserves many of its good qualities, especially the extensive use of vocalese rather than singing lyrics. This approach to Jazz vocals is sadly seldom utilized by singers, which is a great pity, since the human voice is after all the mightiest instrument. This time, however, Maciaszczyk does also sing lyrics (in English – and you know what I think about that) on three tracks, and on these tracks the vocalese becomes mostly secondary, which is somewhat disappointing, at least for me. Also the music on these tracks is definitely less Jazz and more Pop oriented. An attempt to reach new audiences? The instrumentalists are obviously more experienced than last time and more expressive, performing their duties as perfectly as one might expect from Polish Jazz players, which means that the performances are all excellent and their involvement and dedication to the project is as complete as one might wish for. Overall, this is again quite an unusual vocal Jazz album, with wonderful extended vocalese parts and excellent instrumental accompaniment, which is a pleasure to listen to from start to finish. The only minor snag is the fact that is takes off exactly where the debut landed, without moving much forward in the meantime. I am not so sure if it will be possible to do that again in the future?

Updated: 10/02/2025Posted: 10/02/2025

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AGNIESZKA MACIASZCZYK ~ IN SEARCH OF NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is the debut album by young Polish Jazz vocalist Agnieszka MaciaszczykFind albums by this artist recorded with a quartet comprising of pianist Michal CiesielskiFind albums by this artist, saxophonist Szymon LukowskiFind albums by this artist, bassist Michal BakFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist - all four prominent upcoming representatives of the young Polish Jazz scene. The album presents seven original compositions, all co-credited to Maciaszczyk and Ciesielski, although in a short online conversation I conducted with her Maciaszczyk credited the entire crew for arranging and co-creating the music, except the one song, which she composed and wrote the English lyrics for and one other track which was entirely composed by Ciesielski. All the six compositions, other than the song, feature wordless vocalese by Maciaszczyk. The music was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with usual as always superb sound quality. The music and the entire artistic concept of this album is quite unusual and unique, since as already stated, the focus here is on wordless vocalese rather than on songs, which use lyrics (with one exception). As I have already stated repeatedly, most young Polish Jazz vocalist make the tragic mistake of insisting to sing in English, which in most cases ends up in a fiasco. I also often say that it would have been better if they used wordless vocalese instead. I have no idea if Maciaszczyk ever read any of my record reviews and took my advice or arrived at this conclusion on her own, but the result is exactly what I had in mind and now I can use this album as an example. The vocalist uses her voice like an instrument and becomes an integral part of the resulting quintet, something great Jazz vocalist, including the sublime Polish vocalist Urszula DudziakFind albums by this artist, pioneered already five decades ago. I was a bit surprised that Maciaszczyk decided to use only acoustic vocals and chose not to use electronic enhancements, but that is of course entirely her own decision and a future option. The courage to choose the path less travelled by is of course admirable. The four instrumentalists all perform superbly here, as expected. Ciesielski builds up most of the melodic and harmonic layer, accompanying the vocalist amicably and with great sensitivity. Lukowski is less dominant but adds some hair-rising parts, especially those played on the bass clarinet. The rhythm section is also absolutely first class, handling the often devilishly tricky odd rhythmic patterns and quirky tempi changes with flair and elegance. The ensemble performance is absolutely second to none. Overall this is a stunning debut, full of intelligent music and superb performances by these excellent musicians. The music might be a tad difficult at first hearing, but open minded listeners are sure to fall in love with this music at some point, as it offers a new perspective on vocal Jazz in contemporary young European Jazz, an event that happens only very rarely. Wholeheartedly recommended to all serious vocal Jazz connoisseurs and thanks to the talented minds behind this music! Chapeau bas!

Updated: 28/09/2019Posted: 28/09/2019

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JERZY MILIAN ~ MUSIC FOR MR. FORTUNA SJP 002 ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is a very unusual album in every respect and a wonderful illustration of the diversity, ingenuity and continued tradition of the Polish Jazz scene. It features nine original compositions by veteran Polish Jazz composer / vibraphonist Jerzy MilianFind albums by this artist, one of the legendary Godfathers of the local scene, including a two part composition which gave this album its title, which the composer created especially for the great upcoming Polish Jazz trumpeter Maciej FortunaFind albums by this artist. Both Milian and Fortuna hail from the city of Poznan. The album also features an unconventional packaging in a form of a triangle, which easily wins the title of most awkwardly packaged album in recent times. The music is performed by a quartet, which includes Fortuna on trumpet, pianist Krzysztof DysFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist, which is occasionally also supported by a string quartet. The music is all within the mainstream Jazz idiom, full of typical Milian´s melancholy and lyricism, which have always characterized his compositions. The execution is also rather constrained, fully delivering the beautiful melodic themes and elegantly incorporating the gentle quartet string arrangements. It is the most "conventional" album by Fortuna as of late, which emphasizes his deep respect for the Jazz tradition at its best. The personal performances are, as expected, top notch. The music does not push Fortuna to exhibit the full power of his virtuosic abilities, but it definitely shows his elegance and finesse as a mainstream player. Dys is as masterly as always, here playing mostly the electric piano with great taste and his typical sense of humor. Mielcarek supports the soloists amicably and his strong pulse is the platform upon which the music moves forward. Jarosz keeps respectfully in the background, delicately adding his rhythmic support. The title track (in two parts) is the most complex and advanced piece of music on this album and shows the full power of the quartet and the individual abilities at their best. But overall this is a very nice musical adventure which should be enjoyed by all Polish Jazz fans and the many followers of Fortuna. The music is available as a free downloadable mobile app and of course is definitely recommended!

Updated: 14/03/2017Posted: 14/03/2017

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TOMASZ PRUCHNICKI ~ TOTAL IMMERSION AKADEMIA MUZYCZNA WROCLAW 022 (Barcode: 9788365473295) ~ POLAND ~ Jazz Recorded: 2021 Released: 2022 This is the second album as a leader by Polish Jazz saxophonist / composer Tomasz PruchnickiFind albums by this artist, this time recorded in a quartet setting with pianist Dominik WaniaFind albums by this artist, organist Kajetan GalasFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist, which is basically the same lineup as the one playing on the last Yarosh Organ TrioFind albums by this artist album “Progressive SynthesisFind albums with this title”. The album presents ten original compositions by the leader. The music is modern Jazz, based on melodic themes but with a large degree of Freedom, which allows all the participants to improvised extensively. The compositions are absolutely stellar and offer a wonderful foundation for the musicians to express themselves in full. The highly unusual lineup, which features both acoustic piano and organ, presents a unique sound, which adds to the overall atmosphere this album manages to create. The organ plays both harmonic layers and bass pulsations, as well as soloing passionately, emphasizing again the incredible talents of Galas. Wania plays waves of piano sounds, which are as brilliant as one can expect from top Polish Jazz pianist, Jarosz manages to keep everything in perfect control rhythmically, and the leader offers amazing saxophone parts, full of emotion, brilliant technique and typical Polish Jazz lyricism. Overall, this is a highly emotional, unusually sounding and amazingly executed album, which proves that Polish Jazz is always there to surprise and amaze. The post Covid frenzy activity, which results in dozens after dozens of new Polish Jazz releases that land on my desk on a regular basis, is a joyful evidence of things being back on track. For organ lovers this is a very special treat, but all lovers of Polish / European Jazz should be able to enjoy this gem. Well done Gentlemen!

Updated: 27/01/2023Posted: 27/01/2023

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SOUND PACK ~ ON AIR SJ 045 (Barcode: 5912596066801) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the debut album by the Polish Jazz vocal quartet The Sound PackFind albums by this artist, led by Marcin WawrzynowiczFind albums by this artist, which also includes three female singers: Joanna Swiniarska-SzebeszczykFind albums by this artist, Katarzyna MirowskaFind albums by this artist and Malgorzata BiniekFind albums by this artist. They are accompanied by a splendid instrumental septet, which comprises of trumpeter Dominik MietlaFind albums by this artist, saxophonist Marcin KaletkaFind albums by this artist, trombonist Lukasz RakalskiFind albums by this artist (who was in charge of the excellent instrumental arrangements), guitarist Gabriel NiedzielaFind albums by this artist, pianist Boguslaw KaczmarFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist (who was also in charge of the album´s mix). The vocal arrangements were supplied by veteran Polish Jazz musician / arranger Aleksander MazurFind albums by this artist (more about him later). The album presents ten Jazz standards, nine of which are evergreens known to every Jazz fan around the world and one originates in Poland. The album was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist offering the usual splendid sound quality. To anybody familiar with Polish Jazz this album immediately brings on the obvious association with the legendary and phenomenal Polish Jazz vocal quartet NOVIFind albums by this artist, which clearly also sets an incredibly tough and perhaps even unfair standard of comparison. After just a few seconds into the music the association becomes a reality, which is not entirely surprising considering the fact that Mazur worked with NOVI on one of their later albums and was involved with arranging for vocal groups for years. Therefore rather than comparing this album with those made by NOVI, I´d like to say that it is good to see (well, hear) finally someone who dares to stand up to the challenges and continue the Polish Jazz vocal quartet legacy. The album offers excellent vocal arrangements and up to date instrumental approach, which allows for soloing by the individual players. All the performances, vocal and instrumental as one, are first rate and represent the fabulous level of the young Polish Jazz generation. The bluesy guitar parts by Niedziela and lyrical piano parts by Kaczmar are my personal favorites, but again everybody performs splendidly. The vocal parts deliver both lyrics and vocalese with the same level of harmonic perfection. Some critical notes, however, are also in order: the choice of material is a tad too obvious / trifling, which can be forgiven considering this is a debut outing, and hopefully will be improved on future recordings. Although the singing of lyrics in English is not particularly ostracizing here, the sole song in Polish is an example of how things could be done better? Overall this is a splendid debut offering, which is a true pleasure to listen to from start to finish and a delightful experience for Jazz vocal group connoisseurs. Looking forward for the next album already, well done Ladies and Gents!

Updated: 13/02/2023Posted: 26/10/2019

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SOUND PACK ~ ZYJ KOLOROWO SJ 070 (Barcode: 5905489720003) ~ POLAND ~ Jazz Recorded: 2022 Released: 2022 This is the second album by Polish Jazz vocal quartet Sound PackFind albums by this artist, led by Marcin WawrzynowiczFind albums by this artist with Joanna Swiniarska-SzebeszczykFind albums by this artist, Katarzyna MirowskaFind albums by this artist and Malgorzata BiniekFind albums by this artist. The instrumental support this time is in the most capable hands of the Yarosh Organ TrioFind albums by this artist, led by drummer Przemyslaw JaroszFind albums by this artist with saxophonist Tomasz PruchnickiFind albums by this artist and organist Kajetan GalasFind albums by this artist. The album presents new arrangements of ten Polish Jazz evergreens, six of which were arranged by Bartosz PernalFind albums by this artist. There are very few surprises on this album, since the concept of a vocal Jazz quartet has been explored on the local scene since its early days. I am happy to see that the group followed my suggestion to switch to songs in Polish, which solves the problems with diction and pronunciation, but somehow they also decided to keep their vocal arrangements to bare minimum, which makes the entire affair rather less exciting. I also have a problem with the balance between the vocal and the instrumental parts, despite the fact that I absolutely love the organ trio, but somehow the match does not work for me as ideally as I have hoped for, which might be also a result of the sound recording and the mix. The overall sound is somewhat mushed and muddy. Of course all these are just my very personal impressions. But all things considered, the Sound Pack are a valid concept as is the selection of material, especially for Polish Jazz fans familiar with these songs, so I am pretty sure many local listeners will enjoy this album. Perhaps a straightforward piano trio accompaniment might have proved much more appropriate here and the organ trio proved to be a tad too complicated to handle. Overall, this is a nice Jazz vocal quartet recording, with an unusual organ trio accompaniment, which results is some less than ideal match, but at least is highly unusual and somewhat aurally challenging.

Updated: 13/02/2023Posted: 13/02/2023

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KUBA STANKIEWICZ ~ INSPIRED BY LUDOMIR ROZYCKI ANAKLASIS 027 (Barcode: 5907795212241) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2019 - 2022 Released: 2023 This is an album by Polish pianist / composer Kuba StankiewiczFind albums by this artist, which presents eight (one in two versions) interpretations of music composed by the Polish Classical Music composer Ludomir RozyckiFind albums by this artist. The music is mostly performed in a solo piano setting, except one track (recorded in the US) in a classic piano trio setting with bassist Darek OleszkiewiczFind albums by this artist and drummer Tina RaymondFind albums by this artist, two more piano trio tracks with bassist Jakub OlejnikFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist, and finally one track, which features vocals by Grazyna AuguscikFind albums by this artist. The album was released by the prestigious Polish AnaklasisFind albums on this label label as part of its “Revisions” series, and is the second album by Stankiewicz in that series. The music is stunningly beautiful, full of typical Polish lyricism and melancholy, which pours out of Stankiewicz like a sound painting, deeply touching the listener’s heart, despite the fact that it is all extremely delicate and fragile. As usual in his case, the recording was preceded by years of study and research of the music by Rozycki, before these personal inspirations were formed and eventually recorded. Since I have witnessed this modus operando by Stankiewicz during the many years of our acquaintance, I am of course hardly surprised by the method, but as usual greatly surprised by the result, which in his case is always unpredictable. Stankiewicz is definitely the most expressive, refined and romantic pianist among his Polish colleagues, many of which are of course piano Masters of international fame. Every delicate touch of his fingers on the keyboard is always absolutely right not only melodically and harmonically, but most importantly emotionally. This album presents him both in the solo piano and piano trio environments, the latter his most natural habitat, and proves again that he is simply an extraordinary musician in a class of his own. Listeners of this album might as well try and explore some of the fascinating music by Rozycki, which is sadly rather neglected these days. He was an extremely prolific composer and much of his work, especially in the Neo-romantic style, is definitely worth getting familiar with. Overall, this is another brilliant album by a great Polish Jazz Artist, which consistently expands his remarkable recorded legacy. His many admirers won’t hesitate before grabbing a copy and for those people, who never heard any of his recordings, this is a wonderful gateway to his musical world. Congratulations go also to the Anaklasis label for doing such a remarkable job with this series!

Updated: 02/11/2023Posted: 02/11/2023

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KRYSTYNA STANKO ~ SNIK NOT ON LABEL 001 ~ POLAND ~ Jazz-World Fusion Recorded: 2014 Released: 2014 This is the seventh album by Polish vocalist / composer / lyricist Krystyna StankoFind albums by this artist, marking a new direction in her career with an ambitious exploration of her Kashubian roots combined with her already established Jazz accomplishments. The Kashubians are an ethnic minority living in the North of Poland (Pomerania), which uses a regional language formally recognized in Poland as an official language, being the only one of many other languages / dialects to be awarded such status. On this album Stanko is accompanied by a wonderful trio comprising of her regular cohorts: vibraphonist / composer Dominik BukowskiFind albums by this artist, legendary bassist / composer Piotr LemanczykFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. In addition several guest musicians are featured, including trumpeter Marcin GawdzisFind albums by this artist. The album has thirteen tracks, four of which are parts of an improvised suite based on a legend written by Aleksander MajkowskiFind albums by this artist, a leading Kashubian literary figure before WWII. These four tracks are split throughout the first half of the album and are co-composed by the core quartet members. Of the remaining tracks three are traditional songs arranged by Stanko, another three are composed by Lemanczyk, two by Stanko and one by Bukowski. Stanko wrote the lyrics to all the songs composed by her and also to those composed by Lemanczyk and Bukowski. It becomes immediately apparent from the very start of this album that Stanko made a conscious decision to embark upon a new voyage, quite different form the Jazz & Poetry genre, that dominated her marvelous album "Kropla SlowaFind albums with this title" released a couple of years earlier. Although some of the songs present here, especially those composed by Lemanczyk, are somewhat similar in their lyricism and melodic qualities to the songs from the earlier album, the majority of the material and more importantly the overall feel and atmosphere are dramatically different, with the utilization of strong ethnic elements, both musical and verbal. It is quite obvious that Stanko wishes to present a tribute to her roots and expose the listeners to the mysticism and beauty of the Kashubian culture. The four parts suite also exposes her more improvisational nature, with so far had only limited exposure in her work, but which turns out to be quite fascinating. Stanko´s vocal performances are, as usual, wonderful throughout the album, exposing a wide rage of her sensual voice, from whisper and caress to energetic vocalese. She is in full bloom as a vocalist and has very few competitors on the Polish scene as of now. The instrumentalists are also superb from start to finish with Lemanczyk being simply sensational in every capacity, both as time keeper, melody supporter and creator of beautiful notes, all right on the spot. Bukowski uses his electronic instrument, the xylosynth, which enables him to produce a great variety of sounds often similar to those produced by a keyboard, but with a different attack, which add a lot of diverse sound colors to the proceedings. Jarosz turns out to be a sensitive and supportive drummer, who is always there, when needed. Sadly I must conclude my assessment of this wonderful album on a sad note; it seems that this one will not be received as warmly and enthusiastically as its predecessor, simply for the reason that it crossed the invisible line between sophisticated and elegant entertainment and Art. The listeners might, unfortunately, find parts of this album to be too strange and less accessible, as will probably some learned critics. All I can say at this point is: well done girl, kudos, ignore those ignoramuses and just do your own thing. And of course a big thank you!

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KASIA STANKOWSKA ~ NIE MA SZCZESCIA BEZ MILOSCI ARTMONIA 5902768831009 (Barcode: 5902768831009) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 Polish pianist / composer Wladyslaw SzpilmanFind albums by this artist was one of the great icons of the country´s musical scene for many decades. He achieved popularity already as a very young and exceptional pianist in the 1930s. During the Nazi occupation of Poland during WW II Szpilman, who was a Jew, was hiding in Warsaw and managed to survive the Holocaust, helped by his Polish friends and even a German officer, who was a music connoisseur. Szpilman´s WW II fortunes were the subject of his memoirs and after his death in 2000 it was the subject of Roman PolanskiFind albums by this artist´s movie "The Pianist", which won three Oscars and worldwide acceptance as a cinematic masterpiece. The lesser know facts about Szpilman, certainly outside of Poland, are his numerous activities in post-war years as the director of Music Department of the Polish Radio, creator of the Sopot Song Contest, which runs now consecutively for over fifty years, composer of many Classical works, concert pianist touring worldwide and additionally also author of hundreds of songs, many of which were extremely popular and eventually became evergreens. This album by Polish Jazz vocalist Kasia StankowskaFind albums by this artist takes twelve of Szpilman´s popular songs and presents them in Jazzed up versions. She is supported by a trio with pianist Lukasz PerekFind albums by this artist, who is also responsible for the arrangements, bassist Jakub OlejnikFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Saxophonist Maciej SikalaFind albums by this artist is the guest star and contributes some spectacular solos on several of the songs. Stankowska has a warm and expressive voice, which suits these songs ideally. The piano trio accompanying her does a perfect job, creating a nostalgic atmosphere of a smoky cabaret set sometime in the late 1950s / early 1960s, which I still recall from my childhood, when I was often smuggled under heavy long coat into these sinful establishments, getting my first-hand Jazz experiences. The piano parts are brilliantly arranged and perfectly executed and the rhythm section keeps the music steady and firm, with delicate dynamics and intelligent accents, always at the right moments. Sikala adds great ornamentation, breaking the nostalgic and relaxed mood with his delicate yet forceful solos, which shine like white pearls on a black dress. Szpilman´s status allowed him to select superb lyrics to his songs, written by famous Polish poets and lyricist, that are classy, coherent and elegant, and Stankowska makes the best of that asset, which deserves a special mention. All in all this is a most pleasant and rewarding musical experience, a classic example of "less is more". Keeping a low profile and avoiding excessive experimentation proves exactly right in this case. Beautifully simple, but not simplistic, beautifully melodic, but nor trivial, beautifully lyrical, but not banal…just beautiful. Diana KrallFind albums by this artist, eat you hat!

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WOJCIECH STARONIEWICZ ~ NORTH PARK ALLEGRO 036 (Barcode: 5901157049360) ~ POLAND ~ Jazz Recorded: 2018 Released: 2019 This is an album by veteran Polish saxophonist / composer Wojciech StaroniewiczFind albums by this artist recorded in a classic quintet setting with vibraphonist Dominik BukowskiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist and Norwegian trombonist Erik JohannessenFind albums by this artist. The album presents eight original compositions all by Staroniewicz. The music was recorded at the excellent Monochrom Studio and offers wonderful sound quality, as expected, and was released on AllegroFind albums on this label Records, an independent record label owned by Staroniewicz, which since over two decades releases Polish Jazz albums recorded by musician living in the Baltic Pomeranian region. The music, although melody based and mainstream oriented, offers a specific sound and atmosphere, which is somewhat similar to Scandinavian / Nordic Jazz and quite distant from typical Polish Jazz. The pianoless quintet, which uses vibraphone as the harmonic instrument and the presence of the dominant trombonist all have a decisive influence on the music, which offers a darkish, somewhat distant atmosphere and ambience, which is very effective. Combined with the characteristic compositions, which Staroniewicz is famous for since many decades, the music manages to create a unique and very startling overall impression. All five musicians are of course highly skilled professionals, who know exactly what needs to be played at any given moment and their interplay is absolutely perfect for this music, which needs attentive listening in order to get familiar with all its intricacies and has a distinctive effect of growing on the listener with consecutive listening sessions. Personally the impressive bass parts by Urowski as some of my favorite moments on this album, but to be fair it is full of great playing from start to finish. Overall this album is a wonderful example of the incredible diversity of the Polish Jazz scene, even within the mainstream genre itself. Staroniewicz, as usual, deservers praise for doing his own thing and ignoring fads and fashions. His lifetime commitment to excellence is admirable. This is highly interesting and challenging music, which deserves to be heard!

Updated: 22/03/2019Posted: 22/03/2019

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WOJCIECH STARONIEWICZ ~ STRANGE VACATION ALLEGRO 045 (Barcode: 5901157049452) ~ POLAND ~ Jazz Recorded: 2022 Released: 2022 This is the second album by Polish Jazz saxophonist / composer / bandleader / AllegroFind albums on this label Records label owner Wojciech StaroniewiczFind albums by this artist, recorded with the quintet featuring Norwegian trombonist Erik JohannessenFind albums by this artist and Polish vibraphonist Dominik BukowskiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. It follows the “North Park” album from 2019. The album presents ten original compositions, all by Staroniewicz except one by Johannessen. Staroniewicz managed to establish himself over the years as one of the most reliable Polish Jazz leaders, who is always surrounded by the best Jazz players on the Baltic Tricity scene, often cooperating also with musicians from other countries, as this album demonstrates. The music continues the aesthetic direction established by the debut album, with highly melodic and melancholic melody lines and restrained expressionism, emphasized by the presence of the vibraphone, which settles the overall ambience. The music returns to the atmosphere of smoky, dark clubs of the early days of Polish Jazz, which often also involved Scandinavian Jazz musicians, and explores odd rhythmic patterns and unusual harmonics. Overall, this is a highly elegant, mature and atmospheric album, based on elegant tunes and superb performances by experienced and sensitive musicians, everything a Jazz connoisseur might wish for. This is Polish Jazz at its best, timeless and universal, and still meaningful, respecting tradition but exploring its own space-time continuum. Very well done, as always!

Updated: 06/06/2022Posted: 06/06/2022

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YAROSH ORGAN TRIO ~ ALTERAKCJE AKADEMIA MUZYCZNA WROCLAW 015 (Barcode: 5902738950006) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 In time Jazz evolved so dramatically, that the common perception of the idiom is by far not relevant any more. The Polish Jazz scene contributed in the last two decades a phenomenal input into the worldwide Jazz scene, rejuvenating the genre and taking it places that were not considered possible until recently. The most important characteristic of the Polish Jazz scene is its complete disregard of convention and conceptual limitations of any kind, which more often than anywhere else on this planet makes Polish Jazz albums innovative and original. Veteran Polish Jazz drummer / composer Przemyslaw JaroszFind albums by this artist founded the Yarosh Organ TrioFind albums by this artist with organist Kajetan GalasFind albums by this artist and saxophonist Tomasz PruchnickiFind albums by this artist, which released its excellent debut album a couple of years ago. They are now back with their sophomore release, joined by the vocalist Katarzyna MirowskaFind albums by this artist. It presents six original compositions, five by the leader and one by the saxophonist. Everything about this album shouts originality; from the completely unusual instrumental lineup, the stylistic "coolness" and the individual performances which add up to a musical experience, that makes the listener focus on the music. Beautifully spiced with the new element of vocals and vocalese, which fits the music like a silk glove, the overall effect is truly impressive. The music is much more complex and open this time, in comparison to the debut, with a lot of breathing space and "almost free" passages, which of course makes this album more adventurous, without however sacrificing its melodic qualities. As such it should be of interest not only to the mainstream Jazz fans, but also to the more audacious listeners, who like facing challenges. This new attitude can be felt in all three layers (or four in fact); the saxophone improvisations are at times almost avant-gardist, the organ produces a plethora of "strange noises" not usually associated with the most melodic of all instruments, the drums play way more polyrhythmically and dynamics and on top the wonderful vocal ornamentations just make it all perfect. Jazz is, after all, the Art of the unexpected, and this album is more often unexpected than not, which of course is what makes it work so well. All I can wish for is that it does get to as many listeners as possible, as this is definitely way too good to fall under the radar. Well done Lady and Gentlemen! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 22/11/2018Posted: 22/11/2018

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YAROSH ORGAN TRIO ~ PROGRESSIVE SYNTHESIS AKADEMIA MUZYCZNA WROCLAW 021 (Barcode: 5902738950044) ~ POLAND ~ Jazz Recorded: 2020 Released: 2021 This is the third album by Polish Jazz Yarosh Organ TrioFind albums by this artist comprising of drummer / composer / bandleader Przemyslaw JaroszFind albums by this artist, saxophonist Tomasz PruchnickiFind albums by this artist and organist Kajetan GalasFind albums by this artist. The trio is expanded into a quartet on all tracks bar one with the addition of keyboardist Dominik WaniaFind albums by this artist. The album presents eight original compositions, six composed by Jarosz and two by Pruchnicki. The music continues the trend of exploring more adventurous material, even more so than the previous album, for which I had the pleasure of writing the liner notes. The music maintains some melodic continuity, but is widely open to free improvisation and quirky rhythmic patterns, which result in splendid modern Jazz of the highest level. The addition of Wania is of momentous influence, as his phenomenal playing brings the entire ensemble several levels up in their imaginative cooperation. His brilliant cadenzas and telepathically fitted chord progressions sound completely natural, as if he was a part of the ensemble for ages. Of course nothing less could be expected from him, considering his stellar rise to the highest pedestal of the Polish Jazz in just one decade of his intensive activity. One has to admire the decision of Jarosz to bring Wania on board and firmly stand shoulder to shoulder with his Genius, with the trio holding its ground proudly, amicably and creatively. All three members of the trio contribute equally important parts of the entire puzzle, which includes Wania’s contributions as an integral part of the whole. The resulting music speaks for itself, producing some of the most interesting sounds created on the local scene lately. Overall, this is an outstanding album, full of highly inspired music and hair-rising performances, which depicts Polish Jazz at its very best and proudly holds the banner high, leaving most of the competition far behind. Unusual and challenging in every aspect, this music is pure unadulterated emotional and intellectual pleasure, which only the best Jazz is able to kindle. Congrats are in order and hats off to you Gentlemen!

Updated: 22/09/2021Posted: 22/09/2021

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YAROSH ORGAN TRIO ~ YAROSH ORGAN TRIO V 010 (Barcode: 5903111377106) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is the debut album by the Polish Jazz ensemble called Yarosh Organ TrioFind albums by this artist, led by veteran drummer / composer Przemyslaw JaroszFind albums by this artist with organist Kajetan GalasFind albums by this artist and saxophonist Tomasz PruchnickiFind albums by this artist. Together they perform eight original compositions, all by the leader. The album was recorded live, judging by the audience reaction at the very end, although this is not specified on the artwork. The music is mostly melodic mainstream with occasional ventures into more ambitious territory, but overall it is overtly accessible. I have always declared my unconditional love for the Hammond B-3 organ with the Leslie speaker, and this is what dominates the sound of this album, which of course makes it extremely easy to be liked by yours truly. But beyond the Hammond sound, the album presents a series of fine compositions, which are far from trivial and the unusual amalgamation of saxophone, Hammond and drums is also intriguing. Galas already recorded a great album with his trio Organ SpotFind albums by this artist three years earlier and his performances here are a clear proof of his progression as a player over time. Jarosz has an extensive career as a recording artist and Jazz educator and Pruchnicki also already made his mark on the local scene. Together as a trio they perform spotlessly and together they present a well oiled music machine, which takes the stage by storm. Of course this kind of music is not supposed to break any new background or revolutionize the idiom; its sole purpose is to entertain and provide the listener with an opportunity to have a great time, which is perfectly OK with me in this case. Hammond freaks should all have a field day with this album!

Updated: 11/09/2016Posted: 11/09/2016

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