Record Reviews
16 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | KRZYSZTOF HERDZIN ~ DANCING FLOWERS
FUSION 001 (Barcode: 5907564258012) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2001 Released: 2005
This album by Polish keyboardist / composer / arranger Krzysztof HerdzinFind albums by this artist presents yet another aspect of his seemingly universal musical personality. It is basically a Funk album, which consists of seven instrumentals and three songs, all composed by Herdzin. The arrangements, especially those involving the horn section, have some proximity to Jazz, but overall it is a Pop album with some Jazz-Rock Fusion elements.
The music is performed by an excellent team, which includes guitarist Marek NapiorkowskiFind albums by this artist, bassists Zbigniew WegehauptFind albums by this artist (in a rare appearance on bass guitar), Filip SojkaFind albums by this artist and Miroslaw WisniewskiFind albums by this artist and drummers Cezary KonradFind albums by this artist, Grzegorz GrzybFind albums by this artist and Michal DabrowkaFind albums by this artist and horn players like saxophonists Michal KulentyFind albums by this artist, Marek PodkowaFind albums by this artist and Mariusz MelczarekFind albums by this artist and several others. The vocals are handled by three young Pop vocalists, two female and one male, all of them quite unimpressive
The music is based on the American Funk model, which was developed in the 1970s / 1980s by a plentitude of mostly African American musicians, especially the archetypical Earth, Wind & FireFind albums by this artist, but also by many partly Jazz oriented artists like George DukeFind albums by this artist, Stanley ClarkeFind albums by this artist, Grover Washington, Jr.Find albums by this artist and even Miles DavisFind albums by this artist and Herbie HancockFind albums by this artist during some periods of their extensive careers. Herdzin presents his version of Funk, which is based more on the melodic content than the rhythmic progression and is therefore somewhat softened, or simply more European. Herdzin often states that anything he does is by no means inferior to whatever the Americans are doing, and to tell the truth he is often correct when saying so, but on the other hand as it was once so adequately put: "White Man Can´t Jump" and Funk is after all about "jumping" more than anything else. When asked if he ever played Funk, Herdzin can most certainly answer positively, following this recording.
Overall this is a well done, pleasant album (except for the vocal tracks), which is ideal for driving on sunny days (pretty rare in Poland) with the volume up and a pretty blonde beside you. Enjoy!
| | | CD 1 Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ JESTES SWIATLEM
UNIVERSAL 602537293872 (Barcode: 602537293872) ~ POLAND ~ Jazz & Poetry
Recorded: 2012 Released: 2013
The Jazz & Poetry sub-genre is one of the pillars of Polish Jazz in particular, but also Polish Music in general, as it appears on the scene in many variations and crosses genre boundaries between Pop, Rock and Jazz since many decades. The abundance of great poets and poetesses as much as composers and performers, the intrinsic Polish lyricism and melancholy and the intellectual elitism of Polish Art evidently produce a fruitful ground for such meetings between words and music, which happen in the Polish Culture more often then anywhere else in the world.
This album by celebrated Polish Jazz pianist / composer / arranger Krzysztof HerdzinFind albums by this artist is his contribution to the Jazz & Poetry legacy. It presents eight original compositions and one arrangement of a song by the Polish 19th Century Romantic composer Karol KurpinskiFind albums by this artist to the words of a late 18th / early 19th Century poet Franciszek KarpinskiFind albums by this artist, the father of Polish Sentimentalism. Of the eight compositions by Herdzin, one (the title track closing the album) is an instrumental and the others have lyrics by contemporary Polish poets: Konstanty Ildefons GalczynskiFind albums by this artist (one of my favorite Polish poets) and Kazimierz Przerwa-TetmajerFind albums by this artist.
Herdzin assembled a dreamy team to record this music, which features him on keyboards and a plethora of other instruments, bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist. Guitarist Marek NapiorkowskiFind albums by this artist guests on five tracks. The vocal tracks are sung by the legendary Anna Maria JopekFind albums by this artist, Dorota MiskiewiczFind albums by this artist and Grzegorz TurnauFind albums by this artist. Herdzin himself sings on one track and adds background vocals on two more.
In spite of the truly excellent instrumental accompaniment and no less excellent vocals, the focus of this album is the original music, which spotlights Herdzin´s talent as a composer. Diverse and often even contrasting in the many tempi and cross-genre excursions, from deep lyricism to exotic World Music themes, this music remains constantly beautifully melodic and round. It fits the various poems used as the lyrics perfectly, which is always a great challenge for any composer. Even though Herdzin is still a relatively young musician, his enormous experience and his many talents come to full fruition herein.
The instrumental work is pretty exciting as well, with Herdzin changing instruments more often that he changes his socks, playing all of them quite well, Kubiszyn playing some very nasty fretless bass parts that make the hair on your neck curl, Konrad keeps the entire ensemble rolling like only he can, and Napiorkowski adds some superbly tasty ornamentation. All three (or four in fact) vocalists are without reproach, with Jopek being (for me) divine as always, but the others not falling behind by any means. Turnau, who specializes in the Jazz & Poetry niche, sings most of the vocals, always with sensitivity and exquisite diction.
So here we have it, another great album by Maestro Herdzin, whose inexhaustible energies know no limits. Jazz & Poetry buffs will of course love this to bits, but for any cultural music connoisseur this is a piece of music worthy admiration and a source of many pleasurable moments.
| | Updated: 01/01/2016Posted: | CD 1 Digipak Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ LOOKING FOR BALANCE
UNIVERSAL 602527877860 (Barcode: 602527877860) ~ POLAND ~ Jazz
Recorded: 2010 Released: 2011
Polish pianist / composer / arranger Krzysztof HerdzinFind albums by this artist is without a doubt not only the most versatile musician in his country, but also extremely prolific and obviously accordingly talented. He likes to work with as many different musical settings as possible, from a piano trio to large scale orchestral extravaganzas, seemingly with equal ease and success. This is one of such "out there" projects, which features Herdzin´s original music played by a Jazz ensemble and accompanied by a full scale string and woodwinds orchestra.
The ensemble comprises of Herdzin´s regular trio, with bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist, and three guests: guitarist Marek NapiorkowskiFind albums by this artist, saxophonist Piotr BaronFind albums by this artist and Swiss harmonica player Gregoire MaretFind albums by this artist (of Pat MethenyFind albums by this artist Group fame), who is the featured soloist. The Sinfonia VivaFind albums by this artist Orchestra is responsible for the orchestral parts.
The music belongs broadly to the Jazz & Strings format, which of course was tried many times before. The Jazz ensemble plays a set of very melodic, relaxed and lyrical compositions, taking solos in turn, with Maret being the principle soloist. The harmonica is relatively rarely used as a solo instrument in the Jazz framework and with the exception of a few known cases (most notably the Belgian Toots ThielemansFind albums by this artist) is usually associated with less challenging music. Of course in the hands (and mouth) of a very talented player it can sound quite virtuosic, as is the case here, but it adds another dimension of "sweetness" to the proceedings, which borders with overdoing it. Personally Baron´s contributions on this album are the most interesting, albeit being decisively too limited.
The orchestral arrangements are elegant and kept in good taste, playing only the second fiddle (pun intended) in the proceedings. Although excellently played and masterfully arranged, they seem to be merely ornamentation, contributing little to the actual musical content other than setting an atmospheric background. There is definitely a fine balance and cooperation between the ensemble and the orchestra, but full musical integration is not achieved here, perhaps purposely. Herdzin of course proves that he can easily handle the orchestral arrangements any way he pleases.
Overall this is a very nice album, which many listeners will find pleasing and enjoyable. For hardcore Jazz fans this might be a bit too sweet to swallow (especially those with diabetes like myself), but nevertheless it is professionally executed classy music, accessible to a wide audience, which definitely has its merits.
| | | CD 1 Digipak Recommend To A Friend |
  | ANNA MARIA JOPEK ~ DWA SERDUSZKA CZTERY OCZY
UNIVERSAL 602517947825 (Barcode: 602517947825) ~ POLAND ~ Jazz-World Fusion
Recorded: 2005 - 2008 Released: 2008
This phenomenal Box Set, or rather book set, combines three albums by Polish vocalist / songwriter Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist), recorded over a period of several years in the mid 2000s. It includes the album "IDFind albums with this title", a CD full of demos and outtakes which did not make it to be included on "ID" and the live album "JO & COFind albums by this artist". Together these three CDs summarize the "ID" period, which was a groundbreaking step in AMJ´s development as an artist. Packaged with a marvelous book full of black & white photographs of AMJ and the participating musicians, elegantly designed and exquisitely printed, this is a piece of Art in every sense of the word.
Surrounded by a group of wonderful musicians form Poland and the world over she performs mostly self-written songs, mixing Jazz and World Music with the typical Polish melodic / lyrical atmosphere, which dominates the proceedings. The list of world famous musicians participating on "ID" is most impressive and includes saxophonist Branford MarsalisFind albums by this artist, bassists Christian McBrideFind albums by this artist and Richard BonaFind albums by this artist, drummer Manu KatchéFind albums by this artist, percussionist Mino CineluFind albums by this artist, oud player / vocalist Dhafer YoussefFind albums by this artist, guitarist / vocalist Oscar Castro NevesFind albums by this artist and pianist Tord GustavsenFind albums by this artist. Polish musicians include keyboardist Pawel Bzim ZareckiFind albums by this artist, guitarists Marcin KydrynskiFind albums by this artist and Marek NapiorkowskiFind albums by this artist, pianist Leszek MozdzerFind albums by this artist, trumpeter Robert MajewskiFind albums by this artist, pianist / arranger Krzysztof HerdzinFind albums by this artist, who is in charge of the string quartet and orchestral arrangements (performed by the Sinfonia VivaFind albums by this artist Orchestra). The live album includes also organist Jan SmoczynskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist.
The music presents a complex panorama of sounds and ideas, which include many cross-genre excursions, vocal experiments, poetic vistas and intimate dialogs between the Artist and the world that surrounds her. AMJ has one of the sweetest voices on this planet and her big artistry is all about not to make sugary music, which would be quite natural for many other singers. She also has an incredible sense of rhythm in general and Jazzy swing in particular, which is quite rare. Her affinity to music originating beyond her native Polish / European sphere of influence is also quite remarkable. All these, combined with her unique expressionism as a singer and delicate, elegant, intricate vocal delivery make her one of my favorite singers of all times.
AMJ enjoys a superstar status in Poland, which usually is a sign of tasteless commercialism and total lack of any artistic values. Her ability to be extremely popular and at the same time produce first class music is therefore especially impressive. Although some snobbish Jazz circles in her country deem her commercial and populist, this is simply completely unjustified and probably a sign of narrow-mindedness if not worse. I find it hard to believe that anybody listening to this music would feel anything but total admiration, as it is simply perfect.
| | Updated: 26/01/2019Posted: | CD 3 Box Set Recommend To A Friend |
  | DOROTA MISKIEWICZ & TONINHO HORTA ~ BONS AMIGOS
WARNER MUSIC POLAND 5054197756405 (Barcode: 5054197756405) ~ POLAND ~ Jazz-World Fusion
Recorded: 2019 - 2020 Released: 2023
This is an album by Polish Jazz vocalist Dorota MiskiewiczFind albums by this artist and Brazilian guitarist / vocalist / composer Toninho HortaFind albums by this artist. The album was recorded mostly in Brazil with bassist Michael PipoquinhaFind albums by this artist and percussionist Armando MarcalFind albums by this artist. Later on overdubs by Polish (resident in Germany) drummer Bodek JankeFind albums by this artist and vocal overdubs by Miskiewicz were added in Poland. The album presents eleven tracks, eight of which were composed by Horta, and three were co-composed by Miskiewicz and Marek NapiorkowskiFind albums by this artist, two appearing originally on the album “CaminhoFind albums with this title” from 2008 and one appearing originally on the album “AleFind albums with this title” from 2012.
The music is everything Brazilian music lovers might expect: brilliant songs, excellent guitar parts, superb vocals by Miskiewicz, who sings in Portuguese and Polish, and heartfelt accompaniment by the rhythm section. Horta plays some amazing guitar licks and Miskiewicz sings as if she was born in Bahia, and it is obvious that a lot of fun was had by everybody on board. The music sounds completely authentic, which is not easy to achieve with musicians not originally from Brazil, but Miskiewicz obviously feels deeply the specific zest of Brazilian music, sounding natural even when she sings in Polish. Her lovely vocals are pure magic, as always.
The album is full of delicate nuances, both instrumental and vocal, which should keep all fans of Brazilian music happy, and continues the vocalist’s passion with that specific genre, now in its natural habitat.
Overall, this is a truly delightful piece of music, which Miskiewicz can be really proud of and her many fans and admirers can enjoy wholeheartedly, as can all Brazilian Jazz fans the world over. Thank you my Dear for this gift of music!
| | Updated: 03/03/2024Posted: 03/03/2024 | CD 1 Recommend To A Friend |
  | MAREK NAPIORKOWSKI ~ HIPOKAMP
AGORA 5903111493905 (Barcode: 5903111493905) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2019
This is an album by Polish guitarist / composer Marek NapiorkowskiFind albums by this artist, recorded in a quartet setting with keyboardist Jan SmoczynskiFind albums by this artist, drummer Pawel DobrowolskiFind albums by this artist and Brazilian percussionist Luis RibeiroFind albums by this artist. Veteran saxophonist Adam PieronczykFind albums by this artist guests on two tracks. The album presents nine tracks, six of which are original compositions by Napiorkowski, two are arrangements of songs by David BowieFind albums by this artist and one is by the great Brazilian composer Egberto GismontiFind albums by this artist.
It is enormously satisfying to see an Artist achieving a status of stability and security, where his authority / ability / talent are not repeatedly questioned and where he does not have to prove anything any more, all this as a result of consistent hard work and good judgment as to the consecutive steps of his vocation. Napiorkowski is a prime example of such an Artist, enjoying a carefully weaved career built step by step, always surrounded by first class musicians and never resting comfortably on his laurels.
This album is full of surprises, starting with the very unusual lineup: basically a duo of guitar and keyboards supported by a rhythmic backbone. The wonderfully multi-talented Smoczynski is able to display the entire palette of his keyboard wizardry, including the beautiful Hammond Organ parts and of course supplying the bass lines in this bass-less setting. Dobrowolski is right on the money with his dynamic and beautifully tasteful drumming and Ribeiro ornaments the proceedings with stylish percussion parts. Pieronczyk does not disappoint either, and his elegant lyrical saxophone parts suit the music ideally.
The original compositions by Napiorkowski offer wonderfully coherent melody lines, which are expanded into non-trivial improvisations, at times touching upon imaginative Free Form sections. The two Bowie songs receive unique arrangements, taking the original melody contents into unexpected territory. The Gismonti piece, although very brief, expresses Napiorkowski´s admiration of the Brazilian Genius and fellow guitarist. The entire album offers a wonderful flow and continuity, which turns it into a superb listening experience.
Overall this is another excellent step in Napiorkowski´s well paved career, finding him searching and exploring, which of course is commendable. For the lack of a better definition, this is a beautiful example of intelligent and innovative Fusion, which points out that the idiom is far from being stale, when in great hands. Respect Maestro!
| | Updated: 20/12/2019Posted: 20/12/2019 | CD 1 Digipak Recommend To A Friend |
  | MAREK NAPIORKOWSKI ~ STRING THEORY
AGORA 5903111498719 (Barcode: 5903111498719) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2021 Released: 2022
This is an album by celebrated Polish Jazz guitarist / composer Marek NapiorkowskiFind albums by this artist, recorded in a trio setting with bassist Max MuchaFind albums by this artist and drummer Michal BryndalFind albums by this artist and accompanied by the AUKSO Chamber OrchestraFind albums by this artist conducted by Marek MosFind albums by this artist. The album presents seven original pieces, all composed and arranged by the leader, with orchestrations by Nikola KolodziejczykFind albums by this artist.
The music is mostly highly melodic and the guitar has a strong Fusiony tinge, but the orchestral arrangements take the music all over the place, which creates a somewhat confusing general impression. As a result, the album leaves the listener with more questions than answers, both musically and aesthetically. Napiorkowski is of course a great guitarist and writes beautiful tunes, earning a lot of respect over time, but this highly extravagant experiment might have proved just one step too far.
I wonder how this album might have sounded without the orchestral parts. Mucha is one of the best Polish bassists today and his pulsations are the main reason this music is listenable and somewhat coherent at all. Bryndal keeps the groove rolling, which also helps, and the fragments when the trio plays without the orchestral accompaniment (or when that accompaniment is kept in the background) the music sounds great. But when the ambitious arrangements take over, the charm is gone.
It is no secret that I have had a problem with Kolodziejczyk’s methodology towards Jazz since he arrived on the scene, although I tried to approach every new recording he was involved with, with no prejudice (I swear). But sadly I find his over-ambitious arrangements simply way overboard. But that of course is just my personal opinion, which can be ignored at will.
Overall, this might have been a great guitar trio album, which gets lost in the orchestral arrangements. This takes none of the great talents Napiorkowski and his cohorts have to offer away, and despite my reservations many people might love and enjoy this album, and probably will.
| | Updated: 11/01/2023Posted: 11/01/2023 | CD 1 Digipak Recommend To A Friend |
  | MAREK NAPIORKOWSKI ~ TROJKA LIVE
POLSKIE RADIO 1914 (Barcode: 5907812249144) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016
This is a live album recorded at the Polish Radio Studio Three by Polish Jazz guitarist / composer Marek NapiorkowskiFind albums by this artist. The recording captures Napiorkowski in a sextet setting with some of the absolute top Polish Jazz payers: saxophonists Adam PieronczykFind albums by this artist and Henryk MiskiewiczFind albums by this artist (who also plays on bass clarinet), pianist Krzysztof HerdzinFind albums by this artist (who also plays flute), bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. They perform six original compositions, all by Napiorkowski.
The music is a superb example of modern mainstream Jazz, which combines excellent compositions with perfect execution. Based on beautiful and masterly woven melodic themes, full of romanticism, melancholy and typical Polish mystery, the tunes presented here have been masterly arranged for the sextet by Herdzin, who is celebrated for his ability to create wonderful sonic structures, which are elaborate and highly sophisticated but sound remarkably pleasing.
The lineup selected by Napiorkowski ensured a truly marvelous performance, with all the musicians involved having plenty of opportunity to play extended and expressive solos. The leader delivers his usual, slightly Fusion oriented strings of pearls on his electric guitar, which are, as always, dazzling. He also uses the acoustic guitar no less effectively. The saxophonists have plenty of opportunities to play heartwarming solos, the bass clarinet and flute provide nice atmospheric layers, the piano keeps the harmony together and leads the way and the excellent rhythm section takes care of the pulse, always perfectly on time.
However, the individual performances are only pieces of the puzzle, which, when combined together, creates a much stronger and more satisfying whole. This is one of the best mainstream Jazz ensemble albums I came across lately, which proves that mainstream Jazz can be fulfilling and sophisticated, if talented and dedicated musicians are involved. The arrangements and the team work present here are a classic example of contemporary mainstream Jazz perfection.
As if all this wasn´t enough, the album is also beautifully recorded and considering the fact that this is a live recording, the quality is even more remarkable.
Overall this is a superb modern mainstream album, which offers beautiful compositions and perfect execution, and which should satisfy even the sternest connoisseurs and bring joy to all true Jazz lovers. Hats off!
| | Updated: 29/11/2016Posted: 29/11/2016 | CD 1 Digipak Recommend To A Friend |
  | MAREK NAPIORKOWSKI ~ UP!
V 002 (Barcode: 5903111377014) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013
Although this is only his fourth album as a leader, Polish guitarist / composer Marek NapiorkowskiFind albums by this artist is one of the most recorded artists on the local scene, being probably the most in-demand session guitarist since many years, which resulted in him taking part in over 140 different albums so far. He played and recorded with many world famous musicians and literally with everybody who is anybody on the local Polish scene; people like Tomasz StankoFind albums by this artist and Anna Maria JopekFind albums by this artist, to mention just two extremely different environments, which emphasize his legendary diversity and chameleonic ability to suit every musical milieu.
This is by far his most ambitious project so far, which involves eight of his original compositions arranged for a Jazz ensemble and a nine-piece chamber ensemble. The Jazz players are saxophonist Adam PieronczykFind albums by this artist, bass clarinet player Henryk MiskiewiczFind albums by this artist, pianist Krzysztof HerdzinFind albums by this artist, bassist Robert KubiszynFind albums by this artist and American drummer Clarence PennFind albums by this artist. Herdzin was also the man in charge of the arrangements, orchestration and conducting the chamber ensemble, turning him in many respects into the most significant contributor to this album alongside Napiorkowski.
The result is a sophisticated Jazz-Classical Fusion, based on solid melodies and featuring many excellent guitar solos, which floats between energetic up-tempo moods and gentle melancholic themes. Although the individual tunes are not related per se, the overall ambience and atmosphere of the album turns it into a kind of orchestral suite for chamber orchestra and Jazz soloists. The guitar work on this album, both in the acoustic and the electric tonalities, is simply brilliant and for me the best ever achieved by Napiorkowski. Rather than trying to prove his ability as a player, which is already established anyway, Napiorkowski really concentrates on playing music, the essence that so often tends to be forgotten in favor of flashy emptiness.
Herdzin, the Polish musical Wizard of Oz, once again manages to sprinkle his magic all over this music, both as a pianist and of course as the man behind the ornamentation, which makes this music spark and sizzle. Luckily he found the way of balancing the basic Jazz contents and the chamber enhancements, keeping them both intact and coexisting alongside each other rather than mixing them into an undistinguishable mesh, which happens, unfortunately, way to often in such situations. Herdzin is probably the only person on the local scene who can pull this off.
Some listeners might have a problem to identify with this music, which often happens when an Artist changes his established path in search of new means of expression. Perhaps this will be either too Jazzy or not Jazzy enough for some? One can never satisfy everybody and it´s preferable that the Art prevails rather than the attempt to be liked by everyone. This album is a statement by a mature, self-aware musician, who presents his vision, hoping that other can share it with him. I certainly hope many will do so!
| | | CD 1 Slipcase Recommend To A Friend |
  | MAREK NAPIORKOWSKI ~ WAW NYC
AGORA 9788326825897 (Barcode: 9788326825897) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2017
This is an album by Polish guitarist / composer Marek NapiorkowskiFind albums by this artist, recorded (as the title suggests) with a Polish / American quartet, which also includes Cuban (resident in NY) pianist Manuel ValeraFind albums by this artist, Polish bassist Robert KubiszynFind albums by this artist and American drummer Clarence PennFind albums by this artist. American saxophonist Chris PotterFind albums by this artist guests on one track. The album presents seven original compositions, six by Napiorkowski and one by Kubiszyn.
The music presents a collection of beautifully melodic tunes, as appropriate for Napiorkowski´s already well established composing career, which all suite ideally his virtuosic guitar performances. Floating between genres and changing moods, the music eventually could be best described as Fusion, but of course in case of Napiorkowski that is only fitting for lack of a better term, as his music is way richer and ambitious than the usual Fusion efforts. The tunes are full of twists and turns, tempo changes and complex harmonic structures, that produce an overall powerful and broad sound, which keeps the listener on his toes from start to finish.
All the musicians participating in this project are Masters of their trade and their playing here is professional and perfect in every respect. The focus is obviously on Napiorkowski, but this is definitely a group effort in every respect and the leader shares the responsibilities with his partners on an equal foot. Valera is a magnificent pianist, with an incredibly sensitive touch on the keyboard and a soulful lyricism, which are ideal for this music. Kubiszyn is a highly melodic bassist, very sensitive to the intricacies this music requires and always there where his support is needed. Penn is exquisitely dynamic, always there behind the players, but never obtrusive or overwhelming beyond the call of duty.
Overall this is a wonderful album which is a true pleasure to listen to, calling for repeated listening sessions in order to get the depth and complexity of these performances absorbed in full. Fusion fans the world over should be melting to the sound of this music playing in the background, not to mention guitar diehards, who are in for a treat. But beyond the guitar artistry and group performances, the music is what stays in the long term! Hats off Maestro!
| | Updated: 27/01/2018Posted: 27/01/2018 | CD 1 Digibook Recommend To A Friend |
  | MAREK NAPIORKOWSKI / ARTUR LESICKI ~ CELULOID
V 009 (Barcode: 5903111377076) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015
This is the fifth album as a leader (or co-leader in this case) by Polish guitarist / composer Marek NapiorkowskiFind albums by this artist, one of the most respected musicians on the local scene. This time Napiorkowski teams up with another Polish guitarist / composer Artur LesickiFind albums by this artist, and as a duo they deliver a series of wonderful tunes, dedicated, as the title suggests, to the Polish Cinema and the music associated with Polish Cinematic Art. The album´s nine tracks feature music from six classic Polish movies (or TV series), composed by such luminaries as Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Wojciech KilarFind albums by this artist, Andrzej KurylewiczFind albums by this artist and others, directed by no less iconic figures such as Roman PolanskiFind albums by this artist, Andrzej WajdaFind albums by this artist and others. Both Napiorkowski and Lesicki contribute one original composition each, with the title tune (by Napiorkowski) repeated twice.
The intimate and delicate duet setting creates a truly magical atmosphere, with the perfect balance between the acoustic and touches of electric sound, melody and improvisation, lyricism and inspiration. In fact this is definitely one of the best guitar duo albums I had the pleasure to listen to ever since I can remember. It is a perfect example of a case when two musicians simply amalgamate into one completely symbiotic and integral musical unit. Although obviously at some moments one of the players does play the lead and the other accompanies him, interchangeably of course, they are at all times simply one instrument, producing a coherent and fused soundscape.
The music selections as well as the original compositions are all beyond reproach and the affectionate and intelligent treatment applied by the musicians awards everything such great music deserves: respect, love and personal involvement. Although seemingly basic and simple, the resulting music is full of intricacies that can be revealed only by very attentive and open-minded listening, which this exquisite album truly deserves.
It is such a pleasure to see Napiorkowski move forward and try new things on his musical path. Compared to the complexity and sophistication of his previous album "Up!Find albums with this title" the intimacy and modesty of this album might appear as strikingly different, and yet Napiorkowski manages to preserve the quality and total dedication in full, regardless of the external form of his work. There are but a few musicians around with such class.
In short this is simply a gem of an album, which enchants and uplifts spiritually from the very first to the very last note delivered. Superb sound quality and production turn it into a superb aesthetic treasure, which should not leave any listener unmoved. Hats off to both magicians!
| | | CD 1 Slipcase Recommend To A Friend |
  | MICHAL TOKAJ ~ THE SIGN
HEVHETIA 0089 (Barcode: 8588005257312) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014
This is the second album as a leader by Polish Jazz pianist / composer Michal TokajFind albums by this artist, one of the most well-regarded and respected musicians on the local scene, known primarily as accompanist, arranger and composer working with top Polish Jazz vocalists like Aga ZaryanFind albums by this artist, Szymon MakohinFind albums by this artist, Grzegorz KarnasFind albums by this artist and others, but also as member of distinguished instrumental ensembles led by Piotr BaronFind albums by this artist, Marek NapiorkowskiFind albums by this artist, Janusz MuniakFind albums by this artist, Czech bassist Jaromir HonzakFind albums by this artist and others. The album was recorded in the classic piano trio format, with bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist, the same lineup that recorded Tokaj´s debut album "Bird AloneFind albums with this title" a decade earlier. The music comprises of ten original compositions, nine of which were composed by Tokaj and the album´s closing track, which was composed by the great Polish bassist / composer Darek OleszkiewiczFind albums by this artist.
The music is brilliantly performed by the trio, which displays not only superb instrumental abilities but more importantly remarkable affinity and interplay, which is hardly surprising considering the fact that they have been playing together for so many years. Tokaj´s piano playing here is somewhat different, as might be naturally expected, from his delicate accompaniments when playing along vocalists or other leading instrumentalists. It is much more assertive and focused, definitely more complex and adventurous, and yet still incredibly melodic, even during the condensed and expressive improvisational passages. Of course both Baranski and Zyta deserve all the compliments for their intelligent and sympathetic, as well as technically exquisite support.
The music is a true delight from start to finish, a wonderful mixture of melody, lyricism and even romanticism combined with quite complex ventures into intensive improvisation and above all a lot of freedom and breathing space, which make this music crystal clear even during its most demanding moments. It´s pretty obvious that Tokaj´s gift as a composer and his incredible versatility earn his a well deserved position close to the top of the list of Polish Jazz composers.
For me this is easily the best "piano trio playing original music" album recorded in 2014, which is quite a distinction considering how much great music is produced on the Polish scene every year. As usual in such circumstances both a wholehearted recommendation to the fans to grab this gem ASAP and a humble expressions of gratitude towards the musicians are in order. Very well done indeed Gentlemen!
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  | VARIOUS ARTISTS ~ WODECKI JAZZ `70 - DIALOGI
NOT ON LABEL (Barcode: 5904204733700) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2020 Released: 2021
This is a tribute album dedicated to the music of Polish singer / songwriter / musician Zbigniew WodeckiFind albums by this artist. Initiated by his daughter Kasia Wodecka-StubbsFind albums by this artist, this highly unusual project consists of archival original recordings by Wodecki made in the 1970s, original recordings overdubbed by parts added especially for this project and finally contemporary arrangements of Wodecki’s compositions recorded for this project. Some top Polish Jazz musicians take part in this project: saxophonist Henryk MiskiewiczFind albums by this artist, pianists Leszek MozdzerFind albums by this artist and Michal TokajFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist.
Obviously the idea behind the project is to show the proximity and affinity Wodecki obviously held for Jazz music, proposing a “what if” alternative, which speculates how his music might have developed in a “parallel universe”, in which he would have chosen Jazz and not Popular Music as his main field of activity.
The album shows Wodecki’s superb sense of melody, which of course is no surprise to any Polish music fun, and his wonderful compositional skills, which made his compositions timeless and borderless, paving the way for the arrangements present on this album to sound completely natural, as if the music was composed today. The arrangers and musicians performing on the album are all veterans and Masters of their trade, so it’s not a surprise that the music sounds wonderful and is overall a highly enjoyable listening experience.
Of course it is important to keep the music in the correct context, which is all about Jazz arrangements of Popular music, resulting in music suitable for a wide audience and therefore obviously on the easier side of the Jazz spectrum. Nevertheless, the soloists and the wonderful rhythm section do exactly what is best for the music, except perhaps for Mozdzer, whose overdose of sugar-coating is, as usual, exaggerated.
Overall this is a highly unusual, ambitious and emotional project, which sheds new light on Wodecki’s legacy and contribution to Polish Culture, which is accessible to a wide audience, not necessarily only to Jazz buffs, but all lovers of Wodecki’s wonderful music. Well done!
| | Updated: 28/07/2021Posted: 28/07/2021 | CD 1 Digipak Recommend To A Friend |
  | WANDA WARSKA ~ DOMOWE PIOSENKI
POLSKIE RADIO 1984-1985 (Barcode: 5907812249847) ~ POLAND ~ Jazz & Poetry
Recorded: 1964 - 2015 Released: 2016
This is a phenomenal collection of radio recordings by the iconic Polish Jazz vocalist Wanda WarskaFind albums by this artist, the wife of the Godfather of Polish Jazz, pianist / trumpeter / trombonist / composer / arranger / conductor / bandleader Andrzej KurylewiczFind albums by this artist. In retrospect, considering the criminally limited recorded legacy by Warska, in spite of her status and immense talent, she was perhaps overshadowed by the colossal figure of her husband and perhaps decided to support his career rather than develop her own. Whatever the reasons might have been, there is almost nothing available on the Polish music market that reflects her incredible artistry and this collection is a most welcome, albeit much belated, tribute to this Wonder Women!
This 2CD album presents thirty seven stunning songs, all of which have two things in common: Warska sings them all and she wrote the lyrics to all of them, unveiling a part of her creative nature less know to the public. As if this wasn´t impressive enough, she also composed twenty four of these songs. Those she did not composed are mostly by Brazilian composers: Antonio Carlos JobimFind albums by this artist, Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist and Joao GilbertoFind albums by this artist, the Godfathers of Bossa Nova and modern Brazilian music (total nine songs). Warska started her career as a lyricist in 1964, when she translated into Polish the a/m Bossa Nova songs, which swept the Polish scene as they did all over the world at the time. The remaining four songs come from other sources and interestingly none of the songs on this album were composed by Kurylewicz.
These songs were recorded during a number of recording sessions as follows: one song was recorded in 1963, five songs were recorded in 1964, seven songs were recorded in 1966, one song was recorded in 1971 and seven songs were recorded in 1972; on all of the above twenty one songs Warska is accompanied by various ensembles led by Kurylewicz, lineups of which are unknown. Thirteen songs were recorded in 2002 and one in 2004 with a quartet which included Kurylewicz on piano, guitarist Marek NapiorkowskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. Two more songs were recorded in 2015 (after the passing of Kurylewicz in 2007) with a trio featuring pianist Andrzej JagodzinskiFind albums by this artist, Napiorkowski and Panta.
The songs composed by Warska are all pearls of the Polish Jazz & Poetry idiom, full of that heartbreaking lyricism, Slavic melancholy and beautiful melodies, that only Poles are capable of weaving. Warska´s interpretations of these songs are absolutely divine, although she was always the absolute Queen of Cool, playing around with her beautiful voice and using cleverly the idiosyncrasies of the Polish language and diction, but eschewing theatrics and drama. This perfect minimalism is her trademark, and sets her apart from all other Polish Jazz vocalists, regardless of their age.
In truth this album is a wonderful opportunity to compare Warska to her alter ego, the legendary Polish Jazz vocalist Ewa DemarczykFind albums by this artist, who also enjoys an iconic status based mostly on a very limited number of recordings done decades ago. Demarczyk and Warska are the two most important figures of the Polish Jazz vocal artistry, and they both remain unchallenged so far. Demarczyk, the absolute Drama Queen, is the devilish face of Polish Jazz vocals whereas Warska is the absolute angelic face of it. They compliment each other perfectly, like Yin & Yang and a prospect of seeing them both on one stage and / or the possibility of them making an album together gives me the Goosebumps.
As usual in such cases, the lyrical content of this album is sadly limited to those listeners who understand the Polish language, however I´m pretty sure that the beauty and the power of these songs is much stronger than language barriers and all sensitive listeners anywhere on this planet should be able to enjoy this album immensely.
As far as Polish Cultural Heritage is concerned, this is an absolute National Treasure, which deserves to be cherished and studied by young musicians in Poland, first and foremost by vocalists of course. For us, the humble admirers, this is an essential addition to our record collections, no questions asked. We thank you from the bottom of our hearts!
| | Updated: 05/05/2016Posted: 05/05/2016 | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | JAREK WIST / KRZYSZTOF HERDZIN BIG BAND ~ SWINGING WITH SINATRA
DUX 0090 (Barcode: 5902547000909) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2013
This is a live recording of a concert dedicated, as the title suggests, to the songs which were part of the classic repertoire of Frank SinatraFind albums by this artist. The songs are performed by young Polish vocalist Jarek WistFind albums by this artist, who is accompanied by a Big Band led and conducted by distinguished veteran pianist / composer / arranger Krzysztof HerdzinFind albums by this artist. The album includes fourteen tracks, twelve of which are standards from the Sinatra repertoire and two are original compositions by Herdzin, one used as an intro and the other as a showcase to present the members of the Big Band at mid-time.
Sinatra, who was often dismissed by narrow-minded Jazz buffs as a crooner and mere entertainer, was in fact one of the greatest American Jazz singers and had more swing in his toes alone than most others, certainly more than his critics. His very individual and unique treatments of the great American Songbook are the absolute Holy Grail of American Jazz vocals and remain untouched by time, incomparable, undefeated and uncontested. Especially notable are his superb recordings with Big Bands, like the Count BasieFind albums by this artist Orchestra and several others, arranged and conducted by such luminaries as Nelson RiddleFind albums by this artist, Neal HeftiFind albums by this artist or Quincy JonesFind albums by this artist. All these recordings are quintessential, pure and unadulterated Jazz classics. It is simply impossible to listen to this album without comparing it, for example, to the classic "Sinatra At The SandsFind albums with this title", recorded with the Count Basie Orchestra conducted by Quincy Jones.
Unfortunately the comparison doesn´t leave much space to remain positive about this album, which is a great pity, since the intentions were probably quite honorable and the participants are all excellent musicians. I can understand Herdzin willing to step into the shoes of the great Big Band arrangers of the past and indeed his part as the arranger is probably the best ingredient of the entire package. However even these arrangements sound rather pale and lack the zest and the kick which characterize the original Sinatra recordings. I have no idea if the Big Band had ample opportunity to rehearse and considering the economic realities of a Big Band, they most probably did not, which is immediately apparent. As already stated, the participating musicians, who include pianist Piotr WrombelFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist and thirteen additional brass and reed players, are all able and talented musicians, but obviously have limited opportunities to show their skills within the Big Band collective when accompanying a lead singer.
Wist is a rather ordinary singer, completely lacking the theatrical and humorous sides of Sinatra´s stage persona. His interpretations of these classic standards are simply dull and often imperfect technically. And of course there is the dreaded Polish accent and pronunciation, which is perhaps acceptable on the local market but completely unbearable to an English speaker. It´s a pity the producers of this album did not consider the additional step of getting the lyrics translated into Polish; this might have saved the day, al least to some extent. Even the audience´s applause present at the hall where this music was recorded sounds hesitant and weary and the sound quality of the recording suffers from uneven volume, poor separation and overall muddy resonance.
In retrospect this was a lost case before it even begun. Tackling the enormity of Sinatra´s talent, heritage and status is not a very wise decision and such things are usually best left alone. The old saying: "a smart man knows how to get out of trouble but the wise man knows how to avoid trouble in the first place" is very appropriate here. During the concert Herdzin complains about the difficulty of his multi-talented persona (he not only arranged the songs, composed two pieces and conducted the band, but also plays the piano on one track and sings on another). Perhaps there is a lesson here for him, since after all he is an extremely talented person. On the other hand those who don´t do don´t make mistakes, and he surely does a lot.
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