Record Reviews

KRZYSIA GORNIAK ~ MEMORIES NOT ON LABEL (Barcode: 5903205111203) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the eighth (sixth as a leader) album by Polish Jazz guitarist / composer Krzysia GorniakFind albums by this artist, recorded in a classic quartet setting with keyboardists Michal WroblewskiFind albums by this artist or Piotr WrombelFind albums by this artist, bassist Michal JarosFind albums by this artist and drummer Marcin JahrFind albums by this artist. The album presents seven original compositions, all by Gorniak. The music is all based on wonderfully melodic themes and kept elegantly within the mainstream Jazz idiom, but the use of synthesizers and contemporary arrangements effectively eschew unnecessary nostalgic tendencies, presenting an up to date sound and ambiance, which are delightfully embracing. Although obviously on the lighter side of the Jazz spectrum, this music is splendidly put together and aesthetically solid. Gorniak manages to keep her guitar playing strictly within the Jazz boundaries, successfully avoiding slipping towards Fusion, which would have ruined the effort. She skillfully combines playing notes and chords with the right balance between them, always with restrain and stylish distance, which results in a highly effective overall outcome. The beautiful guitar sound she manages to achieve also contributes to the result. The participating musicians are all skillful and highly professional musicians, which of course is immediately apparent. They support her amicably and add splendid solo parts of their own on the way. Considering the delicate and often quite intimate nature of this music, the mutual respect and interplay between the quartet members is a crucial element contributing to the successful result. Both keyboardist offer acoustic piano and synthesizer parts perfectly suited to the melodic continuity, Jaros glues everything together with his virtuosic bass parts and Jahr supplies elegant but firm rhythmic backbone. Overall this is a highly pleasurable, beautifully melodic, serene and relaxed guitar album, which can be enjoyed by a wide range of listeners, not only strict Jazz enthusiasts but also connoisseurs of guitar from other genres. This is a wonderful example of less is more, where the Artist uses only what is absolutely necessary to achieve the optimal result and eschews superfluous gimmickry. A wonderful album from start to finish, Milady!

Updated: 12/06/2020Posted: 12/06/2020

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JANUSZ SZROM / ZBIGNIEW WROMBEL ~ SPIEWNIK NOT ON LABEL (Barcode: 9788393067480) ~ POLAND ~ Jazz Recorded: 2010 Released: 2012 This is quite an unusual project, which transfers fifteen Pop / Rock songs written in Poland in the 1960s, 1970s and 1980s into modern Jazz arrangements. The songs are performed by Jazz vocalist Janusz SzromFind albums by this artist and a piano trio which consists of pianist Piotr WrombelFind albums by this artist, bassist Zbigniew WrombelFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist (see SoundcheckFind albums by this artist). All the songs have been intelligently arranged for the Jazz environment, sounding as if they were taken from the Standards songbook. Of course for listeners, who are familiar with popular music originating in Poland at that period and performed by local superstars like Czeslaw NiemenFind albums by this artist, BreakoutFind albums by this artist, Niebiesko-CzarniFind albums by this artist, Czerwone GitaryFind albums by this artist and other legendary performers, this album has also a strong nostalgic angle, which is not a priori negative. Most people living outside of Poland have very little knowledge about the incredible musical scene that flourished there during the dark days of the Socialist regime, State censorship and bureaucratic dictatorship, which often saw in Pop & Rock music the enemy of the "People" and much as a subversive force that endangered the very fabric of society. And yet, against all odds, Polish musicians and writers managed to produce an incredible amount of wonderful music, which sadly gets often forgotten these days, where instant success is the name of the game. Projects such as this one are a blessing, bringing this music back into life and showing how timeless true Art really is. Of course the Jazzy arrangements and execution change the original environment, in which these songs were born. However, due to the intelligent and careful approach demonstrated by this album´s creators these songs still sound magnificently up to date, losing absolutely nothing of their original power and intrinsic beauty. As far as individual contributions are concerned, this album is full of simply splendid musicianship. Szrom sings with his usual confidence and expressiveness, Piotr Wrombel masterfully states the melodic themes and accompanies the vocals with exceptional sensitivity. Zbigniew Wrombel is a virtuosic bassist and his warm and full sound is the platform upon which the entire music stands. Szmanda, as usual manages to combine freedom of expression and a sixth sense of rhythm. Overall this is a wonderful album in every respect. Superb music, excellent performances, great sound quality and most importantly an obvious love and respect towards the subject matter. One can only salute these musicians for carrying this project out and for adding one more brick to the pedestal of Polish Cultural heritage. Hats off!

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VARIOUS ARTISTS ~ TRIBUTE TO KOMEDA NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2011 Released: 2012 There is no doubt that the legendary figure of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, is still very much present on the local scene, more than forty years after his untimely and tragic death. Komeda´s charisma, mystique, prophetic vision and above all his extraordinary talent as a composer keep his legacy alive generation after generation, with his musical heritage being passed on to the upcoming young Polish Jazz artists, as an integral part of the modern Polish Culture. In the scope of those forty plus years since Komeda´s death the Polish Jazz scene produced a plethora of recordings, concerts, festivals and other events dedicated to his memory. As a result the idea of commemorating Komeda has been overexploited and often even abused by lesser quality attempts, which result in blemishing his memory rather than uphold it. Fortunately this album is definitely not one of those damaging efforts; on the contrary, it offers many new and fascinating discoveries, as well as thrilling interpretations by excellent musicians, which treat the music with respect and obvious admiration. The album includes ten Komeda compositions, performed by several different ensembles: pianist Janusz OlejniczakFind albums by this artist with Atom String QuartetFind albums by this artist, bassist Zbigniew WrombelFind albums by this artist and his quintet (drummer Krzysztof PrzybylowiczFind albums by this artist, trumpeter Maciej FortunaFind albums by this artist, pianist Piotr WrombelFind albums by this artist, vibraphonist Karol SzymanowskiFind albums by this artist) with actor Kamil MackowiakFind albums by this artist, the duo of saxophonist Andrzej OlejniczakFind albums by this artist and pianist Wladyslaw SendeckiFind albums by this artist, the duo of tuba player Zdzislaw PiernikFind albums by this artist and synthesizer player Tadeusz SudnikFind albums by this artist and finally solo piano performances by Lena LedoffFind albums by this artist. Such diverse settings are an ideal vehicle to present the diversity of Komeda´s music and the endless possibilities, in which it can me expressed and interpreted. All the performances are truly superb, moving and deeply engaging and pay a fitting homage to Komeda´s heritage. My personal preferences are the trumpet pats by Maciej Fortuna, the incomparable piano playing of my friend Wladyslaw Sendecki and the solo piano pieces by Ledoff. But each and every musician participating in this recording deserves full admiration and respect. The quality of these live recordings in not ideal, but neither is life, so true music lovers can certainly live with it and enjoy it immensely. The most interesting two pieces on this album are the early Komeda Jazz & Poetry compositions to poems by Jerzy S. Sito, known mainly for his work as translator, who died in 2011. Komeda´s involvement with the Jazz & Poetry movement, presented by him during the 1960 Jazz Jamboree festival, is one of the most fascinating, but sadly neglected, milestones of his career. The two pieces were restored from Komeda´s notes by the great vibraphonist / composer Jerzy MilianFind albums by this artist, who was a member of Komeda´s group in the late 1950s. Honestly that entire program simply screams for proper restoration work. Overall this is a superb piece of music, which is worthy of an honorable place in any serious Polish Jazz music collection and should be of interest to the many Komeda followers all over the world. Brilliant stuff!

Updated: 01/01/2016Posted:

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JAREK WIST / KRZYSZTOF HERDZIN BIG BAND ~ SWINGING WITH SINATRA DUX 0090 (Barcode: 5902547000909) ~ POLAND ~ Jazz Recorded: 2011 Released: 2013 This is a live recording of a concert dedicated, as the title suggests, to the songs which were part of the classic repertoire of Frank SinatraFind albums by this artist. The songs are performed by young Polish vocalist Jarek WistFind albums by this artist, who is accompanied by a Big Band led and conducted by distinguished veteran pianist / composer / arranger Krzysztof HerdzinFind albums by this artist. The album includes fourteen tracks, twelve of which are standards from the Sinatra repertoire and two are original compositions by Herdzin, one used as an intro and the other as a showcase to present the members of the Big Band at mid-time. Sinatra, who was often dismissed by narrow-minded Jazz buffs as a crooner and mere entertainer, was in fact one of the greatest American Jazz singers and had more swing in his toes alone than most others, certainly more than his critics. His very individual and unique treatments of the great American Songbook are the absolute Holy Grail of American Jazz vocals and remain untouched by time, incomparable, undefeated and uncontested. Especially notable are his superb recordings with Big Bands, like the Count BasieFind albums by this artist Orchestra and several others, arranged and conducted by such luminaries as Nelson RiddleFind albums by this artist, Neal HeftiFind albums by this artist or Quincy JonesFind albums by this artist. All these recordings are quintessential, pure and unadulterated Jazz classics. It is simply impossible to listen to this album without comparing it, for example, to the classic "Sinatra At The SandsFind albums with this title", recorded with the Count Basie Orchestra conducted by Quincy Jones. Unfortunately the comparison doesn´t leave much space to remain positive about this album, which is a great pity, since the intentions were probably quite honorable and the participants are all excellent musicians. I can understand Herdzin willing to step into the shoes of the great Big Band arrangers of the past and indeed his part as the arranger is probably the best ingredient of the entire package. However even these arrangements sound rather pale and lack the zest and the kick which characterize the original Sinatra recordings. I have no idea if the Big Band had ample opportunity to rehearse and considering the economic realities of a Big Band, they most probably did not, which is immediately apparent. As already stated, the participating musicians, who include pianist Piotr WrombelFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist and thirteen additional brass and reed players, are all able and talented musicians, but obviously have limited opportunities to show their skills within the Big Band collective when accompanying a lead singer. Wist is a rather ordinary singer, completely lacking the theatrical and humorous sides of Sinatra´s stage persona. His interpretations of these classic standards are simply dull and often imperfect technically. And of course there is the dreaded Polish accent and pronunciation, which is perhaps acceptable on the local market but completely unbearable to an English speaker. It´s a pity the producers of this album did not consider the additional step of getting the lyrics translated into Polish; this might have saved the day, al least to some extent. Even the audience´s applause present at the hall where this music was recorded sounds hesitant and weary and the sound quality of the recording suffers from uneven volume, poor separation and overall muddy resonance. In retrospect this was a lost case before it even begun. Tackling the enormity of Sinatra´s talent, heritage and status is not a very wise decision and such things are usually best left alone. The old saying: "a smart man knows how to get out of trouble but the wise man knows how to avoid trouble in the first place" is very appropriate here. During the concert Herdzin complains about the difficulty of his multi-talented persona (he not only arranged the songs, composed two pieces and conducted the band, but also plays the piano on one track and sings on another). Perhaps there is a lesson here for him, since after all he is an extremely talented person. On the other hand those who don´t do don´t make mistakes, and he surely does a lot.

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