Record Reviews

AD SHAVE ~ AD COMPLEMENTUM SOLITON 880 (Barcode: 5901571098807) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2018 Released: 2018 This is an album by Polish Jazz drummer / composer Adam GolickiFind albums by this artist, which compliments (as the title suggests) his debut album entitled "Ad ShaveFind albums with this title", released this time under the Ad ShaveFind albums by this artist moniker rather than under his own name. It was recorded with an excellent team of Polish Jazz musicians which include saxophonist Maciej SikalaFind albums by this artist, trumpeter Marcin GawdzisFind albums by this artist, pianist / accordionist Cezary PaciorekFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and several other musicians appearing on selected tracks. The album presents ten tracks, seven of which are composed or co-composed by Golicki, one each is composed by Paciorek and Lemanczyk and one is a Classical piece. The music is a wonderful collection of beautiful melodies, arranged mostly in a smooth Jazz-Rock Fusion mode and superbly performed by all the musicians involved. Although not innovative as such, the music is simply perfect in what it stands for and a schoolbook example of contemporary Fusion, which concentrates on excellent compositions and skillful arrangements rather than exploring endless instrumental doodling. The album is a most enjoyable ride, full of excellently weaved melodies, exciting soloing and a coherent "good time" approach, which is a breath of fresh air as far as most contemporary Fusion is concerned. Personally I had a great time listening to this music, which although seemingly pretty straightforward, does not make any compromises as far as aesthetic values are concerned and is an example of good taste and first class craftsmanship both on the compositional and performing platforms. Warmly recommended to Jazz-Rock Fusion fans, which prefer depth to flashy showmanship!

Updated: 04/05/2019Posted: 04/05/2019

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ASAF ~ SILENT PRAYER SOLITON 669 (Barcode: 5901571096698) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the second album by the Polish Jazz quartet ASAFFind albums by this artist, following a sixteen years break in its activity. The current lineup includes saxophonist Maciej SikalaFind albums by this artist, pianist Joanna GajdaFind albums by this artist, bassist Franciszek PospieszalskiFind albums by this artist (who replaced the original bassist Michal BaranskiFind albums by this artist) and drummer Piotr JankowskiFind albums by this artist. Bassist Michal BakFind albums by this artist and vocalist Barbara PospieszalskaFind albums by this artist guest each on one track. The album presents seven original compositions, four recorded in studio and three recorded live on various occasions. Sikala and Gajda composed two of pieces each, Pospieszalski and Bak composed one piece each and the last is by Polish Jazz bassist / composer Andrzej CudzichFind albums by this artist, who sadly departed at a tragically young age in 2003. The debut album by ASAF from 2004 was dedicated to the memory of Cudzich. The music is strictly mainstream Jazz oriented, with solid melodic themes and straightforward arrangements, which offers little innovation or challenge but is excellently executed by the participating musicians, who are all highly professional. The superb saxophone parts by Sikala, who is after all one of the top Polish Jazz players, are especially impressive. Despite the fact that the album mixes studio and live recordings, the overall sound quality is very good and the album offers a coherent sound and stylistic continuity. The nature of the music is rather contemplative and as the album´s title and individual track titles (as well as the album´s liner notes) suggest, the music is an attempt to offer a spiritual message with the music serving as a medium. The atmosphere of some of the compositions is definitely soaked in deep melancholy, which of course every listener can interpret in his own way. Overall this is a good mainstream Jazz album, which should make fans of music closer to the American rather than European Jazz aesthetic very happy. Great compositions and perfect execution is exactly what the doc prescribed. Definitely worth checking out!

Updated: 26/05/2020Posted: 26/05/2020

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CUSTOM TRIO ~ BACK POINT NOT TWO 736 ~ POLAND ~ Jazz Recorded: 2000 - 2001 Released: 2002 This is the second album by the Polish Custom TrioFind albums by this artist, which consists of saxophonist Krzysztof KapelFind albums by this artist, bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist – Poland´s most respected Free Jazz rhythm section). Saxophonist Maciej SikalaFind albums by this artist guests on one track. In between the recording of their debut album and this one, the trio also recorded a couple of albums with the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, one of them live with a different saxophonist (Janusz SmykFind albums by this artist). The album includes eight original compositions, five of which were composed by Bartlomiej Oles and the remaining three by Marcin Oles. For people familiar with the previous recordings by the Custom Trio will find this album quite surprising, as it is much more "docile" then any of their former work. The music is low-key, contemplative and very melodic, the rhythm section is relaxed and almost "conventional" and the saxophone improvisations, which are the focus of the album, although very Free Jazz in spirit, are all non aggressive and rounded. The overall sound and ambience of the album are very Coltranesque, which of course brings this album to a much wider potential audience, well beyond the Free Jazz buffs and into the modern mainstream. The individual statements are of course exceptional, especially those by Kapel, who emerges on this album as one of the most able Polish Jazz modernists. But of course the Oles Brothers firmly testify their amazing interplay and cooperation, which is as usual the driving force and solid ground upon which the saxophone solos are based. The album is full of virtuosity from start to finish and should satisfy even the sternest Jazz connoisseurs. It is a pity this album is rarely mentioned among the best Polish Jazz recordings originating from the first post Millennium decade, as it truly deserves. What a pity they did not continue to record any more such wonderful music.

Updated: 02/01/2017Posted:

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MACIEJ FORTUNA ~ JAZZ FROM POLAND VOL. 1 FM 012 (Barcode: 5903240365050) ~ POLAND ~ Jazz Recorded: 2013 Released: 2015 This is a beautiful album by leading Polish Jazz trumpeter Maciej FortunaFind albums by this artist, recorded with his acoustic quartet, which also includes pianist Krzysztof DysFind albums by this artist, bassist Jakub MielcarekFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Since the album is intended as a tribute to the great Polish Jazz composers, it presents seven compositions by prominent Polish Jazz figures, such as Krzysztof KomedaFind albums by this artist (two compositions), Zbigniew SeifertFind albums by this artist (three compositions), Janusz MuniakFind albums by this artist (one composition) and Maciej SikalaFind albums by this artist (also one composition); these four representing three generations of post-WWII modern Polish Jazz musicians / composers. In the liner notes of this album Fortuna mentions the dilemma, which many Polish Jazz musicians struggle with, whether to play Jazz according to the well defined formula originally defined by the American Jazz precursors or play original music with different influences and tendencies, like those characteristic of Polish Jazz for example. This album is his answer, clearly pointing towards the originality and individual search rather than repeated replication of past formulae. Although Fortuna and his cohorts treat the compositions with a great amount of freedom and individuality, the spirit of this wonderful music, its intrinsic Polish melancholy and lyricism, are well preserved and brought from the past to contemporary musical environment. As usual on all albums by Fortuna, his trumpet performances are the focal point of the music. His virtuosic and almost superhuman abilities keep surprising his listeners with each new release and one wonders how far can he still travel from here. The three musicians playing with Fortuna on this album are also incredible by any standard. The young Dys emerges in the last couple of years as one of the leading contenders for the narrow pedestal of top Polish Jazz pianists and the rhythm section does a phenomenal job to keep up with these two "crazy" Geniuses, keeping the music swinging and pulsating, even in its most free form manifestations. Almost on every album by Fortuna that I reviewed over the years I couldn´t stop myself from drawing some parallels between Fortuna and Tomasz StankoFind albums by this artist. On this album these parallels are stronger and more obvious that ever before, especially in view of the fact that Stanko played in Komeda´s ensembles and is subconsciously always associated with his music. Hearing Fortuna playing Komeda immediately brings Stanko to mind, and with deep satisfaction I can say that Fortuna bears the torch without any inferiority complexes. This is a second edition of this album, which was initially released as a limited private edition and is now released on the open market, which of course means that it should be immediately grabbed by every Polish Jazz fan, as albums of this quality do not pop in the open very often.

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CEZARIUSZ GADZINA ~ MOSTY UNIVERSAL MUSIC POLSKA 602557812039 (Barcode: 602557812039) ~ POLAND ~ Jazz Recorded: 2015 Released: 2017 This is an album by Polish (resident in Belgium) saxophonist / composer Cezariusz GadzinaFind albums by this artist, recorded with a host of top Polish Jazz musicians, which includes trumpeter Robert MajewskiFind albums by this artist, saxophonist Maciej SikalaFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist, accordionist Cezary PaciorekFind albums by this artist, bassist Pawel PantaFind albums by this artist, percussionist Piotr IwickiFind albums by this artist and drummer Cezary KonradFind albums by this artist – a dream team by all respects. The album presents eight original compositions, all by Gadzina, all entitled "Bridge" in eight different languages ("Mosty" means bridges in Polish), symbolizing the connections between a plethora of genres and sub-genres present within the contemporary Jazz idiom. Gadzina is primarily familiar for his work in the Jazz-Classical Fusion field and his previous recordings, including the excellent "The Fifth ElementFind albums with this title", testify to his affinity to this particular field. However, this recording seems to leave Classical Music out of the formula, concentrating on the Jazz side of Gadzina´s personality. Stylistically the music sits well within the boundaries of modern mainstream Jazz language, offering excellent compositions and interesting arrangements, none of which are trivial or banal. The music is full of unexpected twists and turns, tempo changes and multiple themes, all within one composition, which of course makes listening to this music a real fun for true Jazz fans. The compositions are diverse enough to keep the listener interested and balance well between the beautifully melodic ballads and the up-tempo numbers. The individual performances are all top notch, as expected from these highly experienced musicians. Personally I love the prominent presence of the accordion, a much neglected instrument in Jazz, and the percussion ornamentations, which add another layer of rhythmic contents. But of course the trumpet solo parts, excellent saxophone work, pulsating bass lines and everything else are just right. The overall octet sound is not to busy and allows all instruments to be perfectly audible. Overall this is a great mainstream album, much more ambitious and advanced musically than the standard albums recorded in this genre. It is not about discovering any new territory, but offers novel approach to arrangement and very solid composition and performance standards. As such it deserves to be listened to and surely enjoyed as well.

Updated: 15/12/2017Posted: 15/12/2017

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ADAM GOLICKI ~ AD SHAVE BCD 36 (Barcode: 5906881885369) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2015 Released: 2015 This is the debut album by young Polish Jazz drummer / composer Adam GolickiFind albums by this artist, recorded with a core trio, which also includes keyboardist Michal CiesielskiFind albums by this artist and bassist Piotr GierszewskiFind albums by this artist. This same trio released an album under the Confusion ProjectFind albums by this artist moniker a year ago. Eight guest musicians appear on selected tracks, among them saxophonist Maciej SikalaFind albums by this artist. The album presents six original compositions, all composed by Golicki (although the album´s packaging includes also a conflicting line claiming the compositions were co-composed by Golicki and Ciesielski). The music is a nice collection of melodic tunes performed excellently by all the musicians involved in a Funky / Fusion mainstream style. This music swings and the musicians are all professionals, so nothing negative can be said about this album, except for the fact that it is derivative and introduces absolutely no innovation as far as music is concerned. On the other hand not every album innovates (in fact only very few do) so this album is at least as good as most other albums released in the same musical milieu and parts of it are even brilliant. I had an entertaining time listening to this music, not trying to analyze it any more than need be and having a good time in the process. Perhaps not music for brainiacs, but this is a solid piece of music in every respect and very many people who like the lighter side of Jazz should have a great time listening to it. Hopefully Golicki will continue his musical path further and will grace us with more ambitious projects in the future. His potential as a composer certainly ignites high hopes.

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SLAWOMIR JASKULKE ~ LIVE GDYNIA SUMMER JAZZ DAYS 2001 ALLEGRO 003 ~ POLAND ~ Jazz Recorded: 2001 Released: 2002 This is the debut album by Polish Jazz pianist / composer Slawomir JaskulkeFind albums by this artist, recorded live in a classic trio / quartet setting with saxophonist Maciej SikalaFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. The album presents five original compositions; three of which are by the leader and two are by Sikala. The first two numbers are performed by the trio and the other three by the quartet. Jaskulke is considered as one of the most brilliant representatives of the young generation of Polish Jazz pianists and his achievements during the first decade of the 21st Century are indeed remarkable and include performances around the globe and numerous recordings as leader and sidemen (including those with the veteran Polish Jazz icon Zbigniew NamyslowskiFind albums by this artist). He has also composed music for theatre and cinema. Anybody listening to this album at the time of its release should have expected great things from Jaskulke, as it is a truly outstanding debut. The trio numbers present Jaskulke as an amazing piano virtuoso, playing in a unique style, which is incredibly percussive and powerful, whereas the quartet numbers present his gentler side as a balladeer, playing beautifully restrained melodic phrases or as an ensemble player of great sensitivity. Such incredible versatility is very rare indeed and when executed with a magic touch like the one he presents here, it is simply marvelous. Considering the fact that Jaskulke was only twenty two years old at the time of the recording one must admit that this is a discovery of an extraordinary talent. Musically the trio and the quartet are also quite different, with the material written by the leader being much more open and often freely structured, whereas the numbers written by the saxophonist are pretty standard mainstream Jazz compositions, both very good, but not special in any way. In a sense it seems as if these two different settings belong on two separate albums, but what was done can not be undone, so one should enjoy the fact that this marvelous music was captured for posterity and we can listen to it again and again. The rhythm section performs exactly as expected, changing the volume and presence according to the specific requirements of the moment, always there when one expects them to be, keeping perfect time (which is not always easy here) and modestly displaying another level of virtuosity. Together the ensemble sounds like an unstoppable locomotive, which runs amok, especially in the last tune. This is definitely an album every Jazz piano lover should listen to, sooner or later, an experience he´ll never regret nor forget. Wholeheartedly recommended!

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KULAKOWSKI / SIKALA ~ RED ICE SOLITON 662 (Barcode: 5901571096629) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the debut album by a duo of two veteran Polish Jazz musicians, pianist / composer Leszek KulakowskiFind albums by this artist and saxophonist Maciej SikalaFind albums by this artist. The album presents eleven original compositions, all by Kulakowski. Kulakowski is a versatile and highly imaginative composer and his music always reflects the Polish Jazz lyricism at its best, as echoed by his extended recording legacy. But on this excellent recording his composition are padded and extended by the improvised contribution of Sikala, who turns out to be an ideal partner in this intimate encounter, adding not only his soprano saxophone virtuosity but also his own layer of melancholy and lyricism. The combined result is deeply moving and instantly becomes another exquisite instance of my favorite "Art of the Duo" idiom. The music is beautifully melodic, and yet offers rich and often quite complex chord structures, which never stop to amaze with their ingenuity, but remain wonderfully coherent. As such it is an ideal vehicle for the improvised contributions, which are natural extensions of the basic melody lines. Sikala does an absolutely amazing work here, not only as a player / improviser, but more importantly as a co-composer of sorts, since his improvisations often add an additional melody line of its own, The intimate atmosphere of the duo, which in these circumstances bridges between the classic Jazz idiom and the minimalism of chamber Classical Music, becomes completely full and perfectly rounded, proudly standing on its own. I dare to suggest that this music performed by a larger lineup would have probably lost much of its charm in comparison to these intimate versions. On this album Kulakowski leaves most of the soloing to Sikala, but the few soli he does play here make me smile, longing for a long awaited solo piano album by the Maestro. Overall this is a brilliant Jazz album, which offers highly rewarding listening experience on many different levels; lovers of Jazz duo albums, fans of both of these excellent musicians, Polish Jazz enthusiasts and Jazz connoisseurs all over the world, all should be equally satisfied with what this album has to offer. Wholeheartedly recommended!

Updated: 23/01/2020Posted: 23/01/2020

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PIOTR LEMANCZYK ~ FOLLOW THE SOUL ALLEGRO 006 ~ POLAND ~ Jazz Recorded: 2002 Released: 2003 This is the debut album as a leader by Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist. It was recorded by several different lineups, mostly quartets, with the following participants: saxophonists Janusz MuniakFind albums by this artist, Przemek DyakowskiFind albums by this artist, Wojciech StaroniewiczFind albums by this artist, Maciej SikalaFind albums by this artist and Dariusz HerbaszFind albums by this artist, guitarist Maciej GrzywaczFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. Of the seven tracks on the album, six are original compositions by Lemanczyk and one is a standard. The music is kept well within the modern Jazz mainstream, but the excellent compositions and performances create a superb piece of Jazz music, which should satisfy every sensitive listener. The use of the vibraphone instead of the usual piano gives the entire recording a "cool" ambience, which suits the music perfectly. The leader gets several solo spots, which emphasize his beautiful tone and sensitivity, rather than needless pyrotechnics. As usual with Polish Jazz albums, the music is the center of the attention, in spite of the truly excellent playing, which is beyond reproach from start to finish. The melodic content and the rhythmic structures are simply incredible and a source of real joy. Overall this album is a perfect example of what mainstream Jazz is all about and should be greatly enjoyed by any Jazz connoisseur anywhere in the world. Highly recommended!

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PIOTR LEMANCZYK ~ NAHA PEOPLE SOLITON 122 (Barcode: 5907577112233) ~ POLAND ~ Jazz Recorded: 2009 Released: 2009 This is a wonderful album by Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist, recorded in a quartet setting with American trumpeter Tim HagansFind albums by this artist and Polish vibraphonist Dominik BukowskiFind albums by this artist and veteran drummer Kazimierz JonkiszFind albums by this artist. On three tracks the lineup is expanded to a quintet with the inclusion of saxophonist Maciej SikalaFind albums by this artist. The album presents seven original compositions, all by Lemanczyk. The music is a brilliant example of modern Polish Jazz at its best, with superb compositions full of lyricism and elegance, as always in the case of Lemanczyk. Although within the mainstream idiom, the compositions allow for a degree of Freedom, which allows the soloists and the entire ensemble to float around the harmony and the rhythmic patterns, adding an element of surprise and curiosity. Although at the time of writing the album is nine years old, it sounds completely fresh and lost absolutely nothing of its vitality. The individual statements are all excellent, as appropriate for musicians of this class. Hagans plays amazing staccato phrases and his clear tone and articulation are exemplary. I am pretty sure that the unusual lineup and Lemanczyk´s brilliant compositions are able to squeeze more out of him than his work within an American environment, which explains why he tends to play extensively with Europeans. Bukowski stays mostly in the background, although of course his playing always deserves to be up front, setting the harmonic layer for the music. His almost brotherly cooperation with Lemanczyk is an obvious bond of respect and complementation. Jonkisz elegantly drives the quartet / quintet with a firm hand and a gentle, respectful attitude of a true. Sikala adds some superb soloing on the tracks he is featured. Lemanczyk´s playing is of course excellent as always, both as part of the rhythm section and as a soloist, and this album, as all his recordings, show why he is considered one of the absolute top Polish / European bassist. His compositions are equally impressive, beautifully woven and always coherent, with a touch of elegance and flair that only the most skillful Jazz composers are blessed with. Overall this is, in retrospect, a classic Polish Jazz album, which deserves much more respect and attention that it received at the time of its release. Wholeheartedly recommended for all Polish Jazz fans and European Jazz connoisseurs, as an essential piece of the puzzle called Polish Jazz!

Updated: 17/06/2018Posted: 17/06/2018

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MILOSC ~ MILOSC AGORA 9788326812972 (Barcode: 9788326812972) ~ POLAND ~ Jazz Recorded: 2008 - 2012 Released: 2012 This is the DVD version of the film "Milosc" by Polish director Filip DzierzawskiFind albums by this artist, which is a documentary about the Polish Jazz ensemble MiloscFind albums by this artist, which was the most influential group on the Polish Jazz scene in the 1990, revolutionizing the approach to Jazz in the country, establishing the Yass sub-genre and most importantly waking up the local scene from the mainstream lethargy, which was overwhelmingly dominating the scene for almost two decades that preceded the 1990s. Milosc was formally founded in April 1988, when the group which included bassist Tymon TymanskiFind albums by this artist and saxophonist Mikolaj TrzaskaFind albums by this artist changed its name to Milosc. Soon after the group was joined by clarinetist Jerzy MazzollFind albums by this artist, who left after a brief stay and then the drummer Jacek OlterFind albums by this artist and pianist Leszek MozdzerFind albums by this artist joined the group creating the core quartet of Tymanski / Trzaska / Olter / Mozdzer, which recorded the group´s debut album. A year later the quartet expanded into the full stable lineup when saxophonist Maciej SikalaFind albums by this artist joined them to create the quintet version of Milosc. After several fruitful years and a series of brilliant albums, two with legendary American trumpeter Lester BowieFind albums by this artist, the group started to disintegrate, when Mozdzer left in 1998 to pursue a solo career, Olter died tragically after a long mental illness and Trzaska left the group in 2001. A year later the group played its last gig and formally announced the end of its activity in July 2002, after fourteen years of existence. The documentary, which was filmed during a four years period (2008-2012) pays tribute to the group´s history and to the individual personalities, focusing on the meeting of the Milosc members organized in order to prepare for a concert by the legendary original lineup, less Olter of course who was replaced by drummer Kuba StaruszkiewiczFind albums by this artist. The documentary moves between the scenes captured during these rehearsals, historic footage and interviews with individual members, speaking their minds out. The director wisely avoids any external commentary, simply presenting the reality portrayed by the camera, leaving the spectator free to reach his own conclusions. Although not a typical documentary by any standard, the film presents a cohesive and intelligent document, which highlights several profound observations about people, music and culture. Milosc was all about freedom. Considering the fact that the group was established at the crucial point of modern Polish political history, when the oppressive Socialistic Regime was about to collapse and Poland was finally to achieve its new political Freedom, Milosc expressed the same feeling of upheaval, but on an artistic plane. Polish Jazz, which exploded with incredible vitality and freedom of expression in the 1960s, slowly ran out of steam as a result of economic and social hardships and by the late 1970s and 1980s it was almost completely devoid of any truly spirited, adventurous, inspired activity and completely immersed into ambitionless mainstream. The young generation of Polish Jazz musicians and fans was about to rebel against this stagnant state of affairs and Milosc was one of the first and most successful demonstrations of this rebellion. Although initially associated with Free Jazz, Milosc never actually played Free Jazz, surely not close to its American origins established by Albert AylerFind albums by this artist, Eric DolphyFind albums by this artist and John ColtraneFind albums by this artist. The group was an amalgam of many musical influences and created a unique and new approach and stylistic expression, which eventually was christened Yass. And Yass was more clear about what it didn´t want to be rather than about what it wanted to be, a rebellion against "pretty" melodic, carefully planned, well defined by harmonic conventions music. No more of that old-fashioned bullshit! Yass was "dirty", imperfect, spontaneous, unconventional and constantly changing, but it did not exclude the element of melody and standard meters. Free? Yes by all means, but definitely not Free Jazz. From the very start Milosc was an impossible combination of conflicting strong personalities and diametrically different musical approaches. Why it managed to exists for such a long time is a mystery and a miracle. But musical miracles do happen and when they do, the listeners are the ones to collect the crops. The musicians, initially euphoric, start to suffer at some point and then simply can´t take it any more. The key conflict inside Milosc was always the clash between Trzaska and Mozdzer: a rebel and visionary and a classically trained hipster. This fundamental conflict was what brought Milosc to its knees, but it wasn´t of course the only factor. Poland and its cultural environment went through a dramatic change following the fall of the Socialist Regime, and a new reality emerged; politically, socially and of course culturally. This new reality opened up new possibilities and closed the lid on many others, which existed earlier. Such dramatic environmental changes have a profound impact on people, and musicians are people after all. The 2008 meeting between the Milosc members, which is the focal theme of this film, shows how profound these changes are, so profound that although they are able to play together, they are unable to communicate as human beings. Separated by an unbreachable chasm Trzaska and Mozdzer are further apart that ever, the former representing the Polish Avant-Garde scene still being its non-formal leader in every sense and the latter representing the absolutely opposite ad-nauseam commercialism; a clash of Titans, which simply has no peaceful solutions. So is this a film about failure? About ideas and values that get outdated? Personally I don´t think so. Yes, sometimes not everything works as planned, but that does not necessarily mean a failure and in some rare occasions failures can be magnificent. I still very much believe that the same values that stood behind Milosc: freedom, pioneering search for artistic truth, personal integrity and the courage to do your own thing, are as much valid today as they have always been. Opportunism and conformism have always been and still are the root of evil. This film is a wonderful piece of musical history, which sheds some light on a much neglected period in the history of Polish Culture. Although perhaps unintended, it also spotlights some profound artistic and ethic dilemmas, leaving the resolutions to the spectators. An absolute must to all Polish Jazz connoisseurs, wherever they might by!

Updated: 12/04/2019Posted:

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OLA MONKO ~ WHEREVER YOU ARE SOLITON 846 (Barcode: 5901571098463) ~ POLAND ~ Jazz Recorded: 2017 Released: 2018 This is the debut album by Polish pianist / composer Ola MonkoFind albums by this artist, recorded in a quintet setting with trumpeter Jerzy MalekFind albums by this artist, saxophonist Maciej SikalaFind albums by this artist, bassist Michal BaranskiFind albums by this artist and American (resident in Poland and married to Monko) drummer Eric AllenFind albums by this artist. The album presents nine compositions, eight of which are originals composed by Monko and one is a standard, all of which were arranged by Monko. The album offers a warm clear sound, which fondly resembles the famous Blue NoteFind albums on this label Records sound created by the legendary Rudy Van GelderFind albums by this artist. The music sits comfortably within contemporary mainstream Jazz, which is not surprising considering that Monko spent thirteen years living and playing Jazz in the US, where she was exposed to what the best American Jazz has to offer. Her compositions are all well built and offer solid melodies and coherent harmonic structures, which results in them sounding as good as any Jazz standard played today. All the members of the quintet are veteran players with years of experience behind them and as the result the music flows smoothly and elegantly from one tune to another and the album seems to be over in a flash. All three soloists contribute inspired solo parts and the rhythm section keeps the music streaming in an amicable fashion. Overall although not innovative as far as the Jazz idiom is concerned, this album offers splendid mainstream Jazz experience and presents an excellent collection of original tunes, which prove that the Polish Jazz musicians can play American mainstream as well as their counterparts across the pond and compose wonderful heartfelt tunes. For mainstream Jazz lovers this album is a gem from start to finish and a most pleasant listening experience. Congratulations go to Monko for finally making her statement, hopefully only the first of many. Go Girl!

Updated: 27/10/2018Posted: 27/10/2018

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JECEK PELC ~ ON THE ROAD JACEK PELC RECORDS 006 (Barcode: 5908254159572) ~ POLAND ~ Jazz-Funk Fusion Recorded: 2015 Released: 2016 This is a wonderful live album by Polish Jazz / Fusion drummer / composer / bandleader Jacek PelcFind albums by this artist, recorded in a quartet setting with saxophonist Maciej SikalaFind albums by this artist, keyboardist Bartosz HadalaFind albums by this artist (resident in Canada) and Italian bassist Maurizio RolliFind albums by this artist. The album presents seven tracks, six of which are original compositions by Pelc and one is an arrangement of a famous Pop song by the group SkaldowieFind albums by this artist, dedicated to the memory of the great Polish guitarist / composer Jaroslaw SmietanaFind albums by this artist, with whom Pelc played for many years. The music is a mixture of mainstream Jazz and Funk / Groove, with excellent melody lines and superb rhythmic approach. As such it is easily accessible to a wide range of Jazz and Fusion listeners, who enjoy sophisticated individual contributions by the band members, which are the highlight of this album. All four instrumentalists really play their hearts out, each contributing several outstanding solos and the quartet performs like a well oiled reliable mechanism, which never fails. Rolli is the great surprise on this album, as his virtuosic performances are simply breathtaking both when he plays his wonderfully structured solos and when he amicably accompanies his fellow band members. His electric bass performances are among the finest one can find anywhere on record in recent years. Pelc also does a great job behind the drums, playing very intensively but at the same time not overriding the other band members. He is one of the most melodic / musical drummers on the Polish Jazz scene, something I recently had an opportunity to witness in person. Overall this is an honest, extremely well played Jazz / Funk album, which is a great fun to listen to, and which will hopefully reach many fans of the genre around the world, as it truly deserves. It proves that the veteran Polish Jazz scene is still alive and kicking, contrary to the general media trend, which often tends to overlook or plainly forget these wonderful musicians. Fans of virtuosic electric bass playing and students of the instrument simply must grab a copy of this album to realize what this instrument can do in the right hands. Well done!

Updated: 04/10/2016Posted: 04/10/2016

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KUBA RACZYNSKI ~ MY MUSIC SOLITON 1170 (Barcode: 5903684231706) ~ POLAND ~ Jazz Recorded: 2020 - 2021 Released: 2021 This is the debut album by young Polish Jazz saxophonist / composer Kuba RaczynskiFind albums by this artist recorded in a classic quartet setting with pianist Rafal StepienFind albums by this artist, bassist Andrzej ZielakFind albums by this artist and drummer Radek BolewskiFind albums by this artist. Five musicians, including saxophonist Maciej SikalaFind albums by this artist, guest on selected tracks. The album presents eleven original compositions, all by the leader. The music is all within the modern mainstream, highly melodic and very well structured. It manages to eschew the usual lethargic paste of most Polish Jazz mainstream albums and offers several medium and up tempo numbers, which inspires the general atmosphere of the album to sound more alive. But the most impressive quality of the music is it’s melodic / harmonic quality, which is truly heartwarming. Raczynski, who plays alto, soprano and baritone saxophones, as well as clarinet and bass clarinet, has a wonderfully warm sound, which acts like honey on the listener’s ears. The diverse stylistics employed within the compositions allow him to display the full palette of his instrumental abilities, which after all debut albums are about. The rest of the quartet performs splendidly, with Stepien accompanying the soloists amicably and adding several highly impressive, but not superficially flashy soli of his own. The rhythm section drives the music with vigor and precision, exactly as the doctor prescribed, The guests all add some icing on the cake, making the proceedings less uniform, but more sparkling, except for the one vocal track, which is a bit tacky and honestly out of context. Overall, this is a very nice mainstream Jazz album, somewhat on the lighter side of the spectrum, but highly enjoyable, offering a pleasant listening experience to a wide audience of Jazz listeners. It is definitely an earnest debut album, which shows a lot of talent by the leader, especially as a composer. It is full of youthful naiveté, but shows a lot of promise, which will surely not disappoint. Well done!

Updated: 31/12/2021Posted: 31/12/2021

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PIOTR SCHMIDT ~ SAXESFUL SJ 032 (Barcode: 5912596066658) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 What is this thing called Jazz? This question seems to reverberate for over a Century now among Jazz musicians, connoisseurs of the genre and scholars of the idiom, with the answer intractably remaining as elusive and mysterious, as the very nature of the music itself. Perhaps the splendor of Jazz is characterized by the inability to define or even properly describe it? Jazz keeps evolving and growing as an Art Form, combining its tradition with new discoveries and innovation, which soon after become part of the essence of the same Jazz idiom, in a perpetuum mobile like fashion. Polish Jazz, one of the most vital and ingenious local scenes on the world scale, which started while the country was still isolated from the rest of the world by the Iron Curtain, managed to flourish and explode artistically over the years, against all odds. Today Poland is a Jazz Super Power, leading the European Jazz scene in every aspect, all thanks to the seemingly inexhaustible influx of young and talented musicians, who treat their Jazz as seriously as their life. Piotr SchmidtFind albums by this artist (born 1985) is certainly one of those Polish Jazz mavericks. Not only is he well educated, talented and ambitious, but he is also a restless entrepreneur, record label owner, bandleader and educator who keeps constantly coming up with new ideas, maintaining his Jazz alive and kicking. This album is only one of such ideas, but the scale and audacity required to put such a project into life can be understood only by the cognoscenti of the Jazz scene. This album is a multilayered tribute to the Jazz tradition. It presents seven classic Jazz standards, each performed by the core quartet and featuring a different saxophonist. The list of the saxophonists reads like the who´s who of Polish Jazz and is also an obvious tribute to Polish Jazz itself. With their ages ranging from Jan Ptaszyn WroblewskiFind albums by this artist (born 1936), Zbigniew NamyslowskiFind albums by this artist (born 1939), Henryk MiskiewiczFind albums by this artist (born 1951), Maciej SikalaFind albums by this artist (born 1961), Piotr BaronFind albums by this artist (born 1961), Adam WendtFind albums by this artist (born 1962) and finally Grzech PiotrowskiFind albums by this artist (born 1974), i.e. four generations of Polish Jazz players, they represent the incredible power and stylistic versatility of the scene. The core quartet is by no means less impressive, featuring Schmidt on trumpet, pianist Wojciech NiedzielaFind albums by this artist and Poland´s top rhythm section comprised of bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, all of which have a most impressive list of achievements under their arms. But tributes and history aside, this album is also a wonderful collection of great tunes, beautifully performed and entertaining, in the most positive meaning of the word. Jazz is, after all, also a source of unadulterated pleasure to those, who love it, and this album is certainly a concentrated dose of such pleasure. Enjoy! Adam Baruch, August 2018 Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 19/09/2018Posted: 19/09/2018

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PIOTR SCHMIDT ~ SAXESFUL VOL II SJ 056 (Barcode: 5902596066703) ~ POLAND ~ Jazz Recorded: 2018 Released: 2021 It’s not a secret that when recording an album, the producer often “thinks ahead” and takes the opportunity of the studio sessions already in place to record much more material than actually needed to complete one album. This is exactly the case with the recording sessions for the album “SaxesfulFind albums with this title”, which took place in 2018, recorded by Polish Jazz trumpeter, composer, bandleader, record label owner and producer Piotr SchmidtFind albums by this artist. Following the hiatus of the COVID-19 pandemic and the recent passing of Piotr’s Father, Prof. Andrzej SchmidtFind albums by this artist, an iconic figure on the Polish Jazz scene, whom I had a great pleasure to meet many a time, Piotr decided to return to the unreleased material from the “Saxesful” sessions and release a follow up album with that material, among other things to commemorate his Father’s memory. The concept of “Saxesful” was to present a series of Polish Jazz saxophonists, each playing on a different track. This second volume does exactly the same, presenting six classic Jazz standards, each performed by the core quartet and featuring a different saxophonist. The list of the saxophonists reads like the who´s who of Polish Jazz and is also an obvious tribute to Polish Jazz itself. With their ages ranging from Jan Ptaszyn WroblewskiFind albums by this artist (born 1936), Zbigniew NamyslowskiFind albums by this artist (born 1939), Henryk MiskiewiczFind albums by this artist (born 1951), Maciej SikalaFind albums by this artist (born 1961), Adam WendtFind albums by this artist (born 1962) and finally Grzech PiotrowskiFind albums by this artist (born 1974), i.e. four generations of Polish Jazz players, they represent the incredible power and stylistic versatility of the scene. The core quartet is by no means less impressive, featuring Schmidt on trumpet, pianist Wojciech NiedzielaFind albums by this artist and Poland´s top rhythm section comprised of bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, all of which have a most impressive list of achievements under their arms. My Grandmother loved to quote the Polish proverb, which says: ”Those, who eat the leftovers are smooth and beautiful” (In Polish: “Kto zjada ostatki, ten jest piękny i gładki”). The meaning of this proverb is, that leftovers are as good, if not better, than the original food and should not be discarded, which applies exactly to the music on this album in every sense, and it would have been a shame to leave this music unreleased. Once again we have here a feast great classic Jazz music and first rate performances, which is a tribute to the genre itself, Polish Jazz history and tradition and a great listening experience. Enjoy! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 30/08/2021Posted: 30/08/2021

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MACIEJ SIKALA ~ LIVE IN CLUB ZAK SOLITON 762 (Barcode: 5901571097626) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017 This is a live recording by veteran Polish Jazz saxophonist / composer Maciej SikalaFind albums by this artist, captured in a septet setting with trumpeter Robert MajewskiFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist, bass clarinetist Tomasz KlepczynskiFind albums by this artist, pianist Piotr WylezolFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist – all of which belong to the commonly accepted top league of the local jazz scene. The album presents six original compositions, all assumed to be by Sikala, as the album´s artwork fails to confirm this. The sound quality is excellent despite the fact that this is a club live recording. The music is all completely mainstream oriented, following the patters set by Bebop and Hard Bop some five or more decades ago. That said, the original compositions are very strong and the performances are all excellent, which means that this music is a real pleasurable listening experience for mainstream Jazz connoisseurs, who after all are the majority of the Jazz crowd. Also the Polish Jazz accents can be heard throughout this music very distinctly, not influential enough to change the character of the music, but appealing enough to make it much more interesting than parallel music performed across the pond. Although Sikala started his Jazz career within the adventurous Yass idiom as a member of MiloscFind albums by this artist and other experimenting ensembles, in time he "returned" to the American influenced mainstream, retaining his wonderful fluency and improvisational power. All the projects he was involved with over the years and numerous recordings he made always represented a high quality of music and musicianship. Overall although the music on this album is quite predictable, it is full of wonderful individual statements by the musicians involved in this project and should keep mainstream Jazz fans vey happy. The original compositions are coherent and well woven and the septet playing is nothing short of perfection in this specific musical scenery.

Updated: 12/06/2018Posted: 12/06/2018

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KUBA STANKIEWICZ ~ KOCHANOWSKI PIESNI KSQ 002 (Barcode: 5903796604009) ~ POLAND ~ Jazz & Poetry Recorded: 2020 Released: 2020 This is an album by Polish Jazz pianist / composer Kuba StankiewiczFind albums by this artist recorded in a classic quartet setting with saxophonist Maciej SikalaFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. The album presents twelve songs composed by Stankiewicz and sung by vocalist Jacek KotlarskiFind albums by this artist, which feature poems by Polish Renaissance (16th Century) poet Jan KochanowskiFind albums by this artist, who is considered the Godfather of Polish Poetry and modern Polish language. Stankiewicz undertakes a highly risky task in his attempt to write contemporary music to the poems by Kochanowski, which was attempted by Polish composers many times before with radically different results, especially so when this attempt is to be within the Jazz idiom. I must say that although I know Stankiewicz since many years, he managed to knock my socks off, as the music he managed to create here is simply sensational, both in its beauty and incredible sensitivity to the subject matter. It combines the best of the Jazz tradition, all sounding like a collection of wonderful standards that the listener is somehow familiar with, despite the fact that they appear here for the first time. He also uses the core of Polish folkloristic themes, that every Polish composer is unable to avoid, and which bring the music closer to its literary / linguistic source. And yes, Stankiewicz is the greatest contemporary Polish romantic composer, which is plainly apparent on this album. The rest of the team are all seasoned veterans, who play with Stankiewicz since many years and are all top Polish Jazz figures, which guarantees the spectacular result achieved here. Kotlarski is also an excellent choice, fitting like a satin glove to this project. His extensive stage experience comes handy and his performances here are simply perfect. During my recent visit in Warsaw, stuck between the returning Covid-19 waves, Kuba was one of the very few people we managed to meet and spend a lovely evening with, which is always a great experience. His charming personality and true friendship, as well as mutual respect that we share towards each other, are a rare treasure. He gave me this and one more album (which will be reviewed soon) and I had no idea how superb this music is going to be, so now is the time to thank him. Overall, this is an exceptional Jazz & Poetry album, one of the best of its kind that appeared on the Polish scene in many years. I simply can’t imagine any Polish Jazz lover and poetry lover not to grab a copy of this album instantly, especially in these dark days of sickness and despair. This is a true out-of-body experience! Thank you, my Friend, for sharing your talent with us – you make the reality easier to bear.

Updated: 20/11/2021Posted: 20/11/2021

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KUBA STANKIEWICZ ~ SPACES KSQ 001 (Barcode: ) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This is a wonderful new album by the veteran Polish Jazz pianist / composer Kuba StankiewiczFind albums by this artist, recorded with his quartet, which includes also saxophonist Maciej SikalaFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. The album comprises of nine original compositions, all by Stankiewicz. The music is mainstream Jazz, or rather classic Jazz, with the typical Polish tinge; lyrical, romantic and brilliantly melodic. For some reason the new generation of the Polish Jazz players diverged largely into new areas, neglecting the unique approach that identified the early days of the scene, which placed composition above everything else. Stankiewicz seems to have returned to that principle here, with his compositions being the centre of attention. Both the beautiful ballads and the up-tempo numbers have splendid melody lines, which serve as perfect vehicles for the saxophone and piano solos. The actual performance of the music is also kept in very traditional form, without any adventurous undertakings, which would have been out of place here. Sikala, who is the principal soloist here, plays excellently, especially on the soprano, with his long, somewhat sentimental twisted lines being absolutely perfect for this kind of music. The rhythm section plays a refined and tight background, which is always right there, when needed and always balanced with the soloing instruments keeping the music afloat. Stankiewicz plays superbly in the background, but solos sparingly, avoiding drawing too much attention to himself, which is quite unusual for a leader. When he plays solo, he does so with exquisite taste and humility. He obviously prefers the ensemble sound as best suiting his compositions. In spite of all that "retro" setting, this is a great Jazz album by all means. It´s been quite a while since I´ve had the pleasure of listening to such refined music, which is both aesthetically and artistically pleasing. There is nothing wrong with mainstream Jazz, as long as it is so elegantly performed and presents intelligent and heartfelt music. There is little to be added here, except for the fact that this is an album every true Jazz lover around the world should be able to cherish wholeheartedly. I can only prompt everybody to try. Satisfaction guaranteed!

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KASIA STANKOWSKA ~ NIE MA SZCZESCIA BEZ MILOSCI ARTMONIA 5902768831009 (Barcode: 5902768831009) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 Polish pianist / composer Wladyslaw SzpilmanFind albums by this artist was one of the great icons of the country´s musical scene for many decades. He achieved popularity already as a very young and exceptional pianist in the 1930s. During the Nazi occupation of Poland during WW II Szpilman, who was a Jew, was hiding in Warsaw and managed to survive the Holocaust, helped by his Polish friends and even a German officer, who was a music connoisseur. Szpilman´s WW II fortunes were the subject of his memoirs and after his death in 2000 it was the subject of Roman PolanskiFind albums by this artist´s movie "The Pianist", which won three Oscars and worldwide acceptance as a cinematic masterpiece. The lesser know facts about Szpilman, certainly outside of Poland, are his numerous activities in post-war years as the director of Music Department of the Polish Radio, creator of the Sopot Song Contest, which runs now consecutively for over fifty years, composer of many Classical works, concert pianist touring worldwide and additionally also author of hundreds of songs, many of which were extremely popular and eventually became evergreens. This album by Polish Jazz vocalist Kasia StankowskaFind albums by this artist takes twelve of Szpilman´s popular songs and presents them in Jazzed up versions. She is supported by a trio with pianist Lukasz PerekFind albums by this artist, who is also responsible for the arrangements, bassist Jakub OlejnikFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Saxophonist Maciej SikalaFind albums by this artist is the guest star and contributes some spectacular solos on several of the songs. Stankowska has a warm and expressive voice, which suits these songs ideally. The piano trio accompanying her does a perfect job, creating a nostalgic atmosphere of a smoky cabaret set sometime in the late 1950s / early 1960s, which I still recall from my childhood, when I was often smuggled under heavy long coat into these sinful establishments, getting my first-hand Jazz experiences. The piano parts are brilliantly arranged and perfectly executed and the rhythm section keeps the music steady and firm, with delicate dynamics and intelligent accents, always at the right moments. Sikala adds great ornamentation, breaking the nostalgic and relaxed mood with his delicate yet forceful solos, which shine like white pearls on a black dress. Szpilman´s status allowed him to select superb lyrics to his songs, written by famous Polish poets and lyricist, that are classy, coherent and elegant, and Stankowska makes the best of that asset, which deserves a special mention. All in all this is a most pleasant and rewarding musical experience, a classic example of "less is more". Keeping a low profile and avoiding excessive experimentation proves exactly right in this case. Beautifully simple, but not simplistic, beautifully melodic, but nor trivial, beautifully lyrical, but not banal…just beautiful. Diana KrallFind albums by this artist, eat you hat!

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VARIOUS ARTISTS ~ ILLINOIS JACQUET IN MEMORIAM NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2005 Released: 2017 As the title suggests, this is a tribute album to the great American saxophonist Illinois JacquetFind albums by this artist, recorded live by top Polish Jazz musicians. The album presents eight tunes recorded over a period of one year at the Gdynia Jazz club UCHO and two bonus tracks recorded earlier at the NOSPR concert hall in Katowice. The album features ten Polish tenor saxophone players, whose ages span four generations: Piotr CheckiFind albums by this artist, Michal Jan CiesielskiFind albums by this artist, Przemek DyakowskiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist, Dariusz HerbaszFind albums by this artist, Janusz MuniakFind albums by this artist, Maciej SikalaFind albums by this artist, Wojciech StaroniewiczFind albums by this artist, Irek WojtczakFind albums by this artist and Jan Ptaszyn WroblewskiFind albums by this artist. They are accompanied by various rhythm sections comprised of organist Wojciech KarolakFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist, guitarists: Maciej GrzywaczFind albums by this artist, Marcin WadolowskiFind albums by this artist and Michal ZienkowskiFind albums by this artist, bassist Janusz MackiewiczFind albums by this artist and drummers: Eric AllenFind albums by this artist (an American in Gdynia who played with Jacquet´s quintet and Big Band) and Tomasz SowinskiFind albums by this artist. Two of the tracks are originals by Jacquet and the rest are standards. Although recorded live, the album offers excellent sound quality. The music is everything one might expect form a tribute album like this one: familiar tunes, superb playing and an obvious joy ride. This is Swing and Bebop at its best and the participants seem to have great fun but the performances are all professional and heartfelt. It is great to see four generation of Polish Jazz musicians cooperating on one stage and playing every inch as good as any American musician might do, again simply wiping out any inferiority complexes still present among Polish Jazz musicians and many Jazz fans in Poland. Mainstream classic Jazz fans all over the world should have a great fun with this music, as it is full of the Jazz spirit and offers a high standard of playing well beyond of what is present on similar album recorded over the pond. The entire project, including this superbly produced album with beautiful artwork and fabulous photography is an obvious labor of love and the people standing behind it deserve all the praise we can offer them, including buying the album. Great stuff!

Updated: 24/11/2019Posted: 31/07/2018

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MICHAL WIERBA ~ BODY LANGUAGE FOR TUNE 0116 (Barcode: 5906395808168) ~ POLAND ~ Smooth Jazz Recorded: 2015 Released: 2016 This is the second album as a leader by Polish Jazz pianist / composer Michal WierbaFind albums by this artist, recorded live at the Polish Radio in a quintet setting with saxophonist Maciej SikalaFind albums by this artist, bassist Jakub DworakFind albums by this artist, drummer Arek SkolikFind albums by this artist and percussionist Bogusz WekkaFind albums by this artist. The album presents nine compositions, five of which are originals by Wierba, one is a traditional tune and three are standards (sort of). As usual with Wierba´s recordings, the music is definitely on the lighter side of Jazz, somewhere between mainstream Jazz and entertainment. His original compositions are well crafted, but do not represent a coherent stylistic consistency as of yet. This of course might be remedied in the future. The album is, however, excellently executed by all the participants, who are of course seasoned musicians with years of experience and numerous earlier recordings. Wierba is very skilled technically and plays with self confidence and vigor. Sikala is right on the money every time he takes a solo. The rhythm section provides amicable support and carries the music safely and steadfastly, albeit predictably forward. Personally I´m not a great fan of percussion, unless used in music where it organically belongs, so the percussion parts on this album add little to its value. Overall this is a very nice light Jazz album for listeners not necessarily associated with Jazz per se, but displaying some fondness of Jazzy oriented material that does not get to complicated. Definitely well played and entertaining, it might find many sympathetic ears.

Updated: 28/01/2017Posted: 28/01/2017

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