Record Reviews

KRZYSZTOF KOMEDA ~ LIVE IN BLED 1965 GAD 279 (Barcode: 5903068125096) ~ POLAND ~ Jazz Recorded: 1965 Released: 2023 The archival material presented on this album is a highly important document of the Eastern European Jazz scene, which thrived behind the Iron Curtain in the 1960s. It sheds light not only on the pioneering work of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, but also on the entire Jazz scene that managed to exist against all odds under the Socialist Regime, including the presence of Jazz clubs, festivals, concerts and even recordings released by the State owned record labels. The music, which is all previously unreleased, was recorded in June 1965 at the 6th edition of the International Jazz Festival in former Yugoslavia, one of the Eastern Bloc countries that boasted a booming music scene and was considered as the most liberal and Western oriented country behind the Iron Curtain. The festival, which was inaugurated in 1960, was held at the picturesque Slovenian town of Bled, and was one of the biggest such festivals, hosting both local and international Jazz musicians. Polish Jazz musicians were a permanent feature of the festival, including the Polish quartet led by pianist Andrzej KurylewiczFind albums by this artist with singer Wanda WarskaFind albums by this artist in 1962, the quintet / trio led by pianist Andrzej TrzaskowskiFind albums by this artist in 1963 and the Polish Jazz QuartetFind albums by this artist in 1964, before the concert by Komeda and his quintet in 1965. The lineup of the quintet included, alongside Komeda, trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and the performance consists of just two extended pieces: “Kattorna” (17:20) and “Svantetic” (21:32), both composed by Komeda and both appearing on his Polish debut album “AstigmaticFind albums with this title”, recorded some six months later and released as part of the legendary “Polish Jazz” series, an album which is often considered as the most iconic Polish Jazz recording of all time. For every Komeda follower, the comparison between this recording and the “Astigmatic” album is absolutely called for and unavoidable. The obvious differences are as follows: the three different musicians present on the studio recording: saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Gunter LentzFind albums by this artist and drummer Rune CarlssonFind albums by this artist, the much shorter versions of the compositions (7:20 and 15:50 respectively) and last but not least the spontaneity and sense of Freedom prevailing on this recording, as opposed to the tension and rigidity present on the studio recording. This, combined with the much better sound quality this recording offers, results simply in a much more striking version of “Astigmatic”, which of course is a sensational discovery, considering the fact that this music was hidden in the vaults for almost sixty years. The individual performances by the musicians are also quite different. Stanko is way fierier, Komeda soloes more extensively, and the Polish rhythm section of Dylag / Dabrowski is absolutely more inventive and interesting than the German / Swedish one, in short, again, this recording is simply a superior version of “Astigmatic”. Listeners less familiar with Komeda and his musical world, will find here a musician / composer fascinated with the revolutionary Jazz developments, which happened across the Atlantic, mostly those involving the prophetic work of John ColtraneFind albums by this artist. Komeda, perhaps like no other East European Jazz musician, managed to amalgamate the African spirituality, which obsessed Coltrane in the last feverish period of his life, with the European spirituality of lyricism and romanticism, creating a new form of expression, which although existed for a relatively brief period of time, managed to upturn and revolutionize Polish Jazz forever and overflow the borders of his country across the whole of Europe. Every new piece of recorded material by Komeda, which reveals a previously unknown window into his creativity and Art, is a true Holy Grail of European Jazz. But when it is as significant as the music presented here, it becomes an instant classic and a true treasure of Jazz history, important not only to Polish Jazz but to the entire Jazz universe, being a guiding light, which no true Jazz enthusiast can afford to miss. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 21/02/2024Posted: 21/02/2024

CD 1 Remastered Recommend To A Friend

POLISH JAZZ QUARTET ~ MEETS STUDIO M-2 GAD 054 (Barcode: 5901549197709) ~ POLAND ~ Jazz Recorded: 1964 - 1966 Released: 2017 This is a sensational archival album presenting the recordings by one of the formative modern Polish Jazz ensembles, the Polish Jazz QuartetFind albums by this artist, which comprised of saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist, pianist / composer Wojciech KarolakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist. The music included herein was recorded at the Polish Radio Studio M-2 with the studio orchestra conducted by Boguslaw KlimczukFind albums by this artist. Twelve wonderful pieces of early modern Polish Jazz are included on this album, seven of which are original compositions by Wroblewski, two are original compositions by Karolak and the remaining three are by other Polish composers, arranged by Wroblewski or Karolak. This album is the only source of recorded material by the Polish Jazz Quartet other than their debut album released in 1965 as the third volume of the legendary "Polish Jazz" series. The fact that the album does not include any American standards is extremely significant and points the way towards the development of the newborn Polish Jazz scene, which from its early days tried to create music different from the Jazz tradition, breaking away from the limitations and exploring new avenues, combining Jazz with the European musical tradition, local folklore and other influences, which eventually were to produce the "Polish Jazz Sound", which became an integral part of the Polish Cultural heritage. Stylistically the music moves between Swing, Bebop and Orchestral Jazz, still very much rooted in the American Jazz tradition, but already clearly trying to break away from it, which can be heard especially in Wroblewski´s masterful arrangements, which are very different from the American Big Band convention. The melodies are also much more sophisticated and diverse that the standard Bebop tunes, which served as vehicles for improvisation, whereas in the tunes present here the melodic contents has a much larger presence and position. The performances by all the musicians involved in these sessions are brilliant and one would never guess that this music was recorded beyond the Iron Curtain, where Jazz was in its early stages of development (at least on the National scale) and the musicians involved had very limited access to recorded material or performing experience. Listening to this album feels like taking a time machine trip five decades back in time, in order to visit the early childhood of modern Polish Jazz and the experience is truly magical. As usual the fact that this music is available for us to enjoy is by no means trivial and only thanks to the efforts of Michal WilczynskiFind albums by this artist, owner of the GADFind albums on this label Records label, it became a reality. Polish Jazz connoisseurs should be ever so grateful to this man for his unprecedented work.

Updated: 15/04/2017Posted: 15/04/2017

CD 1 Remastered Recommend To A Friend

VARIOUS ARTISTS ~ KRONIKI FILMOWE GAD 064 (Barcode: 5901549197877) ~ POLAND ~ Soundtracks Recorded: 1963 - 1978 Released: 2017 This is an archival release collecting mostly previously unreleased music, which was originally recorded as background music for films made by the Polish Film Chronicle (Newsreel) between 1963 and 1978. The album presents thirteen recordings by Polish Jazz, Rock and Classical musicians, such as Krzysztof SadowskiFind albums by this artist, KlanFind albums by this artist, Polish Jazz QuartetFind albums by this artist, SBBFind albums by this artist and others. The music represents the incredible variety of musical resourcefulness in Poland during the 1960s and 1970s, across different genres. These recordings are all fantastic gems of the era and a testimony to the fact that the Socialist Regime was unable to limit or castrate the creativity that the Polish musical scene always proudly cultivated and exposed. Most of the music belongs to the Jazz and Jazz-Rock Fusion idioms, which experienced a period of rapid development and great achievement during that time. Although compilations are not my favorite cup of tea, this compilation is so marvelous, interesting and surprising, that it easily holds its ground and makes perfect sense musically, in addition to being an incredible document of the era. For music connoisseurs unfamiliar with the Polish scene in the 1960s and 1970s this is an incredible introduction, a gateway into a whole musical universe that holds many treasures. For collectors this album offers many previously unreleased missing pieces of the grand puzzle called Polish Jazz. Beautifully remastered and accompanied by intelligent liner notes with historic information, this is one more gem that the GADFind albums on this label Record labels offers to its faithful supporters. Incredible stuff!

Updated: 29/01/2019Posted: 30/01/2018

CD 1 Remastered Recommend To A Friend

VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.22 POLSKIE RADIO 1874 (Barcode: 5907812248741) ~ POLAND ~ Jazz Recorded: 1964 Released: 2015 This is the twenty-second installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The ten tracks collected here were recorded during the seventh Jazz Jamboree Festival, which took place between October 24 and 26 1964 in Warsaw. This is the third part of the Jazz Jamboree 1964 recordings. The music was performed by four different ensembles, which are: the Italian Flavio Ambrosetti All StarsFind albums by this artist (five tracks), led by saxophonist Flavio AmbrosettiFind albums by this artist with trumpeter Franco AmbrosettiFind albums by this artist, Swiss pianist George GruntzFind albums by this artist, Polish bassist Tadeusz WojcikFind albums by this artist and Swiss drummer Pierre FavreFind albums by this artist and three Polish Jazz ensembles, Krzysztof KomedaFind albums by this artist Quintet (one track) with trumpeter Tomasz StankoFind albums by this artist, saxophonist Michal UrbaniakFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, Polish Jazz QuartetFind albums by this artist (two tracks) led by saxophonist Jan Ptaszyn WroblewskiFind albums by this artist with pianist Wojciech KarolakFind albums by this artist, bassist Juliusz SandeckiFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist Quartet (two tracks) with pianist Wlodek GulgowskiFind albums by this artist, bassist Tadeusz Wojcik and drummer Czeslaw Bartkowski. This is by far the most interesting of the three volumes of the Jazz Jamboree 1964 recordings, as it presents the modern Polish Jazz about to explode into modernism, which will shape its destiny for generations to come. Stanko, Urbaniak, Wroblewski, Bartkowski are still active on the Polish scene, fifty years latter, carrying the fire which was first sparkled around the time these recordings were made. The Ambrosetti set is also interesting, as it allows a glance at two legendary Jazz figures: Gruntz and Favre, at their early days. Most of the music performed on this album is original. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 08/07/2020Posted:

CD 1 Digipak Remastered Recommend To A Friend